"You are a dumber, sweatier version of him."
Ford and Stan conformed to society's expectations of twins and their individual pursuits throughout their entire lives. Ford is the talented, gifted academic. We know he can play piano extremely well. His abilities aren't restricted to the sciences obviously. In contrast, Stan is demoted as the less intelligent, less gifted twin. In many cases, especially in his father's treatment of him, he's perceived as the dumb twin.
After listening the GF commentary podcast and rewatching the show, we've all come to the general consensus that Stan isn't dumb. Stan can't be dumb. He lacks Ford's academic gifts but is able to recreate the portal using advanced sciences, maths, and etc. This man who didn't finish high school at best is able to understand and recreate the concepts his brother included in his journal.
The more I read and rewatch I can only assume Stan has some kind of learning disability that went undiagnosed. Let's not forget, Stan and Ford were likely born in the 1950s. There were not many resources for children living with dyslexia or adhd or add or any person living outside the "norm." Or he was lazy, felt defeated in trying to make good grades especially after what his dad when he got an F-.
They can never make me like you, Filbrick Elmer Pines. If he has no haters, then I'm dead.
While I don't want to say Ford treated Stan like he was dumb, he treated Stan as if he was less intelligent than him. Stan used to cheat off of his tests in school. We saw that. This behavior is another parallel/contrast between Mabel and Dipper. It highlights how close they are and how well they understand each other.
In Journal 3 Dipper says, "Can be a real friend when she's not doing one of her bits. She's smarter than people give her credit for, and often acts the way she does just to drive me insane."
This isn't to imply their dynamic is perfect. It isn't perfect. There are bumps and a few potholes in the roads, but Dipper always treats Mabel as an intelligent person, knows she sleeps on her own gifts so she can do her bits. The difference between Ford and Stan is that I don't think Ford wanted to accept Stan's gifts and would only begrudgingly internally.
The show doesn't highlight Mabel being treated as the dumb twin. She's treated as the silly twin with more emotional intelligence than Dipper. She can be selfish, but she's also considered more mature than Dipper. Hirsch definitely sees her as more mature in a way to Dipper.
The parallels are simply so beautiful to me. I appreciate how they're not 1:1 parallels, y'know. They can fit in each various slots but serve similar roles for each other.
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I think part of the reason my gut is like "No, Tails can't be dead! Pfft! You're silly!" is that NOT ONLY would it be Sonic's (his brother's) fault, NOT ONLY is he just a kid, but also... Tails is just such a gem.
He's so smart, talented, and a hard-working individual. In most conflicts, Tails is a source of comfort for everyone else, rationalizing the chaos and giving them solutions to work towards. Like, who is Sonic supposed to turn to not only as a brother, but as someone who can help him figure out what's wrong before it's too late? Sonic relies on Tails so much and this Is just... aaaAAAAA-
I've been in such denial since I first saw the fur on Sonic's body and I want to say it's just brilliant to hang this in the air in front of us because of how important of a character Tails is in general. It's emotionally terrible + makes the threat in this story seem more unobtainable (I hope that makes sense) + I love it but I'm also crying. I'm going to keep coping forever ;.;
Tails is such an important character in the franchise, not just on a strategic "He's smart enough to Solve The Problem" level but on an emotional level as well, as you've stated.
He also wasn't done growing, and had so much he could've still done. So much he still should have been able to experience. That was a child. An eight-year-old boy. A hero, yes, but young, and mortal like the rest of us.
And to be cut down by his own brother. Someone he trusted, trusted more than anyone else.
What do you suppose those last moments were like for him? How do you think it all felt?
Was he scared?
Was he sad?
If his life flashed before his eyes in that single second before he was taken from the world, half of that life would've been filled with Sonic's smiling face.
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hi:) um can i ask a slightly angst fic where the reader don't have a job because of her social anxiety and so she's v embarrassed when talking with people and when she joins RFA even more so cuz they're all successful and busy. Can you make it slight Seven/MC? I hope that's okay 🙃
"You feeling okay?"
You jolted, feeling like your heart was just about to jump straight out of your chest with how hard it was pounding against your ribcage. Really, it was silly of you to react like that. The party venue was full of attractive people dressed in fancy evening attire: dancing, laughing, drinking, and networking. As a party coordinator, it was a given for someone to eventually start up a conversation with you. And yet... No matter how hard your brain tried to rationalize every little thing around you, it never truly helped.
You didn't belong here. All of these people... Hell, even the rest of the RFA! They held themselves up with such confidence, they talked with such grace and they didn't have to worry about their standing at all. And, who were you? Just an anxious mess who couldn't even function properly in a completely normal social interaction. What were you even doing here-?
You swiftly turned around, meeting a pair of golden eyes staring right at you behind his signature glasses. Seven... Speaking of, you didn't even see him since the party started. Did he notice how pale your face has gotten? How tightly your fingers gripped the champagne glass you didn't drink from even once ever since you first took it from the tray to busy your trembling hands with something? How your breathing was too shallow and quick to satisfy your desperate need for fresh air in your lungs? You hoped not.
Say something-!
"I- Uh-" You barely managed to choke out, your throat closing in before you could utter a single word, your mind feeling like it was too overwhelmed and underwhelmed at the same time. There were too many eyes, too many people, too many voices. It was too bright, too loud, too crowded. Your clothes were too tight, the fabric was too itchy, and your skin was too clammy. It was all... too much.
"I- I'm fine."
You were obviously not fine.
