#like white screen of death died | Explore Tumblr Posts and Blogs

lqveharrington · 5 months

Text

Shut Up | V.

summary: You aren’t officially apart of the Vees, but dating Vox merely intensifies what the rest of the sinners, and his business partners, believe.

pairing: Vox x overlord!reader

includes: smut: exhibitionism, masochism, degradation, fluff, Valentino being weird, talks about death, talks about porn (that’s all, let me know if I missed any!)

a/n: this is my first time writing a one-shot like this which was really interesting to write 🤷‍♀️ we’ll see how this goes

You were never openly advertised to be a part of the Vees. You just happened to be there for almost all of their businesses and deals. Sure, you did live in the same building as them and work alongside them, but there was never an official declaration of you joining the Vees. There were two reasons you were protected against all the sinners who wondered why you were always in the public eye with them.

One, you were a quiet overlord. And two, you were dating the company’s forefront boss: Vox, the technological demon.

Though you kept all your soul deals hushed from the public, all the sinners knew what you were capable of, staying clear of your path. It just so happened that Vox was able to snag you for himself, being the only one to truly enjoy you as yourself, despite Velvette and Valentino also witnessing each interaction.

“What’s on your schedule today?” Vox sipped on his black coffee, adjusting you in his lap.

You tap away on your phone as you take a small drink from his cup. “Uh, I think I have a meeting with Diane about the money she owes me. Then Velvette needs to steal me to model some clothes for her new line.”

He hummed, eyes flickering across the different monitors in his room. “Is that all?”

Nodding, you shut your phone off and smiled prettily up at him, pearly whites on display. “Why? Want me all to yourself?” You shift in his lap, straddling him instead.

“I wouldn’t be opposed to such things.” He trailed a claw up your arm. “Sadly, I have meetings upon meetings today.”

“Boo.” You kiss the corner of his screen, feeling soft static on your lips. He squeezes your waist as you move off of him, “Text me if you need to reach me.”

“I always do.” He pressed a kiss to your hand. “Love you.”

“Love you more.” You snap your fingers, appearing in front of your favorite sinner’s house. “Diane, here I come.” You mutter as the dirt and blood from the ground accumulate on your heels.

The meeting with Diane was short and sweet, only taking twenty minutes to collect your money from her. In fact, you had more time to visit the rest of your souls before heading to the Vee tower. To be fair, most sinners you dealt with either died from exterminations or died from your own hands, not being able to pay their debt. It was nice to have a soul who was willing to commit to your every beck and call.

“Babes, focus.” Velvette snapped her fingers in front of you, changing your outfit. “What do you think about this one?”

Your hands come down to your waist, glancing in the mirror. “It’s alright. The puffy sleeves are a no-go though.” You watch as she jots down your notes, muttering to herself about stupid sleeves before snapping another pair of clothes on you. “How many outfits did you create for this new line?”

“About thirty or so, I can’t really keep track.” Velvette circled to your front, tilting her head at the color. “This color doesn’t necessarily represent me, no?”

You shake your head, “It’s more… more angelic than Velvette.”

“Right, thank you.” She flicks her wrist, changing the color to match her brand. “You know, Voxy wouldn’t stop groaning about you being busy all day.” You raise a brow at her words, letting her switch your outfit again. “He was all pissy when Val said he’d try to recruit you to be in one of his films again. Val almost lost a wing during that meeting, it was hilarious.”

“I’d rather work for you than Val.” You grimace at the thought. Since landing in Hell, the only person you had gotten intimate with was Vox. You would rather die with Carmine weapons than star in one of his adult films. “Do you know when Vox’s meetings are done?”

“Do I look like his fucking assistant?” She flicked her hair back as she looked at you with an unimpressed expression. “He’s your boy toy.”

“Fuck off.” You flip her off and pull your phone out, sending a quick message to Vox, to which he responds with a Facetime call.

“What’s wrong?” His eye twitched as if he were to murder a low-life sinner. “Who hurt you?”

“No one?” You furrow your brows but roll your eyes when Velvette snickers from behind you. “I was just going to ask when your last meeting is.”

“Just ended.” He let out a breath, squinting his eyes when you flip the camera to show the shorter overlord. “Velvette, don’t overwork her.”

“She’s standing here pretty, asshole.” She scoffed at him. “You’re free to visit while I finish up.”

“Let’s just do a movie night in our penthouse.” You toss up, earning groans from both overlords. “Fine, screw you too.”

“I love you, but I can’t do another movie night where we watch Val’s porn films starring him.” Velvette rubbed her forehead at the thought. The thought alone sends shivers down your spine. “Anyone but Val can pick the movie.”

“I’ll pick it since you all want to be babies about it.” You sigh as she snaps your original clothes back on. “Someone tell Valentino.”

“Already sent a message.” Vox locked eyes with you through the screen. “I’ll see you both in a bit.”

“Bye, handsome.” You sent kisses toward him. You hummed to yourself as you hopped off the platform Velvette placed you on.

“How? Why?” Velvette shook her head at you. “I don’t get it, not at all. You two are so fucking disgusting.”

That wasn’t the first time she said that either. Or Valentino. They eventually just learned to live with you two after they once walked in on you and Vox in his monitor room… Not a fun surprise. Especially when Valentino wanted to record. Velvette learned to knock for once but still found all your lovey-dovey couple shit disgusting. However, it did boost her business when you both went out with matching outfits made by her.

“Mm, Vox—!” You giggle against his lips as your hands find his shoulders to balance you. “They’ll be here any minute.”

“They both have enough common sense to knock.” He kicked your legs apart. “I haven’t seen you all day. I missed you.”

You shift under him, holding in soft moans from his actions. “Vox…”

“Hm?” He shot a small shock through his finger, causing you to let out a moan. “You once hated those.”

“Shut up.” You grabbed his sweater vest and pulled him in. That was about how far you got until Valentino barged inside with Velvette trailing behind. “Oh, fuck me…”

“Maybe later.” Vox teased, pulling you up from the couch. He flattened out your bunched-up skirt and his vest, giving an agitated smile toward his business partners. “I thought you two learned to knock?”

“Why? Busy fucking?” Valentino maliciously grinned at you, making you shift uncomfortably. “I’m sure you two would—“

“Alright, what movie are we watching bitches?” Velvette plopped herself down on an armchair, letting her legs rest on the armpiece.

Vox muttered out words of murder toward Valentino, pulling you down to sit on his lap to hide his previous hard-on. You lock a hand with him, feeling him rub your palm as the movie starts. And the movie seemed to be more of a success than the last one as Valentino and Velvette’s eyes were immediately glued to the screen. But Vox kept all his attention on you, letting his hands wander across your body.

“What are you doing?” You murmur, grabbing his wrist as it starts trailing up your thigh. “Vox…”

He pressed a kiss to your shoulder, “Yeah?”

“We can’t…”

“They’re not even paying attention to us, gorgeous.” His screen dimmed and red streaks appeared.

You roll your eyes but steal the blanket from behind you, draping it over the both of you. “Happy?”

“Very.” His voice was much lower, as he immediately attached himself to your shoulder.

It wasn’t until halfway through the movie that one of them noticed. Sadly, it was Velvette who noticed, meaning there was a much bigger scene being created than the one playing on the television.

“Are you guys seriously fucking right now?” She made a face of disgust, watching you being unable to respond to her.

“Shut up, don’t talk to us.” Vox let out a quiet grunt as you buried your head into his collarbone.

“Vox.” You mumble as a warning as the coil inside you tightens.

He held you closer as you gasped, “Fuck, I got you.”

“I’m out! I’m leaving, I’ll see you all tomorrow when you’re both decent.” Velvette left, dragging Valentino with her when he brought his phone out to record.

“Vox!” He flipped you to lay on the couch the second the elevator door shut, overstimulating your abused parts.

“Such a fucking slut for cock.” He pinched your waist as his hips stuttered. “Fuck, come with me.” You let out a guttural moan as your coil snapped for the third time, grabbing onto him as he finished, feeling him rest his head on your chest. “That was so fucking hot.”

Your chest heaved as you rubbed his back, “That’s because you wanted to get caught, handsome.”

“It worked, didn’t it? I got both of the things I wanted.” He leaned up and pressed a kiss to your forehead. “Can I move yet?”

You shake your head, shutting your eyes when he shifts a bit. “Vox.” You whine, tightening your hold on him. “Don’t move.”

“You’re fine, I have you.” He murmured as he pressed small kisses to your face. “We can stay here.” You hum in contentment. “Thank you for indulging in my thoughts.”

You chuckle at his words, “I wanted it too, Vox. But, I think we officially traumatized Velvette.”

“She can go cry about it.” He rubbed your hip before giving you a quick kiss on your sore lips. “I love you, gorgeous.”

“Mm, I love you too, Vox.” You whisper back, letting him tighten his hold on you as the movie ends, sighing in exhaustion.

You might not be publicly introduced to be associated with the Vees, but you were definitely associated with Vox whenever you were in the confines of the Vee Tower.

555 notes · View notes

curated-tiktok · 6 months

Text

OP: wizard_bisan1 posted: March 23 2024. link

visual description: Bisan, an arab girl with black curly hair, standing in the street wearing a hoodie. In the background there are four story tall buildings that are white. A couple people are walking in the background and some cars and horses are moving past. One of the cars is an ambulance with the flag of Palestine and the flag of Kuwait. Two red signs with white writing can be seen but the text is blurry.

During the video 3 different pictures are put up on screen. First a photograph of Muhammad al-Nunu. Later two from a news article about the israeli soldiers attacking, one showing the soldiers and one showing a brown tanks, there is text in Arabic. Another of three boys carrying a dead person.

transcript:

Hey everyone, this is Bisan from Gaza. It's the day 69 after hundred of the genocide and the day 13 of the holy month of Ramadan.

And it's the day six of the besieging and invading of Al Shifa hospital, attacking the hospital, the displaced people inside, the doctors and the injuries by the israeli army and the israeli soldiers, the israeli tanks and bulldozers.

So for those who don't know, people are either inside one building of Shifa complex buildings, without water, without food, without the ability to move anywhere or to get outside that building and to be executed.

And talking about execution today, Muhammad al-Nunu, he is a doctor. The israeli army executed Muhammad al-Nunu because he refused to leave the unit that he is working in and refused to leave his patients and preferred to stay to complete their treatment because a lot of the ICU, of the intensive care unit patients died, passed away because there is no electricity, there is no food, there is no staff, there is bombing and burning for the hospital utilities.

So he refused to leave them and he was executed. He was killed in front of the people, in front of the patients. This is what is happening now in Al Shifa hospital.

It is a hospital and this is happening to them.

Thousands of people, women, children and innocent men and civilians are stuck in a building, in Al Shifa hospital without food, without water.

They started to drink the hospital storage saline solutions. It's the only liquids that they have.

And no one is talking about that. No one, no media, not enough media, no government, no one is talking about this.

And this is not the only horrific thing that happened today in the north of Gaza Strip, by the way, today between ten to 20 people were killed by the israeli shooting on the liquid roundabout while they were waiting for their humanitarian aid.

They were waiting for food because they're starving to death. In the north of Gaza Strip, in Ramadan months, they were waiting for food and they were killed by the israeli army.

How many times we need to scream more about that?

The north of Gaza Strip is under attack like it was the first days of this genocide. Exactly.

They are brutally killed and bombed. It is a hospital with thousands of innocent people, medical staff, injuries, civilians, and they are starved - to death. They are without water, without treatment

They are bleeding in front of each other until the death. And everyone is out of the building executed by snipers or inside starving to death.

This is what is happening now inside Al Shifa Hospital now, at this moment, for six days.

transcript end

caption:

North updates, very important.. watch to the end.

#free palestine #palestine #news #shifa hospital #al Shifa hospital #wizard bisan #gaza #north gaza #transcribed video #video #wizard_bisan1 #wizard bisan1 #journalism #TikTok #leve palestina #let gaza live

583 notes · View notes

snaileer · 6 months

Text

Time Unsolved

Dp Unsolved

“Today on Buzzfeed unsolved we cover the Timely Disappearance of Charles T. Williamsworth.”

Danny slurped loudly on his drink as the intro played. Was he maybe crazy for watching a Buzzfeed Unsolved True Crime alone, at night? Maybe.

But Danny had been attacked by ghosts. What was a human gonna do that Skulker couldn’t?

“What a name!” Shane cut in immediately, the video showing him seated at their table holding a cup of coffee. Ryan laughed.

“‘Ello, yes, my name is Sir Charles T. Williamsworth, how art thou? Ah yes, jolly good!” Shane mimicked with a horrifically bad posh British accent.

Ryan laughed harder, “We’ve been to London, they don’t sound like that!” He said between laughs.

“Uh, he does! There’s no way a man with a name like that is not ‘mm yes I will take a spot of tea with my biscuit thank you.’ I’m calling it, he definitely talked like that!”

Danny smiled at the antics as Ryan wheezed, “Well it’s too bad we’ll never know for sure then isn’t it, what with his disappearance, y’know what we’re actually here to talk about.”

“That’s okay. I’ll know. I know my buddy Charles.”

“Alright then.”

Ryan flicked his file open as Shane took a sip from his coffee.

The screen lit up with an image of a man on a black backdrop.

“The Williamsworths were a French-German family who moved to Biel, Switzerland in early 1914, just months before the largest war in European history kicked off.

They were one of the lucky few families to have left France before the war broke out…”

“Oh a family moving, that’s suspicious now?”Shane cut in, yellow words typing themself across the screen.

“Well, it was right before World War 1, I mean the timing is kind of suspicious.” Ryan replied in blue.

-People move, Ryan.-

-Okay, okay, it’s just the facts of the case,.-

Danny rolled his eyes, ready for the story to continue.

The images came back.

“This move would evidently prove to be quite fortunate for the family for obvious reasons. However, it also led Charles to find his true passion: … Watchmaking.”

There was a pause as a map of Switzerland came on screen. “Biel, the town that Charles would live in for the majority of his recorded younger life, was known for watchmaking, being one of several in the heart of an area named ‘Watch Valley.’ “

-You ever own a Swiss watch?-

-Nope-

-Heard they’re good. Reeeal good.-

-Yep.-

-…-

“Charles would reportedly develop a passion for clocks, watches, and timepieces in general, only getting more entrenched in his obsession over time.”

The image of the man now shifted to be overlaid on a map.

“By the time the First World War was over, Charles had gained an ostentatious apprenticeship under one of the premiere watchmakers of the time, Max Stührling. This lasted until Stührling’s death in 1938, after which Charles vanished from any records for two years.”

-Well y’know, his mentor had just died. -Maybe he wanted to grieve. Y’know curl up in his room and not see anybody for a bit.-

Ryan laughed, -2 years, he was crying in his room for 2 years and nobody found him?-

-Well, it’s not like records were great back then, I mean what are you gonna write on the census… just.. like..-

-Loud weeping heard from inside. One resident. Unnamed.-

-Yeah!-

“The next time Charles T. Williamsworth appears on record, it is in the back of a photo from France in 1940. Showing Williamsworth standing in front of a watch shop wearing dark clothes, a distinct pocket watch, and looking into the camera.”

The black and white image appears on screen, zooming in on the background figure. Danny tilts his head at it, something about it niggling at him.

“The shop and its owner would go on to be infamous within the French town for the duration of the Second World War. Charles was unwillingly drafted in the summer of 1941, serving on the front lines for no more than 3 months before sustaining a wound to his face, leaving him with damaged eyesight, facial scarring, and a medical discharge.

He returned to his shop soon after.”

Danny frowned at the mention of what the man had probably gone through.

“Later evidence statements regarding Charles stated that he was: ‘an odd man. He never mentioned the war, leaving it behind once he was not forced to be a part of it. He seemed to be separate from it all, he only cared for his watches.’

This sense of separation would extend to his shop, as when the town was bombed in 1944 leading up to D-day, his shop was left miraculously unharmed. It was reportedly open the very next day.”

-I can appreciate the dedication- Shane says in yellow.

-Yeah, I mean, the morning after is a bit soon, but he did really love watches. If he didn’t have to, I guess he wasn’t gonna close his shop.-

-His advertising: ‘Sure you were almost killed in a fiery explosion, but look! I’ve got new watches!’ Jazz hands.-

Ryan laughs.

“Over the next 50 years, Charles T. Williamsworth would disappear from records repeatedly, sometimes for months, only present on seven censuses between 1952 and 1979. Despite this, the clock shop was never sold, remaining in wait for its master’s return.”

Multiple pictures of pocket watches came onscreen. “It became known in the surrounding area for especially good pocket watches and grandfather clocks. Each personally made using Swiss essemblage practices, often engraved.

While it was a place of prestige, some described the shop as having ‘an unbearably loud sound of ticking, as if a thousand clocks were set to the same second.’

Apparently, Charles ‘seemed to enjoy the sound, often standing in the front room when no one was present. He was able to pick out one clock if it was off time.’ Witnesses stated.”

It cut to showing Shane and Ryan at their table.

“God, I can’t imagine. That’d drive me crazy.” Shane said, shaking his head.

“Yeah, I don’t know, a thousand clocks at the same time? Just..” Ryan looked back and forth frantically, as if there were sounds from every direction, “I’d go nuts pretty fast, I can’t even handle one sometimes.”

“I’d just go off and punch one of the clocks, just- RAAAH and -oh my god is that where that comes from?! I’m gonna punch your clock? Or like you clock somebody!?! Oh my god I never realized that!”

Danny’s jaw drops at the realization as Ryan laughs. Shane looks to be losing his mind as well.

