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#like i feel its worth mentioning
silverskye13 · 2 years
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Continuing on my saga of, Skye rants about Epic/High Fantasy and should probably give up but hasn't yet:
I know fat-shaming in general is a problem in media, but what is it about high/epic fantasy specifically that makes them hate anyone overweight? Like I know the stereotype is the main character will be a lean and fit swordsman, or a spindly mage or whatever, but some of these books are just killing me.
Riyria Revelations called out fatness/overweight characters constantly, and they were only ever foppish antagonists too obsessed with food and drink to do anything productive besides being a minor inconvenience. Describing people with saddlebag cheeks, or stomachs that tumble over belts and pin them in furniture. Free the Darkness has a bad problem with caricaturizing people in general, but the first overweight person we run into is described as being so contemptuously fat he can't even pull his sword from his scabbard, contrasted by the main character who is chiseled and beautiful and perfect in his deadliness. Dragons of Autumn Twilight has a goblin who is so "disgustingly overweight" his belly rolls over his saddle horn, and is once again represented as a piggish, idiot antagonist. And that's not getting into the narrators for these audiobooks who make piggish voices for these characters because they're fat so of course they would.
It makes me kinda hot blooded tbh. Like we get it authors, you hate fat people. I think the thing that gets me about it the most is they don't describe other people like this? Someone who is super skinny isn't described as sickly, clammy and pale, with a stereotype for painful social awkwardness. Super strong men are sometimes noted to be a little duller than the average, playing to that stereotype, but they're not rendered dullardly and useless, instead their strength is still played as a formidable challenge. But fat people? Oh no, in the eyes of our godlike, sculpted protagonists, anyone who has a few more pounds packed on is stupid, slow and useless, clearly only in power because of birthright and appointment and no other reason, waiting to be unseated the minute someone fit for their position [and infinitely stronger, quicker and more deadly] can sweep them off it -- all while deriding how hard it is to clean up their massive bodies in the process.
I just get really, really tired of reading it.
I will say I really liked Paladin's Strength, because the main female character Clara is described as being a bigger woman, but that doesn't stop the fact that she can turn into a bear and wreck house any time she wants. Granted, she's also 6ft tall and strong-big instead of fat-big, but I'll take the victories I'm given.
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imaybe5tupid · 5 days
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Why bother? (Why bother?) It's gonna hurt me. (It's gonna hurt me.) It's gonna kill when- (Why bother!) -You desert me! (Gonna hurt me!)
Set after Nightmare. Laios is reminiscing and contemplating.
#laishuro#laios touden#i make a lot of jokes on here since part of the fun of this blog for me is limiting myself to only expressing ideas via drawings#as much as I can to try to see what I can try to convey in the limited time I have to draw each day which is sometimes like 15minutes#but laios idea of who shuro was to him and who he continues to be and how it ties into his own feelings of self worth and self hatred#not to mention being so thoroughly defined by having never been indulged before by the men in his life#are so compelling to me#and then of course you mix in toshiros own mind prisons#and their established dynamic of him begrudgingly putting up with him because he feels he has to and bc hes cursed with obedience#whilst laios genuinely thinks shuro does it because he likes it and likes laios because why else would anyone act like that#when everyone else in his life has not hesitated to Let Him Know#this is what is so fun about relationships like this…forever passing by each other’s true feelings like ships in the night#and on toshiros side umineko said it best People are riddles. They want someone else to solve their riddle#they live life wanting someone to solve the riddle that they are#the most difficult riddle in the world#without love the truth cannot be seen sighhhh many such cases#sometimes i get embarassed how deep i get for some of the characters in this series it really is that deep sometimes but not always#but WHATEVER#i never even engaged in or was interested in shipping the several years i read dunmeshi EXCEPT laishuro lol#which i sadistically wanted to stay one sided and miserable forever. I rarely get fed such genuinely fraught dynamics as their one in manga#so i became obsessed#and walked through the desert alone for 40 years and then checked in as anime started airing that other people ship this and gaf#and decided to unleash the jokes and ideas that my like 2 friend who like anime previously suffered alone as though they were jesus christ#now tho as much as I still enjoy tragedy and pain and emotional suffering I’ve let love and peace and requited fulfilled yaoi into my life#with laishuro. and its great!#my comics
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puppyeared · 9 months
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fake ep idea + doodles
