#like I’ve seen a lot of people say they liked him in episode two and realized how shitty he was in episode 4

[mothmanadjacent]

I’m so upset because I hate Valentino and I want Charlie to at some point cleave the creepy weirdo in two, but his character design is so good. I want to draw him but his character makes me physically ill.

[dykesynthezoid]

I do think we’re getting at least some escalation of devil’s minion in s3 btw. And I don’t think that’s even me being hopeful or optimistic I think it’s literally just logical.

I’ve seen people say oh, but devil’s minion happens in QOTD, and s3 is TVL; and firstly, they’ve definitely made it sound like some elements of queen of the damned are going to be present in s3. Secondly, I suspect season 3 is going to end with the lead up to Lestat’s San Francisco concert. So the whole season will be both Lestat backstory + the set up for the events of QOTD. And devil’s minion happens, guess what, before Lestat’s San Francisco concert. It would almost not make sense to not at least touch on it while the other story beats are culminating up to that moment. Like, Daniel and Armand are already present in the story (where they aren’t in the book in the modern day storyline), why would you not continue their storylines to the next logical step?

Also, I think you have to consider just how many new characters and storylines QOTD introduces and how daunting that can be to absorb if you’re unfamiliar. Waiting to do anything with devil’s minion until season 4 means that’s just one more new storyline to have to inject into a narrative already very crowded with exposition. It just doesn’t make a lot of sense to do that, and I suspect the writers are pretty aware of that.

And frankly like. What other storylines would Daniel and Armand be getting? Like how are either of their stories supposed to move forward without, y’know, each other? Are we supposed to expect all of season 3 just to be one big pause button on both their larger narratives? That seems very silly. Daniel at least has the journey of adjusting to vampirism, but Armand especially is like. His semi-redemption and character evolution comes from devil’s minion. That’s the only real next step for him.

And I mean. Look at Assad and Eric. I don’t think Rolin Jones could convince them to wait a whole other season for something to happen if he tried. I know, I know it’s easy to be like “oh but maybe it’s just actors being silly” but compare how open they’re being about it now and how much more tight lipped they were in between seasons one and two. It’s night and day. It is a very very different vibe. And apparently, Assad has been plenty excited about it this entire time, so he was actually somehow managing to keep his mouth shut before. But now maybe he doesn’t need to, because he knows season 3 will at least offer something in the way of that development.

I think it’s entirely possible we won’t necessarily see the full “culmination” of their relationship until season 4, but I do think season 3 will at least have development and escalating tensions that are undeniable. I think it’ll likely start out slow and ramp up as the season continues. I’m not going to panic if we don’t get much in the first few episodes or if it takes until episode five to see Daniel’s turning. That might be needed, honestly, in terms of giving Lestat his necessary focus. But I think more small pieces will begin to accumulate, will escalate to a place of higher tension by the mid season, and then the finale will include some type of reveal or emotional climax, setting things up going into season 4.

And you know what, it’s worth mentioning: things have happened faster on this show than I expected before! I did not expect Daniel to be turned at the end of season 2. I thought we probably had a whole other season to go before that happened. “Well they were afraid of cancellation” / “well Eric just wanted to be a vampire so badly” and will these things also not apply to season 3/Eric and Assad wanting devil’s minion?? Idk babes. I’m doing the math and it doesn’t seem that crazy to me

[rnelodyy]

The Owl House And Restorative Justice

At the end of Season 1 of The Owl House, it is revealed that Lilith, the main overarching antagonist of that season, was the one to curse her sister Eda, one of the protagonists, to win a tournament when they were teenagers. This information causes Eda to fly into a screaming rage and attack Lilith, and understandably so.

Eda’s curse is essentially a chronic illness, one that, in Eda’s own words, has ruined her life, being the reason she’s considered a social outcast and why, before meeting King and Luz, she hadn’t gotten close to anyone in years. In season 2, it’s revealed that the curse is why she pushed away her partner Raine to the point that they broke it off with her, and that during a particularly bad flareup, she accidentally maimed her own father, leaving him half blind and with permanent nerve damage to his hands, making him unable to continue working as a Palisman carver. The curse has ruled Eda’s life for decades now, so to Eda, this is the ultimate betrayal.

In the first episode of Season 2, Lilith has defected from the Emperor’s Coven, split the curse between Eda and herself to mitigate the symptoms for her sister, and has moved in with Eda at the Owl House. While Lilith herself still feels guilty and feels she has to make it up to Eda, everyone else, Eda included, has seemingly either forgiven her or chosen to look past it. Eda even makes fun of her for feeling bad about cursing her, and Lilith’s guilt is seemingly absent for the rest of the series. 

The response to this was… Less than stellar, shall we say. A lot of people were angry, saying Lilith got away with her crimes without even a slap on the wrist, and that Eda’s forgiveness of her was far too sudden.

This isn’t the first time we’ve seen this kind of critique. Amity spent years bullying Willow after her parents forced her to break off their friendship, and when she began trying to mend that relationship, the response from fans was that Willow should have been a lot more angry at Amity, and that they went back to being besties far too soon. I’ve even seen this criticism leveled at Hunter for the things he did while working for Belos, at Vee for impersonating Luz for months to trick her mother, and at Luz for hiding the fact that she helped Philip find the Collector from her friends. And it does seem strange for the show to keep tripping on this same point again and again.

Except, it’s not really. Because I think that, when viewing this show from a different angle, those supposed flaws are actually symptoms of something very important to understand – The Owl House operates on a system of crime and punishment that is very different from our world’s.

More specifically, our world mostly utilizes retributive justice. The world of The Owl House utilizes restorative justice.

So first, what do those terms mean? Broadly, they’re two different forms of handling interpersonal disputes, or dealing with crime. 

Retributive justice is the one our current justice system uses, where the focus is primarily on punishing the perpetrator. Retributive justice can mean detention, suspension, expulsion, jail time, monetary fines, some kinds of community service, exile, or in more severe cases, corporal punishment or the death penalty. It’s the lens most people view the world through, where if someone hurts you, hurting them back is the correct response.

Restorative justice is a very different approach, where you instead focus on helping the victim recover from what happened, and rehabilitating the perpetrator to prevent this from happening again. Restorative justice can look like verbal or written apologies, monetary compensation for costs and trauma, therapy for both victim and perpetrator, education for the perpetrator, mediation between victim and perpetrator, a restraining order, etc. 

When viewed through a retributive lens, The Owl House lets its characters get away with a lot of shit. Lilith cursing Eda, Hunter rounding up Palismen knowing they’ll be killed, Amity tormenting Willow for years, it’s all stuff that, in a retributive environment, they should be punished for, and they’re just not. Eda is only genuinely angry at Lilith for two scenes, Amity and Willow fix their relationship very quickly once Amity starts making amends, and Hunter isn’t punished at all. 

However, I believe the story of The Owl House is best viewed not through a retributive lens, but through a restorative lens.

Let’s look at the Lilith-example again. Lilith’s offense was cursing Eda, which she did because she wanted to win a spot in the Emperor’s Coven. Knowing Eda was better than her, she cast a curse on her, thinking it would only last for a day. But when the time came, Eda forfeited the match, soon after which she transformed into the Owl Beast and was pelted with rocks until she ran. The curse turned out to be very permanent, and Lilith spent the next 20 years trying to fix her mistake by working for Belos to try to capture Eda, since he promised to heal her curse. 

However, when she finally succeeded, Belos went back on his promise. Instead of healing Eda, he ordered her to be publicly executed. When Lilith protested, Belos essentially told her to shut up, that it was the Titan’s will, and left her there. 

So, having realized her method of fixing her mistake has gone real bad, Lilith sneaks down to the Conformatorium to free Eda herself, but arrives too late and finds Luz instead. After a brief fight they end up teaming up, and Lilith leads Luz to the elevator, but they are captured by Belos and Lilith is thrown into the cage with Eda. There, she restores Eda’s partially petrified body, and after fleeing with her, Luz and King, uses a spell to split Eda’s curse evenly between their two bodies.

From a restorative justice point of view, Lilith has done pretty much everything she reasonably could do to fix things. She’s denounced the Emperor’s Coven, returned Owlbert to Luz, helped Luz find the elevator to the execution platform, saved Eda from petrification, apologized to Eda, and while there’s no way for her to cure Eda’s curse entirely, she took on half of the curse at great expense to her own health, in order to ease Eda’s symptoms. 

Eda isn’t angry anymore because in her eyes, Lilith has already fixed things with her. Punishing her more at this point is pointless. What more could Lilith do, really? What other lessons could she learn? The only thing that punishment would bring at this point would be more suffering. 

Let’s look at another example: Amity and Willow.

Amity’s offense was breaking off her friendship with Willow because she was a late-bloomer, bullying her for years, and allowing her friends to do so too. Willow is left with horrible self-esteem issues because of this, and combined with her failing grades, turned her into a horribly shy and withdrawn wallflower (no pun intended). After she’s moved to the plant track she starts actually getting better, but Amity and Boscha especially continue to torment her. While Amity’s bullying of Willow does peter out over time, Willow is clearly still extremely resentful of her. In an attempt to make Willow forget their friendship, Amity accidentally sets most of Willow’s memories on fire, leaving her confused, amnesiac, and unable to grasp basic concepts like that chairs are for sitting in.

Luz pushed Amity into fixing Willow’s brain by going into her mind together and piecing her memories back together. There, the Inner Willow revealed what happened to Luz and the audience.

At this point, Amity shows her that her parents were actually the ones who forced her to end the friendship because they didn’t think Willow was a suitably powerful or influential friend, threatening to make sure Willow would never get accepted into Hexside if Amity didn’t force her to leave. Amity then apologizes to Willow for going along with it, and for the bullying, and vows to make sure her friends never mess with Willow again. 

Willow accepts her apology, but also makes it clear that, while it’s a start, she’s not yet ready to accept Amity in her life again. Restorative justice has not been fully attained, because to Willow, Amity hasn’t fixed everything – Boscha and her squad are still bullying her, and still consider Amity one of them. This changes two episodes later, when Amity tells Boscha to grow the fuck up when she starts bullying Willow again, and joins her and Luz’s Grudgby team despite her personal issues to get Boscha to back off. Willow doesn’t make a grand gesture of forgiveness in this episode, but it is after this point where the two become comfortable around eachother again. 

Did Willow forgive Amity too quickly for years of trauma? Maybe. If she had chosen to continue keeping Amity at a distance I certainly wouldn’t have blamed her. But in the end, Amity fixed the mess she caused as best she could, and has proven herself to want to be a better person, to want to be Willow’s friend again. She worked hard to prove herself to be a person worth trusting, and Willow decided to give that trust a chance again.

And while they did become friends again, that friendship was clearly still affected by what happened, which led to bumps that the two of them had to work through. Like in Labyrinth Runners, where Amity’s overprotectiveness over Willow makes Willow feel like Amity thinks she’s incompetent, and still only sees her as the helpless person she used to be. 

Willow continuing to be mad at Amity and punishing her for what she did wouldn’t be an unreasonable reaction, but it wouldn’t have fixed anything. It would certainly have an impact on Amity, seeing her former best friend rejecting her attempts to make up for what she did, but the hurt on both sides would have continued festering, because deep down, Willow missed Amity too. 

In Hunter’s case, there’s the question of whether he can even be held responsible for his actions. The Palisman-kidnapping in specific was explicitly done under duress – if he failed he would face verbal and physical abuse, and be threatened with his nightmare scenario: getting thrown out of the Emperor’s Coven. 

