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#like the tva variant loki is supposed to be branched off from avengers 1 loki
unityrain24 · 11 months
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"oh the loki in the series isn't the same as the one in infinity war because he got several movies-worth of character development scrapped. the tva version is all the way back from avengers 1, that's why."
ok but have you considered that maybe that doesn't even make sense for avengers 1 loki.?
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lokitvsource · 2 years
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‘Loki’ star Tom Hiddleston: ‘I was very engaged with the idea of breaking Loki open’
Tom Hiddleston first appeared as Loki in 2011’s “Thor,” but the God of Mischief made a bigger splash, burdened with glorious purpose and all, in 2012’s “The Avengers,” which marks its 10th anniversary on May 4 and has the “Loki” star feeling “very old, basically.”
“I can’t believe 10 years has gone by so fast,” Hiddleston tells Gold Derby (watch the exclusive video interview above). “Amazed, surprised, delighted that I’m still playing the character. I have loved playing this character in every iteration. Loki seems to contain so much breadth and depth, so many surprises for me, for the audience. It’s an honor to have played him for the length of time that I had. Loki’s an ancient character, been around a long time, will be around a lot longer than me. It feels great.”
There have been multiple times when it seemed like the actor was done playing Loki. The fan favorite was supposed to die in “Thor: The Dark World” (2013) until test audiences refused to believe Loki was dead, and he did die in the opening minutes of “Avengers: Infinity War” (2018) at the hands of Thanos (Josh Brolin), completing an arc from big bad to antihero. But the time heist in “Avengers: Endgame” (2019) presented another chance to bring Loki back to life after he makes off with the Tesseract during the Battle of New York, creating a branched timeline off the Sacred Timeline. The Loki of “Loki,” of course, is not the same one who sacrificed himself for Thor (Chris Hemsworth) in “Infinity War” — having made peace with himself and his anger toward his adoptive family — but the 2012 version, a charmingly narcissistic “puny god” who craved power above all else.
Revisiting the unredeemed Loki and approaching him in a new way excited the Emmy nominee. “I was very engaged with the idea of breaking Loki open,” Hiddleston says. “Any questions around identity I’ve always found interesting — how we define ourselves to ourselves, the context of the stories we tell about ourselves to other people in order to find meaning in the world. And in so many ways the series was about integrating the disparate fragments of the many selves that Loki is. I think that’s a really universal experience. I think all human beings have to constantly integrate the fragments of who we are to a whole and make sense of that. So the idea of doing that with Loki just seemed a thrilling prospect. He’s the archetypal trickster, the transgressive, the boundary-crosser, the shapeshifter, somebody so expert at changing shape. And so the question we had in our minds was, who is he really? Who is Loki? What makes Loki Loki?”
After getting captured by the Time Variance Authority, Loki is forced to confront his past, future (and future death), other Loki variants (Alligator Loki FTW), and someone who might know him better than he knows himself, Agent Mobius (Owen Wilson). “The great conceit of the TVA is that putting Loki inside this institution strips him of everything that’s familiar — Thor, Odin, Asgard, his magical power, his clothing. And by taking everything away, Loki is challenged to reveal something about what remains — or we were challenged to find what remains of Loki and what the new journey is,” Hiddleston continues, adding that director Kate Herron had “the most wonderful take” on Loki’s Season 1 arc. “When I met her for the first time, within five minutes, I think I asked her what do you think the series is about and she said, ‘I think it’s about acceptance, permission and love.’ And I thought, ‘She gets it!'”
By the end of the first season, Loki is a lot different from the entitled agent of chaos he was at the start — and is also in a different timeline after Sylvie (Sophia Di Martino) killed He Who Remains (Jonathan Majors) and opened the multiverse. While we have to wait and see what Season 2 brings, another Asgardian adventure is coming first. “Thor: Love and Thunder,” the trailer for which dropped last week, opens July 8 and will be the first “Thor” film in which Hiddleston — as far as everyone knows right now — does not appear as Loki. Or does he?
“At this point, I’ve learned to live with the question,” Hiddleston teases. “Loki might pop up. Loki has range. Loki can be Matt Damon, he can be Richard E. Grant, he can be Alligator Loki. I’m not placing any bets, I’ll say that, but it does look fantastic.”
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lokiondisneyplus · 3 years
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'Loki' takes over: Tom Hiddleston on his new TV series and a decade in the MCU
Ten years after Hiddleston first chose chaos in Thor, Marvel’s fan favorite God of Mischief is going even bigger with his time-bending Disney+ show.
Tom Hiddleston is Loki, and he is burdened with glorious purpose: After playing Thor's puckish brother for over a decade in the Marvel Cinematic Universe, no one understands the mercurial Asgardian God of Mischief as well as the actor. He can teach an entire seminar on Loki if given the opportunity — which he actually did during pre-production on his forthcoming Disney+ show. In conversation, Hiddleston quotes lines from his MCU debut, 2011's Thor, almost verbatim, and will playfully correct you if you mistakenly refer to Asgard's Rainbow Bridge as the Bifrost, which is the portal that connects Loki and Thor's homeworld to the Nine Realms, including Midgard, a.k.a. Earth. "Well, the Bifrost technically is the energy that runs through the bridge," he says with a smile. "But nine points to Gryffindor!" And when he shows up to the photo shoot for this very digital cover, he hops on a call with our photo editor to pitch ways the concept could be even more Loki, like incorporating the flourish the trickster does whenever magically conjuring something. The lasting impression is that playing Loki isn't just a paycheck.
"Rather than ownership, it's a sense of responsibility I feel to give my best every time and do the best I can because I feel so grateful to be a part of what Marvel Studios has created," the 40-year-old Brit tells EW over Zoom a few days after the shoot and a week out from Thor's 10th anniversary. "I just want to make sure I've honored that responsibility with the best that I can give and the most care and thought and energy."
After appearing in three Thor movies and three Avengers, Hiddleston is bringing that passion to his first solo Marvel project, Loki, the House of Ideas' third Disney+ series following the sitcom pastiche WandaVision and the topical The Falcon and the Winter Soldier. Led by head writer Michael Waldron (Doctor Strange in the Multiverse of Madness, Heels), the six-episode drama sees Hiddleston's shapeshifting agent of chaos step out from behind his brother's shadow and into the spotlight for a timey-wimey, sci-fi adventure that aims to get to the bottom of who Loki really is. "I wanted to explore slightly more complex character questions," says Waldron. "It's not just good versus bad. Is anybody all good? Is anybody all bad? What makes a hero, a hero? A villain, a villain?"  
Even though Loki — who loves sowing mayhem with his illusion magic and shapeshifting, all with a major chip on his shoulder — has never been one for introspection, the idea of building an entire show around him was a no-brainer for Marvel. When asked why Loki was one of the studio's first Disney+ shows, Marvel president Kevin Feige replies matter-of-factly, "More Hiddleston, more Loki." First introduced as Thor's (Chris Hemsworth) envious brother in Kenneth Branagh's Thor, Loki went full Big Bad in 2012's The Avengers. That film cemented the impish rogue as one of the shared universe's fan favorites, thanks to Hiddleston's ability to make him deliciously villainous yet charismatic and, most importantly, empathetic. The character's popularity is one of the reasons he's managed to avoid death many times.
"He's been around for thousands of years. He had all sorts of adventures," says Feige. "Wanting to fill in the blanks and see much more of Loki's story [was] the initial desire [for the series]."
The Loki we meet on the show is not the one who fought the Avengers in 2012 and evolved into an antihero in Thor: The Dark World and Thor: Ragnarok before meeting his demise at the hands of the mad titan Thanos (Josh Brolin) in 2018's Avengers: Infinity War. Instead, we'll be following a Loki from a branched timeline (a variant, if you will) after he stole the Tesseract following his thwarted New York invasion and escaped S.H.I.E.L.D. custody during the time heist featured in Avengers: Endgame. In other words, this Loki hasn't gone through any sort of redemption arc. He's still the charming yet petulant god who firmly believes he's destined to rule and has never gotten his due.
Premiering June 9, Loki begins with the Time Variance Authority — a bureaucratic organization tasked with safeguarding the proper flow of time — arresting the Loki Variant seen in Endgame because they want his help fixing all of the timeline problems he caused while on the run with the Tesseract. So there will be time travel, and a lot more of it than in Endgame. As Loki makes his way through his own procedural, he'll match wits with new characters including Owen Wilson's Agent Mobius, a brilliant TVA analyst, and Gugu Mbatha-Raw's Judge Renslayer. The question in early episodes is whether Loki will help them or take over.
"One of the things Kevin Feige led on was, 'I think we should find a way of exploring the parts of Loki that are independent of his relationship with Thor,' or see him in a duality or in relationship with others, which I thought was very exciting," says Hiddleston, who also serves as an executive producer on the show. "So the Odinson saga, that trilogy of films, still has its integrity, and we don't have to reopen it and retell it."
Yet, in order to understand where Loki is going, it's important to see where he came from.
Hiddleston can't believe how long he and Loki have been connected. "I've been playing this character for 11 years," he says. "Which is the first time I have said that sentence, I realize, and it [blows] my mind. I don't know what percentage that is exactly of my 40 years of being alive, but it's substantial."
His time as Loki actually goes a bit further back, to 2009 — a year after Robert Downey Jr. big banged the MCU into existence with Iron Man — when he auditioned for Thor. It's no secret that Hiddleston initially went in for the role of the titular God of Thunder, but Feige and director Kenneth Branagh thought his natural charm and flexibility as an actor made him better suited for the movie's damaged antagonist. "Tom gave you an impression that he could be ready for anything, performance-wise," says Branagh, who had previously worked with him on a West End revival of Checkov's Ivanov and the BBC series Wallander. "Tom has a wild imagination, so does Loki. He's got a mischievous sense of humor and he was ready to play. It felt like he had a star personality, but he was a team player."
Hiddleston fully immersed himself in the character. Outside of studying Loki's history in the Marvel Comics, he also researched how Loki and the Trickster God archetype appeared across mythology and different cultures. "He understood that he was already in something special [and] it was a special character in a special part of that early moment in the life of the Marvel universe where [he] also needed to step up in other ways," says Branagh, who was impressed by the emotional depth Hiddleston brought to the part, especially when it came to how isolated Loki felt in the Asgardian royal family.  
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There was a lot riding on that first Thor feature. For one, no one knew if audiences would immediately latch onto a Shakespearean superhero movie partially set on an alien planet populated by the Norse Gods of legend. Second, it was integral to Feige's plans for the shared universe. Loki was supposed to be the main villain in The Avengers, which would not only mirror how Earth's mightiest heroes joined forces in 1963's Avengers #1 but also give Thor a believable reason for teaming up with Iron Man, Captain America (Chris Evans), and the rest of the capes. Feige first clued Hiddleston into those larger plans when the actor was in L.A. before Thor started shooting.
"I was like, 'Excuse me?' Because he was already three, four steps ahead," says Hiddleston. "That took me a few minutes to process, because I didn't quite realize how it just suddenly had a scope. And being cast as Loki, I realized, was a very significant moment for me in my life, and was going to remain. The creative journey was going to be so exciting."
Hiddleston relished the opportunity to go full villain in Avengers, like in the scene where Loki ordered a crowd to kneel before him outside a German opera house: "It's the unspoken truth of humanity, that you crave subjugation," says the Machiavellian god. "The bright lure of freedom diminishes your life's joy in a mad scramble for power, for identity. You were made to be ruled. In the end, you will always kneel."
"I just knew that in the structure of that film, I had to lean into his role as a pure antagonist," Hiddleston recalls. "What I always found curious and complex about the way Loki is written in Avengers, is that his status as an antagonist comes from the same well of not belonging and being marginalized and isolated in the first Thor film. Loki now knows he has no place in Asgard."
Loki did find a place within the audience's hearts, though. Feige was "all in" on Hiddleston as his Loki from the beginning, but even he couldn't predict how much fans would love him. Feige recalls the reaction at the 2013 San Diego Comic-Con: "Did we know that after he was the villain in two movies, he would be bringing thousands of people to their feet in Hall H, in costume, chanting his name? No, that was above and beyond the plan that we were hoping for and dreaming of." It was a dream Feige first got an inkling of a year earlier during the Avengers press tour when a Russian fan slipped past security, snuck into Mark Ruffalo's car, and asked the Hulk actor to give Hiddleston a piece of fan art she created. "That was one of the early signs there was much more happening with this quote-unquote villain."  
Despite that popularity, the plan was to kill Loki off in 2013's Thor: The Dark World, but the studio reversed course after test audiences refused to believe he actually died fighting the Dark Elves. Alas, he couldn't out-illusion death forever. After returning in Taika Waititi's colorful and idiosyncratic Thor: Ragnarok, Hiddleston's character perished for real in the opening moments of Infinity War. In typical Loki fashion, before Thanos crushed his windpipe, he delivered a defiant speech that indicated he'd finally made peace with the anger he felt toward his family.  
"It felt very, very final, and I thought, 'Okay, that's it. This is Loki's final bow and a conclusive end to the Odinson saga,'" says Hiddleston, who shot that well-earned death scene in 2017.  
But, though he didn't know it yet, the actor's MCU story was far from over.