“However, Charles’ most notable disappearance was his last.”

Dramatic music played as Danny zoned back in.

“Due to his frequency of vanishing for extended periods of time, it is unknown when exactly Charles disappeared. The last definite sighting of Charles T. Williamsworth was late at night on April 23rd, 1999, when neighborhood patrolman, Elliot Dubois, noticed him locking the door to his shop with its lights still on. Elliot, concerned for the safety of the elderly man, questioned him but eventually allowed Charles to leave, noting that he turned down a road that only led into the woods outside of town.

Two weeks later, 12 year old James Chappellè, a mailboy in the area, noted during his morning run on May 7 that mail had begun to pile up in front of the shop’s door.

Something that had never happened before.”

The word ‘before’ faded into red.

“It reached such a point that the mail system declared they would no longer deliver, as they couldn’t guarantee it wouldn’t be stolen.

At this point, the police got involved and the case was assigned to Detective Jacob Laurent.

It turned out to be a more difficult case than first expected, as when they looked into Charles’ past, they were unable to turn up any such notable documents as a birth certificate nor any document containing a birthdate.

But when police entered the shop on May 10th, they found it largely empty, with only the shelves, register, and equipment left remaining between the front and back room. There were no clocks of any kind.

It should be noted that there was still money in the register, and a light on in the back though the other bulbs for the front seemed to have been burnt out.

Upon entering the living space above the shop, it was found to be covered in dust, and all of Charles’ clothes and belongings still present.

Rather, there was evidence that Charles largely slept in his shop, with a cot beside his workbench.

A workbench that, upon police entry, only held one gold pocketwatch, personally engraved with the initials ‘C. W.’ As it was known for Charles to always carry the pocketwatch, he was officially declared missing and possibly presumed dead.

The watch’s presence also led detective Laurent to suspect foul play.

Despite the declaration of foul play, the police did not extensively search the town woods, citing the size and density of the forest.”

The video cut to Shane staring at Ryan, face deadpan. Ryan was clearly trying to hold back laughs.

“So… let me get this straight… an old man who’s… how old at this point exactly?”

Ryan laughs, “Nobody knows, there’s no known birthday-“

“That’s weird too, but okay, let’s say he’s like what, at least 95? I mean… there’s a certain age that like if you disappear… ..eh.” Shane shrugged.

Ryan looked at him incredulously, “Eh??”

“Yeah,” Shane shrugged again, “Eh.”

“What???”

“I mean… y’know… old people wander into the woods sometimes, maybe he just went for a walk and got lost. At that age… death has gotta be around every corner, I mean come on!”

Ryan wheezed into his elbow.

Danny laughed quietly.

Once Ryan calmed down, he organized the file, clipping it down on the table, “So! With the story finished, let’s get into the theories,”

Shane rolled his eyes, “Oh god this is gonna be one of yours isn’t it? What ghosts are abducting people now?”

Danny smiled, briefly considering how much effort it would take to go haunt Shane all the way in LA.

“The first theory is that Charles T. Williamsworth was involved with the mafia at the time and was a long standing or high ranking member that had crossed the wrong people.

Some reasons for this theory is the lack of early documents, suggesting a fake identity or forgery.

This case is especially supported by the long absences, where his shop remained closed and yet still remained in his possession.

In fact, the deed for the shop was not listed under Charles’ name, instead Iisted as owned under a private organization.

This theory explains his disappearance and possible subsequent death as an act of revenge from an enemy made from illicit activities. Leaving no body behind, there would be no evidence to prosecute the acting party.

Within this, there are also some who believe that if Charles was engaged in the mafia and lived under a false identity, that his disappearance was him returning to his actual identity, possibly due to being caught.

Prison records indicate 6 Swiss-German inmates arrested at the approximate time of his disappearance, roughly matching the age and appearance of Charles. Notably, none of them had a distinct facial scar and no identification was ever confirmed.”

The screen switched.

Shane smiled at Ryan, “Oh Ho Ho, my boy Charles is getting into some funky stuff, huh? Workin’ for the Mob, breaking knees, chopping fingers?”

Ryan laughed, “Yeah maybe, it definitely lends credit to him being a part of something. Maybe he was out in the woods breaking knees y’know. Or burying something.”

“Someone,…”Shane said ominously, then burst out laughing, “What if he buried himself! Just-“Shane mimed digging, clapping his hands like he was wiping off dust, “Alright, thats a good illegal grave right there, just a good hole for a dead- woaaah!” He pretended to fall, “Boom, stuck in his own grave.”

“Really, this old man dug a 6 foot deep grave? On his own?”

“Hey you don’t know his strength, maybe he lifts.”

“Alright.” Ryan shook his head, still grinning.

Danny smiled, considering it, it did kind of make sense.

“The second theory is that Charles T. Williamsworth did indeed just walk into the woods and never come out. If this is the case, what happened in the woods is widely speculated on. Some saying that animals may have attacked him, or that he simply fell or was injured and could not get up due to his age.

This theory loses support due to the fact that no body was ever found. Though some say that if the woods were too big for the police to search, there may be a den or that his body was covered naturally.”

“Or in a grave.”

“You really think he was mafia?”

“I mean, who could tell?” Shane shrugged.

“The third theory, much like the first, is that Charles was a federal agent for one of the Allied Powers.

This theory is also supported by the significant periods of absence and lack of documents to indicate a forged identity, meant to fool the German government and allow him to work behind the lines. However, unlike the first, there is also evidence of a man with the same distinct scar on his eye, showing up in the background of photos at the British Intelligence Office, the Eiffel Tower during Germany’s occupancy, and behind closed Swiss borders.

None of which would be possible without the unique skills and permissions of a government agent.”

Silence reigned as Shane and Ryan stared each other down, Shane clearly ramping up for something.

“The name’s Williamsworth. Charles Williamsworth.” He said dramatically.

Ryan burst out laughing. “You support this one more then?”

“Yeah, I’ve changed my mind, he’s not in the mafia. His suspicious activities were in the name of secrecy, national secrets, confidential war trades. Espionage…”

“Well I guess, nobody’s gonna suspect the 95 year old man to be up to anything. I mean, if I saw an old man somewhere I’d just be like, huh I wonder who lost their grandpa, not ‘I bet he’s secretly working to take down Hitler.’ Y’know.”

“Charles gets caught: just ‘Whaa-at me~e? I’m just a gentle~e o~ ol~ld ma~an, I can’t harm nobody~y.” Shane mimed leaning over a cane.

“He gets caught and just pretends he has dementia, ‘Who am I? Who are you? Why am I here? Where’s my breakfast?”

Shane cackled as Ryan laughed.

Danny considered it more, this one seemed the most likely, though… he’d definitely be the oldest agent.

“Another theory is that the shop was robbed and Charles returned while or before it was happening, catching the criminals off guard and leading them to react rashly, injuring or killing Charles. They then would have hidden his body and cleaned out the shop to hide any other evidence.

This theory however is disproven by the lack of money taken from the register.

Despite this, it is the official claimed circumstance by the police at the time.”

“Fucking police, always with the boring one.” Shane said ruefully.

“Our last theory, and my personal favorite,-“

Shane groaned. Danny smiled, this was gonna be good.

“-is that Charles T Williamsworth was a time traveler. And that all of his disappearances were when he was traveling through time.

This theory supports his families early move to Switzerland under odd timing, his appearance in so many photos and even his obsession with clocks. As well as why he seemed unbothered by the tumultuous times.”

“I can… accept it.” Shane said, hesitant.

Ryan laughed, “I’ll take it.”

“Despite all of these theories, there is still significant information missing from the case.

And so, like clockwork this case shall remain:

Unsolved.”

Danny’s mouth dropped as the screen went dark.

No way.

No freaking way.

He lurched upwards, eyes wide.

Obsessed with clocks, scar on his eye, fricking weird and talks in riddles.

Oh mygod!

Danny threw himself out of bed, “I’ve connected the dots!” He rushed to untangle himself from his sheets, transforming immediately, “I’ve connected them!”

He dove for the ghost portal.

Holy frick!

Charles T. Williamsworth was Clockwork!

#dp #danny phantom #danny fenton #dc #danny phantom crossover #buzzfeed unsolved #shane madej #ryan bergara #clockwork #clockwork dp #Jazz Fenton #Tucker foley #cryptid ghosts #ghosts #cryptid danny fenton #except it’s clockwork

478 notes · View notes

inthedayswhenlandswerefew · 5 months

Text

1968 [Chapter 5: Artemis, Goddess Of The Hunt]

Series Summary: Aemond is embroiled in a fierce battle to secure the Democratic Party nomination and defeat his archnemesis, Richard Nixon, in the presidential election. You are his wife of two years and wholeheartedly indoctrinated into the Targaryen political dynasty. But you have an archnemesis of your own: Aemond’s chronically delinquent brother Aegon.

Series Warnings: Language, sexual content (18+ readers only), violence, bodily injury, character deaths, New Jersey, age-gap relationships, drinking, smoking, drugs, pregnancy and childbirth, kids with weird Greek names, historical topics including war and discrimination, math.

Word Count: 6.6k

Let me know if you'd like to be tagged! 🥰

💜 All of my writing can be found HERE! 💜

“So you smoked grass in college,” Aegon says, pondering you with glazed eyes as he slurps his cherry-flavored Mr. Misty. You’re in Biloxi, Mississippi where Aemond is making speeches and meeting with locals to commemorate the first summer of the beaches being desegregated after a decade of peaceful protests and violent white supremacist backlash. Route 90 runs right along the sand dunes. If you walked out of this Dairy Queen, you could look south and see the Gulf of Mexico, placid dark ripples gleaming with moonshine. “And swore, and had a boyfriend, and presumably, what, did shots? Skipped class on occasion?”

“Yeah,” you admit, smiling sheepishly, remembering. You stretch out your fingers. “I chewed gum, I talked during mass. And I loved black nail polish. The nuns would beat my knuckles with rulers, I always had bruises. I wore these flowing skirts down to my ankles and knee-high boots. My hair was a mess, long and blowing around everywhere. My friends and I would do each other’s makeup, silver glitter and purple shadow, pencil on a ridiculous amount of eyeliner and then smudge it out. If you saw a photo you wouldn’t recognize me.”

Aegon takes a drag on his Lucky Strike cigarette, weightless smoke and the tired yellowish haze of florescent lights. Buffalo Springfield’s For What It’s Worth is playing from the Zenith radio on the counter by the cash register. “I’d recognize you.”

“I used to skip this one class all the time. The professor was a demon. I could do the math, but not the way he wanted me to. Right solution, wrong steps, I don’t know. I learned it differently in high school, and I couldn’t figure out the formula he wanted me to use. So he’d mark everything a zero even if my answer was correct. I couldn’t stand that bastard. Then the nuns kept catching me sunbathing on the quad when I was supposed to be in Matrices and Vector Spaces. I racked up so many demerits they were going to revoke my weekend pass, and then I wouldn’t be able to go into the city with my friends. So I stole the demerit book and burned it up on the stove in my dorm. Almost set the whole building on fire.”

Aegon is laughing. “You did not. Not you, not perfect ever-obedient Miss America!”

“I did. I really did.” You sip your own Mr. Misty, lemon-lime. Across the restaurant, Criston and Fosco are eating banana splits—dripping chocolate syrup and melted ice cream all over their table—and passionately debating who is going to end up in the World Series; Criston favors the Cardinals and the Orioles, Fosco says the Red Sox and the Cubs. The rest of the Targaryen family is back at the hotel watching news coverage of the Republican National Convention, something you can only stomach so much of, Otto’s cynical commentary, Aemond’s remaining eye fixed fiercely on the screen as he nips at an Old Fashioned. “I was wild back then.”

“And you gave it all up to be Aemond’s first lady.”

You think back to where it started: palm trees, salt water, alligators in drainage ditches. “My father grew up in a shack outside of Tallahassee. No electricity, no running water, he dropped out of school in eighth grade to help take care of his siblings when his mom died. They moved south to live with their aunt in Tampa, and my father wound up in Tarpon Springs working as a sea sponge diver.”

Aegon’s eyebrows rise, like he thinks you’re teasing him. “Sea sponges…?”

“I’m serious! It paid better than picking oranges or sweeping up in a factory. It’s dangerous. You have to wear this heavy rubber suit and walk around on the ocean floor, sometimes 50 feet or more below the surface.”

“What do people do with sea sponges?”

“Oh right, you would be unfamiliar. You’re supposed to clean yourself with them, like a loofah. Soap? Water? Ringing any bells?”

He chuckles and rolls his eyes. “You’re a very mean person. Aren’t you supposed to be setting an example for the merciful wives and daughters of this great nation?”

“Painters and potters buy sponges too. And some women use them as contraceptives. You can soak them in lemon juice and then shove them up there and it kills sperm.”

“I suddenly have great appreciation for the sea sponge industry. God bless the sea sponges.”

“So my father spent a few years diving, and he fell in love with a girl who worked at one of the shops he sold sponges to. That was my mother. They got married when he had absolutely nothing, and by their fifth anniversary he had his own fleet of boats, a gift shop, and a processing and shipping facility, all of which they owned jointly. They just opened the Spongeorama Sponge Factory this past April, a cute little tourist trap. But my point is that they were partners from the start. My father listens to my mother, and she works alongside him, and it was never like what I’ve seen from my friends’ parents: dad at the office 80 hours a week, mom at home strung out on Valium, just these…deeply separate, cold planets locked in orbit but never touching each other. I knew I didn’t want that. I wanted a husband who was building something I could be a part of. I wanted a man who respected me.”

Aegon watches you as he lights a fresh cigarette, not saying what you imagine he wants to: And how is that working out? He puffs on his Lucky Strike a few times and then offers it to you. You aren’t supposed to smoke, not even tobacco—it’s not ladylike, it’s masculine, it’s subversive—but you take it and hold it between your index and middle fingers, inhaling an ashy bitterness that blood learns to crave. The bracelets on your wrist jangle, thin silver chains that match the diamonds in your ears. Your dress is mint green, your hair in your signature Brigitte Bardot-inspired updo. Aegon is wearing a black t-shirt with The Who stamped across the front. When you pass the cigarette back to him, Aegon asks: “What music did you listen to? The Stones, The Animals?”

“Yeah. And Hendrix, The Kinks, Aretha Franklin…”

“Phil Ochs?”

“I love him. He’s got a song about Mississippi, you know.”

“Oh, I’m aware. It’s one of my favorites.”

“And I’m currently getting a little obsessed with Loretta Lynn. She’s so angry!”

“She’s sanctimonious, that’s what she is. Always bitching about men.”

“Six kids and an alcoholic husband will do that to someone.”

Aegon winces, and then you realize what you’ve said. Loretta Lynn sounds a lot like Mimi. He finishes his Mr. Misty and then fidgets restlessly with his white cardboard cup, spinning it around by the straw. You feel bad, though you shouldn’t. You wouldn’t have a month ago.

“Aegon,” you say gently, and he reluctantly looks up at you, sunburned cheeks, blonde hair shagging over his eyes. “Why do you ignore your children? They’re interesting, they’re fun. Violeta invited me to help her make cakes with her Easy-Bake Oven last week. And Cosmo…he’s so clever. But it’s like he doesn’t know who you are. He might actually think Fosco’s his dad.”

Aegon takes one last drag off his cigarette and discards the end of it in his Mr. Misty cup. Now he’s fiddling with it again, avoiding your gaze. “I don’t have much to offer them.”

“I think you do.”

“No you don’t.”

“I do,” you insist. “You can be kind of nice sometimes.”

He frowns, staring out the window. You know he can’t see anything but darkness and streetlights. “I should have been the one to go to Vietnam. If somebody had to get shot at so Aemond could be president, I was the right choice. No one would miss me. No one would mourn me. Daeron didn’t deserve that. But I was too old, so Otto and my father got him to enlist. Now he’s in the jungle and my mother has nightmares about Western Union telegrams. If I was the son over there, I think she’d sleep easier.”

I’m glad you’re still here, you think. Instead you say: “Your children need you.”

“No they don’t. Between me and Mimi, they’re better off as orphans. Helaena and Fosco can be their parents. Maybe they’ll have a fighting chance.”

The glass door opens, and a man walks into the Dairy Queen with his two sons scampering behind him, all with sandy flip flops and carrying fishing rods. The dad is at least six feet tall and brawny, and wearing a Wallace For President baseball cap. You and Aegon both notice it, then share an amused, disparaging glance. You mouth: Imbecile bigot. The man continues to the cash register and orders two chocolate shakes and a root beer float. At their own table, Criston is mopping up melted ice cream with napkins and telling Fosco to stop being such a pig.

“Me?!” Fosco says. “You are the pig, that spot there is your ice cream, do not blame your failings on poor Fosco. I have already let you drag me to this terrible state and never once complained about the fried food or the mosquitos. And that thing out there is not a real beach. The water is still and brown, brown!”

“For once in your life, pretend you have a work ethic and help me clean up the table.”

“You are being very anti-immigrant right now, do you know that?”

Aegon begins singing, ostensibly to himself. “Here’s to the state of Mississippi, for underneath her borders, the devil draws no lines.”

“Aegon, no,” you whisper, petrified. You know this song. You know where he’s going.

He’s beaming as he continues: “If you drag her muddy rivers, nameless bodies you will find.”

Now the man in the Wallace hat is looking at Aegon. His sons are happily gulping down their chocolate shakes. Criston and Fosco, still bickering, haven’t noticed yet.

