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#like I have some very strong suspicions that it was targeted for personal reasons
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I just wanted to reiterate that my page, ask inbox, dms, etc. will always be a safe space to discuss Van Palmer’s canon butch lesbian identity, as well as any headcanons related to Van’s gender identity. I know there are certain individuals in the fandom who have always fought very hard to shut down, undermine, and deflect from those conversations. however, I believe they’re important discussions to have, particularly because of the level of push back they receive (and especially because I know many people in this fandom are butch, gnc, and/or nonbinary themselves).
I have personally dealt with a lot of hate (both direct and indirect) for daring to write Van as nonbinary in fics on occasion. however, I will never stop, because knowing even a few people felt seen and accepted because of something I wrote far outweighs any vitriol I receive for it.
also, having discussions around Van’s butch lesbian identity or gender identity in no way cancels out an appreciation for any other part of Van’s identity or taivan as a ship, and especially not other characters, and it’s very weird to imply it does imo.
as a nonbinary butch lesbian, I am personally very skeptical of people who are cis (and especially gender conforming) actively trying to shut down these type of conversations and implying butch identity or gender nonconformity is somehow less important than other facets of the characters’ identity.
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blackjackkent · 2 months
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Final chat before Emperor Shenanigans. (I have some GW2 stuff to do this evening, so Empy stuff will have to wait until Tuesday, I think. There was more miscellaneous chatter to clear out than I remembered. XD )
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"Shadowheart has found a little bit of herself again. Selune cannot take all of the credit - she may have lit he way, but it is the cleric who took the step."
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Rakha has found that she likes talking to Jaheira. In a way it is for the same reason that she likes talking to Minthara - both women are older with much lived experience, and they articulate themselves calmly and clearly and with a very strong vision of themselves, their morals, their actions - which are things Rakha still does not really have.
Jaheira is also more like Wyll than Minthara is - she is kinder, gentler. And yet, in the heat of battle, she is fiercer than almost any of them; she becomes an animal in the most literal sense, with teeth and claws flashing into her target.
In this sense, she is perhaps, even more than Minthara, a representation of the person Rakha would like to be.
"Now that we're traveling together," she says gruffly, a sort of subtle prompting, "I realize I don't know much about you."
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Jaheira laughs ruefully. "That speaks well of your taste," she quips. "I've heard my share of bad ballads about things I never did." A pause. She shrugs. "If you have questions, ask. Just don't expect my answers to rhyme."
(A/N: In keeping with past moments where Rakha has been deliberately willing to be perfectly open about her lack of memory and her bloodlust, I think she must have had a conversation with Jaheira about both things at some point on the road. Really, I suspect Isobel and Aylin must have gotten the full story too at some point - if for no other reason than that at SOME point they would notice that Rakha gets tied up in a corner every night, and Wyll would have sheepishly needed to explain that it wasn't for frisky reasons.
I'm told by @thedarkstrategist that you actually can tell Isobel about things if you bring it up all the way back at Last Light, and that she takes it more or less in stride - pointing out that you wouldn't have brought it up if you actually wanted to follow through on the urges.
I tend to assume Jaheira would be similarly matter-of-fact about it, with some wise comment to the effect that what Rakha does and actually wants is far more important than what the beast tries to make her do. And I wonder if she has started to have certain suspicions even if she articulates nothing aloud - but even if she does, she would think they're mad suppositions rather than fact.
Bhaal is dead, after all, and Amelyssan died along with all his remaining essence. She saw it happen herself...)
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As usual, Rakha is always pleased when someone gives her an active invitation to ask questions and receive answers.
"Is it true you've fought the Dead Three before?" she asks.
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Jaheira snorts. "It was Bhaal alone we faced in our time. And bad as that was, he had no elder brain for a lapdog then." She shakes her head slightly. "Help won't come from the history books, or from any old tales I can spin you. This is your story to write."
A pause. Then her eyes narrow with a flash of amusement. "There - have I fulfilled my role as your wise and wizened elder?"
Rakha cocks her head to one side, trying to gauge the thought behind these words. "You seem reluctant to discuss the past," she says slowly.
Jaheira quirks up an eyebrow. "What need, when it seems so intent on repeating itself," she says dryly. "But stay this apocalypse, and I'll let you read my journals - promise."
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Rakha wasn't deeply interested in her journals. She just wants to hear how Jaheira sees the situation, what she is thinking. "You mentioned you know something of illithids."
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For a moment, the sardonic humor fades from Jaheira's eyes and her face twists with the flash of some ugly memory. "More than I would like," she mutters. "In my youth, I was a brief - and very much unwilling - member of a colony's hivemind. I felt the way they think. Saw the world as they do. Foul, unnatural creatures who find the foulness in us and twist it to their will."
A pause, a blink - and then the smirk is back, casual and calm again. "But then - who am I speaking to?" she says dryly, squinting at Rakha. "You have far more experience than I."
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She means the tadpole, of course. Involuntarily, Rakha rubs her fingertips against her temple where the worm sits - but her jaw sets fiercely. "My mind is still my own," she says curtly. "I plan to keep it that way."
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Jaheira tilts her head and looks at Rakha thoughtfully for a few moments before responding. "I believe you," she says quietly. "You remind me of another I knew, marked by forces beyond their control. The gods can grant power or strip it away - but so long as your will remains, you have the only weapon you need."
Privately Rakha wonders how long her will can hold on, given the battering it gets between the beast and the worm. But... the expression of confidence does more than a little to encourage her.
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makangerous · 17 days
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Visual Novel Gush #1: Gnosia
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I downloaded Gnosia on a whim mostly based on that cover art, because some part of me loves well-drawn psychos trying to ruin my day. What I found was a hidden gem that, while a bit rough around the edges, finally scratched an itch I've had since finishing the Zero Escape series. Time loops, a host of colorful characters who wouldn't be out of place in one of those games, a story evolving from deceptively simple gameplay, Gnosia has it all.
The premise of the game is that you, along with your crewmate Setsu, are onboard a starship that faces an imminent threat: several crew members have been infected and had their minds taken over by Gnosia, insane aliens that will kill everyone on board until they are the only ones left. There is no quick way to tell if someone has been infected, and anyone with the means to identify them is targeted quickly. Therefore, your crew is basically playing Werewolf (or as it was called in my area, Mafia) to try to determine who the Gnosia are and put them in cold sleep. No one is safe, not even Setsu or you.
However, this is more than just a Werewolf simulator (though you can play it as such, and it's pretty fun). You can take on a variety of roles besides just a crew member: cause chaos by being Gnosia yourself, take on roles traditional to Werewolf such as Guardian Angel, or try out some interesting new roles that seem specific to this game. One role in particular competes against both the crew and the Gnosia, though will likely ally with one of those sides to achieve their goal. Gnosia calls itself a "social deduction game", and this is because unlike Werewolf game generators you may find online, your crewmates have consistent personalities and their own sets of tactics, and learning these is just as critical to winning as logical reasoning is. For instance, one character is obsessed with rationality and is very strong there, but they have a tendency to be so rude and abrasive, the crew is quick to vote them off. Another loves to use devastating emotional pleas to deflect suspicion back onto you.
Your crew starts small, but grows to a total of 15 including you. The first handful of people you meet seem relatively normal, but as more crew members are added in new loops, they become increasingly bizarre. I won't spoil it for you, but some of them really push the definition of "human" (a recurring theme in this game). They are intriguing people, though, and even after beating the game, I found myself wanting to know more about them. You can choose to collaborate with one of your choosing, as long as you gain their trust. Some of them will be your favorite allies, and you'll be mentally shouting "noooo" when they get killed or put in cold sleep. Others seem custom built to annoy you, and you'll cheer when they go away for the round.
As for the player character, you can select your name and gender: male, female, or nonbinary. (A quick aside on this game's handling of NB: your main ally and implied love interest, Setsu, is NB, and at least one other crew member also is. I'm not NB myself so I can't speak to how good the representation is, but besides one instance of misgendering and one instance of body type phobia that are both shut down quickly, the crew widely accepts the NB members' identities. However, there are a couple romantic events (for two female crew if playing as male, two male crew if playing as female) that are pretty small, but I've read you won't get at all if you're NB. They should've added an option for choosing which gender(s) you are romantically interested in.) You also choose a star sign which is mostly aesthetic, but behind the scenes slightly affects characters' affinities for you. Most important are your stats: Charisma, Intuition, Logic, Charm, Performance, and Stealth. For instance, Intuition and Logic are great for being a detective: sussing out lies and proving your point with evidence. Meanwhile, high Charm can help keep you out of cold sleep. You do have to build yourself a certain way to gain access to all debate skills, but you can reallocate stats, and in the early and mid game it is fun to play around with your build.
The story manifests itself in the repeated gameplay loops, which you and Setsu are aware of and trying to escape. Once you play through the tutorial loops, your mission becomes gathering information about each crew member, both to get to know them better and to find a way out. These tidbits are called Notes, and they are obtained during Events, which are cutscenes that play out if certain conditions are met. Some of these notes are fun, while some are dark and disturbing. By collecting these, you get a sense of the world that exists outside your spaceship, who the Gnosia are, and the motivations driving your crew. Some of these notes require protecting certain characters, or even acting against your own interests, but getting them is usually worth it.
This gets to the game's biggest flaw: finding Events, especially during endgame. I would highly suggest using a spoiler-free walkthrough once you get stuck on finding the last few notes. There is an Event Finder in the game that will tweak your settings to make it more likely for Events to occur, but there are issues with it. 1) It does not tell you which Event it thinks it found for you or the initial pre-requisites, even if it's one you've started before. 2) It does not guarantee the involved characters will have the roles you need, or take the action you need them to do to trigger the event. 3) It does not guarantee that you or the involved characters will last long enough to complete the event, so you may fail them due to the RNG being out of your control. I think this is the main reason this game isn't more popular, especially since you will likely need 100+ loops to complete the game. My suggestion is to not restart the loop, even if you fail it, because I've noticed the game starts putting some guardrails in place if you trigger then fail the event multiple times, like having the Guardian Angel always choose to protect you or outright removing the requirement to view an initial scene you've already gotten.
Overall, I'd recommend giving this a try if you like mystery, sci-fi, logic puzzles, or even just playing Werewolf.
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truckreincarnation · 7 months
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Hollow | Harriet | Trial 5.3 | Re: Germain | ATTN: Germain
As the discussion continues and the crosshairs narrow onto a singular target, Harriet finds herself unable to speak. It's not that she doesn't have anything to add- she does- it's that she's afraid of what she might cause if she voices her thoughts. So she stays silent and keeps her head down, gently stroking Terry along his back in an attempt to soothe herself. It's all she can do to keep herself grounded.
...The unexpected forehead kiss was nice, though. She'll have to thank Vee for that later, when she doesn't feel like her heart's being ripped to pieces for the second time this week.
It's not until Germain themself speaks up that Harriet lifts her head and looks across the circle. This is the moment they go and clear their name, she's sure. When all the suspicion that's been placed on their shoulders can finally be dispelled. At first that seems to be the case. They bring up some very compelling points (to her, at least). Their fangs and claws aren't brutal enough to kill with, and Manami wouldn't have willingly collaborated with them considering the Substance Six incident. Harriet would know, she was there. It all makes sense, and she's sure this is enough to get the group to rethink what they know about Ocelot.
Then Germain makes one final comment while looking towards her- towards her- and Harriet's stomach drops.
...So this is how it's going to be.
Esmée picks up and continues pressing Germain. Her points are compelling, too. But Harriet's only partially listening, her mind elsewhere as she turns over Germain's words in her head over and over. She knows what they want from her. And as much as she doesn't want to play along, she knows any choice she had is long gone. There's no getting off this train until they reach the end of the line.
"They... they would've had reason to suspect her."
Harriet's voice is quiet, but firm. Despite how much this hurts, she knows she needs to be strong. She owes that much to them.
"A few days after I regenerated, I had a private conversation with... the Deputy. She told me about a place in the north, where Incarnates can live freely and Bound are treated as equals. I know now she was doing her job and trying to win me over to her side, but at the time I didn't have any reason to suspect her. I just thought that she was being naive and not considering the north being the Demon King's territory."
"I didn't tell anyone about the conversation afterwards. Except for... one person."
Grimacing, Harriet glances down at the puppy in her lap. Give her strength, Terry. Taking a brief moment to compose herself, she lifts her head again and casts her gaze at that person..
"Germa."
"Wewere talking about ways to help the Bound- to help me- and I mentioned what I'd learned from... her. And when I did, you got really nervous. I figured it was just for the same reason I was unsure about it. Demon King shit. But while I was too dense to figure it out, you started putting the pieces together. You started to suspect she had ties to the Demon King. I'm sure of it."
"Which means that you... you could be the lynchpin after all."
She trusted Germain. Despite the many warnings they'd given her against it, she trusted them. But now, she's starting to wish she had listened. Kept them at arm's length, the way they wanted. But even now, Harriet wants to believe that all of this is just coincidental. That it's all a big misunderstanding. She wants to trust them so, so badly.
She'll never learn.
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cutekittenlady · 3 years
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Emmet and Elesa in Hisui Part 3
((finally got his out. Doesnt have all the info I've thought up, but theres some dramatic fun in this one))
Part: 1, 2, 3
Getting back on the bandwagon here in the last post we had Emmet and Elesa capturing the nobles not realizing they werent just strong wild pokemon but sacred to the people of hisui. This ended up getting Ingo into hot water resulting in the player character needing to investigate the disappearances in an attempt to clear Ingo’s name. Eventually after a few run ins with Elesa and meeting other folks whove seen the “other ingo” the player character, probably with a witness, finally met and fought(?) Emmet for themselves before he ran off. Ingos name thus cleared, the warden ended up tagging along with the player character to the coronet highlands to find out whats actually going on.
This took awhile to think through but I think by the time the story reaches this point Elesa would have begun to develop more and more doubts about what they’re doing. She still has no idea that the nobles are sacred, but she has suspicions about the person who brought them back in time. The two are polite but very obviously don’t trust one another.
Elesa doesnt like how many vague excuses this person gives about all the questions she has regarding why they can’t just talk to the local people and doesnt fully believe the “cant distrupt the timeline” explanation if only because, if that’s the case, then they’ve already done so by capturing all these ultra powerful pokemon. Hell, an argument could be made about “disrupting the timeline” by taking any pokemon back to the future with them at all!
She tries voicing her concerns to Emmet. But whenever they’re back at basecamp the man (really need to come up with a name for this person. Might just call them ‘villain’ since thats basically their role) always seems to be around so that the two aren’t alone together when they’re not actively “out in the field”. And when theyre “out in the field” she doesn’t really get a chance to talk to Emmet about her concerns because of how focused Emmet is and because of how much the dangerous land of Hisui demands that they remain fully alert at all times.
What this results in is Elesa being in the perfect state of mind to be sympathetic when the Hisuian Electrode shes supposed to catch up in the highlands ends up being way stressed after sensing the disturbances amongst the other nobles. Emmet is not there to help her as they had both split up to try and capture the two targeted pokemon in the highlands (electrode and sneasler) and recently their “employer” (the villain) has been urging them to hurry along with capturing them. Claiming that, for various reasons, they need to hurry up and catch the rest of the nobles.
((Maybe he claims he wants to minimize the amount of time in the past to ‘limit the potential for damage’ tho Elesa is suspicious about that claim))
Emmet, for his part, is eager to get this all finished and done with. They’ve already captured six of the ten total pokemon they were instructed to capture, and Emmet wants to hurry and catch the final four so that their employer will help him find Ingo as soon as possible. Hence he recommends they split up here since Elesa is a master of the electric type and, from what their employer told them, Sneasler is a devil to track and find.
Elesa reluctantly agrees, if only because she just wants all of this to be over and done with as soon as possible so they can go home. However, when she does find Electrode is on the verge of exploding the top of the mountain off because of how stressed it is.
Meanwhile Melli ends up coming across Emmet who he mistakes for Ingo and attacks. Melli not having been present for the clearing of Ingo’s name with the last update he got being about Ingo being under suspicion and locked up in Jubilife Village. So when he sees Emmet walking around, and not having gotten any news about Ingo being innocent or being sent to the highlands for any reason, he concludes he must have escaped and attacks with the goal of apprehending him in order to protect Electrode and Sneasler.
Emmet… wins pretty easily tbh. And he is not afraid to say so. Melli tries to talk back but Emmet is already a good distance away before he can recover from the shock. This leaves him being rather upset.
Which is how the player character and Ingo and co end up finding him after arriving in the highlands.
Melli is furious and goes in on Ingo with a level of vitriol he hasn’t really displayed before. Telling him he won’t let him hurt Lord Electrode and that if he wants to get past him he’ll have to sick his “weird eel thing” on him personally. Adaman manages to calm Melli down enough for them to learn he just had a run in with the person who looks like Ingo. Melli doesn’t really get a full explanation of everything thats going on though as he announces he has to go to the moonview arena to make sure Electrode doesnt explode. (He was in the middle of getting Electrodes favorite foods in an attempt to calm it down.)
Confused Adaman and co chase after Melli to the moonview arena. Ingo is now just as confused as Melli. As they near the arena Melli stops and demands to know why they hadn’t taken Ingo away insisting that he attacked him. Adaman points out that Ingo has been with them the whole way to the coronet highlands and once again tries to get Melli to tell them about the person who looks like Ingo.
Before Melli can really respond tho there’s a big boom heard from the Moonview Arena and Melli takes off.
Once there Melli ends up finding Elesa attempting to soothe the very stressed out Electrode whose on the verge of exploding. Melli has never seen Elesa before and has no idea who she is, and actually tries to get her away from Electrode. However she tells him to sit down and shut up while she works with Electrode. The gang ends up catching up and arriving right as it seems Electrode is about to explode but Elesa successfully calms it down, preventing it from exploding and indirectly saving the coronet highlands from a massive explosion.
((At this point I have a personal rather jokey idea that Melli develops a sorta fanboy-esque crush on Elesa. Its not really love as much as admiration both for her beauty and the way she was able to handle electrode. Feel free to ignore this cause its not important I just thought it would be one of those things thats sweet and kinda funny since Melli is easily one of the goofiest of the wardens and hes the one I see mostly likely to do such a thing.
Lol but thats just me. It can be ignored as its hardly an essential plot point))
Of course the feelings of goodwill don’t last long as Elesa captures Electrode right in front of the gang then and there.
Adaman angrily demands she let Electrode go, but Elesa is just about to ignore him and rush out with Zebstrika…
But then she sees Ingo.
Elesa’s entire projected personality changes in a moment. Outright shouts Ingo’s name and asking if its really him. Going on about how happy she is to see hes alive and how overjoyed Emmet is going to be to see him.
Ingo is crazy overwhelmed by this. This random woman knows him? The one who's been kidnapping all the nobles… knows him?!
Elesa is sensitive enough to pick up that something is wrong and asks Ingo point-blank why he won’t say anything to her.
At which point Ingo admits he doesnt remember her.
This stuns Elesa who asks if he’s serious. When Ingo fails to respond she demands to know if he remembers Nimbasa City. The Subway. His pokemon. Chandelure.
But when Ingo fails to respond to any of it, she finally asks, practically begging him, if he at the very least remembers Emmet.
Finally Ingo responds that he has no idea who that is.
All this is enough to keep Elesa from running away and giving Adaman time to ask her why she captured their noble. Breaking from her shock all Elesa can do in response is ask what he means.
Adaman is a nice guy. He really is. But after all this confusing garbage and having just watched one of his clans precious nobles being captured in a pokeball, basically shouts at Elesa how she can possibly not know what shes been doing to the diamond and pearl clans this whole time. He’s practically about to attack her with his Leafeon.
However thanks to his outburst Elesa is finally given context for what they’re doing, and further explanation by the others present causes her to realize… Ingo is sneaslers warden.
Sneasler.
The pokemon Emmets gone after.
Elesa suddenly shouts that she HAS to stop Emmet, before getting on Zebstrika and rushing past the group. Ingo finally gets over his own shock to realize… only Elesa is present, and all reports said there were two of them. And Lady Sneasler is off on her own.
He takes off to where he knows she’ll be leaving the others behind.
Emmet, meanwhile, has finally managed to hunt the noble pokemon down…
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alastanor · 4 years
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So I have rewatched the pilot episode of Hazbin Hotel more times than I care to admit. And every time I watch it there is a line Alastor says that really sticks out to me. Like a window into an aspect of who he is.
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This scene is one of the very first we get of Alastor following his warning. To which, I think, makes it both important and actually quite telling. For multiple reasons.
For starters, Alastor was honest with Charlie and Vaggie from the moment he walked in the door. This goes against any concept we have, knowing his origins as a serial killer. Serial killers, as we all know, lure in victims and evade suspicion through dishonesty (not to mention serial killers have a tendency to kill to get some sort of sexual gratification, where Alastor is Asexual so the pieces don't line up there). But Alastor is honest about his desire to watch demons fail at trying to better themselves. He is honest about the reason why he believes Charlie's dream will fail, which by itself gives us a hint into who he may very well be.
That hint is that Alastor actually has a very strong sense of justice. So much so that he feels those in hell deserve to be in hell. Not just so much that they can't be redeemed, but that they shouldn't. For this reason, he wants to see them punished- to see them "trip and fall into the fiery pit of failure."
His sense of justice may have well been warped in the same way a yandere's concept of a loving relationship is warped. And that is something else I will get to in a moment.
If Alastor truly does kill out of some concept or personal sense of justice, the story Vaggie tells of Alastor toppling powerful overlords who had been dominant for centuries makes sense. We know, from what we have seen in the pilot, the Addict MV, and some comics that the Overlords are some of the most malicious demons in hell. If Alastor cleaned house, it is very possible that the overlords he killed were far more malicious than the ones that are left.
But back on track, Alastor doesn't come off as some creepy serial killer to me. Yes, he may have been one in life but that doesn't necessarily mean he was psychotic as he is sometimes portrayed. And my reason for that is, ironically, this:
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Alastor straight up says, basically, "yeah, I can kill you, but I'm not going to." And this isn't the only instance of this we have.
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The butcher, who we know was initially harassing a demon in his shop (as Alastor saw), reaches for his cleaver to attack Alastor. Whether out of fear or maybe he gets his meat from every animal-esque demon that passes through. Who knows. But Alastor saw the butcher as a potential threat and gave a similar warning to the one he gave Vaggie.
Which, for anyone who has seen my posts before, this was the butcher's strike two. His first was getting caught harassing his customer, to which Alastor civilly intervened. Only to demonstrate his ability during strike two. His strike three was when he was caught trying to hurt and possibly kill the lamb patron.
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Which brings me to what may have caused this skewed sense of justice in Alastor.
In the image above, look at Alastor's face. He hears the scuffle inside, and freezes. The expression on his face is one of clear shock. It is a common theory in the fandom that this was significant for Alastor. Perhaps because he witnessed his mother, who he loved so very much, get abused. Unknown by whom, assumed to be his father, but either way this could very well be another clue.
What I personally theorize is that Alastor did witness his mother getting abused in some manner or another. Perhaps more than one. Which wasn't that uncommon in his time period, as divorce still carried a heavy stigma in society throughout the early 1900s. You were looked down upon for divorcing your spouse for any reason, with the exception of adultery, bigamy, and impotence. So his mother likely stayed in the abusive marriage because she had to, and Alastor was powerless to do anything about it until he was a grown man. But witnessing that injustice night after night likely brought about what inevitably made him a serial killer.
But who were his typical targets? I believe, not unlike how he was in life, anyone he came across that "deserved" punishment met their end by his hands. Alastor played the role of judge, jury, and executioner. This, of course, was a sin for which he was punished.
Not to misdirect, but I remember reading somewhere that in life he hunted deer. If this is true, I thought that was rather ingenious. Invite a shit person along on a hunting trip, and they have an "accident" while hunting. Never to return again. And even if he somehow got linked to a discovered body in the woods, assuming one was ever found, he can easily say it was accidental death or flat out deny it, and they couldn't exactly disprove anything he said. Especially when you consider how bad investigative technology was back then.
There definitely seems to be a method to his madness. Mind, he did try to kill Sir Pentious at the end of the pilot, and definitely seemed pleased with himself... but to be fair he was more of a threat with his machine pointed at Alastor than a butcher reaching for a cleaver or a moth demon girl with a spear. Not to mention Sir Pentious doesn't seem to care who he hurts. Even if he is an absolute dork while doing it.
But to conclude, I definitely think Alastor is a much deeper character than people think. All the characters are very deep, we have gotten a look into some of the depth to Angeldust. And I think that alone should herald some interesting depth to all of the main Hazbin Hotel cast.
Thanks for coming to my Ted talk.
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mybg3notebook · 3 years
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Gale: Hypothesis and Analogies – Part 1
Here, I compile several hypotheses that are pretty common to find around, expressing my opinion on them and showing what EA has given us so far to justify them or not. 
Disclaimer Game Version: All these analyses were written up to the game version v4.1.104.3536 (Early access). As long as new content is added, and as long as I have free time for that, I will try to keep updating this information. Written in June 2021.
Disclaimer about interpretations of Real Life concepts: I’m not a fan of bringing real life issues into plain analogies/allegories in a game which intention in doing so was not made explicit, but the fandom seems to like this aspect and therefore I would like to share those opinions here as well since some seems reasonable despite not being of my taste. This topic may be sensitive for some people. Be aware of it.
