#like yes obviously the content creators know but this was a very clear bit of character lore | Explore Tumblr Posts and Blogs

adashofniallandasprinkleoflunacy · 4 years

Text

you’re someone i just want around: IV

“I had a few, got drunk on you

And now I’m wasted

And when I sleep, I’m gonna dream of

How you tasted.”

— Medicine, Harry Styles

A/N: if i said i’m apologizing for the way i left off ch3, yes i did ❤️ no i didn’t ❤️ it was fun ❤️ as always, feedback is greatly appreciated!! and if you enjoy the piece, please reblog it!!! it keeps content creators motivated!! without further delay, hope you enjoy what’s in store for Sherlock and Watson this chapter cause it’s uhhhh quite a bit of uhhhh ~stuff~ 😌

harry’s condo : ysijwa masterlist : andrea’s masterlist : leyla’s masterlist : ysijwa playlist

word count: 26.4k

content/warnings: a mild addiction to sexting, some pretty sparkly lingerie, a very interesting photo, a strange but satisfying gift, rough sex and degradation, pillow talk about the validity of the men in Twilight, the satisfying gift being put to even more good use, Y/N going over to Harry’s apartment for the first time, mild mentions of blood, and an impromptu Hamilton re-enactment amidst more lemon blueberry pancakes

///

For the next three days, the sexting grows more frequent.

Harry feels somewhat humiliated by it, really. He’s an adult— a full-grown, two hundred and nine year old man— and trading nudes with a simple girl shouldn’t be getting him as worked up as it does. He should know how to handle his hormones better, and the thing is, he usually does. But no one in the last few centuries has made him feel as desperate as Y/N does; he hasn’t felt this helpless for someone since he was alive. The vampire just wasn’t prepared to handle the needy responses she so easily yields from his body and he’s horribly rusty on how to skate this thin sheet of metaphorical ice. It’s like he can feel it cracking and crunching beneath his feet, but he has absolutely no power over how to stop it. Any minute, it’s bound to take him under, and he has no choice but to allow himself to drown in it.

The following seventy two hours are full of so many dirty promises and explicit images, his phone might as well be a porno hard drive.

After coaxing Y/N into a few orgasms through the phone and receiving just as many in return, a dangerous game is set into motion that Harry knows is probably unhealthy not only for his self-worth, but for the sensitivity of his anatomy. He can only get off so many times before his joints are begging for a break.

He wakes up Wednesday morning with a stiff ache running along his inner thighs and ebbing across the underside of his balls, but there’s an undeniable contentment stewing behind it. He doesn’t truly mind the throb, comforted by the fact that Y/N is probably facing similar issues at the moment. He finds himself smiling coyly as he flips an omelette onto one of his marble-print platters, recalling the events from the night before.

According to what he’d heard on the other end of the phone, present throughout the array of shaky gasps, cracked whimpers, and wet sounds of pleasure that had echoed from the speaker, Harry had made Y/N squirt.

That was a tremendous stroke to his already huge ego. The idea that he’d been able to make her cum so hard that she’d soiled her brand new sheets had been circling around his head for the last couple of hours, fluffing his confidence. It’s a milestone achievement, to be honest. He’d done something that very few men have the skill to achieve in person, meanwhile he’d done it just by using his voice and extensive imagination. The arrogance he’s sporting right now is more than justified. His cheeks are starting to ache from how hard he’s grinning.

The vampire is so lost in his recollections that he nearly misses the chime of his phone, the unique ringtone that beeps out being as welcomed as ever.

Harry scoops up his device while spooning a piece of his green pepper and mushroom egg dish into his mouth, chewing thoughtfully as he swipes into Y/N’s text conversation. He smoothers the giddiness fluttering in his stomach; he’s not a child.

As it turns out, he’d killed those butterflies for no solid reason because the instant her message pops up, they come right back to life.

Morning! Thought I’d show you what I’m planning on wearing to work today.

Harry roughly swallows down his breakfast at the attachment following the caption, a shiver coiling down his spine. “Fucking hell.”

The photo is a mirror shot, taken in her tiny bathroom. It’s a full body image where she’s clad in a matching set of bra and panties, the material sparkly bright red lace. The bottoms are high-waisted, hugging her tummy and hips in a way he deems perfect, the lace decorating her skin beautifully. The bra is see-through, so he has an unrestrained view of her chest and he doesn’t know why, but he thinks he might love the way her breasts look in lingerie more than without it. Make no mistake, he’ll willingly drool over her no matter what, but there’s just such a refined beauty in seeing her figure in such an elegant piece. She’s like a present set out for him to unwrap, preferably with his teeth.

Then he notices the garters and the next forkful of food lodges in his throat. They hug around her legs deliciously, the bands settled midway down her thighs as the straps run up the sides and clip onto the hem of her panties. Yeah, he would definitely use his teeth.

After gawking at the artwork for a minute, Harry finally gathers himself enough to type back a decent reaction.

I’m pretty sure that outfit doesn’t apply to the workspace dress code.

Y/N shakes her head in amusement at his response, giggling softly as she finishes shimmying into her black skinny jeans, buttoning them over the skimpy lace.

I’ll cover up for the sake of the customers. But it’s just such a nice set, I figured someone else should get to appreciate it with me.

Harry sets his utensil down on top of his plate, omelet only half eaten. His appetite has molded into a very different type of hunger. He pads out of the kitchen, feeling the ten AM sunlight filter through the glass wall of his living room and warm his bare chest and back. He heads for the bathroom that branches out of the entrance corridor, coming to a stop right in front of its mirror. He begins to clean up his appearance, combing his bed head into a presentable state (he hadn’t slept, per usual, but rolling around his pillows last night while he indulged fantasies about Y/N had done his curls in something fierce), fixing his royal blue briefs along his hips and dragging the waistband down to show off the dip of his prominent pelvic bones.

Once the immortal is done, he taps back with eager strokes of his thumbs.

I can’t believe you’ve never worn that for me. That’s a criminal offense. Literally worth capital punishment.

Oh, really? Capital punishment? And who are you to decide my verdict?

I’m the executioner, obviously. I’m in charge of dispensing the verdict and I promise you, I’ll see to it that you get what you deserve. It’s my civic duty.

Y/N scoffs at his quip, tugging her navy polo shirt over her torso and quickly running a brush through her hair. She puts it up into a neat ponytail, sighing lightly as she stares at her tired reflection. She wishes she could ditch work for the day and entertain more conversation with Harry, but she literally can’t afford to.

Well, you’re gonna have to wait while I go perform my own type of civic duty. Making the world a better place, one grilled panini at a time.

Harry’s lips jolt. She’s so clever and witty, he doesn’t know how she could possibly be from such a dull, monochrome town.

I understand. Justice calls. But before you go, can I send you a picture of what I’M wearing today? Could use a few style tips.

That’s pretty ironic coming from someone whose last name is literally ‘Styles.’

I know, I know. But even fashion icons have their insecurities sometimes.

Fair point, nobody’s perfect. Lemme see your OOTD, then.

The outfit of the day appears to be no outfit at all, according to Harry’s picture. It’s taken on a mirror, like her own, and it depicts him standing with one hand holding his phone in front of his face while the other seems to be doing jazz hands down his body playfully. He’s wearing nothing but a pair of deep blue briefs (probably because he’d completely ruined the maroon pair he was wearing last night, if his broken moans and heavy panting had been any indication) and they hug his frame flawlessly. The fabric is bunched around his lean thighs, tiger head tattoo peeking out to accompany the rest of the collection, which includes all the inkings running the length of his left arm as well as the butterfly and swallows across his torso. His v-line is evident as ever, dipping below the elastic band teasingly. His chest is broad and his biceps are taut, despite the fact that he’s not even flexing. He looks like a Greek statue and Y/N is positive the higher powers designed Harry with that specific thought in mind.

Y/N doesn’t realize drool is gathering in her mouth until it tickles the inside of her bottom lip. She snaps her jaw closed, clearing her throat sheepishly. Over a minute has passed of her just ogling and she can feel heat layering across her cheeks. She knows Harry probably has the cockiest expression on his face at the moment, obvious in the tone of the next comment he delivers.

Damn, it’s that bad, huh? Guess I’ll have to change.

No, it’s perfect. Simple, but effective. Very professional.

Why, thank you!

My pleasure.

Here, take this as a token of my appreciation. Hopefully it can help get you through the day.

This specific photo is taken from an above point of view, as if Y/N were looking down at Harry’s body along with him. His pectorals and stomach muscles appear more defined, tattoos darker and skin more evidently sunkissed. Lower down, there’s the obvious outline of what lies within his boxers, snuggled up against his thick thigh and tempting her to let out a soft whine. Then, resting casually against his abdomen is his free hand, sporting a thumbs-up that gives a purposefully goofy vibe to the risky image. He’s such an idiot.

The mortal’s answer is just as silly and lighthearted as his gesture.

Thank you, I’ll keep it locked in my heart forever.

I wouldn’t want it any other way.

That’s the first interaction of many that further opens the door to their virtual sex life. Things hardly stay that innocent.

That night when Y/N gets home from work, they undergo another round of phone sex. It starts off the same: cheeky banter that leads to cheeky pictures that eventually leads to utter filth.

And that’s how they spend the next few days— taking care of each other’s needs digitally until Friday rolls around. There’s plenty of those encounters, but there’s definitely favorites.

A session during one of Harry’s self-care baths, when he puts her on speaker and she talks him through tugging one out while the scent of lavender salts— which he’d chosen because they smell like her— leave his heated skin feeling soft and supple. Another instance where he makes her orgasm while she has gotten bored watching a scary movie marathon on her couch, the screams of the horror film mere background noise compared to all the sweet nothings Harry huskily mumbles into her ear, his dominant voice filtering through her headphone and instructing her on how to make herself feel good.

Harry messages her at three A.M. at one point, wide awake as ever, all of his thoughts occupied by the concept of Y/N laying on her tummy between his thighs and sucking him off at a slow pace. He can practically see her small hands wrapped around his girth, stroking up to meet her pretty lips, her tongue lapping at his tip eagerly as she whines around a full mouth. She’s always just so eager. Even at the crack of dawn, she’s awake by some miracle, and happily willing to delve into that fantasy with him. Her soft, timid tone drifts across the shells of his ears, explicitly sketching out how she’d take him all the way down her throat until she gags, and how she’d kiss all over the head of his prick just to smear his precum over her lips to then lick it off, and how she’d rock against his lap fast and hard while he takes her nipples between his teeth. How she wouldn’t stop until he’s dripping down her thighs and groaning into her throat. How she’d let him fuck her as many times as it takes to tire himself out.

Harry obviously repays her, and it comes in the form of him painting out a scenario where she’s gotten home from a long day at the café. He tells her about how he’d be there waiting for her in nothing but his underwear, sitting back on his elbows in her bed, touching himself over his briefs just at the thought of pleasuring her. About how he’d lay her out and taste every inch of her body with his tongue, and how he’d run his teeth across her inner thighs tenderly while his fingers play with her clit, and how he’d have her ride his face deep and sloppy until she’s shaking and sensitive. How he’d tie her to the bed and toss her legs over his shoulders while he pounds her into the mattress, marking bruises across her neck as she sucks on his fingers and tightens around his cock like “the snug little thing you are.”

They even take their fun out of the confines of their houses and into public settings, just to give it an adrenaline high. Those situations are foreplay; it’s how they prep each other throughout the day for when they’re both finally alone and can truly help one another to the fullest.

It happens Thursday on two occasions.

First, to Y/N, who is sitting in the backroom on her lunch break, though she’s barely touched her food. She’s much more interested in what Harry has to say. Much more interested in how he says he wishes he could be there with her right now. That she could sneak him in through the back door of the restaurant and they could lock themselves in that tiny supply room, making sure no one would disturb what he’s about to do to her. That he would drop to his knees and drag her jeans down her legs, pressing damp kisses in the denim’s wake, biting hickies in the areas he knows she loves to receive them. He would mount her knees over his shoulders and bury his face between her thighs, looking up at her through heavy lashes as he licks into her desperately. He would have her grab onto his curls and guide his tongue just the way she likes it, and she’d have to bite into her cheek to keep from getting caught.