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Credit: Charlie Gray for EW
When Hiddleston returned to film two scenes in Avengers: Endgame in 2017, he had no idea where Loki portaled off to after snatching the Tesseract. "Where'd he go? When does he go? How does he get there? These are all questions I remember asking on the day, and then not being given any answers," Hiddleston recalls. To be fair, it's likely the Powers That Be didn't necessarily have answers then. While Feige can't exactly recall when the writers' room for Endgame first devised Loki's escape sequence, he does know that setting up a future show wasn't the primary goal — because a Loki series wasn't on the horizon just yet.
"[That scene] was really more of a wrinkle so that one of the missions that the Avengers went on in Endgame could get screwed up and not go well, which is what required Cap and Tony to go further back in time to the '70s," says Feige. Soon after that, though, former Disney CEO Bob Iger approached Feige about producing content for the studio's forthcoming streaming service. "I think the notion that we had left this hanging loose end with Loki gave us the in for what a Loki series could be. So by the time [Endgame] came out, we did know where it was going."
As for Hiddleston, he didn't find out about the plans for a Loki show until spring 2018, a few weeks before Infinity War hit theaters. "I probably should not have been surprised, but I was," says the actor. "But only because Infinity War had felt so final."
Nevertheless, Hiddleston was excited about returning for his show. He was eager to explore Loki's powers, especially the shapeshifting, and what it meant that this disruptive figure still managed to find a seat beside the gods in mythology. "I love this idea [of] Loki's chaotic energy somehow being something we need. Even though, for all sorts of reasons, you don't know whether you can trust him. You don't know whether he's going to betray you. You don't why he's doing what he's doing," says Hiddleston. "If he's shapeshifting so often, does he even know who he is? And is he even interested in understanding who he is? Underneath all those masks, underneath the charm and the wit, which is kind of a defense anyway, does Loki have an authentic self? Is he introspective enough or brave enough to find out? I think all of those ideas are all in the series — ideas about identity, ideas about self-knowledge, self-acceptance, and the difficulty of it."
“The series will explore Loki's powers in a way they have not yet been explored, which is very, very exciting.”
The thing that truly sold Hiddleston on the show was Marvel's decision to include the Time Variance Authority, a move he describes as "the best idea that anybody had pertaining to the series." Feige and Loki executive producer Stephen Broussard had hoped to find a place for the TVA — an organization that debuted in 1986's Thor #372 and has appeared in She-Hulk and Fantastic Four stories — in the MCU for years, but the right opportunity never presented itself until Loki came along. "Putting Loki into his own procedural series became the eureka moment for the show," says Feige.  
The TVA's perspective on time and reality also tied into the themes that Waldron, Loki's head writer, was hoping to explore. "Loki is a character that's always reckoning with his own identity, and the TVA, by virtue of what they do, is uniquely suited to hold up a mirror to Loki and make him really confront who he is and who he was supposed to be," says Waldron. Hiddleston adds: "[That] was very exciting because in the other films, there was always something about Loki that was very controlled. He seemed to know exactly what the cards in his hand were and how he was going to play them…. And Loki versus the TVA is Loki out of control immediately, and in an environment in which he's completely behind the pace, out of his comfort zone, destabilized, and acting out."
To truly dig into who Loki is, the creative team had to learn from the man who knows him best: Hiddleston. "I got him to do a thing called Loki School when we first started," says director Kate Herron. "I asked him to basically talk through his 10 years of the MCU — from costumes to stunts, to emotionally how he felt in each movie. It was fantastic."
Hiddleston got something out of the Loki school, too. Owen Wilson both attended the class and interviewed Hiddleston afterward so that he could better understand Loki, as his character Mobius is supposed to be an expert on him. During their conversation, Wilson pointedly asked Hiddleston what he loved about playing the character.
"And I said, 'I think it's because he has so much range,'" says Hiddleston. "I remember saying this to him: 'On the 88 keys on the piano, he can play the twinkly light keys at the top. He can keep it witty and light, and he's the God of Mischief, but he can also go down to the other side and play the heavy keys. And he can play some really profound chords down there, which are about grief and betrayal and loss and heartbreak and jealousy and pride.'" Hiddleston recalls Wilson being moved by the description: "He said, 'I think I might say that in the show.' And it was such a brilliant insight for me into how open Owen is as an artist and a performer.'"
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Owen Wilson as Mobius and Tom Hiddleston as Loki in 'Loki.'| Credit: Chuck Zlotnick/Marvel Studios
Everyone involved is particularly excited for audiences to see Hiddleston and Wilson's on-screen chemistry. "Mobius is not unlike Owen Wilson in that he's sort of nonplussed by the MCU," says Feige. "[Loki] is used to getting a reaction out of people, whether it's his brother or his father, or the other Avengers. He likes to be very flamboyant and theatrical. Mobius doesn't give him the reaction he's looking for. That leads to a very unique relationship that Loki's not used to."
As for the rest of the series, we know that Loki will be jumping around time and reality, but the creative team isn't keen on revealing when and where. "Every episode, we tried to take inspiration from different things," says Waldron, citing Blade Runner's noir aesthetic as one example.
"Part of the fun of the multiverse and playing with time is seeing other versions of characters, and other versions of the titular character in particular," says Feige, who also declined to confirm if Loki ties into Doctor Strange in the Multiverse of Madness and/or other upcoming projects.
Making Loki was especially meaningful to Hiddleston because they shot most of it during the pandemic, in late 2020. "It will remain one of the absolute most intense, most rewarding experiences of my life," he says. "It's a series about time, and the value of time, and what time is worth, and I suppose what the experience of being alive is worth. And I don't quite know yet, and maybe I don't have perspective on it, if all the thinking and the reflecting that we did during the lockdown ended up in the series. But in some way, it must have because everything we make is a snapshot of where we were in our lives at that time."
While it remains to be seen what the future holds for Loki beyond this initial season, Hiddleston isn't preparing to put the character to bed yet. "I'm open to everything," he says. "I have said goodbye to the character. I've said hello to the character. I said goodbye to the character [again]. I've learned not to make assumptions, I suppose. I'm just grateful that I'm still here, and there are still new roads to explore."
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jimintomystery · 3 years
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Are two Loki variants the same person?
Short answer: No.
Long answer: No, but I think the circumstances of Loki season one make it a little hard to see that.
Let's start at the start. In Avengers: Endgame, the Avengers went back in time to 2012 and were very careful to avoid changing history. However, mistakes were made, and the Loki of 2012 escaped amid the confusion. We never see the time-traveling Avengers fix this, and it's frankly not even clear if they noticed the problem. So Loki begins with a simple premise: instead of escaping and causing history to branch into an alternate timeline, Loki is immediately apprehended by the Time Police and thrown into Time Jail.
The Time Variance Authority presents Loki with a short film, explaining that there is a single, "sacred" timeline, and attempts to alter that timeline are not permitted. This is relatively straightforward. Many time-travel stories have to address what happens if you (for example) went back in time and killed your grandfather before your father was conceived. In Loki episode 1, it looks like you'd be stopped before you could even make the attempt. At least, at first.
As Loki explains in his defense, he's not the one who traveled through time. All he did was take advantage of the situation the Avengers created when they changed history. But we're told the Avengers' changes were "supposed to happen," whereas Loki's reaction was not. This changes the context of that TVA short film. The TVA goes after "variants" who "veer off the path" and create a "nexus event," but that doesn't have to involve time-travel at all. A variant can be anyone that makes any decision that the TVA considers "wrong."
In any event, we're left with two Lokis--one who got captured by the TVA in 2012, and another who did what was "supposed to happen" and got killed by Thanos in 2018. So at this point it's still easy to think of a variant as a version of yourself who zigged when you zagged. The two Lokis were the same guy, living the same life up until the 2012 nexus event. We're then shown that there have been a lot of Loki variants, and many of them are clearly Tom Hiddleston dressed in different outfits. This tacitly supports the idea that all Loki variants are "what-if" scenarios branching off the same root individual.
Then we meet Sylvie.
Sylvie upends everything we've learned up to that point in the show. Obviously she pokes holes in the TVA "dogma," so that Loki realizes he's been misled because even the TVA itself doesn't actually know the truth. More importantly, though, her existence challenges our preconception of what a variant is. Sylvie doesn't follow the pattern of each variant being a "what if" divergence of a single person. At first glance she seems to be "what if Loki was conceived with different chromosomes?" But if that was her nexus event, the TVA would have destroyed her timeline before she was born. Instead they showed up years later, for no obvious reason.
(Side note: The TVA apprehended Sylvie when she's playing with toys and acting out a heroic Valkyrie preventing Ragnarok. There's a fan theory that Sylvie wanted to be a Valkyrie when she grew up, and that choosing a heroic lifestyle is what sets the TVA upon her. I like the sound of that, but it's a little shaky. In the scene, her admiration of the Valkyries is not presented as a recent development. Then again, it's not clear if the TVA always respond to a nexus event right when it starts or just when they decide it's become dangerous.)
What this suggests is that the TVA allowed Sylvie to be born, let her live her life until they disapproved of her choices, and reset the timeline so that a completely different Loki was conceived and born in her place. It stands to reason that the TVA has done this a lot, producing a wide variety of Loki variants that have nothing in common. And it further stands to reason that they would do the same thing with countless other individuals, including Loki's parents, grandparents, and so forth.
By the time we meet Alligator Loki, it's clear that "our" Loki could have variants that differ from him in all sorts of ways. Some of them may not have a parent named Laufey. Some of them may not be Frost Giants. Some might not be from the Nine Realms. There might even be some who never identified as "Loki" until the TVA classified them as such, by some standard only they comprehend.
In light of that, it's specious to assume that every Loki variant is "based" upon the one from the sacred timeline. Some of them are. But enough of them are from timelines remixed beyond recognition that it's hard to tell. Sylvie seems to be from timeline proximate to "our" Loki's, because she's the child of Laufey and she was adopted and she grew up in Asgard. But there might easily be a billion other factors that make the two of them as distinct as, I dunno, Thanos and Cable.
Look, the point I'm getting at here is: Why are people so afraid to ship Thanos and Cable? It's not weird! Give me that sweet, sweet Thable fanfic!
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pinktwingirl · 3 years
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Loki Series Rewrite (AKA Loki Series but with Squirrel Girl): Ep 1
Hey guys! Long story short, I wasn’t a fan of the Loki series, so I decided to make my own rewrite (including my favorite Marvel character, Squirrel Girl!) These are basically a collection of scenes that I would’ve either added or rewritten to improve the show. Btw, this is a continuation of my Endgame rewrite where Loki comes back to life after dying in Infinity War, so the Loki in this version is modern-day Loki, not 2012 Loki. Also, the whole Loki x Sylvie self-cest thing made me VEEERRRRY UNCOMFY, so I got rid of it. Their relationship is purely platonic in this. Anyways, enjoy! (This work is in screenplay format.)
INT. TVA - DAY
We pan through the TVA and see agents at work, checking timelines and watching training videos. We see various TVA posters warning about variants and "protecting the sacred timeline."
We then cut to RAVONNA RENSLAYER in her office. She is at her desk, sorting through files. Suddenly, an agent bursts in.
AGENT
Ma'am, we have a situation.
Ravonna follows the agent to a computer, where we see a timeline branching off from the main one.
AGENT
Is this the variant we've been searching for?
Ravonna glances at the computer and nods.
RAVONNA
About damn time...
EXT. CHICAGO BAR, 1986 - NIGHT
We see a woman with long, black hair and a green dress chatting with a man in a bar. The song "Devil Woman" by Cliff Richard is playing in the background.
MAN
Can I interest you in another drink, beautiful?
The woman lets out a flirty laugh and blushes.
WOMAN
Oh, you're too kind.
The man turns to the bartender.
MAN
Hey, can you get my girl here a...
(He turns to the woman.)
What can I get you, honey?
WOMAN
Surprise me.
The man turns back to the bartender.
MAN
You heard her.
The woman has a devilish smirk on her face as she watches them. The man turns back to her as the bartender starts mixing a drink.
MAN
You know, I feel selfish. I've been talking so much about myself, but I still don't know a thing about you.
WOMAN
Well... what do you want to know?
Suddenly, another man approaches them.
MAN #2
Hey, what do you think you're doing with my date?!
MAN
Your date? She's mine, asshole!
MAN #2
I caught her first!
(He turns to the woman.)
I'm sorry, honey, is this guy bothering you?
MAN
Bothering her?! You listen here, shithead-
He grabs the other man and they begin to wrestle with each other.
WOMAN
(Playfully)
Oh no, please don't fight over me...
As the men grow more violent, a bit of green magic shoots out of the woman's hand, causing the first man's wallet to fly into her grasp. She slips by the men, undetected as the bartender tries to break them up. Outside the bar, the woman walks off. With a smirk, she shifts into LOKI, now in his male form. He unveils the tesseract with magic and disappears.
INT. THE BENATAR - NIGHT
Loki reappears in the Guardians' ship, where Thor and the Guardians of the Galaxy are waiting for him. Loki smirks.
LOKI
Another successful venture.
THOR
Did they fight?
LOKI
Like bilgesnipe.
Thor bursts into laughter, and Loki hands Rocket the wallet.
LOKI
I also got the wallet, as requested. Although, I don't think Midgardian currency will have much value on the far side of the galaxy.