“Oh, the fat trees of the forest have hid a thousand crimes.”

“Aegon, don’t,” you plead quietly. “He’ll murder you.”

“The calendar is lyin’ when it reads the present time.”

“Hey,” calls the man in the Wallace For President hat. “You got a problem, boy?”

Aegon drums his palms on the tabletop as he sings, loudly now: “Oh, here’s to the land you’ve torn out the heart of, Mississippi find yourself another country to be part of!”

In seconds, the man has crossed the room, grabbed Aegon by the collar of his t-shirt, yanked him out of his chair and struck him across the face: closed fist, lethal intent, the sick wet sound of bones on flesh. Aegon’s nose gushes, his lip splits open, but he isn’t flinching away, he isn’t afraid. He’s yowling like a rabid animal and clawing, kicking, swinging at the giant who’s ensnared him. You are screaming as you leap to your feet, your chair falling over and clattering on the floor behind you. The man’s sons are hooting joyously. “Git him, Paw!” one of them shouts.

“Criston?!” you shriek, but he and Fosco are already here, tugging at the man’s massive arms and beating on his back, trying to untangle him from Aegon.

“Stop!” Criston roars. “You don’t want to hurt him! He’s a Targaryen!”

“A Targaryen, huh?” the man says as he steps away, wiping the blood from his knuckles on his tattered white t-shirt, stained with fish guts. “All the better. I wish that bullet they put in Aemond woulda been just another inch to the left. Directly through the aorta.”

Aegon lunges at the man again, hissing, fists swinging. Fosco yanks him back.

“Are you gonna call someone or not?!” Criston snaps at the girl behind the cash register, but she only gives him a steely glare in return. This is Wallace country. There’s a reason why it took four years after the Civil Rights Act of 1964 to finally desegregate the beaches.

“We should go,” you tell Criston softly.

“Yes, we will leave now,” Fosco says, hauling Aegon towards the front door. Then, to the cashier: “Thank you for the ice cream, but it was not very good. If you are ever in Italy, try the gelato. You will learn so much.”

“I can’t wait ‘til November,” the man gloats, ominous, threatening. His sons are standing tall and proud beside him. “When Aemond loses, you can all cart your asses back to Europe. We don’t want you here. America ain’t for people like you.”

“It literally is,” you say, unable to stop yourself. “It’s on the Statue of Liberty.”

“Yeah, where do you think your ancestors came from?!” Aegon yells at the man. “Are you a Seminole, pal? I didn’t think so—!” Fosco and Criston lug him through the doorway before more punches can be thrown.

Outside—under stars and streetlights and a full moon—Aegon burst out laughing. This is when he feels alive; this is when the blood in his veins turns to wave and riptides. You didn’t think to grab napkins from the table, so you wipe the blood off his face with your bare hand, assessing the damage. He’ll be fine; swollen and sore, but fine.

“You’re insane, you know that?” you say. “You could have been killed.”

Aegon pats your cheek twice and grins, blood on his teeth. “The world would keep spinning, little Io.” Then he starts walking back towards the White House Hotel.

~~~~~~~~~~

When the four of you arrive at your suite, Aemond, Otto, Ludwika, and Alicent are still gathered around the television. The nannies have taken the children to bed. Helaena is reading The Bell Jar in an armchair in the corner of the room. Mimi is passed out on the couch, several empty glasses on the coffee table. ABC is showing a clip they recorded earlier today of Ludwika travelling with Aemond’s retinue after he made an impassioned speech condemning the lack of recognition of the evils of slavery at Beauvoir, the historic home of former Confederate president Jefferson Davis. The reporter is asking Ludwika what she thinks makes Aemond a better presidential candidate than Eugene McCarthy, as McCarthy shares many of the same policy positions and has an additional 15 years of political experience.

“This McCarthy is not a real man,” Ludwika responds, her face stony and mistrustful. “He reminds me of the communists back in my country. Did you know he met with Che Guevara in New York City a few years ago? Why would he do such a thing?”

Now, Otto turns to her in this hotel room. “I love you.”

Ludwika takes a sip of her martini. “I want another Gucci bag.”

“Yes, yes. Tomorrow, my dear.”

“What happened to you?” Aemond asks his brother, half-exasperated and half-concerned. Criston has fetched a washcloth from the bathroom for Aegon to hold against his bleeding lip and nose. Aemond is still wearing his blue suit from a long day of campaigning, but he’s taken out his eye and put on his eyepatch. His gaze flicks from Aegon’s face to the blood still coating your left hand. On the couch, Mimi’s bare foot twitches but she doesn’t wake up.

“There was a Wallace supporter at the Dairy Queen,” you say. “Aegon felt inspired to defend you.”

Aemond chuckles. “Did you win?” he asks Aegon.

“I would have if the guy wasn’t two of me.”

On the television screen, Richard Nixon is accepting his party’s nomination for president at the Republican National Convention in Miami, Florida.

“He’s a buffoon,” Otto sneers. “So awkward and undignified. Look at him sweating! Look at those ridiculous jowls! And he comes from nothing. His family is trash.”

“Americans love a rags to riches story,” you say. And then, somewhat randomly: “He loves his wife. He proposed to Pat on their very first date, and she said no. So he drove her to dates with other men for years until she finally reconsidered. He said it was love at first sight. He’s never had a mistress. And jowls or no jowls, his family adores him.”

Aegon turns to you, still clutching the washcloth against his face. “Really?”

You nod. “That’s the sort of thing the women talk about.”

There’s a knock at the door. You all look at each other, confounded; no one has ordered room service, no one is expecting any visitors, and the nannies have keys in the event of an emergency. Fosco is closest to the door, so he opens it. A man in uniform is standing there with a golden Western Union telegram in his hands. Alicent screams and collapses. Criston bolts to her.

“It’s okay,” you say. “He’s not dead. Whatever happened, Daeron’s not dead.”

Otto crinkles his brow at you. “How do you know?”

“Because if he was killed, there would be a priest here too.” They always send a priest when the boy is dead. Aegon glances at you, eyes wet and fearful.

“Ma’am,” the soldier—a major you see now, spotting the golden oak leaves—says to Alicent as he removes his cap. “I regret to inform you that your son Daeron was missing in action for several weeks, and we’ve just received confirmation that he’s being held as a prisoner of war in Hỏa Lò Prison.”

“He’s in the Hanoi Hilton?!” Otto exclaims. “Oh, fuck those people and their swamp, how did Kennedy ever think we had something to gain from getting tangled up in that mess?”

“But he’s alive?” Aemond says. “He’s unharmed?”

“Yes sir,” the captain replies. “It is our understanding that he is in good condition. The North Vietnamese are aware that he is a very valuable prisoner, like Admiral McCain’s son John. He’ll be used in negotiations. He is of far more use to them alive than dead.”

“So we can get Daeron back,” Aegon says. “I mean, we have to be able to, right? Aemond’s running for president, he’ll probably win in November, we have millions of dollars, we can spring one man out of some third-world jail, right?”

The captain continues: “Tomorrow when your family returns to New Jersey, the Joint Chiefs of Staff will be there to discuss next steps with you. I’m afraid I’m only authorized to give you the news as it was relayed to me.” He entrusts the telegram to Otto, who rapidly opens it and stares down at the mechanical typewriter words.

“I have to pray,” Alicent says suddenly. “Helaena, will you pray with me? There’s a Greek church down the road. Holy Trinity, I think it’s called.”

Obediently, Helaena joins her mother and follows her to the doorway. Criston leaves with them. Otto gives his new wife a harsh, meaningful stare. Ludwika, an ardent yet covert atheist, sighs irritably. “Wait. I want to pray too,” she says, and vanishes with them into the hall.

As the captain departs, Mimi sits up on the couch, blinking, groggy. “What? What happened?”

“Go with Alicent,” Otto tells her. “She’s headed downstairs.”

“What? Why…?”

“Just go!” he barks.

Mimi staggers to her feet and hobbles out of the hotel room, her sundress—patterned with forget-me-nots—billowing around her. The only people left are Otto, Aemond, Fosco, Aegon, and you. The fact that you are the sole woman permitted to remain here feels intentional.

After a moment, Otto speaks. “You know, John McCain has famously refused to be released from the Hanoi Hilton until all the men imprisoned before him have been freed. He doesn’t want special treatment. And that’s a very noble thing to do, don’t you think? It has endeared him and the McCains to the public.”

Aemond and Otto are looking at each other, communicating in a silent language not of letters or accents but colors: red ambition, green hunger, grey impassionate morality. Fosco is observing them uneasily. Aemond says at last: “Daeron wants to help this family.”

“You’re not going to try to get him out.” Aegon realizes.

Aemond turns to him, businesslike, vague distant sympathy. “It’s only until November.”

“No, you know people!” Aegon explodes. “You pick up the phone, you call in every favor, you get him out of there now! You have no idea if he has another three months, you don’t know what kind of shape he’s in! They could be dislocating his arms or chopping off his fingers right now, they could be starving him, they could be beating him, you can’t just leave him there!”

“It’s not your decision. It could have been, had you accepted your role as the eldest son. But you didn’t. So it’s my job to handle these things. You don’t get to hate me for making choices you were too cowardly too take responsibility for.”

“But Daeron could die,” Aegon says, his voice going brittle.

“Any of us could die. We’re in a very dangerous line of work. Greatness killed Lincoln, Garfield, McKinley, Huey Long, Medgar Evers, John F. Kennedy, Malcolm X, Vernon Dahmer, Martin Luther King Jr., does that mean we should all give up the fight? Of course not. The work isn’t finished. We have to keep going.”

“Will you stop pretending this is about America?! This is about you wanting to be president, and everything you’ve ever done has been in pursuit of that trophy, and you keep shoving new people into the line of fire and it’s not right!”

“Aegon,” Otto says calmly. “It’s unlikely we’d be able to get him out before the election anyway. Negotiations take time. But if Aemond wins in November, he’ll be in a very advantageous position. The North Vietnamese aren’t stupid. They wouldn’t kill the brother of a U.S. president. They don’t want their vile little corner of the world flattened by nukes.”

“Still, it feels so wrong to leave a brother in peril,” Fosco says. “It is unnatural. Of course Aegon will be upset. We could at least see what a deal to get Daeron released would entail, maybe his arrival home would be a good headline—”

“And who the fuck asked you?” Otto demands, and Fosco goes quiet.

“Okay, then tell Mom,” Aegon says to Aemond. “Tell her you’re going to pretend Daeron made some self-sacrificial vow not to come home until all the other POWs can too. Tell her you’re going to let him get tortured for a few months before you take this seriously.”

Aemond replies cooly: “Why would you want to upset her? She can’t change it. You’ll only make her suffering worse.”

“What do you think?” Otto asks you, and you know that he isn’t seeking counsel. He’s summoning you like a dog to perform a trick, like an actor to recite a line. He’s waiting for you to say that it’s a smart strategy, because it is. He’s waiting for you to bend to Aemond’s will as your station requires you to, as moons are bound to their planets.

“I think it’s wrong,” you murmur; and Aemond is thunderstruck by your treason.

Without another word, you walk into the bathroom, turn on the sink, and gaze down at Aegon’s blood on your palm. For some reason, it’s very difficult to bring yourself to wash it away.

~~~~~~~~~~

It’s mid-August now, the world painted in goldenrod yellow and sky blue. The Democratic National Convention is in two weeks. You and Aemond are posing on the beach at Asteria, surrounded by an adoring gaggle of journalists who are snapping photographs and jotting down quotes on their notepads. You’re sitting demurely on a sand dune, you’re building sandcastles with the children you borrowed from Aegon and Helaena, you’re flying kites, you’re gazing confidently into the sunlit horizon where a glorious new age is surely dawning.

“Mr. Targaryen, what is it that makes your partnership so successful?” a journalist asks as flashbulbs pulse like lightning. “What do you think is the most crucial characteristic to have in a wife?”

Aemond doesn’t need to consider this before he answers. He always has his compliment picked out. “Loyalty,” your husband says. “Not just to me or to the Targaryen family, but to our shared cause. This year has been indescribably difficult for me and my wife. I announced my candidacy, we embarked on a strenuous national campaign that we’re currently only halfway through, I barely survived a brutal assassination attempt in May, in July we lost our first child to hyaline membrane disease after he was born six weeks prematurely, and at the beginning of this month we learned that my youngest brother Daeron was taken by the North Vietnamese as a prisoner of war. To find the strength not just to get out of bed in the morning, not just to be there for me and this family in our personal lives, but to tirelessly traverse the country with me inspiring Americans to believe in a better future…it’s absolutely remarkable. I’m in awe of her. And when she is the first lady of the United States, she will continue to amaze us all with her unwavering faith and dedication.”

There are whistles and cheers and strobing flashbulbs. You smile—elegant, soft, practiced—as Aemond rests a hand firmly on your waist. You lean into him, feeling out-of-place, bewildered that you’ve ever slept with him, full of dull panic that soon you’ll have to again.

“How about you, Mrs. Targaryen?” another reporter asks. “Same question, essentially. What is the trait that you most admire in your husband?”

And in the cascading clicks of photographs being captured, your mind goes entirely blank. You can think of so many other people—Aegon, Ari, Alicent, Daeron, Fosco, Cosmo—but not Aemond. It’s like you’ve blocked him out somehow, like he’s a sketch you erased. But you can’t hesitate. You can’t let the uncertainty read on your face. You begin speaking without knowing where you’re going, something that is rare for you. “Aemond is the most tenacious person I’ve ever met. When he has a goal in mind, nothing can stop him.” You pause, and there are a few awkward chuckles from the journalists. You swiftly recover. “He never stops learning. He always knows the right thing to do or say. And what he wants more than anything is to serve the American people. Aemond won’t disappoint you. He’s not capable of it. He will do whatever it takes to make this country more prosperous, more peaceful, and more free.”

There are applause and gracious thank yous, but Aemond gives you a look—just for a second, just long enough that you can catch it—that warns you to get it together. Fifteen minutes later, he and the flock of reporters are headed to one of the guest houses to conduct a long-form interview. This will be the bulk of the article; you will appear in one or two photos, you will supply a few quotes. The rest of the story is Aemond. You are an accessory, like a belt or a bracelet. He’s the person who picks you out of a drawer each morning and wears you until you go out of fashion.

Released from your obligations, you return to the main house and disappear into your upstairs bathroom. You are there for fifteen minutes and emerge rattled, routed. You pace aimlessly around your bedroom for a while, then try again; still no luck. You go back outside and stare blankly at the ocean, wondering what you’re going to do. Down on the beach, Fosco is teaching the kids how to yo-yo. Ludwika is sunbathing in a bikini.

“What’s wrong with you?”

You whirl to see Aegon, popping a Valium into his mouth and washing it down with a splash of straight rum from a coffee mug. “Huh? Nothing. I’m great.”

“No, something’s wrong. You look lost. You look like me.”

You gaze out over the ocean again, chewing your lower lip.

Aegon snickers, fascinated, sensing a scandal. “What did you do?”

Your eyes drift to him. “You can’t make fun of me.”

“Okay. I won’t.”

There is a long, heavy lull before you answer. When you speak, it’s all in a rush, like you can’t unburden yourself of the words fast enough. “I put a tampon in and I can’t get it out.”

Aegon immediately breaks his promise and cackles. “You did what?!” Then he tries to be serious. “Wait. Sorry. Uh, really?”

You’re on the verge of tears. “I’ve been bleeding since I had the baby, and I hate using tampons, I almost never do, but Aemond wanted me to wear this dress for the photoshoot and it’s super gauzy and from certain angles I felt like I could see the pad bulge when I checked in the mirror, so I put a tampon in for the first time in probably a year. I’m not even supposed to be using them for another few weeks because my uterus isn’t healed all the way or whatever. And now I can’t get it out and it’s been in there for like six hours and I’m scared I’m going to get an infection and die in the most pointless, humiliating way imaginable.”

“Okay, calm down, calm down,” Aegon says. “There’s no string?”

“No, I’ve checked multiple times. It must be a defective one and they forgot to put a string in it at the factory and I didn’t notice, or the string somehow got tucked under it, I don’t know, but I can’t get it out, it’s like…the angle isn’t right. I can just barely feel it with my fingertips, but I can’t grab it. I’m going to have to go to the hospital to get it taken out, but I’m scared word will spread and journalists will show up to get photos when I leave and then everyone will be asking me why I was at the emergency room to begin with and I’m going to have to make up something and…and…” You can’t talk anymore. There are other reasons why you don’t want to go to the hospital. You haven’t stepped foot in one since Ari died; the thought makes you feel like you are looking down to see blood on your thighs all over again, like you’ll never have enough air in your lungs.

“Did you bleed through it? Because that should help it slide out easier.”

“I don’t know,” you moan miserably. “I mean, I guess I did, because there was blood when I checked a few minutes ago. I had to stuff my underwear with toilet paper.”

“Why didn’t you just tell Aemond you couldn’t wear this dress?”

You give him an impatient glance. “I’m tired of having the same conversation.” When do you think you’ll be done bleeding? When do you think it’ll be time to start trying again?

Aegon sighs. “Do you want me to get it out for you?”

“Please stop. I’m really panicking here.”

“I’m not joking.”

You stare at him. “You can’t be serious.”

“I have fished many objects out of many orifices, you cannot shock me. I am unshockable.”

“I’d rather walk down to the sand right now and strangle myself with Fosco’s yo-yo.”

“Okay. So who are you gonna ask to drive you to the hospital?”

You hesitate.

“I’d offer to do it,” Aegon says, grinning, holding up his mug. “But I’m in no condition to drive.”

