#lesbian neo metal sonic

[gettheglambulance]

TRANS NEO PRINTS!

Some epic t-girl metal sonic designs. I was gonna make them more serious and cool at first, but "nuh-uh" was so funny to me that I stuck with that. Still wanted to make her look awesome tho bc this girlboss def maims hundreds of ppl on a regular basis oopsie

Product Links:

trans: "nuh-uh" trans: no text . lesbian: "nuh-uh" lesbian: no text . white: "nuh-uh" white: no text

[marionedde]

made sketches of some Sonic people cause I’m insane

Closeups:

surge and neo metal, along with trip and sticks if they were villains

Sticks would have such a killer redemption arc hear me out

Trying to push the Amy rose lesbian polycule agenda

Also my design for trip when she’s older (like same age as Amy)

[genderqueerswagfight]

Round A1.6

Howl Jenkins Pendragon (Howl's Moving Castle) VS Neo Metal Sonic (Sonic)

[ID: A picture of Howl, who is a Welsh man with chin-length black hair and a loose white shirt. A picture of Neo Metal Sonic, who is a robot with five long head quills, pronounced armor, and a cape. /end ID]

Howl:

Howl has gender defying earrings. Also, him and Sophie are the gayest straight couple. Also, he's almost definitely trans. he/him lesbian

Neo Metal Sonic:

That's a robot. All robots are genderqueer in nature. Also has a cape that looks like a skirt, that's a genderqueer slay for me

[matt0044]

Fave meme thingie

Tagged by @spacevixenmusic

Favorite Color: I... can't say?

Currently Reading: IDW's Sonic The Hedgehog run. Picked up the "Tangle & Whisper" trade and fell in love with those funky little lesbians (whether SEGA allows it to be said or not). Whisper speaks to the introvert in me and Tangle speaks to the part of me who can be a lot for others.

Wish they were the perspective characters for the Neo Metal Sonic arc for new fans tho.

...

Anywho...

Last Song: Look Up! The Sky Is Falling by Michael Bradley as Yellow Dancer

Last Series: Naruto Part 1 and movies (Three is the best in terms of plot structure and character writing). And yeah, I saw the Filler Hell. Guess what? I. Liked. It. A lot.

Last Movie: Terra Willy. It's actually a animated movie from France that's all about a kid surviving for ten months on an alien planet. Starts off slow but grows. There's no obligatory villain, twist or otherwise, but nature to contend with.

I get that YouTubers need clout and profit so they focus on Disney/Pixar/Sony/etc. but the movies distributed by Kids Viva are honestly some of the best I've seen. Some are clearly "inspired" by Disney but even they blaze their own trail. Check out their catalogue if you hope to broaden your animation horizons if only a bit.

Working on: I'm planning a crossover between Miraculous Ladybug and The Jungle Book (specifically the 1989 Anime adaptation) and a crossover between Digimon Fusion & Fairy Tail with Lisanna Strauss as the lead.

WARNING: My main gallery and faves is SUPER NSFW with every kink imaginable. If you prefer your pure mental image of me to remained unsulied by the reality that people get horny in weird ways, tread carefully.

For now, I'm working on an adaptation of my favorite Pokemon game, Black & White. The player characters are practically premade OCs so developing the personalities of Hilda and her team has been cool (you will love her and Oshawott). I just completed the first story arc (Chapter) so check it out and leave a comment: https://www.fanfiction.net/s/14142529/1/Pokemon-Heroes-The-Black-White-Chapter-One

Tags: @princealigorna @tumblingxelian @bloodraven55 @simkim704 @silvermoon424 @theirisianprincess @swan2swan @knightzilla

[miaulogy]

☆ metal sonic-themed neopronouns :

requested by @/lonelyhetaro!