And that’s not an empty threat either. Hunter has no magic, and Belos has drilled it into him that witches without magic have no future. Without the Emperor’s Coven, his only future prospects would be starving to death on the streets or wasting away in prison. Either way, Hunter would be alone, without family or friends, without a job or job prospects, without anyone to turn to for help. Any child would be terrified of that. Hunter wasn’t always acting on direct orders – in fact he defied direct orders to stay in his room in Eclipse Lake to go look for Titan’s Blood, and then again in Hollow Mind to arrest the rebels. But he made those choices based on the idea that Belos wouldn’t want him if he was a failure, and that he needed a chance to prove that he could still be useful.

And contrary to popular belief, Hunter does know right from wrong. He has a very strong moral compass, he’s just been forced to ignore it in favor of doing whatever the Emperor wants. To shut up that little voice telling him he’s doing the wrong thing, he uses what’s called a thought-terminating cliche, a statement that feels so fundamentally true that the argument need not continue. In Hunter’s case, that statement is “It’s for the greater good.” Sure, kidnapping his new friends and abducting Palismen to feed to the Emperor and threatening someone who’s been nothing but kind to him to take the portal key from her girlfriend and justifying terrorism makes his stomach feel like he swallowed a cactus and saying it out loud makes him sound like a horrible person – but it’s for the greater good. He’s doing it to serve Belos, and Belos knows what’s best. 

So by the time Hunter is out of active danger and able to rest and recover from what happened to him… what would further punishment accomplish? He already knows that he did fucked up shit while working for the EC, and he’s proven time and time again that while he’s not fighting for Belos’s approval, he’s actually a genuinely kind-hearted kid. Punishing him now would likely cause him to react very poorly, because he’s been at the wrong end of that stick so often that he’s developed severe PTSD because of it.

And if you think restorative justice is still in order – Hunter is currently hyperfixated on making sure Belos can never hurt anyone again, and for the long term, he has expressed that he wants to become a Palisman carver when he grows up. While it won’t bring back the Palismen that were killed, it will help the current Palisman population recover and reintroduce Palismen to witches who may have had to give up theirs. 

When viewed through this lens, the writing of The Owl House starts to make more sense. As a show, it is extremely forgiving towards its characters – they’re still held accountable for their actions, but as long as they’re willing to grow and learn and fix the damage they caused, they are very quickly forgiven. 

However, I do understand why these writing choices can be… controversial, so to say. Because it doesn’t feel very satisfying, does it? When someone hurts you on purpose, your first impulse would be to try to hurt them back, that’s just how people work. 

That’s the hardest thing to come to terms with when you become an advocate for prison abolition for example – you’re not just arguing for freeing a guy who got 5 years because a cop found weed in his pockets, you’re arguing for the release, and most importantly, the humanity of some of the most vile, disgusting people this planet has ever produced. Even now, when someone commits a truly awful crime and gets sent to prison for life, my first thought is “Good, I hope they rot in there.” But that’s not justice. That’s just revenge. And revenge is not something we as a society should want to build our justice system on.

It’s not satisfying to see Lilith go from using Luz as a human shield in her fight against Eda to sleeping on the couch in Eda’s house within 2 episodes. It’s not satisfying to see Willow let Amity back into her life when Amity has hurt her so badly before, or to see Hunter become romantically involved with Willow after he literally abducted her the first time they met. But that satisfaction isn’t really the point. Revenge is satisfying in the moment, but an eye for an eye makes the whole world blind, and if someone shows a genuine willingness to change, it’s often better to give them a chance to.

However, my final point is about what happens when this approach fails. Because not everyone is willing to change. Some people, when faced with the consequences of their actions, decide to dig their heels in and refuse to admit fault, or blame the victim(s), or use those same thought-terminating cliches that Hunter used to justify their actions, “I was just following orders” being a big one.

And thus, we come to Belos.

If Belos showed a willingness to change, a genuine one, not an attempt at manipulation, should he be given the chance to? That vengeful part of me is VERY empathetically saying no. But logically, reasonably, he should be given that chance, if only because he’s a human being and no human being deserves to be mistreated. That doesn’t mean his victims are obligated to forgive him or be around him again, in fact I think that, for the sake of Hunter’s mental health, Belos should stay as far away from him as humanly possible. But he should be given the chance to start over, to truly better himself and do something good with the rest of his life.

But Belos isn’t willing to change. 

Belos is a product of a bad environment and grew up with a cult-like mentality and hatred for witches that he had to adopt for his own safety. It’s hard to break out of that mentality, but not impossible. Case in point: Caleb. The tragedy of Belos’s character to me is that he had so many chances to change, so many people to help him make that leap, but all of the people who offered him that help ended up dead by his hands because he couldn’t handle the idea that he may have been wrong.

At this point, Belos is stuck. Changing would mean not only giving up on his life’s work, but acknowledging to himself that everything he’s done, mutilating his body, killing his brother, slaughtering thousands and installing himself as God-Emperor of a population he despises more than anything in order to facilitate a genocide, was completely pointless.

He can’t admit that to himself. Especially the thing about Caleb’s death. He’s sunk-cost-fallacied himself so far into a corner that all he can really do when faced with opposing viewpoints is dig his heels in even deeper and lash out in a rage at anyone who challenges him. Even now, when his body is literally falling apart at the seams, he’s still trying to commit witch-genocide, because it’s all he has. 

Restorative justice doesn’t work in this case, because the perpetrator needs to be receptive to it. Logically you would assume the show would default to retributive justice, and characters like Willow and Camila do take a very vengeful glee in imagining themselves beating the snot out of Belos. But right now, the primary motivation of the Hexsquad and Hunter in particular when it comes to Belos is to end the threat he poses. As long as Belos is alive and free, he will continue to hurt and kill people, and if he can’t be talked down, he needs to be either contained or killed to prevent him from causing more harm.

The Owl House provides, in my opinion, a very nuanced take on restorative justice. It shows how it works in action, how different situations impact what it looks like, and what happens when it’s simply not an option. It’s not the most satisfying story to tell your audience, because when someone hurts our babies we want them to suffer, no matter how sorry they say they are. But in this case, I think that sacrificing that bit of audience comfort is worth it to tell the story like this.

[oatmealdoodles]

Apology tour spoilers

I kept putting this off because I pretty much agree with everybody else's takes on this, but I just want to get my opinions out anyways

So right off the bat we get THIS line from Blitzo

wow, gee, i wonder how that must feel like. Oh how i wonder

Anyways Stolas goes on directly to say that he doesn’t want to talk to Blitzo right know.

And you know what, thats vaid. All Stolas is saying in this entire interaction is “It’s too soon and i still mad at you, leave.” And i’m sorry but thats not an unreasonable request, especially after a fight that big. I was actually really impressed with how Stolas voiced his feelings thorough the entire confrontation: “I don't want to do words with you, so how about you respect that” “Seeing you right know is hard” “I don’t want to feel worse than I already do” “Im uncomfortable with how you’re speaking to me” This is textbook definition of healthy language.

And Blitzo for some reason just can’t respect that. Because he’s so dead set on getting things back to the status quo, what’s comfortable and familiar to him: this transactional relationship with no feelings, that he ignore Stolas’s requests blindly.

I saw someone claim that the show was trying to make it seem like Blitzo likes Stolas’s abuse, and I don’t think that’s what’s happening at all. Blitzo loves Stolas, that much is clear. But that doesn’t mean it’s healthy. And sometimes going back to an unhealthy relationship can feel better than without it, because that’s what’s familiar, what’s comfortable. Even if it’s not good for you. Especially for Blitz who already has so many abandonment insecurities. This actually happens a lot in real life and Im glad that HB decided to explore it.

But Stolas doesn’t get off the hook that easily

My dude, WHAT? Listen, Stolas, you are my favorite part of this episode. Nay, this show. But JESUS CHRIST WOULD EVEN AN OUNCE OF SELF AWARENESS KILL YOU???? “Impish little plaything,” “itty itty imp,” “you are so cute when you are serious,” “Blitzy,” none of that ringing a bell? SERIOUSLY??

Ok in all seriousness I think this line really emphasizes that Stolas is completely ignorant to the very prevalent power dynamic between them. He has no idea that all these actions and things he says to Blitzo hurt him. And that doesn’t makes it ok. Listen, Stolas has demonstrated that he’s willing to put in the work to improving himself. Just now I mentioned how his language changed to be more constructive and effective. The Stolas from the pilot and the Stolas in the last few episode are drastically different people. What Stolas needs is his own call-out episode, someone to give him a slap in the face and say “What you did is F’ed up” and for him to APOLOGIZE to Blitzo.

Also my man ate up this entire exchange

I have a bit less to say about the Striker stuff, I honestly don't think t was too relavent to the conversation, it’s just more well-written angst with fantastic animation and expressions. And seeing Blitzo slowly realize he screwed up was great too.

Unrelated but this probably to the biggest laugh out of me this episode

Brandon Rogers and Bryce Pinkham continue to be the best voice acting pair I’ve seen in a long time

and guys we FINALLY got Blitzo airing out his feelings to Stolas, completely dumping everything on the table. And then he just backpedals so violently because he’s scared of letting people see his true self, in fear they might hurt him. Also Stolas’s face be like “that escalated quickly…”

To be honest i could go on and on about all the little charachter detains and mannerisms, the animation, and how BEAUTIFUL the colors are. I want to talk about the section at the party, but this is already long enough. I might make a part two if i find the time, but those were just my thoughts

[hotdaemondtargaryen]

TOM GLYNN-CARNEY INTERVIEWED BY VANITY FAIR MAGAZINE.

KING AEGON COULD BE A VERY ONE-NOTE VILLAIN CHARACTER, BUT IN YOUR HANDS IS NOT. HOW DID YOU APPROACH CALIBRATING AEGON?

"I think anybody who has the darker side to them as the more prominent side — the side that people see first —there’s always a reason for that."

"I dug into that and found a lot of his boyish vulnerability, insecurities, and self-hatred — stuff that he’d been drip-fed his entire life."

"He wasn’t even a spare, you know? He was just completely ignored."

"He was invisible to most people, which is why he behaved in such a way — to numb himself."

But also to say: "Hey, I’m here as well."

"Any attention was good attention for Aegon."

"I find him less of a villain and more of a tragic case."

CAN YOU TALK A LITTLE BIT ABOUT WHY AEGON DECIDED TO FLY TO ROOK'S REST AT ALL?

"It was that moment — well, it’s an accumulation of moments — but that one in particular where Alicent says, 'Do exactly what is required of you: nothing'."

"That was the final dagger in the heart."

"A real cold reminder that he really is seen as being useless."

"A pawn for Alicent and Otto [Rhys Ifans] to use as a puppet."

"But at the end of the day, the law of the land states that he’s the monarch."

"He’s the king."

"He’s the person to call the shots."

"And no one’s gonna fucking stop him from getting on that dragon if he wants to."

"So he got absolutely obliterated drunk and thought, I’m gonna show them."

WHAT WAS YOUR EXPERIENCE LIKE SHOOTING THE BIG DRAGON FIGHT SCENE?

"Cool, man."

"It’s kind of a little boy’s dream."

"It’s just something that you think of when you’re a child as being the coolest thing in the world."

"And it really was."

"They basically build a screen around you so you know where to look: what’s expected, what’s coming at you, what’s leaving you."

"Your entire perspective is quite clear."

"And then amongst that, you’re clad in all this armor that has been expertly crafted by some amazing workmanship."

"But then again, you’re crouched over this big saddle, strapped in, feeling like you can’t move."

"That crane has really got a lot of work to do to make it look like you’re moving."

AT THE BEGINNING OF THE SEASON, AEGON SAYS THAT AEMOND IS HIS CLOSEST CONFIDANT, AND BY EPISODE FOUR, AEMOND HAS BASICALLY TRIED TO KILL HIM. WHERE DO THEY STAND NOW? AND WHAT'S YOUR RELATIONSHIP WITH EWAN MITCHELL, WHO PLAYS AEMOND?

"Oh, Aegon and Aemond’s relationship is very different to Tom and Ewan’s relationship."