Hypothesis: Gale was groomed
Concept
Grooming is building a relationship, trust, and emotional connection with a child or young person (and sometimes their family as well) to lower the child's inhibitions with the objective of sexual abuse. Grooming allows offenders to slowly overcome natural boundaries long before sexual abuse occurs. On the surface, grooming a child can look like a close relationship between the offending adult, the targeted child and (potentially) the child’s caregivers. The grooming process is often misleading because the offender may be well-known or highly regarded in the community. As a result, it’s easy to trust them. Although grooming is more common among children, it may happen with adults too, especially in work environments.
Stages: First, perpetrators may target and exploit a child’s perceived vulnerabilities: emotional neediness, isolation, neglect, a chaotic home life, or lack of parental oversight, etc. They work to gain the trust of parents/caregivers to lower suspicion.
Once the perpetrator begins to fill the child's needs, they may assume a more important role in the child's life. Perpetrators utilize tactics such as gift giving, flattery, gifting money, and meeting other basic needs. Tactics may also include increased attention and affection towards the targeted child. The perpetrator uses isolation tactics to reinforce their relationship with the child by creating situations in which they are alone together or by cultivating a sense that they love and understand the child in a way that others, even their parents, cannot. 
Once emotional dependence and trust have been built, the perpetrator progressively sexualizes the relationship. When sexual abuse is occurring, perpetrators commonly use emotional manipulation; they make the child believe they are the only person who can meet their emotional and material needs. The child may feel that the loss of the relationship, or the consequences of exposing it, will be more damaging and humiliating than continuing the unhealthy relationship. 
Behavioural consequence
The consequences on victims of grooming tend to be very different depending on the victim's age, personality, and psychology, but some broad leftover traits or behaviours can be summarised as:
They are too eager to please and have a great avoidance of angering others.
Big desire for privacy: they know others will not understand what they lived.
The victim becomes withdrawn, or they may seem troubled by something but unwilling to talk about it. Alternatively, their emotions might become more volatile.
They tend to be unaware of the abuse for a long while even after the relationship ended. 
If they are aware, they tend to display shame and embarrassment for what happened.
They can suffer abandonment issues depending on the way this relationship ended. 
They tend to develop difficulties to maintain relationships.
This situation tends to be particularly invisible or dismissed for men and boys due to social norms about masculinity.
Inside the context of BG3
First, it's important to estimate Gale's age. More or less the fandom agrees he is currently (1492DR) in his early 30s. Mystra returned in 1479DR (read the post about "Mystra and her Chosen ones" for details), so Mystra may have lured Gale into serving her as Chosen when he was around 17 years old (this depends on every player’s perception of Gale’s age)
This gives us a good estimation of the context: When Mystra returned thanks to Elminster—who gave her most of his Silver Fire—she immediately started to strengthen her network of Chosen ones and to work on repairing the Weave to its original state. Due to this unique context, Gale may have been observed by Mystra as a precious asset: a very young wizard who could not only control the Weave but compose it: a great skill to repair a still weak Weave. Furthermore, in the novel Dead Masks (1491DR), it is stated that the best way to cast a spell with a weakened Weave is to "twist" it instead of using it for tapping into the Raw Magic. In this book it is not clear if this is a skill that only Chosen ones have, but it has a strong similarity with Gale's skills.
Although we don't know much about Gale's childhood, if he was neglected or not as a child to be more easily lured by the Goddess, we can agree that it's most likely that Mystra has been watching him as a potential candidate since a child. Gale explicitly says: "I’ve been in touch with the Weave for as long as I can remember". And as far as Forgotten Realms lore goes, Weave and Mystra are the same. We also know that this is a common behaviour of Mystra who has been watching precocious, skilful wizards before choosing them for her goals: for example, Midnight. 
When Gale reached an age that could be considered a "(very) young man", she seduced him, using his passion and love for Magic to lure him. She offered him a deep connection with her and with the Weave: with Magic itself. After seeing Gale's passion for magic, it is understandable that he—as a teenager or a young man—must have been dazzled by her and her proposal. We know that, in the novel Elminster: a mage in the making, she offered to Elminster exactly what he wanted the most: power to make his revenge possible . By the end of the encounter, Elminster became “charmed” by her despite hating her throughout all his life, turning into her devotee. This situation can be interpreted as another example of how Mystra works: she seems to lure her potential Chosen with the promise of giving them what they are most passionate about.
Once Mystra slept with her Chosen, and imbued her divine essence on them, she left them to their own devices, making them wait for her commands. In Elminster’s and Sammaster ‘s case, both were put under tests, being forced—by their own drive to please the Goddess—to develop more magic and personal skills to serve her. In the process, both developed an obsession for her. Elminster's seems to be less self-destructive than Sammaster's, but the latter could be understandable since he always suffered from madness. My point is, the pattern continues with Gale: driven by this obsession of wanting Mystra close, to please her, Gale tried to control an ancient magic, and failed, being abandoned by Mystra due to this mistake.
Gale, according to this interpretation as a victim of grooming, is still stuck in the process: he wants to please Mystra, wants to right his wrongs, even though in some scenes he seems to have been over her, in others he still seems to be very attached to her (it's hard to know which is the most accurate since it's EA and Gale was rushed), he keeps all this trouble in private because he knows nobody will understand.
Unlike an adult who realised he was victim of grooming, Gale seems to be still not over that relationship, showing many of the behavioural consequences: 
Gale is a person who is always eager to please and avoid confrontations. If there is no choice he will use violent means, but he will always push for diplomatic approaches [1,2]. This trait seems to favour this interpretation.
He has a strong sense of privacy to the point that he is considered "shady". A lot of that desire for privacy may come from the fact that he knows no one will understand the unique relationship he had with a bigger entity. This can be seen by choosing the meanest options during the Weave and the Loss. Despite his many troubles, he remains secretive, acknowledging that "some things can't be spoken". 
He is completely unaware of having been a victim of such power imbalance. He doesn't see abuse in it, and he is not performative about this fact, since he is very private on the topic until very late in game.
Nobody can deny his abandonment issues (which are even explicitly pointed out in the dev's notes) [20]
We can infer, by all the information given, that Mystra has been his first (and presumably only) relationship so far, giving a possible hint that he may have decided not to enter another relationship again or may have felt apprehensive about it (even though I personally think this impediment is mainly caused by the “orb”).
I don't completely subscribe to this interpretation because I don’t think Mystra’s main goal has been sexual abuse, but the creation of servants and devotees that allow her to expand her power. To do so, she uses sex as part of the “ritual” that transforms certain mortals into Chosen Ones. The way in which this is indirectly explained in the novels makes me remember the concept of Zeus and his abuse of mortals: he spreads part of his divinity in the form of demi-god offspring. In Mystra’s case, she seems to leave part of her divinity in the Chosen one that slept with her: the “seed” of semi-divinity. 
However, it’s not clear if sleeping with her Chosen ones is a procedure she always does. Her daughters may have inherited her divinity when she conceived them while possessing a mortal body, but other female Chosen Ones seemed to be out of this process. Ed Greedwood also has a constant discourse in his novels where he explains that magic is “better” understood or much easily wielded by females because “they are connected to their emotions” and another stereotype of this kind. What seems to be clear is that Forgotten Realm lore hides as much as possible its queerness, and when it comes to Mystra, this habit of sleeping with her Chosen seems to apply (or at least make it more explicit) only to male mortals. So in short, her main goal was to catch another useful mortal to her group of Chosen Ones, and to do so, she lured Gale with all what she could offer. I also believe gods are gods, and they are immensely overpowered and entitled to do whatever they want in this fantasy world. They don't follow mortal rules, so they may have little scruples to do anything they see necessary to achieve their own goals, no matter if the consequences of their actions affect children, teenagers, or adults. 
Mystra in particular has been a very neutral goddess (due to her many rebirths), not particularly cruel as an evil deity could be, but not completely selfless either: she has conceived her daughters using a mortal vessel who previously gave her consent but without knowing the consequences of giving birth each year for a decade while containing a goddess inside. Mystra also profited off of Sammaster's madness (some Harpers who wrote Sammaster’s reports suspect she could have been able to cure him): she may have actively decided not to in order to let his genius madness increase her realm of power/magic. Therefore, Mystra may have had little scruples to use a very young Gale enamoured with magic to turn him into another Chosen whose skills could fix the Weave given the context that it had been severely weakened after the Spellplague. So the grooming is not completely misplaced in my opinion.
Gale's Chosen selection process is not different to what we can read in the book of the Cult of the Dragon, where Sammaster became obsessed with Mystra after sleeping with her and developed metamagic as a consequence to impress her. Or in the novel Elminster, the making of a mage, where Elmister originally despised Mystra and every magic user. However, after being in her presence, he fell for her charm, and never could get over his "love" for her, suffering a lot of painful circumstances to just be a "good devotee" and serve her.
Mystra is written in most novels as the living allegory of the beautiful "mean" woman who will always ask for more from her poor captivated men, but she will never be completely satisfied, no matter how much they sacrifice. She acknowledges the effort, but she is always asking for more. Only with Elminster she actively tried to save him from the Hells, showing, for a change, that her Chosen can be a bit more than mere pawns in the big game of divine power. However, it's important to highlight that the last rebirth of Mystra has changed her: in the novel Dead Masks some of the Seven Sisters explicitly say that Mystra has turned paranoid, asking each of her Chosen to do missions that the others cannot know. She has become more secretive and cryptic than ever. 
Mystra's actions seem to have worse connotation if we think that she can have visions of the future, as she had when she decided that Sammaster had to be her Chosen: she had foresaw the death of another Chosen and she wanted him to fill that vacuum before the event happened. So she may have foreseen Gale’s actions in his naive way to impress her. Maybe she wanted him to do it, so she could have a new piece of magic in her realm. But this is mere speculation, we will need the full release of the game to have the answer.
As I explained, despite not being a fan of it, the interpretation of grooming is not a bad one. It fits mostly if it's applied to a teenage boy, and probably it would have been taken a bit more seriously and less prone to jokes inside the fandom if Gale were a female character and Mystra a male God. 
Hypothesis: Gale has abandonment Issues
Concept
Abandonment issues arise when an individual has a strong fear of losing loved ones. A fear of abandonment is a form of anxiety. It often begins in childhood when a child experiences a traumatic loss. Children who go through this experience may then begin to fear losing other important people in their lives. Some individuals continue to fear abandonment as they grow older. Although it is less common, abandonment issues can also sometimes begin in adulthood. 
The loss often stems from a trauma, such as a death or divorce. Emotional abandonment, where a parent or caregiver is physically present but emotionally absent, may also give rise to abandonment issues later in life. It is not clear what makes one person develop this fear, since not all humans who have experienced similar losses do it. Trauma — potentially from abuse or poverty — may play a role, as may the level of emotional support that a person receives following a loss. These issues can have a significant effect on a person’s life and relationships because they fear that the other person will leave them at any moment. 
Behavioural signs/consequences
Being overly eager to please ( a “people pleaser”) 
Pushing others away to avoid rejection
Jealousy of the partner or the others when in a relationship.
Trouble trusting their partner's intentions.
Feeling insecure about their relationships.
Codependency
Need for continuous reassurance that others love them and will stay with them
Persisting in unhealthy relationships
Inability to maintain relationships: or moving quickly from one relationship to another or sabotaging them
Inside the context of BG3
I'm not going to explain this in great detail since it's spread in most of the posts I’ve done about Gale's analysis. What it's clear is that Gale has a constant fear for abandonment once he starts caring for Tav as a friend or/and lover, and this fear makes him prone to do things of poor taste. This fear seems to make him look for acceptance that only through a night of intimacy can give him. This information is apparently in the book he read, making us guess that his experience with relationships is rather poor if nonexistent. Dev's notes also reinforce the idea that Gale fears abandonment:
Gale: It is my truth, finally revealed. It is this folly that led Mystra to abandon me completely. I can only hope you won’t abandon me as well. After all we’ve been through. After the night we spent together. Surely we can brave even this side by side Dev's note: Solemn. Full of yearning, his news will not lead to him being abandoned by the player. 
Gale: Loyalty is such a… such a very rare commodity. Dev's note: The reference to loyalty foreshadows Mystra leaving him. 
So far in EA, we can see that Gale checks some behavioural consequences of this fear: he is always eager to please, approaching Tav with courtesy and jovial manners, only displaying his most acidic side to a Tav whose actions are evil. In that case, Gale cares little if Tav leaves him. With the Loss scene we can see that it is hard for him to give his trust to others, pushing them away because they would not understand the grave mistake he made. His trust demands constant progression from the Stew scene, to the Weave, to the Loss scene. If he is romanced, he asks several times if Tav is thinking of the Weave moment. When Tav asks him this question, Gale will deflect, always asking back to have Tav’s answer first before giving his: it could be interpreted as Gale looking for constant reassurance in the blooming relationship. 
However, in my opinion, the best situation that shows his abandonment issues is during our meeting with Gandrel. Gale disapproves of handing over Astarion, by telling Tav about an anecdote of a dog turning old and mean: how his friend got rid of the animal just because it was an inconvenience. This is very curious since Gale's mistrust for Astarion is not a secret: he stated many times that Astarion is a danger to the group, and his wickedness causes him to strongly dislike him. The reason for this is quite obvious if we see both lists of approvals: mostly what one approves the other disapproves. Despite all this, Gale strongly judges Tav for handing Astarion over, and his disapproval for doing it shows that Gale is not lying on the matter: the meta-knowledge is trustworthy information. 
This can be understood better when Tav defends Astarion against Gandrel: Gale approves twice of defending him. If Astarion is not in the group when meeting the monster hunter, the first approval happens when Tav recognises that Astarion is part of their companions/friends (therefore, Tav is showing care for their group). The second approval happens when Tav reinforces their loyalty to Astarion insisting that they won’t give his location (this is a clear display of loyalty that Gale acknowledges as rare. See the post of "Gale Hypotheses- Part 2", section: "Proposition to Cheat" for more details). Although Gale will explicitly question this decision, he secretly approved it (the approvals we saw are meta-knowledge: only the player sees them). Considering the undeniable context that Gale deeply dislikes Astarion, we may interpret this as Gale seeing in Tav a loyal person who will not abandon someone they care for, even if that person endangers them. Loyalty is something that resounds deeply in Gale due to his abandonment issues. 
 Another detail on this matter can be seen during the party. If Tav arranges spending the night with a companion and then asks (non-romanced) Gale the same, he will answer:
Gale: You are all too quick to abandon the one you promised yourself to. It’s not a quality I admire.
This line shows that first, Gale is not interested in casual sex; he needs the connection that the Weave provides and Tav’s explicit, previous romantic interest in it. Second, when Gale is romanced but Tav sleeps with someone else, Gale will not interfere in that affair, but he may not like it (due to his, I suppose, jealous comment since he doesn’t display an approval penalty for this). However, he seems to equate loyalty with commitment, understanding that affair as a fling but believing he still holds the romantic interest of Tav, hence his proposition the next day. More details in the post of "Gale Hypotheses- Part 2", section: "Proposition to Cheat".
---------
Sources for both parts:
Diagnostic and Statistical Manual of Mental Disorders ( 5V)
Some concepts were summarised from: https://melcrowecounsellor.com www.d2l.org/child-grooming-signs-behavior-awareness/
This post was written in June 2021. → For more Gale: Analysis Series Index
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roulettefeel · 3 years
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His Favorite Number
A list of advantages we could say that Mr. 0.0% has received in the death game.
First trial:
- As far as we know there was no way for him to die in his first trial, so he automatically places above everyone else who unfortunately died.
- Explanation of how the Main Game works, including foreknowledge that the rule written on the back of the role cards is just there to scare participants. Resulting consequence:
He was never going to mistakenly pick up the sacrifice card
His knowledge was a tool given to him to use as he wished, and under the Sou persona he used it to manipulate Kanna to follow along with his plan for dealing with the main game. +1 vote on his side is powerful.
A possibly minor point here but his first trial ended quickly enough that he could erase his name off the chalkboard and every floormaster respects his name change enough to not out his secret (until Midori’s floor where participants already know about it anyway). It’s possible the Sou persona is an accounted for advantage because.... (long post continued under cut)
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Because we know this to be an event from a simulation, we can reasonably say AI Shin in the simulations is known to take Sou’s name and the effects this has on his chances are accounted for.
Practice Vote
There is no strong evidence here. May take note that in Shin’s nightmare his shadow told him to vote decisively if he wants to live and there is a fair chance that Shin was Mishima’s #3 vote.
Kai’s laptop
To Shin’s perspective the laptop being left out was an advantage left to anyone that contained time limited hints.
Shin’s personal advantage in this scenario is being the resident computer nerd hackerman so he is among those most likely to unlock the laptop. Which is a skill directly influenced by the real Sou Hiyori, whether or not Shin was already into computers before Hiyori began teaching him.
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Resulting consequences:
Because Shin got into Kai’s laptop and read the emails he was able to pin enough suspicion on Kai to keep votes off of himself regardless of his antagonistic behavior in the main game.
Actually while we’re on the subject let’s just highlight this point
Sou Hiyori’s computer lessons
Shin gravitated towards the laptop for death game clues, he survived the first main game because Kai was deemed a more acceptable (and less risky due to other advantages at play) target.
Shin happened to “find” a laptop charger, keeping the laptop both relevant and under Shin’s control. Useful for when the group was making trade deals for the information contained within, especially when Shin hit a roadblock of needing information from Sara to unlock more files.
Point of suspicion: How does Shin know what to do with Ranger’s chip? We do not know how far advanced Asunaro’s technology is, but we do know Shin can effectively use it.
Because he could use Ranger’s chip, Shin could set up an escape attempt for the group. This directly contributes to the argument in the 2nd main game that he’s too useful to kill off.
Point of suspicion: How does Shin know what to do to activate the Joe AI?
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The computer wouldn’t even turn on when Sara inspected it.
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Even more worrying, chapter 3-1 implies you might need an asunaro ID card to access the AIs. However I’m drifting into speculation territory here.
Misc Chapter 2 Advantages
Because Shin had the stun gun with a single use charge in it he had free reign to choose how to effectively use it, and he used it to take control of where he wanted the sacrifice card to go.
The smartphone was probably intended for Kanna primarily as an advantage to her in some way, however what effects Kanna effects Shin. Had Shin been capable of Sou Hiyori’s level of malice and manipulation it’s possible the cruel phone message could have been a tool for Shin to break Kanna away from Sara so her loyalties would not be split between “big sis” Sara and (big bro) Shin that resulted in the heartbreak we got in the second main game. Being so loving and kind and compassionate is what gets both Kanna and Shin on the chopping block.
I haven’t picked up on any particular advantage Shin might have had in chapter 3-1, but this is already a very long list considering I can barely think of any advantage the other low percentage candidates may have received beyond the assumption that the phone message was intended to raise Kanna’s chances in some manner and advantages are an easy explanation for how Gin sometimes seems like he knows too much.
All this stuff has probably been said before, but I am glad to have gotten confirmation on the theory that Shin has been receiving advantages throughout the death game.
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sierraraeck · 3 years
Text
Bad Liar
Moreid (Spencer x Derek)
Masterlist
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Summary: Ever since his first day at Quantico, Spencer has had only one thought on his mind: SSA Derek Morgan. He knows that any sort of relationship would be inappropriate, but that doesn’t stop the constant stream of fantasies from flooding his mind.
Category: Spicy fluff, smut alluded
Warnings: Non-graphic descriptions of sex, fantasizing, suggestive touching, kissing, very light cussing.
Word Count: 3.5k
A/N: This was inspired by the song “Bad Liar” by Selena Gomez. If you wanna give that a quick listen, go for it, if not, that’s chill too. I know that I haven’t been very active and haven’t posted anything in a while, but sometimes life just happens. Hopefully this was worth the wait…
Spencer had heard the phrase “I never stop thinking about you.” He’d heard it in reference to love and relationships when people were apparently so madly in love they couldn’t stop thinking about the other. He never really bought that. Love was just a bunch of feel-good chemicals that couldn’t affect the amount of time spent thinking about another person. Plus, how could anyone ever constantly think about a person? There were so many other things to think about like surviving high school, getting into college, graduating, of course his mom, and then getting into the FBI, and how he would surely not be able to make it all the way through Quantico training. No one could ever think about one person all the time. No, definitely not.
But Spencer wasn’t known for being a good liar.
His first day at Quantico he saw Derek Morgan, and he realized that he was wrong. He was so utterly and outrageously wrong.
Because after he saw him, heard his voice just once, his exceptional mind kept those interactions on constant repeat.
He was lucky he was so good at multitasking otherwise he would have definitely failed by now.
Not like he still wouldn’t.
He couldn’t sleep, not with someone like Derek Morgan intruding his every thought, every midnight desire. On top of that, they were about to go into the hardest week of physical training yet, and Spencer knew that this was the one challenge that his brain could not overcome.
The one redeemable thing about the humiliating experience he was sure would come during the following days was that he’d get to see SSA Morgan again. Sure, it'd be more embarrassing to fail in front of him, but at least he’d get to see him a few more times before they kicked him out for being the scrawny kid he’s always been.
The feelings of excitement and anxiety twisted his gut into a wonderful knot, keeping him from yet another night of sleep. Somehow that made it both harder and easier for him to get up when the clock hit 4:45.
Spencer looked between two blinds covering the window on the right, allowing him to see that the sun was still about an hour from rising. Slipping on his given shirt and pants, he hoped that there would be some source of caffeine at breakfast, preferably coffee.
He trudged into the bathroom to find his roommate already awake and dressed. “Big day. You excited?” Jeff, a man about a head shorter than Spencer but at least twice his width in pure muscle mass, asked.
Spencer just grunted in response.
“What? You’re not excited to get pitted against someone else so that you can flail around in an attempt to spar?”
“I’ll stick to teaching you the technique,” he quipped.
Jeff laughed. “It’d suit you better. Unfortunately your wizard brain and forbidden library won’t help you in this one. But dammit if you aren’t the smartest guy here.” Jeff shook his head as if it were a shame.
Once they were ready, along with the rest of the NATs, the group was directed to jog across campus to the building they’d be training in. The day was off to a bad start.
Spencer did his best to distract himself from the actual running bit, trying to analyze the people in his group and those they passed as they went.
Bored, hungry, important, invisible… Derek?!
He turned his head to follow the tall man with short black hair and dark eyes as the group passed him on the sidewalk.
No, that wasn’t him. Of course it wasn’t. Agent Morgan is waiting for us at the facility.
Spencer tried to hide the slight disappointment that came over him. He felt so stupid for looking for him everywhere, but he couldn’t help it. Even his own knowledge and logic was failing him when it came to this man he knew next to nothing about expect for his shining smile and intense eyes and toned biceps and amazing abs and powerful legs and delicious stamina and strong hands that could grip his neck and hold him down and his defined hips bones that Spencer knew would dig into his thighs and certainly leave bruises if he were to…
What was his issue? He couldn’t be thinking that way about one of his trainors.
Although it helped the jog pass by faster. Time flies when you’re having fun, right? Or at least imagining having fun.
When they arrived at the other facility, they were provided a quick breakfast, unfortunately no coffee today, and then led to the top floor with an entire wall traded out for floor to ceiling windows.
The room they entered was massive, large mats rolled out edge to edge, and the smell was musty. It felt humid, sticky sort of, and Spencer hated to think about why that was.
He quickly scanned the room and found his target immediately. Across the way, Derek had his opponent mid flip, landing harshly on his back with a thud. He helped the poor guy up, laughing a bit as he did so. His pearly whites were on full display when he looked up and caught Spencer’s eye. Spencer quickly diverted his gaze, opting instead to look down at his twisting hands.
“Today we will be focusing on hand to hand combat,” Derek announced once the group had wandered closer. “You never know when the perpetrator will decide not to run and instead to attack you, or when you will find yourself without any weapons other than yourself to protect you. The first thing we are going to practice are some basic jabs. Grab a partner and follow our demonstration.”
Derek and the man he’d thrown on the ground earlier, Grant, demonstrated the seemingly simple movements that Spencer and the rest of the NATs were supposed to replicate. Of course, everyone else made it look easy, but Spencer just couldn’t wrap his head around what his arm was supposed to be doing where and when. It was frustrating, even more so than he’d prepared himself for.
“Keep your shoulders here,” that velvety deep voice said, accompanied by his large hands on either of Spencer’s shoulders, adjusting them to more of an angle.
All Spencer could do was swallow hard and nod. He didn’t even dare to look back at him.
“And spread your legs,” Derek said. His breath seemed to get closer to Spencer’s neck with every word, and quieter as he went along. But surely that was all in his head? Right?
Spencer’s startled eyes turned to look at the older man. The edges of his mouth twitched before resuming that stern, professional demeanour. “It’ll help you balance.” With that, he nudged Spencer’s foot farther backwards with his own and walked away, leaving Spencer feeling unnecessarily exposed and confused.
The guy across from him, Harold, one of the only people who had been genuinely nice to Spencer from the start, was watching the whole interaction with suspicion.
The day trudged on with not much change. Spencer’s skin was still on fire from where Agent Morgan had touched him, but he tried to convince himself it was because he didn’t really like being touched. He knew that was a lie, especially in this instance, but it didn’t stop him from telling it.
