Do you have an ultimate all time fave Troy scene that you could gush about forever?
Oh god that's such a difficult question. Honest answer would be 'no' because I just cannot choose. I have *so many* favorite Troy scenes that I love to go on and on about. Like, really, I think every ep he is in, I've got at least(!!) one scene I could gush about. I mean, I can't even tell you which ep I love him most in.
Though I do have at least two eps my mind goes to first when asked for favorite Troy scenes - ep 9 and ep12. And again, there's a lot of scenes to love in there but I think most about ep 9 is the confrontation with Madison (and, of course, stabbing his hand on Klah's knife. gotta love that enthusiasm). He's so vulnerable during it, like we get another little puzzle piece of his rich inner life that he keeps so closely guarded (ok or maybe it's also that he wasn't really a hm POV character or someone we should sympathize with that's why his... reasoning or motivation for a lot of things stayed hidden from us 🤷♀️). Anyway, the way he says "is that guilt" and "you let *your son* shoot him" (im obsessed) jesus there's a lot going on there. It seems like betrayal a bit (see also "i thought you were cold-blooded"). Also note how he's more fixated/upset over that part, Nick (and not Madison!) shooting Jeremiah instead of, you know, Jeremiah having been shot/murdered.
Also the infamous "I don't surrender" line, I mean, that's Troy in a nutshell, isn't it? No matter what is thrown his way, no matter how people treat him, he tries and tries again. He does so with Madison (I mean, right before she kills him he tries to move past all that shit right, tries again to connect with her), he also did so with his father, staying loyal to him, obedient, through all that abuse and humiliation and belittlement. I think the same is also true for his relationship with Jake, even though the cracks there can be seen, and also for his relationship with the people on the ranch at large. They talk about him, too, but he still protects them - I mean until he led the horde there, of course. But by that point he was dealing with a lot - his father's death, his own exile, Madison's 'betrayal'.... Anyway, I don't surrender, that is so very Troy. And maybe sometimes he'd like to surrender, give up and be done with everything but that's just not in his nature. Probably why he can't kill himself. Why he also keeps going, when Nick tells him "you can sleep when you're dead". Try, try again, even when people keep beating him down. Downright endearing if it weren't so heartbreaking.
Anyway, ep 9. The scene with Madison. I got distracted. The way he goes "hi" after he's done hitting Klah. The way he kept jabbing at her over Jeremiah's death "You hit your quota?" when she tells him "no more killing" (hahahah makes me laugh every time). The way the gun does not impress him at all. Just casually walking up to her. Mostly sure she won't kill him but I think he wouldn't have minded if she had, either. The voice break when he tells her "i know what you did". The expression he makes when he asks "and why wasn't it" after she goes "It should've been me". There's that betrayal. Sadness. Ok maybe also because his dad died. Maybe because they kept it from him. Maybe because she didn't ask *him* to do it.
And then, the very incomprehensible (he is the one that isn't comprehending. but then also he is. this is how it always goes, why would it be different with madison) "i thought you wanted me with you". As he asks he knows already she doesn't. But again, he's trying as much as he can, to get through to her. Until the heartbreaking "I'm tired. I'm so tired." That's probably as close as he gets in asking for help. He did it with Nick too later, in ep 12 ("I need sleep" he told him but he meant rest). He thought he'd die and these people just refuse to get the job done and so he has to live, live with all this loss and he just, he needs a break. So desperately that he says one of the most vulnerable things (so far). "Im so tired." Unfortunately Madison either doesn't hear it, or, more likely, doesn't think she can give in to that (no wonder, he did just attack her after all). And when that fails, this cry for help (in like Troy-speak), he goes. What else is there to do? He'll go and survive because that's what he does.
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Now, ep 12, I love the confrontation between Jake and Troy (the little convo in between, between Nick and Troy - "murder, you really wanna go there, nick?" "still ricocheting in your skull, nick?" "you tell it best, nick. I don't want to steal your thunder" "don't say sorry to me, say sorry to him". It's lovely, all of it). And then of course the sibling confrontation. Also very lovely. We see Jake finally giving in to what he's wanted to do for a long time, I wager. He has been fed up with Troy since ep 1 (and before that too, I'm sure. Their interactions do tease a history between them).
"I love that sound" - also very much a contender for favorite line. Also gotta admit I thought he'd say something different (and more uh x-rated) when he went "I love that sound some love when a ball hits the fat of a bat, you know" Anyway, just another reminder that Troy loves all things to do with danger and control. (And I don't even think this has to be in the obvious way, where he loves to be in control, though I'm sure he does. But that he also loves the loss of it when in danger. When at the recieving end of a gun (you best believe I've got a story for this, too, 'fool me twice'... I'm sorry, I cannot stop the shameless self promotion....))