"Let’s put that out there." [laughs]

"Look, that is sibling rivalry on a very intense scale, isn’t it? It’s the flip of the switch that can happen when somebody feels pushed out or somebody feels like there’s been injustice."

"I always felt like Aemond saw himself being in that position of power and dealing with it better than Aegon would deal with it."

"But then again, his birth certificate states otherwise."

"It was bound to happen at some point, wasn’t it?"

WAS THERE A PARTICULAR SCENE THAT YOU FELT EXTRA CHALLENGED BY OR INVIGORATED BY?

"He’s never in the same frame of mind twice in one day."

"He’s all over the place."

"Keeping up with his erratic mood swings was the hard part, and was this thing that I was having to stay really focused on."

"There wasn’t particularly one scene that I thought, Oh God, not this one, because all of them are challenging in different ways."

"Even the ones where he’s still and more focused are difficult, because you’ve got that sort of inner Aegon rhythm that is rapid."

"It’s very different to mine."

"It’s maintaining that, but still keeping the tension of the scene."

"I relished the opportunity to play someone with such range and creative potential from an acting point of view."

OLIVIA COOKE, WHO PLAYS ALICENT, HAS NOTED THAT YOU TWO ARE NOT VERY FAR APART IN AGE AT ALL, AND YET ARE PLAYING MOTHER AND SON. HOW DID YOU GUYS WORK TOGETHER TO CREATE THAT FILIAL DYNAMIC?

"Every scene that I’ve had with Olivia, there is never a moment that isn’t filled."

"Everything is just so complex and deeply entrenched in her."

"She means everything she says."

"It’s a rare skill to have."

"As an actor, she has that in truckloads."

"It’s a gift to be able to work with her, to play her son."

"Yeah, [it’s] hilarious."

"She’s only a year older than me."

"I think we manage it because we get on so well."

"We’re pals as well, you know."

"I love Olivia to bits."

"Trust her wholeheartedly."

"We have a laugh. We don’t take it too seriously."

"We have common ground on that."

"But then in the moments where the work is happening, it’s all we care about."

"We care immensely."

"It’s one of those things where in the downtime, after we wrap, we can go for a drink."

"We can have a laugh."

"We connect on a personal level as well as a professional level."

"I think that’s what sort of breeds a healthy and believable performance thing relationship-wise."

THERE'S AN AMUSING SCENE WHERE AEGON IS SITTING AROUND WITH THE LADS AND TALKING ABOUT WHAT HIS SOBRIQUET SHOULD BE. SHOULD HE BE 'AEGON THE BRAVE,' 'AEGON THE WHATEVER,' ETC. WHAT DO YOU THINK HE SHOULD BE CALLED?

"Aegon Toast, probably."

[multifandomfanficss]

Don’t Be Embarrassed

Sam Riordan x Reader

Prompt: You take care of Sam and he takes care of you.

Warnings: autistic reader having an autistic meltdown, talk of mental hospitals, mentions of sex, walking in on friends having sex, spoilers for episode 4

A/N: Although there is no smut, because we’re only 4 episodes in and Sam doesn’t have a confirmed age I’m writing this under the assumption that he’s college age 18+. This boy is taking up most of my brain space this week. We don’t have a lot of info on the the character, but this is how I see his vibes. I crossposted this on my ao3 adriansglasses. Also this is my first non Adrian fic in quite sometime! Hope ya’ll enjoy!

You were on your way back from class when you heard yelling coming from down the hallway. You had been hanging out with Sam for the day and left him for two hours to go to class. You rushed to your dorm, quickly fishing out your keys.

“Hey hey hey what’s going on?” You asked him, placing your hands out, waiting to see if he’ll let you touch him.

“It was supposed to be a good day! A good day! But apparently I can’t even fucking do that!” He yells. The Woods had done a toll on him and he was still recovering. He had been doing a lot better lately, but everyone knows healing isn’t linear.

“Sam, it’s okay. You’re okay.” You give him a smile. “You had a good day yesterday and the day before that! It’s okay to have a bad day, Sam.”

“But I was doing so good…” He sounds defeated. You slowly grow closer to him. When he doesn’t back away you place a hand on his shoulder.

“I know and I’m so proud of you, but healing isn’t linear. There’s gonna be bad days. Even people who are… for lack of a better word ‘normal’ have bad days.” You roll your eyes and throw air quotes around the word normal. You didn’t always have the best words to describe what you were thinking, but Sam always knew what you meant. Usually college friendships and relationships formed and moved fast, but even with that Sam was different. You felt like you could be yourself around him in ways you couldn’t be around others.

It felt that way since the beginning. Sure the day you met Sam was overstimulating, rushed, and tense, but after you and your friends convinced him not to kill the doctor that completely ruined his life, you got to know him a little more the next day.

“So what’s your power?” He asks.

“What?”

“Your power. You must be a supe if you go to Godolkin.”

“Oh! Yeah uh…right… It’s stupid.” You sigh, avoiding eye contact. The gravel below your feet comes into detail. You pay attention to the sparkles of the rocks being hit by the sun instead of Sam.

“It can’t be that bad. Just tell me.” You can hear the smile in his voice.

“I uh… I feel like any way I word it will sound weird, but my bodily fluids are like acid, so uh like my tears and spit and stuff. Told you it was weird.”

“No! That’s cool! I’ve seen way worse. You should have seen some of my roommates at my old place.” He jokes. You laugh quietly with him.

“So all of your stuff is acid?” He asks. You nod.

“How do you pee? Do you just like melt toilets every time you piss?” He asks. You laugh.

“No, I guess my body has some way of controlling it, but I don’t know. I haven’t really figured it out consciously.”

“I was gonna say, that would be really cool if you could piss acid. Just like pee on all your enemies. That would be cool as fuck.” He laughs. You don’t know why at the time, but there’s just something so comforting about him.

“That’s gross. You’re sick.” You laugh.

“Oh trust me I know. You don’t go through multiple mental hospitals just being normal.”

You knew he was joking, but the way he said normal struck a cord in you. You didn’t see him as wrong, but you knew what he meant. You often felt… knew… you weren’t normal either.

You were there for Sam just as much as he was for you. It took you a long time to accept his help. It took a while for him to convince you that you weren’t a burden. The first time you had a meltdown in front of him was a very vulnerable moment for you. You hadn’t been that vulnerable with anyone like that in a long time.

“I’m gonna fucking kill them.” You fumed, pacing the room, so blinded by your anger you had forgotten you were with Sam. You had promised him you could watch Waterworld after class because you’d never seen it before and it was his favorite movie.

“She is such a fucking bitch. Why the fuck didn’t she fucking tell me?! She could have put a fucking sock on the door or sent a text or fucking something Jesus fucking Christ! Like I love her, but fuck!” You were beyond angry. After an already overstimulating day and a failed assignment handed back, you were already on edge before you walked in on Jordan and Marie. Now sexiled to the lounge while your roommate finishes with his girlfriend, not caring about your plans at all.

“I fucking told him too! I told him you were coming over!” You say, upset, and quite honestly still in shock, not expecting to see two of your friends fucking on a Tuesday afternoon.

“Maybe they just forgot.” Sam proposes.

“How could she fucking forget what time I come home every fucking Tuesday?!” You huff, sitting down on the couch. You sit in silence before thinking it over.

“No, you’re right… they probably just forgot…” You feel a pit in your stomach and tears starting to well up in your eyes. You try to keep them at bay. You don’t need an acid leak today. “Yeah Jordan totally forgot. Oh fuck. I shouldn’t have gotten so mad.” You feel your body crumbling in on itself. You hate getting mad. You were so scared of your own anger. You also felt like Jordan didn’t deserve it. Yeah he could be an ass sometimes, but Jordan was your roommate and your friend.

“Hey what’s going on you look upset- well more upset than you were before… okay maybe not more upset, but a different kind of upset…” Sam’s voice trails off. He wasn’t always the best with words either.

“I just feel so bad.” The tears start to slip down your face.

“Why do you feel bad? You just walked in on two of your friends having sex in your own room. It’s never happened to me, but I think it’s normal to be annoyed.” He sits down next to you. When he gets a closer look at your face he sees the red marks on your cheeks. You were used to the burn by now. You hated crying, but sometimes you couldn’t stop yourself. Sam moves to wipe away some of your tears.

“Doesn’t that hurt?” You ask.

“They used to electrocute me daily at the Woods. This is nothing.”

“I’m sorry.” The ache in your stomach grows. You feel like such a burden.

“Why are you sorry?” He asks.

“Because you shouldn’t have to deal with this.”

“I don’t have to do anything. I’m here because I want to be.” He smiles.

“But I’m too much. This is too much. You have your own shit to deal with. I’m so fucking sorry, Sam.” You try to hold back more tears. You feel awful.

“Hey, don’t apologize. You’ve done so much for me. You promised you’d always be there for me. Let me return the favor. You’re so kind to everyone, just let me be kind to you.”

“I’m sorry.” You whisper again in a broken voice.

“Why do you keep saying sorry? Are you embarrassed?” He asks. You nod.

“Don’t be embarrassed. Multiple mental hospitals, remember?” He jokes, making a face and pointing to himself. You laugh quietly.

“Just the life of a broken fucking brain.” He laughs, but there’s something sad underneath.

“You know I don’t think you’re a monster right?”

“Why are you bringing that up now?” He asks.

“Well sometimes I think you believe the doctors at the Woods a little too much. I just wanted to make sure you know that I know that you’re trying and you’re a good guy.” You smile.

“For what it’s worth I don’t think you’re a monster either. You think I’m a good guy, but I think you’re the goodest person I know.” He smiles. “Is goodest even a word?” He asks.

“I don’t think so, but I appreciate the compliment.” You smile. You don’t know when it happened, but you start to realize that Sam had successfully distracted you and calmed you from your meltdown. You find his arm around you, as you lean into him on the lounge couch.

“I’m so glad I met you.” He smiles.

“I’m so glad I met you too.”

[glossglamour]

Full Robert Sean Leonard 'House'-a-palooza Interview: "As we know, I’m straight, but yeah, it’s like, homina homina homina."

May 01 2006 | By Maureen Ryan

Do you watch the show much?

"I can't watch it. I mean, Hugh doesn't watch it because he's anal and … eight years old. [laughs] And by the way, I don’t buy it, I think he does watch it.

“I watched in the first year. We live in New York and [my fiancé] was in California] and she likes it because I’m on it. But then she left, she had to come back to New York, and what are you going to do? The idea of me watching myself on TV, alone in Santa Monica, was just about... just short of, like, a bottle of Maker’s Mark and a shotgun away from shooting myself. [much laughter]  So I haven’t watched it all season. But when I have watched it, I’ve been mildly confused and Hugh is appropriately grumpy."

I have this theory that a lot of my favorite shows aren’t even about what they’re supposed to be about -- they have to be set in a hospital or police station or outer space or whatever because the network can market that, but they’re secretly not even about that. Like, “House” is really about ethics and morality.

“Yeah, sure, I think that’s true.”

But you can’t pitch that show to the network. “Hey, we have this great show that examines personal morality!"

“‘It’s based on “A View from the Bridge.”’

Right! They’re really going to for that.

“Yeah. [laughs] I think it’s good, and when it’s right, when the show works, the mystery works. It has a Sherlock Holmes-ian feel to it, and you do kind of want to know what’s wrong with [the patients]. And it is interesting, the turns and twists that get you there. And there’s always a little bit of character-driven fun stuff in between, of who these people are and how they affect each other. And that’s it at its best. And I guess that could be true of any show.

“It’s tricky, you’ve got a lead character [who’s different from the TV norm] and you’ve got to be careful because those characters can be one-note. He’s the cranky guy, he’s the Australian guy, I’m the friend in one or two scenes a week. You just have to be careful, and I think we are, we have a really great team of writers. And the numbers are building, people are watching.”