He talks about how he’d take her against the supply shelves, one hand clamped over her mouth while he pants praise into her ear, her body jolting roughly upwards against the surface as she clings to his back. How he’d hold her up with the other arm and slam her down onto his cock, cooing things like, “Gotta keep quiet for me, sweetheart. Can’t make you cum if we get caught.” and “Such a filthy girl, sneaking me in here just to fuck you. Baby just wants to walk around the rest of the day full of me, doesn’t she?”

That fantasy leaves her in a bothered haze the rest of the work day. It’s bad enough that she almost drops her tray three different times and has to ask multiple customers to repeat their orders.

Y/N gets back at Harry, though. That revenge is the second occasion.

The vampire had mentioned that he would be going out with his friends that evening to a bar and she takes full advantage of that. When the picture comes through, Harry nearly spits out his Manhattan drink.

He’s sitting in a booth surrounded by his entire group and he’d been talking shit with Niall about golf. The vampire doesn’t care for the sport, but Niall loves it, and Harry loves getting on Niall’s nerves, therefore it’s all pretty self-explanatory. Mitch and Adam join in, with Mitch obviously supporting Harry, when he randomly decides to check his notifications. Even in the shrunken little banner, Harry can immediately tell the photo is graphic. Xander asks if he’s alright, telling him he looks freakishly pale and to get his eyes under control because they're in public. Harry blinks the red from his irises, hurriedly excusing himself and clambering up from his seat, jetting across the restaurant towards the restrooms. It’s occupied, much to his luck, so he settles for simply pressing his back against the wall of the corridor, leaning his head against the bricks and taking deep breaths to calm the raging in his stomach. He gingerly opens the message and his knees nearly give out.

The image is taken from the back, probably using a timer. Y/N is wearing one of her big tees and another pair of cheeky lace panties, but this time around, they’re pastel peach and crotchless. She’s bent over with her ass up and spine arched, knees parted for balance, her shirt bunching downwards due to the angle. Her arms are pulled behind her back and her chest is flushed to the bed, wrists crossed submissively as she gazes at the camera over her shoulder. There’s an unmistakable sparkle in her eyes and he can tell she had sent this now on purpose just to fuck with him, knowing good and well that he was out and occupied.

The shot is more than he can handle and he has to swallow down the urge to stomp out of the bar, get into his car, race to her flat, and make her rethink her decision. Preferably, in the form of harsh spanks and overstimulation. He can see everything— the intentional rip at the crotch of the panties are meant for that sole reason. The closer he looks, he comes to realize that she’s wet, which in turn means she had been touching herself. She’d set this up perfectly, knowing that he’d easily be able to deduce that fact and that it would haunt him for the rest of the night.

The monster releases a quivering exhale, typing back slowly and carefully, sight bleary.

You’re going to regret that.

Pinky promise?

///

When Harry arrives at Y/N’s apartment the next night, as he has for the last three Fridays, he doesn’t saunter up to her door and bang on it angrily. He doesn’t grab her by her hair and drag her into her room, how he’d intended. He doesn’t even have a single cinch in his sculpted brows.

Instead, he raps softly on the door with one jeweled knuckle and waits calmly.

The human goes to answer, her stomach twisting in excitement at all the possibilities of what punishment she might face for her antics. A small, sly smile buckles the corners of her lips at the thought, her fingers trembling as they wrap around her cold doorknob. She expects to find a furrow-browed, intense-eyed, red-faced Harry behind the threshold, who would shove past her, nab her by the arm, and throw her onto her bed. She expects him to yank his belt from around his hips while a distinct darkness swallows his emerald irises, his mouth curling into a sinister grin. She expects him to roughly command she get on her hands and knees, his palm finding the back of her head to shove her face-first into the sheets while he rips her panties down her legs and drags the cool leather of his accessory over her backside tauntingly.

What she gets is something— and someone— completely the opposite.

When her door swings open, Harry is standing standing there, sure. But instead of looming over her with flaring nostrils and cruel intent, he’s decided to lean against the door frame with his arms folded casually. His body is completely empty of tension, his ankles are crossed offhandedly, and a small, bright red paper bag full of sparkly black tissue paper is hanging off his wrist. His expression is a relaxed facade of indifference, lips set into his usual signature smirk, no explosive emotions present whatsoever.

That startles Y/N. This has to be an act; it feels like the calm before a violent storm and it has her shifting in her socked feet. Did he...Did he forget what she did?

There’s no way he forgot. It was too brazen a move to dismiss.

Harry steps forward into her home, comfortable enough that he no longer has to wait for an invitation. Y/N moves to the side to let him through, hesitantly closing the entrance behind him, contemplating the man as if he were a ticking bomb. She does a quick sweep of his physique, looking for some other clue as to what he could be plotting, aside from the mysterious gift bag in his hand. He’s wearing a pair of flared denim jeans, a white tee with a royal blue cartoon bee printed in the center along with the words Enjoy health! Eat your honey! surrounding it, his white Vans, and an oversized colorful patch-work cardigan. The outfit is surprisingly domestic compared to his usual taste, but she finds it’s easily one of her favorite fits on him. He just looks so boyish adorable.

The human comes up with nothing suspicious, glancing back up to lock eyes with her guest. Harry beams at her innocently and she knows for sure he’s planning something, but she can’t place what.

“I got you this.” The vampire speaks up first, holding out the paper bag towards Y/N with his index finger, bouncing it encouragingly. “Take a peek.”

The girl accepts the gift gingerly, giving him one more hard look before breaking away to investigate what lies beneath the tissue paper. She pulls out a small cardboard box, her eyes squinting slightly as she reads its print and surveys the label. The image on the surface appears to be of five silicone finger gloves, each about the size of a thumbtack, tiny metal plates embedded into the pads. She’s voicing her curiosity before she’s even finished studying the container.

“What...What are these?”

Harry rolls his eyes jokingly, tapping the object for emphasis. “Read the fine print, love.”

Y/N focuses on the region he’d pointed out, reciting aloud. “‘Vibrating silicone finger gloves. For the use of personal pleasure or with partners.’”

Then it all clicks.

“Oh my God, you got me— what?!” Y/N’s head snaps up in shock, mouth parted and brows creased. “Harry, what?”

The young man laughs airily, gently opening the seal of the box in her hands, which she is now holding as if it were a weapon of mass destruction. It’s such a weird present to give in general, moreso all out of the blue, so she can’t be blamed for her reaction.

He uncaps the packaging, rummaging through its contents and pulling out two of the tiny rubbery gloves. They’re transparent and ribbed, obviously meant to deliver as many sensations as possible, and they’re about two inches in length. He slips them onto his index and middle finger, making scissoring motions for the purpose of symbolism, but mainly just to watch Y/N fidget. “I remember how you said you don’t have sex toys because you’d never really thought about buying any, so I went and picked these up down at my favorite shop. Jessi said they’re good for beginners.”

“Jessi?” Y/N’s voice is tight. She’s not sure how to respond to this; she’s never been in this situation before. No one has ever just given her a sex toy as if a were a candy bar. “Who’s Jessi and why do they need to know about my sex life?”

“She’s the manager.” Harry says matter-of-factly. He doesn’t seem to find anything strange about this encounter. “She helped me pick out my first pocket vag, so I trust her with my soul. Here, look. You just slip them on and—” He makes finger thrusting motions in the air, wiggling his digits playfully. “Big O. Not as good as what I can give you, obviously, but close enough.”

“Harry, you do realize this is a little…odd, right?”

The boy blinks at Y/N blankly. “What? Why? Sex is literally the basis of this whole thing.” He signals back and forth between them with his gloved forefinger. “It’s really not that weird at all, if y’think about it.”

“I just...it’s like…”

Her argument fizzles to an end the longer she stares at him. He has the most wholesome expression painted across his handsome features, his eyes glossy with excitement. He looks genuinely elated about the present and she can’t find it in herself to question him any further. As unorthodox as this may be, it’s the first true act of kindness anyone has shown Y/N since she had moved to California. It’s the first time anyone has given the girl anything without her having to request it. She comes to the realization that Harry really is the only friend she has at the moment, and she refuses to pick and prod at that, lest he retract from her on the grounds that she’s ungrateful. Yes, this is a little atypical, but so is their whole dynamic. In his own twisted way, this is how Harry shows his friendship.

The more she ponders on it, she starts to understand that this truly is something she should accept. He went out of his way to get her this gift, which solidifies their acquaintanceship. It’s sweet.

“You know what, never mind. Thank you! I love them.”

The giddy smile that cracks his face melts her heart. “I’m glad to hear you say that.”

Harry then softly grasps her hand with his, tugging her down the entrance hallway, his intentions set on her bedroom. His voice takes on a deeper sultry twang, the corners of his mouth twitching suggestively. “Because on my way here, I was thinking, yeah? And I figured: who better to teach you how to use these than the person who picked them out.”

“Of fucking course.” Y/N huffs in amusement, shaking her head but allowing herself to be guided forward. “I should’ve known you had an ulterior motive.”

“Heyyyyy!” Harry’s whine is offended, but the coy simper dimpling his cheeks ruins any defense he could possibly try to spin. “This isn’t an ulterior motive, it’s simply a supporting one.”

“Right.” Y/N states flatly, shuffling forward slowly as he backs down her corridor, momentarily glancing over his shoulder to orient himself. “Buying a fuck buddy a sex toy is totally selfless and mutually exclusive of the agreement.”

Harry takes a turn and crosses the threshold into her bedroom, releasing her arm and instead, he opts for wrapping his fist into the loose material of her large Transformers tee, twisting the fabric around his knuckles and giving it a sharp yank. She stumbles into his chest and almost drops the box.

The vampire gazes down at her with half-lidded eyes, long lashes tempting and plush lips the color of roses. “I never said it was mutually exclusive. I just said it wasn’t meant to be evidently inclusive.”

He takes the box from her grip, sliding it onto her nightstand so that any obstacles between them are eliminated. He beckons her closer with a flick of his wrist, feeling heat erupt across his chest as her palms slap down against it to steady herself. She’s always so warm, almost like a furnace. It’s a nice contrast to his ever-present coldness.

Harry’s cupped fingers nurse the slope of her jaw, tilting her chin up to level his, Cupid’s bow ghosting over her own teasingly as a grin threatens to betray him. His accent is thick, heavy with condescension. “Now do you want me to fuck you or not?”

Y/N gulps audibly, the sudden jump in her heart rate causing Harry’s cock to give a foreshadowing twitch in his designer jeans. Her eyes soften with a form of weepy desire, head nodding in his grasp.

Harry’s top teeth catch on his lower lip as he appraises her from over the crest of his defined cheekbones. “I don’t think I heard you, pet. Must be the AC draft.”

The mortal’s eyes fall shut as she composes herself, a shaky sigh faltering past her nostrils. She tips forward onto her toes, connecting her itching mouth to his. Harry allows it, listing his head to the side to grant her more access, his free arm roping across the dip of her spine and pressing her front flushed to his. The kiss is soft and heated, full of drunken tongues and muffled whimpers. It’s tame compared to most of the others they’ve shared, but Harry likes it. It’s sloppy and intimate; only the beginning of what he knows will be a long night.

Her words sting the ridges of his lips, hot and bated. “I want you to fuck me.”

Harry speaks into her mouth, tone gentle but packing a punch. “Get my belt off for me, will you? I’m tying you to the bed tonight.”

He doesn’t have to ask twice, a dark chuckle vibrating across his tongue when her fingers immediately begin to fumble with his belt buckle.

Once Harry has looped the leather tightly around Y/N’s wrists and has knotted them to one of the wooden railings of her headboard, he sits back on his heels to admire his work. Y/N is splayed out across her mattress with her arms suspended above her head, bare thighs clasped in anticipation as her t-shirt gathers around her waist. Her hands are curled into fists, nails digging into her palms as she watches Harry leisurely shrug off his cardigan, keeping eye contact with her the whole way through. His tattoos stand out against the buttery light of the single lamp on the table, tanned arms flexing sinfully.