#i was thinking abt how funny it would be if there was a shiftythrifting blog equivalent in lmk. and half the stuff on there is#submitted by wukong. so i thought a yard sale ep would be funny lol#basically the hoard becomes problem one way or another and wukong figures the best way to get rid of his junk is thru ebay#somehow ends up selling world ending artifacts to random megapolis citizens so mk mei and redson have to scramble to find em#purposely meant to mirror the weekly shenanigans s1-2 style eps that are really goofy (dumpling ep noodles ep etc)#but it gets darker and darker because MK is not fucking ok after that whole thing with the scroll and some unchecked identity crisis#for me id want him to kind of. freak tf out because they have to find MULTIPLE chaos inducing items that could end the world while trying t#be sillygoofy and funny about it. so hes trying to mask his panic with “ohhh guys its just like the good ol days ^_^ remember that ^_^”#ESPECIALLY after that whole thing with the ink scroll. also mei doesnt buy any of it and is worried for him the whole time#as for the B plot it could be monkey king also trying to be very relaxed abt selling 4000 years worth of stuff and tang getting all huffy#like “these are priceless artifacts that could help us learn so much about the past!! wtf man!!!”#and maybe it reveals smth like wukong not wanting to hold on anymore bc his past weighs him down. and theyre all reminders#i think azure mentioned that wukong is sentimental (idk if that was genuine or lying to mk) so that could be touched on to#so basically. the theme would be some sort of conversation abt nostalgia. i think. im not a writer so its very fuzzy in my head#if anyone wants to add on or include their own spin on it feel free. also included undercut redson as a treat somewhere in there#myart#lego monkie kid#monkie kid#lmk red son#lmk mei#lmk MK#lmk xiaotian#lmk xiaojiao#lmk sun wukong#lmk swk#doodles#lmk tang#lmk pigsy#lmk traffic light trio#yard sale ep
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flickerintwilights · 2 months
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on the road to hell
#hadestown#art#my art#tag ramble as promised:#firstly#i’ve been thinking about redoing this as digital art#(like - mostly the same but cleaner and with some of the details fixed) and probably will if i have time#because i like this composition a lot#but! for now i am oddly happy with how this turned out despite being traditional art/watercolor (no undo button. sobs.)#and it Is a noteworthy day for hadestown with lola tung and lillias white departing#(this is Not meant to celebrate them specifically - i used the obc as reference not them - i just think it’s a nice day symbolically)#so i thought i’d put this out. whatever. yknow.#oh a second thing i will say is that this was a great excuse to check out the slime tutorials on youtube#i spent like 9 or something hours on this :/ so. plenty of time to have things on in the background while i was working. we love slime#thirdly! two things i feel like are worth mentioning rq for Symbolism:#wait for me reprise (intro) originally having wedding procession imagery (from anaïs mitchell in working on a song)#is what first made me desperately want to put the flower/petals on the edges (it still fucking haunts me)#though it was a solid composition choice in general i think#and i mean. clearly the carnation should be prominent. it’s the carnation. from hadestown.#i don’t think the wedding procession reference comes across the way it turned out but that was the first thought#NEXT ouroboros. the snake devouring its own tail (i legitimately forgot that this was why i first drew the rattlesnake that way but#fundamentally i really did just want its tail and head to point to each other lmao)
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hecksupremechips · 1 month
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Come back home when you have some sense
You can throw your life away just not at my expense
You’re not the son I raised
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#jhariah#this one just rawrrfrrr#and then uh another line thats like ‘tell me did you raise a man?’#nice#im just listening to the new album to cope with nasty sickness and feeling out of it#god this album is really good it has every emotion in there like this song for example just the part where they scream the chorus its like#hnnnghhh#hm some other moments from the album im liking a lot uhhh i love re: concerns a lot#the part where hes like reading off the complaints and then the part where hes just screaming and its like BAM BAM BAM BAAAM#sasuke is so good and the bit at the end where its like ‘i just want you to know im so so...’#like hes gonna say sorry but cant seem to say the word for whatever reason and i know nothing about sasuke#but i has to imagine the fan girlies are eating gravel over that one lol it gets me#and theres just that like spooky echoing afterwards#the intro to fire4fun goes SOOOOOOOO hard i was losing my shit its awesome#the entirety of trust ceremony is giving me big feelings but specifically that part towards the end where its all quiet and you hear#its like whistling i think? like a marching band is coming in maybe#but it also kinda sounds like nature too and idk i like got a little bit um magical at that part cuz i was driving down a big hill#and it had been raining but there was a clearing in the clouds and the sun was bright and like at this particular hill#you can just see everything like the land stretches for miles theres trees hills the river farms all that shit#and idk with the extreme stress and depression ive been feeling its hard to have these moments where life seems worth it#and its hard to really feel anything anymore or to feel in the moment but idk i was just going down that hill seeing everything and it was#very majestic so yeah that song is definitely gonna have the same effect as pin eye for me#which i must mention pin eye again its still OOOOGHH very good it came at a pretty good time for me#yeah basically this album is uhhhh whats keeping me somewhat grounded rn i recommend 👍
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moeblob · 22 days
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What Deacon thinks: what did that mean? did he want me to wear a collar too? why else would he mention my neck? i mean, if he /asked/ me i would wear one but he didn't so would wearing one be weird?