After lunch, training continued. But at least it got more interesting.
“Grant just got called out on a case, so I’ll be needing someone to help me with this demonstration.” Derek waited just about three whole seconds before smirking, the mischief written all over his face. “Come on? No one wants to volunteer? It’ll be fun, I promise.” When he was met with more silence (even the guys like Jeff didn’t want to be thrown around by Derek), he was forced to choose someone. “How about… Reid.”
Spencer’s head shot up from the back of the group. No, no, this is not good.
Spencer had been dreaming about getting thrown around by Derek for a few months now, but this was definitely not what he’d had in mind.
The crowd slowly parted and Spencer had to face the music; he was going to be humiliated in front of everyone, like nothing had changed since high school.
Sighing, Spencer forced himself to the front of the group. “Lay down for me, knees bent, would you?”
I’d do anything you asked, was Spencer’s initial response in his head. What he really did was shrug and follow instructions.
“The reason we practice this move is because at some point or another, you will find yourself in either position.” Spencer wasn’t quite sure what he meant by that until Derek legitimately stood over him, a leg on either side, then proceeded to get down on his knees, essentially sitting on top of Spencer.
He couldn’t even focus on what Derek was explaining anymore. Breathing didn’t exist. There was no way this glorious man was sitting on top of him right now. All he could think about was how prominent Derek’s ab muscles were through his tight shirt and how he wanted nothing more than to lean forward and run his tongue over them. Spencer could almost imagine what they would feel like; the rise and fall of his muscles, the small hairs covering his body… Spread your legs, he had said to him.
“So then Reid would grab my wrist…” Derek’s use of his name brought him back to reality. If only he could live in his fantasies for longer.
Spencer looked up at Agent Morgan confused. Derek’s eyes got wider and looked at his right hand and then down at his own left wrist. Spencer somehow got the message and reached his hand over to grab a hold of Derek’s wrist. “Good,” he declared. “After that, he would hook his left foot on the outside of my ankle.”
Spencer quickly followed orders, trying to force his brain to supply him with the information he’d missed.
“Then, he’d use my weight against me to flip me over.” Spencer’s eyes got big when Derek said that, mentally panicking that he could never be strong enough for that. Derek nodded at him, so Spencer tried to roll over, and to his, and everyone else’s, surprise, he actually could.
Within seconds Spencer was sitting on top of a very pleased Derek. “It’ll work every time. Of course, if your unsub is skilled he’ll lock you in and flip you back over and potentially pull your arm out of your socket,” Derek explained while doing just that to Spencer, minus the arm-out-of-socket thing, “But we’ll take this one step at a time.”
Derek was back on top of Spencer with his legs wrapped around him in a vice-like grip, but quickly let go to help him up. Spencer gladly accepted the help.
Spencer doesn’t exactly have what one would consider a “big dick.” He always thought that was something to be ashamed of but standing there, getting hard in the middle of an FBI training academy, he couldn’t’ve be more grateful.
The NATs were sent back to work on the newly demonstrated move with their partners. Just as Spencer was about to flip Harold over for the third time, he looked over his head and rolled his eyes.
“What?” Spencer asked.
“What is it with you two?” Harold asked in return.
“What?” Spencer repeated. Harold nodded in the direction he was just looking, and Spencer followed his gaze. Derek was walking by, but nothing else seemed of import. “I don’t know what you mean.”
“Oh please,” Harold snorted. He was a lanky man like Spencer, but just a bit shorter and with glasses. Sometimes Spencer envied his glasses, as his contacts often got on his nerves. He continued, “The touching, the constant eye contact, the word choice that could be inherently sexual, and then literally sitting on top of you? When there were plenty of other men and women he could have picked for that demonstration? Tell me you don’t see it.”
Spencer mulled over these words for a few seconds before flipping Harold over. Looking down on him, he said, “I don’t think that means anything.”
“Then maybe you need to get a new prescription,” Harold said, pointing to his eyes.
Spencer shook his head. “What do my eyes have to do with this?”
Harold sighed. “God, your gaydar is so broken.” He flipped Spencer over, stood up, and walked away.
Shortly after, class was called and they were all let go for the remainder of the evening.
“Reid, can I speak to you for a moment?” Agent Morgan called out as the first of the NATs started to leave. A few caught Spencer’s eye with unanswered questions in them, but no more than the mound of questions Spencer had been asking himself.
Without answering, Spencer walked over to the corner of the room that Derek was standing in. He could tell that he was waiting for every single person to leave the room before speaking.
Spencer thought for sure he was getting kicked out because of how horribly he performed throughout the day.
To his surprise, that’s not at all what the outstandingly attractive man had to say. “I wanted to let you know that you did a good job today during the demo. Not many people handle that so well.”
Spencer waited for him to say more, but nothing more seemed to be coming. Derek actually seemed a bit nervous if Spencer could read him right. He replied cautiously, “Thanks.”
Derek cleared his voice and said, “Yeah. And if you ever want to stay late and work on some moves I’d be happy to help.”
Spencer just got more and more confused as his interactions with this god-like man increased. “Thanks,” he repeated. “Why are you offering to help me like that?”
Agent Morgan shrugged. “You’re one of the smartest people in FBI history to come through here, and definitely the youngest. There’s absolutely no reason you shouldn’t become an agent, and I want to see you succeed. That’s all.” He shrugged again, and if there was anything Spencer had learned from the profiling section of his training, someone being over-casual was usually a sign that they were stressed about something they viewed with extreme importance, and were trying to play it off. Why would he be stressed to talk to me?
“I guess I’ll take you up on that offer. Will you be here tomorrow?” Spencer asked, trying to mask the hope in his voice. Who was he kidding; Derek was already one of the top profilers in the Bureau.
“I will be. You can plan to stay after then.”
Spencer nodded and walked away, but not before glancing back one more time. Harold was right; they did make a lot of eye contact.
The next day couldn’t go by faster. Spencer had spent practically the entire night thinking about everything that had happened, trying to figure out if Harold was right or not. There was no way. Spencer was just Spencer, a NAT, and Derek Morgan was, well… Derek Morgan.
He probably just thought that Spencer was a hopeless case and needed extra help. Yeah, that was it. It had to be.
When the day was over, Spencer wasn’t just relieved like he usually was, but he was excited too. It no longer mattered to him what the reason was for him being there late, he just wanted to spend more time in the presence of SSA Morgan.
“I was thinking I’d help you with that second move we learned today, the cross-punch jab combo,” Derek announced. His voice echoed just a bit off the walls of the training center now that it was completely abandoned.
He walked over to one of the punching bags lined up just a few feet from the wall, and Spencer followed him in a manner that could only be described as a lost puppy. Spencer could keep track of all sorts of numbers, but the sheer amount of repeating memories morphing into new thoughts morphing into full blown fantasies was even too high for him to count. He’d never known of a drug so powerful.
“I’ll show you the move again, then I want you to try and copy it.” Derek stepped closer to the bag and executed a textbook one-two combo, the muscles in his arms and back contracting in perfect unison. God, Spencer wanted so badly to just reach out and run his hands all over this pristinely sculpted man, but he denied himself, letting his hands tremble in place instead.
Spencer stepped up to the bag next to Derek’s and attempted to do the same thing. Derek watched with a sharp eye.
After a few reps, the skilled agent took long strides that landed him only inches away from the younger man’s back. “Keep tension here.” His hands engulfed Spencer’s waist and twisted them to the side with the ease of swatting a fly.
The feeling was so overwhelming Spencer thought he might never be able to move again, and honestly, he didn’t want to. Standing there in the grip of that man was really all he’d been wanting for months now.
The only thing that pulled him out of his trance was the way Derek’s fingers lingered as he walked around to Spencer’s front, drifting down far enough to send a clear message, one that even Spencer couldn’t miss, but not far enough to be completely intrusive.
But Spencer wanted intrusive. He wanted nothing more than for Derek Morgan to invade his personal space to the point of no return.
He looked at the older man with shock and a burning question, but didn’t flinch or move back. Derek simply bit his lip and scanned Spencer up and down at what felt like a snail’s pace. He felt like a helpless deer being sized up by a lion for his next meal.
Spencer swallowed hard.
He’d been wanting nothing more than to be in this very same situation, or one of the multitudes of variations he’d created in his mind, but now that it was here could he really go through with it? Was it really the best idea? Did he really want this? No, he couldn’t.
But Spencer wasn’t known for being a good liar.
The only signal Derek needed was the simple nod of Spencer’s head.
And he got it.
Like a snake ready to strike, Derek brought his lips to Spencer’s in an instant. His questioning fingers had an answer, returning to their strong hold over Spencer’s hip bones.
Spencer knew what was happening was completely inappropriate, but couldn’t find the will to care. The man he’d been dreaming about, spending every waking and non-waking moment obsessing over, was actually interested in him too.
All his fantasies were flashing before his eyes, Derek’s muscles now completely exposed to him. He frantically pawed at him, trying to feel and memorize every millimeter of the beautiful body before him, like every inch was another drop of water in his achingly dry mouth.
“Hey, hey,” Derek whispered. “Patience. Not everything can happen at once, remember, one step at a time.”
Spencer took a moment to breathe and look into the warm eyes he’d been drowning in. Only for a moment, though, as he had a lot he wanted to do, starting with kissing his way down this man’s chest.
Derek laughed a little at Spencer’s impatience when he placed his hands on his broad shoulders and lips on his burning hot skin. He didn’t mind, though. Unexpectedly, the young man knew how to use his mouth. He couldn’t wait to explore that particular skill set some more.
Within the next few minutes, bodies were slammed into walls, forced to the ground, and pushed further down into the floor than was previously thought possible. The echo of the room only amplified the intoxicating sounds and the wall of windows overlooking the campus only increased the arousal.
Spencer would have a new appreciation for the musty smell and sweat induced humidity in the room from now on.
The tension for the remaining month before the NATs graduated was unbearable. Harold made sure to point out the nauseating amount of glances passed between the two men, but was respectful enough to not point it out to everyone. He tried to deny anything had happened, but Harold wasn’t having any of it and let Spencer know he was a lousy liar, something he definitely needed to work on.
Come graduation day when all NATs would be receiving their department assignments, Derek made sure to personally hand Spencer his.
He carefully opened the envelope and pulled out the sheet of paper with one bolded line reading: “Behavioral Analysis Unit.”
Spencer immediately looked up and locked eyes with Derek. He simply smirked in return.
Maybe his fantasy of having something more with the agent would become a reality after all.
-
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amintyworld · 4 years
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Dream SMP Fusion AU:
Certainly not me thinking about a Steven Universe AU for Dream SMP because fusions
Also, just to note: Not all fusions are for romantic relationships, so please no shipping since many of the creators are uncomfortable with that. The one somewhat romantic relationship fusion mentioned is between the characters Schlatt and Quackity, and are the only ones classified as such for the lore and story already created - I do not ship them whatsoever. Thank you.
Also, feel free to use these ideas with credit!
TW: Abusive Relationship, Toxic Realtionship, manipulation.
So like, what if during the L’manburg Independence War L’manburg was the only ones who really fused with each other, and the Dream SMP just never really thought it was useful and therefore didn’t really use it all that much for battle, pvp, etc. 
They discovered fusion one day while building the wall when a bit of debris was about to fall on Fundy and Wilbur swooped in to save him, and suddenly... a whole completely different person stood in their place. It didn’t last very long, but Wilbur from then on was determined to learn all he could about it and understand it. 
Wilbur couldn’t seem to explain his findings much scientifically, but he wrote up a journal on all he learned - how the fusion seems to combine and showcase the best parts of each individual person.
An iconic Steven Universe Scene takes place (For you SU fans, when Smoky Quartz first came to be) when Tommy in a effort to get his discs back one day tries to take Dream head on, pushing away Tubbo’s help. Tommy gets throughly beat up by Dream and in a heartfelt moment Tommy tells Tubbo that no matter what he does Dream will always win against him because he’s not strong enough. Then, Tubbo says that that’s not true, that Tommy doesn’t have to be like Dream, if anything Tommy’s like him because they both aren’t like anybody else, and it sucks, but they have each other. Finally Tommy accepts Tubbo’s help as they fuse for the first time.
Eret and Niki fused once while hanging out and dancing one day, which led Wilbur to discover how to trigger the fusion in a more controlled manner - through dancing. 
The war happens with the revolution holding better against Dream and his posse for the short fact that they had fusion on their side - they weren’t totally confident in the ability yet, which lead to some close calls to unfusing at the wrong time, but a few prominent fusions came out of it. In the end, they won and Wilbur continued to write his findings in the journal.
The election came about, and with it the exile of Wilbur and Tommy - this time the two were on the receiving end of fighting with fusions.
Wilbur even suggested on fusing together for survival - together they were more combat skilled, and better focused. After all, there was lesser chance of hurting one target than there was two. So, for a while they stayed together, at least, until Technoblade came to help.
Techno was very awkward at the whole fusion thing - it seemed stupid, and the poor pig hybrid didn’t exactly dance very well, though he was often too embarrassed to admit it. Techno didn’t understand how his two brothers could fuse so easily while he just... couldn’t. (I’m imagining Wilbur coaching him in Pogtopia while Tommy has to wear paint cans in order to each his height)
While out together, the sight of Tubbo causes Wilbur and Tommy to become so distressed they unfuse as Tubbo tells them he wants to help, and becomes their spy.
Back in Manburg, a certain goat hybrid finds Wilbur’s fusion journal and does some light reading. Schlatt thinks that he needs fusion soldiers to fight for him - from what he’s reading, these fusions are practically unstoppable. If he were to have that kind of power at his disposal, no one could stop him.
Being the ‘selfless’ leader he is, he uses himself as a test subject as he fuses with his militia - Punz, Ponk...
Quackity at first makes fun of his attempts as always within five minutes the fusion quickly falls apart. This only pisses of Schlatt more, until he comes up with an idea. 
He confronts Fundy and tells him that if he was loyal to Manburg, and their desires aligned, they’d be able to fuse no problem. Fundy agrees and they become the first completed fusion in Manburg - Fundy only does it because he wants to keep suspicion low and his cover a secret, and it somehow works. Schlatt doesn’t question Fundy much after that.
As the festival gets planned Schlatt continues his tactic of sniffing out traitors through fusion, which does not bode well for Tubbo, who keeps narrowly escaping having to fuse (Looking at the ‘I’m pregnant’ excuse-).
Back in Pogtopia, tensions rise as Wilbur and Tommy become more and more distant as Wilbur plans to blow up Manburg during the festival. 
Festival happens, not much really changes except Schlatt tries to get Niki to fuse with him to prove she wasn’t a traitor and not get killed like Tubbo - Wilbur overhears and intervenes, running away with Niki back to Pogtopia, fusing with her to help both of them escape.
When Quackity tries to leave, Schlatt forces him to fuse to stop the traitor from escaping, and for the first time, the two get trapped in a mixed up mess of a fusion - nothing is combined of the two, it’s all a mish mashed up mess - thankfully they aren’t fused for long and Quackity escapes, but both have the feeling of agony, sorrow and pain of the forced fusion in their minds. 
They take back L’manburg with some awesome fusion v fusion fights.
In a last attempt to keep from dying, Schlatt forces Quackity to fuse with him again in exchange that he release Tubbo, who was on his last cannon life (Schlatt held up a knife to his throat.) Once again, Quackity is trapped down in the painful and dark abyss as their fusion makes mass destruction. Wilbur, Tommy, Tubbo, and Techno all fuse to take  the unstable fusion down.
They succeed in doing so, fatally wounding Schlatt enough to corner him, the stress, drugs, and alcohol combing into a panic attack and he dies. 
From there, things proceed as normal - Techno releases the Withers, Wilbur pushes the button. 
New L’manburg is thriving with Tubbo as the new president... everyone can finally be who they want to be - wounds of course are still healing.
Quackity talks with Tubbo about his bad experience with Schlatt, and Tubbo is there to listen and always tells him that he doesn’t have to fuse if he doesn’t want to... of course fusion can be helpful (Some fusions have been helping repair the TNT and Wither damage) but, Tubbo insists, you don’t have to fuse to be able to help.
Ranboo gets a crash course in fusion basics by Phil and Ghostbur. (It’s like gem classroom, it’s all so cute guys-)
Phil also helps out Fundy who’s still iffy about Wilbur and all that he did for him... namely, fusing with Schlatt to avoid suspicion. It’s all wholesome and sweet, even with Ghostbur and his failed attempts to help in the background.
Things play out as normal in terms of plot - Techno retires, Tommy gets exiled...
Dream, at first, is very committed to blowing up Tommy’s stuff - one day, he says he won’t do it only if Tommy fuses with him, because he’s curious in how it works. 
This turns straight up unhealthy during the Beach Party when Tommy remembers all the times he used to have and how he feels so lonely, and Dream tells him that he’s always gonna be there for him even if they don’t, which results in Tommy and Dream fusing for a while whenever he comes to visit so Tommy won’t feel as lonely or as depressed. Tommy becomes dependent on Dream and the fusing and clings to it to an unhealthy amount, though Tommy of course wouldn’t admit that.
Eventually, Dream blows up Logstedshire and leads to Tommy running away in a brief moment of clarity. 
Phil gets under house arrest as the Butcher Gang try to take Techno down to kill him, but Phil, the ever to clever, gets there before they do and fuses with Techno to help take them down. They unfuse when Quackity threatens Techno’s horse, revealing that Phil snuck out. Techno covers for him and tells them that he broke Phil out, that it’s his fault and Phil had nothing to do with it. They believe him and Phil is in the clear.
The attempt fails, Techno finds Tommy and the two continue to practice fighting while fused - Tommy’s idea from his experience fighting with Wilbur - and they’re pretty strong. Ranboo and Ghostbur hang around and ooo and ahh over their moves.
Tubbo visits Tommy and as in cannon believes he’s dead but for a different reason - he finds evidence of when Tommy and Dream were playing around while fused and thinks that they’re permently fused - Dream forged a letter claiming that exact thing. Tubbo of course blames himself for losing his best friend.
Back in New L’manburg, the Butcher Gang gets fusion training too (except for Quackity) and Ranboo finally fuses for the first time with Fundy, the fusion turning into what a 12 year old would be like on redbull.
While on house arrest, Phil tries fusing with Ghostbur and to his surprise... it works - not for very long, but it works. They come to the conculsion that since Ghostbur is a ghost, that maybe it wasn’t two people fusing but instead a soul and a person, leading to the imbalance.
While Techno and Tommy are fused, they hold Connor captive and ask for ransom... leading Tubbo to be extremely confused when someone he doesn’t know is asking ransom from him who appearently knows him-?!
Only after they unfuse... Tubbo realizes that Tommy’s still... here. He’s still here and not in a fusion with Dream. Things go as in cannon.
Finally, after Dream figures out where Tommy is and tells Techno, any chance he gets with Tommy alone he tries to tell him that they could fix everything if they just fused again, and Tommy keeps finding himself refusing.
Anyway, what do ya’ll think? Should I do a follow up post for the fusions?
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merakiaes · 4 years
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The One For Me - Aaron Hotchner
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Pairing: Aaron Hotchner x reader
Requested: By @nuvoleincielo​
Prompts: #16, #30 and #63 from the fluff-list. 
Warnings/notes: This is my first time writing for Hotch and Criminal Minds in general so please be patient while I get used to these new characters, might be slight OOC😭 It’s also the first piece I’ve written in a few months now and I’m a bit rusty, so please let me know what you think. Not proofread so I apologize in advance for any possible mistakes. Send in more requests for Hotch, Reid and Morgan and let me know if you want to be added to the Criminal Minds taglist! I hope you like it💕
Wordcount: 4118
Summary: Hotch has doubts about letting your relationship go further and you reassure him that he’s what you want. 
After being raised in one of New York’s worst, most crime ridden and low poverty neighborhoods by a family who was constantly targeted by the law enforcement, the last thing you’d expect was that you would become an active worker of said law enforcement.
Your mother died ten minutes after giving birth to you and your father had never been a part of the equation, most likely having ran the second he found out your mother had gotten pregnant. With no other immediate family, you ended up in the system, where you were stuck for the first seven years of your life.
You jumped back and forth between families of all kinds but for reasons unknown, no one wanted to keep you. It wasn’t until a couple adopted you two days before your eight birthday that you finally felt like you belonged.
They had many children of their own as well as more foster children, all between the ages of ten and twenty-five at the time of your adoption. On top of that, the children had children of their own and aunts, uncles, cousins and friends stayed with you more often than not as they struggled to hold on to homes of their own.
It wasn’t the most ideal way to live, a dozen people staying under the same roof of a two bedroom house, but you had dinner on the table every evening and the love for family was strong, so despite the conditions you lived in and the struggles you were forced to face on a daily basis, you guessed you couldn’t complain; you’d had it better than most.
The people who lived in those parts were always getting pinned for various kinds of crimes, just so the police could get it out of their hands and go on about their lives.
The male members of your family and the company they kept were some of the biggest targets even though they rarely did anything wrong, but despite the injustices they faced every day, they remained respectful when staring in the face of a cop.
You, on the other hand, despised them. You were an outspoken little girl, too feisty for your own good and on more occasions than one, you’d ended up pissing off some rich kid in school for which your dad and uncles were forced to pay the price.
You’d always hated the injustice the less fortunate suffered every day, but it wasn’t until you witnessed your first murder at fifteen that your interest of making the world a better place really piqued.
The victim had been one of the boys living in your neighborhood. He was two years older than you and he always gave it his all to make something out of himself. He walked with you and your younger brothers and cousins to school every day to make sure you got there safely, studied hard, kept out of trouble and always remained respectful.
The only reason he died was because his skin was the wrong color in the eyes of the law and because he was born into a less fortunate neighborhood, and it was then your eyes truly opened to the police brutality and misuse of power plaguing your country.
You joined the police force when you were nineteen years old and you stayed there, on top of your game and determined to do it better than the bad ones, until you were twenty-one. 
At that point, most of your family had passed away either out of old age, or simply from being in the wrong place at the wrong time, and your determination to help people was stronger than ever.
But even you, the tough little firecracker as your uncles had always called you, could only tolerate so much.
After two years on the force, you got tired of being undermined by your male co-workers and set out to step up your game, taking up studies of criminology and psychology among several other subjects.
You studied your ass off and was just barely able to get by with the money you had saved up over the years, and at twenty-four, you finally had your degrees and clearance to begin working in higher places.
Starting off in New York, you stayed there for six months before you were transferred to Quantico, Virginia, where you were recruited by the one and only Jason Gideon who had heard word of your talent in the field.
You had worked with the team for little over a year now and Jason, who had always acted as a kind of mentor and father figure for you, was gone, having left only a letter for you and Spencer each.
Taking his place was Aaron Hotchner, a fellow agent to which you hadn’t paid much personal attention before the departure of Gideon. But things changed when he left, a lot of things.
Hotch was fresh out of his divorce, moodier than ever and in a really bad mental state. He stayed in his office until the late hours of the night, sometimes even the early hours of the next morning, barely slept and often forgot to eat if he wasn’t reminded by his team members.
Everyone urged him to take some time off, to go home and get some sleep and to take care of himself, and although he always told them that he would, he never followed through.
Up until then, you still hadn’t spoken much with him except for when you were working on a case. You were just an agent and he was just your boss, there was nothing else to it. But you couldn’t just sit by and watch as he neglected himself, so you followed your team-mates’ example and approached him.
He dismissed you at first, like he had done everyone else who had tried to offer him their support. But as time passed by, in some miraculous way, you made him laugh, and as you continued your attempts on offering him your ear to listen, he opened up to you, and you grew to become more than just colleagues.
Your first and only date had been on your initiative. You invited him to dinner at your house during your weekend off, to which he agreed.
You cooked together and although it started off as kind of awkward – more from his side than yours – you ended up kissing later that night after having had a bit too much to drink, and fell asleep together on your couch while you were flicking through your childhood photo albums.
The next morning, he was gone. You had always been an extremely light sleeper so you found it strange that he had managed to slip off without alerting you and also having managed to wrap you up in a blanket before he left.
He didn’t leave without a word though. A note was neatly placed on the coffee table in front of you, on which he explained that he needed to pick up Jack and that he didn’t want to wake you, finishing it off with a thank you for the night before.
That was the first and last time you spent time together, just the two of you, but it wasn’t like it was intentional.
You wanted to do it again, to continue exploring the budding romance between the two of you and to see where you could take it, and although you knew nothing of his feelings, he wanted the same thing.
But work got very stressful; stressful to the point where you could never find a moment to talk to each other if it wasn’t in the presence of the entire team. But the spark between you wasn’t gone.
It was still there in the way he would let his hand hover above the small of your back when you were walking side by side and step in front of you if you were ever in danger, and in the way you would always take a second to ask how he and Jack was doing, if they were eating enough and getting enough sleep, whenever you were heading somewhere; no matter if the team was with you.
It was there in the way he would always encourage you to go on the less dangerous tasks while he took the ones that were more life-threatening and in the way he would always smile, the slightest of smiles, whenever you were exchanging jokes or sarcastic remarks with Morgan, or messing around with poor, clueless Reid.
It was there, but it was unspoken. At least until now.
The case you had been working on for the past two days was that of Gilbert Stratton; a serial killer who had targeted young women, killed them, drained them of their blood, and then proceeded to hang the bodies up by their feet in trees all around the city.