He shifts around, laying down onto his stomach and coasting his palms up her quivering legs, kissing over her kneecaps and along the crease of her inner thighs, bunching her shirt further up her body as he goes. As soon as he spots the first garter, he blacks out for a millisecond, vision washing red.

“Fuck, wait— did you…?” His voice is strained and desperate as he shoves the rest of her clothes up her torso, pulling her shirt over her head and letting it rest at her elbows. He hums appreciatively when he’s met with the full cherry-colored lingerie set from a few days ago, garters and all. “God, you did.”

Y/N’s gaze falls timidly, a sheepish smile brushing over her face. “I thought you’d want to see it in person, since you seemed to like it so much.”

“Mm...” Harry struggles to swallow, fingers hooking under the straps that clip to the hem of her underwear, pulling the fabric from her skin and letting them snap back into place. He revels in the tiny noise she lets slip, the pads of his digits now toying across the frilly bands encircling her upper legs. After a thoughtful heartbeat, Harry speaks up, wistful but vehement. “I’m going to make you soil your sheets again.”

Y/N bucks a tad at his promise, wrists stressing against the leather belt, but Harry’s practiced enough bondage in his lifetime to know she won’t be getting out anytime soon. He parts her knees open with his palms, dragging his silicone-covered fingers down her clothed clit and tutting when she lets out a stuttery gasp.

“Always so sensitive, aren’t you, angel?” The vampire pets at her core patiently, heat pooling at the base of his abdomen as he feels her panties damped with every stroke of his touch. “Christ, you’re already soaking through.”

“Want more.” The girl’s plead is strangled as she actively forces herself to keep her legs wide open, knowing that if she were to allow them to snap shut, Harry would only pry them apart again. “I’ve been thinking about this all week. Please.”

“All week?” Harry drags tongue across the inside of her thigh, nipping at the flesh tauntingly, the amber specks in his eyes glittering amidst his lashes. He continues to rub through her underwear, drinking up all the little noises streaming from her throat. “Tread lightly, dove. You’re swelling my ego.”

“I just…” Her hips give another jerk when he wriggles two rubber-clad fingers into the crotch of her bottoms, spreading her open just a bit and grinning against her skin at how wet she’s become. “I just need it hard tonight, Harry. Need you to leave me sore.”

“I always leave you sore.” The monster reasons mockingly, taking one of the garters between his teeth and tugging, releasing so it stings her like before. “You’re gonna have to be more specific.”

Y/N trembles out an exhale, gathering herself enough to give him what he wants. “I need you to fuck me like you hate me.”

Harry grabs onto either sides of her panties, slowly peeling them down her legs and then scooting closer forward, planting an open-mouthed kiss right onto her bare clit. She mewls in return, her restraints creaking the bed. He continues pressing messy wet pecks to her cunt, feeling her tense up each time his soft lips suckle her fervently.

“Is that why you sent that picture?” Harry wonders aloud, pausing his motions and raising one eyebrow at her. “Because you wanted me mad?”

The human nods, face wracked with guilt. It’s cute that she feels bad, especially because Harry had, in actuality, enjoyed her little stunt. Seeing her bent over like that, in a position that shows she couldn’t wait to please him— that she couldn’t wait until Friday came around so he could do to her whatever he deemed fit...It was the best form of edging he’s ever experienced. But for the sake of giving her what she wants, he’ll bite the bait.

Harry rises up onto his knees, parting her thighs further as he fits himself between them, the pads of his gloved digits dancing across the thick of her damp clit. He bends down until his nose smudges over hers, the breath of his low words hot against her parted mouth.

“Well, it fucking worked.”

Harry taps his index and middle fingers against his palm in one quick flick and the tiny metal plates situated along the tips purr to life. He sinks knuckle-deep inside of Y/N, cold rings catching on her folds as he curls upwards to get at that special spot that resides along the pit of her tummy. The moan she releases it so raw and broken, it sends a zip of lightning through his veins.

He fucks her like that for a while, with his strong chest poised against her heaving own as he marks love bites onto the cleavage spilling from her lace bra, his skilled fingers pumping into her at a harsh pace that has her legs shaking on either sides. He thumbs over her clit messily, the silicone molds sending waves of vibrations through her clenching walls as he relentlessly toys with her g-spot, her arms thrashing against his belt. Fragmented sounds of bliss freely stream from Y/N’s mouth without shame, his name intermingling amongst the whimpers as her head throws back against the headboard. Harry grips her throat in one hand, holding her to the sturdy surface as his other bobs between her thighs roughly, the bed groaning as a result of their intense actions. His wrist begins to ache from how hard he’s going, but the tears trickling out from the corners of Y/N’s eyes and the way she’s panting into his mouth are enough to keep him going.

“Look at me.” Harry squeezes her jugular tighter, garnering attention. She forces her eyelids open, inhales hiccuping when he braces his cool forehead to hers, his irises the color of a forest at midnight, pupils blown out of proportion. His teeth dig into her bottom lip just to feel it swell, a growl stirring the gravel in his chest. “Is this what you wanted?”

“Y-Yes.” Y/N boggles her head feverishly, glimpsing down over her sweaty cheeks to see the way his veins are chiseling along the forearm that is flexing between her drenched thighs. “Fuck, it’s so g-good.”

“Yeah? How about we go a little higher, hm?” Harry scrapes the pads of his fingers against that spongy place inside her, pressing the vibrators down and the motion clicks the toy into a higher level of intensity.

Y/N writhes in his grasp, back arching off the headboard as deeper, more concentrated rumbles lap throughout her body. “Harry— I— that’s— God, just please!”

Harry takes ahold of her jaw as he continues finger-fucking her without remorse, his short breaths warm against her burning lips. “That’s my girl. Taking it hard and loving every second.”

Y/N’s eyes lull back into her head. She doesn’t know why, but hearing Harry call her his girl satisfies her in a manner so deep, she didn’t know it existed. Just hearing him recognize her as his— as something he claims for himself, almost like an extension of who he is— stirs a foreign form of fulfillment in the back of her mind.

“I’m—” The girl chokes on her sentence, finding it difficult to concentrate with so much pleasure coursing through her system, as well as with Harry painting hickies across the side of her strained neck. “I’m gonna cum.”

The immortal’s voice is stern and authoritative. “No, you’re not.”

“I am, I can’t hold—”

“Yes,” Harry’s grip firms, pace sharpening into unapologetic slams, “you can. And you will. If you cum before I let you, you’re not getting anything else from me for the rest of the night. Do I make myself clear?”

Y/N’s cunt tightens around his fingers, warning him that she’s about to peak. “Harry, I’m sorry—but— but I—”

“Do I make myself clear?”

Y/N has no hope that she can keep it in, but she adores the darkness swirling in Harry’s eyes at the moment and she’ll do anything if it means getting to witness it for a while longer. “Yes.”

“Good.” She winces when she feels his teeth skim her earlobe, his whisper dripping with arrogant amusement. “I told you I’d make you regret it.”

And he really does keep his oath. Minutes simulate hours as Harry continues to flirt her just along the seams of relief, pulling her back every time he sees her about to tip. Whenever he feels her begin to spasm around his slick fingers, he gives her a cautionary quirk of his brows accompanied by a testing, throaty, “Don’t you fucking dare.” or a simple, silent shake of his head. By some miracle, she manages to reign herself in every time, but each ruined orgasm makes it harder and harder to stifle the next. She doesn’t know how many times it happens; she stops counting after four.

After what feels like decades of torture, Harry finally releases his hold around her jugular, allowing her to properly gulp air for the first time in a while. He sits back against his heels, pulling his hand from between her thighs with a sarcastic sympathetic hiss. “Poor thing.”

He watches as a trail of her juices strings from his digits to her cunt, eventually snapping in the middle as he lifts his hand to study his work. Her release drips down his knuckles and palm, gleaming in the dim lighting. A mildly sadistic glint washes over Harry’s irises and for a split second, they look almost red, but Y/N dismisses it. Her brain is too fogged to trust right now.

The boy’s sight flickers past his hand to where Y/N lies limply, wrists bruised from the bonds, arms quivering weakly, and legs trembling in overstimulation. He’s never seen her look more beautiful than now.

He locks his bright eyes to her exhausted own, watching them shatter to pieces when he pushes his drenched fingers past his pillowy blushed lips. His lashes flutter as her taste washes across his tongue, sweet and decadent as always, a soft groan thrumming deep in his throat. God, he can only imagine how delectable her blood must be at the moment, honeyed by the plethora of endorphins he had repeatedly coaxed into her. He can't wait to feel its warmth fill his mouth later tonight.

Harry removes his fingers with a wet pop, licking across the back of his hand with finality and giving her a daring once-over. “Do you still want my cock? Or are you too sensitive for it, darling?”

He sounds so conceited and self-assured, it causes Y/N’s pride to flare. She wants to make him eat his stupid words.

The mortal licks her chapped lips, wetting her dry throat and clearing it softly, wiping away the sweat on her forehead with her shoulder. “I still want it.”

An impressed expression decorates Harry’s features. “You think you can take it?”

Y/N’s jaw clenches with dedication, her thighs spreading open a tad more and she wills herself not to flinch. Her chin cocks upwards. “I know I can.”

Harry’s brows kink challengingly, a borderline evil smirk sewing onto his face. “Let’s see, then.”

As it turns out, Y/N can take it. However, she knows for a fact she won’t be able to walk right for at least the next week.

Harry lowers his jeans and kicks them off, reaching into his navy briefs and tugging himself out, giving his length a few pumps for good measure as he shifts forward toward her. He flips the girl onto her belly as easily as he’d turn a sheet of paper, tying one arm around her hips and lifting them up as he slides a pillow below. He situates her accordingly onto the cushion, her ass slightly elevated to give him more range of depth. He pats at her backside lightly, telling her to part her knees and she does so obediently, gripping onto the leather strap around her wrists anxiously when she feels the bed shift with his weight. Harry lowers himself over her body, the tee covering his broad chest soaking up the thin sheet of sweat on her back. He moves all of her tangled hair to the side, burying his fingers into her roots and yanking her head back cheekily. He runs his nose across her damp cheekbone and chuckles when she jumps slightly at the feathery sensation.

“You’re pretty stubborn, aren’t you?”

Y/N gnaws on her bottom lip as she struggles to swallow, throat taut from the angle he’s put her in. Her voice carries a confident bite, despite her compromisable position. “I like to think I am, yeah.”

“Well, you know what that makes you, right?” Harry murmurs as he lines himself up with her entrance.

“Mm-mm. What?”

The vampire presses a lingering kiss to the tittering pulse in her temple, feeling it thunder below his skin as he forms his next comment slowly with an ominous edge. “It makes you a brat.”

He feels her heartbeat trip.

“And you know what I do to brats?”

Y/N shakes her head as much as his dominant grasp will allow, body tightening in suspense.

“I fuck them until they break.”

Y/N learns that he’s telling the truth. The first thrust Harry delivers is swift, hard, and unbelievably deep; it causes her to let out a choked scream that no one else has ever drawn from her before, except for him. It’s like he can tap into certain aspects of her body she was unaware of; parts of her waiting for the right person to come along and reveal them. She feels that stroke rip into her tummy, but the pain of his size is something she’s become accustomed to in the last three weeks. She hardly feels it anymore; it had molded from a sharp throb to a dull ache, due to how often she’s experienced it.

Harry doesn’t waste any time, quickly picking up a sloppy, adamant pace that has her hips bouncing against the mattress. He twists her hair around his fist, mouth pressed to the side of her head as his hot pants of exertion send a prickling through her scalp. His other forearm keeps him anchored to the bed as he pounds into her with absolutely no hesitation, the sound of skin slapping, cracked whines, and raspy grunts filling the tense atmosphere of her chilly room.

“Is this what you were hoping would happen when you sent that slutty picture?” Harry grits out, short nails digging into the comforter beneath. “Wanted to get me all riled up just so I’d do your back in?”