total pronouns listed: 125 + 24

nounself:

sonic-themed neopronouns

metal/metals/metalself

mech/mechs/mechself

ro/ros/roself

rob/robot/robotself

android/androids/androidself

do/dop/dopself

el/els/elself

ga/gan/ganself

ge/ger/gerself

AI/AIs/AIsf

art/artif/artifself

fi/fis/fiself

bot/bots/botself

tech/techs/techself

techno/technos/technoself

wire/wires/wireself

mach/machine/machineself

crea/create/createself

ea/eas/eaself

rea/reat/reatself

doc/docs/docself

evil/evils/evilself

claw/claws/clawself

sharp/sharps/sharpself

ultra/ultras/ultraself

bad/bads/badself

nik/niks/nikself

bad/nik/badnikself

ni/nik/nikself

neo/neos/neoself

enemy/enemys/enemyself

em/emy/emyself

en/enem/enemself

e/em/emself

my/mys/myself

ne/nem/nemself

nemesis/nemesis/nemesiself

me/mes/meself

e/es/eself

es/esi/esiself

ne/nes/neself

battle/battles/battleself

bat/bats/batself

silent/silents/silentself

si/sil/silself

en/ent/entself

quiet/quiets/quietself

et/ets/etself

intel/intels/intelself

int/intel/intelself

li/lis/liself

ge/gen/genself

gen/gens/genself

smart/smarts/smartself

mar/mars/marself

dark/darks/darkself

ar/ark/arkself

dar/dark/darkself

da/dar/darself

cold/colds/coldself

co/cos/coself

kill/kills/killself

kill/killer/killerself

mur/murs/murself

de/der/derself

dae/daer/daerself

power/powers/powerself

pow/power/powerself

pow/pows/powself

silver/silvers/silverself

si/sil/silself

ve/ver/verself

silv/silvs/silvself

iri/iris/iriself

ir/irs/irself

iris/iris/iriself

ri/ris/riself

i/ir/irself

mistery/misterys/misteryself

te/ter/terself

mi/mis/miself

ry/rys/ryself

???/???s/???self

beep/beeps/beepself

buzz/buzz/buzzelf

destroy/destroys/destroyself

de/des/deself

troy/troys/troyself

ro/roy/royself

program/programs/programself

pro/pros/proself

gra/gram/gramself

cal/cals/calself

cu/cul/culself

late/lates/lateself

chip/chips/chipself

ip/ips/ipself

revenge/revenges/revengeself

ve/ven/venself

venge/venges/vengeself

re/rev/revself

beat/beats/beatself

com/coms/comself

sent/sentient/sentientself

ie/ien/ienself

evolve/evolves/evolveself

vo/vol/volself

ev/evs/evself

ego/egos/egoself

twisted/twisteds/twistedself

twi/twist/twistself

wi/wis/wiself

copy/copys/copyself

py/pys/pyself

emojipronouns:

🤖/🤖s/🤖self

💙/💙s/💙self

💢/💢s/💢self

💥/💥s/💥self

🧨/🧨s/🧨self

🔨/🔨s/🔨self

🛠/🛠s/🛠self

🔧/🔧s/🔧self

🔩/🔩s/🔩self

⚙/⚙s/⚙self

[DNI: Fatphobes, queerphobes, racists, ableists, anti-mogai, anti-endo, transmeds/truscums, terfs/swerfs/tehms, invalidate any mspec identity (including mspec lesbians/gays/straights), antisemites, proshippers/anti-antis.]

[zaphffayrkunialofphinsfable]