You had caught him just in time to save the last kidnapped girl and you had originally been the one assigned to question him, but Hotch had stepped in last minute after the man had made a crude comment about how ‘girls like you always tasted the best’.
You had attempted to tell him that you could take it, but before you had even been given a chance to state your case, he had shut the door in your face and you had been whisked off by JJ.
You were the one out of the entire team who was the most interested in the psychology of a serial killer so you really wanted to be the one to interview Stratton, but you knew that Hotch had taken over for the sake of your safety and not because he underestimated you, so you couldn’t even bring yourself to be mad.
While he did his job, you settled at your desk with a sigh, getting to work on the heft stack of paperwork that had been building up throughout the week. 
The first ten minutes you kept close track of the clock next to you, wondering why it was taking so long, but the more time that passed, the more focused you became.
Soon enough, you only had a few reports left and you had completely lost track of time, when there was a sudden bang behind you, sounding an awful lot like a door slamming shut.
And your suspicions were proven correct, when you looked up to see Hotch march straight the bullpen.
The corners of your lips tugged up at the sight of him, but the arising smile quickly fell again when he walked right past you, without even an acknowledging glance, heading into his office and shutting himself inside without as much of a word to anyone.
Left behind with dumbstruck looks on their faces were the team, glances of bewilderment being exchanged.
“What happened?” Reid asked the question you were all thinking after a moment of silence, just as Emily walked in from the interrogation room.
Rather than answering Reid’s question, she looked right at you, offering you a small, comforting smile. “I think you better go talk to him.” She said simply, and as confusion and anxiety bubbled up inside of you, you slowly drawled.
“Okaaay…”
They all watched you as you stood up from your seat, brushing down your shirt and turning off the lamp at your desk before heading for the stairs.
You could feel their eyes following your every move and you would be lying if you said you weren’t nervous of what you were about to walk into.
Everyone had gotten negatively affected by a case or unsub at some point during their career, most more than once. They were all very good at getting into your head, no matter how little you wanted to admit it. But you had never seen Hotch react this strongly to anything before. The only time you had really seen him snap was during one single case, right after Haley had filed for a divorce.
Still, you kept walking until you reached his closed office door, stopping only then to peek inside the blinded windows to see him sitting at his desk, hands rubbing over his face.
You knocked on the glass gently and in any other case he would have looked up and meet your gaze, but when his head kept hanging this time, you let yourself in, only when closing the door behind you cutting off the curious eyes of the others.
Once you were inside, you wasted no time in approaching Hotch where he sat by his desk, analyzing his every move which led you to only one question.
What the hell had Stratton said to him to make him this distraught?
He didn’t even look up as you reached him, keeping his eyes closed as you came to a stop beside his desk.
Treading carefully, you reached out and gently put your hand on his shoulder.
“What happened?” You asked softly, the sound of your words instantly bringing a long, heavy sigh out of his nose.
“Why are you doing this?” He wasted no time in replying, causing a crease to form between your eyebrows.
“What?” You asked back, confusion lacing your voice.
Finally, he brought his hands down from his face and slowly spun around in his chair, forcing you to drop your hand from his shoulder and to take a step back.
He stared up at you, face wiped free of emotion as always. But the eyes said it all.
“Why are you so adamant on being with me? Why do you try so hard?” He questioned you, taking you by surprise.
Your eyebrows shot up and your eyes grew slightly wider, and you took a moment to regain your composure after the, to say the least, unexpected question.  
“What kind of question is that?” You asked once you finally regained your senses. “Isn’t that what you’re supposed to do when you want to be with someone? Try?”
One of your eyebrows sank again, leaving only one raised in question.
Hotch’s face softened slightly and for a moment, he averted his eyes, letting out another, smaller sigh from his nose before looking back up to meet your eyes once again.
“What I mean is, why do you want to be with me?” He asked again, clarifying and slightly shaking his head in what seemed to be disbelief. “The second you walked into this office, both Morgan and Reid had their eyes on you, and they still do. They’re closer to your age, they’re energetic, humorous, full of life, while I’m ten years your senior, and can’t offer you what they can. So why do you want to be with me, when you can have them, or anyone you want?”
“What is it that they can give me that you can’t?” You didn’t waste a second in firing back.
You had no idea what had brought this on, but it was clear that it was bothering him and quite frankly, you found it ridiculous even though you didn’t like making it a habit to judge other people for what they were feeling.
“They can make you smile-“ He started explaining, and you instantly cut him off.
“You make me smile, all the time.” You shook your head, but your affirmation only seemed to fuel his frustrations even more as he was up on his feet within the next second.
“But I’m not- I’m not fun.” He stated, staring you down. “My clock is ticking. I’m ill-tempered, irritable, too serious for my own good. I’m barely capable of taking care of myself at this point much less my son. I’m miserable and I’m a bully, who only cares about this job. Why would you want to be with someone like that?”
“Where is this coming from? I thought we had something good going.” Your face fell slightly, and you carefully reached your hands out to grab a hold of the front of his suit, taking a small step closer.
“Is this because of Stratton? Is he the one putting these doubts into your head?” You asked, keeping your eyes on your hands for a short moment before looking up to meet his heavy gaze staring down at you.
And once your eyes met his, he knew there was no point in lying; you were a profiler after all, and a good one at that.
“He did.” He confessed calmly, his lips pursing into a straight line.
“Aaron…” You began, the softness of your voice matching the one in your eyes.
“But everything he said is true.” He quietly interrupted you. “I’m not fun to be around, I push people away. That’s what I do, what I’ve always done.” His eyebrows rose and he stood still.
You knew about the doubts he had about himself. You know he felt inadequate as a friend, as a colleague, as a father, and more than anything as a partner after the way Haley had left him. You were aware of all of it, and yet the sound of those self-doubts being voiced aloud saddened you nonetheless.
Silence fell over the two of you for a moment as you took another step closer, flattening your palms out on his chest and your eyes never leaving his.
“Those people didn’t deserve you in the first place. They knew what they were getting themselves into when they started building a relationship with you, whether it be a romantical or purely platonic one. They knew how passionate you are about your job, how much you value it. Them leaving… That’s on them, not you.” You said softly, shaking your head. “I’m not about to give up on you, on us, just because you happen to be a few years older than me. Derek, he wants to have fun, to be young. He may be attracted to me but he doesn’t want anything serious. Spencer isn’t ready for a relationship either, for obvious reasons, and either way, they’re not the ones I want.”
He watched you intensely as you spoke, lips still tight and strained. “What is it that you want?” He asked you, and you wasted no time in replying.
“Something serious and stable, someone who’s ready to settle down, and for me, the best chance to get that is through you.” You smiled, breaking your eyes away from his to follow your hand as you moved it up to his face. “Regardless of what other people say, you’re an amazing person. You’re passionate, driven, kind, loyal, gentle, and so much more. Despite what you may think, you do have a sense of humor and you’re the only one who can make me smile until my cheeks hurt. If that’s not a good man, a good person, then I don’t know what is. I wouldn’t change a single thing about you.”
By the time you finished, the remaining doubt was wiped free from his face, a small, gentle smile instead having taken its place.
It was a funny thing, Hotch only ever spared the tiniest of smiles, and yet it was them that brought you the biggest and most intense amount of happiness. It was so rare to see his ever-stoic features reflect joy that you couldn’t help but light up like a kid on Christmas every time it occurred.
And true to what you’d always been told growing up, your smile was just so contagious that he couldn’t help but to smile wider at the sight.
“Thank you.” He whispered, and visibly relaxed where he stood.
Your heart swelled in your chest when you took note of the way he was slowly but surely shuffling closer to you, picking up a significant amount of speed when you then felt his hand brush against the side of your hip.
But he didn’t dare touch you, hesitation still lingering in the air. So you did what your heart told you and grabbed a hold of his hand, and pushed it down into the curve of your waist.
From then on, he moved on his own, raising his other hand to mimic the same position at your other side, and you let your hand drop from his, instead raising them to busy with his crimson red tie.
“I know you’re struggling, with yourself, with Jack, and that you’re still processing the divorce. And if it’s time you want, then I’ll wait.” You spoke quietly, feeling your skin flush hot under his touch as his thumbs began to move over the thin fabric of your shirt. “But if you want to keep going and see where this can go, then I’ll be here every step of the way to support and help you in any way I can. You just need to let me in.”
More shyly then before, you dared loo back up at him through your lashes, hands stilling on his chest.
His smile was gone and his eyes creased together in concentration, but his eyes were soft and his head slowly nodded. “You’re right.” He said, and you allowed yourself to smile again.
“Aren’t I always?” You lightheartedly teased, tilting your head to the side.
In return, a smile spread across his face, his head shaking. “Don’t make me take it back.”
“No, no take-backs. What’s said is said.” You kept joking, your smile only widening.
He kept smiling down at you for a few seconds longer, but then his face fell again, just like that, out of nowhere, completely sudden. The gaze he held on your face grew absent as he got lost in his thoughts, and before you could question him about the sudden change of mood, the words spilled from his lips as if there was no tomorrow.
“I think I love you.”
Your mind instantly broke into a flurry of thoughts, countless emotions battling in your body. Nervosity and excitement ended up coming out on top, the mixture of the two creating an uncomfortable, sickly feeling in your stomach.
Your face fell in disbelief and your eyes searched his as he came back to reality.
“You do?”
Your voice came out so quiet and small, you mentally cursed yourself for sounding so pathetic, but luckily, you didn’t get much time to beat yourself up over the anticlimactic reacting as he continued.
“You don’t have to say it back if you don’t feel the same way, but I needed to say it. Every day, this job puts all of our lives in danger. I couldn’t bear it if one of us died before I got the time to let you know how I feel.”
You sucked in a breath, feeling yourself growing weak at the knees as he absentmindedly rubbed your waist with his thumbs.
“Just a minute ago, you were trying to end… whatever this is, and now your proclaiming your love for me?” You asked. 
It was meant to be a joke, an attempt to ease the anxiety you were currently feeling, but you realized quickly that said anxiety made it sound like the exact opposite of a lighthearted, teasing joke.
Luckily, the man standing in front of you was a profiler and knew that you meant no harm, understanding how shock could render your ability to react appropriately.
“I was never trying to end what we have. I just wanted to be sure that you were sure. That I won’t be holding you back.” He explained, and you finally managed to pull yourself out of the state of shock.
“Being with you motivates me. And I love you, too.” You confessed, the smile once again returning to your face as you moved your hands from his chest to wrap around the back of his neck. 
“I’m happy to hear that.” He smiled right back. “Can I kiss you?” He quietly added, and your face instantly lit up in a mischievous expression.
“In the office?” You gasped dramatically, bringing your arms down, taking a step back and lightly slapping his chest. “Aren’t you feeling frisky today?”
A large smile stretched across his lips, his chest shaking as he chuckled. “Come here.” He said simply, and before you got the chance to argue, not that you would’ve if given the opportunity, he sat back down in his chair and pulled you down with him. 
The chair spun in the process, causing you to let out a squeal of surprise. Your arms wrapped around his neck and your small laughs of glee quickly became muted as he placed his lips on yours, replaced by low hums of contentment. 
You clung to him as if your life depended on it, basking in the feeling of his lips moving against yours and his arms tightening around your waist, and as your entire body burned with passion, you realized that he really was the one for you.
Tagged: @must-be-a-weasley-92​ @zizzlekwum​ @cozytruecrimeaddict​ @lovelynervouskingdom​
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itsmoonphobic · 4 years
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Phil's character and his life system on the DreamSMP won't leave me alone....Here is some interestin' facts I can't stop thinkin' about :)
We all know that the butcher army's number one target is Techno right? And they are planin' to get rid of him the fastest way possible by gatherin' information from people who interacted with him in order to find out where his current location is becouse nobody knows.Tubbo said that he expects posters to be hung up everywhere through L'manberg for propaganda,they want to gather as many people as they possibly can to be on their side against Technoblade,becouse together they are more affective.
So what would happen if the BA somehow reveals that Phil is in the possession of Techno's compass? That thing leads them straight towards his hideout in the north,without a doubt I think that the BA would immediately hurt/kill or hold Phil hostage in order to get the compass.Now if they actually decide to murder Phil,he would lose his only life becouse unlike the rest of the SMP Phil is stuck in the gamemode hardcore and he needs to play with a single canon life- while the other two lives he was meant to own were gifted to his eldest son Techno.
The thought of Phil dyin' to such a harsh reason like the government's revenge on his son is terrifyin' and truly heartbreakin'- I'm already scared for Phil and now long he will last before he loses his life,I don't want him to pass away this early into the new Arc.On one side,Ghostbur would finally have some spirit company from his father but both Tommy and most importantly Techno would be absolutely devastated and furious.I don't think that most of the players on the SMP are aware of the fact that Phil's life consists of only one chance at said life,they most likely believe he will just respawn and continue on with the rest of his lives- But that's not the case.
If he dies once it's all over- so to imagine that Phil gets killed becouse the BA requires the compass to track Techno down makes me really sad and also excited??We all know how much Techno cares for Phil,we know he would kill in order for his father,his only friend,to be safe.He has shown the overprotective nature he has around Phil's presence and we have also noticed how much of Techno's trust and loyalty rests on Phil's shoulders.Not only did his son give him a compass to always run to him in the need of help or anythin' really- but he practically opened his heart for him.Afterall,Techno did mention that he would give Phil the world if he desired so.
Now I already know the reaction we would get out of Techno if the BA or anyone really was dumb enough to try and go agaisnt Phil- It would end in mass genocide and complete destruction over the whole server.Techno might be in retirement right now,takin' a small break from his violent and bloodthirsty nature,but I wholeheartedly know that the moment somebody even lays a single finger on Phil it's already too late and pretty much over for them. Techno would,without hesitation,ruin them and make their life a livin' definition of a nightmare you can't wake up from. He would go so far as to destroy everyone and everythin' in his path to avenge Phil and his life,becouse in Techno's eyes his father was the last person who deserved to die.
Now that Phil's gone Techno is all alone,by himself in a world that's controlled by a government he so desperately tried to tear apart and let it crumble to pieces- He would be confused,scared and thirsty for revenge.Phil's death is a major problem in the whole plotline,especially the one Techno is writin' for his character! I really hope that nobody attempts to try to get to Techno by usin' Phil,it wouldn't end well in any way whatsoever and would only make things worse.I don't really know how Tommy would react but I know that his relationship towards his father in the SMP isn't the best,we all know that he's careful aswell as skeptical around Phil becouse he sticks close to Techno, Tommy's eldest brother and the person he hates the most. [for now atleast,i just have a feelin' that both Tommy and Ghostbur will join Techno's side soon and that the right time hasn't come yet for them to realize this-]
What I'm tryin' to say here is that if Phil dies,he's gone forever.There are no second opportunities,once those ten hearts are all drained from their red color it's over.I would be so dejected and sorrowful if the BA actually considers the idea to take that one,precious life away from Phil.And now that I think about it- Phil is conflicted.
On one side,the first thing he did when he arrived in L'manberg was murder his own son in cold blood,and the worst part was that Phil didn't even want to do it- He was handed over the blade by Wilbur himself.And by rebuildin, the city,Phil is workin' on finishin' his son's unfinished symphony for him since he isn't here to do it himself.And not only that but he also has to take care of the ghost of said dead son which is extremely tragic to think about.He wants to gain the citizens trust and wants to keep all of them under control by keepin' the atmosphere light.Phil's grandson,Fundy,is now also under his care which is a extra task on his part,add the fact that Wilbur forgot most of the things he committed and Phil tries his best to make him remember and recollect his lost memories.
Then there's Tommy,the most complicated son he has to deal with throughout all of this.Not only did Tommy get exiled- but he lost his best friend,his brothers and their beloved city they created together.His discs are the only thing dancing around in his head and keepin' him sane,due to the neglect and loss of major importance he became suicidal,thinkin' about losin' his last life to himself.He's all alone and is blamin' everyone else as the bad guy,he doesn't understand that half of the reason this happend to him was his own fault,his own selfishness and greed.Phil knows Tommy's stubbornness and temper,his hot headedness and that all he wants is everythin' to be the way it was at the beginnin' when it all started-
How Techno is,no doubt,Phil's favorite son.Their relationship is strong and built up on solid ground due to the past they spent together by eachother's side.Their bond and healthy correspondence makes them an unstoppable duo and Phil would do anythin' to keep it that way and enjoy his son's company as long as he can.He helps Techno with both small tasks and difficult quests,if he invites him of course,Phil would never tag along if Techno doesn't want company.He understands Techno,he understands the way he thinks and acts,the reasons behind his decisions and all of his activities.Phil was the first person to show Techno what it felt like to be loved and cared about,to be accepted into a world full of misery.And in return Techno granted him his respect,kindness and loyalty to keep up their parallel.Phil knows if he would join Techno that the way others view him would instantly change and shift towards bein' negative.
The fact that he has a Antartic Empire shield proves how much he wants to be on Techno's side and bring back the vibes of the empire they lead in the south,it's pretty much obvious that he's virtually already on Techno's side but he doesn't make a final statement on it whatsoever.He never spoke up about it genuinely,he never confirmed the suspicions of him joinin' Techno but I think it's self explanatory who's side he will be on.
And now comes the prison- Probably the most fucked thing that has ever been created.The idea was requested by Dream and Sam is the one deconstructin' it righ now.As for now we don't know much information or details about this jail but we for sure know who it's meant for- Techno.Like Dream stated when asked about it "Somebody who is very capable" and "Somebody I can't kill" which clearly describes Techno- He may never die,but it can be attempted to contain him in a cell.Now my prediction is that the BA and maybe even more people [Dream,Sam,the Badlands,etc.] will capture Phil and hold him imprisoned there until Techno willingly comes along to save Phil's life,they will certainly lure Techno in there by usin' his father as bait.
I have no idea if ANY of this stuff wiln actually happen' in the SMP,but even if they don't- Phil's character and story progress is one of the most underrated and interestin' ones.
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longitudinalwaveme · 3 years
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DC Comics’ Portrayal of Mental Illness
 As you can probably ascertain from the general contents of this blog, I am a huge fan of DC comics (and, more specifically, of the Flash). I am also a psychology major who is on the autism spectrum and has struggled with Social Anxiety Disorder and Obsessive-Compulsive Disorder. As such, I have a...complicated relationship with comic books that discuss mental illness. 
Of course, of all the comics that deal with mental illness, Batman is undoubtedly the most prominent, and, as such, is the easiest target for criticism. The more a comic book talks about mental illness, the more opportunities it has to get stuff wrong. Since there are literally thousands of Batman comics out there and I don’t have the time to research them all, I will be using a 2001 Batman guidebook to give you a few examples of the things that it gets wrong about mental health (and psychology in general). 
To start, let’s talk about Arkham Asylum. Not only is its name anachronistic (virtually no mental heath facilities are called asylums anymore), but its depiction usually is as well: even a psychiatric hospital that doubled as a penal facility probably would not be located in an old Gothic-looking building that looks like it came straight out of a horror movie. It’s also worth noting that Arkham Asylum didn’t exist in the Batman mythos prior to 1974, and that originally, Two-Face and the Joker were the only two villains who went there. Prior to that point, everyone, even the Joker, just went to prison when they were caught (which, as we shall see, is actually probably more accurate for everyone except maaaybe modern Two-Face and the Mad Hatter). My suspicion is that it was introduced to capitalize on the popularity of the 1962 novel (and, once it was released, the 1975 movie) One Flew Over the Cuckoo’s Nest, which was about a psychiatric institution, but there were probably other factors involved, such as the popularity of works by H.P. Lovecraft (which is where the name Arkham came from). Whatever the reason, though, Arkham Asylum is really only the tip of the iceberg when it comes to the misrepresentation of mental illness and mental health in Batman fiction. 
The introduction of Arkham Asylum led, increasingly, to the idea that all Batman villains were mentally ill, which, in turn, led to some...um....very inaccurate portrayals and depictions of what mental illness is and how it works. 
For example, the 2001 guidebook I am using incorrectly describes the Joker as “certifiably psychotic”. He’s not. While there are individual exceptions (we are talking about comic books, after all), in most appearances, the Joker is not psychotic. He has no apparent hallucinations and does not seem to display signs of delusions, either. He is not out of touch with reality in any meaningful way, he’s just horrifically violent. Describing him as “certifiably psychopathic” would have been much more appropriate (although you can’t technically diagnose someone with psychopathy; the condition he would be diagnosed with would be Antisocial Personality Disorder). 
In the same book, Two-Face is described as “schizoid” and “schizophrenic”, both of which are not even remotely correct. What the modern Two-Face is supposed to suffer from is Dissociative Identity Disorder (what used to be called Multiple Personality Disorder), although it’s not always portrayed terribly accurately. Schizoid Personality Disorder is not DID, and it’s not Schizophrenia, either; it’s a personality disorder characterized by a lack of interest in social relationships-basically people who are extreme loners. Similarly, Schizophrenia is not DID. While it is hypothetically possible for the two conditions to be comorbid, they are not at all the same thing. Schizophrenia is a psychotic disorder characterized by delusions and hallucinations, which Two-Face almost never displays in fiction. DID is a dissociative disorder. Most people with DID do not experience delusions or hallucinations; their condition is typified by the presence of more than one personality and is thought to usually only occur as a reaction to severe childhood trauma. (Credit where credit is due: modern Two-Face is correctly shown as having experienced trauma as a child.) The fact that the term schizophrenia literally translates into “split mind” is probably the source of some of this confusion, but with schizophrenia, the split is between the mind and reality, not between the mind and itself. 
Also from this guidebook, the Riddler is, confusingly, described as having “an obsessive-compulsive desire for attention”, which, from a psychological perspective, is pretty much nonsense. Desire for attention is one thing; obsessive-compulsive disorder is another. The “obsessions” in OCD refer to intrusive, recurring thoughts, not to something that a person strongly desires and spends a lot of time pursuing. Additionally, the Riddler is described as “pondering the unsolvable riddle of his own psychosis”, which is not accurate. The Riddler consistently displays signs of Narcissistic Personality Disorder, and less consistently displays signs of OCD, but neither one of these conditions is a psychotic disorder, as neither involves hallucinations or delusions. When the Riddler says he’s not psychotic, and that he’s perfectly sane, he’s completely right on both counts. He’s never displayed any evidence of a break from reality, so he’s not psychotic, and he’s almost always aware that what he’s doing is a crime, so he’s not insane, either. In fact, with the possible exceptions of the Mad Hatter, Man-Bat, and Two-Face, none of the Batman villains are insane, since they are all aware that what they’re doing is illegal when they do it. 
What makes the earlier mistakes in this particular guidebook even more mystifying to me is the fact that their description of Scarecrow, and, more impressively yet, Scarecrow’s fear toxin, is pretty much accurate. They don’t call him psychotic or label him with conditions he doesn’t have and they accurately identify his on-again off-again phobia of bats (Chiropteraphobia). It also describes his fear gas thusly: “a toxic mix of adreno-cortical secretions and strong hallucinogens...it prompts neuromuscular spasms, cardiac arrhythmia, and panic attacks”. This is an astonishingly accurate description of what his fear toxin would need to be made of and what it does to his victims’ bodies. I don’t know who wrote this section, but they deserve some serious credit for doing their homework! (It makes no sense to put the Scarecrow in Arkham. Not only is he neither psychotic nor insane, but putting an evil ex-psychologist in a psychiatric institution is a REALLY bad idea, as he has the know-how to easily manipulate both the doctors and the patients.) 
Also from the 2001 Guidebook: The Ventriloquist is described as having multiple personalities, and is NOT described as schizophrenic or schizoid. While the term Multiple Personality Disorder is no longer used by psychologists for diagnosis, it is at least describing the same condition as DID. Modern Firefly is described as a pyromaniac; this is accurate from what I know of the character. Mr. Zsasz is described as a “sociopath”; again, this is mostly accurate. 
I also decided to use a few other DC guidebooks and see if there were any other egregious mistakes: 
2015 Guidebook:
 Haha, “Lenny Snart”. (That has nothing to do with mental illness, I just thought it was funny.) 
 Dr. Polaris is described as suffering from “a split personality disorder”; they mean DID. It’s also worth noting that most people with DID do not have a “good” alter and an “evil” alter; having DID does not make you Dr. Jekyll and Mr. Hyde. 
The Joker is described as “crazy” and “insane”; while the former is up for debate, I can say with confidence that the Joker meets no real-world definition of insanity that I know about. 
Riddler is not described as insane, yay!  
Two-Face is described as having Multiple Personality Disorder; this should be DID but is otherwise broadly correct. That being said, the idea that getting acid thrown in your face would cause you to develop a split personality, as this book seems to imply, is unlikely. DID doesn’t develop that suddenly. 
2016 Guidebook: 
While Doctor Polaris may very well have a personality disorder, the emergence of a second personality would indicate the development of DID, not  a personality disorder. An adult man couldn’t “develop’ a personality disorder anyway; they’re developed in childhood and are usually lifelong afflictions. 
Harley Quinn is a weird case; to call her psychotic isn’t completely inaccurate, as she has displayed signs of hallucinations and delusions in the past. That being said, the way her condition is depicted is inconsistent and confusing, and doesn’t seem to line up perfectly with any actual real-world condition. 