Y/N mewls weakly in response, hands clinging to each other within the makeshift cuffs.

“If you wanted me to fuck you like I hate you, you could have just asked. I’m more than happy to give you whatever you want. You don’t have to tempt me.” The vampire gives a particularly deep slam, laughing breathily when the girl’s back instinctively arches forward, paired with a watery yelp of, “Oh!”

Harry’s tongue grazes across the shell of her ear, teeth catching the skin. “But since you did, I’ll give it to you just— like—that.” His thrusts match to each word, fingers coiling harder into her locks. “You deserve it. Especially when you had the nerve to act like such a spoiled little brat right to my face.”

Y/N’s not sure what emboldens her to speak, but her snarky remark is already halfway down her numb tongue before she can stop it. “Don’t pretend you didn’t like it.”

Harry hums tauntingly, circling his hips in long strides that urge a series of fractured whimpers to scrape out of Y/N’s sore throat. “Say it again. Go ahead, say it. I want to see you try.”

She remains silent, spine shuddering as she bites down on her tongue to avoid making any more noises that might condemn her.

Harry roughly cranes Y/N’s neck to the side, buttoning their lips together in a filthy kiss that has her cheeks boiling. “That’s what I thought. The only thing that sharp tongue is good for is licking down my cock.”

She gasps against his mouth shakily, tears of sheer bliss gathering along her waterline. “You’re such a fucking asshole.”

Harry can tell her comment holds no true malice behind it; she’s too sweet on him— too whipped on what he gives her— to ever mean it. She’d only said it to provoke him into a power dynamic struggle. But the thing is, Harry’s dealt with feeling powerless before, so he had spent years teaching himself how to win. How to always win.

“Am I, now?” His next line dismantles her entire plan. “Would an asshole let you cum?”

And just like that, her whole demeanor crumbles. “I take it back. I’m s-sorry.”

Harry releases her hair and nips at her ear mockingly, beginning to withdraw himself. “Oh, I think it’s a bit too late for that, minx.”

“No, no! Harry, please. I’m sorry. Genuinely. I promise I won’t say it again. Just…” She tugs helplessly at the belt restraints, trying to twist around to look at him directly. Her voice is wringed out. “Just please.”

The boy pushes a few stringy curls out of his eyes, pressing his tongue into his cheek coyly as he glances down, suggestively smoothing one hand over her ass. He gives it a firm squeeze, lifting his palm teasingly and feeling her tense in anticipation. “Do you want it?”

Y/N glimpses at his bejeweled hand with hunger, then back at his eyes. “Yes.”

“Tell me you want it.”

“I want it.”

“Sorry, I seem to have forgotten what ‘it’ was, exactly. Jog my memory, will you? What is it you want?”

Her irises harden in spite at his shit-eating comment. He’s well aware of how shy she can be when it comes to admitting she wants a spanking, and he’s playing that to his advantage. He’s swimming in the way she squirms.

“I...I want you to spank me.”

He tsks, shaking his head as he twists his HS rings around to face inwards. “You forgot something.”

Y/N’s fingers tighten into begrudging fists. “I want you to spank me, please.”

“There’s a good girl.” His low, accented purr sends electricity through her nerves. “You’re so cute when you beg.”

Harry’s hand comes down swiftly, digits fanned out so that all of his rings print across her backside. It’s not hard enough to hurt, but strong enough to leave a satisfying sting. He loves the way she jolts forward with a hushed curse of surprise, and he adores seeing the shape of his initials marked across her clammy skin. It’s poetic, almost.

“So pretty.” His mumble is wistful as he massages deeply over the region he had just bruised, but it holds unyielding authority. “Whose is it, doll?”

“Yours.”

“And don’t you fucking forget it.” The creature lifts one palm to do it again, pausing once more just to rev her further. He reaches forward with the other, shoving her face-first into the mattress to get her back to straighten out. “Look forward and don’t make a single sound.”

Y/N obeys, but manages to sneak a peek at his reflection through the waxy wooden surface of her aged bedframe. He looks so good perched behind her with bare heaving shoulders, looking down at her exposed figure over the crests of his sharp cheekbones, brows furrowed into a starved expression that gives away he’s enjoying this probably more than she is. Her voice comes out small and weak. “Yes, sir.”

Harry’s entire face tightens at the word and she feels him throb against her backside.

“Now beg me to let you cum.”

///

The next morning when Y/N’s eyes flutter open to the grey light streaking in through her curtains, the first thing she senses is a pair of eyes staring at the side of her face.

She turns her stiff body over toward where the sensation stems and sure enough, she’s met with a pair of sea glass irises filled to the brim with humor. Harry’s laying on his side with his hands tucked below one of her pillows, tousled ringlets sticking up in wild tuffs (thanks to the activities they’d engaged yesterday), he’s completely bare since he likes sleeping nude (though he’d had the decency to cover himself with sheets from the waist down), and his voice is slower and raspier than usual (a result of being dormant for the last eight or so hours).

“You drool in your sleep.”

Y/N tucks her hands against Harry’s cold pectorals, snuggling deeper into his chest and pinching at one of his nipples in playful revenge. “No, I don’t.”

“Yes,” he reaches up and shoos her hand away, proceeding to wipe at the side of her mouth, where dried spit had accumulated. He makes a theatrical gagging face, cleaning his thumb off across the collar of her t-shirt. “You do.”

Y/N sighs in exasperation, making a bold leap to a different topic to avoid talking about her embarrassing sleep habits. “Didn’t anyone ever tell you staring at people while they sleep is weird? Like, serial killer weird?”

Harry tucks a few matted strands of hair behind the human’s ear, thumbing over her cheekbone tenderly. He hardly ever indulges in such actions, simply because they’re typically reserved for actual couples, which he and Y/N are definitely not. But last night— after he had finally finished being a prick and allowed her cum along with him, and after she had fallen into the bed with exhaustion taking her under, and after he’d had his greedy fill of her blood for the week— he’d gotten bored of playing on his phone. He’d burned through three cold case documentaries on Netflix and played enough Mario Kart to memorize the race charts; it had grown old quickly, and he eventually just locked the device and placed it on her nightstand. He spent the next hour staring at her hideous ceiling, and the one after that fantasizing about taking down her tapestry and burning it in the oven. And finally, after hours of mindless daydreams and letting his eyes chase the city lights dancing across the walls of her room, he had settled onto his side and watched her sleep.

Harry did it simply because he had nothing else to distract him. He figured it would eventually bore him enough that maybe— just maybe, if he was lucky— he would fall asleep alongside her. But he didn’t, so he just ended up gazing at her slumbering face until dawn. He had been surprised by how oddly beautiful Y/N looked sleeping— how relaxed and tranquil, with her features soft and skin seemingly made of flawless porcelain. That intrigue had bled into the moment they share now, resulting in his touch drifting down the curve of her jaw and across the faint dimple on her chin. He follows the slope of her neck and admires the smoothness of her flesh with the ridges of his fingertips, hearing her breathing stutter ever so slightly. His heightened senses make it feel as if he’s running his digits over velvet and the only concept he can compare it to is touching forbidden artwork at an exhibit. It’s exciting, but he knows that if he keeps going, he could end up getting himself into a crock of shit.

When the pads of his fingers land on two prominent purple bruises he’d forgotten existed, he’s broken from his soft stupor. He retracts his touch as if she were made of iron, forcing himself to ignore the pout that automatically plumps her delicate lips.

He clears his throat awkwardly, a tight chuckle stringing his vocal chords. “Staring at someone in their sleep seemed to work just fine for Edward Cullen, though.”

Y/N snorts sharply, rolling her eyes up towards her headboard. When she sees his belt is still hanging off of it from the night prior, she hurriedly glances back down, pretending not to have seen it.

“It’s funny you say that because as I recall, he literally admitted to being a murderer. I believe his exact words were,” she exaggerates her voice into an angsty cry, grasping at her chest dramatically, “‘This is the skin of a killer, Bella!’”

Harry bursts into boyish giggles, falling fully onto his back and swiping his palm up his face, fingers remaining perched over his closed eyes as he laughs. He sighs airily, shaking his head as an afterthought. “What a moron.”

“Truly. His dad was hotter.”

“Way hotter.” Harry agrees passionately, burying his hand into his messy curls, attempting to comb out some of the tangles. “And he was a doctor. What a man.”

“Bella really fucked that one up. She had a midlife crisis over choosing between a sad vampire who looked like he had chronic constipation, and a yappy dog with a shirt phobia. All when Carlisle was right there. Brain damage, honestly.”

“A moment of prayer for the mentally incapacitated. Couldn't be me!”

“Couldn’t be me, either.”

“Fuck, yeah.” Harry throws his hand up, inviting Y/N to give him a high five. “To good taste.”

She gladly delivers. “Exquisite taste.”

An instance of comfortable silence suspends between the pair of lovers, filled with the soft thrum of the air vent and the distant chirping of birds outside Y/N’s windowpane. She traces her index nail over the wings of the swallow tattoos along Harry’s collarbones, seeming to be deep in thought. She then speaks up once again.

“Emmett was pretty hot, as well.”

“You know what? I’m happy you mentioned that ‘cause— full disclosure here— I’d ride him like a fucking bull.”

Now it’s Y/N’s turn to explode in a fit of giggles, nose scrunching and eyes crinkling shut as she loses herself at Harry’s graphic confession.

“Why are you laughing?!” The fact that he sounds genuinely appalled only spurs her sounds of glee. “Don’t tell me you wouldn’t take that chance if you got it. Like, okay, he’s an airhead, yeah? I’m aware. But fuck’s sake, look at his body. I’d happily let him beat me at arm wrestling if it means I get that celebratory dick afterwards.”

The mortal manages to calm down a handful of heartbeats later and Harry feels strangely proud of how he’d made her pulse spike.

“You’re valid for that, don’t worry. I couldn’t have said it—” A single giggle interupts her sentence, but she reigns it in before it can spiral. “I couldn’t have said it better myself. Literally. There’s no way to express it better than exactly how you stated it.”

Harry smirks softly up at the ceiling, folding his free arm behind his head as the other wraps securely down Y/N’s back, absentmindedly rubbing in gentle soothing circles. “My mind. It’s amazing, innit?”

“It’s definitely something.”

Another span of cozy quietness fills the atmosphere of the room, longer than the last. Harry doesn’t mind. He finds it appeasing, and he continues to delight himself with running his touch up and down Y/N’s spine. He’s not sure how much time passes, but he’s aware that it’s probably a bit. His theory is supported by how he witnesses the beam of watery light that filters over the duvet gradually fade from silver to a sunflower yellow, indicating full daybreak.

Even then, he doesn’t say a word, too caught up in this innocent bubble of domestic bliss to pop it so suddenly. He just lays there and listens. Listens to the birds harmonizing with each other across the branches of the tree outside. To the steady breaths that fill Y/N’s lungs with cool air, faltering past her nostrils in the same manner and fogging the metal of his cross necklace. To the faint sound of footsteps trotting down the staircase outside her apartment, and to the vague spritz of the sprinkler system going off at the front of the complex. To the distant honking of car horns in traffic, and to a random conversation between two friends as they walk past the pavement just under Y/N’s balcony. He hasn’t felt this at ease in eons.

Harry just allows himself to grow in tune with the world around him— a world he’d been convinced was against him for the longest time. A world he was convinced stole his happiness and replaced it with the shackles of a blood-driven afterlife, for no other reason than because he’d been in the wrong place at the wrong time and met the wrong person. But now, he feels like he’s in the right place, at the right time, spending it with the right person— or at least a half-decent person— and he doesn’t want to let it slip between his fingers so soon. He wants to bask in it, even if he knows it’ll pass.

And eventually, it does pass, and Y/N is the one who brings it to an end.