So this two-parter on May 2 and 3, I think the unofficial subtitle is the “Festival of Foreman.” I guess they’re his Emmy episodes, and that’s fine. But you’re hardly in them, what’s up with that?

“Honestly, I’m okay. I don’t want an Emmy. This is what I want -- I know exactly what I want. I did play with a guy named Skip Sudduth, ‘The Iceman Cometh,’ seven years ago. I saw him five years later, and I said, ‘Geez, Skip, where have you been? I don’t see you at readings anymore.’ He said, ‘I’ve been on “Third Watch.”’ It sounded familiar but I’d never seen it. He said, ‘I’ve been doing it for five years.’ I said, ‘Holy crap!’ And he was back doing theater. That’s my dream.

“And it’s happening. I walk down the street and people say, ‘Where are you?’ and I say, ‘I’m on this show called “House.”’ My friend Lewis Black [from 'The Daily Show'] said, ‘What is it called? “Head”?’

“I’m okay. I’ve never been happier than where my career is now. And I don’t want it to change necessarily. Money’s good, and I’m glad I’m getting that, and I’m putting it away for later in life when I do more Tom Stoppard plays at Lincoln Center and make no money. But really, I’m great. I don’t mind working two days a week.

“Because those other guys, the Scooby gang, or the Mod Squad -- they are at that studio for 16 hours a day saying ‘tachycardia, lupus, blablahdeblah.’ Honestly, I’d kill myself if  had to do those scenes for that long. I’m very happy with the size of my role, I don’t want it to get any bigger. I’m happy.”

So we won’t see the very special “House” episode where Dr. Wilson almost dies?

“That might be how I get off the show.” [laughs]

Well, you could die and come back as a ghost. Then it would be the “House Whisperer.”

“Yeah [laughs]. The hair makeup people were saying one day, ‘Oh, I love those scenes with you and Hugh, there should be more of that.’ And I’m like, ‘Shhh! Don’t say that!’ I’m the luckiest man in Hollywood. I work only with Hugh, pretty much, who’s great. And I work two days a week.”

Do you fly back and forth to New York then?

"No, not really. They don’t let me because they need me around, the schedule changes so much. I’m going to try to get away with that a little more [in the upcoming season]. Now that [my fiancé] is here, I really will kill myself if I’m out there as much as I was last year, without her.”

So five days a week you’re doing what – Botox injections? Going to the mall? Watching “Maury”?

“Rob Lowe once said the secret to being an actor in L.A. is sleeping as late as you possibly can and going to be as early as possible. I remember him saying, ‘I recommend pajamas by 4:30 p.m.’”

What’s interesting about this show is that they’re taken something that could be a very formulaic procedural and quite often turn it on its head.

“I didn’t know anything about TV, I’d never done [a TV show], but I now know very well that there are procedurals and character-driven shows. ‘Law & Order’ is a procedural and ‘Grey’s Anatomy’ is a character-driven show. The test [as to which category a show is in], someone once said to me, which I thought was hysterical, is this question: Did Sam Waterston sleep with [the assistant DA] on ‘Law & Order’? If the answer is ‘I don’t give a [hoot], I want to know the next element of the case,’ then it’s a procedural.

“Our show is weirdly, and there must be precedent for this, but it’s weirdly equally both. I think it’s very much a procedural, and without that sick patient every week, we wouldn’t work. And without the character stuff it wouldn’t work. And weirdly, people do care if House sleeps with one of our characters, and also care equally what’s wrong with this person and how they’re going to solve the case.”

I guess I like the character stuff better, but you’re right, it probably wouldn’t work without the suspense of the weekly case and somebody being critically ill.

“No, I think you need that. I think the echoes of Sherlock Holmes are too strong. The original idea of the show was House and Wilson, like Holmes and Watson. But it got away from that, and his team is Watson, if you want to be technical about it.

“I’m more like … the only way I’ve found to define it, and it’s so pretentious that it makes me want to jump out a window, is like King Lear’s fool. I’m like the only one who tells him the truth. And [Wilson] has nothing to lose. I don’t work for him and he doesn’t work for me. I’m the only character who chooses to be with him as opposed to being there because of a job. And because of that I have the freedom to tell him what I think. Not that Cuddy holds back much.”

I think her role is to say, "No! Bad House!"

“Have you talked to Lisa Edelstein [who plays Cuddy]? She’s so great. This Japanese woman once said to her, ‘You on “ER”!’ And she said, ‘I have been on “ER,” but now I’m on “House.”’ And [the woman says] ‘Oh yes, “House.” You say, “No, you don’t!”’ Every time we do the table read, I burst into laughter at some point, because there is the voice of that woman in my head, ‘You say “No, you don’t!”’ That’s the entire definition of Lisa’s character. Not completely, but we laugh [about it]. We have the same dilemma. We’re on this show that we’re … kind of on. Crew members say, ‘How long have you been on the show?’ ‘Uh, since the pilot.’ They really don’t know what we’re doing there.”

So in terms of the other stuff going on in your career, that’s going well, all the theater stuff?

“I’ve achieved everything I wanted to do. When I was growing up, I wanted to be Kevin Kline, Sam Waterston. I grew up watching the Public Theater and Shakespeare in the park and Marion Seldes. I mean, I may as well be gay.”

I’m not entirely sure you’re not.

[laughs] “But the thing is, I got it [i.e. his goals]. I’ve done 14 Broadway shows and got a Tony award, and now I’m making money and no one even really knows. I’m getting away with murder. If I come back to New York in two years and nothing’s changed, I’ll be thrilled. All I really want to do is [act in] plays, play with my dog, have kids. My desires are pretty simple. I don’t really want to do movies anymore. I’m pretty tired of camera acting.”

Why are you tired of camera acting? Is it the repetition of it?

“No, no, quite the opposite. We don’t rehearse enough. We do scenes where people barely know their lines, where people just about know their lines. In theater, you do it so many times and you get so familiar that then you can actually start having fun with it. And I really miss that feeling.

“It’s true of films too. I don’t know. I think I’m fine on film, but … I have walked offstage and thought, ‘Wow, no one has done that better. People may have done it as well, but not better.' I’ve actually had that feeling after ‘Long Day’s Journey Into Night,’ or a Shaw play or whatever. I’ve never felt that way with film. I always feel like, ‘Boy, Donald Sutherland would have done that a lot better.’ [laughs] I just don’t think it’s what I do best. I think I’m fine, but there are people who are eerily good at it. In all humility, of which I have none [laughs], that’s how I feel about my work on stage. I really do feel that I’m gifted at it.”

Just to change gears completely, what happens in the finale?

“Well, I think the finale is a bit of a cliffhanger. Something very exciting happens. It’s extremely exciting and freaky and I think it’s great. I can’t say what it is. You end this season very curious about how the next season is going to start. It’s a great final show and a big cliffhanger.”

So it seems like Hugh Laurie is so disparaging of his own talents. But he’s so good as House.

“Some people ask me, ‘Oh, why does Wilson want to hang out with House so much?’ and I’m like, ‘You idiot.’ [laughs] House is designed to be attractive! He’s brilliant, he’s self-deprecating, he has a limp. But yeah, Hugh hates himself and he’s very funny about it.  There’s no better combination in my book. Like Lewis Black.”

But as an acting partner, he’s good to work with?

“Oh yeah. The thing is, with this part, Hugh has a huge obstacle he has to deal with, having an American accent. His problem isn’t our problem. We as the audience don’t have that problem, because what he doesn’t know is that he does it perfectly. But of course he doesn’t hear that. That’s why he can’t watch the show.

“When you’re doing an accent, you don’t feel like you’re interesting in the role. Even if everyone around is telling you that you are. And to be in a play is one thing, but to be on TV show that runs for years, I don’t know how he’s going to do it. To be that hard on yourself and be that disappointed in your own work. But as I said, and underline this four times, he’s wrong.”

And then he obviously hates when anyone calls him a sex symbol. You read his quotes when people ask him about that stuff and you can feel the embarrassment rising off the page.

“Yeah, he hates that stuff. And even more than the ‘sexy’ stuff, he hates the ‘you’re brilliant’ stuff. Of course there’s a part of him that likes him, there’s a part of all of us that likes that. [But him being hard on his performance], it’s not false vanity.

“I think Hugh does work he’s proud of and does work he thinks is good, I’m just not sure it’ll ever be this [show]. Having an accent… acting is letting go and forgetting yourself, it’s the opposite of ego. It’s flying away and getting away from yourself and forgetting. And when you’re doing an accent, it’s virtually impossible to do that.

“It’s hard when you're in a play, doing the same lines, the same way for eight months. Hugh learns 72 new lines a day and has to put an American accent on them. It really is an actor’s nightmare. I’ve done [with accents] Brian Friel plays, Martin Sherman plays, Tom Stoppard plays, and maybe five months into it you have a night where you kind of feel OK and kind of forget the accent and let go and let the scene happen. To have a strange accent in your mouth while playing a role, and then be judged for it, that’s hard stuff.

“And can I tell you, when you have dinner with Hugh Laurie [speaking in his real accent]… I miss that voice.”

Yeah. He called me once directly for an interview. I was expecting the publicist to put him through, but it was just that voice on the phone. I was sort of thrown for a minute.

“As we know, I’m straight, but yeah, it’s like, homina homina homina.” [laughs]

---- [source (part 2)] | part 1 | part 3 ---

it took me two hours to track this interview down. it might be the longest one he's ever done. first i tracked it down to tumblr pages posting about it with no source please stop doing that. then i found a short youtube video of laurie saying "homina homina" on an snl skit i think and someone in the comments mentioned the site where the rsl interview was posted. however the site wouldn't let me in, i guess they took it down so i headed to archive dot org. i didn't have a specific link though so that didn't really work out either. then for nearly an hour i tried a wide range of word combinations on google until i stumbled upon a livejournal page of rpf hugh laurie/rsl fanfic. SOMEONE tysm karaokegal posted the exact link i was looking for in the comments. quick trip to the wayback machine and here you go!

i should be on those ethical hacking competition things

[vintagetvstars]

Diana Rigg Vs. Nichelle Nichols

Propaganda

Diana Rigg - (The Avengers, Diana) - Honestly? Just check her out as Emma Peel in any episode of The Avengers. The character herself was a legend - an exceptional spy, wonderful fighter, certified genius, a true feminist role model - not to mention a renowned sex symbol (that leather catsuit... heavens help me...) and fashion icon. As for Diana personally, she was once described by Michael Parkinson as "the most desirable woman he ever met, who radiated a lustrous beauty". She could pivot from funny quips and endearing jokes to stone-cold badassery like it was nothing, and she looked stunning either way. Whenever I look at a pic of her, I have this feeling she's planning some fun mischief and I get the strongest urge to ask her to take me along. Need anything more? Here, have some pics: (pics below the cut)

Nichelle Nichols - (Star Trek) - She speaks for herself. Legendary, iconic, at the forefront of feminism and civil rights in the 60s, she is a triple threat who did so much more. She volunteered from 1977 to promote recruitment diversity within NASA, including some of the first female and ethnic minority astronauts. Martin Luther King Jr. compared her work on Star Trek as a 'vital role model' to the civil rights marches. She refused to be dismissed, fought for visibility and shone whilst doing so. As a woman in stem, and simply a woman she means the world and stars above to me.

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Diana Rigg:

When people think of The Avengers, they think Steed and Peel (or they think the marvel property but that’s neither here nor there). I know people who thought Mrs. Peel was the ONLY woman Steed worked with, Diana Rigg was Just That Good (she was only on two seasons!). She was one of those actors that could so perfectly play comedy in any form, her dry, sardonic wit was marvelous, but so was her physical and slapstick comedy, and she could do drama too! If you’ve seen her in interviews you’d also know how fabulously humble and kind she was. I don’t know if I’ve ever been more attracted to a TV woman than I’ve been to Diana Rigg. Some photos of her:

the SMILE!!!!