“But you are in the proper condition to extract a rogue tampon, huh?”

“Two minutes tops. That’s a guarantee. My personal best is fifteen seconds. And that was for a lost condom, much trickier to locate than a tampon.”

Perhaps paradoxically, the more you consider his offer, the more tempting it seems. No complicated trip and cover story? Over in just a few minutes? “If you ever tell anyone about this, I will never forgive you. I will hate you forever.”

Aegon taunts: “I thought you already hated me.”

You aren’t sure what you feel for him, but it’s certainly not hate. Not anymore. “Where would we do it?”

“In my office. And by that I mean my basement.”

“Your filthy, disease-ridden basement? On your shag carpet full of crabs?”

“You’re in luck,” he jokes. “My crab exterminator service just came by yesterday.”

You exhale in a low, despairing groan.

“Hey, would you rather do it on the dining room table? I’m game. Your choice.”

You watch the seagulls swooping in the afternoon air, the banners of sailboats on the glittering water. “Okay. The basement.”

You walk with Aegon to the house and—after ensuring that no one is around to notice—sneak with him down the creaking basement steps, the door locked behind you. Aegon is darting around; he sets a small trashcan by the carpet and tosses you two towels, then goes to wash his hands in his tiny bathroom, not nearly enough room for someone to stretch out across the linoleum floor.

You’re surveying the scene nervously. “I don’t want to get blood all over your stuff.”

“You’re the cleanest thing that’s ever been on that carpet. Lie down.”

You place one towel on the green shag carpet, then whisk off your panties, discard the bloody knot of toilet paper in the trashcan, and pull the skirt of your dress up around your waist so it’s out of the way. Then you sit down and drape the second towel over your thighs so you’re hidden from him, like you’re about to be examined by a doctor. Your heart is thumping, but you don’t exactly feel like you want to stop. It’s more exhilarating than fear, you think; it is forbidden, it is shameful, it is a microscopic betrayal of Aemond that he’ll never know about.

Aegon moseys out of the bathroom, flicking drops of water from his hands. He wears one of his usual counterculture uniforms: a frayed green army jacket with the sleeves rolled up to his elbows, khaki shorts, tan moccasins. He kicks them off before he kneels on the shag carpet. He checks the clock on the wall. “2:07. I promised two minutes max. Let’s see how I do. Ready?”

You rest the back of your head on your linked hands, raise your knees, take a deep and unsteady breath. “Ready.”

But he can see that you’re shaking. “Hey,” Aegon says kindly, pressing his hand down on the towel so you’re covered. “Do you want me to go to the hospital with you? I’ll try to distract people. I’ll pretend I’m having a seizure or something.”

“No, I’m okay,” you insist. “I just want it out. I want this over with.”

“Got it.” And then he begins. He stares at the wall to his left, not looking at you, navigating by feel. You feel the pressure of two fingers, a stretching that is not entirely unpleasant. He’s warm and careful, strangely unobtrusive. Still, you suck in a breath and shift on the carpet. “Shh, shh, shh,” Aegon whispers, skimming his other hand up and down the inside of your thigh, and shiver like you’ve never felt before rolls backwards up the length of your spine. “Relax. You alright?”

“Fine. Totally fine.”

“Oh yeah, it’s definitely in there,” Aegon says. His brow is creased with comprehension. “No string…you’re right, it must either be tangled up somehow or it never had one to begin with. Maybe you accidentally inserted it upside down.”

“Now you insult my intelligence. As if I’m not embarrassed enough.”

“I should have put on a record to set the mood. What gets you going, Marvin Gaye? Elvis?”

“The seductive voice of Richard Milhous Nixon. Maybe you can get him on the phone.”

Aegon laughs hysterically. His fingertips push the tampon against your cervix and you yelp. “Sorry, sorry, my mistake,” Aegon says. There are beads of sweat on his forehead, on his temples; now his eyes are squeezed shut. “I’m gonna try to wiggle it out…”

As he works, there are sensations you can’t quite explain: a very slow-building indistinct desire, a loosening, a readying, a drop in your belly when you think about the fact that he’s the one touching you. Then he happens to press in just the right spot and there is a sudden pang of real pleasure—craving, aching, a deep red flare of previously unfathomable temptation—and you instinctively reach for him. You hand meets his forearm, and for the first time since he started Aegon looks at your face, alarmed, afraid that he’s hurt you again. But once your eyes meet you’re both trapped there, and you can’t pretend you’re not, his fingers still inside you, his pulse racing, a rivulet of sweat snaking down the side of his face, his eyes an opaque murky blue like water you’re desperate to claw your way into. You know what you want to tell him, but the words are impossible. Don’t stop. Come closer.

Aegon clears his throat, forces himself to look away, and at last dislodges the tampon. It appears dark and bloody in his grasp. “No string,” he confirms, holding it up and turning it so you can see. “Factory reject.”

“Just like you.”

He glances at the clock. “2:09. I delivered precisely what was promised.” He chucks the tampon into the trashcan and then grins as he helps pull you upright with his clean hand. “So do you like to cuddle afterwards, or…?”

You’re giggling, covering your flushed face. “Shut up.”

“Personally, I enjoy being ridden into the ground and then called a good boy.”

“Go away.” You nod to where he disposed of the tampon and say before stopping to think: “You’re not going to keep that under your ashtray too?”

Aegon freezes and blinks at you. He smiles slowly, cautiously. “No, I think that would be a little unorthodox, even for me.” He pitches you a clean washcloth from the bathroom closet. “That should get you upstairs.”

“Thanks.” You shove it between your legs and rise to your feet, smoothing the skirt of your dress. “I owe you something. I’m not sure what, but I’ll figure it out.”

“Hey,” Aegon says, and waits for you to turn to him. “Maybe I’m not that bad.”

“Maybe,” you agree thoughtfully.