The girl slowly peels away from Harry’s side, his lips dipping downwards slightly at the loss of the warmth she radiates. He thinks she’s about to get up to probably go use the bathroom or to make breakfast, but instead, she just bends her upper body over the edge of her bed to retrieve something from the floor. She comes back up with the box he’d brought her the evening before (which had ended up on the ground as a result of her bed rocking violently), setting it in the small space between their laps. She then returns to her place cuddled into his torso, looking up at him with an expression that Harry can only interpret as expecting.

The vampire glances down at the container and then back up to Y/N’s face, raising his eyebrows curiously, voice tinged with comedy. “What did I say about bringing sex toys to the dinner table?”

Y/N stares up at him flatly for a second, fighting off a smile. “I just wanted to thank you again. It’s nice of you to bring me a present, even as strange as this one.”

Harry sucks at his teeth, waving a hand dismissively, blinking down at her with slyness sparkling around his pupils. “What are friends for, if not for buying you vibrating finger gloves and then fucking you with them until you cry?”

Despite having been acquainted with Harry’s crude humor for three weeks now, it still manages to make Y/N’s cheeks sizzle. It could also be the fact that this is the first time Harry has openly accepted Y/N as a friend. It’s the first time he’s ever mentioned her name and that word in the same sentence, meaning that she can now shake a weight off her shoulders— a weight that had insisted he was only using her for sex, that he would eventually grow bored of her, and that he would throw her away once he was done. It’s good to know that’s not the case, and that the friendship aspect of their agreement is true to its name.

“Right.” Y/N’s smile is full of so much genuine warmth, Harry feels like she could outshine the sun. “What are friends for, if not that. Thanks, Harry.”

He wonders what she’s thinking, and he finds himself wishing that he had the one valid trait that idiot Edward Cullen possesses: mind-reading. But he doesn’t have it, so he simply returns her gesture and skates the conversation how he best deems fit. “You don’t have to call me ‘Harry’ all the time, you know?”

Y/N’s brows cinch in entertained confusion. “What would I call you, then? Sherlock?”

Harry scoffs lightly at the inside joke, shrugging one shoulder casually. “I mean, you could, if you want to. It might take some getting used to, but I think I can shoulder a full-time second identity. Just for you.”

“How chivalrous.”

“You ain’t ever met a man like me, sweetheart.” He boasts in an over-the-top American southern accent, prying another round of laughter from Y/N, similar to the one before. “But you could also just call me ‘H.’ It’s what most of my other friends use.”

“H.” Y/N repeats, getting a taste for the new nickname. It’s simple, unlike him, but it somehow fits. She then recalls something from a show she’d watched when she was younger and she can’t help but bring it up. “So, like, just your first initial? Like in Gossip Girl?”

Harry’s face immediately drops at the comparison she makes to the cringey teenage soap opera. “You know what, I take it back. You’re not allowed to use it. Illegal. Banned. By an official court. Gavel and all.”

“I’m just making a point!”

“Yeah, a shitty one.”

“Oh, whatever. You’re just mad I debunked your little hipster alter ego. ‘That’s a secret I’ll never tell. Xoxo, H.’”

“Restraining order.” Harry pinches at one of her love handles, an evil grin dimpling his cheeks when she squeals. “Actually, nevermind. We’re going straight to the electric chair. Immediately.”

“You don’t get to decide my punishment, remember?” Y/N slaps at his wrists, trying to ward off his attacks but failing miserably. “You’re just the—stop!— just the executioner.”

“That’s right. I get to strap you to the chair.” Harry finally lets up on the tickling, his lighthearted grin taking on a slightly seductive hue as he momentarily glimpses upwards towards where his belt is hanging. “Though you’d probably like that, wouldn’t you?”

“Fuck off.” Y/N smothers her palm against his face, breaking eye contact as she feels her ears bristle with heat.

“Mm, exactly.” Harry gnashes at her hand playfully, but she manages to yank it away before he gets a bite in. “You can’t even admit you like being called a whore.”

“Hey!”

“What?” The vampire gives her a cocky look, wagging his head knowingly and then mimicking her voice in a higher pitch. “‘I’m just making a point!’”

“You’re a dick, you really are.”

“And yet you still ride mine, so who’s the one with the real issues here? Specifically, daddy issues.”

“I’m done with this conversation.” Y/N huffs, returning her attention to the box beside her thigh, muffling the twitching across her lips.

She takes the cardboard into her hands, tracing over the small flap used to pry the top open. Harry watches her with interest, pondering as to what could possibly be scurrying around her skull that she seems so caught up with the context of the gift. He’d gotten it because he knew they would both benefit from it. It’s as simple as that.

“You know,” she starts, but her gaze remains glued to the box, “I feel kinda bad ‘cause, like...You got me this gift, I have nothing to give you in return.”

Harry’s face contorts into a silly frown for a moment, tone humorous. “It’s fine, Y/N. You don’t have to give me anything back. I got it ‘cause I knew we’d enjoy using it together, and because this way, you have something to play with when I’m not around. And you can send me videos of said instances. It’s truly a win-win. A double-ended gift.”

“I suppose.” She mumbles softly, continuing to pick at the lip of cardboard sticking out. “But I feel like it’s only fair that you get to use it, too, don’t you think?”

And then the reason she’s insistent about this dawns on Harry. The way she’s avoiding looking at him directly, how her heart rate is slowly ebbing upwards, how she is gradually scooting closer to his body, how he can feel her thighs are clasped tightly below the comforter. How the scent of honey and lavender has intensified. How she keeps glancing towards where the sheets are crumpled messily around his hips in a haphazard attempt to remain civil.

When the monster speaks, it carries all the arrogance brought forward by his discovery. “If you wanna give me a handjob with the toy on, just say so.”

The human’s head snaps upwards, her expression one of utter alarm at his lewd comment, but he can see right through her act. It’s obvious that was her intention all along— the desire in her eyes is poorly masked. She looks so adorable, pretending not to know what he’s referring to, her palms gripping the box slightly tighter than before.

Harry twirls a strand of her hair around his finger nonchalantly, giving it a jesting tug. “I just find it funny how much of a horny menace you can be.”

“What—?”

“And it’s not even ten A.M. yet.”

“What do you—?”

“Y/N,” Harry sighs tiredly, giving her an omniscient look, “I’ve slept with you enough times to know when you want something. It’s written all over your body language and you’re pretty shit at hiding it in your eyes. Just admit you want to and I’ll let you.”

The faux shock slowly melts off her face, replaced by sheepish humiliation at being so easily sussed out. She chews on her bottom lip pensively, struggling to sew together the appropriate words to communicate the very inappropriate activity she wants to engage in. Harry has to withhold from leaning down and taking a bite from her tempting mouth.

She inhales a deep breath through her nose, puffing it out slowly and tapping her fingers across the box nervously. Her voice pipes up so softly, it’s almost inaudible. “I want to give you a handjob with the toy.”

Harry gently cards his fingers into the mussed roots along the back of her head, using that hold to guide her sight upwards until it meets his. He leans down, smearing his lips over her own, feeling static pass through the ridges of their skin. “That’s all you had to say, darling. Go ahead, then. Make me cum.”

Y/N swallows thickly, lashes fluttering bashfully as she pastes her mouth to his in a soft kiss. It’s a simple action with just their lips and nothing else. No tongue, no teeth, no sucking, nothing sloppy or desperate— not yet, anyways. He can tell she does it as a way to ease herself into this. She wants to, that much is arousingly obvious, but for some crazy reason unbeknownst to him, she’s still shy about it. That’s what happens when you come from a conservative raising: you get intimacy issues. He of all people— with his Victorian era background— would know.

The hand Harry has cupping the nape of her neck shifts over a smidge, ending up splayed across the side of her face. His palm rests on her cheekbone and his fingers in her locks, his wrist cradling the back of her skull as he patiently deepens the kiss. His chest begins to heave slightly, a familiar sensation already frothing at the trench of his stomach. Harry can feel Y/N’s clumsy movements as she unboxes the vibrators, digging through the packaging and trying to slip them on blindly, not wanting to break away from his embrace. The way he’s flirting his tongue along the inside of her top lip is just too consuming to leave.

After a few seconds of grappling and a string of annoyed curse words, Harry giggles lightly into her mouth, nudging the tip of his nose across the bridge of hers. The jade tint in his irises is waltzing with amusement, all at her expense. “Sometime today, love.”

“I know, I’m sorry, I just— I can’t— they won’t—” The mortal releases an irritated growl into their kiss, reluctantly splitting away when it becomes clear she won’t be able to get the rubber gloves on without giving the task her full attention. “God, I’m such a...Sorry.”

Harry rolls his eyes in mirth, pecking sweetly along the angry creases present over her forehead and between her brows. He thumbs over her cheek affectionately to soothe her nerves, his other hand scratching distractedly at the back of his neck. He filters curls through his fingers as he waits, bicep jolting in the process. “It’s fine, I’m just teasing. I’m not going anywhere, babe.”

“Thanks. Just give me—” The girl pauses her actions for a second, jutting her chin back up towards him and locking the vampire into another quick kiss, solely for the purpose of keeping him interested while she figures herself out. She breaks away again, returning to her mission. “Just give me a minute.”

Now that she can see, Y/N successfully wriggles all five of her fingers into their designated molds. She prods at them gingerly, copying Harry’s actions from the night prior, using that experience as a manual. The mini-vibrators purr to life, a buzzing sensation trickling down her fingers. She glances back up at an awaiting Harry, who gives her such an easy, good-natured smile, she instantly reaches up and glues their mouths together again.

“You’re so eager.” The boy grins into the kiss, jumping a bit when he feels her tittering fingers duck beneath the covers around his lower torso. “It’s hot.”

“I just want to make you feel good.” Y/N mumbles, one palm braced to his strong shoulder as the other rides down his bare abdomen. She can feel his grip on her hair tightening the closer she gets to his cock. “That’s all.”

“Guess I’m just the luckiest— shit.” Harry’s quip is interrupted when Y/N wraps her digits around his length, giving it one slow, testing pump. His jaw drops open and he begins panting into her mouth, the corners of his lips ticking upwards into a smirk as an intense pleasure swells between his thick thighs. “Jesus fucking Christ, that feels— fuck, that’s incredible, oh my God.”

“Yeah?” The human asks timidly, gazing up at him dreamily from below her lashes as his eyes lull back into his head. “Not too much?”

Harry loves how attentive she is— how she’s checking to make sure he’s alright before continuing. If he had a heart, it would surely be glowing right now.

Harry gulps down the lump in his throat, voice more strained and needy than she’s ever heard it. “No, I’m good, I’m good. Keep going.”

Y/N gradually sinks her palm back down to his base, feeling his cock twitch desperately as the vibrators work their magic. She slowly slinks back up to his tip, thumbing over it carefully, pressing the toy on her thumb pad right over his slit. The garbled moan that emits from Harry is a sound her ears will never forget. It’s a sound she wishes she could record and listen to on a loop.

“Fucking hell, don’t— please, just— oh—” Harry stutters through a plead, voice bleeding, naked chest now heaving wildly against her own. His hips buck forward into her hand, but she maintains a steady grip, keeping the vibrator pressed to the center of his cock’s head.

“Don’t what?” She whispers into his mouth, suckling at his Cupid’s bow and reveling in the little broken noises he pours onto her tongue.

Harry’s breaths are shallow and pained, the grip on her hair stronger than she thought possible as the fingers of his opposite hand yank at his own feverishly. He’s barely able to choke out his next sentence. “Don’t stop.”

“I won’t.” Y/N begins to fish for a solid rhythm, her strokes setting into medium pace and gauging the receiver's reaction. “How’s that?”

Bright colors web across Harry’s eyelids and he feels like his soul is being torn from his body. “Y-Yeah, that’s perfect, baby. It’s so good— you’re so good.”

“I am?” Y/N swipes her thumb over his tip again, and when he whimpers brokenly against her lips, she does it again. It urges the same exact reaction, but more shattered. So she does it again. And again, and again, and again. And each time it happens, his hips jerk more violently, chasing her intoxicating touch. She can feel Harry’s precum drip down his length and leak between the cracks of her fingers.