Modern Heat Wave is absolutely a pyromaniac; Johns in particular was surprisingly good at writing a realistic case of the condition. 
The Joker is not insane. Neither is the modern Joker’s daughter. Both understand what they’re doing is wrong. 
Lex Luthor is indeed a sociopath, as is the New 52 version of Mr. Freeze (BTAS Freeze is not). 
Two-Face’s condition should be described as DID, not MPD; otherwise things are about as accurate as one can expect from Two-Face. 
2008 Guidebook:
Calling Abra Kadabra narcissistic is accurate. 
The Black Manta autism thing is icky on multiple levels. Ewww.
The first Cheetah probably would not have suddenly developed a second personality as an adult. 
Dr. Polaris. You know the drill. Split personality should be DID. A “good” and “evil” alter are pretty unlikely. Usually DID would show up before adulthood. 
Firefly and Heat Wave do both seem to have pyromania. It’s also accurate to describe Heat Wave as cryophobic. 
The Joker cannot be “certifiably crazed”; crazed is not an official psychiatric term. And again, he isn’t insane, so he shouldn’t be in Arkham. 
Killer Croc has never displayed any noticeable signs of psychosis. 
Magenta having DID is actually more realistic than most of the other characters I’ve talked about; she’s got the necessary childhood trauma and her alters developed when she was still quite young. Furthermore, her more violent alter isn’t manically evil. 
Whoever wrote the Scarecrow piece in the 2001 Batman Guidebook must’ve also helped to write this one, since the shockingly-accurate fear gas description is the same. 
Professor Strange is not insane in the legal sense of the word. 
Arnold Wesker has DID; MPD is the condition’s original name but is no longer used by professional psychologists. 
Zoom (Hunter Zolomon, not Eobard)... I think there’s an argument to be made that Zolomon actually is psychotic. While he’s never displayed hallucinations, he is clearly delusional in the most literal sense and does seem to have lost touch with reality. As such, this book is not wholly inaccurate in calling him psychotic.
You get the idea....
Looking specifically at the Flash, things improve slightly simply because writers who don’t understand psychology aren’t constantly talking about it. That being said, that doesn’t mean it never gets brought up. 
Golden Glider was intended to receive a psychiatric evaluation in the late 1970s. It’s interesting that she actually protested this, pointing out that the male criminals never received psychological evaluations (and indeed, they always went to prison rather than to an institution). She was indeed motivated by something other than profit, and I can understand why they wanted to have her evaluated given her lack of earlier criminal activity, but I don’t know if she was actually mentally ill per se...and she definitely wasn’t insane. 
In the early 1980s during the twilight hours of Barry Allen’s first run on the Flash, it seemed that the writers were trying to take a page out of Batman’s book by arguing that Barry’s costumed criminals were insane (even though they usually didn’t display any behavior that would indicate this). As such, Barry stated to imply that his Rogues were mentally ill in some fashion despite the fact that their behavior really hadn’t changed appreciably since their earliest appearances. That being said, the Pied Piper did appear to suffer some sort of nervous breakdown during the “Trial of the Flash” arc; what exactly this was is difficult to explain, since we didn’t get to see a whole lot of him after this point, but he did go to an actual psychiatric hospital (that was referred to as such rather than being called an asylum) and he did recover, relapsed, then recovered again, making this one of the more accurate portrayals of how mental illness works despite the limited information we have about his actual condition. They even showed him slowly deteriorating over a period of time before the actual collapse!
Big Sir, who made his debut in the same storyline, was rather more poorly handled....but at least he was explicitly manipulated into villainy rather than becoming evil simply because of his condition. 
Wally West went to therapy early in his run; given the context I’d say it was reasonable that he was suffering from both anxiety and depression (his uncle had just died and he was really struggling to fill his shoes as the new Flash). Going to therapy did actually help him, which was nice to see, and his therapist did not become evil, which was also nice to see. (I’m not going to talk about Heroes in Crisis, as I prefer to pretend that that never happened.) Yay for protagonists discussing their mental health problems in productive ways! 
In the early-to-mid 1990s, Mark Waid wrote a story in which Lisa stated that she’d faked insanity in order to be sent to a psychiatric hospital rather than to prison, but the story seemed to be implying that she was actually insane. Not only is successfully being declared not guilty by reason of insanity incredibly difficult, but Lisa displayed no signs of not recognizing that her behavior was wrong, so she wasn’t insane. She was, however, displaying strong signs of paranoia, which could perhaps be attributed to a paranoid delusion of some sort. It’s especailly weird since this was never really a characteristic of hers before or since, and it just kind of came out of nowhere. 
The Trickster (specifically the first one, James Jesse) is often mistakenly believed to be mentally ill by casual fans. While he is indeed mentally ill, possibly even psychotic, in the DCAU,  and he’s a remorseless psychopath in both live-action Flash shows, in the comics themselves he displays no real signs of mental illness. That being said, I LOVE the interactions between DCAU Wally and DCAU Trickster. They’re made of adorable.
The Pied Piper went through a second bout of mental problems in the mid-to-late 2000s, being tricked into believing that he’d murdered his parents, going to prison, being beaten regularly by the warden, escaping from prison, going through the stress of fighting in the Rogue War, having his mind messed with by the Top, accidentally becoming involved in the murder of Bart Allen (another thing I like to pretend never happened), having to go on the run, watching the Trickster get shot in front of him, having to drag his corpse around a desert, almost dying, getting transported to Apocalypse, blowing it up with Queen music, and then being left basically all alone. He really went through a trauma conga line, so it’s not surprising that he was starting to display some odd behavior. Poor guy probably had PTSD. 
And then there’s the Top. Beyond the speculation of @gorogues that he’s on the autism spectrum (a  theory I find to be quite persuasive), I also think it’s likely that he suffers from another mental illness (most likely bipolar I disorder, also as suggested by @gorogues). He was clearly mentally ill for most of Geoff Johns’ run, and his behavior in his very first appearance was decidedly odd as well. Intense mania and depression can sometimes induce psychosis (as we seemed to see during Geoff Johns’ run), and his “threatening to blow up half the world to become its ruler while I’m somehow safe on the other side of the planet” plan from his first appearance, which he clearly expected to work perfectly, is so overconfident and over-the-top that it fits well as a particularly exaggerated manic episode. While it’s not conclusive by any means, I think it’s a distinct possibility.
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mrwinterr · 4 years
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Who Do You Love?
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Pairing: David Budd x Female Reader
Summary: After some months that David’s been working for the Home Secretary, you notice he’s been acting differently. Not wanting to overanalyze the situation, the signs are just too hard to ignore, so when it’s time to confront him there’s only one real question to ask.
Warnings: Bodyguard (2018) TV series spoilers! Adult themes. Explicit language. Light smut. Infidelity/cheating. Mentions of war, PTSD, political assassination, death, pregnancy/miscarriage, paranoia, and attempted suicide. Sad vibes, probably. We’re not gonna have a good time.
Disclaimer: This piece goes hand-in-hand with All For You. It’s not required to read beforehand, but it would be nice. As far as the TV series, yeah, don’t even read these if you’re still planning to watch the show. If you don’t care, you may proceed.
Title Inspiration: “Who Do You Love?” by The Chainsmokers ft. 5 Seconds of Summer
A/N: I want a happy David, I really do, but I’m a heartless writer. I took a break from the smut, so it’s not a huge bulk of the fic this time. I hope y’all still like it! Happy New Year! 
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Another night alone was not unusual for you as of late, having grown accustomed to it ever since David had taken up the job of protecting Home Secretary, Julia Montague. Neither you nor David could’ve foreseen his courageous efforts in neutralizing the terrorist attack on the train back home would thrust him into his new position, furthermore the extent of its outcome in his personal life.
It wasn’t a hidden secret that David resented most politicians, and you knew of Julia from the news and her political ambitions in pushing a bill to increase security surveillance. David’s job put a big emphasis on confidentiality, so for his superiors to throw him into a public political warzone was a bit suspicious to you. There was something that didn’t add up, and you couldn’t just outright ask David whose side he was on in all this.
After neglecting the mountain of dirty laundry, tonight was dedicated to the domestic chore. It was nothing out of the ordinary mixing your batch with David’s, but he had a habit of leaving things in his clothes pockets, so it was routine for you to check everyone. You’d moved onto one of the costly tailored button-ups he wore to work and feel something protruding from the shirt pocket. You dig your hand in and fish out a tube of lipstick. Strange. You didn’t use this brand of cosmetics, and even more so the garment smelt different.
Under normal circumstances, this type of discovery would raise a red flag, but you recall one of David’s first days on the job as her bodyguard, the intern had clumsily spilt Julia’s coffee all over her outfit just before she was about to do a live interview, and David had offered her the shirt off his back, essentially saving the day. The man was just too dedicated to his job sometimes, so you shrug it off, but this wouldn’t be the first time you would notice something out of place.
It really started after the first assassination attempt that was made on Julia’s life. With the rate she was going at, her political status had made her a prime target to those opposed to RIPA-18. It was very frightening, you figured that much for her, David had seen worse in war. You just about had a heart attack when you reunited with him that night, the blood still stained on his clothes and missed splotches on his skin.
The both of you clung onto each other all night, lost within the throes of passion. It might as well have been one of the most intense nights yet, even then you could tell something changed by his movements. You didn’t think much about it at first because there’s already so much wrong with him, you’ve yet to learn all his mood swings.
Then one day you’d gotten sick, and discovered it was because you were pregnant with David’s child. One of the few things that made you forget about all the aches and pains that David unintentionally caused, was remembering the beautiful smile on his face when you revealed the news to him. You knew how much happiness Ella and Charlie brought him, you could only imagine what that would feel like, your own family with David.
He was so overjoyed in the beginning. He had quickly phoned his mother, who’d visited and even stayed a few days with you when David’s new position became more demanding of him, claiming she was worried about you being alone. You didn’t deserve to experience this alone, but it was sure heading that way.
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Lately, you’ve found yourself occupying the Budd household quite more than often when David’s mom went back home. With David being on duty almost 24/7, you were completely alone, so the little family welcomed you.
Legally, on paper, David was still married to Vicky. It was something you weren't going to verbally admit bothered you, but oddly enough it did. What with the mood you’ve been in as of late, it ate at a part of you. They were separated and the divorce papers were well on track until David’s “promotion” paused the process.
There’s still not a hostile fiber in you towards Vicky. She’d moved on well, been on several dates with someone else, and things were looking great for her. It was lowkey, not even David knew about it, not that he even stuck around or bothered to care. It had to come out eventually because it would affect Ella and Charlie’s lives.
You watch as Vicky rounds the table after placing a cup of tea in front of you then sitting in the seat across and asking how you’re holding up.
You contemplate for a split second if you should be honest or not, but who else could you confine to at the moment? No one else could possibly understand. Vicky herself may not even, but she knew David more than most people did, so surely, she could see where you’re coming from to some degree, right?
Letting out a big sigh, you answer her truthfully, “I’m...not well, Vicky,” your eyes drop down to the cup in front of you, finger tracing the rim, the hot cloud of smoke of the concoction almost burns your skin.  
“Oh, poor thing,” she says, extending her hand over to place it on top of your other one on the table, “it’s the pregnancy. It has to be. It’s taking a toll on you. I can tell.” You look up at her and almost want to cry. No one noticed it was more than symptoms of pregnancy. You were bottling up so much.  
“Let me tell you, while I love Ella and Charlie, pregnancy was not a breeze…” she started to ramble, but you quickly cut her off, exhausted of people telling you the same thing over and over, unintentionally, blaming the innocent baby.
“No. I don’t think it’s that. I don’t want to blame anything on the pregnancy,” you say straight up. You got yourself into this mess, you went headfirst knowing the baggage David came with and you knew full well that protection wasn’t at the forefront in the affairs. Ready or not, you both went in this together and brought a baby into the picture.
Vicky stares, confused, but still genuinely concerned, “then what else could be wrong?” When you didn't immediately respond, she knew it had to be one other thing, or person, and you just didn’t want to admit, well out loud, “David?”
You only nod; you knew you were going to have to face the music sooner or later. So, you start listing things you’ve observed that have caused you to grow suspicious over the course of the last few months. You just hoped you didn’t sound like a mad woman in front of her.
The one time your phone had died, and he let you use his to place a food delivery. You couldn’t unlock his phone, trying every possible combined set of numbers close to David, only to come to a conclusion that the access code had changed. Visibly distressed, he realizes you were attempting to unlock his work phone. You knew that was his though. What work phone?
You didn’t even know he had one of those, let alone why did it have the same crack on the screen in the exact same spot as his personal one? You feigned stupidity and blamed it on exhaustion. Deep down David knew you were suspecting something was up, and he ended up placing the order for dinner that night himself.
The other time you confronted David about coming home smelling heavily of another woman. Whatever, whoever, her perfume was strong, and it made you nauseous. The pregnancy didn’t even do you any favors on this one with your senses heightened and overly sensitive.
Of course, he smelled of another woman, the person he was assigned to protect. You could see all the holes in his alibi. He was lying, and it hurt most when he indirectly admitted your mood swings were irritating him and then flipped it all on you, saying you were overthinking the situation and getting all paranoid for no reason. Accused you of not trusting him, when truth was you had the utmost faith in him, but not when the evidence was piling up.
There’s a solemn look that washed over Vicky’s face. She had expected more tales of David’s PTSD, but none of what you spilled alluded to it. This time David couldn’t blame the effects of war on your suspicions. However, Vicky knew that this was you and David, and if there was a pair that could survive love’s tumultuous doings then it was you two.
“There’s a lot of coincidences, yes, but this is you and David,” she says, grasping your hand for support because she could see the moisture in your eyes building up, “is it silly of me to admit I was always jealous of you,” she confesses, trying to steer the conversation a different route.
She didn’t want you to think she was brushing off your worries, but to remind you that everything you and David had been through to get to this point to be together, whatever you both were dealing now wasn’t anything you two couldn’t overcome. There were high hopes for you and David in Vicky’s mind.  
A small smile cracks your face, and you bring your vacant hand up to dab at the inner corner of your eyes, just before the tears start to race down, “jealous? Of what?” It was almost shocking to think you had something she was jealous of.  
“Every time you visited us,” she starts, “I could tell David held so much admiration for you,” and you know she’s not trying to hurt your feelings, but it’s taking a bit to figure out where she’s going with this.
“That’s silly,” you scoff lightly, “you both got married and had two kids, surely there was no doubt,” then bring the cup up to your lips for a small sip.  
“But there was and look where we ended up?” she says. Your lips cave in to form a tight line in response, and carefully place the cup back down on the dish, before she follows up, “you two are finally together.”
“Vicky,” you pipe up, not knowing where to begin. It was never your intention to steal David’s heart away from another.
“I’m not saying any of this because I’m mad at you. No. I’ve never truly hated you. You’re a good person and you’re finally getting your happily ever after. Don’t ever stop fighting for it,” she comes out wholeheartedly, and this time you make no attempt to keep the tears at bay. It stung to hold them back anyways.
Vicky gets up from her seat, walking the short steps to yours, to wrap her arounds around you. You immediately cling onto her arms and just cry, finally letting everything out.
“Seriously, don’t think of the worst,” she starts advising, while rubbing your back, “David will always come back to you,” she pulls you away from her before reminding you, “you knew going into this wasn’t going to be easy.”  
You feel so pathetic. What she said was completely true, you just didn’t think it’d be this bad. There’s no doubt you love David and want to be with him through the good, the bad, and the ugly, so you nod and try to keep your chin up. It wasn’t to appease her, you were going to get back up, because if not for David, then for the baby.
Suddenly, the front door busts open and Ella and Charlie are bustling into the kitchen, where you and Vicky were. Quickly wiping away the tears, you both noted that school had just let out.
They were ecstatic to see you, especially Charlie as he had currently been experiencing issues of his own adjusting to school. They lifted your spirits greatly; they were more fascinated by the baby growing in you and couldn’t wait to meet him or her. You absolutely adored them. They looked like David and the whole time they were talking your ear off; you wonder to yourself if your own kid will look more like you or David. 
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David’s thrusts were deep and good; you made no attempt to hold it in, letting him know exactly how he was making you feel. Nails digging into his firm buttocks, pulling him closer to you, wanting him to just keep going and going; the chase proving to be almost just as good as the climax. You feel one of his hands run up your side and his large hand starts groping your breast, adding onto the pleasure he was plaguing your body with, while the other held onto the small of you back, bringing your hips up to his.
His face was buried in the crook of your neck, you could feel his hot breath fanning against your skin and hear his murmured swears and praises. The air in the room was thick, and for the majority of the intimate activity, the only sounds that travelled around the apartment consisted of heavy breathing, moans, gasps, whines and skin slapping, until the annoying distinct ringtone started screeching from a few feet away.
You’d learned to distinguish his work alarm since the supposed mix-up, and it pinged constantly, agitating you. David’s pace notably falters, and the rhythm you’d both built started dwindling, the needy side of you started to panic because he was going to stop and you desperately wanted to come, even more so come with him, but it looked like neither of you would be as you feel one of David’s hands leave your body and make an attempt to reach out to the device.
You grab a hold of his wandering hand and lace your fingers together, hoping to keep him close and forget about the alert. You buck your hips forward, urging him to continue. His grip tightens and cock twitches inside of you in response. Your strategy almost deems successful when he picks up momentum, each swivel of his cock gradually bringing out the starved woman in you. Not to mention, your sex drive had heightened too, you’d longed and craved any affection he could give you.
“David, baby…” you whine, holding a hand to his face, forcing him to keep his gaze on you and only you, the ringtone almost drowning out, “...don’t. Don’t. Fucking. Stop...please,” you resort to begging and hook a leg over his body, the new angle allowing him to thrust deeper.
And just when you’re about to tip over the edge, the incessant ringing persists, and David’s halt unintentionally pulls you back down. He unwinds your sweaty clasped hands, no doubt in search of the phone once more, however, you had more leverage than he did, and your hand beats his hand to it. He wasn’t that far behind as his hand covers yours, and he tries to grab the phone to answer the call, but instead you swat it off the nightstand.  
“What the fuck?” David says aggravatedly, while attempting to reach his phone on the ground, all while he’s still inside of you, pressing your body deeper into the mattress, but careful to not crush you.
“No, fuck you, David,” you spit back, and shove his body off of yours. You scoot over to one side of the bed and try to level your breathing. You were both so close!
“What is wrong with you?” He asks, forgetting the phone on the ground.
“Do you really have to answer that?” You ask, attitude on full display.
“It could be an emergency at work,” he tries reasoning.
“You’re not on the clock, David!” You dispute, sitting up, clutching the sheets to your body to conceal yourself.
“That’s not the point! It could’ve been serious. Julia could be hurt,” he says, the words just coming out of his mouth, giving each excuse little thought. His mind was in a frenzy and you didn’t miss a single syllable.  
“You called her Julia,” you say just above a whisper, and suddenly you have an urge to vomit, but you do your best to control it.
“What?” he asks, not understanding what that meant at all to you.
It hurt more that he didn’t realize there was anything wrong and if he did, he was doing a good job at hiding something and making you look like the bad guy. You lightly shake your head, feeling defeated, and lie back down, settling on your side facing the opposite direction of him.
What was going on in David’s head? You tried so hard to understand him. It was like walking on eggshells, and even you had a breaking point. It was just sometimes too much because it felt like you were the only one putting in the effort to keep this relationship afloat.
The bed shifts significantly, letting you know that he’s gotten out of it. What felt like an hour, but were only a few seconds, the room was silent, tension still heavy in the room, and neither of you were willing to be the first to crack. You lie still, unmoving and making no attempt to stop him. It’s only when you hear the swing of the bedroom door creak, you allow yourself to blink the tears in your eyes away.
He didn’t leave the apartment that much you could rest assured of. Rest? That was what you were having trouble with. Things weren’t getting any easier with David and you even though you vowed to yourself that you’d go through Hell for him, the pressure was getting too heavy on your heart and in return, you knew the distress wouldn’t be good for the baby.
Maybe it was all just paranoia, the stress of pregnancy, and you were taking things too personal. You could be understanding about a lot of things in David’s life, his terms and PTSD, his kids, and his job, but was it too much to ask of him to be understanding of you? You suppose you were being selfish, and you were really tired. The only way to help you sleep was to swallow your pride and admit you were wrong.
The rush of the cold air instantly surrounds your bare legs the second you throw the covers off your body to get out of the bed. You throw on the discarded oversized shirt to be decent. Your steps are light, and you’re kind of nervous and, dare you admit, ashamed of how you overreacted that it drove David to the point of sleeping on the couch. After all, you made him feel unwanted in his own bed, and he certainly had enough respect to not steal yours.
Just when you’re ready to apologize and ask him to go back to bed with you, he’s already sound asleep, his legs sticking out from the mere blanket covering his upper body. You didn’t have the heart to wake him up for that. Sleep didn’t find him easy and he seemed just as stressed as you were, so you don’t disturb him. It can wait, right? You turn around and head to your room, shut the door and pray sleep finds you soon.  
It didn’t and neither did the conversation. 
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News of the blast at St. Matthews College, where Julia was presenting a speech, rocked not only the political world, but it was the forefront of every news channel and medium. Tons left injured or dead, and as if that wasn’t bad, David was being told Julia had not survived the bombing.
He’s clearly distraught, believing he’s failed her, and on top of that, the weight of his lies started to suffocate him. He was going to have to come clean to you about everything he’s done behind closed doors with Julia. You wouldn’t forgive him, he was sure of that, and if by some chance you did, it would take a hell of a long time for him to regain your trust.
How many more lives does he have to ruin or lose under his watch? It was becoming too much, and it was sad, as he stared at the gun in his hands, that he’d contemplated his next actions more than once, but he really didn’t know what he had left to do anymore. There was a lot actually, he had his kids, a baby on the way, and a new life to build with you, but he was far too gone at that moment.
It’s Vicky that finds him back at the apartment, cleaning the brass fragments from the wound on the side of his head. She quickly puts the pieces together, the notes on the table addressed separately to her, the children and you, and the admission from David that these were brass fragments of a bullet casing.
“Dave, what the fuck? What about Ella and Charlie? What about-” she starts going on but stops when he visibly cracks because he knows your name is next to come out of her mouth, “I’m taking you to the hospital,” she decides and is quick to put away her tools.
“No. No one can know about this,” David says adamantly. They start to argue about his injuries and how David hadn’t been aware that he fired a blank round before he asks her to go back home to the kids.
“I’m not leaving you like this,” she says grabbing a jacket and tries to reason that he shouldn’t be alone right now and maybe being around the kids and seeing you will open his eyes and realize what he was leaving behind had he successfully ended his life.
He couldn’t pretend living like he was okay. What had happened to Julia was not his fault. All David ever did was do his best to protect, protect his country, his family and her.
“You need to tell her,” Vicky says while she hands David a cap for him to cover the wound on his head.
“I don’t even know where she’s been the last few days,” he admits pathetically. His own girlfriend, the mother of his unborn child, he can’t even keep tabs on where she’s been this whole time. It made him feel even terrible that he’d neglected you.
“She’s been staying with the kids and I,” she reveals.
“What? Why is she there?” He asks, and quickly puts the cap on and gets up from his seat.
She didn’t tell David of your whereabouts earlier because you’d asked her not to and she politely respected that, but she knew now was not the time to take sides anymore. You two had to deal with your issues now.
“She shouldn’t be alone, Dave. She’s pregnant with your child and yet she’s going through it all by herself,” Vicky tells him.
“I never meant to bring her into any of this mess,” he says heavily, full of grief. He brought you into the madness that was his world and now you’re trapped in it, bringing a new life along for the ride.
“She loves you, David, don’t sell yourself short. She just feels like she’s been left in the dark. You need to talk to her,” Vicky advises him, “it may not be pretty, but you have to hear her out.”
She knew you couldn’t stand being alone in the apartment without being reminded of David constantly. You weren’t in a good place either and she wanted to help you both before it was too late. 
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You’d been left behind at the house with Ella and Charlie in the other room watching TV, while Vicky was out looking for David. He wasn’t answering any of the phone calls she’s made, even ones made on your cell phone, there was no form of contact or communication from him. You knew he was there at the college; he was Julia’s bodyguard after all.
When you heard more than two voices return, you knew she’d brought David back and had told him you’d be here. You weren’t mad at her for ratting you out, it was going to come out eventually. Nothing ever stays hidden.
“You don’t normally wear a hat indoors,” Ella points out the cap on David’s head that stuck out like a sore thumb.
“You said it’s silly,” Charlie reminds his father.
“Then I’m being silly,” David responds as he watches his children chomp away at the slices of pizza in their hands.
While Vicky was on the phone cancelling her date tonight, you faintly hear the end of the conversation he was having with Ella and Charlie over their dinner. He still hadn’t even seen you. Then you hear his quiet, controlled sobs, but he couldn’t detain them enough and be strong around his kids.
“I just did something silly today,” he tells them.
“Wearing a hat?” Charlie asks innocently.
“That, too,” he replies as he clings onto them both in a group hug.
Vicky had just revealed to you of David’s suicide attempt moments ago. You’re numb. Clearly, Julia’s death had affected him rather deeply, so much that he thought killing himself was a solution.
He didn’t care about you or the baby. You both weren’t enough to save him or have anything to look forward to. You can’t even cry anymore. You wanted to lash out and get mad. She advises you to keep calm and think rationally, but you’re tired of thinking about all of this.  