I like a woman that could kill me in one shot

tell me she's not endearing I DARE you

Gorgeous, sexy, competent, superior, so much leather. Diana Rigg as Emma Peel in the Avengers was foundational to my sexuality and personality. She's classy, she's cute, she's cocky, in one episode she whips a bunch of guys while wearing a corset and a spiked collar...

excuse me I'm overcome with sinful thoughts

 hello 911 I think I'm having a heart attack

Here's an interview I fell for her in:

Diana Rigg | Interview | The Avengers | Good Afternoon | 1974 | Part one

Her first appearance in The Avengers (In series 4, if you can believe it):

The Avengers: Emma Peel First Appearance HD

Nichelle Nichols:

She is the original badass babe. She was a black woman in a leading role on TV in the 60s, a trailblazer for black actresses for years to come. She is so beautiful and so awesome.

she's fantastic. have you seen her? paved the way for black actresses on TV even while her lines and scenes were being cut and improvised the most iconic uhura line in the series. (sulu: "I'll save you, fair maiden!" uhura, pushing him away: "sorry, neither!") she's incredibly talented and it's a crime the show didn't give her more screen time (or make her sing more often because she also has a beautiful voice!)

“Sorry, neither” in response to “fair maiden” was ad libbed by her. There’s a lot more I could say but what else do you need??

A sci-fi icon!

She was such a trailblazer, and Uhura was such an important character for so many people to be able to see on TV. Apparently Mae Jemison (the first African American woman to go into space) cited her as a reason she wanted to become an astronaut. She was just an absolute legend!

The story of Martin Luther King telling her not to quit Star Trek gives me chills. Representation matters. “Thank you so much, Dr. King. I’m really going to miss my co-stars.” Dr. King's smile, Nichols recalled, vanished from his face. "He said, 'What are you talking about?'" the actress explained. "I told him. He said, 'You cannot,' and so help me, this man practically repeated verbatim what Gene said. He said, 'Don’t you see what this man is doing, who has written this? This is the future. He has established us as we should be seen. 300 years from now, we are here. We are marching. And this is the first step. When we see you, we see ourselves, and we see ourselves as intelligent and beautiful and proud.' He goes on and I’m looking at him and my knees are buckling. I said, 'I…, I…' And he said, 'You turn on your television and the news comes on and you see us marching and peaceful, you see the peaceful civil disobedience, and you see the dogs and see the fire hoses, and we all know they cannot destroy us because we are there in the 23rd Century.'"

She shared the first interracial kiss on Star Trek, helped propel real life African American women into space-related careers, and looks divine in a mini skirt.

HOW DID UHURA WALK BACKWARDS SO FAR??? WOW!

[blitzbuckzowild]

On Stolitz, Kink and Power Dynamics, and Role Reversal - Stolas Centric

So, I have been thinking a lot about the kink dynamics between Stolas and Blitzø, especially how they are portrayed in the show vs. what is popular (or more popular than you’d think) among fan works. A lot of this has probably been said, but I am unsure what has and has not, and I have only recently begun to interact with the community.

For some background, I have about 10 years of experience within the kink/BDSM lifestyle including several long-term dynamics as both Dom and sub, attendance to events, extensive engagement in online forums, etc. I’ve been in many types of dynamics and have a good understanding of the culture.

We have very little knowledge on the intricacies of the dynamic between Stolas and Blitzø but from what I can gather its a pretty standard one without very much structure. This makes sense seeing as before recent canon events, their scenes are primarily limited to once a month. There is no evidence of switching that I can find in the show, most likely they stay firm in their roles of Blitzø as Dom and Stolas as sub. There is the comment during the Loo Loo Land episode, where Blitzø say “wait till her dad tries diddling your holes”, but the keyword being “tries.” Now obviously he could be receiving penetration, but I find it hard to believe that there is any actual control given to Stolas.

This structure obviously allows for some entertaining role reversal, and (on the surface level at least) mitigates some of the issues with the power at the same time. I find myself often wondering how people would regard the dynamic between them if Blitzø was portrayed as the sub. It obviously doesn’t really fit his character as he is now, but it is a thought.

Anyway, the point is actually to explore the idea of a role reversal between the two and what this can represent. Obviously, a lot of this has been touched on in fan-works, and probably other posts, but primarily in the framework of Blitzø’s experience subbing. I think that is well-established that a lot of the draw for Blitzø to submit is the idea of him being vulnerable and letting go of control. There are many works that focus on this.

But what about Stolas? That’s something I haven’t seen a lot of.

Stolas is passive. Even if he snarks back at Blitzø and does set some boundaries a bit at the beginning of Apology Tour, and he does tease and push, it’s really not substantial. Even with Full Moon, even with the crystal, he is still so submissive to everything that happens around him. He makes his grand gesture and throws the ball in Blitzø’s court until he can’t handle what that looks like. He let’s things just happen to him for the most part. So a lot of his character growth in the show focuses on him gaining confidence and taking initiative.

Even in Apology Tour, at the Blitzø Hate party, he makes it clear where he stands on what he wants his role in a relationship to be. He wants to be pursued, like a woman in a rom-com who stereotypically and historically takes a passive role to whatever confident or goofy hunk wants her. Sure, she wants him (usually), but typically she is not doing the pursuing. Instead she rolls her eyes and things happen to her.

Stolas taking on a dominant role, taking control, even in the context of kink, can be symbolic for him learning ambition and initiative. Everything has been decided for him and he’s letting Blitzø’s actions and responses make the decision for him. Even with Octavia, he acts as if he is collateral to her behavior and emotions. It’s fair for him to want Blitzø pursue him and to take accountability. However, at some point he needs to pursue as well. You could say that the crystal was an instance in which he did? But was it really when at the first sign of resistance from Blitzø, he folds and pull back.

All this to say, there can be some really great story telling using their BDSM dynamics. I don’t really expect the show to address this, because I think there are some intricacies here that can only be appreciated by those really involved in the BDSM lifestyle, and honestly I am not sure how knowledgeable the writers are about it outside of the mainstream knowledge (Well mainstream compared to someone like me.)

With the deal ended, and the power dynamics somewhat balancing out, the door is really opened for this type of thing. There isn’t as much baggage in Blitzø being portrayed in a sub role. The class divide is still there, but Stolas no longer holds all of the cards

There is waaaay more I can say on this in regard to the roles of sub and Dom and how they relate to Stolas and Blitzø but this is already so long. Some things to consider would be the the actual emotional needs that are filled by each role, the ways relationships in dynamics develop, different BDSM subcultures and theories on the nature of their dynamic, and more of my thoughts on how their current dynamic with Stolas subbing and Blitzø Domming impacting perceptions of their previous arrangement by viewers, how Blitzø is already submissive to Stolas in ways, the general emotional state of people when engaging in kink, etc. I could also provide my own thoughts on Blitzø subbing but I feel it’s already well addressed in the fandom.

Maybe I’ll do a part 2 if it’s wanted or I get the will. I would love to engage in any discussion (agreeing or otherwise) on this, I probably missed some things, or interpreted stuff differently than others.

And here is a Poll to wrap this up

[sepublic]

            King really has a whole thing about being seen as a toy, a pet, for people to own and play with without his permission. An object to look nice and pretty and not much else, without any wants or needs of his own.

         So it feels very poetic that he constantly surrounds himself with toys and plushes to command over; King’s whole Tyrant schtick isn’t just a fantasy for him, it’s a way for him to reclaim lost autonomy by exercising his own control. It’s as if King FEELS like a toy, so he commands other toys because he’s essentially one of them. And it reflects on his juvenile nature, not being taken seriously, the revelation that it’s only ever been pretend, etc.

         That makes King’s relationship with Francois very sweet, as a toy from the human world he finds, no thanks to Luz helping him. Luz is someone whose physical cuddling and affections King DOES appreciate, because by the end of the day, Luz respects King as a person and his boundaries. King wants affection actually, but he wants it on his own terms, and there’s a lot of moments where he ‘commands’ Luz and she happily obliges, defends him, etc. Luz is very thoughtful of King’s feelings, and The Intruder is a major episode in which Luz learns to be more mindful of King in general; This of course wins the approval of his father the Titan, who decides to show Luz the light glyph for her kindness.

         But anyhow, King loves Francois and treats him kindly, often as a partner and even equal. So with all I’ve said about King’s toy motif, that transitions perfectly into his dynamic with the Collector. There’s the fact that in their initial interactions, the Collector glomps onto a clearly uncomfortable King, like a child with a pet he doesn’t quite understand is a living creature (and in King’s case, not just a pet either but a person). Dana’s own art encapsulates their relationship by portraying King as a terrified plush that the Collector loves;

         The Collector is also juvenile and loves to play pretend, and treats people like toys, which is exemplified by them transforming victims into literal toys, who are dressed up to look even prettier. But for all their issues with boundaries, the Collector seems to genuinely love and value their toys, kind of like King with Francois.

         This contrasts them with Belos, whom they believe breaks his toys out of fun; That speaks to their different desires, hence the Collector insisting they want to make friends out of others, whereas Belos finds it more simple and satisfying to just destroy his enemies. So the Collector regards his toys as, well, toys; But with a sort of loving respect that a kid who takes good care of their toys and makes sure they’re taken care of does. A projection of feelings and personality… Over the actual feelings and personality that DO exist, but alas.

         But that’s where the Collector’s relationship with King develops, because over the course of two months, they begin to respect and listen to King more, value him as a friend, etc. The Collector is more mindful of King’s boundaries, doesn’t immediately glomp onto him, actually bothers to respond to King’s criticisms. When King says the Owl Beast isn’t ready, they listen, and it’s implied the Collector has known about King visiting Eda and Lilith behind their back, but simply allowed it because friends keeping secrets is totally normal, right? And anyhow, King has been so nice, and they love King so much, they don’t want to call him out and ruin things; He can have this.

         Which leads to Francois, whom King relates to; The toy that the Collector WANTS to cuddle with. But King sets the boundaries that it’s for him (and Luz) only, and the Collector actually listens. He doesn’t touch Francois behind King’s back, and aside from a moment where he has to take it from Belos’ grasp to defend Francois, puts it right back where it belongs. He can’t have Francois, but the Collector can settle for having him BE there, so close and yet so far.

         King is Francois; He’s a beloved toy to the Collector that he loves and appreciates, treats more special than the rest, and practically as a person, a lot of the time. But he’s willing to respect Francois’ boundaries and not play with him when he doesn’t want, just as he does with King, and his visits to his mother and aunt. The Collector obviously has a lot to learn when we check up on them two months later, and King understandably still IS frustrated, hence why he calls out the Collector after the nightmare illusions at the beginning of the series finale…

         But King can tell, as a former, unruly child himself, who was only a non-issue because he lacked the power the Collector wields; The Collector is a kid like him. Who’s also learning. Who ultimately means well. And they’ve proven to be rather receptive over these two months; Not quite there, but if you put in the effort to teach and work with them, King is certain it’ll pay off as it did with him.

         The Collector was a tyrant like King, and like King, a lot of this comes after being helpless because of others as well; The Collector was put into the care of the manipulative Archivists, and later trapped by the Titan. The only way to contact them was with a disc, an object, and their word was exploited by Bill so he could lead the Titan Trappers and finish the genocide of the Archivists. If the Grimwalkers were toys to Belos, so was the Collector, for him to hide away from everyone else, as his own, like a twisted Francois. And when he’s done with the Collector, he drops him into the pit with the rest of the discarded toys he loves to break.

         So like King, the Collector being a tyrant isn’t just the result of kids being kids, it’s also a response to their lack of agency. And tbh, kids in general lack agency, hence why they can be quite unruly troublemakers and rebels, so it makes sense that the Collector also overcompensates, like King does! But both of them learn to be more mindful of boundaries, that their own pain doesn’t justify them doing the same to others, either.