ROCKET
Who cares about the money? I just wanted the wallet.
(He dumps out the dollar bills and admires the wallet.)
This is nice leather...
LOKI
Anyone else have any travel requests?
QUILL
Oh, I got a whole bunch.
NEBULA
Quit acting like children. An infinity stone is not a toy to be played with.
LOKI
Oh, please. The tesseract and I go far back. If anyone can control it, I can.
ROCKET
You know, I'm starting to think you've just gotten sick of being around us, and now you're just looking for an excuse to get away.
LOKI
I will neither confirm nor deny that.
THOR
By that, he means "yes."
ROCKET
That's pretty rude of you, grease weasel.
Loki scowls at him.
DRAX
Can you travel to Kylos? I would greatly enjoy having some trego fruit again.
LOKI
Certainly.
The tesseract starts to glow in his hands.
INT. TVA - DAY
The agent and Ravonna are still at the computer.
AGENT
He's using the stone again. He's going to time-jump.
RAVONNA
Block it. Intercept him.
The agent presses a button.
EXT. MONGOLIA - DAY
Loki crash lands in the Gobi Desert and wakes up, looking utterly confused as a group of villagers approach him.
VILLAGER
(in Mongolian)
Who are you? Why have you come to our home?
Loki raises an eyebrow and opens his mouth to respond. Suddenly, a portal opens and several TVA agents enter. They lean down to examine the tesseract, and Loki abruptly rushes over to them.
LOKI
Don't touch that!
The agents ready their prune sticks. Suddenly, HUNTER B-15 opens a portal and enters.
HUNTER B-15
It appears to be a standard sequence violation.
(She checks her tem-pad)
Branch is growing at a stable rate and slope. Variant identified.
LOKI
I beg your pardon?
HUNTER B-15
On behalf of the Time Variance Authority, I hereby arrest you for crimes against the sacred timeline. Hands up.
The agents activate their prune sticks.
HUNTER B-15
You're coming with us.
LOKI
I'm sorry, who's "us"?
Hunter B-15 activates her own prune stick.
HUNTER B-15
Last chance, variant.
Loki chuckles.
LOKI
Look, I don't know who the hell you seem to think you are... But if you don't mind, this is actually your last chance.
(Beat)
Now get out of my way.
Before he can attack, Hunter B-15 strikes him with her stick.
INT. TVA COURTROOM - DAY
Ravonna pounds her gavel.
RAVONNA
Next case, please!
Hunter B-15 forces Loki onto the stand.
RAVONNA
"Laufeyson"... Variant L1130, aka "Loki Laufeyson"...
LOKI
I prefer "Odinson," thank you.
After a pause, Ravonna shrugs.
RAVONNA
Very well...
(She crosses out "Laufeyson" on his case file and writes in "Odinson.")
Loki Odinson, you are charged with sequence violation 7-20-89. How do you plead?
Loki chuckles.
LOKI
Madam, a god doesn't plead. Look, this has been a very enjoyable pantomime, but I'd like to go home now.
RAVONNA
Are you guilty or not guilty, sir?
Loki smirks.
LOKI
Guilty of being the god of mischief, yes. Guilty of finding all of this incredibly tedious, yes. Guilty of a... "crime"... against the "sacred timeline"? Absolutely not, you have the wrong person.
RAVONNA
Oh, really? And who should we have?
LOKI
Well, in my defense, the only reason I ever came in possession of the tesseract is because the Avengers traveled back in time.
Mobius enters the courtroom.
RAVONNA
We're not here to talk about the Avengers. What they did was supposed to happen; you reviving yourself with the tesseract and running around time, causing chaos was not.
Loki laughs.
LOKI
I'm sorry - not supposed to happen according to whom?
RAVONNA
The timekeepers.
INT. TIME THEATER - DAY
Mobius is showing Loki clips of his life and trying to dig deeper into his psyche.
MOBIUS
You know, trying to kill all the frost giants, invading Earth, I don't see anything very mischievous about this...
He plays a clip of the bifrost nearly destroying Jotunheim. A family of frost giants runs in fear as the land is destroyed. A little girl screams as her father is vaporized by the blast. Loki is visibly uncomfortable.
MOBIUS
Look at that. Did you enjoy doing that?
LOKI
Enough of your games. You've made your point.
Ignoring him, Mobius plays the clip of him telling Kurse where to go.
MOBIUS
And then, you tried tricking the dark elves into finding Thor, but instead, you sent them right to Frigga.
Loki tenses when he sees Frigga fighting Malekith.
LOKI
I don't want to watch this.
He winces, trying to keep himself together, as he watches Malekith stab Frigga.
MOBIUS
Well, you're going to watch it. Because that's your life, that's the consequences of your actions, and that is the proper flow of time! Now, why don't you tell me, do you enjoy hurting people?
LOKI
I don't have to play your games-
MOBIUS
Do you enjoy killing?
LOKI
I'll kill you.
MOBIUS
What, like you did your mother?
Enraged, Loki tosses a chair at him. Mobius dodges it, and it flies through the hologram of Frigga's dead body. Loki lunges at Mobius, but he uses the time twister to send him back on the ground. Loki growls in pain.
MOBIUS
Sorry, the time twister just loops you, not the furniture. You weren't born to be king, Loki. You were born to cause pain and suffering and death. That's how it is, that's how it was, and that's how it always will be. All so that others can achieve their best versions of themselves.
LOKI
(Voice cracking)
That's not true. You're lying.
MOBIUS
It is true. Your life ended after Thanos snapped your neck, because you fulfilled your purpose of assembling the Avengers to destroy you. Your purpose was never to become a hero. You're a villain, and that will never change as long as the sacred timeline runs its course.
INT. TIME THEATER - DAY
After Loki escapes and returns to the time theater on his own, he finds a folder of papers on the table. He opens it and reads the first file. It reads "LOKI ODINSON - MAIN OBJECTIVES: MURDER, LIE, MANIPULATE. LIFE PURPOSE: CATALYST FOR THE AVENGERS. OBJECTIVE FULFILLED. LIFE TERMINATED. END OF FILE.
Horrified, Loki stares at the file as tears run down his face. After a moment, he starts laughing as Hunter B-15 enters.
HUNTER B-15
Something funny?
After a pause, Loki shakes his head.
LOKI
Glorious purpose...
INT. TIME THEATER - DAY
Loki is talking with Mobius after being apprehended again.
LOKI
I will admit, the TVA is... formidable. Even an infinity stone is useless here.
(Beat)
You're not going to let me return to my own timeline, are you?
(Beat)
MOBIUS
Normally, no, we wouldn't. But... if you help us... maybe the timekeepers might be willing to make an exception. A rogue variant's been killing our minutemen.
LOKI
And you need the god of mischief to help you stop him?
MOBIUS
That's right.
LOKI
Why me?
MOBIUS
The variant we're hunting is... you.
Have some actual Lady Loki yay! 
So yeah, the purpose of this episode was mainly to re-establish the show within the continuity of my version of Endgame. Squirrel Girl comes in next episode!
@drawntothedarkside Here’s your tag!
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thesaltofcarthage · 3 years
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Loki takes over: Tom Hiddleston on his new TV series and a decade in the MCU
from Entertainment Weekly
Ten years after Hiddleston first chose chaos in Thor, Marvel’s fan favorite God of Mischief is going even bigger with his time-bending Disney+ show.
By Chancellor Agard May 20, 2021 
Tom Hiddleston is Loki, and he is burdened with glorious purpose: After playing Thor's puckish brother for over a decade in the Marvel Cinematic Universe, no one understands the mercurial Asgardian God of Mischief as well as the actor. He can teach an entire seminar on Loki if given the opportunity — which he actually did during pre-production on his forthcoming Disney+ show. In conversation, Hiddleston quotes lines from his MCU debut, 2011's Thor, almost verbatim, and will playfully correct you if you mistakenly refer to Asgard's Rainbow Bridge as the Bifrost, which is the portal that connects Loki and Thor's homeworld to the Nine Realms, including Midgard, a.k.a. Earth. "Well, the Bifrost technically is the energy that runs through the bridge," he says with a smile. "But nine points to Gryffindor!" And when he shows up to the photo shoot for this very digital cover, he hops on a call with our photo editor to pitch ways the concept could be even more Loki, like incorporating the flourish the trickster does whenever magically conjuring something. The lasting impression is that playing Loki isn't just a paycheck.
"Rather than ownership, it's a sense of responsibility I feel to give my best every time and do the best I can because I feel so grateful to be a part of what Marvel Studios has created," the 40-year-old Brit tells EW over Zoom a few days after the shoot and a week out from Thor's 10th anniversary. "I just want to make sure I've honored that responsibility with the best that I can give and the most care and thought and energy."
After appearing in three Thor movies and three Avengers, Hiddleston is bringing that passion to his first solo Marvel project, Loki, the House of Ideas' third Disney+ series following the sitcom pastiche WandaVision and the topical The Falcon and the Winter Soldier. Led by head writer Michael Waldron (Doctor Strange in the Multiverse of Madness, Heels), the six-episode drama sees Hiddleston's shapeshifting agent of chaos step out from behind his brother's shadow and into the spotlight for a timey-wimey, sci-fi adventure that aims to get to the bottom of who Loki really is. "I wanted to explore slightly more complex character questions," says Waldron. "It's not just good versus bad. Is anybody all good? Is anybody all bad? What makes a hero, a hero? A villain, a villain?"  
Even though Loki — who loves sowing mayhem with his illusion magic and shapeshifting, all with a major chip on his shoulder — has never been one for introspection, the idea of building an entire show around him was a no-brainer for Marvel. When asked why Loki was one of the studio's first Disney+ shows, Marvel president Kevin Feige replies matter-of-factly, "More Hiddleston, more Loki." First introduced as Thor's (Chris Hemsworth) envious brother in Kenneth Branagh's Thor, Loki went full Big Bad in 2012's The Avengers. That film cemented the impish rogue as one of the shared universe's fan favorites, thanks to Hiddleston's ability to make him deliciously villainous yet charismatic and, most importantly, empathetic. The character's popularity is one of the reasons he's managed to avoid death many times.
"He's been around for thousands of years. He had all sorts of adventures," says Feige. "Wanting to fill in the blanks and see much more of Loki's story [was] the initial desire [for the series]."
The Loki we meet on the show is not the one who fought the Avengers in 2012 and evolved into an antihero in Thor: The Dark World and Thor: Ragnarok before meeting his demise at the hands of the mad titan Thanos (Josh Brolin) in 2018's Avengers: Infinity War. Instead, we'll be following a Loki from a branched timeline (a variant, if you will) after he stole the Tesseract following his thwarted New York invasion and escaped S.H.I.E.L.D. custody during the time heist featured in Avengers: Endgame. In other words, this Loki hasn't gone through any sort of redemption arc. He's still the charming yet petulant god who firmly believes he's destined to rule and has never gotten his due.
Premiering June 9, Loki begins with the Time Variance Authority — a bureaucratic organization tasked with safeguarding the proper flow of time — arresting the Loki Variant seen in Endgame because they want his help fixing all of the timeline problems he caused while on the run with the Tesseract. So there will be time travel, and a lot more of it than in Endgame. As Loki makes his way through his own procedural, he'll match wits with new characters including Owen Wilson's Agent Mobius, a brilliant TVA analyst, and Gugu Mbatha-Raw's Judge Renslayer. The question in early episodes is whether Loki will help them or take over.
"One of the things Kevin Feige led on was, 'I think we should find a way of exploring the parts of Loki that are independent of his relationship with Thor,' or see him in a duality or in relationship with others, which I thought was very exciting," says Hiddleston, who also serves as an executive producer on the show. "So the Odinson saga, that trilogy of films, still has its integrity, and we don't have to reopen it and retell it."
Yet, in order to understand where Loki is going, it's important to see where he came from.
Hiddleston can't believe how long he and Loki have been connected. "I've been playing this character for 11 years," he says. "Which is the first time I have said that sentence, I realize, and it [blows] my mind. I don't know what percentage that is exactly of my 40 years of being alive, but it's substantial."
His time as Loki actually goes a bit further back, to 2009 — a year after Robert Downey Jr. big banged the MCU into existence with Iron Man — when he auditioned for Thor. It's no secret that Hiddleston initially went in for the role of the titular God of Thunder, but Feige and director Kenneth Branagh thought his natural charm and flexibility as an actor made him better suited for the movie's damaged antagonist. "Tom gave you an impression that he could be ready for anything, performance-wise," says Branagh, who had previously worked with him on a West End revival of Checkov's Ivanov and the BBC series Wallander. "Tom has a wild imagination, so does Loki. He's got a mischievous sense of humor and he was ready to play. It felt like he had a star personality, but he was a team player."
Hiddleston fully immersed himself in the character. Outside of studying Loki's history in the Marvel Comics, he also researched how Loki and the Trickster God archetype appeared across mythology and different cultures. "He understood that he was already in something special [and] it was a special character in a special part of that early moment in the life of the Marvel universe where [he] also needed to step up in other ways," says Branagh, who was impressed by the emotional depth Hiddleston brought to the part, especially when it came to how isolated Loki felt in the Asgardian royal family.  