my band named Germaphobe

Genres-Grunge, Punk, Garage rock, Queercore, Riot grrrl, Hardcore punk, Surf rock, Goth rock, Post-hardcore, Sludge metal, Heavy metal, Pop punk, Noise rock, Alternative rock, Experimental rock, Indie rock, Post-punk, No wave, Alternative metal, Hard rock, Noise pop, Art pop, Art rock, Pop rock, Anarcho-punk, Power pop, Prog rock, Space rock, Electronic rock, Prog metal, Pop, Electronica, Alternative hip-hop, Electropop, Rap rock, Indie pop, Post-emo, Rock, Synth pop, Electronic rock, Hip-hop, Indietronica, Bedroom pop, Indie folk, Lo-fi, Horror punk, Folk blues, Folk, New wave, Industrial rock, Alternative pop, Experimental, Lo-fi pop, Proto-punk, Garage rock, Garage rock revival, Post-punk revival, Beat, Psychedelia, Blues rock, Punk, blues, Folk rock, Soft rock, Blues rock, British blues, R&B, Blues, Prog pop, Orchestral pop, Pop rock, Glam rock, Post-punk revival, Dance punk, Dance rock, Psychedelic rock, Psychedelic pop, Neo psychedelia, Trip hop, Folk punk, West coast hip hop, Gansta rap, Rap, Lounge pop, Post britpop, Britpop, Garage punk, College rock, Dream pop, Shoegaze, Pop rap, Underground hip-hop, Baroque pop, Folktronica, Post-hardcore, Nu metal, jazz rap, R&B

Inspirations-Black Flag, Sex Pistols, Black Sabbath, The Ramones, Sonic Youth, Soundgarden, Alice In Chains, Nirvana, Pixies, The Smashing Pumpkins, Blur, Pearl Jam, Fifth Column, Big Man, Bomb, The Apostles, Academy 23, No Brain Cell, Gorse, Pansy Division, Muse, Radiohead, 21 Pilots, Green Day, Chloe Moriondo, Cavetown, Misfits, Leadbelly, Queen, The Cure, Depeche Mode, Slipknot, Siouxsie And The Banshees, Joy Division, Bauhaus, Carseat Head Rest, Girl In Red, Velvet Underground, The Strokes, The Beatles, The Kooks, The Kinks, The White Stripes, The Cult, The Smiths, Fleetwood Mac, Jimi Hendrix, The Clash, The Rolling Stones, Lil Peep, The Who, Iron Maiden, Aerosmith, Led Zeppelin, Electric Lights Orchestra, David Bowie, Franz Ferdinand, MGMT, Gorillaz, NOAHFINNCE, Bears In Trees, Dr Dre, Snoop Dogg, Roar, Eminem, Arctic Monkeys, Sir Chloe, Tally Hall, Mother Mother, Mitski, The Hives, The Sisters Of Mercy, Beach Bunny, The Killers, The Talking Heads, R.E.M., My Bloody Valentine, Lil uzi Vert, Lil Wayne, Run DMC, MF Doom, Hole, Vampire Weekend, Alt J, Naked Ray Gun, Linkin Park, Tyler The Creator, Daft Punk, St. Vincent, Wolf Alice, Joan Jett, Bikini Kill

Members with quick bios and their instruments

Ophelia Fable (me!)

Instruments in band-lead singer, guitarist, cello, ukulele

Instruments-singing, guitar, cello, violin, piano, drums, bass, ukulele, synthesiser, melodica, omnichord, keys, drum machines, banjo, turntables, trumpet, percussion, key tar, organ, tambourine, sampler

Pronouns-they/them

Gender-transfemme enby

Sexuality-demiro lesbian ace

Age-22

Race-white/brown/indigenous

Religion-atheistic satanist, has islamic beliefs but does not identify as a muslim, paganism

Mbti-infp

Ned Swarbrick

Instruments in band-support singer, guitar

Instruments-singing, guitar, keyboard, synthesiser, turntables

Pronouns-he/him

Gender-cis male

Sexuality-unlabelled

Age-23

Race-white/japanese

Religion-buddhism, shinto

Mbti-enfj

Jay Wheller

Instruments in band-support singer, guitarist, ukulele

Instruments-singing, guitar, ukulele, drums, keyboard, piano, synthesiser, turntables