Just before you hurry upstairs, you steal a glimpse of Aegon in the bathroom, the door kicked only half-closed. He has turned on the water, but he’s not using it yet. Aegon is staring down at the blood on his hand, half-dried scarlet impermanent ink.

~~~~~~~~~~

Hi, it’s me again. I’m in solitary confinement. There’s a guy in the cell next to mine; we talk to each other with a modified version of Morse code. Tap tap tap on the wall, he taps back, etcetera etcetera, you get the idea. You’re not going to believe this, but he says his name is John McCain. Well, actually, he told me his name is Jobm McCbin, but I think that’s because I translated the taps wrong. I might be in the Hanoi Hilton, but at least they have me in the VIP section! Hahaha.

Every few hours the guards show up to do a very impressive magic trick: they wave their batons like wands, I turn black and blue. Sometimes one of my teeth even disappears. Isn’t that something? Houdini would love it. There’s a rat that I’m making friends with. I give her nibbles of my stale bread, she gives me someone to talk to. She’s good company. I’ve named her Tessarion.

Allow me to make something absolutely fucking clear.

I would very much like to be rescued.

#aegon ii targaryen #aegon targaryen #aegon targaryen ii #aegon ii #aegon targaryen x reader #aegon x reader #aegon x y/n #aegon x you #aegon ii x y/n #aegon ii x reader #aegon ii x you #aegon targaryen x you

291 notes · View notes

cy-cyborg · 10 months

Text

Disability Tropes: The Miracle Cure

The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.

But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?

[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]

Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.

The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.

Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?

I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.

You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.

Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.

If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.

Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.

This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.

I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.

There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".

An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).

[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]

Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.

Ok but Cy, you mentioned there are ways to use this trope well, what are they?

So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.

Don't have your only disabled character take the cure

If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.

Don't make it a total cure

In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.

Do something interesting with it

I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.

If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people

Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.

So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?

Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.

The Dragon Prince:

[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]

The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.

While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.

The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.

Full Metal Alchemist: Brotherhood

[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]

The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.

However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.

The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.

When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.

#writing disability With Cy Cyborg #very long post #I could have sworn I talked about this trope already but I couldn't find the post. Apparently I had a lot more to say anyway lol #long post #disability #Disabled #Disability representation #Physical Disability #disability Tropes #Writing #Writeblr #Authors #Disabled Rep #Writing Advice #writing Tips #Disabled Characters #writing disability

555 notes · View notes

that-ari-blogger · 11 months

Text

Critical Role's Cameraman

So, Critical Role (@criticalrole) just released their newest opening title sequence, an animated sequence in the same style of Your Turn To Roll and I would be remis as a film nerd to not pick apart every detail.

What fascinates me about this introduction, however, is the camera movement and shot composition. Allow me to explain.

I DONT THINK THERE ARE SPOILERS AHEAD, BUT JUST TO BE SAFE

So, we open with a hand, this is a close up, I don't think that is unobvious.

But this stops being a close up rather quickly, before it starts moving away. The shot just gives the hand context, and suddenly you aren't in an extreme close up of a hand, you are in a medium shot of a very large person. Then the camera pans backwards, and you can see villains and places spring up, although the perspective on Matt remains weird. Is he a few metres from you, or a hundred? How big is the Game Master here? There's a sense of mystery, of incomprehension. This is setting up some cosmic horror shenaniganry.

Then, we get Fearne. This is a wide camera motion, swivelling around her in a tracking shot that focuses on her face, and those eyes. It is like a reverse panorama, where Fearne is taking in the world, the world is observing Fearne.

But I want you to take note of the leaves here, because they are used to form a connection between her and Orym. The transition uses them, while it isn't a direct wipe transition (the leaf just flies close to mask an abrupt cut), it is framed as one. The name of that isn't important, though, what's important is the leaves. By being in both shots, they emphasise the relationship between the two characters. But where for Fearn they show off her sense of wonder, for Orym, they take on a very different meaning.

Notice, however, how still this shot is. There is no sense of danger here. This is a scene of a warrior with a sword and two people passing on from this world. But it's calm. Because this is a memory. Orym might not be at peace with the death, but the memory isn't a violent one, it's a memory of his family's lives.

Cut to a close up. Orym creates a gust of wind.

And cut to the next shot.

I will not lie, Bertrand is my favourite character across all of Critical Role, so this shot of him made me smile, but it isn't the point here. The point is Imogen's introduction.

Although is Bertrand not actually the point? Because take a look at how Imogen is shown here. Do you notice anything?

She's shown in the exact same way. Imogen is shown doing the exact same thing that those who have died have done. And she can see them ahead of her. The camera panning back shows a wider perspective here, showing her as she tries to run, tries to get away from the same path as Bertrand.

The wind from Orym's blade that came to this scene gets across a consistent element: Memory. This is a dream. But dreams can become nightmares.

As Imogen loses her footing, the camera gives some of its wildest movements yet. It tumbles around her, then looks up.

The camera stops moving when it sees the red moon, because now the viewer has something to orientate themselves around. There is a constant point, and we can see Imogen falling down. And getting closer, and closer, and closer, until.

These are the three frames in order, there is nothing in between.

Imogen crashes into the screen, and we get an abrupt impact frame (that's the black and white one) then Ashton. This is so cool to watch, in my opinion, but it is quite possibly the opposite of smooth in camera work. So why is it so cool? Motion.

The motion is in towards Imogen and out away from Ashton. They are both falling, just in different directions. And the impact frame both helps smooth over and accentuate the abrupt transition.

The camera around Ashton is a tracking shot. They are falling, but they remain the exact same in the screen (shrinking slightly). The rest of the world moves. And when Ashton lands, the screen cracks. The tracking shot is used to show Ashton's disassociation with their surroundings. Not in a "I feel nothing" type of way, but in a "it's me vs the world" type of way.

Then, there is an abrupt cut away. Nothing hides or smooths this at all, because Ashton's memory isn't smooth, and neither is Ashton. Remember the disassociating thing I mentioned, now it changes again to someone who gets lost in his thoughts. Medium.com calls this an "anxiety stare" and as someone who does that on the regular, I can attest to this abruptness being exactly what that feels like.

I'm not going to talk too much about the ship, but just be aware that there is a Dutch angle (the horison is diagonal) here to heighten the stress of it.

Likewise with this shot, there isn't much to talk about. The slow outward zoom and triangular composition are neat, and the tiered reactions (bottom row reacts, then middle, then Fearne) are amusing, but other than that, not much.

Then we meet Laudna, playing with Pate and giving him life. That's a neat little shot, I wonder if there's a metaphor there.

Oh.

This is a super cool visual because it establishes exactly who this character is in two seconds. But I also want to point out the symmetry of this. The hair becomes the blood which becomes the hair again, and then the tree.

Laudna is introduced as big and scary and imposing, and that is very intentionally undercut by making her look small.

Being small means you are less likely to be the focal character, so shrinking Laudna takes away her agency. Only to give it back through Imogen, and when the camera pans back outwards, Laudna is the same size, but the colours and the surroundings make her feel less alone, and as a weird result of that, less small.

And last but not least in this moment, there is the delayed drop of the hands. Laudna finally feels safe and finally breathes a sigh of relief.

That, however, imediately match cuts to this. FCG's vision. The red tinting has obvious implications that I don't need to explain, but the match cut heavily implies a connection between this group and the Bells Hells. There is a fear that this might happen again made clear by a single transition.

Here's something else. FCG doesn't move. At least, the camera doesn't treat them as moving. It's a slow panning out as if nothing is happening. It's the disassociation vibe that you get from Ashton's falling shots now repurposed to someone who isn't in control of their own actions. This is what FCG is afraid of, this is the important pieces of his character. This is FCG.

And just like Laudna, FCG finally gains agency when surrounded by their friends who hug them, and FCG finally moves.

Chetney Pock O'Pea, outlaw of the RTA, alpha of his own heart. A fundamentally chaotic character who takes rules as suggestions to be intentionally ignored. A man who's first instinct upon meeting you is to consider how you could be killed. And he is introduced whittling, with a steady camera and warm light illuminating his face. This is a peaceful side of Chetney, there is a duality to him.

Speaking of which, notice how Chetney draws back from the light as he transforms. His eyes begin to glow, but they don't illuminate him, until this:

Chetney is now backlit by the cold light of the moon itself (There's a neat reveal of Ruidus caused by the pan, but that's only tangentially relevant). Notice how much further you are from him here than in his first shot. But notice how much of him is visible, and how much of the screen he takes up. It's the same, this is still the same character. It's a true Doctor Jeckyl and Mr Hyde character. This isn't split personality, but a character who can be a different person in each form, while still remaining Chetney at all times.

There is more in this video. I encourage you to watch it, but unfortunately, Tumblr has a limit on how many images I can include, so I will leave you with this final shot. A group of heroes looking up at a threat that is so much bigger than them, a threat that is literally controlling the light. But the Bells Hells are closer to the camera, they take up more of the screen. The battle isn't lost, instead, it is just starting.

#rants #literary analysis #literature analysis #media analysis #critrole #critical role #bells hells #imogen temult #laudna #ashton greymoore #fcg #orym of the air ashari #fearne calloway #chetney pock o'pea #its Thursday night #critical role bells hells #meta #meta analysis

523 notes · View notes

loveshotzz · 1 year

Text

All I Really Want Is You

older!neighbor!widower! steve x fem!reader chap six/ten - a slow burn series of blurbs - updated every wednesday

I Don’t Know You, But I Want To

summary: Sometimes curiosity has consequences.

wc: 2.8k

warnings: 18+ series for future chapters, mentions of death, hints on how Steve’s wife died, bouts of self consciousnesses.

authors note: sorry guys, you knew this chapter had to happen. i promise i’ll make up for it! enjoy a few more easter eggs from @carolmunson ‘s orange colored sky in here. I’ve had so much fun talking about these two old men’s friendship with you!

🌇 <- chapter five -> chapter seven

The Masterlist / The Playlist / The Tune:

End of June

You didn’t realize when Steve asked you to water his plants, that he meant in just three short days after the almost kiss in his kitchen. The opposite schedules the two of you seem to always work made it so you hardly got a glimpse of him before he and Bandit disappeared to Starved Rock for what you learned was their annual camping trip.

The Good Morning Tough Girl texts started the next day after your number exchange, waking you up with a kaleidoscope of butterflies twisting and turning in your stomach and a smile so big it made your cheeks hurt. It helped you get over only getting to physically see him one time through your living room window before he left. Your phone had vibrated at your feet while you watered your now flourishing Ivy thanks to the new curtains you were proud to say were installed by yourself. You chanced a glance down at your lit up screen, his name flashing with a text that said: How’d I never realize how pretty my view is from the front yard?

The corners of your mouth twitched, flames licking underneath your cheeks when your eyes caught his out your window. The big dopey smile that took over his face made you giggle as he waved eagerly, dressed nice like he had been the morning you ran into him last week. You wiggled your fingers, biting your bottom lip at the way his dark navy button up looked tucked into the waist of his black slacks. The leather belt looked nicer than the last one, the silver of the buckle blinding in the setting sun. His hair was freshly done, free of any signs of those big hands of his. The stubble on his jaw was gone again, but you learned that was never for very long.

Another buzz: Going to dinner with a client, wish it was fish tacos with you instead.

Steve feels like he won the lottery when he can see the way your face lights up from his spot in his front yard. Eddie’s voice rings loudly inside his head, sticking to every single one of his negative thoughts like glue telling him it’s okay and he finally starts to believe it, especially when he gets a text back from you.

Maybe next time 😉

It’s thunderstorming the day you go over, the key tucked away in a lockbox by his door. He gave you access by texting the code the night before with a promise to take you to dinner as a thank you when he got back. The nerves that dance inside you feel like they did the first time you came here when you stand in front of the stained glass of his front door even though he’s five hours away.

It’s quiet, the lively energy from a few nights ago gone with the man. The cedar of his candle still lingers thick in the air and you can’t help but inhale deeply. It smells like him. You leave your shoes and umbrella on his front porch, closing the door gently like you were scared to wake someone up. The pattering of the rain on his windows fills the silence, your shoulders dropping in the serenity. Pulling your phone from your back pocket you look through your texts with the list of the rooms the plants were in.

Only three — his office and living room on the first floor and his bedroom on the second.

The coffee white oak floors creak under your socked feet as you take your first apprehensive steps past the entryway. He left the watering can on the kitchen island just like he said he would, your skin pebbles when you’re brought back to the last time you were in here. The sun fights to shine through the thick storm clouds outside, making the lighting that bleeds through his windows soften everything up. The water from the sink hits the metal of the can, mixing perfectly with the rain.

You wish he was here.

The can is heavy in your hands when you stop at the doorway of the living room, the contents inside sloshing around and daring to spill onto his floor. You curse under your breath with a pause to take in the room you only got a glimpse of before. There’s an electric fireplace, tall black steel that takes up most of the wall next to the sliding glass door that leads to his small backyard.

Two large beige area rugs cover most of the wood floors in here, a cream frayed trim lining them. Bandit’s bed sits big, fluffy and dark brown nestled by the fireplace, giving him a perfect view out the window. Strands of his lighter hairs leave behind evidence that this might be his favorite spot in the house. A woven basket filled with various chew toys that look freshly tossed in isn’t very far from it. The rain comes down harder but you can still see the spots of lime green littering the grass where the rambunctious German shepherd left his tennis balls. Spoiled.

The cognac color of his leather couch set is rich, and it shines even in the dim lighting like it was freshly lotioned. It looks like the kind of comfortable where the cushions mold against the weight of your body - soft, inviting, the one in the middle looking a little more worn in than the rest. This must be Steve’s favorite spot.

Your eyes meet the 65” TV mounted to the wall in front of it and realize why. The coffee table matches the dark color of the floors. The candle that was the culprit for the smell of his house sitting in the middle next to three remotes lined perfectly next to each other.

There’s a long, taller companion table that sits at the other doorway that leads back out to the landing of his staircase. Framed pictures, bottles of various liquors of all shades and crystal cocktail glasses cover the top of it.

What does he think of your place?

You try to push the intrusive thought down as you make your way to the lush Monstera plant that sits in a white pot on top of wooden legs next to the sliding glass door. Its leaves hang heavy, clearly taken care of. The deep emerald of it reminds you of what Steve’s eyes look like sometimes. The soil takes what you give it greedily, barely leaving enough for the few smaller plants that rest on shadow shelves along his gray walls. A few of them make you stand on your tiptoes to reach.

Curiosity wins on your way to refill the can, crossing the room to look at the framed pictures. You aren’t surprised when you see one of Eddie and Bandit as a puppy, it looks like the first day they brought him home. Eddie’s dimples show in a bright smile as he looks at the camera with Bandit’s big bubble gum pink tongue pressed sloppily against a clean shaven cheek.

The other is of Steve and a curly haired boy at a college graduation, they both look like they were caught in the middle of laughing at something. You can’t help your own smile when you look at it. Steve looks a little younger, a little less gray in his hair like it had only just started. He’s wearing wire rim glasses, and that crisp white dress shirt you like him in so much. He looks happy.

The last one is of Steve and Bandit. A selfie taken at sunrise, Bandits tongue sticks out and you swear he’s smiling just like his handsome owner that has him pulled against his side. A part of a tent peaks over his shoulder and you wonder if this is where they’re at right now.

You’re hit with the smell of his cologne when you open his office door, your thighs pressing together when you imagine him sitting in the big black leather chair behind an even bigger, matching colored desk. Glass cased baseball memorabilia takes space on one of his walls, along with plaques of achievements from his job. There’s framed pictures of him shaking hands of baseball players you couldn’t name, but you’re sure a normal person who liked sports could. There’s a tall bookshelf on the other side of the room. The spines all glossed, bright bold wording of sports memoir’s, marketing guides, and what looks like college course advertising books.

The floor of this room is carpeted with the same color as the area rugs in his living room. Your footsteps are a little more careful as you try not to spill any water on it as you make your way to the three hanging spider plants in the window that overlooks his front yard.

Your nose catches a hint of the cigars you know he smokes as you get closer to his desk. He must keep them in here. A silver closed MacBook sits on top of it, another baseball — only this one is signed and kept safe in a glass case. There's a Polaroid of Bandit with a cubs hat on his head with a laughing Peach barely visible behind him. The obvious closeness of the three of them makes you realize how much he let you into his world the other night.

A world where he wanted to kiss you.

You curse under your breath when you almost spill water on the carpet, too lost in realization of what this could be.

When you reach your final destination on the second floor, you stop at his closed door. Your hand hovers over the knob, heart hammering so hard in your chest like he was waiting for you on the other side. Taking a deep breath through your nose, you exhale through your lips - willing your nerves to give you mercy. There’s a soft click when you turn the knob and the quietest noise from the hinges when you push it open.

The crisp white of his fluffy duvet that covers his king size bed, mutes the gray of his walls. The olive green throw at the end of it that matches the area rug under the bed, the warmth of the color relaxes your senses. Your breathing evens out, your heart rate slows down.

There’s another dog bed at the foot of his that matches the one downstairs and you wonder how often Bandit really sleeps in this one at night. The lack of hair on it compared to the other one tells you not very often. Your cheeks tingle fiercely when you see the mirror you got a glimpse of his bare chest through, your eyes quickly finding the bathroom he had come out of.

“Jesus Christ,” you grumble to yourself, trying to push back the memory while standing alone in his bedroom.

There’s another Monstera by his window that you can see your bedroom out of. The last one on the list. You have to pass by another large dresser on your way, even more pictures sit on top of it, taking up the space that was left next to a cherry wood watch box. Another cedar candle sits behind the framed pictures, the scent lingering in the air despite not being lit.

The plants take what’s left in the watering can, and you peek out the window just to see what he sees. The navy curtains you’d hung up are half open giving you a perfect glimpse into your room, the pile of dirty laundry you plan to do after this perfectly visible. You gulp audibly.

The can swings loosely in your hand when you walk to the dresser, a smirk already forming on your lips at the thought of what these ones will tell you about him. Your eyes land on one of him in between Eddie and Peach on what seems to be their wedding day, both of them placing sloppy kisses on either cheek. The big dopey grin face doesn’t hide the tear stains. The White Chapel sign behind them tells you it’s Vegas, and the way Steve is dressed as a much sexier Elvis only confirms your suspicions.

Next to that one is a picture of Steve, only he looks really young- fresh out of high school young. Biting your lip into a smile at the volume of his hair, he’s leaning against a maroon BMW with pants so tight you're sure they made all the girls flustered. You shake your head with a roll of your eyes before taking in the brown curly haired girl sticking her head out of the back seat window. Another girl with honey waves pushing her head out in the small space next to her, you swear you can hear the giggles that are so evident on their faces.

Thunder cracks loudly outside, bringing you back with a jump. You’re dreading the short walk home. You glance out the window wearily before bringing your attention back to the little bit of Steve scattered over the top of his dresser. Then you see it. You see her.