Seven's brows furrowed, though you barely registered it through the panicked fog that took over all of your senses. And, even if you did notice it, you'd probably think that he assumed you were weird and off-putting or something. That's what you would have thought of yourself in his shoes, anyway. You knew you were failing this, and failing this miserably... You knew you needed to get out of here, you knew you needed some peace and quiet to ground yourself, and yet-
And yet, you were too damn frozen to do anything. Your body and mind were begging you for an escape, but they didn't let you do anything to achieve that escape. What kind of sick joke is that?
"...C'mon." You didn't even detect Seven's voice in your ears. You just gasped as you felt someone gently nudge your arm and start leading you away. So, you stumbled along, your breathing shallow and your legs tripping over themselves as you were being led down the dimly lit corridor somewhere you couldn't see. He was quiet as you two walked alongside each other, his grip on your arm tightening from time to time to keep you steady, making occasional small pauses for you to regain your footing.
You wouldn't notice any of these small details until much, much later, once your mind had cleared up again.
Finally, you briefly heard the sound of a door opening, before a rush of fresh air hit you right in the face, almost making you choke on it from the pure abruptness of it. You didn't even notice how stuffy it was on the inside until you got a taste of what it was like on the outside. Two warm hands lightly pushed you down, and you let them, feeling yourself being seated onto a small wooden bench. It felt so good to no longer have to stand and keep your weight up. You let your head lean back as you closed your eyes and let yourself finally breathe.
God, each breath of fresh night air felt like true paradise right now.
A few minutes passed by until you felt yourself slowly coming back to earth, more or less. You still felt anxious and incredibly tired, your heart racing on the inside of your chest. But, at least you could move again, albeit shakily. You could speak. You could see. You could breathe.
Speaking of... You quickly turned your attention to a fellow redheaded RFA member that was sitting beside you, his gaze turned upwards towards the night sky.
"...Seven?" You decided to say something, your voice weak and raspy.
He turned his attention back towards you, a warm smile gracing his features. It was strange. You knew Seven wasn't all jokes and laughter, but you also weren't expecting him to be so... caring once you finally met him face-to-face. It made your heart race for a different reason from before.
"Are you feeling better now? I can bring you some water if you want." He replied, holding your nervous gaze.
Why are you so nice to me...? You wanted to ask, as you hang your head low, starting to anxiously fiddle with the ends of your outfit. Instead, you just shook your head. "A-A bit later. I'm... Uh..."
"You're not ready to go back out there. I get it." He finished your train of thought for you, returning his gaze toward the sky. It made you breathe a small sigh of relief, grateful to be free of any kind of attention right now.
Wait... Did he do it on purpose-?
"I... I'm sorry." You mumbled, biting onto your lower lip. "I should be there right now, talking with our guests and making sure the party is a success... And yet, here I am. Some kind of party coordinator I am."
Your words were laced with bitterness and frustration, centered around nobody but yourself. All you wanted was to be... normal. To stop feeling like every single person in the room hated your guts for simply existing. To be able to function properly. Why was it so goddamn hard!?
Seven sighed, glancing at you briefly before looking away once again. He seemed to be thinking about what to say to you. You never thought you'd see him not knowing how to reply to something. He was always so energetic and all over the place in the chatrooms or on the calls with you... But, this side of him was... new.
You appreciated seeing it.
"It's... terrifying to try and act tough when you feel like there is danger waiting on every turn. You have to pretend that everything's going great when all you really want to do is to run and hide yourself away somewhere nobody could ever find you." He started slowly, carefully. Almost like he was thinking over every single word he spoke, cautious not to say too much. You wondered what it was that he was avoiding so meticulously. "I saw that look in your eyes, and I knew what you were feeling on the inside. It's a look I... Well, let's just say, it's not something unfamiliar to me."
You were surprised to hear that. Seven? Being familiar with such anxiety? The same Seven who would laugh the loudest out of everyone in the group, or make a fool of himself with a confident grin on his face? You found it hard to believe.
He continued his line of thought before you could question it, though.
"Listen... I know you feel like you don't belong. And, I mean... I can understand that." He chuckled, shaking his head a little. "Practically everyone in our group is impressive in one way or another. Some, in ways a normal person couldn't even imagine. It would be pretty overwhelming to anybody to get thrown into your position."
You furrowed your brows, your fingers stopping their fiddling as you got too focused on your own thoughts. "A normal person wouldn't freeze up at a party that they themselves are supposed to be responsible for. Or fail at keeping a job for any longer than a month without completely breaking down."
"None of this could be possible without you joining the RFA, Y/N." Seven replied, now looking straight at you, his expression oddly serious. He just continued to surprise you the more time you spent together. "I know more about you than I should. I'm not... proud of it, but the least I can do is use this knowledge to help you. I know you struggle with some things. And yes, you did get too overwhelmed there. But, everything's okay now. The party is a success. Thanks to you. Thanks for your efforts. Nothing is ruined. The guests are happy, and we raised a lot of money that will be used for a good cause to those who are in need. Rika's legacy continues. None of this could be possible without you. Don't belittle yourself for this."
You just stared at him, not knowing what to say. Not knowing what you could say. You could feel tears welling up in the corners of your eyes as you swallowed the lump forming in the middle of your throat. "But... But I-"
"You're a member of the RFA, Y/N. Whatever struggles you're going through... We're all going to be there for you when you need it. In fact, I'm sure everyone is very worried about you right now." He gave you a small reassuring smile, patting you on the shoulder. "Don't be afraid to rely on us. Just like everyone relied on you. We're here for you. And... I'm here for you, too."
You would hold onto those words. Just like you found yourself holding onto his arm for the rest of the night, finding his warm presence warming and reassuring.
You weren't alone in this. And, even though you had no idea what you were doing, you knew you had people who would always be there to catch you when you fell.
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This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.
e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.
I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.
This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.
And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.
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