there’s also just. something about how overwhelmingly ruby identifies herself (/has been identified by everyone she knows) with summer—to such an extreme degree that her self-loathing manifests as castigating herself for not being summer—and how little ruby knows about her at the same time, and how ruby fills in the gaps of what she doesn’t know with pieces of herself. the idea of summer as a funhouse mirror alienating ruby from true self-knowledge because she cannot recognize herself except by looking for her mother. and now she’s tearing away at the foundations of that mirror (life isn’t a fairytale and here, take this, it’s the only keepsake she has of her mother’s and by extension it’s the abstracted image of herself) because she wants to escape who she is—& as this happens the narrative draws the truth of summer rose closer to the surface, no longer the flawless (inhuman) paragon of motherly and heroic virtue but the real person who was (is) both good and bad and complicated; a living breathing individual who i increasingly suspect will turn out to be not very much like ruby at all, not in the sense that she was like ruby once and is now jaded and broken but rather that she never was, because the idea of summer rose is so very strongly informed by who ruby is and the implicit pressure ruby has always felt to ‘live up to’ the memory of this fairytale character everyone says is just. like. her.
it’s less about detangling ruby’s sense of self from summer’s legacy than it is ruby discovering that so much of what she thought she received from her mother was actually just her, all along, projected onto the blank (dehumanized) mannequin of someone she couldn’t remember except as the proverbial knight in shining armor. crescent rose stands apart as the one piece of ruby that has no connection to summer, whether real or imagined, because it carries forward something real—qrow was not a mythic paragon in ruby’s life, he was her uncle, for better and worse, the mentor who trained her and supported her but also the unreliable alcoholic she had to take care of, and from the complicated messiness of genuine connection with another person ruby was able to take inspiration and synthesize it with her personal style and personality to arrive at something that is both proud of its heritage and fully and uniquely her—which is why it’s missing now, because it symbolizes the idea of ruby rose that she wants to escape. (but can’t escape, because so much of what she sees as summer is actually ruby.)
the brooch goes in the other direction; it might be the only thing ruby has that is truly and unambiguously summer’s, so narratively of course she had to give it away. only by sacrificing the one piece of herself that really did belong to summer first can ruby begin to smooth out the funhouse mirror of everything else—she needs to sever the true connection to summer before she can cut through the gordian knot of every illusory connection and discover that she was looking at distortions of herself all along, and only then can she return to the question of summer’s legacy (her real legacy, not the legacy of the paragon) and decide what she wants to carry forward. which is to say, she’s getting the brooch back, but she has to get crescent rose back first—because finding crescent rose means vanquishing the alienation that has made her a stranger to herself, and she can’t truly choose or cherish the things she received from her mother until she really knows herself.
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am i gonna put you in the book acknowledgements am i gonna be able to say your name without flinching am i ever gonna get a word in edgewise am i ever gonna recover the time i spent with you. computer virus kid; i arrived in your life already begging to be let in. somehow insecure i could even be your friend. like you had a line outside the door and we were all shifting our weight, begging.
you're so fucking good at that - at making people feel like they need to earn you, like you're a commodity none of us can afford. no kindness or careful communication could work on you - you were so good at just going-ghost, about deciding someone just wasn't cool-enough. something about that is super ironic. even the parts of it that weren't romantic felt like a romance book. i wanted you to like me so badly i scrubbed myself clean just so you'd spare me - what. your favor? a look?
okay okay okay. it's just a friendship - if it was even true that we were friends, if you even saw me as someone you trusted. on reddit someone would tell me girl literally just cut her out of your life, it's not that difficult. even i was aware of how fucked up the whole situation was. like, why the fuck do i even care about your approval? you're like, not even that fun to be around. you are often a little bit cruel.
but for almost four years of my life, i thought i had found someone like me. somebody who liked the same things i do. someone who liked to read and who liked making jokes with esoteric references and who spent maybe too much time on the internet and who was absolutely a little bit pretentious. i don't know, something about that was powerful and addictive.
i keep thinking about our last conversation. about how i said - okay, enough is enough. you pushed me too far, you really hurt my feelings.
and how you laughed and said - you think you're the victim?
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Thinking abt ai betty "dying" in front of Simon and her final action as an ai built on bettys memories, was to leave Simon agonizing over what she was trying to tell him before she glitches out. When asked, she says, "I only said that so you wouldn't stop thinking about me." Like. Betty wanting to possess Simon's mind rearranging it's coding to her ends and disregarding simons protests. Despising ice king because he doesn't remember her. Despising the crown. It wasn't because of some kind of blind following. It wasn't because Simon was simply selfish. She did these things because She was selfish, stubborn, determined to do things her way and no one else's (not even simons!) Something beautiful was taken from her and she will get it back!!!!!! She was not some poor hapless innocent girl! She has committed atrocities and by god I refuse to disregard her affinity for the extreme, the reckless, the self destructive to say it's all simons fault for not getting on a bus or something. I guess what im saying is support women's wrongs <3
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"The outer reaches of space remain unexplored by humankind to this day, but its greed is relentless. We grasp and yearn and hunger for knowledge— answers to questions we cry out into the endless void expecting to understand, expecting the stars to respond. The stars will not, but one day something else will— and we will not like what it has to say." — Rome Solomon, Beyond the Exosphere (1965)
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2024 reads / storygraph
Here We Go Again
adult f/f romance
follows two childhood friends who’ve hated each other since their middle school crush-based falling out, who are now both back teaching in their small town high school
when the english teacher who was like a father figure to both of them asks them both to drive him across the country as his dying wish, they give in and spend a summer on a wild road trip across the country that forces them to confront each other and maybe grow back together
two lesbian MCs with ADHD, one is likely aroacespec
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