Pronouns-any pronouns

Gender-unlabelled

Sexuality-unlabelled

Age-22

Race-white/japanese

Religion-buddhism, shinto

Mbti-isfj

Brynn Brown

Instruments in band-bass

Instruments-bass, guitar, drum machine, piano, keyboard, banjo

Pronouns-he/him

Gender-cis male

Sexuality-straight

Age-23

Race-white

Religion-satanism

Mbti-enfp

Xander Hudson

Instruments in band-bass (uses pedals to make it sound like a synth), keyboard

Instruments-bass, guitar, keytar, drum machine, piano, keyboard, banjo

Pronouns-any pronouns

Gender-agender

Sexuality-aroace

Age-24

Race-white

Religion-believes in predestination in Islam but is not a muslim, satanism

Mbti-enfp

Alex Sam

Instruments in band-support singer, drums

Instruments-singing, drums, bass, guitar, percussion, drum machine, turntables, trumpet, ukulele

Pronouns-he/him

Gender-cis femme

Sexuality-straight

Age-25

Race-white/black

Religion-islam

Mbti-enfj

albums and EPs (we have not published any)

I have no mouth and I must scream (album)

btw I changed the band members including myself's names for privacy

[doxion-somo-icons]

Metal Sonic LGBT+ Icons

Rainbow 1 | Rainbow 2 | Lesbian

Bi | Pan | Ply

Polyamorous | Queer Chevron | Queer Stripes

[onestowatch]

19 LGBTQIA+ Artists You Need to Listen to This PRIDE

PRIDE is all about self-empowerment and self-determination. It’s about not just being comfortable with who you are but showing the world that there is pride to be found in being unapologetically you. And that’s why, this PRIDE, we wanted to shine a light on a small handful of our favorite LGBTQIA+ artists. Ranging from rapturous hyperpop, revelatory bossa nova meditations, romantic rave music, and everywhere in between, these are 19 LGBTQIA+ artists who deserve a spot on your PRIDE playlist and every playlist for that matter. 

girl in red

In her debut single, “i wanna be your girlfriend,” a teenage girl in red unapologetically sings of young queer love over a mesh of lofi production and jangly instrumentation that would come to define much of the bedroom pop genre. It is a standout moment of unrelenting honesty, and a serenely simple three-minute confession that would go on to strike a chord with millions who were afraid of what it meant to be something more than friends. Now, a few years later and following the release of her critically-acclaimed debut album, if i could make it go quiet, Ulven still writes with that same emotional honesty, putting forth every ounce of herself for the world to see. 

Meet Me @ The Altar

“the little lonely black alt girl i was in the 00s is living rn, she never even dared to hope she might see this 💖💖,” reads the top comment on Meet Me @ The Altar’s music video for their single “Garden.” It is a sentiment shared by much of the rising band’s fanbase, who are used to the mainstream alternative scene championing cis white males. Existing in the space between pop-punk and hardcore, Meet Me @ The Altar exists to challenge the notion that queer women of color don’t have a place in punk. And after penning a record deal with Fueled By Ramen, home to the likes of Paramore, Panic! at the Disco, and nearly every pop-punk band that made up your middle school playlist, chances are this is just the beginning for our new favorite punks.

THE BLOSSOM

For Lily Lizotte, better known as THE BLOSSOM, music exists as the synthesis and subsequent recontextualization of a host of past experiences. From the sound of their dad belting away in his home studio to stumbling upon niche Internet subgenres, THE BLOSSOM transforms all this and more into a sound that is instantly recognizable but impossible to perfectly place. The culmination of this host of influences takes sweeping sonic form on their debut EP, ‘97 BLOSSOM, a perfectly imperfect introduction to one of the most fascinating rising artists of recent memory.

BIMINI

You may recognize BIMINI as Bimini Bon-Boulash, the runner-up on the second season of RuPaul’s Drag Race UK. And now you should familiarize yourself with Bimini, brit-pop extraordinaire. Releasing their debut single “God Save This Queen” earlier this June, Bimini deftly channels late ‘90s brit-pop and punk to deliver a single that has us absolutely living for the ensuing chaos. Serving up multiple looks throughout its eye-catching music video, “God Save This Queen” is not just a non-binary anthem but a veritable 2021 lookbook.