There was a lot riding on that first Thor feature. For one, no one knew if audiences would immediately latch onto a Shakespearean superhero movie partially set on an alien planet populated by the Norse Gods of legend. Second, it was integral to Feige's plans for the shared universe. Loki was supposed to be the main villain in The Avengers, which would not only mirror how Earth's mightiest heroes joined forces in 1963's Avengers #1 but also give Thor a believable reason for teaming up with Iron Man, Captain America (Chris Evans), and the rest of the capes. Feige first clued Hiddleston into those larger plans when the actor was in L.A. before Thor started shooting.
"I was like, 'Excuse me?' Because he was already three, four steps ahead," says Hiddleston. "That took me a few minutes to process, because I didn't quite realize how it just suddenly had a scope. And being cast as Loki, I realized, was a very significant moment for me in my life, and was going to remain. The creative journey was going to be so exciting."
Hiddleston relished the opportunity to go full villain in Avengers, like in the scene where Loki ordered a crowd to kneel before him outside a German opera house: "It's the unspoken truth of humanity, that you crave subjugation," says the Machiavellian god. "The bright lure of freedom diminishes your life's joy in a mad scramble for power, for identity. You were made to be ruled. In the end, you will always kneel."
"I just knew that in the structure of that film, I had to lean into his role as a pure antagonist," Hiddleston recalls. "What I always found curious and complex about the way Loki is written in Avengers, is that his status as an antagonist comes from the same well of not belonging and being marginalized and isolated in the first Thor film. Loki now knows he has no place in Asgard."
Loki did find a place within the audience's hearts, though. Feige was "all in" on Hiddleston as his Loki from the beginning, but even he couldn't predict how much fans would love him. Feige recalls the reaction at the 2013 San Diego Comic-Con: "Did we know that after he was the villain in two movies, he would be bringing thousands of people to their feet in Hall H, in costume, chanting his name? No, that was above and beyond the plan that we were hoping for and dreaming of." It was a dream Feige first got an inkling of a year earlier during the Avengers press tour when a Russian fan slipped past security, snuck into Mark Ruffalo's car, and asked the Hulk actor to give Hiddleston a piece of fan art she created. "That was one of the early signs there was much more happening with this quote-unquote villain."  
Despite that popularity, the plan was to kill Loki off in 2013's Thor: The Dark World, but the studio reversed course after test audiences refused to believe he actually died fighting the Dark Elves. Alas, he couldn't out-illusion death forever. After returning in Taika Waititi's colorful and idiosyncratic Thor: Ragnarok, Hiddleston's character perished for real in the opening moments of Infinity War. In typical Loki fashion, before Thanos crushed his windpipe, he delivered a defiant speech that indicated he'd finally made peace with the anger he felt toward his family.  
"It felt very, very final, and I thought, 'Okay, that's it. This is Loki's final bow and a conclusive end to the Odinson saga,'" says Hiddleston, who shot that well-earned death scene in 2017.  
But, though he didn't know it yet, the actor's MCU story was far from over.
When Hiddleston returned to film two scenes in Avengers: Endgame in 2017, he had no idea where Loki portaled off to after snatching the Tesseract. "Where'd he go? When does he go? How does he get there? These are all questions I remember asking on the day, and then not being given any answers," Hiddleston recalls. To be fair, it's likely the Powers That Be didn't necessarily have answers then. While Feige can't exactly recall when the writers' room for Endgame first devised Loki's escape sequence, he does know that setting up a future show wasn't the primary goal — because a Loki series wasn't on the horizon just yet.
"[That scene] was really more of a wrinkle so that one of the missions that the Avengers went on in Endgame could get screwed up and not go well, which is what required Cap and Tony to go further back in time to the '70s," says Feige. Soon after that, though, former Disney CEO Bob Iger approached Feige about producing content for the studio's forthcoming streaming service. "I think the notion that we had left this hanging loose end with Loki gave us the in for what a Loki series could be. So by the time [Endgame] came out, we did know where it was going."
As for Hiddleston, he didn't find out about the plans for a Loki show until spring 2018, a few weeks before Infinity War hit theaters. "I probably should not have been surprised, but I was," says the actor. "But only because Infinity War had felt so final."
Nevertheless, Hiddleston was excited about returning for his show. He was eager to explore Loki's powers, especially the shapeshifting, and what it meant that this disruptive figure still managed to find a seat beside the gods in mythology. "I love this idea [of] Loki's chaotic energy somehow being something we need. Even though, for all sorts of reasons, you don't know whether you can trust him. You don't know whether he's going to betray you. You don't why he's doing what he's doing," says Hiddleston. "If he's shapeshifting so often, does he even know who he is? And is he even interested in understanding who he is? Underneath all those masks, underneath the charm and the wit, which is kind of a defense anyway, does Loki have an authentic self? Is he introspective enough or brave enough to find out? I think all of those ideas are all in the series — ideas about identity, ideas about self-knowledge, self-acceptance, and the difficulty of it."
“The series will explore Loki's powers in a way they have not yet been explored, which is very, very exciting.”
The thing that truly sold Hiddleston on the show was Marvel's decision to include the Time Variance Authority, a move he describes as "the best idea that anybody had pertaining to the series." Feige and Loki executive producer Stephen Broussard had hoped to find a place for the TVA — an organization that debuted in 1986's Thor #372 and has appeared in She-Hulk and Fantastic Four stories — in the MCU for years, but the right opportunity never presented itself until Loki came along. "Putting Loki into his own procedural series became the eureka moment for the show," says Feige.  
The TVA's perspective on time and reality also tied into the themes that Waldron, Loki's head writer, was hoping to explore. "Loki is a character that's always reckoning with his own identity, and the TVA, by virtue of what they do, is uniquely suited to hold up a mirror to Loki and make him really confront who he is and who he was supposed to be," says Waldron. Hiddleston adds: "[That] was very exciting because in the other films, there was always something about Loki that was very controlled. He seemed to know exactly what the cards in his hand were and how he was going to play them…. And Loki versus the TVA is Loki out of control immediately, and in an environment in which he's completely behind the pace, out of his comfort zone, destabilized, and acting out."
To truly dig into who Loki is, the creative team had to learn from the man who knows him best: Hiddleston. "I got him to do a thing called Loki School when we first started," says director Kate Herron. "I asked him to basically talk through his 10 years of the MCU — from costumes to stunts, to emotionally how he felt in each movie. It was fantastic."
Hiddleston got something out of the Loki school, too. Owen Wilson both attended the class and interviewed Hiddleston afterward so that he could better understand Loki, as his character Mobius is supposed to be an expert on him. During their conversation, Wilson pointedly asked Hiddleston what he loved about playing the character.
"And I said, 'I think it's because he has so much range,'" says Hiddleston. "I remember saying this to him: 'On the 88 keys on the piano, he can play the twinkly light keys at the top. He can keep it witty and light, and he's the God of Mischief, but he can also go down to the other side and play the heavy keys. And he can play some really profound chords down there, which are about grief and betrayal and loss and heartbreak and jealousy and pride.'" Hiddleston recalls Wilson being moved by the description: "He said, 'I think I might say that in the show.' And it was such a brilliant insight for me into how open Owen is as an artist and a performer.'"
Everyone involved is particularly excited for audiences to see Hiddleston and Wilson's on-screen chemistry. "Mobius is not unlike Owen Wilson in that he's sort of nonplussed by the MCU," says Feige. "[Loki] is used to getting a reaction out of people, whether it's his brother or his father, or the other Avengers. He likes to be very flamboyant and theatrical. Mobius doesn't give him the reaction he's looking for. That leads to a very unique relationship that Loki's not used to."
As for the rest of the series, we know that Loki will be jumping around time and reality, but the creative team isn't keen on revealing when and where. "Every episode, we tried to take inspiration from different things," says Waldron, citing Blade Runner's noir aesthetic as one example.
"Part of the fun of the multiverse and playing with time is seeing other versions of characters, and other versions of the titular character in particular," says Feige, who also declined to confirm if Loki ties into Doctor Strange in the Multiverse of Madness and/or other upcoming projects.
Making Loki was especially meaningful to Hiddleston because they shot most of it during the pandemic, in late 2020. "It will remain one of the absolute most intense, most rewarding experiences of my life," he says. "It's a series about time, and the value of time, and what time is worth, and I suppose what the experience of being alive is worth. And I don't quite know yet, and maybe I don't have perspective on it, if all the thinking and the reflecting that we did during the lockdown ended up in the series. But in some way, it must have because everything we make is a snapshot of where we were in our lives at that time."
While it remains to be seen what the future holds for Loki beyond this initial season, Hiddleston isn't preparing to put the character to bed yet. "I'm open to everything," he says. "I have said goodbye to the character. I've said hello to the character. I said goodbye to the character [again]. I've learned not to make assumptions, I suppose. I'm just grateful that I'm still here, and there are still new roads to explore."
Additional reporting by Jessica Derschowitz
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There is No Glorious Purpose
DISCLAIMER: This is a Loki Show re-write which means I do not own the original show but some direct quotes will be used, it will not align perfectly with the cannon of the original show, and it will also be written the way I think it should have gone seeing as it was 2012 Loki who just went through Thor 1, Thanos' clutches and Avengers 1.
This is not a Loki/Sylvie or Loki-cest fic.
If you don't like, then please hit that back button and have a nice day. You don't have to agree with me, but I do expect common human decency.
For anyone remaining, please enjoy!
Chapter 1: Blue Time and Space
“Friend, I think there’s been a mistake; I am Loki of Asgard and you will regret this. I am burdened with glorious purpose, I stand at the right hand of Thanos.” The words were bitter in his mouth but then again, so was the bile that he dry-heaved up during his reconditioning.
“Yeah, yeah, come on.” B-15 waved it off, at least the letters on the helmet was the only thing pertaining to the person’s identity after they came through the yellow, rectangular prism. He watched her closely as they neared, fists clenched and fully aware of how far away the Tesseract had ended up. The cerebral recalibration the Hulk so kindly dealt him did nothing to deter him from his secret goal.
“What infinity stone conjured that?”
B-15 stopped, their own subordinates armed but waiting for their leader’s response. Then she laughed.
“No, no, it’s from the TemPad.”
“Pardon?”
“You’ll see soon enough, now, come on, I don’t wanna have to give the whole spiel again.” B-15 came at him. The baton-like weapon she wielded hurt. But he was Asguardian. He also had use of his magic now with the restraints in ruins. Twin daggers parried the baton thereafter. He came close to overwhelming her more than a few times but her subordinates always stepped in.
“Agh!” It was humiliating to be overpowered by not only a simple blow to his back but also to admit it.
B-15 smiled down at him, “let’s go, and reset th-.”
“Don’t touch that!” The soldier picking up the Tesseract and staring at it like a confused child paid him no mind.
“Ok, Variant, let’s go.” B-15 slapped something on his neck, his body involuntarily jumped the opposite way. He was dragged out of the sand and towards another yellow rectangular prism. Another soldier grabbed something that resembled an old Midguardian lantern. They passed behind him and he could not manage to twist his neck enough to watch them. Then yellow.
He involuntarily gasped at the non-consensual setting change, pain flaring in a memory. A shriveled stomach flipped. But… His brows furrowed as he soundlessly analysed himself and his sadir in respect to the surroundings. I can’t feel him… I can’t hear him.
The two soldiers carrying him wasted no time in dragging him across the floor of the large room. It too reminded him of past Midguardian styles…. But he didn’t miss the Tesseract being turned to the man behind the desk.
“Where is this? Where are you taking me?”
B-15 laughed from in front of him, “your trial, Variant.”
“Why, and what is that anyway?”
Next thing he knew, he was pushed into a room with a robot, “hello?” It said something before lasering his clothes off. He gaped in horror as his fine Aguardian leather was destroyed and he was left there in the nude. The robot smiled at him in some sort of sadistic glee as his scars and healing wounds were flaunted like war-torn cadavers against his unusually pale skin. The floor disappeared.
He landed. He folded. He panted.
“Please sign this.”
His head whipped up to the man he could barely see over the stack of paperwork on the desk. A gulp, a deep breath and Loki was the vision of regal honor. Silently, he noted that he had somehow been clothed and thanked whatever power granted him that.
“What is this?”
The man looked at him with an exhausted droll stare, “everything you have ever said.” He grabbed a paper off the printer and laid it on top. Loki nodded slightly, then signed. The world blurred.
“Please step through.”
“Pardon?” The room was slow to come into focus.
“Jotnar, please step through.” Jotnar? He hadn’t noticed his glamour having failed him. The sedir he had so ardently loved and utilized and developed was a small, twisted ball in his center. He was locked in a cage.
“Wha--how…?”
“Magic is no good in the TVA, now please, step through.”
A red-eyed stare remained on the agent as Loki stepped through the unconnected threshold. Nothing happened. Another bout of vertigo and he was being told and none-too-kindly to take a number.
“For what, what is all this?” His blue hands gesticulated some as he addressed the man.
“Take. A. Number.”
Loki grit his teeth but he stepped to the small machine attached to the stakes cordoning off where the line was. He stepped into that small, simple maze. It was another large room stylized after the later American, Midguardian twentieth century. Even scrapers looked better as they drifted in the expanse of space. He slowly meandered up towards the window behind a very loud human.