What Ymber meant: It's nice to be near someone who isn't tethered to this world to serve it with a physical reminder for all to see.
#my characters#this just in ! thats why all the deities in the plot have collars and a chain !#its because THATS THEIR DESIGNATED I AM HERE TO HELP THIS WORLD SYMBOL#they cant remove their collars and thats fine by them - its a constant reminder that they exist to serve#deacon really shouldnt get as much crap as he gets in canon for being weird cause the deities are just a different brand of weird#like its not deacons fault that apparently you can say nice neck with no underlying desire#but he cant say hi would you please possess me i want to know what its like to have someone else in my body#like thats really not something you should pin on deacon YET EVERY deity is like wow what a lil weirdo#he also just really wants to please ymber so if ymber asked he would definitely do whatever#on the flip side i need to point out that deacon very specifically doesnt ask ymber for things nor does he pray for things#and it drives ymber up a wall because this is his favorite human who wont ask for anything and he isnt a psychic#he doesnt know what deacon wants or needs and its infuriating cause he exists to serve humanity#and yet this ONE GUY wont let him do things for him#this is very important and i cant believe i mentioned it like a month ago to someone and today#i received gift art of these two and i may never recover#its so perfect and its ymber just looming over deacon telling him that he can pray about anything to him#its also worth pointing out that when i was telling the person about the whole ymber begging for a prayer#its because he realizes that after all this time hes never had a single prayer from deacon - not before nor after the hire#so hes like oh well thats odd hmm#and then begins to talk to deacon like you know people pray to me for lots of things#and deacon looks at him unsure of what this is leading to - did someone offer a weird prayer? ask a weird thing? whatst?#and no - its just ymber saying that people will pray for wealth or an item#or they will express frustration if something is lost or broken despite it not being ymbers fault so deacon just stares#he has no idea what this is going to end on really so he points out 'well you do like to think you break people'#and ymber just ASDFASDFSADF STOP OK NEXT POINT people pray to me to bless relationships with happiness#and thats fascinating so deacon is like wow can you actually do that?#and ymber is so stressed as hes like i mean kinda i can simply amplify the positive emotions in gestures#like if someone gives an item out of love then its blessed#he also admits that he cant mask insincerity or malice so those feelings are not hidden nor amplified#and deacon just is impressed bc that is actually VERY cool
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soracities · 10 months
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Hi! So I tried not to say anything about some anti makeup posts I saw on your blog but I need to say this. I think you're very wise and I agree it's very important for us to love ourselves as we are. But some people like myself doesn't care about 'empowering' of makeup or whatever but we just have fun with it and we just love it. I say we because I know there is a lot of people like me. Yeah, we are feeding capitalism or whatever, but world is beautiful and it's also terrible so people trying make themselves feel good, have fun, ect. I see a lot of people who don't wear makeup and i'm happy for them! I didn't wear makeup until i turned 20 i think and felt good.
One thing I wanted to add is in response of post about feminine girls. I think everything needs balance and sometimes people tend to overreact in their opinion and divide everything in black and white. Personally I never cared how women around me looked and what they were wearing. But I would like to have same treatment, and not to feel silly for wearing pink or feminine clothes.
Sorry, I don't know English very well so maybe I can't translate my idea entirely. What I'm trying to say i think everyone should do what they like and leave each other in peace.
Sorry for this essay, just wanted to share my point of view.
Hi, anon! I'm sorry for the delay in getting to this, but I appreciate you writing this (and your English was fine, don't worry)
I think the main argument of those posts (and my own feelings about this) is not about makeup on its own, or even judgement about who does and doesn't choose to wear it--what they are criticizing is a particular part of the society we live in which puts a huge emphasis on women's beauty and appearance in order to fulfill an idea of what a woman "should" be, and the role that makeup plays in that as a result. Because whether we like it or not, whether we believe in them or not, whether we feel pressured by them or not, these expectations do exist. How we personally respond to them does not change that.