Also I just noticed, how he says "It's eviction or extinction" and you know who else got famously uhm evicted. Adam and Eve. So yeah, when he says "this is biblical" to Nick, the night before, to warn him, he really means it like that.
And then the bit between the two brothers. How Jake tries to impress upon Troy he'll really kill him "I'll shoot you brother, I will" and how Troy *doesn't even hesitate* to pull the trigger himself, almost like saying "fucking do it then". Or he is mocking him. Probably both, considering it's Troy. And he was right, wasn't he, to be mocking. Because Jake doesn't kill him (yet). But Troy tries to rile him up further. He almost sounds panicked in a way, but not in fear of his life. Maybe in fear of Jake *not* going through with it after all.
And then their whole rabbit bit, how Troy looks at Jake while he goes "rabbits they, they scream like human beings", that calculating look. How he interrupts Jake with this mocking laugh and a "oh, tell me about the rabbits" Jake is totally ignoring Troy's interruption, going "I still protected him" and Troy telling him "You left me, brother." And then Jake again, insistently "I always protected you!" and Troy isn't saying anything to that but he doesn't look amused anymore. God I wish Nick would've shut up so we'd really get into their grievances between the brothers. But sadly (or maybe not so sadly haha) he wanted to save Troy because he was feeling guilty about killing his dad. And it gave Troy the perfect opportunity to torture Nick about this, also very enjoyable. All in all, a great interaction all around.
Oh and of course the "you thinking of checking out? we could do it together" has me chanting death-wish, death-wish, death-wish hahahaha. I do think he'd have liked it to go together with his brother. It's sweet somehow. In a way it feels like he wants to help his brother on this journey. Like, then his death means something. And then how he licks his lips when Jake gets ready to shoot him. Is it anticipation, fear? Who knows. Would love to ask Daniel about it...
AND ALSO THE TITLE 'Brother's Keeper', that's a biblical phrase “Am I my brother’s keeper?” Cain said to God when God asked him where Abel was (and Cain had killed him). So I wonder, is Jake Cain then? I mean Jake *does* die and Cain, well, famously does not. But then, it's not Troy that kills Jake. It's Nick hitting Jake before Jake can kill Troy. Would Jake have even killed Troy? I'm not sure. I'm just sure that Troy would rather have died himself than seeing Jake die... anyway, "Am I my brother's keeper" I think this question taken at face value is actually Jake's gripe with Troy. That he feels he is made responsible (probably from a young age, given the little glimpse into the past we got via those video tapes) for keeping Troy in check. While, I imagine, Troy doesn't really listen to Jake (and Jake has no real power over Troy so he can reinforce his will), so a thoroughly frustrating experience for Jake, all in all. And yes, maybe this, assembling a horde and leading it to the ranch, would've given him enough motivation to be able to uhm enforce his will. But maybe not. I guess that's me saying, love the title, love also how we get a bit more insight into the brotherly relationship. Though I *so* wish we got into it even more. Like what did Troy mean when he said "Oh, tell me about the rabbits". Sounds like there's a story there (and yes I did try to imagine it in my story 'childhood memories').
This was a lovely ask, I enjoyed answering it. Thank you so much and have a great day 🧡
Also, I hope it's ok to invite people to jump in, if they feel like it, and share their favorite Troy scene. I'm so very curious 👀 gimme, gimme (also don't feel the need to ramble on like I did hahaha, though if you want to, have at it!)
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Divorce Saga Domon - A Haunted Honk Prequel
Hello Internet Stranger looking up G Gundam on Tumblr dot com!
This is an idea for a fic set in an Alternate Universe involving Queer Non-Canon Relationships between the characters of the series.
If you are not looking for this content please scroll on.
If you ARE looking for this content - and you're ok with reading my and other's Headcanons for this Alternate Universe I've haphazardly spun up -
Then go ahead and feel free to:
Check The Tags Of This Post For The Pairings
and click the Read More below!
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Ended up outlining a completely different fic as a Segway for an explanation instead of making progress on the Royal Flush Haunted Honk AU's Clown Motel Fic like I wanted to but uh....
For y'all's review for the AU: A Prequel Outline - Divorce Saga Domon
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Hey real quick - I'm thinking of maybe changing the timeline to 2 years post canon as opposed to 3 years and change post canon.
The reason being: I had a thought that this scene could either be part if the fic or if it's getting to big then it could be a stand alone tie-in prequel fic as part of this AU but - like
Immediately Post Divorce Domon Needs Space and runs off. As one does. And he runs to Earth because he just wants to Get Lost for a while.
He has Argo smuggle him out to avoid detection.
Argo has Andrew help stow Domon in a storage hanger of a Neo Canadian supply ship that's returning to the US - they have trade often enough and share agricultural resources - which leads to Domon ending up in New York when he hits Earthside pavement.