“You are, you’re just so fucking good to me.” Harry’s spewing words at this point, brain half conscious, half floating in bliss. Whatever dam of common sense holds his mind together crumbles, all of his thoughts rushing out in the form of jumbled phrases and cracked whines. “You get me going like nothing else, pet. You get me going so easily, it’s embarrassing. You make me cum so hard, it feels like I’m touching h-heaven. And your mouth— God, y-your mouth. It’s the best I’ve ever had. It’s so soft and warm, and your lips are so pretty and silky. I could kiss you for hours. And your tongue— you know how to use it so well. You lick me once and I’m already on edge. And every time you get down on your knees, I think I’m gonna pass out.”

Y/N sighs shakily at Harry’s string of confessions, staring up at him with wide eyes as his own stay shut loosely, long lashes perched on his rosy cheekbones, handsome features slack with euphoria. She doesn’t halt her motions, continuing to pump him excitedly. The girl passes her thumb over his tip every time she gets to the top, and gives a hard squeeze every time she thunks down against his base, twisting her wrist as she glides back and forth between the two points of reference. That combination seems to work well, evident in the steady stream of vulgarities falling from Harry’s swollen lips as he thrusts upwards to match her pace. His groans splash across her tongue, traveling down her throat and burning into her stomach. She wants him to cum probably more than he does.

Y/N glimpses down, watching her sheets tent as she works Harry over, the outline of her knuckles pressing into the turquoise fabric. It’s such an erotic scene and she knows it’ll be branded across the front of her brain for years to come. She cranes her neck back up to look at the vampire, her breath catching in her lungs. He looks so pretty with his dark pink lips parted in pleasure, his damp ringlets matting along his sweaty hairline, his structured jaw ticking, and his usually sharp traits softened by ecstasy. She’ll do anything to make that image last.

“Tell me more.” Y/N murmurs, swimming in the praise he is so willing to dish out.

His eyes flicker for a heartbeat and in that instance, they look oddly darker than normal. Almost crimson, but she knows it’s due to the shadow of his lashes. The words that spill from his mouth next make her forget all about that occurrence, his voice melodic and dark, sticky against her wet lips.

“Your hands are one of my favorite things about you, I think. They’re smaller than mine and I love how your fingers don’t touch when you wrap them around my cock. I love how they leave my back raw with scratches, and I love how they look tied to the bedpost. I love it when they press flat against my chest when you ride me, and how you lean back on them when I’m on my knees with my head between your thighs. I love how they yank at my hair when you’re about to cum, and how they grip my upper arms when we make-out. I love how your nails dig into my thighs when you're going down on me, and how they look fisting at the sheets when I’m taking you from behind. And I love how they feel tugging me off, like you’re doing now. I just love how perfect they are— how perfect you are.”

Y/N is left speechless, Harry’s monologue ringing in her heated ears as he gazes at her intensely amidst heavy, barely-cracked eyelashes. His broad chest gasps for air and he takes it upon himself— despite his wrecked appearance— to smush their mouths deeper together, pooling moans across the roof of her own.

“I’m—” His breathing throttles, voice coming out softer than she’s heard it in the last three weeks. “I’m gonna cum.”

Y/N nods her head numbly, strokes becoming lazy and fast, eager for him to finish. “I want you to. I want you to cum for me so bad. Please?”

Harry’s hips writhe in a tell-tale sign that he’s about to tip. His whimper tastes sweet on her tongue, the meaning behind it pure syrup to her ego. “You’re the only one who makes me feel this good.”

The mortal whines gently in return, eyes falling shut as she feels him grow heavier in her palm. “You’re the only one I want to make feel this good.”

The knot of white hot pleasure in his belly begins to unravel, his entire spine shuddering as a result, all strain beginning to wash out of his system in spurts if blissful electricity. He can feel his orgasm racing up his prick, pulling his composure along with it. He gives one last jerk against Y/N’s cupped fingers, feeling her press her vibrating thumb over his slit one more time for good measure. When the first milky ribbon spurts out, that’s when he feels it.

Harry’s eyelids fly open in alarm as black veins protrude along the whites of his eyes, all his muscles contracting at once, defense mode activated. Y/N’s lips are on his neck.

His first instinct is to do what he always does and guide her away from that sensitive, highly forbidden area. His fist tightens in her hair and he’s about to yank her back up to his mouth when suddenly, the icy tension present in his veins disappears. It’s replaced by a soothing warmth, which travels through every crevice in his body and kindles his climax, his impulsive hatred for being touched in that specific region funneling away completely. He can’t remember a time where this has happened before.

Harry’s grip loosens hesitantly as he treads into this unexplored territory, allowing her to continue suckling along his throat. The sensation would usually garner a reaction similar to that of a molten metal brand being placed on his skin, but now— for some startling reason— he doesn’t feel any contempt. He just feels relaxed and cradled in the best way imaginable. The impact is pleasant this time around, and he finds himself wanting more of it. So, he lets her give him more. He lets this strange girl kiss and gasp and lick against his jugular while she finishes getting him off, his own desperate sounds of need bouncing around the brick walls of her bedroom. He lets her coax wave after wave of cum out of him, feeling it splatter against her bedspread and coat over her hand. He whines and grunts into the hair along the crown of her head, tears blearing his eyes as her scent of sugar and flowers clouds his mind. And when his release finally sputters to an end, he lets out an elongated groan so deep, it makes his chest ache.

“Fuck. You’re...You’re an absolute angel.”

Y/N draws her hand out from beneath the bed sheets, turning off the vibrating finger pads by pressing them against her palm. She looks down at the milky substance covering the toys and before Harry can make even a sound of encouragement, she’s already licking it off each individual piece. The girl looks up at the vampire as she cleans every trace of him off her fingers, swallowing it all down with a doe-like tint across her hazy gaze and murmuring a soft, “You taste good.” over a full mouth. Harry just watches silently, heavy breathing slowly starting to even out. God, she really is such a fucking godsend.

The next couple of minutes list by in a blur, all of his focus taken up by the feeling of unsettlement pricking at the back of his brain. Why had he let her touch him there? Why had he let her touch him in a place no one has since before his death?

Y/N puts the toys back in their box, putting them off to the side to thoroughly clean later. She reaches down, bunching up her bedspread in her hand and wiping Harry’s pelvis, thighs, and tummy down until he’s decently clean, as well as whatever is left on her hand. She then snuggles up to his side once again, laying her head into the crook between his arm and pectoral muscles, staring up at the ceiling thoughtfully along with him. The irritating red tint across Harry’s chest, stomach, and neck gradually fades away, and he barely flinches when he feels her sponge her lips against his Adam’s Apple. She lulls the tip of her middle finger up along the vein of his cock one more time for finality, smiling slyly when he hisses in sensitivity.

The immortal tilts his head down to appraise her, sniffling lightly and allowing a weak, watery smile across his raw lips. His tone is feathery and detached. “That was…Christ.”

Y/N giggles softly, nodding along to his unspoken opinion. “It was fun. Really fun. We should do it again sometime.”

Harry splutters into a drunken laugh, mind still floating around the room. “I don’t think I could survive that again.”

Y/N grins up at him cheekily. “Pussy.”

Her friend breaks into an expression of utter offense, cheeks still slightly rosy. He shoves her head roughly as vengeance. “Hey! Piss off. Don’t blame it on me, blame it on the male anatomy.”

The girl shakes her head up at him, eyebrows shrugging mockingly. “Excuses, excuses.”

“Whatever.”

A moment passes, and then Y/N speaks up again, her index finger poking playfully into the center of his bare chest, right over the butterfly tattoo. “Also, you’re washing my sheets. Your mess, you clean it up.”

Harry grins against her forehead, scratching lightly at the back of her scalp. “Fair enough…Wait, is that why you wanted to do this? ‘Cause you knew I’d soil your sheets and you could force me to do your laundry?”

That hadn’t been her motive at all, and Harry knows that, but she plays along anyways for the hell of the joke. “Perhaps.”

“Wow. I feel used.”

“Too bad. Go do it. Now. Before it stains.”

Harry stares at her like she’s sprouted a second head. “I literally can’t walk right now! I can’t feel anything below my waist.”

Y/N lifts the comforter off her body, symbolically showing off the bruises his fingertips and rings had left the night before. “Well, neither can I!”

Harry reaches down and touches the marks, chuckling to himself. “How unfortunate. Who’s gonna make breakfast, then, if neither of us can even stand?”

“We could UberEats some iHop.”

“Who’s gonna get the door?”

“Well, I can’t solve everything on my own, now can I?!” Y/N slaps his hand away from her body. “Contribute! You’re the lead detective, after all.”

“I am, aren’t I?” Harry cocks his head to the side in recollection, remembering his role in their imaginary dynamic duo scenario. “And because I’m the lead, I say…” He ropes his lean arms around the human and buries his face into her warm neck, pulling her close and intertwining their legs together, trapping her to the mattress along with him. “I say we just bum around for a bit longer. Just until one of us can actually muster up the strength to leave the bed.”

Y/N makes an exasperated noise in the back of her throat, but makes no apparent attempt to leave his embrace. “Fine.”

“Mystery solved, then! Elementary, my dear Watson.”

“You’re so dumb.”

The pair stay cuddled for a bit, with Y/N’s hands loosely gripping Harry’s forearms, tracing across his mermaid tattoo absently. She wanders in her thoughts for a period of time, lost in the sensation of Harry’s warm breath fanning down her neck, his hot lips pressing small kisses behind her ear every once in a while. She likes their morning after routine; it’s innocent and fun and sharing moments like this makes it easy to forget her troubles. She wants more of this, and she finds herself trying to come up with ways to convince Harry to spend the night more often. This is only the fourth time he’s stayed until morning and she wants that number to grow.

An idea dawns on her and she’s voicing it before her inhibitions can kill it off.

“Do you...Do you maybe wanna stay over the rest of the weekend?”

Harry draws his face from the alcove of her soft neck, eyebrows poised in curiosity. “The rest of the weekend?”

“Yeah!” Y/N shifts her gaze up to look at him, hope swirling around her pupils. “Like, spend the rest of today and tomorrow over, and then leave tomorrow night ‘cause I have work on Monday. Does that, like...Does that make sense?”

“Yeah.” Harry says slowly, mulling over her offer, thinking back to his schedule. He doesn’t think he has any commitments this weekend that would require him being home— none he can’t cancel easily, anyways. He’d told Mitch he’d go see him play again at the pub later today, but it’s the same set as last time, so he doesn’t think his best friend would mind if he missed it just this once. Niall was planning a barbecue at his place on Sunday, but the Irish bloke does one almost every other week so it’s nothing Harry can’t make up. Plus, what type of idiot would pass up two day’s worth of amazing sex? The more, the merrier.

Y/N watches the vampire’s expression carefully, trying to interpret whether her request was out of their boundaries. She doesn’t want to make him feel like she’s trying to tie him down or suffocate him, she just wants to spend a bit more time in his presence, rather than through a phone screen. Her tone comes out dismissive, with just the tiniest hint of panic. “It’s okay if you can’t, though. Like, if you have other plans and stuff, I totally get it. Or if you just don’t want to, that’s fine, too! I just thought it’d be a fun little thing we can do since we already talk so much on the phone and everything, so I guess I just kinda figured you wouldn’t mind—”

“I get it, Y/N.” Harry interrupts Y/N’s unhinged word vomit, voice amused and nonchalant. “I think I’d like that, yeah.”

Y/N blinks in giddy surprise. “Really?”

“Well, don’t sound so shocked.” Harry laughs lightly, fingers toying with the pearls laying across his clavicle. “The sex is pretty fucking good and I’m more than happy to have it at my disposal.”

“Right.” Y/N gives him a deadpan look, shaking her head at his bluntness, reaching forward to fiddle with the chain of his cross necklace for the sake of having something to distract her from smiling like a fool. “Great, then. I have some old boxers that I know will probably fit you and an unopened pack of toothbrushes under the sink, so I think you’re set.”

Harry’s lips purse at the mention of the men’s underwear, brows creasing a tad. “You just casually have men’s boxers laying around?”