I personally don't have an issue with makeup or the concept of it (in almost every culture on earth, humans have been using makeup of some kind for literally thousands of years)--but what I do have a problem with is when we treat makeup, or other traditionally "feminine" forms of expression as neutral things when they are not. A comb or a hair tie is neutral--it's just a thing. Lipstick and eyeliner are also just things, but only when they exist by themselves--and in reality they don't exist by themselves: they exist in a world where we value women on their physical appearance before we value them for anything else--lipstick and eyeliner exist to emphasise parts of your appearance, to make you look a certain way--and in a society where we put so much importance on women looking a certain way, they aren't just ordinary things you toy around with for fun. You can have fun with them, but it doesn't change their role. They can't be treated as exceptions from the world they are used in.
I think sometimes people assume that being anti-makeup is the same as being anti-women-who-wear-makeup, which misses the point (and also suggests a very dangerous idea which I think, sometimes, is why people respond so angrily to these criticisms: because if we believe that being anti-makeup = being anti-women, then therefore makeup = womanhood, and this is simply not true). Whether you wear these things just for fun and to enjoy yourself isn't what is being talked about because these criticisms are not about you on a personal level: they are about looking at a society that is as image-obsessed as ours, and asking why makeup has the role that it has when 1) it is almost exclusively aimed at women--women who, as a group, have been historically marginalised, and whose value, historically, has almost always been measured in terms of their beauty before anything else and 2) the makeup that is emphasized, the trends and styles that come and go, are often not so much about self-expression (if they were, people would be freely wearing all sorts of wild colours and styles: when we talk about "makeup culture" it's not the same kind of makeup used in the goth, punk, or alt scenes for example where makeup plays a very different role) but almost always about achieving or aspiring towards a type of beauty that is valued or expected: to make you look younger, to make your eyes brighter or larger, to make your lips bigger or sexier, your cheekbones more prominent etc--again, on their own, these things may not be a big deal, but they exist in a world where having these looks means you are valued in a certain way as a woman. And when this exists in our kind of world, where the power dynamics we have automatically mean women's perceived power is through beauty, and where we insist so much on women being a particular kind of beautiful (and this starts in childhood) we have to ask and investigate WHY that is--why this type of beauty and not another? why (almost only) women? who benefits from this? who suffers as a result?
The argument of "not all women" wear makeup for empowerment misses the point of these criticism, because it is focusing on a person's individual choices in a way that suggests our choices can define the world we live in, and they can't. We are deeply social animals. Therefore, how we appear to each other and to ourselves is a socially influenced phenomenon. This applies for race, for sexuality, and for gender. How women are perceived at large, in different social structures, is a social phenomenon influenced by the societies we exist in and the values of those societies. These criticisms are about the society we make those choices in and how that can affect us. For you, makeup may be something fun and enjoyable and that's fine. I'm not saying that's untrue or that people don't feel this way or that you are wrong for feeling this way. It's also not saying that you are brain-washed or oppressing yourself for it. But it doesn't change the world we live in. Someone feeling perfectly happy to go out with makeup or without makeup, and feeling no pressure to do either, is great--but it doesn't mean there aren't a lot of women who do feel pressured into wearing it, and that pressure is a social one. It doesn't change the inequality that exists between how women's physical appearances are judged compared to men's. It doesn't change the fact that almost every childhood story most kids hear (that aren't about animals) have a "beautiful princess" (and very little else is said about her except that she is beautiful) and a "brave" knight/prince/king/whichever: the princess (or maiden or whatever young woman) is defined by how she looks; the male in the story by how he acts.
It also doesn't change the fact that so many young girls grow up hearing the women around them criticize various parts of their bodies and that they carry this into their lives. It doesn't change the fact that we expect (in Western countries at least) for women to have criticisms about their appearance and they are "stuck-up" or "full of themselves" if they don't. It doesn't change the fact that magazines photos, red carpet photos, films, tv shows etc., feature actresses who are beautiful in a way that is absolutely above and beyond exceptional (and who either have had work done cosmetically, or are wealthy enough to be able to afford to look the way they do through top-class makeup artists, personal trainers etc) but who we think are within the "normal" range of beauty because faces like theirs are all that we see--how many famous actors / entertainers can you name who look like they could be someone's random uncle, or "just some guy" (writing this, I can think of 5). Now how many actresses, equally famous, can you think of that are the same? Very, very, very few.