         The Collector notes that King isn’t the only person allowed to touch Francois; There’s also Luz. Luz, the kindly older sister who always listened to King and was attentive to his needs, respected him, and was often desired for physical affection. The Collector wants to BE Luz since King admires her so much, hence emulating her while playing Owl House; And Luz also recognizes their similarities, with the forgiveness she gives the Collector, being a form of forgiveness towards herself for being an ‘unruly’ child.

         And the Collector also grows, has their loss of innocence, but nevertheless matures, as Luz did. They learn about death, just as Luz learned about death when she lost her father; And the Collector technically loses the Titan that night, who was arguably a turbulent father figure who failed them, too, and laments this fact to Luz. The Collector IS Luz, and like Luz in The Intruder, who gains the approval of the Titan with a light glyph, just as the Titan apologizes for the Collector and lends his power to protect them and others…

         The Collector mends their friendship with King and makes it real. They respect and listen to him completely now. And so they get to finally be Luz, not just in their relationship with her, but also in their relationship with King, being allowed to love Francois, even being given him for company by King. Just as Luz is allowed to be King’s friend, and he follows her regularly, even sacrificing himself for her at the end of Season 2.

        King and the Collector are toys who want toys to reverse that dynamic; But in the end, nobody can be a toy. And so they grow up and get to play with actual friends, and be friends to others.

[lnfours]

summer love | l.n

summary: part 2 to this request but make it ✨summer break ✨

warnings: fluff, language, all the feels, lando being 100% whipped. fem!driver x lando :,)

masterlist | part 1 | ask box

₊‧°𐐪♡𐑂°‧₊

it was officially summer break, a whole month off of racing to recharge the batteries, spend time with family and friends and just do normal people things.

but all you could think about was him. it was sickening. you weren’t sure how or why, but you found yourself thinking about lando a lot more than you should. and you knew you shouldn’t, he was your teammate, but something about that day in the drivers room made your heart rate spike.

you were laying in bed, scrolling through instagram when you had come across his story. you held down the picture, examining it as you looked it over.

it was a picture of the sunset, the location tagged london, england. you furrowed an eyebrow, he spent his summer break at home? before you knew it, you were sliding up, adding a comment underneath the picture.

you’re home for summer break?

you bit down on your lower lip after you had sent it. surely he wouldn’t reply, he was probably off having a good time, enjoying his life and not thinking about you-

yea, feels good to be home. where’d you go to spend holiday?

you clicked at the top of your screen, opening the dms. you had saw the previous dms being memes you had sent one another a while back, the two of you going back and forth about who was funnier.

it was you.

actually, i’m here too 😅

you saw his icon appear at the bottom of your message before it changed to say he was typing. you tried so hard to ignore the way your stomach was doing cartwheels.

out of ALL the places you could’ve chose from, you picked london? stalker much? 🙄

you let out a soft laugh, typing back a whitty response.

you wish i was here to see you, norris 🥱 no, i’ve just never been. always been on my bucket list to come outside of racing

typing…

i do, actually. i miss you

you read it over and over again before another message appeared from him.

also, where are you staying? we can meet up, get coffee or something? i can show you around 😁

okay, now you were internally screaming. you clicked on the photo option, snapping a picture of you in your bed, adding the location of the hotel you were staying in before sending it. he opened it almost immediately, sending another picture back. he was shirtless, sunglasses resting on his nose and you noticed he had grown out his facial hair. the sun was still setting and it looked like he was on a beach.

you’re literally 15 minutes away from me. hang out with me, i’m bored ☹️

you smiled before sending another picture, this time of the tv in the hotel which was currently playing an episode of a show you had seen a million times before.

can’t, busy :/

another picture from him, this time he was in his car. he had a shirt on now, the white fabric making him look tanner, his hair messy. how could someone look so good?

too bad, i know where you are 🥰

you took a picture of yourself giving him the finger, a playful smile on your face.

ok fine, but you’re getting me food

he replied with another picture, this time of his hand on the steering wheel. the mclaren logo on the center was the star of the show, the four little lines on the bottom making an appearance.

deal, see you soon

you double tapped his photo, throwing the covers off of your legs before making your way to your suitcase. you grabbed a pair of shorts and an over size hoodie, tugging it on before fixing your hair. you opted on no makeup, slipping your sunglasses on before grabbing your bag. once you made sure you had everything, you made your way to the lobby.

in the elevator, your phone pinged.

your chariot awaits, m’lady

you rolled your eyes and smiled, typing back a response.

coming to lobby now, mr. uber driver

he double tapped your message and when you walked through the doors of the hotel, you immediately spotted him. he was waiting for you, leaning against the passenger side door. you smiled, approaching him as he smiled back at you.

“hey,” you said, the two of you reaching for a hug. he wrapped his arms around your waist, desperately trying not to hug you too tight as you slung your arms around his neck.

“hey,” he smiled back, “ready for the best tour of london you’ll ever get with your favorite guy?”

you looked around, a playful smile on your lips, “lewis is here?”

he rolled his eyes, shoving your arm softly as he chuckled, “oh, fuck off.”

you laughed back at him, letting him open the door for you. you smiled and thanked him, letting it close as he made his way to the drivers side. you took note of each little personalized detail of the car, smiling softly at how much of his personality was put into it.

“so,” he said, starting the car, “anywhere in particular you wanted to see?”

you shook your head, “no, but if you want, you could show me your favorite places.”

he nodded, pulling out of the parking lot, “i’ve got the perfect place for you.”

you couldn’t help but smile again as you looked over at him. he handed you his phone, spotify open, “play whatever you want.”

you raised an eyebrow, “whatever i want?”

he nodded, “yeah, curious to see what kind of music you listen to.”

you smirked, typing in ‘summer love’ by justin timberlake. the song boomed through the speakers and he laughed, turning it up slightly as he made his way to one of his favorite spots.

after more songs, which may or may not have included some one direction songs (which he surprisingly knew all the words to), and some small talk later, he pulled into a parking spot at the overlook. you both got out, standing in front of the car as you looked out at the view.

“wow,” you breathed, “this is stunning.”

you looked up at the sky as you finally got to see it’s beauty without any light pollution. he smiled, leaning against the car as he shoved his hands in his pockets.

“yeah,” he looked over at you, “it is.”

you looked over at him, “you’re looking at me like that again.”

he raised an eyebrow, but the smile still sat on his face as he shook his head, “no idea what you’re talking about, doll.”

your stomach did a flip and you walked in front of him, your legs between his, “how many girls have you brought here?”

he snorted, “none, only you,” he looked up at the stars now, his neck on display for you. his fluffy curls were pushed back with his sunglasses, his nose and cheeks slightly red and covered in sun freckles from being outside all day. he looked so pretty like this to you, who was still standing in front of him and god you wish you didn’t look awkward staring at him like this, “kind of a place where i come if i need to get away, just think for a little bit.”

you finally adverted your eyes back to the sky, “yeah, this would be the place to do it.”

he nodded, “so, to answer your question, none. guess that makes you special.”

you gasped, “i’m special to the lando norris?”

“don’t start,” he rolled his eyes playfully, “you’re like, P3 at best.”

“well you know what they say about being third,” you said, “they have the treasure chest.”

he chuckled again, the soft breeze of the night whisking a hair in your face. he carefully reached out and brushed it back, “actually, you get 15 points. cmon, you’re supposed to know this, y/n,”

you couldn’t wipe the smile off your face even if you tried, “you would know, huh?”

your phone buzzed in your pocket, pulling it out and reading the notification.

⚠️ time to bereal ⚠️

you clicked on it, looking up at him but he was already looking at you, “wanna be in my bereal?”

“sure,” he said and you smiled before clicking on the notification.

however when you held your arm up, you started laughing and not being able to take yourself seriously. lando laughed with you.

“hurry! take the picture or it’ll be late!” he laughed and you pulled yourself together before laughing again. you weren’t sure what it was. if it was how close he was to you or how happy you were right now, but he took the phone from you.

“jesus christ,” he laughed as he raised his arm up, pulling you in by your hip. you wrapped both arms around his neck, smiling at the camera. he turned the phone around to get the other picture, this time he turned his head towards you and you faced him with a smile. he smiled back, your hand resting on his cheek. the flash went off and he brought his arm down, but you still kept his face in your hand.

you took the phone from him, “thank you,”

“yeah,” he smiled, “anytime,”

you locked your phone, slipping it back into your pocket before looking at him again. he still had the same look on his face, almost like he was-

“i like you, y/n,” he said, “a lot.”

you smiled, heart jumping up to your throat, stomach doing flips, and you swore you were going to pass out when he placed his hand on your cheek, thumb stroking the skin, his fingers starting to move into the hair behind your ear.

“i like you too,” you said, and that was all he needed to hear before he was pulling your neck towards him, lips connecting with yours. your body felt like it was on fire as his hands moved from your face to your hips, shifting as he leaned back against the hood of the car, taking you with him as you laid on top of him.

the kiss got hot, his tongue poking out to lick at your bottom lip. at first you didn’t let him in, which made you giggle against him. but, the giggling turned into gasping the minute he tugged on your hair gently, allowing him to sneak his tongue in.

he finally broke the kiss, the both of you panting. you hadn’t realized that your hands were in his hair, it now being a mess of frizzy, beachy curls. his lips were red and puffy, pupils blown. you were so in love.

your phone buzzed in your pocket, taking it out and almost laughing at the notification. he smiled at you, but raised an eyebrow in confusion, “what? what’s funny?”

you turned your phone around to show him oscar’s comment on your bereal:

oscarpiastri81: WHAT THE FUCK??!?!

he laughed, pulling you as close as he could while you typed out a response to your teammate, “you hungry?”

you nodded, slipping your phone back into your pocket, “starving, actually.”

he nodded, taking your hand in his as you stood up, “i know a really good spot not far from your hotel, think you’ll like it.”

you smiled as he opened the door for you, you thanked him with a quick kiss on his lips, “sounds perfect.”

[hotvintagepoll]

Propaganda

Lena Horne (Cabin in the Sky, Stormy Weather)— Incredibly talented biracial actress, singer, dancer, and activist (she did so much work towards integrating audiences). Because of the racism of the era, she rarely got to be the lead actress but filmmakers loved her so much that they would often create stand alone segments within a film to highlight her beautiful singing, knowing that these segments would ultimately be cut from the film by censors in areas that forbid films with Black performers. Also, she's just so wonderful in Cabin in the Sky as a gold-digger villain who is not the least bit subtle about her intentions. I would highly recommend checking out her work.

Ginger Rogers (Swing Time, Top Hat)—Look I’ll level with you, I’ve never seen her in a musical and I know that she’s an amazing dancer and she’ll be even hotter when I finally watch Top Hat but I’m not submitting her as a dancer I’m submitting her as an ACTRESS. Her comic timing is impeccable!!!!! She’s full to bursting with life and in every role she seems to be having FUN, you can practically feel the twinkle in her eye. With her natural warmth it’s like she’s letting you in on the joke, y’all get to have this fun together! Making me laugh is hot!!! [If you'd like to see Ginger dance, videos below the cut]

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Lena Horne:

64.media.tumblr.com

Black American powerhouse singer and actor who faced all the usual bullshit that any BIPOC faced in vintage Hollywood and achieved legendary status anyway. Also a Civil Rights movement icon.

She was a gem

She was so beautiful and those dimples are amazing! Truly depressing how badly Hollywood treated her because she was black. I would love to have seen what she really could have been if they didn’t cast her in so many yikes roles. She’s got gorgeous eyes and that body! Her joyful smile makes happiness sexy!