The frame that holds the picture is silver, the words ‘always and forever’ etched across the bottom. It’s taken somewhere tropical and Steve looks like he’s your age in it, his jaw somehow sharper, his hair blonder. His smile is so big it shows all of his teeth, a bright yellow short sleeve button up that makes his skin look golden. The top two buttons undone revealing the chest hair you’d gotten a few glimpses of. He’s glowing.

She’s just as beautiful, big bright green eyes and dark chestnut hair that falls in effortless curls down to her chest. They look natural, like she didn’t have to do it herself. She’s tucked into his side in what looks like seats in the back of a boat, the coral dress that flows over the curves of her body makes your stomach turn. The big rock on her hand rested purposefully on his chest tells you exactly what this picture is.

Jealousy twists green in a tight knot inside of you, guilt you weren’t expecting makes you feel nauseous when you see what’s hanging off the corner of the frame. A dark teal rubber bracelet with the words Team ALS Chicago 2022 in white font.

Lightning flashes white hot, making something gleam and catch in the corner of your eye from his watch box. Taking a closer look, the tightening of your chest at what you find makes the air leave your lungs all at once when you see their wedding rings tucked in between the soft white cushions inside the box.

The reality of the situation hits you like a ton of bricks. Steve had a whole life before he met you. A life with someone beautiful, someone he didn’t fall out of love with, someone who didn’t break his heart, someone who, if things were different he’d still be with.

If you moved next door in that reality, you’d just be someone he’d maybe wave to from time to time, not paying any mind to the thirty year old girl already suffering through a midlife crisis next door. The girl who moved to the city with no friends and no plan. The college drop out. The opposite of the well put together woman that belonged hanging off his chest like that, with a ring on her finger that could pay off your credit card debt and then some.

How can you compete with a ghost? The nagging feeling that you’ll always be second best already stings and he hasn’t even picked you yet.

You try to blink away the tears that threaten to spill out, feeling stupid for being this upset over what started off as a silly crush, it really shouldn’t hurt this much. The cedar that comforted you feels like it's suffocating now. Like he’s here. The thought of bringing the watering can down doesn’t even cross your mind when you leave it on the dresser to make your escape.

The breath that comes out through trembling lips is shaky, still, you're proud of the fact that you haven’t cried yet.

Tough girl.

When you open the front door, it's windier than when you first got here, the sun starting its disappearing act for the moon. It makes the summer storm match the one brewing inside of you. You shove your feet into your shoes before pulling the door shut behind you. You lock the key back into the box, before grabbing your umbrella. Your vision goes blurry but you don’t give into it, telling yourself it’s stupid to be so upset. The buzz of your phone in your back pocket is what stops you from taking the first step off his porch.

Steve

Found a spot with some service on our hike, just wanted to check in. Hope you got into the house okay. Bandit says he misses you.

The dam that you’d worked so hard to build breaks, tears falling down your face like the rain falling from the sky. You sniffle, wiping your cheeks with the back of your hand before you reply to him for what you tell yourself is the last time. It’ll hurt less like this, it’s better for both of you this way. At least that’s what you try to tell yourself before you hit send.

Plants are watered 👍

beta’d by: @superblysubpar

dividers by @newlips

chapter seven

#my writing #steve harrington #steve harrington x you #steve harrington x reader #steve harrington x y/n #steve harrington series #steve harrington slow burn #steve harrington angst #steve harrington fanfic #older!steve harrington #older!steve #all i really want is you series #Spotify

737 notes · View notes

yumeboshi · 4 months

Note

Congratulations Yume on 100 followers! Every milestone is important. For the event could I request a spooky white chocolate sundae? Can’t wait to see everything you write!

❝ THANK YOU FOR YOUR ORDER、 @karamazovski .ᐟ ⟡ HERE IS YOUR RECEIPT FROM CAFÉ YUME ⟡

𐙚GHOST-WHITE SPOOKY SUNDAE：it isn’t halloween but it’ll certainly make you feel like it is。

𐙚 dish desc。．a horror movie date apparently wasn’t enough for him, so he decides to make his own in reality.

．。𝜗𝜚 labels。the desc kind of says it all, general yandere themes, mentions of gore and violence, filthy, yes, filthy… guys dw i.. I write for sunday fluff too.., MINORS DNI

．。𝜗𝜚 ingredients。sunday ahaha

#SྀིྀིྀིྀིྀིྀིྀིྀིUNDAY

THIS was probably not the desired date you wanted with your fiancé.

you were expecting a romantic movie night. you and sunday promised to watch a fun horror movie at your place that was airing in the penacony theater most recently. you loved horror movies. you really did.

you liked them when they stayed as movies, though.

you’re not sure how to react— your home smells of rotting corpses and a total bloodbath, as if you’re walking around a massacre aftermath. it even looks like a horror movie set, except it’s genuinely real, every single writhing limb under piles of bodies is real. the smell of death is too thick to be called fake.

was sunday hurt? was he killed? you feel your head spinning in desperate circles. the blood looked too fresh for the killer to have left already. you don’t even want to imagine what would happen if he was not here. you loved him like he was your soulmate— perfect, soft, and always worrying over you. you grip your fists tightly to prevent the lump in your throat from advancing forward.

you notice something playing in the background and realize the tv is left on- it’s currently airing a movie, a kids movie, you can tell; by how Clockie scurries around the screen, babbling about the ‘deadly halloween season’ and how it would doom them all.

the movie wasn’t even close to scary- there wasn’t any blood and it was just about boss stone causing a Halloween chaos, but your current situation sure was, and the constant cartoony gibberish that continues to fill the menacing air didn’t help ease your nerves.

“sunday?” you whisper anxiously. he couldn’t have died, right? he was the head of the oak family. you don’t see anyone you recognize in the corpses either, not that you want to take a closer look.

there’s no response, so you uncomfortably open the only door that’s closed in your estate- the bathroom. you try to open it, but it’s securely locked. with a panic you try to unlock it desperately.

and it all happens too fast. the door suddenly springs open and you’re met by a figure covered in blood who knocks you instantly to the crimson-stained tiles, a knife right at your throat. you don’t even have the time to scream because of how everything moved unreasonably fast.

but suddenly, they chuckle- it starts as a low laugh, and it slowly escalates creepily. the knife on your throat is slowly removed and you feel the coldness leave your neck, albeit you feel it has caused a brief dent on it.

“you scared me, sweetheart.” between laughs, the figure removes the golden mask from his face— and graces you with handsome features that are all too familiar. your gut twists and fresh nausea quickly engulfs your senses. you don’t want this to be true. you beg this wasn’t true.

“…sunday?” your mind spins with unanswered questions you honestly don’t want to be answered- why, how, when? “what are you doing?” you try to find an ounce of his innocence anywhere. “did a killer come here? did anything happen? are you h-hurt?”

His wings brush your petrified ghostly face- golden eyes dripping like honeyed ichor, he caresses your cheek with a chuckle. “please, don’t give me those questions, angel.”

“i love you very much, as you know,” he continues; and you desperately hang on for a rational explanation- he smiles slightly at your begging look, knowing that he unfortunately cannot meet your needs. “i thought you were finally my little dove, my only sweetheart- i thought we were perfectly meant to be.” with a gentle hoist he lifts you up like a bride, and if you ignored the gruesome truth hard enough, the scene is almost romantic- but the way his shoes clink against the scarlet-coated floor with a sticky ooze lets you know this isn’t your idealistic romance movie, but a scene straight out of thriller.

“w-we still can be,” you whisper, an attempt to quell whatever he was going to do- or a desperate last attempt to convince yourself that he’s still the man you loved.

“oh, no. we can’t be, sweetheart— not with all these people interrupting us.” he gestures absently to the room- his eyes are all on you, and you wonder why you are seeing just how that his lovely golden eyes have deceived you to think that they were filled with love- when it was not. no, it was obsession, you can see the way they burn with a primal desire that is far too strong to be called love. They are glued onto you as he lies you down to the couch like you’re a diamond placed in a museum glass box.

“and at last, I could finally get rid of them at once- since ive heard you love horror movies and Halloween, my dear, this shouldn’t be too frightening for you.” he extends a hand to you to which you shy away from, scared- he smiles at that. “—i won’t harm you even if i was asked to, love, unless you like that.” with a swift nip, he pulls his snow-white gloves from his hands- now stained with blood that’s not his, he discards them to the floor with a sigh. “it’s certainly a shame to see my favorite attire and gloves all go to waste, though. Although, I’m sure it will be worth the pain.”

you are not sure how to respond- your rationale tells you to scream and run away from this maniacal angel that has lost his wings to descend into hell long ago— but your heart is begging you to stay, because you know he is the closest thing you had to a partner in life, the one angel that never left your side. when you are torn between how to act, his hands are already lifting up your shirt, exposing you to the chill of danger.

“I’m still the same man you loved, you know,” he whispers, his eyes lose some of their sadism and soften into everlasting gentleness. you’re not ready to look into them though, so try to look away— only for him to grip your chin to make you look back— you see your horror reflected inside his golden pupils that drink in your fear— and curve like the eyes of a jack-o-lantern.

he loves your fear. he loves the look you’re giving him a little too much, that he can’t help but let out a soft groan. oh, how he wants to take you right here and now, watching your entrance filled to the brim with cum, his cum- leaking out prettily to the sides as he pounds into you senselessly while promising you he’s going to be the perfect husband, the perfect father for your kids— and you’d be such a pretty wife, too, but he can’t, not when you are not married yet. he wants to keep his desires under control until his everlasting vows are bestowed right on your fingers, until you are his and his only.

the way he breathes into your skin, smiling adoringly at you without a care to the grotesque crimson room, makes you feel as if ants are crawling inside the pit of your stomach. it’s uncomfortable, you know you should leave him at this instant. he was breaking you. he was ruining your capability to think.

but why is it that no matter how hard you try to force the words out, that you don’t love him- not like this, you can’t utter a single syllable? maybe it is his hand doing wonders to you, ghosting over your skin, making your body jerk up and tremble. or maybe it’s the way how smoothly he kisses your lips that are dry with terror, cooing broken promises about how nothing is going to change, and that you’re still his happy future wife, forever and ever.

#𐙚．。articles #honkai star rail x reader #honkai star rail smut #sunday x reader #honkai star rail yandere #hsr smut #sunday smut #yandere sunday #hsr x reader

228 notes · View notes

hanlimz · 9 months

Text

[midnight thoughts: jungwon + the sublime]

synopsis: after an arduous battle, jungwon isn't sure if he's going to make it, but he has to say something before he goes. pairing: yang jungwon x gn!reader genre/warnings: spiderwon!au, angst with happy ending / mentions of blood, discussions of death, overall angsty themes but no one actually dies!, lots of confessions of love, and weird inclusion of "the sublime" bc we talked abt it in my eng class, also NOT proofread :,) wc: ~2.4k (haha OOPS) a/n: heyyyy how yall doin :))))) this has been sitting in my drafts forEVER ... and i finished it at 1am b4 my first day of school so be warned for inconsistencies / i liked the first half of this drabble but the second half is not my fave ,, so sorry that i couldn't do you justice spiderwon

yang jungwon never believed in the concept of the sublime. that uncanny mixture of overwhelming fear and unsettling fascination never managed to make an impression on him. especially in his line of work, jungwon is firm in his notion of death: when the time comes, a vast blackness will consume him; the void will leech away his life, and he will cease to exist. there will be no theatrics, no white light, no booming voice or angel song—only a comforting emptiness welcoming him into the dark.

now, however, jungwon lies alone in a familiar back alley; the tips of his fingers are numb from the amount of blood he's lost, and he can hardly lift his head up from the brick wall it's resting on. the palms of his hands are stained a deep crimson as he attempts to stop the river of red spilling from his thigh. jungwon admires the eerily beautiful way in which the body lets go; glinting in the dim street lights, his wounds glitter like rubies in a summer sunset. at this point, succumbing to his injuries seems inevitable, and jungwon thinks there may be some truth to be found in sublimity.

but, he's not ready to die. not yet—not with so many things left undone, so many things left unsaid.

with the little strength he has left, jungwon reaches for his backpack hidden in the nook behind the dumpster. he pulls out his phone and dials a number number he knows by heart; his cold fingers fumble over the screen, and he curses his current lack of dexterity. eventually, though, the machine begins to ring. the sound grates on his ears as he waits with bated breath for you to pick up.

"hello?" you croak, your question laden with sleep, "who is it?"

a breathy chuckle escapes jungwon's lips. he had forgotten how late it was, how you mentioned earlier that you had a calulus exam tomorrow, and just how gorgeous you sounded when you were tired. "sorry, [y/n] ... didn't mean to wake you," jungwon sighs, "just wanted to hear your voice."

"won, seriously?" you scoff, "this couldn't have waited 'til tomorrow? i mean, it's—it's two in the morning ... i was literally just dreaming about acing that calc test."

a dopey grin fastens itself to jungwon's lips as he wills his eyes to stay open. if he falls asleep, he knows there's a possibility that he won't get back up; so, he indulges for a bit, listening to your fatigued grumbling and smiling like an idiot. "honestly, m'not sure if tomorrow's in my cards, [y/n]," he admits, trying to hide how labored his breaths are becoming, "'nd i jus' wanted to hear you one last time."

"yang jungwon, what the hell are you—" jungwon knows exactly when you realize he's in trouble. he knows exactly when you realize he's not messing with you. the abrupt pause, the hitch in your breath, the way you inhale through your teeth—it's almost too obvious. "oh fuck," you continue, "oh shit ... won, where are you? are you hurt? what can i do to help?"

jungwon coughs out a laugh, "'m in the alley off jackson ave, 'nd i think i've bled on every piece of old furniture back here, if that says anything."

your breathing is frantic. jungwon listens to the sound of rustling clothes and the occasional thud of your foot as it hits your bed frame. you're cursing and mumbling and unravelling at the seams, searching for whatever you can that might help you help jungwon. out loud, you go through a list: gauze, neosporin, saline.

"am i missing anything?" you ask, not expecting a response.

"bandages?" jungwon replies.

"bandages!" you exclaim, "i almost forgot the fucking bandages?" there's more noise on the other side of the phone, and jungwon doesn't let himself relax until he hears your window crack open. metal clangs as you rush down the fire escape; he wills the beating of his heart to match the tempo of your feet against the steps. jungwon wills himself to stay alive. and, it's almost as though you can read his mind through the phone. "don't you dare fall asleep, yang jungwon. talk to me about something—anything—just don't fall asleep."

he racks his brain for a topic of conversation; the nerves building in his stomach as he anticipates next week's orgo exam, the cat he rescued from a tree in queensbridge park earlier today, the new thai restaurant that opened up near his apartment building. options race through his mind, but all of jungwon's thoughts lead back to you.

"i love you," jungwon says, abrupt yet resolute.

"oh god." you suck in an incredulous gasp, "you're delirious. this is—"

"i'm not delirious," he interrupts, voice hauntingly clear. "i know what i'm saying. and, i'm saying that i love you, [y/n] [l/n]."

for a moment, the line crackles with a thick, viscous silence that seeps through the grainy static; it's heavy, almost too real, and jungwon listens to the sound of your shoes slamming against the pavement until you speak again. "okay," you sigh, something unreadable swimming behind your words, "keep talking to me, jungwon."

jungwon takes in a deep breath before speaking again. his whole body is cold now, and if it weren't for the weakness spreading throughout his veins, he's positive his teeth would be chattering. inhaling the concoction of gasoline fumes, freshly dumped trash, and frigid, autumn air, jungwon feels the chill of the reaper creeping up the length of his spine. its spindly fingers beckon him into that same darkness he was once so sure of, once so okay with. but, jungwon can't let himself give in to its temptation. after all, he has someone waiting for him.

"you give me this feeling," jungwon declares in an inexplicable moment of lucidity, "'nd i dunno how to explain it. it's—it's like ... i look at you, and you pull me in. an invisible string, maybe? fate? true love? i'm—i have no idea what to call it. you always make me want to know more, even though i've known you forever. since we were kids, [y/n]—i've felt like this for years. and, i'm sorry. i'm sorry for not telling you earlier, for not telling you when i told you about the whole spiderman thing.

"i'm such an idiot for making you worry. someone who loves you shouldn't do that to you, i shouldn't do that to you. and, god [y/n]—i love you so much. you're this force of nature, you know? drawing me in, even though it's dangerous. and, even though i'm terrified of what the consequences might be, i love you so much that i'm afraid to die without saying it at least once.

"i'm—i'm so sorry for being so stupid, because—" jungwon whispers with a shaky voice, teetering on the edge of consciousness, "i love you, [y/n]. i love you."

jungwon's hearing is fading in and out, and his vision is growing blurry; but, the sounds of your footsteps accompanied by the incessant drone of his phone keeps him from slipping into that overwhelming darkness. you take in a sharp breath, and his head lolls in your direction. jungwon's lips are molded into a mindless, faraway smile; his eyes are misted over, foggy with both pain and fatigue. he's not all there, but he still manages to be cheerful. it astounds you.

rushing over to begin applying all the first aid supplies you managed to stuff into your backpack. wound-wash, gauze, bandage, wound-wash, gauze, bandage, wound-wash gauze bandage, wound-washgauzebandage. the sheer amount of blood that has been leeched from his body makes you dizzy; your head is spinning as you try to calculate just how many pints would be equal to what you've just sopped up. glancing up at your best friend (crush? lover?) you see that his eyes have drooped shut. his skin is pallid, his lips are pale, his neck is craned at an awkward angle as it rests on his shoulder. and, your heart stops because you didn't get to say it back.

"no. no, no, no ... won—jungwon, wake up!" a storm brews in your stomach. it starts as a mellow rain pattering against the lining of your intestines, then becomes a raging tempest as it bubbles up and out of your throat. "please, please, please! i got here in time, i swear—i never cared about the stupid, fucking calc test! i cared about you, i care about you! and, i'm here now, so you can't leave. you can't leave me."

an inhuman shriek claws through your lips, ricocheting against the brick walls that seem to be caving in around you; the weight of the world crashes into your frail shoulders, threatening to crush you. as you inch even closer to jungwon's shrouded figure, your pants are soaked through with a crude mixture of blood and rainwater. you reach out for him and cup his cheek with a trembling hand, and part of you swears his skin is still warm to the touch.

but, hope has no place here.

instead, you cradle his head and heave his body to rest against yours. he is astonishingly heavy; you can feel his muscles ripple beneath the tips of your fingers, but you're already convinced. your best friend is dead. slowly, the cement will absorb his heat, and he will grow cold. as the morning draws nigh, you will be forced to put his mask back on and leave him for someone else to find. then, the news articles will pour in, and the city will have stolen not only his life, but his death as well. tears are wetting his scalp as you bury your nose into his sweat-caked hair. you're gripping at his suit so hard you think the threads might snap, and the throbbing in your head is nothing compared to the agony in your heart.

the wailing doesn't stop until, in your peripherals, you see his finger twitch. sucking a staggering breath through his nose, jungwon cracks open a tired eye to gaze up at you. "i would—" he coughs out with a wince, "i would never leave you."

in your stupor, his voice doesn't register first. his mouth moves, but no sound escapes him; then, the words play over again in your mind while his lips remain closed. seconds melt into minutes, and you float away from your body. a numbness overtakes you as you stare at the scene before you from about five feet away; your fingers are still clutching at the suit fibers, the pajamas you chose earlier tonight are now saturated with blood, and jungwon is breathing. jungwon is breathing. jungwon is breathing.

snapping back into yourself, you place a weak hand on his chest. steadily, certainly—it rises and falls; the beating of his heart, though shallow and slow, thrums beneath your palm. shifting your stare to his face, you are greeted once again by a familiar, wry smile. jungwon is alive. despite all odds, the boy you love is alive; and, try as you might, you can't really help yourself.

"[y/n]?" he croaks, quirking the eyebrow above his less swollen eye, "can you hear—"

"i love you, too."

the utterance dangles precariously in the frigid midnight air. jungwon's lack of response causes your stomach to churn until he relexes further into your frame, huffing out a pained laugh. he lets himself rest for a moment, relishing in the warmth he manages to leech from your skin. "it wasn't ... wasn't supp—supposed to happen like this, you know?" jungwon protests, voice catching on his fatigue and discomfort. "i ... had everything planned—planned out."

"won, you don't—"

baring his teeth, he lifts a hand to hold the one you kept on his chest and barrels through your objection. "i was gonna take you to the met ... gonna take you for a pic—a picnic in central park." jungwon sputters, pressing his forehead against your upper arm, "then, we would swing ... back to your apartment. 'nd, i was gonna tell—tell you. tell you about how i feel."

still supporting his neck with your arm, you move to take his face in your palm once more. jungwon's gaze is sharper than it was just minutes ago—more focused, more alert. the emotions swirling in those deep pools of raw umber are more multitudinous than the stars they reflect. gratitude, torment, joy, defeat, love. bridging the gap that had separated the two of you for so long, you stop just shy of his lips. a dynamic heat emanates from them; jungwon is practically vibrating under your touch, living and breathing.