“They were my ex’s and I kept them out of spite. But don’t tell anyone, I don’t wanna get locked up for robbery.”

The tightness in his chest— which he hadn’t even realized had formed— melts away. “My lips are sealed.”

“Good, or else I’d have to kill you.” The girl states darkly, a theatrical seriousness to her appearance.

“Oh no.” Harry wails sarcastically, knotting a fist into her oversized tee and pulling her closer, connecting their lips and grinning into the kiss. “I’m shaking in fear.”

Y/N gives in without much of a fight, hands still clinging to his forearms, a smile of her own creeping across her cheeks. “Asshole.”

“The only thing I’m relatively afraid of is my dick falling off. You have the sexual drive of a rabbit.”

“Oh, like you’re any better?”

“I’m innocent in all this! You’re usually the one instigating. I’m just a mere pawn— a poor, unsuspecting nun led astray.”

“God, I can’t believe I let you fuck me.”

///

The following weekend, Harry officially invites Y/N over to his house.

It had been talked about in passing a while back, and he figures it's only fair considering all the time they’ve ever spent together has been solely at her place. Plus, he could tell she was curious to see what his living situation is like, which is valid. You can tell a lot about people through their home, and when you’re sleeping with someone on the regular, you want to learn as much about them as possible. It’s important to know who you’re getting into bed with. Literally.

Harry’s proud of his condo. He keeps it clean, he keeps it organized, and he keeps it styled in a manner that combines his Victorian gothic roots with modern day aesthetics. The floorboards of the apartment are made of waxed light-wash wood, most of the expanse of his living room covered in a furry dark grey rug. The lightness of the ground is contrasted by the matte mahogany walls, of which the largest is covered in Harry’s collection of first edition artwork. He had picked out every single piece himself throughout the span of the last two centuries, ranging from modern digital technique canvases to nineteenth century oil paintings, all arranged in neat alternating rows from oldest to newest. He can’t help that he’s such a stickler; his mom had raised him so.

Though his art wall is his pride and joy, the glass wall that overlooks the city skyline comes in at a close second. Harry loves the city, despite the fact that he was born in a seemingly irrelevant town whose only redeeming quality was the bustling public market. Urban regions are just full of so much life, excitement, and potential, which are all concepts he never really got to explore before he transitioned. Cities represent everything he wanted as a young man, when he thought he had prosperous years ahead of him and an entire life left to build; they represent diversity, unique experiences, and endless possibilities. When that was stripped from him, he began to bounce around different countries and cities all over the world, seeking a place that would fill the hole his dreams had left behind. Los Angeles fit that space like a puzzle piece.

That glorified window just means more to him than anyone could possibly know. Sometimes at night, he’ll just stand by it with his arms relaxed across his chest, watching the city gleam and glitter as individuals from all different backgrounds go about their business, blissfully ignorant to the beautiful concept that they all contribute to something much bigger— a concept that only centuries of wisdom could reveal. When he’s not wracked with jealousy and spite, looking out that window and witnessing the world change and evolve is therapeutic, in a way. It allows Harry to live vicariously through others who get to have what he never did.

Aside from his art collection and the glass wall, the chandeliers that hang from his cavernous ceiling are third on his list of treasured possessions. They’re special and no one on this earth owns anything like them; Harry made sure of that. They were created by a Swedish interior designer Harry commissioned about ten years ago, so they are custom-made in every aspect of the term. They took months to construct and finalize, which is hardly difficult to believe, given their grandeur. Each chandelier is made of two extensive layers of delicate golden chains, all arranged around a wire center, connected by light bulbs at each peak. It gives his home a chic, avant-garde atmosphere that mirrors his personality down to the last chain link.

The rest of his flat is tailored to compliment these three major determining factors. The wood paneling all around his apartment is carved with intricate, loopy designs, his two rounded coffee tables are made of the same marble that resides across his kitchen counters, and his kitchen sits directly under the second story ledge with elongated fluorescent poles embedded into the room’s ceiling, eloquently highlighting the creme walls and polished detailings of all his appliances. His sectional couches are made of an off-brown leather, covered in large rectangular couch cushions with a checkered print embroidered across the pillow cases, and weighted fleece blankets litter some areas of the elegant sofas. A wide staircase leads up to the second floor, made of grey glass steps and metal railings.

The top story of his condo is less Victorian era, more modern composition. The ground is dark maroon carpeting, and the ledge leads to one singular corridor that splits into two seperate rooms at either ends. One is the master bedroom, and the other is an accompanying bedroom which he uses for storage. His room isn’t anything extravagant, per se. It’s big, but his decor is minimalistic, covered in all different muted shades of blacks and greys, from the comforter on his king-sized bed to the tall dresser. A fifty inch flat-screen is mounted on the wall, but he hardly uses it since the one in his living room is larger; it’s only really there as an ornament. Starburst lights hang from his ceiling— smaller, downplayed versions of his chandeliers— and his walk-in closet stands parallel to the entrance of his bathroom.

The humongous bathroom was meant for two people, pretty obvious in the double-sink set up, but he doesn’t dwell on it much. He isn’t one for dating, and he’s just happy to have that luxury because it comes in handy the morning after one night stands. He has a jacuzzi-like bathtub, lined with water jets and all, and a big walk-in shower with a large overhead panel instead of a regular showerhead. The whole room is made of dark marble and porcelain, and he couldn’t possibly adore it more. Some of his best experiences had happened in this room, explicit and otherwise.

In the end, Harry has every right to be arrogantly proud of his apartment. It had taken him months to decorate, years to fill with fond memories, and an immortal lifetime to find. He loves it with every trace of his soul, even when others disagree. Namely, Niall, who had mocked his sophisticated relics and old-timey architecture from the first time he’d set foot past the threshold; “You went the dark gothic route? Really? Way to feed into the stereotype, Dracula.”

But no matter what anyone says, this is who he is, and he couldn’t be happier. After decades of migrating and aimlessly searching the globe, he’d finally found a place he could call home, and absolutely no one could take that from him. Especially not some Irish moron who doesn’t even know the definition of “foyer.”

How Harry manages to afford his flat is a whole other intriguing tale.

It had come up in a pillow talk conversation with Y/N once, and he had told her the story he feeds to any human who asks. He’s a regional manager for an offshore company and it’s mainly a lot of online work. Handling duties through business emails, videochat meetings, job portals, and things of the such. It paints a valid image as to why he’s home all the time. He also claims to be the company’s lone contact stationed in California, so he handles all of the responsibilities that would normally be bestowed upon three or four people. This paints a valid explanation as to how his imaginary position would tether such a high pay grade, which justifies his luxurious living arrangement.

That story is part of the truth. Harry does indeed have ties with corporate businesses. That is, ties to their CEOs’ pockets. It’s surprisingly easy to get past secretaries and security dressed in a nice suit and thousand dollar leather shoes, especially with the help of compulsion and Harry’s golden charisma. Thanks to those tools, he has managed to convince some of the biggest leaders in corporate California to quietly deposit generous sums of money into his bank account once a month. And with his persuasive supernatural abilities, he convinces them to write it off as regularly scheduled charity donations in their minds. That’s how he makes a living for himself— by scamming the rich. Xander likes to take the piss and call him a sugar baby, but Harry sees himself as more of a modern day Robin Hood, instead.

Mitch says his charade is unlawful, but considering how corrupt the business world already is, the vampire feels next to no guilt. The one percent have always taken advantage of those poorer than them— that was obvious even back in Harry’s time— and he doesn’t see anything wrong with taking advantage of them right back, now that he has the means to. How’s that saying go? “Fuck the bourgeoisie” and all that.

Everything taken into consideration, Harry’s pretty excited to show Y/N his condo. Watching people’s faces break into awe the second he turns the lights on always gives him such a deep surge of satisfaction. It makes all the hassle worth it.

The immortal is currently sitting in his vintage car, flicking through his Spotify playlist to find something to entertain him while he waits for Y/N to finish her shift. He had offered to pick her up, knowing that it’s what any courteous host would do, and she had appreciatively accepted, telling him she’d be out by eight P.M. It’s seven fifty-three now and Harry had arrived around seven fifty, taking the slot right in front of the cafe’s entrance so she can spot him as soon as she walks out. These ten minutes are the longest he’s ever had to endure, which says a lot considering he’s endured tons of patience-testing moments in his two hundred years.

Harry swipes his thumb down the glass screen of his phone, sampling songs left and right to see what will stick. After listening to the first few chords of an array of forties dance music, seventies rock and roll, and twenty-first century bubblegum pop, he settles for Rodeo by Lil Nas X. Harry has a very intricate taste in music— it’s one of the traits he’s most proud of— and Mitch often tells him he’s too snotty when it comes to his preferences. He’ll admit it freely that, yes, he can be a piece of work musically, but just because he thinks the industry peaked in the seventies doesn’t mean he hates modern music. He likes most of it, including rap, and Lil Nas X happens to be one of his favorites, much to everyone’s surprise. Most of the artist’s songs are eccentric not only lyrically but also instrumentally, to the point where it’s almost comical— who names a song Panini, of all things?— but the music is catchy and Harry can let loose to it easily.

The vampire also happened to meet the musician, on one occasion. He ran into him at a club and after a few drinks and some banter, somehow ended up getting invited over to a party at the celebrity’s Malibu mansion. That night is a blur, definitely due to the copious amounts of alcohol and psychedelics, but Harry remembers they had fun and that the guy was worth a listen. In fact, he was the genius that came up with the theme for the rapper’s Rodeo music video.

A light knocking on the passenger’s seat window brings him out of his memories. Y/N stands outside, hugging her arms loosely over her tummy, decked in her usual work uniform of a navy polo and black skinny jeans. When the two lock eye contact, she gives him a soft wave and a tired smile. Harry lifts two fingers in greeting, returning her polite gesture and swiftly lowering the window. He leans forward across the center console, his grin taking on a playful hue, voice carrying the same effect.

“Uber for Y/N?”

The girl snorts and rolls her eyes, but plays along, reaching forward and jiggling the handle of his black Cadillac symbolically. “That’s me, yes. Open up.”

“Eh, eh, eh.” Harry tuts, wagging a finger in her direction and then making a motion that tells her to back away. “I’m gonna have to see some ID. It’s one of our new safe driver policies. Gotta make sure you are who you say you are, miss.”

Y/N’s expression drops flatly, eyes half-lidded as he smiles up at her brightly, batting his eyelashes innocently. “Open the door before you end up sucking your own dick tonight.”

Harry’s shit-eating face falls so fast, it causes her to burst into laughter. A soft click vibrates through the handle below her fingers. “I’ll waive the background check. Just this once.”

“Yeah, I figured as much.” Y/N taunts, yanking the door open and ducking into the shotgun seat, gently tugging it closed behind her.

Once the human is situated in her spot, she releases a lengthy sigh, sinking down against the cushions as she grabs her seat belt and clicks it into place.

Harry puts his cell phone down into the cubby hole below the stereo set, setting the car in reverse and slinging an arm behind her headrest to get a better view as he backs out of the parking space. His gaze momentarily flickers to her slumped form as the car retreats slowly, tone curious. “Long day?”

Y/N glimpses over, giving him a quick once-over and taking in his olive green Nike jumper, ripped denim boyfriend jeans, and pastel yellow Vans. He looks so boyishly cute, which is ironic given the premise of tonight’s rendezvous. The shoes (which he had worn the night they’d met all those weeks ago) and the position he’s in (perched above her with his sharp jaw and neck flexing as he cranes his torso to look for oncoming traffic) flashes her back to the first time she had been in his car. They had been way less acquainted, she had been much less relaxed, much more nervous, but the encounter very much carried the same exact intentions. That recollection makes her lips quirk a bit. The pair had grown so comfortable with each other since then, that Friday evening feels like it happened decades ago.

“Yeah.” Y/N murmurs softly, gladly indulging a deep inhale of the vanilla and tobacco scent she had become familiar with, allowing it to soothe her nerves and wash away the stress of a hard day. “I’m just happy it’s over and that the weekend’s finally started. Wanna forget all about it.”