Hope Tala

With a sound that falls somewhere between turn-of-the-century R&B and bossa nova, Hope Tala’s music is expectedly a dream given sonic form. Perhaps that’s why much of the UK singer, songwriter, and multi-instrumentalist’s music is able to so deftly weave imagery of love, heartache, and teenage fistfights into tightknit tracks that feel simultaneously transcendental and deeply personal. And with the release of her 2020 EP, Girl Eats the Sun, Hope Tala poses one all-important question, “Why have a life if you’re not going to do something crazy and make a difference in the world?” 

chloe moriondo

For much of chloe moriondo’s avid fanbase, watching her transform from budding ukulele sensation to pop-punk phenom very much meant watching her grow up. Getting her start on YouTube, moriondo's fanbase witnessed her evolve as both an artist and person. Coming out in the aptly titled “a ramble about self identity, growth, and being a lesbian,” to be a fan of the artist often feels like trading secrets with a close personal friend. It is a sentiment that rings all the more true upon delving into her debut album, Blood Bunny. Grappling with coming-of-age at the axis of empathic pop and euphoric pop-punk, Blood Bunny sees moriondo taking yet another impressive step forward.

Godford

Little is known about Godford beyond what can be garnered from a handful of interviews online and his succinct Spotify bio, and chances are he’s happier that way. The anonymous DJ and producer aims to make non-binary music that exists outside of the confines of genres, overly-simplified classifications, and even himself. What is important are the emotions his music hold and what his listeners take away. Fusing romanticism and rave in his debut album, Godford: Non Binary Place, the anonymous artist does just that. He provides a space that exists simultaneously everywhere and nowhere, like an ephemeral night spent out on the dancefloor with a stranger or close friend.

Joy Oladokun

Joy Oladokun is at the core of her music. It may at first glance appear to be a painfully obvious statement, but as her sincere songwriting seeps into every corner of your soul, it is a notion that becomes undeniable. In her major label debut, in defense of my own happiness, Oladokun writes with an unabashed authenticity, never turning a blind eye to the world around her. These shared reflections and recollections of life are often heartbreaking and uplifting in the same breath, but in their candidness, we can begin to piece together what it means to be human, imperfections and all.  

Allison Ponthier

Allison Ponthier may only have a handful of singles to her name, but her unmatched potential is clear as day. Raised in the outskirts of Dallas, Texas, Ponthier’s moving songwriting and emphatic vocal prowess speak to her country roots. Pair that country sensibility with some of the most pristine pop songwriting we have heard in quite some time, and you begin to understand just how exciting Ponthier is as a rising artist. With only two singles to date, there’s not much else we can say beyond do yourself a favor and play “Cowboy” on repeat.

Rina Sawayama

It feels like no hyperbole to call Rina Sawayama an inevitable pop icon. First garnering critical acclaim with singles like “Cherry” and her 2017 debut EP RINA, the Japanese-British singer-songwriter staked her name on her immaculate ability to capture all the glamour and larger-than-life appeal of early ‘00s pop. Building on what was a nostalgic yet forward-thinking vision, Sawayama returned with her 2020 eponymous full-length debut. From nu-metal, club beats, to veritable pop anthems, SAWAYAMA emerged as a genre-defying showcase of an avant-garde pop star.

Arlo Parks

Listening to Arlo Parks’ music is akin to sipping on a hot cup of chamomile tea as you watch the world slowly pass by your living room window. It is a testament to the British poet and singer-songwriter’s subtle yet beautiful way with words, the way in which each lyric serves as a glance into a tightly-held memory or passing observation. These poetic musings come to life in her debut album, Collapsed In Sunbeams, which layers lyrical revelations over some of the most tender R&B of recent memory. Parks’ is more than a must-listen; she feels like the birth of a new wave.