The point of those posts, and why I feel so strongly about this, is that we have a deeply skewed view of beauty when it comes to women, because, as a society, we place so much on how they look in such a way that it is not, and was never meant to be, achievable: therefore anything that contributes to how women look, that markets itself in the way that the makeup industry does in this day and age, needs to be questioned and looked at in relation to that. No one is saying don't wear eyeliner or blush--what they are trying to say is that we need to be aware of the kind of world eyeliner and blush exists in, what their particular functions as eyeliner and blush do in the world that they exist in, that we exist in, and how this does impact the view we have on makeup as a result. Your personal enjoyment may be true to you and others, but this doesn't change the role of female beauty in the world because, again, our personal choices don't define the world in this way. Often, it's the other way around. And we cannot deny this fact because, while it may not affect you negatively, it does affect others.
I absolutely agree with you because I don't care how other women around me choose to dress or express themselves, either--that's their freedom to wear what they want and enjoy themselves and I want them to have that freedom. But my view is not the world's view, and it's certainly not the view of a lot of other people, either. I don't care if another woman loves pink and wearing skirts and dresses--but, like makeup, pink, skirts, and dresses, are not neutral things either. They're tied to a particular image of 'femininity' which means they are tied to a particular way of "being a woman" in this world. I'm not saying, at all, that it's wrong to wear these things. But I'm saying we can't treat them as though these are choices as simple as choosing what kind of socks to wear, because they aren't. They are choices that have baggage. If a woman is seen as being silly, childish, or treated unequally because she enjoys cute tops and ribbons and sundresses, that's not because we are demonizing her choices, or because being anti-makeup is being anti-woman (again, it is absolutely not): it's because we as a society demonize women for any choice. That isn't because of anti-makeup stances--that's because of sexism.
You mentioned that you want to be treated the same as anyone else for wearing feminine clothes--but the fear that you wouldn't be isn't because of the discussions critiquing makeup and other traditionally "feminine" things--it's because we live in a society where women are constantly defined by how they appear on the outside, and no amount of our personal choices will make this untrue. Whether you are a girly-girl or a tomboy, you'll always be judged. And, in reality, when women follow certain beauty standards they do get treated better--but this doesn't mean much in a society where the standards are so high you can never reach them, and where the basic regard for women is so low to begin with (not to mention the hypocrisy that exists within those standards). This is what all those criticisms towards makeup and "empowerment" are about: it's about interrogating a society that is built on this kind of logic and asking why we should insist on leaving it as it is when it does so much damage. It's saying that that if we want everyone to truly feel free in how they choose to present themselves we have to go deeper than just defining freedom by these choices on their own, and look at the environment those choices are made in. And that involves some deeply uncomfortable but necessary conversations.
Also, and I think this important to remember, views on makeup and the social place of makeup will also depend on culture and where you are, and the beauty expectations you grew up with. And when it comes to the internet, and given American dominance online, a lot of these posts criticizing makeup and the way makeup is being used to sell an idea that wearing it is "empowering" to the woman (which is basically saying: you are MORE of a woman when you wear it; you are stronger and more powerful because, in our society, beauty is portrayed as a form of power: it tells you, you can battle the inequality women face by embracing the role beauty plays in our lives but it doesn't tell you this emphasis on beauty is part of that inequality), are based on the way makeup is portrayed in mostly English-speaking Western countries. My views are shaped by what I grew up seeing, and while a full face of makeup (concealer, primer, foundation, mascara, highlighter, contour, blush, brow tint, brow gel etc) may not be daily practice or even embraced in a place like France or maybe other places in mainland Europe (but that doesn't mean they don't have their own expectations of feminine beauty), they are daily practice in places like the US and Britain, and this is what most of those posts and criticisms are responding to.
We can argue as much as we want about makeup, but when you grow up in a society where women feel the need to put on makeup before going to the gym there is something seriously wrong. Embracing makeup and enjoying makeup is one thing, but it cannot be a neutral thing when so much of it is about looking like you're not wearing makeup at all, or when we assume a woman is better qualified for a job or more professional when she wears it. It cannot be a neutral thing when a singer like Alicia Keys goes makeup-free for a red carpet event and it causes a stir online because people think she looks sick (what she looks like is normal--I would argue above normal--but wearing makeup to cover up "flaws" is so normal now that we genuinely don't know what normal skin is supposed to look like because the beauty of these celebrities is part of their appeal: they are something to aspire to). It is absolutely very normal for me, where I am, to see young girls with fake lashes and filled in brows: it's not every girl I pass, but it is enough. I'm not saying they are miserable, or brain-washed, or should be judged. I can believe that for them it's something enjoyable--but how am I supposed to see something like that and not be aware of the kind of celebrities and makeup tutorials that are everywhere on TikTok and YouTube, and that they are seeing everyday? How am I not supposed to have doubts when people tell me "it's their choice!" when the choices being offered are so limited and focused on one thing?