Without warning, David enters the room you’d been staying in. You’re like stone on the couch, arms crossed and starting straight ahead of you, mindlessly at whatever TV program the kids left it on before retreating to the dining area. Your eyes cast themselves on David’s demure stance. He cautiously steps forward and hesitantly takes a seat next to you.
“Is it true?” You ask, breaking the silence and finally turn to look at him. He only nods in response, his head hangs low, ashamed. You felt like your heart didn’t have any parts to break anymore. The confirmation alone just felt like him stomping on it for added measure.
“Ok,” is all you say, biting down on your lip to prevent you from saying anything else. It was petty, but you’d refused to show him any remorse or sorrow of any kind.
“Is this where you’ve been the past few nights?” He questions, rather awkwardly too.
“Oh, so you’ve noticed I haven’t been home?” You ask bitterly.
He was really going to push your buttons. You’re not sure if Vicky was right about you and David having to talk. This wasn’t going to go well at all. You were not in an ideal mental and physical state to be talking about your problems with him, but if not now then when?
“Of course, I have. Why wouldn’t I?” He asks, almost appalled by the accusation, and watching as you get up from the couch to stand in front of him.  
“I hardly see you and when I do I find out that you just tried to kill yourself, so forgive me for not assuming I even ran as a mere thought in your messed-up head,” it was harsh, poking at his mental state, but you were so fed up, your mind was just as clouded, “...you didn’t think about me when you held the gun to your head,” you said ripping off his hat.
Your heart tightens in your chest as you stare at the wound and tears threaten to fall, but you don’t let them, “...and you certainly didn’t think about our baby when you pulled the trigger,” then chuck the cap at him, he makes no attempt to catch it as it lightly bounces off his chest and fall onto his lap.
“I’m so sorry,” he says sincerely and making no attempt to hide his tears as they raced down, “I’m so fucking stupid,” and he gets up on his feet, ”...I need help.”
He’s not even going to use the excuse of work and you’re not expecting him to rat himself out and come clean about Julia just yet. David didn’t work like that and you were absolutely done with it. No, everything had to come out now.
“I know,” is all you say at first. He thinks it’s some form of forgiveness, him acknowledging his problem, until you follow up, “just admit it,” your voice changes in tone from anger and hurt to an icy one, “who do you love now, David?”
All while asking him that question, you’re trying to get his eyes to focus on you, but you simply cannot. He’s looking everywhere but, and it hurts.
“It’s Julia, isn’t it? Tell me!” You shout at his face. When he doesn’t answer immediately, your lips press down together and you don’t hold back the tears any longer, “I can’t believe you,” you say in disbelief, almost struggle to breathe right, “this shit has been keeping me up at night!”
You back away from him and cover your mouth, just to conceal your sobs so the rest of the family doesn’t hear you cry. They most definitely heard you yell, but you didn’t want to further trouble them anymore or cause a big enough scene for them to burst right through.
There hadn’t been a doubt in your mind that David loved you before, but just seeing how he couldn’t open up enough to tell you there was someone else during, filled you with more heartache. Maybe it would hurt less, you wouldn’t know unless it came straight from his mouth.
David starts crying as well and you honestly want to slap him, but instead you start saying nasty things, cutting him way worse than anything you could ever do physically, and you certainly don’t hold back. Claiming you two were never meant to be together, and the baby doesn’t mean anything especially in uniting you both.
“I’ll be surprised if this baby even survives,” you scoff thinking about a past experience, and how cruel life was gifting you this baby.
“What are you talking about? You’re not thinking about-“ David starts getting all frantic suddenly, and not thinking, he grabs both your arms in his hands, holding you in place.
“God no! I would never!” You say in disgust and pull away from him, “I can’t believe you’d think I would…”
“Then what did you mean?” He asks curiously.
“I never told you why I broke up with him,” you don’t really mention your ex’s name these days. While you’d both moved on as civil as the both of you could, it still pangs you to reminisce about the relationship and how it ended.
“He couldn’t handle the long distance,” he said thinking he knew.
“He only couldn’t after...” you pause, trying to decide if now was the time to reveal this secret. David had the right to know, after all, an incident like such could happen again.  
“After what? He was seeing someone else?” He grew increasingly anxious and almost ill towards the thought of another being unfaithful to you.
“No! It was my fault,” you don’t want to slander your ex at all. He couldn’t have prevented what happened to you across the other side of the world even if he tried. “I miscarried. I don’t know what I did wrong, but I woke up one day in my blood and the sharpest pain I’ve ever felt.”
You started reliving that day, how you were alone and the way your neighbors had to come to your aid. Your poor ex felt so helpless, he wanted nothing more than to drop everything for you, but the wave of depression afterwards had strained the relationship. It formally ended when you’d returned from studying abroad.
“I didn’t even know you were pregnant,” David says in shock. He wasn’t sure what he was feeling, and if it was stupid to think all this time you could’ve easily had a life without him long before you two finally became a thing.
“It didn’t matter, David,” your voice finally regained strength, and wiped at the tears on your face of the memory, ”you and Vicky were so in love. There’s nothing you could’ve done for me.”
“That’s not true,” David persists.
“I would’ve turned you away, just like him,” you say so sure. David was your friend then, yes, but you didn’t need or owed him this before now.  
“You’re not going to lose this baby,” he promises.
“You don’t know that,” and you’re not trying to be a pessimist about this, you wanted this baby, but you were more than aware of the possibility it could happen again. Bad things just always seemed to be happening lately anyways.
“I’m not going to let anything happen to you. I’d protect you both with my last breath,” he vows, grabbing your hands, desperate to feel any part of you.
“I don’t need your protection, David,” your words continue to crush him, that was your subtle way of leaving him and he knew it, “I love you, David. I love you so much!” you say with plenty of emotion, and lightly squeeze his hands in yours, “...but you can’t even tell me who you love right now,” you point out, reluctantly removing your hands from his.
“You need to get help, David. If not for your family, me or the baby, please do it for yourself,” you say last, before placing a small kiss on his cheek.
“I’m going to get help...for you,” you hear David say determinedly just before you walk out of the room. It wasn’t all you wanted to hear, you wanted him to tell you he loved you back, but you wanted him to live easy once again even if that meant him not loving you.
You could manage on your own, and work something out when the baby arrives, but for now it was time for you to go home.
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A/N: Nope. Sorry! Whenever Season 2 decides to come out, maybe we’ll get a happier David, so for now I don’t think I can let these two ride off into the sunset…but I can if you send 2020 off with giving this a like, reblog, comment or all of the above!
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whitherliliesbloom · 3 years
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fate matrix
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[ ffxivwrite2021 ] ★ [ masterlist ] ★ [ prompt #05 (free) - fate ]
[ alphinaud/wol & cameos and mentions of some friend ocs, you’re gonna have to read to find out who :) ] ★ [ 5,241 words (oof) ]  ★ [ fate matrix au ]
fate: be destined to happen, turn out, or act in a particular way
in a world where the hands of destiny are ones and zeros, at the center of the matrix was a little goddess who would soon find out that she too, isn’t immune to the pull of fate
Day ???? | 07:07am | Day of Destined Meetings
An alarm rings, beeping in an increasingly loud volume as the monitors begin booting up. As light from the screens flood the room, the sound of cotton ruffling can be heard, followed by a soft little yawn.
The girl stirs, clutching at her duvet for warmth before her eyelids flutter open. Bright violet eyes stare up at the ceiling, where the patches of glow up star stickers have lost their radiance in the midst of the fluorescent bulb lighting up. Blinded momentarily, she grimaces, before rolling onto her side and sitting up.
“Good morning, alpha.” A melodic voice chirps out merrily from her parted lips, and she raises a hand to pet the head of the stuffed chocobo that she had been laying beside. “It’s time for work again, huh?”
Stretching her arms high above her head with a final, long yawn, the girl shuffles over to the minibar that was tucked under the table, pulling the door open before grabbing a small tub of yoghurt and peeling it open to peer inside curiously.
Oh, it’s strawberry today, how wonderful! Whoever or whatever magical force is behind stocking up the minibar seems to be in her favor this morning.
Grateful now for her breakfast, the girl slides over to the front of the bed, and places her hand on the mouse after taking a spoonful of the yoghurt into her mouth.
System booting... Please enter password. >illyaskawi03112 Log in successful. Fatematrix.exe starting. Welcome, Alice. 
The monitors that surround her begin loading up window tabs after window tabs - and at the center on her main monitor, a sizeable grid of glowing icons pop up, along with a smaller, more discreet window showing a map tucked away at the corner of the screen.
Visual stimuli overload aside, the girl seemed to be completely unphased as she bites into yet another scoopful of yoghurt before setting the tub next to her white keyboard, as if this were a scene she’s had to see countless times now. 
It’s a routine, a well rehearsed routine that the girl effortlessly goes through the motions of daily. The fate matrix is ever in need of use and she, the center of it all, was more than happy to take control. 
That is, after all, the will of her late mother... the previous Alice and goddess of the fate matrix. It is simply her duty to carry on in her legacy. And as per her duty, she begins to spin the wheel of fate, clicking on the very first icon that boots up the fate matrix’s tool assistant. A bright blue pop up appears that the girl drags to the side, and text begins to appear.
Good morning, Alice. Today is a day of destined meetings. I would suggest working on getting soul mates together for the day.
Internally, Illya is delighted. Soul mates were one of her favorite types of work to focus on... and though they were rarely ever more urgent than other types of assignments like accident prevention, weather management or economic balance, it was one that often brought her a great amount of joy. 
After all, what was sweeter than nudging two souls who were meant for each other closer? It was the very concept of soul mates, and the tales of the red thread of fate after all, that drew her mother into the concept of fate and caused her to develop the fate matrix.
A soft smile graces her features, and she moves her cursor to click on the second icon, which loads for a second before breaking apart into smaller, glowing dots that scatter across the map - with two dots that indicated soul mates being linked by a dotted line. 
Time to get to work!
01:46pm
When Illya clicked on the glowing two red dots upon the map, she hadn’t expected to be shown live footage of the two targets in the very same room. 
It’s not uncommon for soul mates to have already met each other, or even be familiar with one another already despite not having made their feelings for each other known yet... but they were cases that were, in Illya’s experience, a little more difficult to work on. 
It was easy to nudge two strangers in the same direction or plant small, innocuous thoughts that would help draw two acquaintances into wanting to spend more time with their soul mate. It was far more difficult to convince stubborn people who have, despite many fateful circumstances, refused to confess their feelings to the object of their confession. 
After all, the fate matrix was capable of many things - but controlling or taking over the will of people was not one of them. 
Illya has convinced two stubborn souls to finally open up in the past though, she was certain she could do so again - she did so with the likes of the two childhood friends, Moth’ir and Thancred... a case which she would never in a million years soon forget... or the infuriatingly obstinate refusal of a pink haired miqo’te girl to confess to her close friend and personal trainer, Haurchefant Greystone... who had been more than obvious with his flirtations for years. 
Alice, you have yet to eat your lunch. A quick break is highly suggested. 
The tool assistant sends a reminder through a text in it’s window, which Illya is swift to ignore. She can eat once she’s done with this case. 
She watched through the monitor as the pair sat on the couch, a girl with straight cut bangs and piercing red eyes lounging lazily with her back propped against the arm rest and her legs laid over her taller, lankier male friend, who seemed to be frustrated at the girl’s refusal to pay him any attention.
“Why invite me over if you’re just going to play your game?” 
“Hmph! Says the guy who invited me over to his place only to kick me out halfway through because some of his friends were going to pay him a surprise visit!”
The man lets out a hefty sigh.
“I already apologized for that. And that was over a week ago. Are you seriously still-”
“Yes, yes I am!” Without even looking up from her smartphone, the girl lets out a dramatic huff while admonishing her friend. “I don’t get why you’re so adamant about me not meeting your friends. Why, are you scared they’ll misunderstand and think I’m your girlfriend?”
“That’s- That’s not-”
From the heartrate monitor, Illya can tell that was only part of the reason for his behavior. The true reason, and an explanation that the girl understood full well why he would refuse to tell his friend was written in text in a separate window next to his heartrate monitor. 
The girl, Totomi Tomi, or better known by her stage name as Mint, was something of a minor celebrity on the internet. Known for her jovial personality and the many covers of vocaloid songs she posted on her well known eorzeatube page, it wouldn’t be a stretch to call her an idol - even if she wasn’t officially acknowledged or employed as one by some idol management company. Her friend, Estinien, and the object of her very strong feelings towards, had friends who were apparently fans of hers. 
It was for that very reason that, for her protection and to spare her the oogling of strangers, that he’d kept his friendship with the young idol a secret from others. 
In his eyes, perhaps dating her would be the quickest way to convince his friends to back off... but that would only come after they’d confessed their feelings - which they haven’t. 
“That’s not important.” Estinien finally retorts after stumbling after his words for a moment, and Illya has to resist the urge to slam her head against the keyboard.
“Ohhhh... Kay.” Mint rolls her eyes, Illya mirrors the action. 
What Illya doesn’t anticipate however, is Estinien’s next words, for as bold and uncharacteristic for an emotionally closed off man such as him.
“Why? Are you disappointed? You almost sound like you want to be known as my girlfriend.” 
Mint chokes on her spit, sputtering and gurgling out incomprehensible words until she recovers - but only barely... and now with a dark red blush plastered over her freckled cheeks.
“I-In your dreams, maybe!” Her blatant lie is apparent to all but... the ones who are present in the room. “Besides, I already have someone I like!” 
“Oh?” Illya can hear the sheer contempt from her headphones, and she grimaces at the man’s deep frown. “Do tell, who is it?”
“Wouldn’t you like to know, dunderhead!”
“Tell me. I’m curious.” 
“Nope nope nope nope nope noppetty nope! Why’d you think I would ever tell you, huh??”
Mint sticks her tongue out at the man, who scowls deeper and nudges the woman’s legs off of his lap.
“Fine. How about a bet then.”
“What bet?”
The man points to the phone she has in her hands.
“Since you’re so fond of your gacha games, and you’re always bragging about how good your luck is, why don’t we make a bet using your game?” 
Snatching the phone out of Mint’s hand despite her protests, Estinien taps on the settings button before clicking on the gacha button, the screen switching to the current limited rate up banner of a popular event character.
“If you get a character of the highest rarity within 50 draws, you have to tell me who your crush is.”
“W-why would I even agree to that?? I’ve been saving my primos for Xi-Ao you know?!” 
“I’ll pay for your pulls. It’s a win-win for you that way, no? You get free pulls from the game, I get to know who your crush is if you get a shiny new character.”
Mint pulls back, hesitant and suspicion clear in her eyes, but still enough to hint at consideration.
“And what’s in it for me? What if I do pull a 5 star character?”
After much consideration, Estinien responds once more.
“I’ll let you whale for whatever character you want next on my credit card. And I’ll cosplay with you at the next convention.”
At the condition of his loss set, Mint’s face lights up with pure elation, as she snatches her phone back from her friend with a cheeky grin on her face.
“Deal! You’re so going to lose, long bean! My luck in Genshin Impact’s second to none! I can’t wait to make you cosplay sailor moon!!”
An equally devious smile spreads across the face of Alice, whose hands are swift to pull up another window tab reserved specifically for video game and gambling luck. 
She has always admittedly been favorable and gracious in giving out good draws to people who deserve it - the program she has running in the background is testament to that... And she has no doubt in her mind that the fate matrix has been generous in it’s givings to Mint, if her boastings are anything to go by. 
Mint must thusly, be a good person.... and she deserves a fate more fulfilling than virtual characters on a screen.
The girl must truly feel confident in herself, as she hits the draw x10 button without a single hesitation. 
Illya begins typing the code into the new window, and sympathy wells in her heart as she hears Mint huff in minor disappointment.
“Only one 4 star? Eh, it’s just a fluke, I have 40 more pulls and I’m close to soft pity too!”
“Good luck.” Estinien chuckles mockingly, and Mint lets out a growl before pressing on the draw x10 button again.
Nothing. The third ten pull is no better - with nothing but a single 4 star weapon to show for her efforts. Mint is evidently getting more nervous as her finger shakes, pressing down on the button that will decide her fate for the fourth time.
She was so certain she’d get a 5 star by now - she normally gets what she wants within the first thirsty pulls, and it’s a normal occurrence to even pull multiple 5 stars within the same roll... So... why?
Her 40th pull ends with two 4 star characters, a sight better than the ones before... a sign of Illya’s pity on her... but still not a condition for her win.
“Oh, someone’s getting nervous.” Estinien smirks, “You’re on your last pull away from telling me who you have a crush on.”
“H-hah! That’s where you’re wrong!” Mint exclaims, jabbing a finger at him. “The chances of getting a 5 star increases with each pull, so i’m almost a hundred percent certain I’ll get one this time!”
Mint’s heartrate monitor is going off the charts, and Illya has to intervene by lowering her vitals enough so she wouldn’t pass out from sheer nervousness. It does little to hide it from Estinien, however, who could only relish every second of Mint’s rapidly darkening blush as she finally taps on the draw x10 button one final time.
The shooting star across the screen flickers, before bursting into a shade of pink that has Mint leaning back with mouth agape, a mixture of sheer shock and terror on her expression. 
Hopelessness is all she feels as she taps, taps and taps, and the roll summary page shows naught but a single Benny - the unluckiest character in the game, grinning widely at her.
“Well, well, well. Looks like I won.” Estinien sounds way too casual and smug, unaware of the monumentally immense amount of bad fortune that had just befallen his friends. “As per our deal, you’re going to have to tell me who your crush is.”
Illya feels sorry for her meddling, and she makes a mental note to herself to bless Mint’s future rolls with as many of the highest rarity characters she could possibly afford to give without breaking the laws of probability too much... but when Mint finally breaks out of her stutter and sets her phone down on her lap, hands grasping so tightly at the hem of her skirt that her knuckles turned white, the girl knew that she’d dealt the woman a hand far kinder than if she had not.
“I-It’s...... It’s you, okay?”
07:32pm
Alice it is time for dinner. The curry will get cold if you leave it out for too long.
Illya’s tendency to ignore the tool assistant in regards to her own wellbeing was concerning, but not an anomaly. In fact, it was far more rare for the text in the pop up to be spared more than a single second’s glance from her. 
Whether it was reminders for her to eat, for her to sleep early, to hydrate or to stretch after hours hunched over her keyboard in front of glaringly bright monitors for a good whole of her day, the tool assistant’s well meaning messages would always go ignored.
It’s a natural part of it’s program, Illya tells herself, as she filters through lists of finished cases before moving on to pending ones. Much like the fate matrix, that ran on a code that was, in admittance, far more complex than even she could fully comprehend... the tool assistant ran on code. It was an artificial intelligence her mother had created during her last few months of life, something that, according to the note left in the hard drive of the fate matrix, would help Illya better slip into her role as adjudicator of fate. 
She’d remembered when she first awoke in this room and on the bed, not having any recollection of how she’d even arrived in the first place. The momentary panic and confusion had been replaced with a sense of obligation... of duty and honor when she booted up the computer for the first time to be greeted with the words from the tool assistant - as well as a lengthy message from her late mother.
We who do not belong to the realm of mortals... we who possess the blood of fate. We bear the burden of watching over the world and making sure that it is a safer, happier, better place for everyone. Only you alone can take possession of the fate matrix in my stead, and I pray you’ll forgive me for not being able to say goodbye to you in person.
Family meant the world to Illya, it has ever been that way. She spent a good amount of her childhood in the company of her parents, with little understanding of the world beneath. She had no concept of the idea of fate, of how destiny was dealt... only that her mother had a significant role to play, and that her time with her family was soon to be cut short by a crippling, unkind illness that not even the fate matrix could undo. 
Illya’s never tried stepping out of her room before. She has always assumed that it exists in some kind of void or overworld that overlooked the mortal realm. It mattered not, really... The only thing important was that mother had left this place behind, and wanted her only daughter to inherit her role as Alice.
It was with that responsibility in mind that drove Illya to stay seated in front of the monitors for as long as she has. 
Time is no longer being a concept, the rising and falling of the sun no longer visible to her eyes aside from a arbitrary number on the clock that served more as a timer for how long she has left to work until exhaustion would consume her. 
Do you not wonder what it’s like to have friends, Alice?
Recently, however the tool assistant has been sending her more and more pointless questions... questions that went far beyond the daily self-maintenance reminders that she could understand her mother programming in for her wellbeing, questions aimed to be poignant and was targeted to making her feel more isolated and alone than it did help. It was bordering on annoyance.
You could leave this room any time you wanted.
And why would she do that? She murmured to herself as she typed in code to program a heavy storm, forcing a raven haired lalafellin man to offer his umbrella to his soul mate who had been stranded under a lone busstop - a pink haired woman with olive green eyes who seemed utterly smitten with him upon first sight.
Her purpose was here, to take control of the fate matrix, to grant happy memories, to save lives, to fulfill wishes and dreams. There can be no greater and heavier responsibility to bear in the world. 
Truthfully, the reason why Illya stayed at first had solely because of her mother’s wishes... But now, it was more than that. 
Because the idea of separating herself from the fate matrix... and not being able to grant the kindness of fate that so many people in the world deserved... it was a pain that was worth her own sense of self. 
Are you not lonely? Do you not want someone to love you?
Why did it matter if she was lonely? The envy and curiosity she feels upon watching a group of friends hanging out together is nothing in comparison to the pain mortals felt from a love unrequited, or a loved one losing their life. 
She taps furiously on a historian with bright red hair and eyes, forcing him to get a wardrobe malfunction that would push him to visit a tailor where an impish lalafellin fashion designer with snow white freckles awaited him with choice words of ridicule. She tips over a telephone pole that causes two surf shop co-owners who were on a road trip to park by the roadside so that they may witness a falling star, wishes made leading to their confession. She painstakingly guides a woman with silver hair and golden yellow eyes towards a drycleaner, where she initiates easy banter with a man who she later finds out was her old schoolmate.
Juno and Ysayle, Bianca and Varis, Niqesse and Zenos, Nowi and June. She remembers the soul mates she pushes together by name, and treasures the happiness they are sure to feel from their memories as if they were her own.
Detached from their world she may be, it is through the fate matrix that she can experience a sliver of their joy and love... even if it is for a fleeting moment before she must move on to the next. 
11:17pm
One more assignment, she tells herself, eyes bloodshot and fingers sore from typing. One more case and she’ll eat before going to bed. She has done much for the day as it is... but she cannot rest until she’s closed one particular case that has her vexed for the entire day.
A pair of glowing purple dots that has been plastered on the map since morning has her thoroughly vexed... because for some reason or another, she cannot seem to gather information on one half of the pair. 
She’s able to view the other half just fine - a dashing young man who seemed to be a senior in university despite his age, having skipped two grades due to his academic prowess. He is incredibly gifted, possessing not only of superior intellect but also an artistic hand and charismatic demeanor that makes him quite popular at his school.
But no matter how much she clicked on the other purple dot, or made futile attempts to manually search for data on his other half, nothing would show up. No windows, no tabs... What was even more perplexing was that the dot hadn’t moved on the map at all. 
Illya had paid especially close attention to the purple dots ever since she’d found this anomaly in the fate matrix... she was certain she would have noted movement if there had been any at all. 
But whereas the icon of the boy had understandably been moving throughout the city of Sharlayan, the icon of his mysterious other half hadn’t, laying stagnant on a singular point of the map in the middle of what appeared to be an old apartment complex.
It was as if his soul mate just... didn’t exist at all. 
The boy didn’t have any romantic feelings for anyone, nor did it seem like there was anyone at his school that would have an attachment to him that extended beyond admiration or a short-term attraction, which she’s long learned to tell apart from genuine love. If the tool assistant had a text saying that her target simply did not have a soul mate at all, she’d have been inclined to believe it.
But the other purple dot that connected to his does not lie. If he didn’t have a soul mate, his icon wouldn’t be connected to the other. Her tool assistant wouldn’t have told her, very deliberately she may add, that he did in fact have a soul mate and that it was imperative for her to unite them.
But how was she to make two people meet when she could not even tell who the other was? It was the first time Illya’s wondered if there was even any point to her efforts. 
Desperate times call for desperate measures, then. It may be unnatural for a piece of note to fall from the sky, but it was perhaps her final chance to get the boy to meet his soul mate before the opportunity would be lost forever.
Assignments from her pending window are known to disappear all of a sudden, and soul mates who were attached and at their prime for a fated meeting for the moment often times disappear from the map entirely... a tragedy as a result to the slipping of time that the fate matrix cannot rectify... and she’d be damned if she let it happen to this case just because of a simple glitch. 
The boy, Alphinaud Leveilleur, star student of the nation’s most prestigious academy, had been walking home from his late night seminars. His position was unnervingly close to where his soul mate is, and since she could not think of any way she could naturally nudge him in the direction of the apartment complex, she writes a note posing as his soul mate and drops it from the sky.
“W-what in the twelve?”
The boy catches it in mid-air, looking at the haphazardly scribbled words on the paper. 
PLEASE HELP ME. I’M BEING HELD AGAINST MY WILL. I’M BEING TRAPPED AT _______________
She made the handwriting disorderly intentionally... just to sell the idea of a person being trapped better, of course. She’d even slathered on a small smudge of blood on the corner of the note to make it more convincing... and it seemed to have done the trick as the boy widens his navy blue eyes in alarm, head turned up in the direction of the apartment complex he stood next to.