He's privately worked on his English the last couple of months and after being dropped in New York with a different hairstyle, outfit, and accent he's unrecognizable.
He considers making his way west to get some solitude in the wilderness, but something about that initial plan feels off now that he's on the ground.
Chibodee is also Earthside for a special series of prize fights aimed at raising charitable appeal for the US in the eyes of Neo Americans.
Domon decides to hit up Chibodee for a fight on a day between matches hoping it'll clear his head and give him the clarity to decide on a course of action. What ends up happening is an unexpected heart to heart via blows and a breakdown.
Domon is happy for Rain and Kyoji, and he knows it's not true; but he feels like he lost a piece of himself when his relationship with Rain fell apart.
Domon's instinct is to run after that but Chibodee knows this city and Domon doesn't hide out for long before Chibodee drags him back to his place to stay and just "Chill out and breathe. You don't have to be anyone but yourself here. You can take as long as you need to find out what everything changing means for you." Friends and teammates stick together.
So Domon spends a few weeks with Chibodee sparring and hanging out in New York. Chibodee does a frankly awesome job at containing his feelings because he's focusing on Domons feelings and being a good friend first and foremost. Whatever he's feeling can wait until after Domon is done going though it.
There's a bit of a twinge in Domon's heart as he leaves that he can't really place.
After he returns to Neo Japan and gets settled back into life with his family, The Dreams start.
They're mainly set in New York. Small things first like noticing Chibodee's smile and his eyes. Then sparring sessions that begin to turn lurid.
He thought these kinds of dreams would stop after he was married.... he doesn't know what to do about this.
I just figure it gives more clarity and sense of time for the journey from Comphet Marriage Dissolution to Feelings to Confession. Idk.
But I got stuck on a bit and then had this thought and needed to get it down before I lost it and it was so long it made sense to make it its own post as opposed to several replies.
The Maize and Clown Motel will probably still be 3 years and change post canon for clarification.
@thedragonchilde @amplexadversary @youreaclownnow
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Marina Thompson Crane is forced back into society following after, not only, her husband's death but discovering that he left everything in his name---from the land to the responsibilities to the money all connected to him---to her. She is now Lady Crane and surrounded by those who await to sink their teeth into her, just as they done before when she was younger, only now with some faux respectability given her new title.
Finding friends is hard, or maybe because she makes it so given the last time, so when Eloise Bridgerton starts making conversation with her Marina can't help but study it with a sharp eye. It's not the first time someone had tried to get in her good graces, throwing in an overly kind compliment that, once upon a time, would have made her heart soar, but now only makes her alert. She was in no mood for a repeat of her first season nor the events that followed. But Eloise keeps pushing, with all her stubbornness and lack of filter, hurriedly rushing to apologize whenever she makes a misstep before standing her ground the next. While most people, when they look to Marina, see an outcast, a woman who got off lucky but has no right to the title of her late husband, Eloise sees a woman subjected to the same harshness of their world that many others had not been so fortunate enough to withstand. Eloise sees someone who could inspire.
Marina appreciates her honesty and becomes more responsive towards the younger Bridgerton girl, indulging her from time to time. And, maybe, because it was nice to have a friend. Whenever Colin comes towards her, Eloise is always there to divert his attention, and whenever Marina attempts to seek out Penelope, the girl who always seems to lurk near the pair, Eloise quickly steers in the other direction with a cold look in response to the youngest Featherington.
It isn't long before a few other young girls flock to the pair, some well off while others are clinging to what they have left. They're all different from one another, but have a shared desire. They don't want a part in the ways of the Ton nor to lose their liberties, but fear the consequences if they do (for how could they remain standing on their own if things don't work out?) Marina is someone they respect. At first, she doesn't see it that way and quickly tries to wave them off, as she wants no part in some girls' rebellious behavior when she has her own children to think of, until she sees how desperate they are. How much she inspires them. How alone they are.
How much they remind her of herself.
Marina doesn't necessarily know how it starts, as it's a tedious process with how some members of society still see her as tarnished and don't want their children near her, but they work it out. Young girls flock to her home, seeking a break from the stresses of the Ton and their expectations, and leave with more knowledge of their self-worth and friendships that they've never had before. It doesn't start out as much, but it grows into something more than Marina could expect (or hope for).
It's also a surprise when the youngest Sharma sister stops by her door, all with a blinding smile and hopes to be accepted given the fact that society views her as a pariah and mocks her when they think she cannot hear. For it was her that ran away from the Viscount during their would be wedding, so she must be the problem. Marina sees that she lacks friends as well or, more so, a friend that can understand her grief. How could she turn her away? Answer: she never would.
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