"are you okay?" you ask, "is this okay?"

jungwon answers by pushing himself up—closing the distance, sharing your breath, connecting your souls. salt and iron dance on his tongue as your tears mingle with his blood. it's a hypnotizing concoction—one that threatens to send him reeling, one that threatens to have him spinning out with no hope of return. fireworks explode behind his eyelids, a myriad of bright reds and vibrant oranges blinds him, and jungwon uses what is left of his strength to grip your wrist; he grounds himself and allows his lungs to burn as he breathes you in.

after a while, however, your parting is instinctual as the lack of oxygen forces you apart—two bodies trying to preserve themselves long enough to meet again. with a labored sigh, jungwon slumps backwards and tucks his chin to catch your gaze. in that moment, he finds himself frozen; his essence is suspended motionless, positively bewitched by you. in the silence, where all he can sense is you, jungwon embraces the ever-present warmth that has flourished within him. it floods his being with a terrifyingly powerful adoration for you. it is nothing like he has ever felt before, and though he is brave enough to confess, this extent of his love for you—it scares him.

however, as your skin glows in the light of the moon and your eyes pool with the desire for a future with him, jungwon digs his feet in and roots your love deep within his heart. he refuses to let this fear grow in its place; instead, he vows to nurture it, to care for it, to protect it. as he lies in your arms, jungwon rejects the sublime once more and chooses for himself.

"i love you, [y/n]," he whispers into your palm.

the world seems to go quiet as it listens for your response.

"i love you, too, jungwon."

#enhypen fluff #enha fluff #jungwon fluff #enhypen headcanons #; — cass writes: jungwon #enhypen #jungwon headcanons #jungwon imagines #jungwon reactions #enha scenarios #enha imagines #enha angst #enhypen angst #enha x reader #jungwon x reader

315 notes · View notes

bloodcasket · 2 months

Text

“ BLOOD BOIL ”

PAIRING: DI!Jill Valentine x Fem!Reader

WARNINGS: NSFW! (Death Island Jill), age gap relationship (not as specified as my previous fic), female described reader, dominant Jill Valentine, submissive reader, manhandling, rough intimacy, mentioned use of strap-on toy, words used to describe toy such as “dick” - etc, hair tugging (ive tried my best not to specify hair texture), pinch of degrading, concept of power-play dynamic, jealousy & argumentative situations, use of “gaslighting”. LIGHTLY PROOF-READ!

WORD COUNT: 6.4K+

DESCRIPTION: Jill’s jealousy is like spitting fire, just from one simple glance of a man speaking to you. Perhaps she’ll use her words against you. Force you on your knees to make you understand.

AUTHOR’S NOTE: Sigh. Not my best work, but here we are my friends. I acknowledge this is lackluster, but I missed writing for Jill, and so I at least want to do something for her. My apologizes! I will edit later if there are any mistakes. And hopefully, my brain will be ready to write again.

You’re invested thoroughly, thumbs bending into the hardened wheel, and your pink tongue wiggling in place, caught between your two front teeth, canines gnawing down amongst the moist muscle, all whilst you remain burrowed into a blanket of concentration.

So close, and nearly there. The banner sign is spread wide just up ahead, the crimson finish line taunting you, and the wheels of the vehicle skidded against the road, engine humming as the speed heightens. The countdown is in white bolded numbers in the upper right corner of the screen, approaching the last few seconds, there’s only a few more feet left-

That is, until an all-too-familiar ringing soon began to vibrate beside you. Perhaps it’s been the fourth time that she’s answered a phone call today. You couldn’t exactly give an explicit or precise answer, you had lost count a few hours back. Nonetheless, it drew your attention away all the same, hands loosening against your wheel.

“Gotta answer this, just give me a sec.”

A gruff response is heard from your right, and you watch from your peripheral vision as the other woman sits up from the false car seat. She trudges along the neon star-patterned carpet, her calloused thumb tapping with haste against the brightened screen of her phone as she sauntered over to the exit door. Clearly leaving no chance of objection from your side, too quick on her feet to even spare you a mere glance.

The car seat rumbles from below, the vibrations resembling a mini earthquake just against the flesh of your thighs, signaling your loss. Your softened eyes peer upwards and flicker toward the games’ screen. “Last place” taunts you in a pixelated format, the letters spinning around in repetitive loops. You had lost, and now the game was finished. The taste of triumph now blemished and dulled. An abhorrent sink of your heart weighs down in your rib cage, strong enough to plummet into your stomach.

You’re almost beginning to question whether this was all worth it or not. The plans, the date, the broken promises she always manages to cultivate off the tip of her tongue. You hadn’t forgotten the way the older woman’s rough hands circled your waist earlier this morning, pulling you close. Velvety lips tracing your cheekbone; leaving chaste kisses in its wake.

All about you, today. That’s what the middle-aged brunette had ensured. But ruined plans were practically habitual when it came to such a relationship with a woman of her degree. Ensnared in her work. Drowned in stacks of reports and hour long meetings. Body battered and aching by the time she’s finished training. It’s always “saving civilization” and “eradicating bioterrorism” first— and, of course — you came second. The way she has been so adamant on abandoning you today makes that point even more crystal clear, with each individual call she’s making, more words exchanged about sudden work relations rather than her own girlfriend on a well planned date.

It takes all your willpower not to let it dilute your mirthful attitude. With a shrug of your purse’s strap over the arch of your shoulder, and the shimmying of your hips out of the vibrating car seat, you begin to stand. Make your way over to a different game across the expanse of the arcade room. The area is dimly lit, save for the intensely hued lights flashing from each individual game screen.

Whilst you stay immersed by mashing blue and red buttons inside, a grin over your youthful features, Jill Valentine is much on the contrary. She’s stood outside, a scowl cast over her pink lips as she speaks with her colleague about information she could, quite literally, give two shits less about. Her boot is kicked up against the wall of the building, an expression of irritation clouding over her already-hardened features, wrinkles of age twisted around the flesh of her waterline, smile lines curling downward against her frown.

“Tomorrow, alright? I’m busy today. No more calls, got it?”

She warns, swallowing down the hiss that nearly pounces out from between her lips. She wants to say something worse than that. Maybe even a good, ‘go fuck yourself and stop calling my number’ sounds more appealing, but she diverges from actually saying that venomous remark. Doesn’t stop her from muttering a few curses under her breath once she’s hung up the phone, though.

There’s two sides of the story here, but at the end of the day, both of you are unsatisfied with how today's events are being twisted. The older woman is aggravated that she's being interrupted from her time with you. The younger, you, becoming rather solemn over the fact that your girlfriend is constantly being taken away.

The short-haired brunette rubs a palm across the stretch of her forehead, long fingertips and wide knuckles bumping up against her pale skin, and she breathes in before exhaling a hefty amount of air.

“Alright”, she shrugs, saying this more to herself in reassurance than anything else, mentally preparing herself for that look of despair in your pretty eyes that she’ll soon be faced with. God, she felt terrible.

She shoved her phone back into the small pocket of her jeans and pivoted on the heel of her shoes, hand grasping for the door handle. She brought herself back inside the arcade. She almost smiles at the sight of you. All excited and giddy, practically bouncing on the balls of your feet. ‘Like a kid in a candy shop’, she’s chuckling to herself, boots shuffling along the soft trim of the patterned carpet.

Almost.

But seeing another form pressed up against your side sours something deep inside her. Large hands guiding yours to certain buttons on the machine, hip brushing up against hip, boisterous laughs echoing in the air, all whilst the cartoonish music and spirited sound effects synthesize in the background.

The woman can feel the pumping organ within her chest palpitate, it’s warm and uneasy, a maelstrom of heat broiling at the pit of her stomach and seeping into the pores of her skin. Her flesh is set aflame, fists clenched, and her jaw tensing; her teeth grit inside her mouth, white canines squeaking and clashing against each other in a slow grind.

Jealousy is the easiest way to describe the scorching sensation. Seeing what’s rightfully hers — melt under the presence of another?

‘I left her alone for one goddamn second.’

Jill Valentine scowls as she feels her blood singe. ‘The hell does he think he is? What gives him the right to just fuckin’ walk right up and get into my girlfriends personal space?’

She tries to be bitter, tries to find a reason for her unreasonable irritation. Beaming brightly, the apples of your cheeks uplifted and shimmering, round eyes focused on some stupid fighting game that resembles Mortal Kombat. Jubilant and content, obsidian pupils dilated. This beautiful display, and yet, it wasn’t for her to indulge in, was it? It’s as if a hand had reached into her chest and squeezed her heart.

Her ego has deflated, and like a dejected child, she glumly sits herself down close nearby, slumped in her seat as she watches you chatter with the male stranger.

Her phone vibrates. Another message. She ignores it purposefully, thoroughly imprisoned into the wreck of her own insecure psychology.

The evening has improved, for the most part. At least, it’s more appealing for your half rather than the middle-aged woman. The two of you eat at a nice restaurant just downtown, settled into your seats at a wooden table, a view of the lively city; just outside the wide casement windows beside you, a serenic display.

Not even a nice meal can save the grimacing brunette's mood. Not when you’re rambling on and on about the new combos and tricks that you’ve learned today, or about how much you’ve improved on a specific fighting style game. It only seems to tamper with Jill the more she’s listening to you.

You speak with tones of exultation and glee, fascinated and bewildered from the mere fact that something you once were intimidated by is now mastered by a smash of your finger against a button. So many clashing statements of ‘he taught me this,’ and ‘he taught me that’ had been eagerly pronounced amongst the opening of your lips and the click of your wet tongue.

Jill tightened her hold against her cutlery, her fork scraping along the edge of her porcelain plate. Watching your facialized jocundity does nothing but dampen the warmth she once envisioned for today.

“Yeah”, she hums in response, nodding her head, her discouragement concealed by a pleased facade, “I’m glad you had fun, baby.”

Veins bulge, and her body heats up. She can feel her blood grow scalding hot once more, that air of vexation and covetousness swirling around her head and mixing her brain into mush.

The car ride home is no different. Her skin has grown white around the bulbs of her knuckles, hands gripping firmly on the steering wheel. It’s a silent drive, unpleasant. Even more-so when the two of you return to the comfort of your shared apartment.

That’s when everything unwinds. Now away from the curious eyes of the public, finally concealed underneath the roof of your own home. You make an attempt to speak again, but are silenced immediately.

The middle-aged woman kicks the door closed with the heel of her boot, sending it slamming behind her, the lock on the knob jittering as it connects into place. You had acknowledged that perhaps she was upset, but to this length of such physical force? She was damn mere seconds from breaking the door. You really couldn’t read her as well as you always thought.

You had winced, crumbling into yourself at the sudden act of outrage. Shoulders hunched up so far that you felt them brush up against the outer shell of your earlobe. You cowered and trembled, bones threatening to just melt into jelly, and shrink away into a meek puddle of nothingness. An image of a mouse, so small and fragile, standing in the shadow of a warlike fiend.

“Can’t shut your goddamn mouth for one second, can you?”

The seasoned agent scowls, her jaw tightening up and falling stiff. When in a moment of anger and fury, rationality seems so far from the field of vision, and right now? The blue-eyed older woman was blinded. Jaded from her own sense of possession and childish jealousy.

“Do you think I really give a shit about how much fun you had with some stranger? I leave you for one second-”, her pink lips are pruned and falling agape as she spits out words of poison, eyes widened and nearly bulging from her sockets, “one fucking second, and you’re letting some dickhead breathe down your ass? His hands all on you?”

Evocation crosses her, a vision of the man in the arcade. His eyes descend upon you just behind the gleam of his rimmed glasses, lanky fingers drawing against your wrist. Staying firm and still, his body just adjacent from yours. Both faces painted in frames of magenta and indigo, pearly whites showcased from behind the curve of his thin lips; admiring every crevice and curve of your physique and womanly structure.

That’s all that it took for the older woman. She gave it time to marinate in her past memory, but the inner ache had failed to dissipate. Her blood boiled.

“You-”

An immediate expression of confusion unveils, drawing over your quivering features. You’re intimidated by her sudden hostility, the tailbone of your spine colliding against the marble surface of the kitchen counter in a cowardice attempt to escape the situation.

“You looked fine earlier- you said it was alright- I just-”, you’re trembling over each word, you’re beginning to ramble, “I don’t understand why you’re so upset? I didn’t mean to do anything wrong- me and him were just playing together, it wasn’t anything like that. I didn’t even know him, Jill.”

The brunette's lips curl into a cruel, and nearly incredulous smirk at your response, her head shaking whilst she draws her hand out in a physical gesture of her own exasperation. Her face, creased with age and experience, now flushed crimson. She looked crazed.

“Oh, save the bullshit. You liked it, I saw you. Talked about how much fun you had with him all day. Should have just gone home with him.”

“You should have told me!-”

You pipe out, voice drawn out squeaky and timid, your words drowned by the booming shouts she’s hissing out, seething as she dares not face away from you. Determined to win this argument.

Having the audacity to convince you that you’re in the wrong here. As if your innocence and sweetness toward passersby meant that you were unfaithful rather than enjoying simple pleasures. Your one interaction with a man deemed nothing but cheating, and all because he versed you in a mortal kombat game.

“Oh, what? I’m supposed to tell you not to go out and fucking flirt with other people?”

Jill has never acted like this before. Had always bathed you, her beautiful and prized girl, in dollops of sugary sweet words and reassurances. She’s the older woman here. Shouldn’t she be more understanding? But so stuck in her old-fashioned ways, brain clearly riddled with arrogance and self-righteousness.

An argument had never been formulated, emotions never stirred. Maybe a few huffed words were exchanged over which groceries to buy, or what dinner to eat — but such verbal abuse was nonexistent. Had never happened in your “tranquil” relationship. Except for now, that is.

So much effort, all for the middle-aged woman’s tender facade to be burnt down into smithereens, and her jealousy is like spitting fire, making your eyes well up with liquified warmth. You harshly remind her of her mistakes prior. Your planned date with her, the arrangements and proposed ideas. All for her to be entwined in her cellular device, making calls and sending out texts for the whole day.

“What about earlier? When you ignored me, and were glued to your phone all day? Clearly your job is more important than me.”

The waterworks threaten to spill over the dam that is rightfully your rounded eyes, glistening tears mounting in transparent pearls along your rows of onyx shaded lashes. Something in Jill’s face twists at the sight, her stomach churning. Realization, but it’s blurred away quickly.

“You couldn’t care less about me, could you? You promised me— promised you’d spoil me today and give me your undivided attention. I guess I don’t matter?”

You swallow mid-sentence, heart thumping against the structure of your rib cage. Each word of yours is so weak and broken, resembling a sickly and puny hiccup. Your trembling palms are grasping for the counter behind you, nails clutching for the cool surface. You were tired of the accusations. Exhausted from being denied her love and affection, and instead being faced with taunts and insults. You deserved better than this.

“I don’t understand why you’re so mad at me. Because he gave me a better time? Because he didn’t toss me aside for hours and avoid me? Break promises?”

The way you bit back was unexpected, but the moment you let it sink it, regret soon molds over.

The air surrounding the two of you is thick and heated, so sweltering that it threatens the capability of breathing. Your words had struck Jill deeply, aiding the maddened concoction that bubbles in the blackened abyss of her belly. The acidity rising up the tube of her esophagus, bile trapped inside her throat.

“I’m done with this conversation, Jill. You’re just- you’re not being fair. I’m not going to argue with you over this.”

And when you turn to face away from her? Daring to flee, even in such a time like this — strict actions soon come after the exchange of harsh words.

Jill crosses the room, a large hand stretching to reach you. Her calloused hand circles around your wrist, clutching you firmly and with much purpose, thumb dipping toward the head of your ulna bone. She pulls you in a sharp and precise yank, not caring about how she manhandles you, even after the exaggerated yelp that is pushed from your plush lips.

The rough pads of her fingertips dip into your smooth flesh, her blunt and trimmed nails digging crescents along the velvety surface, forcing you to succumb to her forced authority. So many years she’s spent using those fingers to wield weapons and train in combat, now abusing their force of power by bending you into a cage of submission.

“The hell do you think you’re goin’?”

Another tug, and your shoulder blades collide against her chest, your figure taut and almost held in a paralyzed state, not daring to move an inch. Nor a bare centimeter. Your face grows pallid, knees wobbling beneath you and nearly failing to stay balanced.

“Don’t ever walk away from me when I’m talking. Do you understand me? You listen when I speak to you.”

Moist heat fans over the stretch of your nape, and your neck hairs curl up in response. Goosebumps prickling up along your arms and legs the moment you are subjected to the humidity of her breath blowing out along your ear, her robust anatomy pressing rigidly against your own limbs.

You can hear the clack of spit draw atop her gums, echoing along the press of her tongue whenever she’s vocal. Her voice is gruff and deep, yet feminine and rich all the same. Drawing out sentences of dominance and command that make strange waves of heat lap at your tummy, pooling in the center of your cotton panties. You mistake the sudden dampness for a burst of anxiety.

“Do you have any idea…”

She pauses, as if holding back from lashing out on you entirely. She’s being cruel. Scowling as she stands behind you. Her breasts flush along your back, and her firm hands trapping you down. Making sure you don’t run away this time. Not that you’d even contemplate it.

“Do you have any idea how I felt? How I feel? The shit I do? I’ve got a job. Risk my life every fucking day. I’ve been in this mess probably longer than you’ve been alive, you know that?”

A gulp resounds from your mouth, tastebuds along your wriggling pink muscle now wrought with parchedness, lacking any formulation of moisture. Valentine continues after taking a sharp breath, each syllable she pronounces is rough and gnarled.

“So I can buy you stupid shit, like a ticket to the arcade. So you can sit around, and let some shithead drool over your head. And now you’re blaming me? Because I had some calls to make? Because you couldn’t be patient for a split second?”

Her calloused digits release the grasp along your wrist, now shooting upward to thread through the roots of your hair, curling into the locks and giving a firm tug. Controlling the position of power so tortuously. She pulls so hard that a squeak is forcedly erupted from you, stars swimming in your vision.

“And the funniest thing?”, she grimaced, still scowling beside your ear, “you haven’t apologized once. You didn’t even try.”

She yanks along the strands as if your tresses are some sort of personalized leash, nails scraping along the slope of your scalp, bringing you so far back that the arch of your throat is craned downward. The crown of your head pushed into her pronounced collarbone, doe-like eyes peering up at the older woman.

“Do I have to teach you how to apologize now, too? Have no goddamn manners for your age. Always want everything.”

Warmth floods your tummy once more. Something runs slick along the square of your gusset. You feel it whenever you wobble and shake, the sensation of stickiness webs elongated strands across the bridge of your puffy labia. It’s not your self-proclaimed anxiety. It’s your undeniable arousal.

“I’m sorry”, you sputter out a hoarse response, your supposed apology that the older woman demanded. She doesn’t seem to let up though, but of course she wouldn’t. Jill Valentine has never been the type to easily succumb — or sugarcoat, either. And with the current events? Consider her praise and sugary sweetness gone for tonight.

“You’re sorry”, she grunts out mockingly, condemnation swirling in the depths of her obsidian pupils. “I’m sure you are.”

With your hair still firmly gripped between her fingers, she presses her hips into the softness of your rear, propelling you forward with a quick shove.

You stumble on your clumsy feet the moment she ushers you into the kitchen, steps unpurposefully misplaced, and soon enough — your right cheek is smushed along the crisp white marble countertop. You find yourself bent over the kitchen’s island, memories of dicing vegetables along cutting boards, and preparing supper for your lover have been eradicated. Replaced by an image of sheer wanton destruction.

It’s filthy the way you writhe along the hardened surface, thighs spread apart and separated by Jill’s intruding knee. She wedges her toned leg in-between, the warmth of her kneecap placing cruel pressure against that specific swell that hides inside your undergarments. You have to bite back the urge to grind your hips downward; the temptation is so intense that it makes your brain fog.

“If you’re so sorry, you know what you did wrong, I take it?”

Both of her slim and scarred hands abandon your hair and slide down the bend of your spine, digits rolling up your pretty little skirt in each palm, crumpling the cotton material into an irrelevant lump of creased fabric. Jill shrugs the hem of the garment to the top of your hips until it’s shriveled and stiff, baring your back-end to her hungry eyes.

“So”, she begins to speak, the trace of her hands along the suppleness of your right cheek was nice and simple, her voice devoid of any real emotion, “tell me

what you’re apologizing for.” She cups the soft flesh, her fingers dipping into your ass as if it were dough. “And what you did wrong.”

What you did wrong? The hilarity of it all was tremendous.

You can’t find the words to speak, no reasonable way to reply to her command. You nearly huff from the audacity, but your words grow choked up, and your voice is drained due to the spreading ache that suddenly engulfs your rear. She’s spanked you, quick and sharp, the edge of her calloused palm dragging against your soft flesh like a whip, the texture like dry sandpaper as it strikes you.