Illya can tell he has his doubts, and she doesn’t blame him... It’s suspicious enough that the call for help would just so conveniently fall towards him as he was walking past... but he’s never known any criminal activity to have taken place in that apartment complex - Sharlayan is relatively safe compared to it’s neighbor, Mor Dhona. 
A few simple thoughts however, might just do the trick into getting him to spring into action. 
Injecting into his mind, Illya types out frantically into the text box for thought processing. 
What if this is real? What if there really is someone in need of rescuing and I just walked by without helping them? What if they appeared on the news tomorrow? I wouldn’t be able to forgive myself. What if... what if this note really is fate?
She’s preying on his upright and morally upstanding character, she knows that... and it never feels good to take advantage of a objectively good person’s kindness... But her determination to grant him lifelong happiness wins as she watches through the live feed the as the boy clutches onto the note close to his chest and begins to run into the carpark of the apartment complex before heading inside.
Zooming into the map, she sees that her target is taking the lift up to the highest floor, his heartrate skyrocketing at an alarming pace as she panics for a moment and has to manually adjust it back down. He’s nervous... and she must admit that she is too.
When he leaves the lift, his footsteps are unsteady and hesitant... But a few more encouraging thoughts was enough to get him to push forward until he’s standing in front of a door - the only door on the last floor of the complex, as it would happen.
Illya tries to look into the room, but the window that pops up is but a single black screen that has her sighing. No matter. The fact that there even was a window in the first place is progress. 
She’s gotten this far into leading him here... all he has to do is open the door where his other half is sure to be on the other side.
The boy tries to twist open the door knob, the metal rattlingly noisily in Illya’s headphones. But it doesn’t budge or give way. 
Figures that it’d be locked. How is she supposed to lead him inside? She can’t ring the doorbell because, for as odd as it is, there is none... and she cannot pull up any information on his soul mate, let alone inject into thoughts into their head to open the door. It’s far too suspicious to drop the key to the door right in front of him. 
With each second that passes, it seemed like the boy was letting his doubts begin to sway his decision to stay more and more... and Illya’s heart drops into the pit of her stomach when she sees the boy begin to step away from the door and reaching into his bag for his phone, a thought bubble popping up above him.
I should call the police, instead...
“No! You mustn’t!” Illya yells out by instinct.
“Huh???” the boy’s eyes widen once more, and to Illya’s utter confusion, he bolts forward and is now banging his fist against the door. “Hello?! Are you okay?! If you’re in there and you need help, please say something again!”
He must’ve heard a voice.... Illya mused, eyes glistening with intrigue... her voice. Did her mic turn on by accident? Or perhaps she’d projected her voice onto the door out of instinct. She wouldn’t be surprised if she did... but the most important thing is that it worked, and it got the boy to stay. 
“Y-yes! I’m... I’m in here!” Illya responds, intentionally letting out sobs into her microphone this time, “p-please help me... I-I’m really hurt and I don’t know when they’ll get back!” 
Alphinaud’s heartrate is beating faster than it’s ever had before... and Illya makes no attempts to lower it as she watches the boy grit his teeth and set his bookbag down.
“A-alright! Stand back! I’ll try to knock the door down!” 
Good thinking, Illya hums to herself in silence. The door seems old and rickety on its own... unless his soul mate has very deliberately barricaded the inside, there shouldn’t be any reason why he’d not be able to knock it down.
The boy begins to slam his torso into the door, pulling himself back before once more rushing into the door, and the sound of banging fills Illya’s headphones. It’s oddly loud and deafening... but she makes no attempts to lower her volume as she grips the edge of her keyboard in anticipation.
“Don’t worry miss! Just a bit more! I’ll get you out, I promise!” 
His sincerity touches her... and though it is wholly unnecessary, Illya is moved to speak into the mic once more... and her words causes a surge of renewed energy to flow through him.
“Yes! I believe in you! I’m waiting!”
Illya has never known what the outside of her room looked like... nor the time or space that occupied it. It was never necessary, she’d convinced herself... She was simply content with watching the outside world through the lens of the fate matrix while playing the ultimate puppet master.
She has never smelled the outside air, never seen the light of the sun, never once touched the hands of another... not since she arrived here.
When the door to her room clattered noisily onto the ground, so loudly that she could not chalk it up to being a result of the projection in her headphone, the girl spun around... and stared with wide, bewildered and confused eyes at the boy in front of her - clear without the pixels of the screen obscuring him... clear and oh so very real.
Beads of sweat trickling down his brows from exertion... his usually neat fitting uniform disheveled from strain... 
And in his clear blue eyes was the reflection of herself, staring back at her as if they were a window to her future.
“Y-you.... you are....?”
The tool assistant of the fate matrix sends another text, which goes unread and ignored by Alice once again. 
You watch over the fate of others. But even you aren’t immune to the hands of fate.
23 notes · View notes
snackhobi · 4 years
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pairing: min yoonji x reader / word count: 9.7k / genre: f x f smut, assassin!au
summary: a fic inspired by this post and that’s pretty much it-
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warnings: sexually explicit content (NSFW), talk about death/assassination (nothing graphic dw! but they are assassins, so), mild violence, unnecessarily sexually charged lipstick application, face riding, fingering, multiple orgasms, oral (f giving/receiving), use of restraints, overstimulation, squirting, kind of dom!yoonji?
a/n: this is an entirely self-indulgent fic I wrote as a gift to myself for my bday, it’s a lil rushed bc I wanted it done for today! women are so very beautiful and I am so very weak, thank you ladies for all being so amazing ily. this was meant to be a short pwp and now it’s almost 10k but I have no regrets bye
--
la petite mort French literal meaning: ‘the little death’; also an expression used to refer to the brief loss or weakening of consciousness, specifically the sensation of orgasm as likened to death; an orgasm.
--
“It’s just unacceptable.”
The woman in front of you is clearly wealthy. Her dark hair is perfectly styled and her pale nails are perfectly shaped and her subtle makeup is perfectly flattering; she’s starting to get older but rather than shy away from it, she’s leaning into it, and she looks almost imperious in her beauty, eyes sharp and set of her lips severe. Park Dahye was born into wealth and has clearly thrived in the life that she’s been afforded.
“Mmhm.” You try not to yawn. 
“He’s flitting around with some young, silly thing on his arm, with no consideration for the family’s reputation— my reputation,” she continues. Her posture is perfect, from the set of her spine to her crossed legs to her folded hands that rest on her knee, somehow demure and yet highlighting all of her beauty and riches; the jewellery on her wrists and fingers, the expensive heels on her feet, the slit of her haute-couture dress, no doubt tailored for her and her alone. “I’ve already spoken to him about his behaviour, but he’s just ignored my warnings. We may have agreed on the divorce but we’re currently still husband and wife— has he no shame?”
“Awful.” You don’t even try to hide how bored you are, but Dahye is so quietly incensed that she doesn’t even notice as she launches into the next part of her queenly diatribe, and you muffle a sigh.
That’s the problem with rich clients. Sure, they’re willing to fork over stupid amounts of money to you, but they also think that their issues are of paramount significance— like they’re the centre of the universe and their problems are the only important ones in the world. Like you’re interested in what they have to say. Like this is the only job you’ll ever do that holds real weight or meaning.
For them, it’s a life-changing (life-ending) decision. 
For you? It’s another Tuesday.
“Yes, yes, that’s just so terrible, gosh, I don’t know how you manage it,” you say once she pauses to take a breath, using the opportunity to cut her off before she launches into another part of her articulate rant. “Anyway. Would you prefer if his death was embarrassing or quiet?”
For the first time since you’ve met, she seems unsettled. “Pardon?”
Namjoon is much better with people than you, smooth and charming with his boyish dimples. Normally any discussions would go through your handler, but this woman had demanded to meet you personally and had been willing to pay for the privilege: so here you are, with your relative bluntness instead of Joon’s winsome smile.
“You know,” you say, gesturing with your hands. “When they find the body. Do you want him to be caught with his trousers around his ankles—literally or figuratively, that’s up to you— or would you rather it seemed like something natural and unpredictable? Like a sudden heart attack in his sleep, for example.”
When it comes to rich clients, a lot of it is about reputation. When someone’s shuffled off this mortal coil, it’s not just that they’re removed from the equation, it’s also about the ripples that their death leaves in the high society that they’ve lived in. Does she want her (soon-to-be) ex-husband made a mockery of, or does she just want him out of the picture?
She can’t see your face, behind your mask as it is, but you can see hers in perfect clarity. For all that Dahye seems put together and almost impassive, you see the tiny flicker in her eyes. Ah. She’s not just mad because he’s ruining their reputation. She’s hurt.
Man, that sucks. Honestly you bet it’s easier being an assassin than a rich housewife. At least when it comes to backstabbing you can literally involve a knife to sort your problems out. (Well, knives are messy, but you get the picture.)
“I’d prefer something quiet,” she decides. “I’d worry that it could lead back to me, otherwise.”
You’d be offended at the idea that you’d leave any trace that could implicate anyone or that this man’s sudden death was in any way suspicious, but she’s paying you enough that you find that you don’t care. You take pride in your work, but for the amount of zeroes involved in the fee you’re being paid, you think you can take an unintentional insult or two. Or three. Or ten.
You like money, what can you say.
“Sure thing,” you say, giving her a lazy, two fingered salute. You’ve been reclining against the desk of the hotel suite, flicking the complimentary, heavy metal pen between your fingers, twirling it like the world’s most underwhelming baton. You straighten up and let the pen drop back into the pen pot—wait, no, of course it’s a handmade porcelain jar, an alarmingly well-made Joseon porcelain replica. Everything in here stinks of money. “RM will confirm where the money is to be deposited. Half of it now as collateral, and half upon completion of the job,” you say. “If you change your mind between now and then, we’ll be keeping the original 50%, but if for some reason something goes awry, you’ll receive that money back. Sound good?”
She seems surprised at your directness. “I—”
“Fabulous!” You clap your hands together, although the sound is muffled by your gloves. You’re not about to leave your fingerprints everywhere, geez. “Alright, time for me to skidaddle I suppose! I’ve got work to be doing, people to be watching, men to be killing!”
Dahye flinches imperceptibly, but by this point you’ve already slipped out onto the balcony and into the night.
--
Being an assassin is hard work.
Technically, everyone has the capacity to kill another human being. But killing as a job involves a lot more than just caving someone’s head in with a rock—that’s why Cain isn’t referred to as an assassin, what with how he’d just bashed his brother Abel with a convenient stone that happened to be lying nearby. He was just a straight up dick.
No, when you kill professionally you need to be familiar with an array of different techniques, each one far more sophisticated than the last. You need to know how to be stealthy, how to blend in as you watch your target, how to set up the scenes of their death in a way that doesn't arouse suspicion. Or, instead, how to set the scene up in a way that lets any onlookers know that this person had been offed by someone who knew what they were doing, and knew it well. There's a difference between being a killer and being an assassin and you are firmly in the latter category.
So, if your client wants her husband to be shuffled off quietly, then that’s what she’ll get.
They really have pulled out all the stops for this charity gala. Everything is shining, glittering and bright: the surroundings, the food, the people. Especially the people. The rich elite have come together for an extravagant and exquisite night of ostentation and luxury, all in the name of raising money for some needy cause. (You try not to think of the irony and/or hypocrisy behind that.)
It’s almost laughable how easy it is to blend in here. Namjoon had secured (forged) invitations for you both, and so you hang off his arm as you make a slow sweep of the room, trailing unnoticed after your target. You’re not planning to make a move right now but you want to feel out exactly what he’s like: the more information you have about the person you’ve been contracted to assassinate, the better. 
Plus it’s an excuse to dress up nice and eat free food— though that last part is mainly Namjoon.
“God, these canapés are so good,” Namjoon moans quietly to you, hoovering up the flaky pastry crumbs from his fingers with single-minded intent. You dig your fingers subtly into his arm.
“I thought we agreed on not eating tonight, Joon,” you mutter to him, although you say it with a beatific smile in case anyone is watching; the place is heaving with people but you’re always on guard. (Even if Namjoon is right. The hors d’oeuvres that are on offer do look incredibly tempting.)
“You have a glass of champagne,” he points out.
“And you may have noticed that I haven’t drunk any of it.” You titter, as if he’s just told a funny joke, and lightly slap his arm. Again, you’re fairly certain no one is watching, but you can never be too careful. “It’s all about creating a facade, Joonie. It’s what we in the business call a ruse.”
Even throughout your back and forth, you’ve kept your eyes on your man of the night: Park Minjae, a middle-aged businessman who’s been greeting people and getting swept up in conversation, all while a slip of a blonde clings to his arm, stuck to his side like a pretty limpet. She’s cute, sure, but she lacks the poise that Dahye has, so you frankly don’t get it. Then again, not everyone finds strong women as attractive as you do. Weirdos.
You’ve been focused on Minjae but your eyes have also been flitting around the room, drinking in your surroundings, drawing up a detailed map of your environment (of course you’d scoped out the building before tonight, but with all the banquet tables and chairs around the layout is a little different). The people, too, have been subject to your scrutiny, although so far they all seem summarily unimportant and uninteresting, just as you’d suspected. You lift your glass to your lips and pretend to take a tiny, demure sip, glancing up through your eyelashes to scan the room again, and you freeze.
Holy shit.
You take back what you just said about everyone being unimportant and uninteresting. 
The woman who’s just walked in is fucking stunning. Her sleek dark bob is unstyled, but perfectly frames her beautiful face: sharp eyes, soft nose, flushed lips. Her cocktail dress lets you see almost every inch of those perfect legs, the line of her thighs to her calves and— oh, you swear you could shed a tear of joy. She’s already tall and she’s made even taller by the heels she wears, towering above most of the men here, a fucking Amazonian goddess who looks powerful and undeniably elegant at the same time. 
(Thank you for your service, tall women.)
You don’t know who she is, but goddamn, do you want to. She’s scanning the room, and for a brief moment, your eyes touch. A tiny thrill shudders up your spine at the darkness of her keen eyes, that quick and astute gaze. 
It’s only the tiniest of moments that’s over as soon as it’s started. The dark-haired beauty looks away and is already disappearing into the crowd before you realise, and it’s only then you notice that you’re staring, utterly drawn in by her cool poise and presence. You’ve been frozen in place with the rim of your champagne  glass resting against your mouth, and your eyelashes flutter as you blink and glance down.
The imprint of your lower lip has been left on the glass, stark red visible against its edge, and you squeeze Namjoon’s bicep.
“How does my lipstick look?”
He takes one look at you as he swallows down another tiny vol-au-vent. “Like half of it is missing,” he says, and you frown.
“Ugh. I’ll go touch it up in the bathroom. Keep an eye on our guy, I’ll be right back.”
It’s not until you’ve made it to the toilets that you realise that you do not, in fact, have any lipstick in your ridiculously small clutch bag. When it comes to your actual work, you’re meticulous and thorough and well-planned, but for some bizarre reason, a tube of lipstick is never the top of the list when it comes to equipment. Unbelievable. (You knew you should have worn the 24/7 stuff, but it was always such a nightmare to get off.)
You’ve been so busy rummaging through your bag that you’re completely caught off-guard at the sound of a quiet voice from behind you.
“Lost something?”
Oh, fuck. It’s her, your dark haired and dark eyed beauty, meeting your gaze through the mirror when you glance up from where you’re resting your bag against the marble counter  (marble, marble, marble, it’s all marble: the floors, the counters, the sinks; why do rich people always love marble?). She looks altogether too amused at your plight and at how your eyes have widened perceptibly upon seeing her again. But can she blame you? Her presence is so graceful and commanding and she’s so dizzyingly attractive it’s insane. Surely she must get this all the time.
You stare for a little longer than is probably polite, and even behind her fringe you can see how one of her eyebrows rises.
“Sorry for staring,” you say once you notice. “You’re just so beautiful.”
She pauses as she takes in the compliment. You see how her eyes flicker over your face and settle on your mouth; your upper lip, tinted burgundy red, while the lower is faint and smudged.
“Lipstick problems?” She cocks her head at you, still staring at your lips in the mirror. God, she’s so hot.
“Can you tell?” You sound rueful as you glance down at the reflection of your mouth, touching your bottom lip lightly with a fingertip. “I forgot to bring any with me so now I’m stuck.”
She finally looks away from you. You hear a small, metallic click as she unclasps her evening bag— marginally larger than your own— and lifts out a small tube of liquid lipstick. “Would you like to use mine?”
Fuck yes you would. 
“Oh, would that be alright?” You finally turn around, and you have to tilt your head back to look at her, taller than you in her heels. Jesus Christ. She’s going to be the death of you. Why are women so gorgeous? Who gave them the right? “I’m not sure the shade will match, though?”
You watch her beautiful mouth curve up into a small smirk as she pulls out a tiny pack of makeup remover wipes from her bag, and you swear could propose to her there and then. Beautiful and tall and organised? Holy shit. What a woman.
She’s got her bag in one hand, while the lipstick and wipes are clasped in the other; her hand is held up in such a way that you think she means for you to take them from her, but when you reach out she shakes her head.
“I’ll do it for you,” she says. The quiet note of authority in her tone makes you go weak at the knees.
Thank god the toilets you chose aren’t the main ones, because it means there’s no one around to see how she tilts her head at the marble counter in the universal gesture of get on there. It’s entirely unnecessary, but you, of course, immediately comply. You brace your hands against the cold stone before hitching yourself up, careful with the draping folds of your dress; the cold touch of the stone is noticeable through the material of your dress, but it’s instantly forgotten when your enchantress steps closer. 
You spread your knees so she can stand between them. Holy shit, she’s even better up close. Her lashes are wispy but they’re the perfect frame for her gorgeous eyes, which are dark and intent. You suppress a shiver. You hold yourself still as she leans forward and around you so she can put her clutch and lipstick down, trying to ignore how close she is, but there’s no way she can’t realise what she’s doing. Your heart is pounding. You wish you didn’t have a job to do tonight because you would so much rather be getting, ah, acquainted with this woman rather than following some old businessman around.
The only noise in the bathroom is the sound of peeling plastic as she opens the tiny packet of wet wipes before she curls one around her finger, glancing at you through her lashes.
“Open,” she instructs.
Your mouth drops open immediately. She sweeps the wipe over your lips, bottom, then top, touch firm but careful, drawing away the red from your skin; you stare at her as she works, how her eyes are cast down as she stares at your mouth. She’s using her free hand to grip your chin and you feel deliciously powerless in her grasp. 
You purse your lips a little to try and help her, watching the way her eyes flicker as she pulls the wipe back over them— somewhat firmer, this time, with more intent. Lingering. The only barrier between her finger and your mouth is soft and flimsy, the texture of the wipe against your lips like cotton as it drags across them, and it would be so easy to pull it out of her hands.
She flicks the dirtied wipe aside, heedless of how it lands on the unsullied marble, before reaching for her lipstick. She twists the tube in her fingers, motions of her hands precise and deft, and you’ve never been so attracted to how someone’s uncapped something before. 
You watch her hands. (She watches you.)
Your eyes trail over the wand as she pulls it out, dragging the doe foot against the rim to catch the excess before turning it towards you, putting the tube by your thigh, near where your hand is bracing against the marble. She takes hold of your chin once again. You stay quiet as she starts to sweep the lipstick over your lips, painting them the same flushed pink as her own. Once again she’s staring at her work so you’re free to drink her in, almost drunk from her beauty, eyes catching on the tiny moles on her pale skin, the smallest freckles that are only noticeable because you’re this close.
The squelch of the applicator sliding into the tube is almost lewd in the silence of the bathroom, and this time you can’t suppress a shiver when she pulls your chin down to open your mouth so she can go back in again on your lips, drawing a sharp, crisp line. Tracing the edges of your lips, the flushed swell of them, the peak of your cupid’s bow.
She glances up. For a moment you’re both still, staring at each other, tension in the air palpable, but then she smacks her lips and you copy the motion, evening the application of the makeup on your mouth. 
“Perfect,” she murmurs. “One more step.”
A small, confused frown flits over your face. She’s put the lipstick aside but then she lifts a finger and points towards your still parted lips. You take in a small, shuddering breath when she speaks again and you realise what she means.
“You don’t want to get lipstick on your teeth, do you?”
Both of her eyebrows have risen and she’s looking at you like you’re being silly if you disagree with her.
“No,” you say. You’re not about to deny her. “No, I don’t.”
Your eyes remain locked. You lean forwards, taking that perfect, long finger into your mouth, dragging your lips upwards so that any excess lipstick is caught against her pale skin, a ring of deep rose circling her bottom knuckle; you curl your tongue around her, hot and wet, feeling the crease of her knuckles and pad of her fingertip against your taste buds as you slowly, slowly pull away. 
It’s undoubtedly indecent and risqué and you can feel the flush of arousal settling in your lower belly, an almost embarrassing flush of wetness leaking out of you at the taste of her skin. She, however, remains unmoved, although she lets her finger linger just for a moment on your bottom lip, almost rough against their softness— but before you can swallow those fingers back down and ruin her meticulous work, she pulls away, lifting the discarded wipe to sweep it around her finger, catching the lipstick you’d left on her skin.
“Done.”
She steps back and you feel like you can finally breathe, a breath so deep you can feel how your lungs fill, oxygen rushing to your brain so fast you feel lightheaded. You watch as she sweeps everything back into her bag, clicking it shut with a note of finality; the sullied wipe is cast carelessly into a tiny, chrome bin with a flick of a wrist, her every motion regal.
You slide off the counter. You still can’t take your eyes off her and you don’t want to. It feels like whatever heaviness was in the air has dissipated, gone in an instant with a turn of her head— normally you’d let it slide, even if you feel disappointed, but she’s just so magnetic. 
“Thank you,” you say. You can see yourself in the mirror now and to your complete lack of surprise, your lipstick is perfect. The shade is lighter than one you’d have chosen for yourself but it’s beautiful on her, of course.
“You’re welcome.” She’s in the middle of washing her hands, but she glances over her shoulder at you, and the firm set to her face lightens a little as she smiles. It’s a small, sly thing, and you realise with a start that she knows exactly what effect she has on you.
I’m coming back for you, you think to yourself. You have work to do tonight, but—
“What’s your name?”
She pauses. She shuts off the tap with a quick motion, reaching forward for a rolled hand-towel, a neat stack on a metal tray nearby. You wonder if she’s not going to answer but then she speaks, looking at you instead of the soft cotton she’s rubbing over her skin. “Yoonji,” she says. “I’m Min Yoonji.”
Min Yoonji is the most gorgeous fucking woman you’ve ever seen.
“I love your dress, Yoonji,” you say, and it’s true, you really do— but you’d prefer it if it was off. Not that you’re about to say that, of course.
She lets out a breath of laughter. “I know.” Oh, god, you love confident women. “What’s your name, darling?”
You have that same split second of hesitation, similar to Yoonji’s only moments prior. You use a codename when you work, of course, and you have a plethora of fake identities that you use and are intimately familiar with— but the idea of your real name falling off Yoonji’s flushed, petal lips? Woof.
“Y/n L/n,” you say. 
Oh, Joon would be so unimpressed right now, giving some mysterious woman your full, real name just because you think she’s the sexiest thing since sex, but whatever. What he doesn’t know can’t hurt him.
“Well, Y/n,” Yoonji says. You were right, your name sounds so good falling from her mouth, the mouth that’s turned into a small, almost smug smile. “I certainly hope to see you at the charity ball in a few weeks?”
“Of course.” Your schedule has been magically cleared and you’ll definitely be in attendance for whatever ball Yoonji is referring to, even if you have no idea what it is. You only come to these things if you have to for work but for Yoonji you’ll make an exception. You’ll make a hundred thousand exceptions. A hundred thousand quinquagintaquadringentillion exceptions. “I’ll make sure to remember my lipstick next time.”
And there it is, the thing that seals the deal, the final nail in the coffin: Yoonji glancing at you out of the corner of her eyes, a sharp, dark touch that shoots through you as her smile edges into hunger.
“Don’t worry,” she says. “I’m sure it won’t stay on your lips long enough to matter.”
--
The thing you’ve discovered about Minjae is that, with his divorce due to be finalised soon, he’s apparently lost any sense of routine and is revelling in his new found freedom, which is kind of irritating when you’re trying to tail the guy. Sure, you’re still going to take him out, but you prefer it when targets have some sort of schedule that they adhere to— makes it easier to set up a kill.
“You’re certain that he’s going to be here tonight?” You’d been sceptical considering how the guy’s apparently thrown his schedule out of the window, but Namjoon had been certain.
“Positive.” He’d said. “He’s there every Tuesday night. You’ll have plenty of time.”
The house appears to be deserted. The driveway is empty and all the windows and doors are locked tight. It’s just one of the properties that the Parks own in the city, and for all its size and lushness it appears as though this one is rarely frequented; you imagine that the cleaners and gardeners spend more time here than the owners themselves.
It doesn’t take you long to evade the watchful eyes of security cameras to pick a lock and slip inside. You're grateful for the dying evening light that helps cover your tracks from any onlookers from the street, although you imagine the high walls do good work at preventing people from seeing into the grounds anyway.