“My dad is on the board of Goldman Sachs! One call and your whole job is privatized! What even is the ticket for, huh--aaaahhhhhggg!” Said human leapt out of his skin and screamed when he caught sight of the large blue alien. Red eyes merely gazed down at him without much agency.
“Howdy, welcome to the Time Variance Authority,” the bulbous screens lit up and an American, Midguardian southern drawl spoke happily through the speakers. Loki turned his attention to the screens as something finally began explaining things though his entire being made the unanimous decision that he did not like the talking orange clock.
“I'm Miss Minutes, and it's my job to catch you up before you stand trial for your crimes. So let's not waste another minute. Settle in, sharpen your pencils, and check this out. Long ago, there was a vast multiversal war. Countless unique timelines battled each other for supremacy, nearly resulting in the total destruction of...well, everything. But then, the all-knowing Time-Keepers emerged, bringing peace by reorganizing the multiverse into a single timeline, the Sacred Timeline. Now, the Time-Keepers protect and preserve the proper flow of time for everyone and everything. But sometimes, people like you veer off the path the Time-Keepers created. We call those Variants. Maybe you started an uprising, or were just late for work. Whatever it was, stepping off your path created a nexus event, which, left unchecked, could branch off into madness, leading to another multiversal war. But, don't worry, to make sure that doesn't happen, the Time-Keepers created the TVA and all its incredible workers. The TVA has stepped in to fix your mistake and set time back on its predetermined path. Now that your actions have left you without a place on the timeline, you must stand trial for your offenses. So sit tight, and we'll get you in front of a judge in no time. Just make sure you have your ticket, and you'll be seen by the next available attendant. For all time.”
The workers responded to the screen, “always.”
Out of one dark order and into another, Loki thought and forced down rising bile.
“--Hey, I asked for a ticket and he didn’t give me one! I--ahhhh!....” The loud human was hit with the shining, golden end of one of those batons and literally melted into nothingness. Loki clutched the ticket between his fingers tighter.
“Next.”
He stepped up to the window and offered up the small scrap of paper. The next while found him bound in chains yet again. He knew a Midguardian courtroom when he saw one, and the one he was shoved into was more like a morgue.
“Next case, please,” the judge said from her elevated chair, heads above anyone else, but below three ugly “modern art” heads. How could it be that he could even miss Thanos’ disgusting chin?
“Laufeyson. Variant L1130, AKA Loki Laufeyson, is charged with sequence violation 7-20-89. How do you plead?” She continued. Laufeyson, how preposterous, it sparked an itch to kill the Jotnar king again.
“Madam,” he began with all his silver tongue, “a god does not plead.”
“Are you guilty or not guilty, sir?” She was completely unfazed by his appearance, much like her underlings.
He thought for a moment, “guilty of some offense against this Sacred Timeline of yours? Absolutely not. You must have the wrong culprit.”
A brow raised at him, “oh, really? And who should we have?”
“The Avengers, I suspect. I came into possession of the Tesseract because they traveled through time--undoubtedly in some desperate play to avoid my ascent as God Ki--....” He couldn’t feel Thanos anymore, so what was the point? Wasn’t… he… free?
“That’s quite an accusation.”
“The cologne of two Iron Morta--er, Tony Starks is quite difficult to miss. They are your Time Criminals.” He opened his mouth again to bargain; to survive but….
“We’re not here to talk about the Avengers.”
“No?”
“No. That was supposed to happen, you escaping was not.”
“Pardon? According to whom?”
“The Time Keepers.”
“Ah… the three faces behind you, I presume? Do they happen to be open for conference?”
“No, they’re quite busy.”
“Doing what?”
“Dictating the proper flow of time.”
“So then, what do you do, Madam?”
“Dictate the proper flow of time according to their dictations. How do you plead?”
The silver tongue was heavy. His back sent shocks of pain through him especially after the re-injuring the soldiers dealt. Chains often found their way around his wrists and never had it hurt so much as in the last year. He closed his eyes. He may have been able to assemble those Midguardian fools the way he had intended, the time traveling proved that, but what else was left for him? Just more fire, and lies, and deceit. I had so wanted to see Asguard again.
“The court finds you guilty, and I sentence you to be reset. Next case, please!”
“I raise an objection!” Loki opened his eyes at the interruption as the judge sighs.
“You may approach the bench.”
“Hey, there, blue-raspberry.” The older human man made a shy sort of wave motion at Loki as he passed with a folder under his arm.
“If you're thinking what I think you are, it's a bad idea,” the judge addressed the man.
“Okay, I'm just chasing a hunch.”
“Anything goes sideways, it's on you.”
“Okay. I feel like I'm always looking up to you. I like it. It's appropriate.” Loki knew when he was witnessing groveling. Norns knew he had to do it enough times in his life just to save his brother’s skin.
“Who are you?” He asked after the judge permitted Loki’s custody to the newcomer. Said agent was walking Loki around some halls. Vertigo viscously hit when he tried to remember every twist and turn.
“Oh, I’m Agent Mobius, by the way,” Mobius cheerily said as he shuffled the two into an elevator.
“And you’re not taking me someplace to ‘reset’ me?”
“No, no, no, that was the place you just were. Ravon--I mean Judge Renslayer can be pretty brutal, but I’m just taking you some place to talk.”
“To talk?” His brow raised.
Mobius looked up at his blue stature without a care in the world, “yeah, and we know you love to talk. Talkie-talkie.” A hand mimed a moving mouth. His brows lowered into a slight scowl.
“We seem to have different understandings of my persons.”
“Well, I am an expert on Lokis.”
“... Loki-s?”
“Yeah. You’ll catch up.”
“How long have you been here?”
“Hard to tell, time moves differently here in the TVA.”
He was led out again and followed the human past several large openings in the wall of the narrow hallway that lead down into double-doored rooms. One, he couldn’t help but step towards. Then found himself outside of the elevator again.
“Ope, can’t do that, sorry.”
He stared at Mobius who was now several yards away, “magic and time works differently here.”
“Oh, it’s not magic,” Mobius held up a small device in his fingers, “it’s science.”
“Magic is science.” Loki stated plainly as he walked towards what he assumed Mobius was indicating as the destination, back straight.
“Haha, ok, Loki.” The agent opened the door for him. He nodded in thanks as was polite.
“Let’s get you comfortable,” Mobius stripped him of his chains and cuffs, “have a seat.”
Slowly, he did as asked. He could have wept as his back was finally rested.
“Not big on trust, are you?” Mobius asked as he snapped a sodapop can open. He rejected a second that was offered to him by the agent.
“Well?”
“Trust is a twisted road.”
“Haha, nice one, let’s make that one into a button.” Mobius began fiddling with a machine on the table they sat at in the middle of the darkened room.
“If the TVA overseas all of time and space, then how have I never heard of you before?”
“‘Cause you never needed to. You’ve always lived within your set path; the story you’re meant to play a part in.”
“I live within the path and story of my choosing,” Loki responded bitterly on impulse.
Mobius laughed again, “well, there’s the lie, Loki, it’s not your story.” Mobius looked him in the eye as the machine projected an image onto the blank wall.
“So I think we could start with a little cooperation, hm? I specialize in the pursuit of dangerous variants--particularly dangerous ones unlike you. I’ve got some questions for you, and if you answer them honestly, then maybe I can give you something you want. You wanna get outta here right? So, we’ll start there. Should you get out, what will you do?”
Would Thanos know? Of course Thanos would know…. Of course Thanos would come after him for deserting….
“Take over Midguard, AKA Earth?” Mobius interrupted the silence, “finish what you started maybe? Be king?”
The simple answer slipped off his tongue, “I was born to be a king.”
“Happily ever after then? A nice feather in your cap?”
“Then the Nine Realms. Then all of space.”
“Ooooh, ‘Loki, King of Space,’ haven’t heard that one before.”
“Mock me if you dare.”
Mobius chuckled again, “I’m not. Honestly, I’m a fan; your biggest. I guess I’m just curious why someone with such range would settle for just ruling whether it be Presidential or Kingly.”
“... The first and most oppressive lie was that of freedom, and someone will always be above while masses lie below.”
“How does that one go?” Mobius had his nose in his paperwork.
“For nearly every living thing, choice breeds shame and uncertainty and regret. There's a fork in every road, yet the wrong path always taken.”
“Good. Yeah. You said ‘nearly every living thing,’ so I'm guessing you don't fall into that category?”
“All of us fall into some category.”
“Oh, riddles. Love that. Anyway, a sampling of your greatest hits.”
The machine whirled and he was met again with the annoying Midguardian heroes and his brother after they bested him in New York, “if it’s all the same to you… I’ll have that drink now.”
“That just happened,” he declared.
“It's funny, for someone born to rule, you sure do lose a lot. You might even say it's in your nature.”
“The last person who said that to me did not live long enough to regret it.”
“Phil Coulson?” The clip played and Thor’s “no!” rang out.
“Didn’t the Avengers come together to literally avenge him by defeating you?”
Loki kept his face schooled diplomatically blank against the small bit of triumph he felt rising. Yes, they had come together, a force to be reckoned with especially after Loki’s clever engineering of their test-run.
“Little solace for a dead man,” he said instead.
“Do you enjoy hurting people? Making them feel small? Making them feel afraid? Making them feel little?” Mobius looked at him with an expression all too familiar from a certain one-eyed Aesir.
“Your little games won’t work on me.”
“Uh-huh. Well, I think--.”
“I know what I am.”
“A murderer?”
“A liberator.” The memory of the Other’s lightning bolt sent a shock wave through his system. He was removed from them, but he could always be put back.
“Of eyeballs maybe,” Mobius scoffed and played the clip.
“Just look at that smile, you’re enjoying it.”
Yet another clip rolled and a wealthy crowd’s screams of horror rang out. He was the center of attention. No one in that moment had attention above him… but that blue still glinted in his emerald eyes.
“Did you enjoy hurting them?”
“I don’t have to play this game; I’m a god, you dull creature.”
“Of mischief? Right… I really see that shining through.”
“No, I don’t suppose you would.”
Mobius sighed, “let’s talk about your escapes.”
“You're really good at doing awful things, and then just getting away. This is one of my favorites.”
A plane’s PA system from the 1970’s dinged, “from the flight deck, Captain William A. Scott, Northwest Orient Airlines 305, on schedule to land in Seattle. Flight time today, approximately….”
The projection showed him from an outsider’s perspective on a plane, well dressed with his hair slicked back and shades covering his eyes. His past self spoke to the flight attendant.
“Bourbon and soda?”
“Thank you,” past Loki gladly accepted the drink.
“Absolutely. Is there anything else I can do for you, sir?”
“I suppose we'll find out, won't we?” A note was handed off to her and she chuckled only in social politeness. A clear misunderstanding between them.
“Uh, Miss?”
“Yes, Mr. Cooper?”
“You might want to take a look at that note,” past Loki leaned forward and whispered, looking the woman in the eye over his sunglasses, “I have a bomb.” Her smile dropped. The scene skipped to when he had emptied the plane of all other passengers and was back in the air strapping a parachute to himself.
“Oh, this is the good part,” Mobius whispered.
“See you again someday,” past Loki says, still politely as he accepts the bag of $200,00 USD from the unnerved flight attendant. He had often wondered how she had recovered from the stupid, oafish ploy; he did his best not to harm anyone but he understood how it could have been quite the scare.
Past Loki turned and walked toward the tail of the plane, “brother, Heimdall, you better be ready.” He mumbleed before jumping out and getting collected by the Bifrost.
“I can't believe you were D.B. Cooper. Come on!” Mobius moved in his seat in a way reminiscent of an excited toddler.
“I was young, and I lost a bet to Thor. Where was the TVA when I was meddling with these affairs of men?”
“We were right there with you, just surfing that Sacred Timeline. So anyway, escapes… and a little psychobabble. What is it you think you’re really running from?”
He held Mobius’ stare. Time Keeper’s approval or lackthereof seemed utterly arbitrary, and the agent’s “fan-ing” of him lacking.
“Enough of this nonsense--.” Loki moved to stand but was hit yet again by vertigo and back in the chair.
“Back in your cage. See? I can play the heavy keys too.” Mobius tapped a finger on his own neck.
“What is it that you actually want?”
“I want you to be honest about why you do what you do.”
“This,” Loki motioned a blue arm towards the projection, “means you have seen my life, yes?”
“Yup. Back and forward, and variant and not. I’ve seen it all.”
“Then you must already know.”
“All I seek is a deeper understanding of the fearsome God of Mischief. What makes Loki tick?”
“Yet you have seen my life and all variations of it.”
“I wanna hear it from the ol’ horse’s mouth.”
“The satisfaction of my own ends,” he finally settled. “Is this your psychobabble? You, the great arbiters of power in the universe.”
Mobius nodded, “yup, we are!”
“Yet my path, my story and my actions are not my own? A semblance of free will belongs to every creature.”
“Hahaha, good one buddy. Look, this one’ll fire you up.” Loki stamped out the pain he had only otherwise felt when he was dropped from the Rainbow Bridge. He stamped down it all. And oh, it was easy. Simple. It was his simpler state of being.
The projection changed to Stuttgart and the projection-surrounded square of kneeling people, “the bright lure of freedom diminishes your life's joy in a mad scramble for power….”