Claud

Claud has spent the past few years making a name for themselves in the indie pop world, and the culmination of it all arrives in their debut album, Super Monster. The acclaimed album sees Claud reckoning with coming-of-age and love with an irresistible charm. Pair that with a penchant for grounded, affective songwriting and infectious, dreamlike melodies and you have one of the best debuts of recent memory. In case you somehow need any further convincing that Claud is one to watch, Super Monster marks the debut release from Phoebe Bridgers’ Saddest Factory Records.

UMI

Equally as inspired by R&B and neo-soul as she is by her generation’s penchant for blurring genre lines, UMI and her music exist as a form of spiritual healing. Half-Black and half-Japanese, her work explores everything from identity to self-introspection, such as on the aptly-titled Introspection. It is a fondness for self-exploration that UMI delves headfirst into on her 2019 EP Love Language, a sublime blend of identity struggles, love, and anime that tackles the issue of always feeling like an other, never Black or Japanese enough.

Joesef

Sad boy summer. It’s the simplest way to being explaining Joesef’s serene albeit somber sound. Emerging out of Glasgow, the quickly rising star often wears his still bleeding heart on his sleeve, even when the underlying sonics seem to be moving onto greener pastures. It is an exquisite balancing act that comes to life on his 2020 EP, Does It Make You Feel Good?. Blending elements of soft-spoken R&B, jazz, and ethereal pop, Joesef sets himself apart as an artist whose influences and appeal know no bounds.

Serena Isioma

At the top of the year, we named Serena Isioma one of our top artists to watch in the year to come, and for good reason. The self-proclaimed “nonbinary rock star” experienced a breakout moment with “Sensitive,” a track that is difficult to perfectly encapsulate but think along the lines of fusing modern-day R&B and woozy indie-pop with reckless abandon, and you’ll be about halfway there. It was an impressive standout track that was only buoyed by a pair of EPs, Sensitive and The Leo Sun Sets, in 2020, officially cementing Isioma as an artist like no other.

Khai Dreams

Khai Dreams’ music is effortlessly easygoing. With its straightforward guitar lines and understated production, every track from the Pacific Northwest singer-songwriter flows out as naturally as breathing. Maybe it’s that laid-back approach that begins to explains Khai Dreams’ universal appeal and millions of monthly listeners, despite releasing most of his music independently. A hallmark of the DIY generation and its massive homebrewed potential, it would be a crying shame if you didn’t let Khai Dream’s serene meditations transport you somewhere far from here.

Frances Forever

Like much of their Gen Z cohorts, Frances Forever’s exponential rise was not the result of a well-executed marketing plan but by the pure chance of a single song finding a home online. The song in question, “Space Girl,” was originally part of NPR’s Tiny Desk Content before soon blowing up on TikTok, and it’s not hard to see why. Short, sweet, and to the point, “Space Girl” is a saccharine love letter to that bubbly feeling of floating on cloud nine. Now signed to Mom+Pop and with their debut EP, Paranoia Party, due out later this year, this is the perfect time to get familiar with Frances Forever.

Dorian Electra

Unapologetically playing with gender norms and stereotypes while seeing just how far they can push the limits of pop, Dorian Electra has long maintained a cult following in the world of experimental, highly addictive hyperpop. And it’s not hard to see why. Having collaborated with the likes of Charli XCX, 100 gecs, Village People, Pussy Riot, Rebecca Black, and more, Electra’s music ranges from off-the-rails hyperpop to introspective pop slow burns. All of this and more reaches a fever pitch in their 2020 album My Agenda, a devious showcasing of one of pop’s most explosive figures.

MAY-A

Maya Cumming, professionally known as MAY-A, is no stranger to the hustle it takes to make it in the music industry. The Australian artist got her start entering numerous singing competitions in her hometown of Byron Bay and started busking on the streets at the tender age of 11. Now, she has a breakout single under her belt in the form of “Apricots,” an anthemic indie-pop ode to queer love. And since that breakout moment, MAY-A has continued to release impressive single after single—the latest being the collaborative “American Dream.”