There’s still enough light to navigate through the house, the golden tinged sunset casting warm shadows across the spotless furniture and fixtures; you take a moment to let your eyes slide across a huge canvas hanging on a wall that spans two storeys, some impressionist piece that’s surprisingly ugly for all the talent that’s obvious in its brushstrokes. Maybe that’s why the Parks are never here? You’d certainly try to avoid seeing this thing if you could. Eurgh.
Even though the building is empty, you’re careful as you start to make your way forwards. You always place your toes down first whenever you take a step, soundless as you start to map the house out in your mind; there are so many rooms you can hide in, but you’d prefer to be close to wherever Minjae ends up. Saves faffing around later. 
You’ll overpower him, inject the toxin into his blood and wait for him to die before setting him up on the toilet— it’s surprisingly common for people to die while on the shitter, the strain leading to an untimely heart attack, especially in older people. The poison you’re using tonight will mimic the symptoms of a heart attack in the case the coroner decides a post-mortem needs to be undertaken.
(Being found on the bog might not be a particularly graceful way to die but when you’re dead it’s kind of hard to be embarrassed.)
You’ve eased the door open into a large bedroom, and you’re just inspecting if it looks like this room sees more use than the others when you pause. It’s deathly silent in this building, the air still minus where you glide through it as you move, but there’s a feeling in your gut, some instinct that makes all the hairs on the back of your neck stand up. You freeze, ears straining to catch any noise to let you know if there’s someone else here, when—
There. In the reflection of a burnished pot, the tiniest shifting movement.
You react almost faster than the eye can see. You spin to parry a hit that was aimed for your head, and the strength behind it shudders through your arms. You only have a second to take in the details of your assailant— dressed in dark clothing, masquerade style mask in place, a professional just like you— before you’re deflecting another flurry of blows, flipping backwards out of reach before spinning into a kick, hooking that burnished pot with your foot and sending it flying towards the other assassin.
They dodge it. You both ignore the sound of clattering metal as you lunge forwards, trying to catch them off guard after their sidestep— your fist makes contact with their palm instead of their face, your hand engulfed in theirs, and you startle at their speed. You might not be the strongest but you’re damn fast. 
There’s a pause, and you can only see a slither of their eyes through the sockets of their mask, but you can tell that they’re impressed. And honestly? So are you. 
The moment shatters when they use the hand they're holding to twist you, locking an arm around your neck and putting you into a chokehold; they’re strong, stronger than you, cutting off your airflow. You need to get out of this before you fall unconscious, but if they’re trained as well as you then they’ll know how to combat the usual ways you’d use to get out of this.
So, in a demonstration of your flexibility you kick a leg up, using the strength of your thighs and calves to slam it into the arm that’s around your neck. Your assailant lets out a noise of surprise and pain as you slip out of their hold and cartwheel across the room before spinning to face them.
There’s a beat. The air is tense. You get another chance to take in the details of whoever’s just tried to choke you out; you stare at her as she stares at you, the two of you poised and ready to strike, watching and waiting. 
Knives might be messy but of course you’re not unarmed. You have multiple sheathed weapons in your clothes, though you don’t make a move to draw any of them. Yet. “I suppose you wouldn’t tell me who your employer is, would you?”
Your opponent tilts her head. “You don’t know?” She sounds amused, even through her mask. “Minjae took out a contract on the assassin who has a contract on him.”
Your lip curls back from your teeth. The only way Minjae would have heard about your contract is if Dahye had told him. Presumably to try and shock him out of his behaviour, or something, who knows. “This is the last time I’m accepting a job from these rich old farts,” you mutter. 
“That’s for certain,” she says. 
She starts to move and you catch her arm just as she goes to unsheathe a wicked looking blade, knocking it aside before she overpowers you and you start to wrestle. It’s messy and graceless but sometimes you just have to fight dirty. 
Whoever this woman is, she still has the upper hand because she was expecting you and you weren’t expecting her; she knocks you onto the bed and pins you down, swooping the knife up from where it had been thrown onto the mattress. You go utterly still as she holds it against your throat, towering over your from where she’s straddling your waist and kneeling on your arms. Any sudden movement from you now could lead to your untimely demise— and, unsurprisingly, you absolutely want to avoid that at all costs.
Namjoon would never let you live it down if you were killed on the job.
You hum. “It seems like we’ve reached an impasse.”
She doesn’t respond. The knife doesn’t dip any lower, though; you’re undoubtedly at her mercy but you notice she’s careful to keep the knife still, hovering above the skin of your neck, but not making contact.
“Well,” you continue. “At least I’m going out the way I’d always hoped to.”
Even in the dying light and with how her face is covered, you notice her face shifting behind her mask— a silent, questioning raise of an eyebrow. You give her a cheeky smile that crinkles your eyes.
“In bed with a beautiful woman, of course.”
At this she huffs out a laugh. “Do you flirt with every person who tries to kill you?”
You’re trying to look as non-threatening as possible to keep that knife away from your jugular. The longer you talk, the longer you live, even if you can’t see a way to get out of this situation right now. “Only the pretty ones.”
The small laugh she lets out this time seems more like a scoff. “You don’t even know what I look like.”
“Please.” You roll your eyes. “Any woman who can fight like you and knows how to handle a knife? Automatically hot. I don’t need to see your face to know that.”
The knife still hasn’t moved. She continues to stare you down and you go tense when her free hand moves. She tugs the cloth of your mask down to reveal your face, the air of the room almost cold against the suddenly bared skin, your breaths free to curl out unhindered.
“Usually I like to be taken out to dinner at least once before we get this intimate, but for you I suppose I’ll make an exception.” You’re still grinning cheekily at her, but your mind continues to race as you try to think of a way to get out of this, especially now that she’s seen what you look like—but you suddenly notice that she’s gone very, very still.
“Y/n?”
The grin freezes on your face. Oh, you’re so boned. You’re so very boned. Like, yeah, you’ve been seconds away from death for the past, hmm, five minutes, but this is somehow worse. How the fuck does she know your name?
You’re given the answer almost immediately. She withdraws the hand from your chin and reaches for her own mask. Your eyes widen and your breath stutters in your throat once you see who it is.
“Holy shit,” you breathe.
Yoonji is staring down at you. She’s every inch as imperious and stunning as the last time you’d seen her— hell, even moreso now that you’ve seen what she’s capable of. No wonder you hadn’t been able to find out anything about her after you’d met at that garish charity gala. Because she’s untraceable, just like you.
“Well.” You stare back at her, not even attempting to keep the surprise off your face. “If anyone has to kill me at least I can die satisfied in the knowledge that it was you. Can I make a request? I’d be eternally grateful if you smothered me to death with your thighs. Just a suggestion, feel free to ignore it if you want.”
Yoonji cocks her head. Her bob is tied back, but there’s a loose lock of hair curled by the side of her face that shifts at the motion. Your fingers twitch. If she wasn’t kneeling on your arms you know you wouldn’t be able to stop yourself from tucking it behind her ear. Any excuse to touch her. “Do you always talk so much?”
“Hey, if it means I get to feel your legs around my face before I die, I’ll give a full fledged TED talk,” you say. “I have to admit, though. When I pictured us in bed together I didn’t think it would be like this.”
The knife still hasn’t moved from your throat. She continues to stare, as if considering what to do next, though her face remains impassive. “What did you think it would be like?”
“Well, you know. Less knives and clothes involved and a lot more making out,” you answer. “You, telling me what to do. Me, entirely at your command. Anything the lady wants, she gets.”
The human body is a fickle and strange beast. Ever since you discovered who’s straddling you, you’ve been growing wetter and wetter, even if you’re trying not to let on that you’re steadily growing more aroused— you’re still distinctly aware of the knife that’s only centimetres away from your skin, but somehow your body is more focused of the fact that the woman you’ve been daydreaming about is finally in front of you again. 
(Well, less in front of you and more on top of you, which is an admittedly preferable option, sans the knife involvement.)
You see how Yoonji’s eyes are darting over your face. No doubt taking in how your pupils are dilated, how your breaths are a little shallower, quicker— signs of fear and signs of arousal are surprisingly similar. You wonder if she can identify which it is. Probably. You’re not exactly very subtle in your attraction to her.
“I forgot my lipstick again,” you add, and Yoonji’s passive mask finally breaks when she rolls her eyes.
“Didn’t I say you wouldn’t need it?”
Even the way she throws the knife aside is gorgeous. The sharp undulation of her wrist as she sends the blade skittering across the polished wood floor is careless and fluid. Her hands cup your face as she bends down, and you send up a mental thanks to any god or higher being who might be listening before Yoonji presses her lips to your and your brain goes blank.
Apparently Yoonji likes it messy. One of her hands is grasping your chin in a mockery of the last time you’d met and she’d painted your lips— your mouth is open and she licks past your lips as you shudder beneath her. She’s still got her knees pressed into your arms, pinning you down, but you desperately crane your head towards her, chasing that kiss; you tilt your head to deepen it, and the whine that leaves you when she pulls away is almost embarrassing.
The sun has finally dipped below the horizon and the room is dark, painted in shades of grey and deep blue. You wish you could see Yoonji properly and you can’t help but wriggle a little underneath her, but then you watch her raise her hands and clap three times in rapid succession before the room floods with dim light. Sound activated lights? Damn.
Yoonji’s mouth shines, covered in a sheen of your mixed saliva, her pretty lips flushed rose pink; even without makeup they’re beautiful and their colour is deep, the blooming petals of a flower. Your eyes trail over her face, down her neck, over the fall of her chest and stomach— you’re both far too covered up in these stupid ensembles of yours and you want to strip the clothes off her. You want to see every inch of her beautiful, majestic body, bared for your lips and hands.
Fuck, she’s so gorgeous.
“Not to, um, ruin the moment, but my hands are going numb.” The weight of Yoonji’s body being pressed into your arms has pretty much cut off the blood flow to your fingers and you can feel the telltale sensation of pins and needles spreading through your skin. “Can I have those back, please?”
Yoonji lifts her knees just enough for you to slide your arms out from underneath them. You immediately shed your gloves and go to grab her ass but she gives you a sharp look and you freeze, slowly settling them on her thighs instead, which she allows with only the slightest raise of her eyebrows.
“Watch,” she commands, and who are you to disobey?
She reaches for the tie in her hair, tugging it out and letting her dark locks fall to frame her lovely, beautiful face. You hungrily swallow down each sight that she feeds to you, the skin that’s revealed as she shrugs off her layers of clothing. She unbuckles the weapons hidden underneath her clothes as she sheds them; she’s a veritable arsenal of firearms and knives, all cast carelessly aside until her upper body is finally, blessedly naked. You’ve been staring at her the whole time, the graceful column of her throat, the delicate lines of her collarbones, and your gaze falls to her breasts, small and perfect, nipples dusty pink and hard. You want to put your mouth on them.
“Holy shit, you’re perfect,” you say.
She smirks. You watch as she rolls her body, lifting up from her knees and standing up, towering above you on the bed—your hands fall to the mattress as she pulls her trousers down, tight material dragging against her skin as she slides it over the curve of her hips and down her long legs. There’s a dagger strapped to her thigh, which she unbuckles and lets fall to one side, but god, if she used it to kill you right now, you would die a happy woman. The image of Min Yoonji towering above you in nothing more than some flimsy underwear is one you want to take to the grave.
You can see how the material around her entrance is darkened with her arousal, and you feel your own body react to the sight, pussy throbbing, your own lower lips slick underneath all your layers of clothing. Yoonji hooks her thumbs into her panties and pushes them down, and you’re enraptured as you watch how the wetness clings to them, before that last bit of clothing is cast aside too. 
You moan, unable to stop the sound bubbling up in your throat. From how she’s standing above you, legs spread from how her feet are either side of your hips, you can see everything—how her cunt is flushed, how wet she is, her folds shining. You bet she tastes so fucking good.
You let your mouth fall open, tongue lolling out in a way that’s obscene. You see Yoonji’s eyes flicker as she traces the motion, the way she takes in your expression: wide, hungry eyes, parted lips, wet tongue. Your hands skim up the back of her calves as she shifts forwards and returns to her knees, her naked core so, so close to your mouth, and you dig your fingers into her skin.
“Bon appé-fucking-tit,” you murmur, and then you pull her onto your face.
Yoonji gasps. 
(You were right. She tastes so, so fucking good.)
You’re utterly shameless as you slurp up her juices, the wetness that continues to leak out of her as you bury your face into her cunt, tongue lapping over her entrance as your nose brushes her clit. Your hands have moved to the flesh of her ass and you encourage her to grind against you, rolling her hips towards your greedy mouth; you’re staring up at her, drinking down her reactions, the way her face twists with pleasure and the shuddering breaths she takes in, perfect little breasts jumping at the motion. There’s a flush spreading down her neck and chest, pale skin blushing pink, and it’s the prettiest thing you’ve ever seen.
You purse your lips against her clit, circling it with your tongue before dipping back down between her folds. Each time you breathe in all you can smell is her scent, heavy and dark, all your senses filled with Yoonji, Yoonji, Yoonji. When you hum against her, Yoonji arches her spine and throws her head back, so when you press your tongue into her you hum again, letting the vibrations shiver through her.
“Yes,” she gasps, rutting against your face. “Yes, yes—”
Her thighs tighten around your head. You redouble your efforts, watching her face as you continue to swipe your tongue up her slit and through her folds; you wish you could swallow each of the noises that are falling from her lips as she reaches the crest of her pleasure, the little gasps and moans each time you move your tongue in a particularly wicked way.
“There,” she says. “There, there, just like that—”
Your jaw aches but you don’t even register it, too intent on keeping your mouth open and hot and wet against her. It only takes a few more swipes and flicks of your tongue before she shudders violently, canting her hips towards your mouth as her legs go tense and she cums. She continues to straddle your face as she rides out the waves of pleasure, and you swallow down the wetness that flushes out of her rippling cunt, ignoring the throbbing between your own legs.
You can’t talk, muffled by her as you are, but your mind is singing. Look at you, you think. Look at how gorgeous you are. God, I could eat you out all day. (What a blessed life that would be.)
You can tell when Yoonji’s edged into oversensitivity, jolting when your tongue sweeps over her swollen clit; she settles back, knees spread as she rests against your heaving chest, legs tensing each time an aftershock shivers through her. Your mouth is open as you pant in air, but she watches as you swipe your tongue over your lips, catching the lingering taste of her on you, your chin opalescent with her arousal.
“Okay,” you say, breathless. “I’ve done everything that’s worth doing. I’ve peaked. Everything is downhill from here. You can kill me now.”
You’re only half joking, but your thighs instinctively go tight to rub against each other when you see how Yoonji’s eyes darken.
“I’m not done with you yet,” she purrs.
Yoonji might be naked while you’re still clothed, and so still armed, but she’s undoubtedly the one who’s in control right now. You are so, so okay with that. You watch with wide eyes as she shifts back, her hands grabbing the material of your jacket to tug you upwards, but before she can strip off your clothes you capture her lips with your own.
The taste of her is still heady and deep in your mouth and you nip at her bottom lip before pressing your tongue forwards. The kiss is already slick from Yoonji’s wetness and when you pull away, there’s a thin string of saliva that connects you for a moment before it breaks, which Yoonji wipes away from your chin with the pad of her thumb.
“Dirty girl,” she says, and you bite back a moan at the unabashed lust in her voice. Her grip on your chin is firm. “Did I say you could kiss me?”
“No,” you answer. “I couldn’t help myself.”
She tuts, as if disappointed, and every one of your nerve endings feels electrified, ready and anticipating whatever Yoonji is going to do next. “Such a shame,” she says. “You just can’t keep your hands or mouth to yourself, can you?”
“Can you blame me?”
Yoonji huffs out a laugh through her nose. She strips your jacket off in one sharp motion and then your shirt is similarly pulled off with single-minded intent, along with every other piece of equipment cinched to your arms and body. When you reach for her, though, she captures your wrists, her face stern.
“If you keep moving without permission, I’m going to take that privilege away from you.”
You don’t have to see your own eyes to know how your pupils will have dilated from that statement, blood thrumming through your veins, and you can tell Yoonji has noticed when her expression shifts.
“Oh.” A small, triumphant smirk appears on her face. “I see.”
You lift your arms up so she can pull your sports bra off (of course if you had known you’d been running into Yoonji again you would have worn something nicer). Rather than touch your heaving chest, however, she pushes you down onto the mattress, a hand around your wrists so they’re held above your head.
“Keep still,” she says.
She reaches for the holster that you’d had around your upper arm, lazily casting the knife aside before looping it around your wrists and pulling it secure.
Yoonji’s fingers ease under the nylon as she checks the fit. It’s tight, but not so much so that it’s painful or dangerous, and there’s a hushed moment when the realisation hits you— Yoonji and yourself are both skilled enough to know that you could easily free yourself if you wanted to. It would only take a little motion of your wrists and hands and you could slip them out of the makeshift cuffs in an instant.
You melt into the mattress. Yoonji’s eyes shift away from your wrists as she takes in the way you’ve gone utterly relaxed and limp below her, staring back at her. You see an expression flit across her face faster than you can see, before she slides down your body so she can push your legs apart.
You lift your hips to help her strip your trousers off. Her hand lingers on the concealed holster around your thigh, eyeing the small pistol nestled inside it, before that too is stripped off and cast aside. Her hands trail over the soft skin of your hips and stomach, eyes skimming over the bared length of your body before settling between your legs, the slickness of your inner thighs.
“You got this wet just from eating me out?” Her pretty mouth is curled into an expression that’s almost mocking, and your legs jolt as she runs her fingers lightly over your lower lips before rubbing her fingertips together to feel the wetness she’s gathered. “I haven’t even touched you yet.”
Your nails dig into your palms as your hands twist against each other and you shift your legs further apart. “Please, Yoonji,” you plead, shameless from desperation and arousal.
She laughs at your obvious hunger. “I suppose I should return the favour, shouldn’t I?”
You watch breathlessly as she lifts her fingers to her lips, swallowing them into her mouth to get them slick and wet. The motions of her tongue are languid as she licks across her fingers. You’re like a livewire, thrumming with electricity, and the sensation of her finally sinking one of those fingers into you sends sparks throughout your body.
Yoonji’s maddeningly slow. Your body takes her readily, her long finger gliding easily in and out of you, but she makes no move to speed up; you let out a small noise and she moves upwards to kiss you, as if indulging you, and you’ve just relaxed against her mouth when she plunges a second finger in.
She swallows your gasp as her fingers speed up, before she starts to kiss across your jaw, your neck, between the valley of your breasts and then closing her mouth over one of your nipples— she times the flick of her tongue with the thrust of her fingers, and then you feel how she takes her thumb to press your clit at the same time and you’re gone, falling over the edge faster than you’d expected. Your orgasm is fast but deep, your walls clenching tight around the fingers that continue to curl in and out of you, but she doesn’t stop.
“Yoonji,” you gasp. “It’s too— oh—”
Those two fingers continue to rub your sweet spot as you edge into oversensitivity but Yoonji doesn’t let up. She continues to lick and bite at the skin of your chest, putting her mouth to your other breast and circling the hardened bud of your nipple with her tongue before kissing down your stomach, your pubic bone, and then pressing her lips to your swollen clit.
You whimper. Her pace of her fingers has quickened, and she curls them each time she almost pulls them out, the squelch of their motions obscene as they slide through the cum of your first orgasm. She stares up at you, lapping at your clit with her tongue, and you can feel the saliva that’s dripping from her mouth and over your flushed core, every inch of you oversensitive but screaming with pleasure.
It’s almost painful, but you can feel an orgasm creeping through that ache; you wring your hands together and sob as Yoonji continues to finger fuck you without mercy, her pace almost bruising, the thrust of her knuckles against you each time she bottoms out just one more layer on top of that overwhelming pleasure.
“Yoonji,” you gasp. “I’m g-gonna cum again.”
She hums against you, and you make an incoherent noise at the feeling of that sound against your clit, almost too much— and then she presses one more finger into you, and that’s it, that slight burn and stretch sending you hurtling over that edge again. When you cum, your hips buck and you gasp, air rushing into your lungs before it escapes you in a moan of ecstasy; the only sensations registering in your mind right now are the ripples of pleasure spreading through your cunt as Yoonji pulls her fingers out of you, pressing down on your clit in a way that’s almost cruel, and you sob as your legs instinctively try to tighten but are prevented from doing so by Yoonji’s unyielding presence.
She’s staring down at you as you start to go lax, and you think she’s finished with you, but you watch with widening eyes as she takes her ring and middle finger to run them through your sodden folds. You sob again when those fingers plunge back into you, palm pressing against your clit each time she curls her fingers, and you squirm underneath her.
“Yoonji, it’s too much,” you cry.
“One more.” Yoonji’s leaning back and staring at you, taking in the sweat that’s beading across your skin, the tears that are gathering in your eyes and threatening to spill down your face and into your hair. “You’re doing so well, darling, you can give me one more, can’t you?”
Your reply is incoherent, a small noise that shudders out of the back of your throat. You’ve never been thrown so thoroughly into pleasure like this, overstimulated and aching, but there’s that flicker of pleasure still between your legs, growing each time Yoonji beckons with her fingers, curling over your abused sweet spot again and again and again.
“Just say the word and I’ll stop,” Yoonji says, the wet plunge of her fingers into your abused pussy so messy and loud but not enough to drown her out. “One word and I’ll stop.”
You don’t say anything. You just let your eyes roll back into your head as you cant your hips towards her, trying to latch onto that thread of pleasure that’s thrumming through you below all your screaming nerves, and the noise Yoonji makes is pleased.
“There we go,” she praises. “Look at you, so good for me. Pretty darling.”
You can feel how your pussy clenches around Yoonji’s fingers, how the coil in you is squeezing tighter and tighter, how another orgasm is somehow creeping up on you— you tilt your hips towards that feeling, towards Yoonji’s hand, and then she’s pulling her fingers out of you in an almost rough motion and you’re cumming harder than you ever have before.
“Oh, fuck!” You sob. 
It’s indescribable. The sensation rips through you as your back arches off the bed and you’re cumming and squirting and gasping and you can feel the wetness that slicks out of you, your toes curling as your brain goes blank from the staggering pleasure and static consumes every one of your senses. Your entire body feels like nothing more than a vessel for the ecstasy that’s shooting through your veins, spreading out from your core and to every corner of your insides and limbs.
It takes you a while to come back around, aftershocks wracking through your body. You feel sluggish and slow as your mind slowly clears, focusing on the sensation of warm hands stroking over the skin of your stomach and hips and thighs; your eyes flutter open and when you glance down you can see the shine to Yoonji’s skin, evidence of your pleasure painting her in a thin sheen of liquid.
“Oh my god,” you moan. “Holy shit.”
She smiles. “You were so, so good for me,” she says. She leans down to press a light kiss to collarbones and you shiver. “So beautiful. How are you feeling?”
“Like I’ve died and gone to heaven before coming back again,” you reply. “Oh, that was so good, Yoonji. I’ve never squirted before. I didn’t realise I could. God.”
Yoonji laughs lightly. You can’t help but watch the way it transforms her face, the way her chest jumps at the motion, every inch of her gorgeous and majestic and cute and pretty. “You did so, so well,” she praises, before she kisses you, her mouth so soft; you barely notice the sudden easing of pressure around your wrists as she releases you, more intent on the sensation of her soft petal lips against your own.
You stare up at her as she pulls away. Powerful, amazing Min Yoonji, kneeling between your legs, naked but not helpless. Definitely less vulnerable than you right now. And yet she’s still making no moves to grab one of the many weapons littered around the bed so she can finally finish her contract by completing the kill. It would be so easy for her.
The silence of the room is suddenly broken by a tiny buzzing noise. You both glance over at the sound, one that Yoonji doesn’t recognise but you do— the communicator in one of your wristbands, the one you use to keep in contact with Namjoon.
You watch the twisting of Yoonji’s body as she leans over the bed to hook the band with a finger before proffering it to you. You pause, but then grasp her wrist and lightly pull so she ends up pressed against you, softness of her breasts against your own, and you hold the communicator between your faces as you accept the call.
“Thank god you answered.” Namjoon’s voice is obviously frantic even through the tinniness of the small speaker. “Dahye cancelled the contract because Minjae wants to reconcile with her, but apparently he’s already put a hit out on you— tonight was a ruse, Minjae isn’t going to be there, you have to get out of there—”
“Bit too late for that,” you interrupt. Yoonji’s hair is tickling your cheek. “Don’t worry. I have it in hand. Send some flowers to Minjae for me, will you?”
“Flowers?” Namjoon sounds understandably confused. “Why?”
“As a thank you for taking out a contract on me,” you say. “Now, if you’ll excuse me, I’m a little busy.”
“With what?”
“With me,” Yoonji says, and you hear Namjoon’s surprised intake of breath before you cut the line.
You end up laughing to yourself. “Oh, he’s going to hate me for that,” you giggle. Yoonji’s hand trails up your stomach and you continue to giggle at the ticklish sensation. Her skin is still slick against yours, and you suddenly realise how cold it is in the room, the air touching the cooling liquid that’s rubbed off against your skin, and you shiver. “Mm. I think it’s time to clean up. Want me to scrub your back in the shower? I give very good massages.”
Yoonji’s eyes are dark and warm before she presses her nose to your neck, lips soft as they touch the delicate skin of your throat. “I’ll be the judge of that.”
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