“Precisely. I was... I am on the verge of acquiring everything I am owed, and when I do, it will be because I did it. Not because it was supposed to happen. Or because you or the Time Variance Authority permitted me to. Honestly, you are pathetic. You are an irrelevance. A detour. A footnote to my ascent.”
Mobius giggled and scoffed, “you done? You’re gonna start taking things seriously.”
His body tensed. But all that happened was a twist of a wrist and the projection changing. He was faced with himself, bound and chained in Asguardian restraints with his glamor intact and cheekily knocking his ankles together to fill the hall of the All Father with the ringing of the metal clanging together.
“If you hadn't picked up the Tesseract, you would have been taken to a cell on Asgard.” Mobius informed him.
“Loki,” a familiar honey voice said in the ringing silence.
This future Loki addressed the woman in beautiful clothes, “hello, Mother. Have I made you proud?”
Her face stayed grave as he continued with undetected fake cheerfulness, “please, don't make this worse.”
“This is the future?” Loki asked.
“Yup, like you mighta picked up, the TVA doesn’t just know your past, we know your whole life as it’s meant to be. Think of it as comforting.” Loki grimaced at that. Comfort? He did not know such a thing. The scene skipped and he recognised the dungeons.
“And am I not your mother?” A projection of his mother asked.
Future Loki chuckled bitterly, “no, you’re not.” Loki felt the need to claw off the blue skin.
“Hmm,” his mother responded, “always so perceptive to everyone but yourself.”
“And then the Dark Elves attack the palace, and you think you send them to Thor.” Mobius chimed again.
“You might wanna take the stairs to the left.” Future Loki says as most other prisoners are set free.
“But instead, you send them….” The image skips again and it’s to Frigga in the grasp of the hellish looking Dark Elf.
“I will never tell.” She declares before she is brutally stabbed and fades. Loki jumps up but only goes through the projection. He can’t help her. No, no, no, no. Another tick. Just another trick like all those in the last year! He would never do such a thing. He loved her.
“You lead them right to her.”
But why would he do that? He was spiteful but-.... No, the elf. Think, Loki, think! Ah, yes, the Aether must have been helping them and changed them to that form. But why Asgard? Why Frigga?!
“You’re lying,” he pants, “what led to this!? Where is she!? Do you have her?!”
“It is true. That's the proper flow of time, and it happens again and again and again because it's supposed to, because it has to! The TVA makes sure of it. And you did this to your own mother, Loki! What kind of monster does that?”
“I’m not a monster!” He shrieks, voice cracking. A chair slams into the wall. He does his best to compose himself but his breathing and heart rates are all still erratic.
“What led to this?” He motioned to the agent then the world blurs to the projected image of her dead face. Fresh pain spikes his back.
“Oops, sorry, only loops you, not the furniture. Now, why don’t you tell me, do you enjoy hurting people? Do you enjoy killing? Were you about to kill me like you killed your mother?”
He fixed red eyes on the blond nuisance, “I wouldn’t hurt her!” The stinging tears obstruct his vision, but he’s too prideful to wipe his eyes--or the society he had been raised by was.
The human met his hateful gaze, “you weren't born to be king, Loki. You were born to cause pain and suffering and death. That's how it is, that's how it was, that's how it will be. All so that others can achieve their best versions of themselves.”
Loki’s grimace was translated through his conflicted heart into an almost silent sobbing scream. A chitauri screeched as the projection showed the Midguardian protection force he had pissed off enough to coalesce.
But he wouldn’t do that to her… he wouldn’t… he couldn’t….
“What are you doing?” Loki barely registers the voice as B-15.
“My job. Is it yours to interrupt?” Mobius responds as Loki is still frozen staring at the wall, not even seeing the projection anymore.
“We have a situation.”
“Gah, there's always a situation. Don't go anywhere. And it was just getting good. Spirited!”
The doors closed.
Mother, I need to find her!
Escaping the room was easier than expected and the maze did nothing to deter his frantic heart.
“Hey,” he ducked down behind the desk the agent from earlier was manning.
“Hey, I know you. You’re the criminal with the blue box.”
“Shh,” he dragged the other down, “what’s your name?”
“Casey.”
“Give me the Tesseract back or I’ll gut you like a fish, Casey.”
“What’s a fish?”
“H-how do you not know what a fish is?”
“I’ve lived my entire life behind a desk, and I’d like to know what I’m being threatened with before I comply.”
“Do you not eat--death, Casey, violent and painful death.”
“Okay, okay, I comply, I comply, jeez.”
Casey leaned forward and pulled open a drawer of a moveable table, “this it?”
“Wha… Infinity Stones?” The stones, mostly green Time and red Aether or Reality, were jumbled together in the small space.
“Oh, actually, we get a lot of those. Yeah, some of the guys use them as paper weights.”
“The greatest power in the universe and you have them carelessly thrown about?”
“Well, we actually are outside of the universe AKA the Sacred Timeline. Pretty neat, right?” Casey’s musings as he stood up and presented another bulbous screen hanging from the ceiling were ignored as Loki closed his blue hand around the Tesseract. It was dim. So, so dim and dull and…. Lifeless. His jaw hung open.
An elevator dinged, “oh, you almost hit me, that’s so messed up!” Loki clicked the button and returned to the small room. Slowly, he pulled himself off of the floor, set the Tesseract down on the table and twisted the dial.
“Your birthright was to die!...” Future Odin gave future bound Loki a sadistic smile, “as a child, cast out into a frozen rock. If I had not taken you in, you would not be here now to hate me.”
“If I had not fully asked for true mercy, I’d just say swing it. It’s not that I don’t love our little talks, it’s just, I don’t love them.” He found himself muttering along with his near-future self.
“Frigga is the only reason you are still alive and you will never see her again. You will spend the rest of your years in the dungeon.” He moved back with his shackled projection. That was too far, even for Odin. A flash of a red cape and eyepatched face looking down and telling him “no” passed in front of his eyes. His finger rolled on the dial.
“I love you, my sons. Remember this place. Home….” Future Odin told both Thor and him as he disappeared into energy from the cliff Loki was fairly sure belonged to Midguard. A breath caught. What… how… could it be?
It skipped forward again, “Loki, I thought the world of you, I thought we were going to fight side by side forever.” Future Thor with shorn hair and different clothes regarded future Loki--actually regarded him. Had he died? What sort of trickery could this be? He gulped around the hope in his throat.
“Maybe you're not so bad after all, brother. Maybe not…. Thank you. If you were here, I might even give you a hug.” An eyepatched Thor smiled at his future, blue leather clad self as a glass liquor stopper was thrown.
His future self caught it, “I’m here.” He smiled at the sight, that’s all I ever wanted… to be your equal, brother. He sniffled.
His life skipped forward again, “undying? You should choose your words more carefully.” Blue features immediately smoothed out and drooped in horror at the site of the purple titan. A golden gauntlet endued with infinity stones closed around his neck. His future self writhed in the air.
“You will… never… be a… god!” He flinched at the cracking of his own neck, his future self’s body falling limp instantly. No! He wouldn’t let himself die to him! He watched helplessly as his future self’s body was dropped while Thor screamed. The power stone’s magic broke up the spaceship as Thor wept over him. Purple enveloped the screen and then “END FILE.”
“Hah… hah… hah… hehehehe,” his lungs spasmed.
“Glorious purpose,” Loki sneered to no one. He collapsed gripping the Tesseract.
“Loki?... Nowhere left to run.”
“I know. Will you be ‘resetting’ or otherwise doing away with me now?” He stared into the dull blue depths of the Space Stone’s container rather than bothering to look up at the human. There wasn’t an answer.
“I am tired, Mobius.”
Knees popped as the other slowly knelt by him, “listen, I can’t offer you salvation, but maybe I can offer you something better. A fugitive Variant’s been killing our minutemen.”
“So why me?”
“The Variant we’re hunting is, well, you.”
He lifted his head, “pardon?”
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scrawnydutchman · 3 years
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MCU Fan Theory: Edward Norton and Terence Howard are Variants
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SPOILERS for the following MCU movies/shows ahead: The Incredible Hulk, Iron Man 1, Loki
So as followers of the MCU since early phase 1 will recall, the otherwise IMPRESSIVELY tightly knit marvel cinematic universe has two glaring errors in it’s overall continuity from the very beginning: Bruce Banner, AKA the Hulk, was recast from Edward Norton to Mark Ruffalo and James “Rhodey” Rhodes, AKA War Machine, was recast from Terence Howard to Don Cheadle. Obviously each of these actors have their reasons for leaving the MCU after having already acted in their roles.
but what if there was a canon explanation for why both Bruce Banner and James Rhodes suddenly look different in their next appearances? The answer may lie in the Disney Plus mini series: Loki.
in the series, Loki gets involved in a mind bending adventure across time and discovers that there can exist universes beyond his own, complete with alternate versions of himself known as “variants”. But in order to preserve the “sacred timeline” and prevent a multiversal war, the Time Variance Authority (or TVA) tracks down variants that create “nexus events” (moments where their choices that were never supposed to happen cause a rift in the timeline and create an alternate branch, possibly leading to another multiversal war if left unchecked). Once apprehended, one of two things happens. These variants either have their memories suppressed and are then recruited to the ranks of the TVA, belieiving themselves to have always been there, OR these variants are “pruned”, I.E. sent to the very end of time along with all the other events dubbed as “cosmic accidents”. where they are fated to be the lunch of an angry cloud. Meanwhile their split timeline is reset and it’s like their deviation never happened. (yeah, if you haven't checked Loki out yet, you seriously should. It is wild.)
Back to Norton and Howard. What if they were versions of Bruce Banner and James Rhodes who HAD existed in the MCU timeline but were since pruned or recruited to the TVA due to some violation against the sacred timeline? What if our focus THEN turned to versions of these characters that had never made such offenses (Ruffalo and Cheadle)?
In order to be in violation of the sacred timeline, they would have each had to be responsible for some sort of nexus event. Perhaps the both of them did something between stories that we don’t know about? or maybe there’s a hint to what they did WITHIN the MCU films and movies?
Admittedly, it’s pretty hard for me to pinpoint exactly what they would have done.
But what if they aren’t necessarily the variants who caused the timeline shift? what if they were mere symptoms of it, and some other variant MCU character is responsible for the nexus event that would have inevitably resulted in the pruning/recruitment of THAT variant and the resetting of that timeline, along with Norton-Banner and Howard-Rhodes in it?
A nexus event is merely going off script for the marvel universe . . . so maybe a plot hole is a nexus event? some action that doesn’t line up with the rest of the continuity of the MCU? Who then is responsible for the disappearance of Norton-Banner and Howard-Rhodes?
our first suspect would be Loki, because . . . Loki is literally the cause of nexus events 99% of the time as demonstrated by the mini series. Maybe everyone in that timeline was sadly erased due to whatever the hell Loki was up to at that time. But Loki had not yet made an appearance in the MCU at that point so it’s impossible to say for certain.
whatever it is that happened, they would have needed to happen AFTER the two movies where Norton-Banner and Howard-Rhodes show up. so Howard-Rhodes would have had to be pruned/reset after the events of Iron Man 1 and Norton-Banner would have had to be pruned/reset after the events of The Incredible Hulk, which according to the MCU timeline and a recent episode of What If . . . ?, happens around the same time as the events of Iron Man 2 and Thor. So Howard-Rhodes would have been removed earlier in the timeline than Norton-Banner. 
anyway, it’s just a fresh theory for now for the fun of it. I’ve been actively trying to search for anything in the early MCU from Iron Man 1 to Avengers 2012 that may give some clues as to what happened to them (but who knows? maybe there are clues much later than that?). I invite anyone who’s interested in expanding on this theory to have fun with it. Remember that it’s just for fun, like many other theories (such as Peggy being in the TVA or Stan Lee being the watcher) and don’t take it too seriously.
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aion-rsa · 3 years
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Marvel’s Loki Season 2: The MCU Questions We Need Answered
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The following contains Loki spoilers.
Marvel’s Loki may have only been six episodes, but it was a wild ride from start to finish, reinventing a fan favorite character, wrestling with complex existential questions of free will and fate, and telling one of the franchise’s weirdest love stories to date. Plus, you know, it also managed to entirely rewrite the reality of the Marvel Cinematic Universe as we know it. 
Thankfully, Marvel wasted no time confirming a second season, announcing the show’s renewal in the end credits of the Season 1 finale. (Likely because it was obvious that fans would riot if we weren’t promised some answers to the many questions – both literal and philosophical – that this show raised.) 
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Here are just a few of the things we’re definitely going to need Loki Season 2 to explore.
Where in the Timeline is Loki?
The first season of Loki ends with a jaw-dropping cliffhanger: He Who Remains is dead, the multiverse is reborn, and when Loki returns to the Time Variance Authority he doesn’t find things exactly as he left them. Mobius and B-20 no longer remember him and the three giant statues of the Time Keepers at the TVA have been replaced with a single figure carved in Kang’s image. What in the world is going on here?
One of the first key questions Loki Season 2 will have to answer is precisely where and when this Loki and the TVA even are. Is this the remnants of the Sacred Timeline, rewritten into something new by He Who Remains’ death? Did Renslayer’s actions somehow change the TVA? Or did Sylvie’s temp-pad launch Loki across the multiverse into another world entirely? (Though since the TVA is supposed to exist outside of time and reality, could there even be a second one?) 