A cry bursts from your lips, a wail so pitiable that Jill can’t help but chuckle with dastardly amusement. Any other moment, and she would have soothingly brushed her fingers against the crimson welt that shapes into your ass, offering cherishing caresses in replacement of a verbal apology. But In her current belief? Your lack of response challenges her patience, nearly ready to land a firm hit against your flesh for a second time.

“I’m- I’m sorry for talking back-”, words tumble out in a clustered mess, your speech impaired due to the throbbing ache that courses up along your hip. You grit your teeth once the same treatment spreads to the surface of your adjacent hip, Jill’s hardened blows lashing along the unmarred skin, leaving no patch of muscle unattended.

“And for speaking to him-”, three spanks she’s planted, and yet you’re already a quivering mess, shrunken and beaten against the solid countertop. There’s no doubt in hell that she’s not being easy with you, and the experience behind her proficient hits proves that.

“Jesus Christ.”

The older woman mumbles out, and the way she hisses under her breath is akin to something of judgment and surprise. A blunt nail curls into the hem of your underwear, tugs it, and stretches the flimsy and sheer fabric upward.

It’s only then that you realize what she’s scrutinizing. Especially after you feel the drag of her thumb dipping toward your clit, rubbing slow circles against the cloth in a devilish tease. Your teeth clash and bump against each other, a pathetic whine almost escaping, and all due to the older woman’s perverted touch.

“Your panties,” a boisterous laugh bellows from the pits of her stomach, and you flush with embarrassment as you understand what she means, “you’re soaked.”

Lo and behold, you indeed were “soaked” (as Jill had quoted). A patch of wetness soils the gusset of your undergarments, arousal seeping past the threads of fabric, darkening the material that’s clung against the swell of your cunt. To make matters worse, you’re bare and vulnerable, right in front of the older woman’s eyes. She won’t live that down, you just know it. Not until the day you die.

A grunt resounds in the kitchen, her form separating from yours to stand upright, lengthy fingers lazily threading over the zipper of her pants, tugging it downward, hearing the sound rip its way loose.

“So goddamn mad at you right now”, she mumbles under her breath, glowering at your crumpled figure. “Can’t fucking believe you. First, you’re arguing with me — and now this?”, the scowling brunette's fingers finish plopping open the last few buttons of the jeans she’s wearing, navy blue boxers snug underneath. Her pants slither down the hardened muscle of her thighs, undressing herself with impatience.

“Get to the room. Now”, she demands of you, and with that mere order, nothing else needs to be said. There’s no need to delay the inevitable. “And take off that skirt, while you’re at it.”

Your heart lurches in your chest, each thrum of the frenzied and wild organ so heavy that you feel the weight of it sink into the depths of your body. With every singular step, you risk stumbling against the wooden floor; your shoes barely touch the ground as you practically race and scramble just to reach the bedroom door. Like a delicate flower, you are — carried by the gusts of wind that are Jill's oppressive instructions.

With clammy palms and trembling fingers, you grasp for the steel knob and swing the door open, wasting no second to wobble forward and seat yourself off the edge of the mattress.

Metal collides and clinks together in warning, telling you she’s coming. Undoing her shirt, and wrapping the belt around her hand. The processed leather screeching and creasing underneath the grind of the older woman’s digits. She follows your shadow in leisurely strides, turning the corner with measured composure and a solemn expression. As if she hadn’t already planned on how she was going to fuck you dumb.

It only makes the thickened heat between your thighs dribble further into its cotton bed, as each crisp and rough stomp of her boots along the solid floorboards makes you warm with want. Eager. Anticipating. Thighs grind together once you manage to slither your heels off, toes curling into the carpeted material below the bed.

And when you finish unzipping the top of your skirt, allowing the fabric to lower from the dip of your waist, and pool around your ankles — a figure of dominance and control stands in the doorway, the hall devoured by darkness.

Over the course of time, love and intimacy came in their own, individual ways. Between the two of you, that is.

The middle-aged woman found herself to be consistently busy, her nose always pointed and buried into the stack of reports she needed to finish, wrists tight and strained from how long she’s spent scrawling notes amongst the white sheets of torment.

Sex wasn’t as common. Lovemaking being quick and rushed, soft words spoken, honeyed kisses exchanged between bated breaths and velvety lips that speak words of encouragement and devotion.

Nights spent wasting away by the creaking wood of Jill’s office desk. The one she has propped away in some messy room of the apartment. Cork-boards filled with maps and pinpoints, a few pictures of you propped up in irrelevant areas. Atop the cabinet — framed photos of your beaming face furnished along the white walls. She’s got you everywhere, along with her crumpled balls of paper that are strewn around the floor, obvious that she grew too tired or lazy to throw them into the trash bin. She loves you so much that it’s sick.

The brunette finds herself arching her spine into the back of her rolling chair, bony fingers threading through your tresses, curling into it as she grunts. Her head is thrown back as she huffs out sequences of sultry content, your tongue laving bundles of spit over her clit, dipping near her entrance and tasting the drip of her cunt, humming as you feel the press of her fingertips along your skull.

Another night you’ve searched for her, desperate and deprived and begging on your knees. Another night she orgasms, groaning and gasping as she spasms against the lap of your tongue. It repeats like a record, over and over. Until the next day she goes back to work, and refuses to make time with you all over again.

It’s different today. Where everything tumbled down the rabbit-hole.

The sight of her now is so rare, you’re sure you’ll never forget such an image. Obsidian shaded silicone protruding from her pelvis, tilting toward the ceiling as if it’s some striking weapon, foreseeing a prophecy of impending doom. A toy she purchased months before, buried in the past. Clearly forgotten about, and never used — unfortunately kept tucked away into the bottom of her wardrobe. Sleek and shiny. Brand new, and ready for a good breaking in. Tonight’s the night, you suppose.

Her almond shaped eyes bore into yours, rich-colored cerulean swirling around dilated pupils, speaking words without volume. She’s as enchanting as she is daunting, threads of syrupy strands curling down the stretch of her sharpened cheekbones, hair falling as she keeps her gaze on you. The portrait is so beautiful and provocative, you’d never wish this memory to diminish.

“Open your mouth.”

Jill drawls, low and raspy as she waits with her palms laying flat on her hips. Glancing down at your feeble figure which kneels before her, staying balanced whilst you clamp your hands against her thighs.

Poor thing you are, so cautious and wary when your mouth opens, your jawbone taut and rigid, feeling like weighted stone as your quivering lips press forward.

You’re new to this, inexperienced to the bulbous head that is welcomed into the accommodated warmth of your mouth. The plastic has no taste, just the scent of its artificial realness drifting past your nose hairs and swirling around the dizziness in your head.

You clamp tighter around her thighs, swallowing waterfalls of anxious drool down the well of your esophagus, your timid tongue curling up and hiding beside the security of your tonsils. Too nervous to thoroughly take her in.

Like an infant against a pacifier, suckling the tip further into the wetness of your gums, keeping your eyes closed all-the-while the rubber like-plastic protruded from your right cheek. Terrified to be face-to-face with her snarling and haughty judgment.

“You think that’s good enough?”

A calloused hand soothes across the hairs of your nape, laid to curl and rest there as she draws you near. A reminder that she’s in charge. The hardened press of her thumb into your neck confirms that.

“Stick your fucking tongue out. Blow me like a big girl, yeah?”, her tongue runs over her enamel and she sucks, swallowing dryly against the glistening whites of her teeth. “Do it how I want”, and so you try.

With you kneeling, bare and naked, tits hanging below you, and your cunt squeezing around thin air between your legs — you comply. Your cheeks hollow out as you take half of the length into your waiting mouth, plopping the heavy silicone amongst your writhing tongue, allowing the pink muscle to curl around the mushroom-shaped tip. With the rough and warm hand guiding you, you bob your head to a steady rhythm, spit and gargles conjoined.

“Yeah, that’s it. Just keep quiet and put that pretty mouth to good use.”

Slick draws cold over the flesh of your lower lips, arousal potent and thick like molasses as it drips between each pulsating fold. A piteous mewl reverberated in your throat, sweet eyes flitting up to catch Jill’s gaze, and she swears to the heavens she could come from that innocent look alone. The salty tears brimming along the corners of your waterline, mere seconds from spilling — the flush of your skin. You take her so well, you always do. It almost makes her want to croon, and to apologize for being so filled with contempt.

That’s not to be easily given, though. Especially not with the way you gag when the rubberized cock dips past your tonsils and tickles along the slimy walls of your throat, reflexes causing you to choke. You're quick to gain composure, though, too cock-drunk to allow the show to end. You’re back to bobbing your head, nails digging crescents into Jill’s thighs as you clamp tighter and tighter.

You want this. It’s a fact that aids in inflating Jill’s ego.

The bedroom mirror captures the image just across from the both of you, and the older nearly groans at the vision. Watching your pebbled nipples fatten and swell within the reflective glass, breasts swinging as you brought your mouth down with every push. Imitating the way Jill ruts her hips carelessly into your mouth, matching your rhythm. Jesus, it was a sight.

A hand fists into your hair, halting your desperate movements and dragging your mouth off her spit-lathered dick. A sheen of drool pearls along the plastic veins that wrap around the black shaft, glimmering and glistening under the wax and wane of the yellowed lighting. Leaving with an obnoxious pop — you gasp for breath after the separation, spittle soiling your pretty face and coating your lower chin in patches of saliva — all in which had gushed out when you were too busy blowing Jill’s length.

“That’s enough”, the brunette says, respiring heavily, “lay on the bed.” The harness strapped to her hips rattles, the toned muscles in her abdomen rippling with every sharp inhale she takes. She directs you with the point of her chin. “On your back, legs up.”

Spots of black speckle your vision for a second, your sight blurred from the liquid pooling in your eyes, and pearls of sweat lining in columns within the pores of your forehead. It’s hard to almost process what she says, but you understand after a moment of catching your breath, your palms separating from her thighs.

Your knees wobble once you physically begin to stand on your feet, and you internally chastise yourself for not being quicker and more precise. You totter over a couple of feet, crawling atop the silky sheets without much complaint, and she’s in your peripheral, right behind you.

The comfort of the bedsheets surround you, cushioning your form and laying you like a princess amongst her throne. It’s necessary, of course, due to the older woman’s authoritative press of her hand into your chest, sinking your naked body further into the comforter. Might as well get snug before your brain is fried from sex, which leaves you as nothing but a pile of sizzled, meaty mush.

“Atta girl”, Jill coos with a salacious glint in her eyes, her hips meeting the backs of your thighs the moment she grasps onto your legs and keeps you held upright.

She slants her head to the side, brunette strands falling astray as she examines your pussy, calloused hands kept firm around your ankles. A few seconds of examination, and then a shit-eating grin becomes pronounced over her features. Thoroughly complacent after acknowledging that you’ve grown so wet that she doesn’t even need to prepare you.

“Don’t even move an inch”, she warns, “Just like that.” A hand slithering down from your ankle to her pelvis, taking a moment to stroke her silicone dick for a moment, a palm wrapped firmly around the thickened shaft; making haste to rub the head up against your cunt. She lubricates herself in your juices by rocking her hips to a steady rhythm, the toy dipping back and forth beneath the cushion of your lower lips, watching the moisture disperse. A generous coat of your sloppy spit and arousal scillinates over the deeply shaded rubber.

A whine escapes your lips, head thrown back as she teasingly stimulates your clit just from the gentle prod of her cock slotted up against your pussy, and you sob, hands clamping down on the sheets with desperation. The friction is delicious and brutish equally.

But nothing in this universe compares to the euphoria of when she fills you. Guiding the toy with one hand, watching the girth fill you with ease. It’s a tight fit, your cunt swallows her up within mere seconds, squelching cervix walls wrapping around her length. As if never wanting to let go, mirthful at her forceful entry. You’ve never felt so stretched before, it’s almost indescribable how big Jill Valentine is.

“Jill….”, you cry, but it’s with bliss rather than pain. The sound of your high-pitched squeaks are enough to make her rasp out a moan, scarred hands pressing your legs up to your chest, basking in the submissive portrait you’ve painted. The brunette feels her own heat build up beneath the restriction of her strap harness, salivating whilst she watches your adorable little bud grow erect. No longer thinking about the guy from earlier, now, are you? Neither is she.

The older woman drives her dick further within you, in and out, in and out — all with a precise rock of her hips, her muscles relaxed. Beads of salty sweat slip down in rivulets, the lines of liquid traveling past her neck and in between the supple dip of her cleavage. Consumed by the ample swell of her tits hiding beneath the gray fabric of her sports bra.

She fucks you until you orgasm too many times to count — and what else is there to do? With you, so weak and whorish beneath her, always bent from her instruction. She’ll continue until you’ve learned your place.

#jill valentine smut #bloodcasket #jill valentine x female reader #resident evil x reader #resident evil smut #resident evil fanfiction #jill valentine fanfiction #jill valentine x reader

142 notes · View notes

its-avalon-08 · 5 months

Note

hi okay so since we have very little mark webber content im doing everyone a favour so like similar to the fernando one but this time y/n watched mark's flying 2010 crash and even though he's completely fine y/n is MAD (like it happened for the second time). Mark tries joking it off after they get home but she gives him the silent treatment+ doesnt let him kiss/touch her. then when she finally gives in she's angry and cries while mark consoles her?

please don't leave (mw6)

🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️

i had so much fun writing this one thank you so much for this request ! i hope you enjoyed! happy reading <3 do send in more requests! as for pre existing requests- im working on it! lots of love ava

🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️

y/n practically clawed at the armrest as the grainy helicopter footage on the tv flickered. it couldn't be. not again. the unmistakable red of mark's car was wedged against a barrier, smoke billowing skyward. her heart hammered a frantic rhythm against her ribs. "mark..." the word escaped her lips in a strangled whisper.

the newscaster droned on, thankfully confirming mark was unharmed. relief flooded y/n, momentarily pushing the anger aside. but as the adrenaline subsided, the fury simmered back. this was the second time she'd endured this terror in the three years they'd been together.

the apartment door creaked open, and mark limped in, a grimace on his face. even with the obvious pain, his smile was sheepish. "hey there, drama queen. looks like i caused a bit of a stir, eh?"

y/n remained glued to the couch, arms crossed. the silence in the room was thick enough to cut with a knife. mark's smile faltered, replaced by a worried frown. he shuffled closer, a hand reaching out tentatively.

"y/n, come on," he coaxed, "it's alright. just a bit shaken, that's all."

his hand hovered in the air, inches from her shoulder. y/n flinched away, the movement sharp and cold. the hurt flickered in mark's eyes, but he persisted.

the air in the apartment hung heavy with unspoken emotions. mark hovered near y/n, his own leg throbbing from the crash, but the physical pain paled in comparison to the emotional turmoil brewing across the room. he yearned to hold her, to feel her warmth and offer some form of comfort.

"so," mark started, his voice breaking the suffocating silence, "at least this time i didn't manage to take out any cameramen. silver linings, right?"

he forced a smile, hoping to lighten the mood. but as he reached out, y/n visibly stiffened. her back straightened, and her arms, which had been limp at her side, clenched into fists.

mark's smile faltered, replaced by a dawning realization. this wasn't the time for jokes. he saw it in the way her shoulders started to tremble, a silent tremor that spoke volumes.

"y/n," he began, concern lacing his voice.

but before he could continue, a dam broke within her. tears welled up in her eyes, spilling over as she whirled around to face him.

"silver linings?" she choked out, her voice thick with anger and barely contained fear. "mark, how can you even say that? don't you get it? every time you get behind the wheel of that car, my heart stops! i watch those races, glued to the screen, praying that the red and white doesn't end up tangled in a mess of metal, praying that i don't hear your name followed by the words 'critical condition.' this isn't some game, mark! these aren't just crashes, these are near-death experiences!"

her voice hitched, raw emotion pouring out. "and you have the audacity to joke about it? to try and find some humor in the fact that you almost died again? do you even consider what it does to me? the sleepless nights, the constant worry gnawing at my insides? i can't take it anymore, mark! i can't live like this, constantly on the edge, waiting for the other shoe to drop!"

y/n's rant hung in the air, heavy and accusatory. mark stood speechless, his heart sinking with every word. all the flippant remarks he'd planned evaporated. here, laid bare, was the true cost of his passion, the unseen burden he placed on the woman he loved.

shame washed over him. he hadn't truly understood her fear, the depth of her worry. now, seeing it raw and unfiltered, he felt like a monster.

"y/n," he finally managed, his voice hoarse with regret, "i... i'm so sorry. i had no idea. i was trying to be lighthearted, but you're right. it's not a joke. i was a fool. please, forgive me. i promise it won't happen next time."

"it's not enough, mark!" she shot back, tears welling up in her eyes. "what if next time... what if there isn't a next time?"

the room went silent again, the weight of her words hanging heavy in the air. after a long moment, mark sat on the coffee table beside her, a dejected sigh escaping his lips. he didn't try to touch her again, respecting the space she needed.

minutes bled into hours. finally, y/n's tense shoulders slumped slightly. with a shaky breath, she turned towards mark. he met her gaze, his eyes filled with concern.

"i just..." she began, her voice thick with emotion, "i can't lose you, mark. not like this."

large tears streamed down her face as she spoke, her voice cracking. mark was by her side in an instant, pulling her into a tight embrace. he held her as she sobbed, whispering comforting words into her hair.

the fear, the anger, all of it spilled out in that moment. when her cries subsided into hiccups, mark gently wiped away her tears.

y/n's words hung heavy in the air, each one a hammer blow to mark's heart. shame burned in his gut, hotter than any engine fire he'd ever faced. he hadn't just been selfish, he'd been blind. blinded by the adrenaline rush, the roar of the crowd, the thrill of the race. he hadn't seen the terror in her eyes, the worry etched into her every expression.

"y/n," he started, his voice thick with remorse, "i... i don't even know where to begin. you're right. it's not a joke. it's never a joke. every time i climb into that car, a part of me knows the risk. but the truth is, i never stopped to think about what it did to you. i was so focused on myself, on the competition, on the win, that i completely ignored the cost it had on you."

he took a shaky breath, pulling her closer, "those sleepless nights, that constant worry… you shouldn't have to carry that burden alone. you shouldn't have to live in fear because of my passion. it's not fair. it's not fair to you, and frankly, it makes me question my own damn priorities."

mark ran a hand through his hair, frustration lacing his voice. "this racing… it's been my life for so long. it's given me purpose, pushed me to my limits, made me feel alive. but if it comes at the cost of losing you, then what's the point? what good is a trophy if the person i love the most is shattered every time i race?"

he looked at her, his eyes pleading for understanding. "i can't promise you i'll quit. it's in my blood, this need for speed. but i can promise you this: i'll never take it for granted again. i'll never forget the fear in your eyes. every race, every decision, every corner i take, you'll be there, a constant reminder of what truly matters. and if, at any point, you can't handle it anymore, if the fear becomes too much… i'll walk away. no questions asked. because you, y/n, you're my everything."

silence stretched between them, heavy with the weight of his words. but this time, it wasn't a suffocating quiet. it was a space filled with the dawning of a new understanding, a fragile hope for a future where his passion wouldn't overshadow the love of his life.

the silence stretched on, a hesitant dance between hope and uncertainty. then, slowly, tentatively, y/n reached out. her hand brushed against mark's, sending a jolt of electricity through him. he laced his fingers with hers, the warmth a stark contrast to the storm that had just passed.

"i..." she began, her voice barely a whisper. "i don't want you to quit." her eyes, though still glistening with unshed tears, held a new resolve. "but i need you to be safe. to understand how much you mean to me."

mark's heart swelled in his chest. "i do, y/n. more than you know." he pulled her gently towards him, offering a quiet, "can i kiss you now?"

y/n melted into his embrace, lips meeting. he held her tightly, the unspoken promise hanging heavy in the air. they would face this together, fear and passion intertwined. but for now, all that mattered was the quiet comfort of each other's arms.

after a long while, y/n pulled back slightly, a small smile gracing her lips. "just promise me," she said, her voice muffled against his chest.

"anything," he whispered back, nuzzling his nose against hers.

"no more 'silver linings' jokes after a crash," she declared, a playful glint in her eyes.

mark chuckled, a genuine laugh that warmed the room. "deal. but maybe a celebratory ice cream after a win?"

y/n snorted. "we can negotiate."

and with that, they settled back into their embrace, a newfound understanding blossoming between them. the future was uncertain, the track still held dangers, but as long as they had each other, they could face anything. as mark drifted off to sleep, y/n snuggled closer, her soft breaths a lullaby against his ear.

#formula 1 #mark webber #mw6 #mark webber x you #mark webber x reader #mark webber x y/n #sebastian vettel #f1 imagine #red bull racing #formula one #y/n #crash #angst #romance #requests #ava speaks #redbull

181 notes · View notes