I never wore makeup as a teenager and I still don't, but a lot of that is because I grew up surrounded by people who just didn't. Makeup was never portrayed as anything bad or forbidden (and I don't see it like that either)--it was just this thing that, for me growing up, was never made to be a necessity not even for special occasions. I saw airbrushed photos and magazines all around me, for sure, and I definitely felt the beauty pressure and the body pressure (for example, I definitely felt my confidence would be better if I wore concealer to deal with my uneven skintone, and I felt this for years). But I also know that, growing up, I saw both sides. No makeup was the default I saw at home, while makeup was the default I saw outside. And that does play a part, not just in the choices you make, but in the choices that you feel you are allowed to make. No makeup was an option for me because it was what I saw everyday, even with my own insecurities; but if you do not see that as an option around you (and I know for most girls my age, where I grew up, it probably wasn't) then how can we fully argue that the decision you make is a real choice?
If I wanted to wear a cute skirt outside, for example, and decided to shave my legs--that isn't a real choice. And it cannot ever be a real choice, no matter how much I say "this is for me" or "I prefer it like this" because going out in public with hairy legs and going out in public with shaved legs will cause two completely different reactions. How can I separate what I think is "my choice" from a choice I make because I want to avoid the negative looks and comments? And how can I argue that choosing to shave is a freely made choice when the alternative has such negativity? If you feel pressured into choosing one thing over another, that's not a choice. Does this make sense?
This is how I feel about makeup most of the time, and what I want more than anything else is for us to be able to have a conversation about why we make the choices we do beyond saying "it makes me feel good" and ending the conversation there. Again, I'm not saying people need to stop wearing makeup or stop finding enjoyment in wearing it, but I think we tend to get so focused on our own feelings about this and forget that there is a bigger picture and this picture is a deeply unequal one. That is what this conversation is about. I hope this explains some things, anon, and if I misinterpreted anything please feel free to message me again. x
#i think in essence what i'm trying to say is that#some things are true in a microcosm but you cannot make a universal application for them bc the microcosm isn't representative of the whole#and it is dangerous to assume that it is or that it can be bc you're erasing the bigger picture when you do that#it would be like a poc saying they never felt the pressure of skin-lightening creams which is amazing but it doesnt change the fact that a#whole industry exists selling skin-lightening products BECAUSE there is a demand for them and that demand exists BECAUSE there is an#expectation that they SHOULD be used and this is because there is a belief that lighter skin = more beautiful. regardless of how messed up#and damaging that logic is that doesn't mean it doesn't exist in the world#and therefore those industries exist to maintain that belief because that belief is what drives their purpose and their profits#and we are doing no favours to the countless poc who DO feel pressured to subject their skins to these products or who come away with#a deeply damaged sense of self-worth (not to mention the internalised racism that's behind these beliefs) bc of constantly being told they#are less than for being darker than a paper bag which is RIDICULOUS#saying its all down to choice is not far off from saying you can CHOOSE to not be affected by the pressure but like....that's just not true#you can't choose to not be the recipient of colorism any more than you can choose to not be the recipient of sexism. and its putting a huge#amount of pressure and responsibility for an individual to just not be affected by deeply ingrained societal pressures and expectations whe#what we SHOULD be doing is actually tackling those expectations and pressures instead#they are leaving these systems intact to continue the damage that they do by making everything about what you as an individual think and#believe but while we all ARE individuals we dont live in separate bubbles. we are part of and IN this world together. and it acts on us as#much as we act on it. but like.....i think i've gone on enough already#ask#anonymous
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youredreamingofroo · 1 month
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📩 Simblr question of the day: Who's your biggest inspiration/s on Simblr? Mention them! Tell us why you like them!