Thinking too hard about this is enough to make your head hurt, in the best way possible. 
What’s Next for Sylvie?
When last we saw our favorite female Loki variant Sylvie, she was watching time fracture around her after killing the man she’d spent her entire life trying to find and punish. Where does she possibly go after that? She’s literally changed reality – both for herself and everyone else.
Throughout the series, we’ve seen Sylvie driven by an aggressive single-mindedness. But where does she turn that focus now? Will she try and build the home she’s never been able to have before in one of the new timelines she’s created? Track Loki down in whatever timeline she’s sent him to? Or does she begin seeking out the Kang variants, trying to prove that her decision to essentially create them all doesn’t have to doom the universe the way He Who Remains predicted?
Is Sylvie and Loki’s Romance Doomed?
The season ended with Marvel’s most bizarre romance having their first relationship spat. Of course, for Loki and Sylvie that means literally fighting each other with swords while debating whether the universe deserves free will, all before one kisses and then betrays the other by shoving them through a temporal gateway. Shakespeare says the course of true love did never run smooth, guys. 
What’s next for these two crazy kids is anyone’s guess – as far as we know, Sylvie’s currently still in the castle at the end of time, and Loki’s in…well, Loki’s in a timeline that we haven’t entirely identified yet. How they’ll find their way back to one another in season 2 (because of course they will find their way back to one another in season 2) is anyone’s guess. 
Will Sylvie realize her decision to kill He Who Remains was a mistake? Will she regret kicking off what may well be another multiversal war and seek Loki out to try and fix what she broke? Will Loki try to find her again, in the wake of all that’s happened?
What About All Those Other Versions of Kang?
According to He Who Remains, Sylvie’s choice to kill him would essentially release a veritable army of Kang variants across the multiverse, who will wreak untold havoc and destruction until one essentially takes over again. And that appears to be exactly what has happened, to some extent, given that the statues of the Time Keepers at TVA headquarters have been replaced with a giant Kang figure. But which version of the character that is – or what the other, less benevolent version have done in his name – is up in the air. 
We know that Jonathan Majors is set to play Kang the Conquerer in Ant-Man and the Wasp: Quantumania but that film isn’t set to hit theaters until 2023 and that’s an awfully long time to let the MCU’s new Big Bad sit idle. So it seems safe to assume that we’ll see some version of him pop up in at least one MCU property before then, if not more. 
Where Did Judge Renslayer Go?
When last we saw Judge Renslayer, she seemed determined to prove that her life as a leader of the TVA – and the many morally dubious decisions she made as such – had some sort of meaning, despite the fact that her actions were essentially all performed in service to a group of leaders who didn’t actually exist.
After an emotional confrontation with Mobius, Renslayer escapes in search of “free will,” which as we know in this universe generally means Kang. Whether she finds him, or what happens during her confrontation with whichever version of Kang she meets is unknown, but since Renslayer is Kang’s girlfriend in the comics, it seems safe to assume that she has some hand in the creation of whatever version of the TVA Loki stumbles back into at the end of the finale. 
Why Does the TVA Still Exist?
Throughout Loki Season 1, the TVA was sort of the literal embodiment of the “you had one job” concept. They were meant to patrol and protect the Sacred Timeline, pruning rogue variants and cutting off dangerous branches before they threatened the balance of reality. But now that He Who Remains is dead and there is no Sacred Timeline anymore, then what purpose does the TVA still serve in this new reality? 
Judging by the giant statue of some version of Kang in the lobby, there’s every likelihood that the organization has shifted focus to either battle or track the many variants of the former He Who Remains throughout time and space and may have even been created in this reality by one the the “good” Kang variants. But, it’s also possible that the TVA is still trying, in some small way, to corral or at least organize the multiverse into something where its many branches can somehow peacefully co-exist. 
What’s the Deal with Miss Minutes?
Miss Minutes, the TVA’s cheerful sentient clip art, is one of the most memorable parts of Loki’s first season. Her organizational prowess is clearly unmatched and very little appears to ruffle her determinedly perky attitude.  But we still don’t know much about her, including how she came to exist or what her ultimate goals are. 
Simultaneously helpful and vaguely menacing, it seems clear that she had an agenda of her own throughout the season. But an agenda in service to whom? He Who Remains? Kang the Conqueror? The larger concept of order? And what sort of secrets does she still know?
Is Alligator Loki Okay?
Obviously, a real concern going into Loki Season 2 is the fate of all the other Loki variants we met throughout the season. With He Who Remains dead and the multiverse unleashed, will the other Lokis be able to leave their Void prison and return to their real lives?
Most importantly, is Alligator Loki okay? Are he and Kid Loki striking out on their own now, perhaps to a Disney+ Young Avengers series near you? Loki Season 2 definitely needs to provide us with an update on our favorite reptilian god. 
Could Classic Loki Still Be Alive?
As long as we’re talking about Loki variants, does the rebirth of the multiverse mean that Classic Loki might return in some way? Your mileage may vary on whether or not you think his sacrifice was truly heroic or a heroic piece of misdirection, but we don’t actually know what happens to the variants and timelines gobbled up by Alioth. 
Sure, the other Lokis hinted that to be eaten by the fog monster equals instant death, but this show also spent four full episodes pretending that pruning equals being killed, so trust but verify, is all I’m saying. Plus, Richard E. Grant is just too good an actor not to put back in a classic Loki costume as soon as possible. 
How Will Doctor Strange 2 Impact Loki Season 2?
With reports swirling that Tom Hiddleston will make some sort of appearance in Doctor Strange in the Multiverse of Madness, it seems likely that the film will impact Loki Season 2 in significant ways. 
Of course, the question of which version of Hiddleston’s Loki we might see in the film – the same one we saw in Loki or some other perhaps as-yet-unknown variant – remains an open one, but given that this Loki had a direct hand in the creation of the multiverse, it certainly makes sense that he might cross over to a film dealing directly with that concept. Could Sylvie also pop up? It’s certainly possible and after Loki and WandaVision it seems as though anything could happen in this film. 
The post Marvel’s Loki Season 2: The MCU Questions We Need Answered appeared first on Den of Geek.
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thats-a-real-mood · 3 years
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loki episode 1x01
Im loving the green/gold marvel logo. 
mega spoilers under cut! 
Ngl not sure why the tesserect threw him like that in mongolia. Is there a reason that thanos had better control? (Other than him being a giant grape) Is this what happened with red skull?
Tva introduced. Very mysterious
Aw loki is just done with the avengers and everything else
Why did they have loki’s lips do that for so long? And in 1/16 speed
Reset the timeline? What does that do?
Zooming in on the device on the ground assuming that is going to reset the timeline. Okay so but reseting does that mean that there is now another loki? Our loki we are watching and a different loki who is continuing one the timeline?
A variant skrull?
Loki trying to run and then getting timelooped back to the lady is slightly funny
Aw that poor guy is cheerful and shes all like no i have a job
Deadly consequences huh? Is that gonna come back later? I have a feeling they will never like each other
Aw happy robot
Aw fashionista drama queen loki. I love it
Okay i may be ace but loki looks good!
-honestly in the gray suit he doesnt look that muscular but he is. Its just hidden. It hints at it with his shoulders but he in fine!
I did a get picture of the end credits where it shows what he said
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“if it’s all the same yo you know i’ll have that drink now.
“tva? friend i think there has been a mistake. I am Loki,- You will regret this. I am burddened with glororius purpose. I stand on the right side of thanos- pleased to learn you’ve- my father is-”
is all i could read from this
A cat and a cat mug. I like it. This dude must be so tired. And everyone gives him extra work with everything they say even in his room. -does it do this even after they leave? And honestly i thought lokis stack would be bigger
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“Do alot of people not know if they are robots?”Hun im sorry but you didnt know you were frost giant..
Now at first glance the whole “what if i was a robot and didnt know it?” Line is funny but you gotta like deeper. Like i said right above he didnt know he was a frost giant for almost the whole time 2012! Loki has been alive.
Ok but why does it look like giant scratch marks in the red rectangle. I think it’s supposed to be like dried blood or whatever but more like scratch’s.
His temporal aura..lots of red,maybe purple and yellow followed by green and blue at the top. I wanna know what it mean. Do more colors get added with more temporal stuff?
That looks like the guy who died in the trailers
He was insistent that he take a ticket. Lokis staring contest with the guy. Passive aggressive loki
Is that PA sound activated by a specific phrase? I think it would be since it probably would have turned on sooner than when loki shouted otherwise
I dont like miss minutes.
Who are the timekeepers? How are they all knowing? Can we get some more lore on them?
Branching off the nexus? That showed in a scene in the trailer..
So do the tva not want a multiverse? But it was canonized in dr strange. And wandavision. Or do they just not want a multiverse war?
Created the TVA and its workers? What do they mean by creating the workers as well?
Wait what that the reset charge i saw in the cartoon? So does that mean that there is a loki that is continuing on the timeline?
Is that how we kept the “sacred timeline”? But how? The avengers dropped the cube and loki got it and left. So how did they fix the timeline to keep him from picking it up again?
The guy doesnt have a ticket and is throwing a karen tantrum. Oop-
Okay now loki is scared.
Is it bad that i saw him hold up his ticket and found it funny? Like see boom i have it totally not gonna get destroyed now
Okay so i wrote the cool “runes” i put them in quotations because i dont know if that is what they are. Ill try to look them up later and post them.
Five dead in france..1549
Sombody got the jump? Its him? Who?
Stab wounds? Reset charge is gone. Sixth attack? That they know of?
Nice satan imagery in the background. First (assuming) micheal first with light shining in this guy and now satan..
I saw her eyes look to the satan and then upwards so assuming she means the horns but it could also be mephisto. But does mephisto stab people? Those horns look loki style
Afraid of them?
Kablooie? Blue gum? Blooeberrie?
-Why was it given away? Is it a sign? Do i need to look deeper into this? It does have that whole look that fits with the tva but im gonna hold on.
Devil bearing gifts?
-What happens when it hits the red line?
They have a FILE? On loki? Where did they get that photo? And HE IS GENDER FLUID
Judges room has the workers mural and the timekeeper mural. So the cut off the branchs to keep it in a orderly timeline?
Push t to those avengers! STEVE👏ROGERS👏IS👏A👏VARIANT
Hun..hun no thats not why they traveled.
Pffrt two tony starks! So he knew tony was there… did thor not smell him as well??
Gods to gods
Is..is this what it looks like when he tries to do magic??
Who are the people watching who isnt the guy from earlier?
So is this gonna be a show of freewill? Like wanda was grief and depression? Or the winter soldier was of —-
If my theory is right about loki being the guy killing the agents and that guy is investigating and has his file then it makes sense that he knows what loki is capable of. I would also like to point out that is it loki killing them, then they are greatly underestimating him. He should use that to his advantage
Chasing a hunch? Going sideways? Bad idea?
And this guy is flirting (i think) but also drinking his respecting woman juice.
Burn down his desk? Ok so ngl its cool outside the window but idk what it is but i can tell its greenscreen. The architecture is great. I love the scene.
A nightmare department??
I wanna know what the buttons in the elevator mean.
Created by the timekeepers? So possibly not human. Can they leave? are they aloud to? What do they mean created? Is there a process? Or are they just never kids?
Trust is for children and dogs? Oka i get the dos. But children? Does this mean that he hasnt trusted anyone since he was a kid? What happened that made him stop trusting people? Does he trust his mother?
Living in his set path? Okay i was part of the son fandom so im getting team free will vibes from loki insisting that he chooses what he does
Wooing someone powerful you intended to betray? Thanos? (Ew giant grape face guy) You, agent mobius? The Grandmaster?!
Are they flirting? I genuinely cant tell? Is this what flirting looks like?
Pursuit in Dangerous variants? So not loki. My theory holds strong for me but maybe its not?Hes a hissing cat? So born to be king?
A fan? Okay..i wanna saw how are you a fan? But you have the file.
Oh
Loki
The wrong path always taken…
“I am smart.” I know
What do u know mobius? Time passes differently…has loki been here before? Have u met him before? How do u know he his smart? Yes you have a file but that doesnt tell me why u are saying for certainty that u know he is smart. And he looks serious. Like he knew something. What are you hiding??
Okay so he heals fast. This couldnt have been hat long since then?
Okay so they bring in phil but they dont even acknowledge that he is still alive (as far as im aware)
The uncomfortable shifting and keeping his gaze away from the screen as new york was shown was kinda telling cause of what he said earlier…
Deflecting to keep from talking..
The FLASHBACK
Why does he need money?
Young..lost a bet to thor… what was the bet???
You just used reverse psychology on loki and it worked
Why do you wanna know about why he does what he does? Are you using him for your other case? (Assuming hat he is killing the guards somehow)
Did his voice crack when he saw his adventure in germany? Anyone else catch that? And the past tense after that. His masks are starting to fall. I think he is gonna lash out soon
Oh
Oh his mother
This is gonna get painful. Im crying already.
Oh frigga. He is tearing up. He is getting agitated now. Dude you just accused him of killing his mother
Okay stop. So others can achieve better versions of themself?
U mean when nat yeeted herself on vormir? Or when clint went around killing people during the blip? Or when cap stayed behind with peggy when he had bucky to come back to?