Civil rights actress, singer, dancer, actress, she's got the whole package

Lena Horne was a wonderful singer and actress who largely starred in black cast musicals. While she had a lot of main stream success, she ultimately lost the lead role in showboat (a role she had played on the stage) to a white actress due to hollywood's prejudices. She was also blacklisted during the HUAC hearings, but she still managed to be hot be hot as fuck and have a career spanning decades, working with more well-known stars like Judy Garland in musicals, and working on stage and releasing albums when her hollywood career began to suffer.

Miss Horne became famous during a period of time when Hollywood had very few meaningful roles for people of color. Although she is more so known as a performer, she starred in two successful all black productions (Cabin in the Sky & Stormy Weather). If that wasn't enough, she also guest starred on the Muppets (Season 1, Episode 11)

Ginger Rogers propaganda:

She needs no introduction! An undeniable powerhouse on the dancefloor, and no less talented an actress. I once watched a compilation of cinema's greatest dance scenes and one of her and Fred Astaire's dances was featured, and one of the talking heads said he pitied her for 'having to keep up with him' - or something to that effect. Bullshit, I cry. Ginger Rogers was his absolute equal, and underplaying her incredible skill is downright criminal. I want the 'Cheek to Cheek' sequence from Top Hat to be permanently burned into my memory.

"Backwards in high heels", as the saying goes (though the pedant in me must point out that she in fact spent her fair share of time leading or dancing side-by-side). One of the earliest twinkle-toed ladies of the silver screen, and in terms of acting/persona, her balance of wide-eyed cuteness and movie-star glamour has never quite been replicated.

we all know her beloved string of musicals with fred but ginger also has an extensive and varied non-fred filmography that she's great in! a few ginger moments that are important 2 me personally ginger singing “we’re in the money” in gold diggers of 1933, complete with a verse in pig latin bc this whole movie is kinda mocking the concept of anyone actually being in the money in 1933; ginger and una merkel singing a verse of “shuffle off to buffalo” in 42nd street, providing some statler & waldorf-esque commentary on newlyweds from the upper berth of a railway car (interesting that belly was apparently a risque word in 1933 - maybe its bc the lyric is innuendo-ing about out of wedlock pregnancies - and that panties was a term for men’s underthings!); a favorite fred & ginger number

Ginger Rogers could do everything! She could sing, dance and act. She was hilarious in comedies, moving in dramatic roles (she won an Oscar for Kitty Foyle in 1940) and absolutely gorgeous!

Listen, no shade to Fred Astaire at all, but she both kept up with him step for step and then later went on to WIN AN OSCAR FOR ACTING. (which he did not.) truly a double threat!!!

One of the best dancers in Hollywood! Her work with Fred Astaire is just incredible.

ONE LINE: "Everything Fred did, Ginger did backwards and in heels" AND THEYRE RIGHT! Rogers was a total dance badass, and a lot of movie buffs know the story, but the Never Gonna Dance number from Swing Time took almost 50 takes, and allegedly by the end of filming it her white shoes had been stained pink because her feet were bleeding. As a note, she looks crazy gorgeous in this number. Watching these two dance is insane. They match up to each other in a way my mom describes as "divine" and she's right. DANCE NUMBERS!

Let's Call The Whole Thing Off (Shall We Dance, 1937, dancing starts at 3:14, they're in ROLLERSKATES)

(Ginger Rogers is the hottest woman ever to live in this number. seeing this as a teenager altered my brain chemistry)

(also watch her feet and how she moves opposite Astaire in this one. We all know our boy Freddie had that precision demon but jesus christ Miss Rogers, let a girl live!)

Pick Yourself Up, Swing Time 1936 (Everyone's seen this one but by god you are going to see it AGAIN!)

Shall We Dance, 1937 (duet begins at 2:34)

Smoke Gets In Your Eyes, Roberta 1935 (There's just something about Ginger Rogers in a slick black dress man)

The Continental, The Gay Divorcee 1934

God she's MAGIC in this one.

Gay Divorcee's Ending Montage 1934

The infamous table and chairs spin happens at about 0:49. Pay CLOSE attention to her in this bc it looks like witchcraft and I feel lightheaded whenever I watch this movie bc shes THAT awesome.

She is a miracle to watch. Sorry for the sheer amount of clips. My entire family is like madly in love with Ginger Rogers.

[ceaselesswatchersspecialboy]

I think about Jonah Magnus a regular amount, and I especially think a lot about the fact he’s often portrayed as ‘the worst’ so to speak, which, when considering the perspective of the other characters, this makes sense. His actions are personal — direct. However, regarding analysing and understanding his character, I think it’s important consider his own words, and remember that he’s more or less in a similar position to every avatar we’ve come to know.

My guess is it’s of how Jonah is presented within the story, and the viewpoint from which we experience the story, that we come to know him as somehow worse than all the others. His goals are essentially the same as many other avatars, that being the desire to start a ritual, the only real difference being that his ritual succeeded, and his actions impacted the main POV character — Jon — deeper than anyone else.

This isn’t to say what he did to Jon wasn’t awful mind you, the point is that it is, and because it quite literally shaped Jon’s entire arc and his progression into deep self-loathing and blame, it becomes harder to view Jonah as just an avatar. He has to become this force of evil instead.

But, if we wind back to episode 92.

We get a glimpse of his mentality, and it is about what you’d expect really, it’s something we see from Jon, the difference being Jon makes a choice to save Martin instead, but before that, he’s intimately familiar with this desire to Watch and to Know and to Understand. He and Jonah are both Avatar’s of the eye after all.

There’s almost a tragedy here, to me at least. There always is with avatars, whoever they were beforehand. The choices they’ve made have lead them to this point, to this Becoming, where even people they may have cared deeply for once become secondary to their hunger. I’ve said in a different post that Jonah is a painfully lonely person, and his own mentality as an avatar is definitely part in blame for this, always keeping people at a distance, unable to see them as anything but objects to study.

It doesn’t mean he lacks care though, as seen here too.

The fact he kept Barnabas’ Bones for around two centuries is enough to make that clear. He cares, somewhere, but caring does not satisfy hunger, and so, if the time comes, it must be cast aside.

We can’t really say for sure who Jonah was before the Eye, whether his quest for power and immortality was something that developed before it, or because of it. I imagine his fear of death has been a lifelong thing, which is fitting considering life expectancy wasn’t exactly as long as it is now, but that isn’t to say his desperate desire for immortality started then.

We just don’t know.

It’s fitting, oddly enough. Most avatars don’t seem to recall when it began for them either, when they changed and Became. Whoever Jonah was before, he has long since given it up, like so many before him, and that, as always with TMA, is a tragedy.

[bartxnhood]

lost stars | c.b

colby brock x reader

summary: colby is always there for you. even at your worst.

warnings: mentions of depression, anxiety, thoughts of suicide, etc.

a/n: i’ve been kinda in a slump lately so this is kinda a self insert, but also if any of my followers or you come across this i genuinely hope you know that it will get better. if you need someone to talk to me, please reach out to me. i’ll always be here for you. ❤️

requests open

not proofread

Copyright © 2023 bartxnhood. All rights reserved. This original work is not allowed to be reposted on any platform in any format.

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you were overcome with a familiar sensation. the sensation of having everyone around you but still feeling alone in the world occurred often. the need to curl up under your covers and wither away, the pain in your chest, the random tears, the feeling that you're going crazy. everything was wrong, but you were unable to express your feelings.

you surrounded yourself with toxic people over the years, hungry for any type of attention, even if it was unpleasant. you desired to feel something. even if that meant it hurt you more, it was better than nothing. you weren't numb.

you tried to block out your thoughts with music, but the songs only served to highlight how unhappy you were. your life was uninteresting, and you feared you'd never feel genuine happiness again. until you met colby, you saw everything in black and white.

he was a colorful person who saw the good in the world while you only saw the terrible. it has been said that opposites attract. despite this, you two had a lot in common after the meeting.

first and foremost, both of you had excellent musical tastes. if one of you discovered a new song or band, you'd tell each other about it. alternatively, if colby was droning on about the paranormal and his love for hunting the unknown, you'd be all ears, staring at him with the brightest smile, seeing how his eyes lit up. colby often enjoyed movie marathons with you; you'd both choose a few films you hadn't seen before and watch them together, along with the occasional old favorite you both adored.

“oh cmon, there was totally enough room for jack!” you exclaimed with the remote in hand. you just finished watching titanic for probably the hundredth time with him and you were back to arguing about the ending. “i’m not saying there wasn’t, jus sayin it would’ve been hard to balance!” he laughed, standing up from your sofa with the popcorn bowl in hand. “okay yeah maybe, but that’s why she had the life jacket!” you heard him snicker from the kitchen, “y/n, the movie is twenty years old, i don’t think it’ll change anytime soon. sorry darling” he walked back into the living room falling by your side.

though, it wasn’t always glamorous. you knew colby was famous, you know girls practically threw themselves at him and it did make you uneasy.

not that you thought you weren’t good enough for him, but the fear that once you had another episode, he would leave you.

colby understood about your mental health; he was always there for you and would do whatever to help you the best he could. you never wanted him to see you at your lowest; it was a difficult period for you, and you didn't want colby to bear that burden.

you were going through that again. everything went back to black and white, and the color faded day by day. you began to lose that sparkle in your eyes, you stopped smiling at his texts, you slept most of the day, you didn't leave your bed, and you even forgot to eat some days. your body was once again being overwhelmed by that sensation.

colby began to notice your absence, your one-word texts back, or even not messaging back for hours. it was like a complete shift. he was aware of what was going on and did not hold it against you. you needed time to deal with everything, but he didn't want you alone. he didn't have much experience with what you were feeling, but he would spend every single day with you just to understand; he wants to help you. he doesn't want you to suffer any longer, and even if you didn't talk to him or tell him how you felt, he wanted you to know he was there for you no matter what.

you lay on your bed, a mountain of sheets covering your body. all of your lights were turned out, and the only light came from your window. you couldn't recall when you last showered, maybe four days ago if you had to guess.

when you tried to close your eyes, you felt that familiar aching in your chest again. you began to cry as memories flooded your head. it was annoying not to be able to sleep without your mind taking control. reminding yourself of all you could have done better or things that have contributed to your depression. you felt guilty for everything, even if it had nothing to do with you.

you rolled over, facing your window and door. It was almost midnight. you just wanted to sleep, but following your previous naps, you doubted you'd get any. you tried to close your eyes and rest, but were interrupted by a knock at the door. "y/n?" you heard your boyfriend's voice and opened the door, only to be met with darkness. you opened your eyes and looked at him. "colby?"

he entered, closing the door behind him. "you vanished, and I just wanted to check on you." he left his spare key on your desk. "im okay," he knew you weren't, so he moved over to your side and perched on the edge of the bed. "you sure?" he asks, reaching for your hand. "i know you're having a hard time; whether you let me in or not is up to you." "but I hate seeing you suffer like this, y/n," he implored, his thumb sliding over your knuckles. meanwhile, you chewed on the inside of your cheek as you stared at the wall, fighting back the surge of emotions. "I just," you began, exhaling the breath you felt you'd been holding.

“I'm not sure, colbs. "I just don't know," you hesitated, "I always end up like this again." I can't express how I feel. "I've spent so much time suffering that it's normal," you explained, a few tears falling from your eyes. I don't want to put you down because you deserve so much more."

colby rose, had you scoot over, and took your place on the bed. he drew you closer, allowing you to cry with your head on his chest. "please don't say that." knowing how depressed you were shattered his heart. "i want to be there for you no matter how many times you go through this. “its a part of you that i still adore. you closed your eyes, fighting back tears as he smiled sadly.

"youll get through this, and I'll be right here until you do. you don't have to be alone anymore."

[cocogum]

The unconventional marriage between Yugo and Amalia.