honestly probably could've made an 800 page essay on people who inspire me on simblr, but these are my BIGGEST biggest inspirations :P
@minimooberry : Honestly, she's the reason why I even pursued rendering in blender and her stuff is probably the only reason why I even joined Simblr to begin with 🥹
@stellarfalls : Bree, the LEGEND, has inspired me in a lot of ways but the biggest one was her GIFS... I remember seeing her post of Rohan and Hana's first meeting and that sparked a light in my chest... I wanted oh so badly to make Gifs as good as her... I'm getting there but we all have different styles so it'll never be exact and I know my gifs will be good in their own way 🫶
@birdietrait : Their overall sim style just... idk its so good and loved it when I first saw their posts 🥹
@groovetrys : Her general editing style was a HUGE inspiration for me, I can't quite explain or pinpoint it but I LOVE her editing its sooo aesthetically pleasing
@slightly-ludic : This is a bit of a smaller detail, but I just LOVE how Jade edits her globetrotter screenshots, I love the sort of narrator perspective in the text and I've started to try and do something similar in Make the Most of It :)
@mattodore : So i've always loved being passionate about my characters (hence why Roo still exists 5 years later), but seeing River's blog and how IN DEPTH they go for Theo and Matthias (and their other OCs ofc) and how much passion they have for their characters inspired me to get more into the blood and guts of my characters, I don't think I'll ever get there exactly cuz I feel like u could ask River what Theo was doing on February 9th 2018 and they'd have an answer and I would not LMFAOO
@rebouks : I am just overall VERY inspired by Becca, but she's one of the people who got me inspired to start making more poses (albeit I was already into making my own poses, she definitely bumped that inspo) and I'm very inspired by her storytelling, its SO good and feels soooooo human
@buttertrait @miralure @acuar-io : squishing these three together because all their vibes just make me so happy and inspired or at least allowed me to feel like I can be myself in this community (mainly cuz their vibes are similar to the vibes of people I like and am friends with irl)
@torissims : her whole aesthetic is just something that I ASPIRE to have... like the vibes of her yesterday save posts are just MWAH chefs kiss man
@missatan : (nat getting all my love today damn LMAO) I don't think my renders will ever be as 8K ultra HD 5 billion pixel quality as hers, but the symbolism behind them and just how good they look have inspired me to at least WANT to do/get better at rendering
some of these might not really be classified as "inspirations" but I still felt like sharing my adoration for these people - There's SO many more people I could've @'d but felt these were my very VERY best inspirations.
I should mention that all my mutuals inspire me one way or another, the community as a whole has inspired me to be kinder and inspired me to just spout my adoration for peoples' work
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todayisafridaynight · 10 months
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Share Mine notes please I beg (and on the arakawa fam if you have the timefkfd)
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forgive me if these are messy as all fuck i'm not good at making notes BUT here's everything i generally keep in mind when drawing mine and hijikata + the reference sheets i look at when drawing them :)
arakawa family notes + references below:
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(more notes about aoki + sawashiro's faces ft. ikumi here)
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good-beanswrites · 5 months
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LCSYS ask again(undercover asker here hiiiiiaufhghghgn)thank you for responding!!!! ilovfe seeing your ideas theyre such good fuel in between trials❤️❤️
i was wondering how th prisoners would react to es’ usage of violence, like some of the younger prisoners complaining about it while the older are concerned because Hello Where did that stem from???? you cant tell me es’ “phew, i feel so much better” after hitting shidou didn’t send his mind racing a million miles per minute
ALSO curious about YONAH………… similar to how red’s violence towards es was scripted, was kotoko’s monologue about es being imperfect Also scripted, or was it on her own? yonah is probably my favourite voice drama of all time and I’m curious about how it would be interpreted in this au 🫶
Ah hello again! Thank you so much for reaching out -- every time I think I've covered everything you guys hit me with a new insane detail that makes my brain go brrrrr >:3
Because OMG I spent so much time thinking of the faked violence, I don't know why I never put as much attention on the flipside! I love the idea of Jackalope assuring them, "there will be no physical punishments. We'll talk about restraints but that's all fake. We'll make up injuries between trials but that's all fake. You don't have to worry about any real pain." And then this 15yo strolls up, interrogation one, ready to smack someone😅😅😅
Seriously though, I think it would come as a pretty big surprise to the group. They knew it was a possibility, but didn't think Es was that likely to attack, since they've made a few comments about being against violent punishments. Haruka comes back to mention the slap, and Yuno follows their instructions and says she also suffered violence, and the group is Shocked. I think it would just kill Fuuta that he wasn't allowed to hit back and avenge the others. He probably has the most complaints about the situation (and is insanely relieved that he get by in his own interrogation.) In a feeble attempt to get back at Es and make them feel bad, he encourages Muu to cry and make a big show about being afraid of them. Muu is frightened enough that it doesn't take much persuasion... I think Kotoko and unfortunately Amane wouldn't mind the threat, they both have lives in which authority showing power isn't out of place (and maybe Haruka?). Mahiru, too, thinks it's just the way a prison guard can run their prison if they want, though she's determined her charm will keep things running pleasantly.
Kazui reaches out asap* to question the legality of the experiment, since they're allowing children to get hit, even if by other children. There's a tangle of signatures and consent from everyone involved so it's okay, but the whole thing still rubs him the wrong way. He knew the experiment was a bit shady, but he(Though, this does make his first vd kind of funny -- instead of actually talking through his theories on the prison, now it feels like he's just egging Es on to see if they'll actually hit him...)