I can see him planning something but idk what yet
Ok so i already watched this earlier but now that i watch this part carefully i can see his hand pickpocket
Another unit? So thats six units now?
Loki escaped??
Prune? Is that what the stick thing is?
Ok he asked the guys name. I like that. Polite.
I saw him take a breath to get ready for another performance
U..u dont know what a fish is?
Lived entire life behind a desk? How old are you?
Okay thats practical to know what your being threatened with. Informed choices my dude.
Ok is this the room that loki has a desk at in the previews? Also i like casey. He is now my new fav
Whats is the desk? INFINITY STONES?? are you kidding me? So other people have tried to get them but werent aloud because of the timeline with thanos and the avengers???? Why do you have so many of the same stones? And the fact that the time stones as well means something attempted to happen to earth to get them..
They dont work at the tva? You USE INFINITY STONES? AS PAPER WEIGHTS? INGOT OF IMMENSE POWER THAT WERE CREATED SUPPOSEDLY AT THE BIG BANG??
This is giving me (another show that used something important as paperwieghts) vibes
Coming to the realization that this place is powerful? Ok so that is pruning.
His mother, he is crying i cant deal
Oh god im crying again
He just want his parents love and they are dead. He just wanted family to love him. He wanted to so much and didnt ever feel like he had it. But he did.
Oh no
Please dont make him watch his death
Please
The immediate falling of his face, his tormentor, i wanna know what he is thinking when he sees thanos
Oh the bone sound
And loki watched
Not making light of this but they speedrun his trauma and his redemption. He didnt get to see the good parts of what he has done. Just the bad.
Oh his laughing and the bitter glorious purpose
The fight was short but cool
He is being his petty self and i love it
See, don’t underestimate him
That nose scrunch
He looked emotionally drained
Wait why cant he go back? Cause he saw his future? Isnt that the reset? Oh wait if he goes back, he dies and he knows that but he couldnt be able to stop it without ending back up here
Hes opening up. The masks he had are falling around mobius. He sees himself as a villian.
Fugitive variant?
I KNEW IT IT WAS LOKI!
but hold on. If this fugitive is loki, then how? What part of the timeline is they from? Are they a future loki? So the future loki is a dangerous variant and this loki is a cat? What makes the future one more dangerous? We just heard him say he doesnt like to kill?
Okay now oklahoma 1858, if this is loki then how is he goin across time? And what for?
Wait third millenium? When is that?
Okay so we got a 1500 deaths and pieces of gum? And now third millennium thing in the 1800?
Oil? In a field…i get that u would think that but please think about where u are and the fact that other units have been killed in what i assume are regular calls like this as well.
Hooded figure? In a foggy night?with different background lights? I like it.
Told you oil plus field equals fire
Oh big spots of oil and oil leading places
Okay there is the reset charge? Is this important like i said earlier i thought it would be?
Ok if this is loki then what’s with the get up? Where is the drama? The showmanship? And why do you need the reset charges? Assuming this person took them from each scene that is at least six or seven? Or is this eight? Would this be the one that they said earlier with the captain lady interrupting or is this another one after that?
Ok so i took some pictures of the end credits that i think are important. I want to look closer at them before i post them.
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aion-rsa · 3 years
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Marvel’s Loki: Making Sense of the MCU’s Time Travel Rules
https://ift.tt/3gqwWz4
This article contains spoilers for Loki episode 1, Avengers: Endgame, and perhaps the very fabric of reality itself.
Nobody said time travel was easy. When Marvel Studios officially introduced temporal shenanigans into its cinematic canon in Avengers: Endgame, it did so with noble intentions. Our Avengers had to save the universe and recapture the 50% of the population that Thanos dusted away. The easiest way to do so was with a dash of Pym particles and an entanglement within the Quantum Realm. 
Unfortunately, however, engaging with time travel means engaging with its rules. Now that the studio’s third Disney+ series Loki has brought the God of Mischief into contact with the Time Variance Authority and the Time Keepers’ Sacred Timeline, the Marvel Cinematic Universe faces the unenviable task of making sense of the impossible.
Through one episode, Loki has done a solid job of explaining the rules and stakes of time travel as it applies to Loki, itself. Still, some questions remain about how the rules of time established in Loki apply to Avengers: Endgame’s time heist and the rest of the MCU at large. For a proper example, take a look at these very astute questions raised by Brit in the comment section of our Loki Episode 1 Easter eggs article. 
“Please can we have a Q&A article on this. Aren’t there already two timelines? One with Steve Rogers in the Avengers and one where he stayed in Peggy? (Editor’s Note: Phrasing) And a third where Thanos left? Either way, aren’t there already multiple? And shouldn’t Steve Rogers be classed as a variant as he went rogue?”
The simple answer to all of these questions is that, despite its interconnected nature, the Marvel Cinematic Universe is made up of individual films (and now TV shows) written by individual writers. So the events of Avengers: Endgame may not make perfect canonical sense in Loki. We know for a fact that Loki’s TVA adventure was not conceived of until Avengers: Endgame had already been written by Christopher Markus and Stephen McFeely. In an interview with EW, Marvel head Kevin Feige revealed that Loki stealing the Tesseract was never designed to lead into another time travel story.
“[That scene] was really more of a wrinkle so that one of the missions that the Avengers went on in Endgame could get screwed up and not go well, which is what required Cap and Tony to go further back in time to the ’70s,” Feige said.
If the time travel rules of Loki are to be consistent with the time travel rules of Avengers: Endgame it will be only because the later show retrofitted itself to work within them. For what it’s worth, Loki head writer Michael Waldron (who previously wrote for the timey wimey Rick and Morty) claims that the show’s approach to time travel rules are bulletproof.
“I was always very acutely aware of the fact that there’s a week between each of our episodes and these fans are going to do exactly what I would do, which is pick this apart. We wanted to create a time-travel logic that was so airtight it could sustain over six hours. There’s some time-travel sci-fi concepts here that I’m eager for my Rick and Morty colleagues to see,” Waldron told Vanity Fair.
In that same interview, Waldron notes that Avengers: Endgame presents the rules of time travel as The Avengers understand them. Perhaps this means that Loki will correct the Avengers in some areas and clarify the rules in future episodes. If that’s the case, Loki will have a lot of work to do. As we understand all the rules now, the time travel of Endgame does appear to be at odds with the time travel of Loki in several respects.
Hopefully, the show will explain away those inconsistencies. In case it doesn’t, however, let’s try to do it ourselves. 
Why Were the Events of Endgame Sanctioned?
Thanks to Loki episode 1 “Glorious Purpose” we have one bit of useful canonical information when it comes to the time travel in Avengers: Endgame. When Loki stands trial for his timecrimes, he tries to pass blame onto the Avengers. But the judge presiding over his case, Ravonna Renslayer (Gugu Mbatha-Raw), tells Loki that everything the Avengers did was supposed to happen. 
How can that be the case though? Just about everything that The Avengers did appears to fly in the face of the Time Keepers’ mission of maintaining the Sacred Timeline. Tony and Steve’s team sent no fewer than 11 individuals back in time to three distinct time periods. They then removed sacred objects from those time streams, brought them back to the present, used them, then returned them to their appropriate locations in time. How on Earth did that not create dozens if not hundreds of new timelines that threaten the singular supremacy of the Sacred Timeline?
I’ve got two potential explanations for that, both of which are imperfect and flawed. But absent further information from Loki, they might be the best we can do for now. 
The first option is that perhaps the TVA is oversimplifying how neat and tidy the Sacred Timeline looks. Within the TVA offices, the visual representation of the Sacred Timeline is a single straight line on their computer monitors, with potentially dangerous new timelines being represented by jagged fresh lines branching off from the main line. While this is a helpful visual for the TVA office drones to keep an eye on things, it might not represent the full reality of the Sacred Timeline.
The Sacred Timeline may be a gnarled, ugly beast with one long branch spreading out into infinity and smaller twigs doubling back on themselves along the big branch. This would mean that it’s possible for time travel within the Sacred Timeline as long as it’s occurring on the Sacred’s Timeline main branch and with the Time Keepers’ blessing. Why would the Time Keepers sanction some time travels and deem others as unacceptable Nexus events? That’s anyone’s guess. 
The other possibility comes from a theory within Endgame itself. The closest that Marvel’s Infinity Saga conclusion gets to addressing the “rules” of time travel is via a conversation among Scott Lang, James “Rhodey” Rhodes, and Bruce Banner. All three men have their opinions on time travel, but the film gives Bruce the final word, subtly suggesting that it’s his interpretation that’s correct. Here is what he has to say:
“Time doesn’t work that way. Changing the past doesn’t change the future. Think about it, if you travel to the past, that past becomes your future and your former present becomes the past, which can’t now be changed by your new future.”
Let’s call this the Subjective Theory of MCU Time Travel. A certain kind of time travel is allowed and effective as long as the time traveller understands that the nature of time comes down to their subjective experience of it. Bruce Banner can’t create a new timeline when traveling to the past because he’s aware that the past is now a part of his own subjective future. As long as his story ends up where it’s supposed to be, which is to say activating the Infinity Gauntlet in 2023, then everything will be ok.
And that brings us to a certain time traveling lothario…
Why Didn’t Steve Rogers Create A New Timeline?
The idea that Steve Rogers didn’t create a new, unsanctioned timeline by living out an entirely new life with his lost love Peggy Carter is truly baffling. If Loki can create a Nexus event by picking up the Tesseract, how can Steve Rogers abandoning Captaining America in favor of smooching Peggy for 50+ years not?
Well, maybe we can make sense of this by combining our two theories above. For starters, the Sacred Timeline has to accommodate for other smaller, sanctioned timelines within itself – it just has to! Any decision you do or do not make creates new possibilities and new universes. When you choose to wear a blue shirt in the morning as opposed to a red shirt, you are creating an entirely new unseen universe in which you wore that red shirt (and probably won the lottery or something, I don’t know).
Going back to that gnarled branch analogy from before: perhaps the Sacred Timeline isn’t so much of a single line but a series of lines contained within a larger line – fiber optic cable-style. Steve Rogers going back in time and living out a new life is just part of one of the smaller, sanctioned lines clinging onto the main one.
There’s also the reality that Steve did what he was required to do at the end of the day. Having delivered all of the Stones back to their respective places he returned to the present an aged man (and looking like Joe Biden). He then presumably passed away peacefully of natural causes in the timeline that he was supposed to die in at the precisely correct point. 
Read more
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Loki: Is the TVA The Most Powerful Entity in the MCU?
By Alec Bojalad
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Loki’s Success Hinges on Marvel TV’s New Storytelling Strategy
By Kayti Burt
That new past was Steve’s future like Bruce said it would be. Therefore it affected only him. What of all the people Steve interacted with in his new life though? It’s possible that they just dissipated away once Steve returned to the present or their lives carried on normally inside a pocket universe contained within the Sacred Timeline. There’s also a darker possibility that the TVA had to go in and liquidate that whole timeline once Steve had exited it. Sharp-eyed viewers have spotted what looks to be Peggy Carter in Variant prison garb in the background of Loki’s first episode.
That would be a pretty upsetting conclusion to Steve and Peggy’s character arcs, but it would resolve the temporal headaches created by his time travels in the ruthlessly unsentimental way that only the TVA can pull off.
Why Are Variants Allowed on the Sacred Timeline? 
At the conclusion of Avengers: Endgame, there is at least one Variant from a separate timeline existing within the Sacred Timeline. That is, of course, the Guardians of the Galaxy’s Gamora. Thanks to the Avengers’ meddling, she arrived in the Sacred Timeline alongside Variant versions of her “father” Thanos and her “sister” Nebula. Variant Thanos and Variant Nebula are eventually dispatched by the Avengers but Gamora remains behind as a curious sideways world version of herself in a new reality. How is this allowed?
The answer to this is a very well-reasoned “because the Time Keepers said so.” As far as we understand it, the Time Keepers only goal is to maintain the sanctity of the Sacred Timeline. If that means bringing in reinforcements from other timelines, then so be it.
But wait a minute, Alec, you just said “other timelines.” How could Variant versions of Thanos and Gamora even exist on a separate timeline to join the Sacred Timeline if the TVA is so adamant on stamping out other timelines? I don’t know, man. My head hurts. It likely goes back once again to that “big branch” or “fiber optic” cable analogy though. It’s quite simply not possible for there to not be alternate timelines once time travel comes into play. So those timelines have to exist as appropriate branches attached to the main branch. Those Variant Gamoras, Nebulas, and Thanos were therefore never Variants to begin with. They were merely different aspects of the same character from different parts of the same timeline.
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Is this all complicated? Yep. Does it  make perfect sense to me? Absolutely not. That doesn’t change the fact, however, that there is one unshakable tenet of the Marvel Cinematic Universe canon when it comes to time travel now thanks to Loki. And that’s that the events of Avengers: Endgame happened exactly as the time stream needed them to. Steve Rogers, Tony Stark, Bruce Banner, Natasha Romanov, and company are not Variants. No one went “rogue.” That reality makes it harder to fully understand and explain away why dozens of Nexus events weren’t created by their actions. But explain it away we must, because the Time Keepers say so.
Loki airs new episodes Wednesdays on Disney+. 
The post Marvel’s Loki: Making Sense of the MCU’s Time Travel Rules appeared first on Den of Geek.
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