Before I jump into it, I’m going to first talk about my personal thoughts on this moment:

💖💖💖❤️‍🔥❤️❤️‍🔥💕💕❤️💖💖❤️❤️❤️WE WON, WE GOT FED OMG THEY’RE SO CUTE TOGETHER, KISS MORE‼️‼️‼️‼️I’VE BEEN WAITING FOR THIS MOMENT MY WHOLE LIFE I’VE WATCHED YOU GUYS GROW UP FUCK‼️‼️‼️❤️‍🔥❤️‍🔥✨✨❤️‍🔥💖💖❤️‍🔥😭❤️❤️💕😭😭😭😭😭✨💖✨🥰🥰✨💖✨❤️‍🔥

Now that we got that out of my system, let’s begin explaining what happened.

The scene starts with Yugo and Amalia, holding a bouquet of flowers, walking side by side together.

At first, I thought she was carrying the flowers for Armand’s grave but it turns out that they were both walking together TO THEIR WEDDING.

(now that I think about it, it actually makes sense that Amalia won’t be carrying flowers for Armand’s tree grave cuz like…she’s a sadida. Giving flowers to another sadida, especially a DEAD ONE sounds very disrespectful lol)

I’m guessing there was a slight time skip between the necrome war and the wedding because we can see Armand’s tree, which had been just a bud in Amalia’s hands during the fight, look like it grew up a bit underneath his parents’ tree shades.

Once the two walk up to the altar, they stand side by side and hold hands while facing the others who have come for them. We can see the Percedal family with Poo, Cleophee with Black Ink and Elaine, Dathura, Renate and Canar (Amalia’s two closest servants), Alibert with Grougal, Chibi, Adamaï, and Ruel. As well as Kerubim and Atcham (Joris doesn’t seem to be there though or maybe he’s just too short that we can’t see him 😭😭).

Not to mention that we can also see the elite eliatropes standing in the back and the sadidas too!

However, as soon as the two face the crowd together, Yugo decides to teleport him and Amalia away from the ceremony, causing the people to gasp at that sudden choice.

This was obviously not a planned decision that had been added to the occasion which is why even Amalia had been caught off guard by the act.

But once she takes a second to realize her surroundings, she knows she shouldn’t be afraid and so, she simply smiles back at Yugo knowing it’s just the two of them now, way up high in the skies.

They hold onto each other without the need to say anything, knowing full well that the other is just as happy to be together like this. To feel like for once, in a speck of a minute, there’s no danger to fight. There’s no big evil they need to defeat, no psychopath trying to eradicate the gods for vengeance, no big demon coming to have some fun, and no lost soul trying to live like in the old days.

They can finally enjoy the moment they’ve been waiting for so long, after so many challenges, unspoken words that needed to be said but couldn’t be told, and the many foes they faced.

For once, it’s just them up in the skies.

And that’s when they truly kiss without any regrets or doubts. They’re not thinking about anything else.

They can just think about themselves for now.

Here they are omg!! My babies are finally together!! 😩❤️‍🔥❤️‍🔥❤️❤️❤️❤️💖💖💖

Can you believe that? It’s been a lot more than six years that we’ve been waiting for this very moment and here they are finally married and happy to be with each other like this!! 😭😭

I actually DID NOT expect to see these two getting married in the last episode but I’m so glad I did cuz my heart literally jumped out of its place and made me choke on my soda (i chose pineapple flavor for some reason).

Now that we’ve got our feelings out of the way, it’s time we analyze this wedding scene much more closely.

At first glance, Yugo and Amalia’s wedding was very sweet and beautiful, something that was deserved for the two after being apart and filled with problems on their respective sides.

It’s so sweet in fact that it stands out from any other weddings we’ve seen in Wakfu (yes, even the attempted one with Count Harebourg and Amalia) but I’ll use Dally and Eva’s wedding as the main example.

Usually, when there’s a marriage in the World of Twelve, we’ve seen the white dresses and suits, and especially the glowing happy vibes that the wedding is giving. We’ve seen it with Dally and Eva’s wedding back in the OVAs.

Evangelyne was wearing a white dress while Dally was wearing a good suit that properly dressed him up completely. They had the Sadida ruler, King Oakheart, acting as the priest in charge of the wedding. They then exchanged their wedding rings and waited for the king to end the ceremony so they could seal it with a kiss.

That is what you call a proper wedding, a classic one to be more specific.

So when we compare their marriage with Yugo and Amalia’s, one can’t help but distinguish the differences in what happened during their ceremony.

And boy is it different.

First detail we can notice is the clothing. Amalia may be wearing the royal white cape but that is just what Armand wore. So the cape cannot count as classic clothing for the wedding because it is a common piece of clothing that the Sadida ruler(s) wear while on the job. It may not look very clear at first but if you zoom in on what Amalia is wearing, she seems to have put on the same usual clothing we see her wear at all times except that it now has the white color and the leaf is green, the color symbolizing how a new age came and the kingdom now has proper rulers.

We can technically say that Amalia’s choice of clothing for the wedding would be somewhat acceptable but since she has only changed the color of the same clothes she wears every day, we cannot count this as classic wedding attire.

As for Yugo, his clothes are much easier to declare that they are not fit to be worn for a proper wedding. He’s been wearing his hood and combat suit this whole time and even on this special day, he hasn’t taken them off.

It’s clear to say that these two did not respect the clothing rule for their own wedding.

Second detail we can notice are the rings. Usually, lovers often use wedding rings to symbolize their union as well as their commitment to one another. Dally and Eva perfectly demonstrated that rule by exchanging their rings with each other (despite how they’re actually brass knuckle rings but that still counts since that’s the iop way for ya lol).

Notice how neither Yugo nor Amalia has a ring for each other. Instead, they hold hands, symbolizing the union they have made between their people.

Third detail we can notice, there’s no priest. Unlike Dally and Eva who had the king for that, Yugo and Amalia did not choose anyone to begin the ceremony. They simply addressed their union by themselves.

Fourth detail we can notice is the audience. Compared to Dally and Eva’s wedding, the audience for Yugo and Amalia mainly consists of their friends and family. The others are the elite eliatropes and some sadidas.

Because of those stark differences, it’s clear to see that the ambiance in Yugo and Amalia’s wedding is far calmer and more private compared to Dally and Eva’s which is more public and much louder.

So now that we’ve got all the points that differentiate these two marriages, we’ve only got one question left:

Why are they different in the first place?

Dally and Eva are not royals and yet they seem to have filled all the boxes for having a perfect-looking wedding.

How did Yugo and Amalia, a god-king and a princess, manage to get a much simpler and calmer wedding compared to these two?

This wasn’t a coincidence. This wedding looks much smaller than what Dally and Eva had. According to Armand’s tree grave, which seemed to have grown up a bit, this suggests that Yugo and Amalia did have the time to prepare a bit more for their wedding but they simply chose not to.

In the special episodes, just right before Dally and Eva’s wedding had even been planned, Eva had specifically stated that no one bothers Dally for a week which implies that after that week of rest, these two must’ve gotten help from the sadidas to organize this whole event for them.

This means that Yugo and Amalia could’ve done the same thing and asked for something just as good, or better since they’re royals after all. But compared to Dally and Eva, they definitely had more time to ask since we know that trees don’t grow fast (I’m talking about Armand’s tree grave) and yet, it feels like they’ve just kept it simple.

But why?

My take on the matter is this:

Because Yugo and Amalia are not supposed to have a normal relationship. Therefore, everything they do usually strays away from anything remotely expected of them to have in a relationship.

For god’s sake, Yugo literally teleported him and Amalia AWAY FROM EVERYONE DURING WHAT SEEMED LIKE THE MIDDLE OF THE CEREMONY.

Their public wedding was specifically a political one. Which is why it would explain the lack of rings.

It was a happy political wedding however since Yugo and Amalia do harbor feelings for each other (suppressed feelings that they are now free to let out of course). But that’s when Yugo completely surprises Amalia, along with the others, when he brings her up in the skies, taking her away from everyone.

That sly dummy wanted her all to himself.

The wedding was so unconventional and they knew it. But they did not care. As long as they are together, they’ll be fine. After waiting for so long and finally having each other, properly planning their wedding doesn't seem as important anymore.

That’s why the ceremony was so different compared to the Percedals.

Note: Eva and Dally’s marriage was such a classic that Eva even had to wait for Dally to propose to her when she could’ve just been the one to initiate the first move. She even knew that Dally had been planning on asking for her hand and she deliberately waited. The only thing that isn’t considered classic in their marriage was getting children before the wedding lol

[cookiescribble]

First Day

A/N: this has been in my head for a long time because I have random trivial star trek knowledge and whenever they show spencer talking about star trek in the show i go all heart eyes so I wrote a little blurb 🫶🏻 also I had fem!reader in mind when I wrote this but I realized I didn’t actually make any references to gender so 🤷🏻 - mod angel 

Pairing: Spencer Reid x GN!Reader

Summary: Spencer bonds with his new coworker over Star Trek. 

~~~

It was my first day at the BAU, and I was a little… intimidated being here. I had been mostly keeping my head down and staying quiet, since social interaction wasn’t something I was great at. I was okay just watching the others interact with each other for now. 

“Hey, kid,” Derek called out, beckoning Spencer. “I need your help with the crossword.”

Spencer walked over to Derek’s desk, which was next to mine. “What’s up?” he asked. 

Derek pointed to the newspaper with his pencil. “7 across: James _ Kirk (Star Trek). 8 letters.”

Tiberius, I thought instinctively. I considered saying it out loud, but he hadn’t asked me, so I decided to stay quiet. 

“Tiberius,” Spencer said, almost as fast as I had thought it. 

I smiled to myself. I was always the only one who knew about geeky stuff. Until now, I guess. 

Derek finished filling in the crossword. “Thanks. I knew it was always James T. Kirk, but I didn’t know what it stood for.”

Without thinking, I spoke up. “Actually, in the third episode of The Original Series, someone who’s fighting Kirk prepares a gravestone for him and it says James H. Kirk.”

Everyone turned to look at me, staring at me with open mouths. I blushed. Maybe I shouldn’t have said anything. But now I felt uncomfortable sitting in this silence. 

I cleared my throat. “Um. So. Yeah. It wasn’t always James T. Kirk, as you said. They didn’t mention his full initials until-“

“Episode 13: The Conscience of the King.” Spencer cut me off, his eyes lighting up like he had been dying to talk about this. He walked over to my desk and leaned on the front of it. “The first time they mention it is when Spock is checking his background and speaks it into the computer.”

I nodded, smiling. “Yeah, and they don’t mention the name Tiberius until the 6th movie, The Undiscovered Country.”

“Oh my god, there are two of them,” I heard Emily say. 

Either Spencer didn’t hear her or he was purposefully ignoring her. “Actually…” he started, sitting on my desk. He was bouncing a little. “The first time the name Tiberius is mention is in The Animated Series episode BEM.”

“Oh, I didn’t know that.” I admitted. “I’ve never actually seen The Animated Series. Actually, I’ve only ever seen part of The Original Series…”

That only made him sit up straighter. “Do you want to watch it? I have every episode on DVD. I’d be happy to show it to you sometime.”

I smiled. “Yeah, I’d like that. I’ve always wanted to finish watching it, and watch the other shows too. If you don’t mind me imposing…”

He shook his head. “I don’t mind at all. Not a lot of people I know are interested in Star Trek, so I’m happy to show it to you if you’re interested. You can come by my apartment sometime and we can watch it.”

I nodded. “That sounds great. I appreciate it.”

I heard people whispering in the distance. 

“Did he just-“

“Shh, don’t say anything, you’ll jinx it. I think this is the first time in history that this has ever worked.”

“And probably the last time it will ever work. This is definitely a unique circumstance.”

I blushed a little as I heard everyone talking about us, but I continued chatting comfortably with Spencer for a while before everyone was interrupted by the news that we had a case. But I was really relieved that, despite feeling so overwhelmed about starting this job, I had been able to make a friend on my first day.