And I really like that idea that Shidou's dad instincts kick in (or maybe it's doctor instincts)! He'd understand if it was a child trying to play the role of an intimidating adult, but the way Es is doing things, the things they're saying, it all points to something deeper going on in Es' head. I can see him sitting down with the others and Jackalope to discuss. Of course Milgram gives him very little to work with, but this still kickstarts everyone's efforts to make sure Es is also taken care of post-Milgram.
*I just realized I'm still a bit fuzzy on communication during the trials. Jackalope can definitely get information to the prisoners (most commonly the 'voices' they're supposed to be hearing based on Es' notes, but also in case of emergency changes or things). I was picturing the prisoners unable to communicate outward until the trial ends, as it builds up the feeling of isolation and imprisonment. The issue is, I feel like Jackalope would want to keep that line open in case the prisoners had questions/issues with the experiment that affected their acting. So idk if the prisoners voice these concerns about Es mid-trial or they're forced to wait. I'll get back to you on that, hm
And Yonah!!
I wasn't avoiding spoilers, I actively looked for snippets here and there, but it was this ask that finally motivated me to sit down and watch it through -- and I'm SO GLAD I DID 👀 It's really well-written and wonderfully acted!! I'm floored with the whole thing omg
I really like the idea that the Milgram team instructed Kotoko to mention Es' imperfection to rattle them a bit, but left the specifics to her. Jackalope thought she'd just make some quick comment, and does a double take when he listens in on the interrogation and realizes she has a lot to say on Es and the way Milgram is run.
Jacklope told her to be harsh with Es, and she thought that was no problem at all. She felt those opinions strongly and wasn't going to go easy on the criticism just because they were a kid. She goes into the interrogation ready to stay completely put-together... and then surprises everyone and herself when Es' distress moves her to pull them into a tight hug and tell them everything's going to be alright ;---;
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h0n3yk1tt3n · 5 months
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Merry whatever
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silverskye13 · 7 months
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You know when I was an edgelord tween I used to think it would be really cool and spooky if I was Afflicted By Horrific Visions And Nightmares like an anime protag or a warrior cats OC or something, but now I'm an adult who reliably has nightmares and sleep paralysis when I sleep for 8-10hrs a night and I'd like to know what my younger self was smoking, actually.
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zooweemama143 · 1 month
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last rb had me thinking of how lame bif would actually be as a person
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rapidhighway · 12 days
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I miss nine and ten so bad I'm gonna be sick no one did it like them ever again ououuughhhh
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zanukavat · 4 months
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can u tell me about the two little gay alien guys
OOOH SHIT YOU HAVENT WATCHED SOLAR OPPOSITES??!? you gotta. oh my god. please.
they're terry and korvo and theyre the most dysfunctional deeply-in-love dumbass alien husbands youll have ever laid your eyes upon.
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the show is so silly and genuinely lovely. the plot is pretty much, family of aliens who "stranded" on earth and need to carry out their mission on the planet but instead settle into human life and domesticity. also theyve got kids (replicants) and a pet/child(more of a pet with a mind of its own).
terry is more accustomed to and a fan of human culture whereas korvo is stern and rational in the beginning and god i love their character development and relationship so so much
when i started watching it i kinda just did it cuz i had caught up with rick and morty, a friend had already seen solar opposites a while ago and said its good. and i was like, seems good; oh justin did this show too, guess i'll watch it. he voices korvo but as you might know they changed his VA for the newest season by shooting him with a voice changer dart lmao so now he's british
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intruderzim · 9 months
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diet culture is such utter horseshit. why on earth should pasta not be consumed and enjoyed. (aside from allergens and true intolerances) why deprive yourself of one of the most human ways to connect with the world around you: enjoying food. and emphasis on ENJOYING, not just eating sawdust protein bars to keep your stupid flesh body alive so you can put more sawdust in it. humans have cultivated and created and experimented with all kinds of foods and ingredients over centuries and you’re gonna sit there and tell me to avoid pasta cuz it has Carbs in it?? do you fucking know anything? about anything? that carbs are your bodies’ preferred source of energy?? that there’s no such thing as a Bad macronutrient?? that the demonization of carbohydrates is fucking ridiculous, and how insane it is that these people tell you to avoid rice and anything with dough and bread and like 90% of every cultures food on earth?? makes you think huh! fuck you diet culture fuck you diet industries fuck you fuck you fuck you. this food was not made to hurt me, it wasn’t made to hurt anyone. this is meant to be shared and enjoyed and loved. i don’t think anyone meant any harm for inventing bread and it doesn’t make you a criminal to enjoy a slice.
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