“Well, that’s what I’m here for, love!” Harry plops back into his seat, shifting his car into drive and gifting her his famous brilliant smile, dimples winking to life as he taps his ringed fingers across his steering wheel humorously. “I’ve made you forget your name plenty of times before; I’m pretty sure I can erase one shitty work shift just fine.”

Y/N scoffs at his pompous claim, reaching up and prying the hair tie out of her locks, looping it over her wrist and shushing her stiff roots. She tucks strands behind her ears, the corners of her mouth twitching in endearment at the giddiness of his aura. “Just drive, Sherlock.”

The mortal isn’t surprised to find that building in which the vampire lives is one of the tallest in the city, and that it’s basically smack in the center, as well. One look at Harry and anybody could immediately tell he thrives off being the center of attention, so of course his home is a direct reflection of that. Refined boy, refined personality, refined environment. It’s practically a law of science.

Once Harry’s car is parked and the ignition rumbles to a smooth stop, Y/N unbuckles her seat belt and goes to unlock the passenger’s side door. Right as her hand is wrapping around the handle bar, the door swings open of its own accord and she just barely manages to stifle a blood-curdling scream full of shocked fear. When her eyes focus, Harry is standing there holding the door open for her, features painted with cocky amusement.

“How did you—?” The girl whips around to look at the empty driver’s seat, eyebrows cinching in bewilderment as she turns back to face him. “How did you get around so fast?”

Harry shrugs his shoulders offhandedly, reaching one bejeweled hand down to aid her out of the vehicle. “I did track when I was younger. Made me a fast walker.”

Y/N hesitantly takes it, body language still slightly tense from the jump scare. With his help, she gradually climbs out, the door shutting behind her as she sweeps her sight around the parking garage in wonder. This is the first time Harry has ever invited her anywhere, let alone to where he spends most of his life. She doesn’t want to miss a thing. Even the simplest aspect can tell you a lot about a person.

Y/N jerks a tad when she feels her friend’s cold fingers slipping down her palm, sifting between her own. She glances down at their intertwined hands for a second, a warm glow bursting through her chest. She’s always admired how his are so much bigger.

Harry tugs her forward toward the elevator at the other end of the parking lot, bottom lip caught between his teeth in a sly smirk. “C’mon, Watson. Let me show you around.”

Y/N stumbles after him, allowing the boy to guide her to where she needs to go as he weeds through cars effortlessly. She suddenly chimes up from behind, asking a random question to fill the leftover silence their footsteps spare. “That car next to yours had such a weird license plate. What the fuck does ‘craic’ mean?”

Harry chuckles knowingly, perfectly aware of whose car she is referring to. “It’s this odd thing Irish people say. Utter rubbish, honestly.”

A comfortable quietness fills the air of the elegant elevator as it shoots up towards the twenty-fourth floor of the skyscraper, the only other sound being the gentle lullaby of a nameless tune wafting through the speakers above their heads. Harry finds himself studying Y/N as she looks out at the city through the glass walls, the lights of the exterior buildings casting a beautiful buttery gleam across her relaxed characteristics, along with a radiant glint over the surface of her glossy eyes. Despite the slightly smeared mascara staining her waterline and the inherent frizziness her hair carries after being pulled into a tight ponytail all day, Harry finds that she looks nice. Pretty, even.

The girl senses him staring, craning her head to return his gaze, the edges of her lips lilting upwards lightheartedly. He returns the gesture, peeling away to focus on something— anything— else. He deems the control panel a worthy replacement.

As the numbers on the dial drag by, Harry finds himself absentmindedly thumbing over Y/N’s knuckles. She doesn’t seem to notice or mind, so he continues doing it, massaging the crest of each bump and pressing down gently along the troughs. He enjoys the sensation of her silky warm skin heating his icy own, and he ponders whether she likes how cold his touch is, or if she hates it as much as he does. He expels that notion from his mind; he refuses to let such a stupid concept upset him. He just keeps caressing her hand, restraining his mind from ambling too far into its meaning. It’s just to pass the time.

He keeps the movements going until their ride skates to a joltless halt with a sharp ding! and then he steps out, having to give his full attention to leading her down the long corridor to his flat. Y/N is so caught up in drinking up her surroundings, she almost bumps into the creature when he comes to an abrupt stop in front of the entrance of what she can only deduce is his home. Harry drops her hand, much to her disappointment, fishing into his back pocket for his keys. He patiently filters through his keychain, picking out the right one and working it into the lock, a soft click emitting from the mechanism.

Harry pushes the door open with his palm, standing off to the side just outside the threshold and tilting his head towards it, posture bowing slightly. “Ladies first.”

Y/N thanks him quietly, taking a cautious step forward into his hallway. She can’t help the way her heart skips a beat at his gentlemanly tendencies; she rarely meets anyone as respectful as Harry seems to be and she finds his old-timey attributes to be refreshing. Helping her out the car, taking her hand to guide her through the parking lot, rubbing at her knuckles innocently, holding the door open for her— it’s all such an archaic form of chivalry she wishes she’d see more often these days. She doesn’t know if it’s a British thing, if he had just been raised like that, or if he simply does it to get laid, but she’s thankful for it either way.

With one last glance at her friend over her shoulder, she begins wandering down the dark narrow path unsurely. The sound of the door slinking shut behind her and Harry’s footsteps ease her.

She stops once she senses the corridor open up into a larger space, which she guesses is his living room. A soft gasp escapes her at the sight before her. The whole area is washed in darkness, the only source of light stemming from the large glass pane that stretches from the floor of the apartment to its tall ceiling. Dozens of buildings and cars glimmer below, the breath-taking image of the lively city looking almost like a snapshot from a professional movie. It’s absolutely gorgeous and she feels like she could stare at it for eons.

A chilly hand suddenly presses along the dip of her spine, ushering her forward an inch or two, Harry’s invisible voice and warm breath hitting the shell of her left ear. “S’cuse me, dove.”

The boy reaches behind her for the light switch and the condo bursts into radiance with one simple flick of his wrist.

“Oh...my God.”

Harry’s home is something straight out of a luxury catalogue. The light floorboards and the mahogany panels. The massive leather couches and hand-sewn cushions. The extravagant chandeliers and glass staircase. The marble kitchen and generously packed liquor shelves. The ginormous wall of priceless artwork, littered with pieces from all different eras of history. It feels like stepping into a decor wonderland.

“Not too bad, huh?” Harry pipes up playfully, anchoring her back into reality from the floaty stupor that had consumed her mind.

“Not too—? Are you kidding?” Y/N sputters incredulously, whizzing her head to the side sharply. “You were keeping an entire Four Seasons royal suite from me?!”

Harry belts out a bundle of childish giggles, the edges of his eyes crinkling and the tip of his button nose twitching. “I never thought of it much, to be honest. I’d grown to like your place.”

“Right. Because a creaky mattress and a kitchen the size of a broom closet is so much more satisfying than chandeliers and a fucking glass wall.”

The vampire glimpses around his flat indicatively. “Okay, I see your point.”

“Exactly.”

Y/N drifts forward, running the tips of her fingers across the backrest of the aged leather sofa and along the corners of the throw pillow, doing a slow circle at the middle of his home, taking everything in a second time around to make sure it isn’t a mirage. “Fuck, this is incredible. Is your boss looking for any more regional managers, by any chance?”

Harry follows after her, tucking his hands into the back pockets of his boyfriend jeans, chewing along the inside of his cheek to suppress a proud smile— a result of her explosive reaction. “I’m afraid my position is the one and only, sorry.”

Y/N droops her shoulders in exaggerated contempt, presenting a shitty English accent to tease him. “Bollocks.”

It garners the designated feedback, her tummy somersaulting at Harry’s exorbitant laughter.

The boy comes to stand before her, cocking his head to the side questioningly towards his kitchen. “Can I offer you a drink?”

Y/N glimpses over at his bar area, eyes dancing over his extensive array of fancy bottles. “Oh, please do.”

Despite only having known Y/N for a few weeks, Harry has gotten quite acquainted with her tastes, even outside of sexual matters. She doesn't like the taste of alcohol, but she likes its effects. And he likes them, too, if he’s being honest. Her blood always begins to smell more appetizing after just a few sips and the way her cheeks heat up so easily when she’s buzzed always makes his breathing trip.

He works his extensive skills, pulling from his liquor cabinet and mixing flavored liquids and syrups until he comes up with something that he thinks the girl will enjoy. It’s fruity, with hints of peach, lime, and strawberry, but also warm and fulfilling, with a rich whiskey and a few dashes of bitters. He plunks in a couple of ice cubes and mixes it together with a bar spoon, tapping it against the rim with finality and swiping it over his tongue in a quick taste test. He’s pretty happy with his concoction.

Harry glances up to where Y/N is leaning against the armrest of his couch, her legs crossed before her as she stares at one of the abstract paintings mounted on his wall. It’s an original, as are the rest of them, which he had purchased some odd seventy years ago from a barely known artist whose talent had gone to waste in the world. It’s a deconstructed sunflower, with the color palette inverted and the strokes of the brush uneven and jagged. Odd and complicated, but beautiful, nonetheless. Its complexity is what makes it significant.

The vampire slowly wanders over from his kitchen, holding her drink in one hand and a cloth napkin in the other. He takes the spot beside her along the armrest, speaking wistfully as if recalling a fond memory. “It’s a flower.”

Y/N nods slowly in recognition, peeling her gaze away with the corners of her lips jilting. “Mmhm, a sunflower.”

Harry’s brows jump in shock. Barely anyone ever guesses the identity correctly. He’s found that as time passes and humanity becomes more reliant on technology rather than cognizant knowledge, society in general has reduced to a more pea-brained state than ever. As a result, the amount of people who can interpret and understand the meaning behind complex artwork has greatly diminished, unfortunately, so he’s pleasantly surprised to find that one of the few who still possesses that talent happens to be the girl he’s shagging. “Wow, that’s a first. It’s so unusual, no one ever really gets it.”

“I guess I just have an affinity for the unusual.” His guest quips, giving him a jesting shrug of her eyebrows and a suggestive grin.

You have no idea.

“You underestimated me, Holmes.”

“That I did. My sincerest apologies.” Harry returns her joking simper, proceeding to then dip an index finger inside the stout glass in his grasp, bringing it up before her face. “Taste.”

Without breaking eye contact, Y/N parts her lips and allows him to coax the wet digit in, the tangy flavor of the mixture making her taste buds tingle. She encloses her mouth around his finger, lulling her tongue along it slowly with a mischievous glint shining across her irises.

Harry’s prominent jaw clenches as he watches the scene unfold, breath bated and a moan threatening to betray him. She truly wastes no time.

He gradually pulls his finger from her tongue, struggling to clear his throat, missing its texture already. “How is it? More syrup? More biters?”

Y/N gazes up at him drunkenly, though it’s definitely not from the liquor. Her lips quirk cheekily as a result of how visibly frazzled she’d gotten him. “It’s perfect. Better than anything I’ve had at a club, that’s for sure.”

“Yeah?” Harry taps his opal ring against the bottom of the lowball glass, trying to reign in his previous composure. “Think I could be a bartender?”

“You don’t hit me as the type of person who has the patience for it.” The girl remarks wittily, slinking her head to the side and biting back a giggle when Harry makes a face at her.

“You make a valid point, I suppose.” The vampire responds with an airy sigh, nodding in surrender. “The stupid blabbing from drunk morons and impending fear of being vomited on would be too much for me. I wouldn’t last a day.”

“You wouldn’t last a single night, let alone a whole day.”

“Alright, pipe down!” Harry deadpans, bumping her shoulder with his vengefully. “You’re bruising my ego.”

“It’s humongous,” Y/N snorts, shoving him in return, “it can take a few hits.”

The pair sit there in silence for a suspended moment, just taking in the expanse of the art before them. Harry then turns his torso towards her once more, bringing the drink in his grip up to her mouth. “Here, have a proper sip. Put my all into it.”

Y/N obliges, looking up at him with her signature doe-like air of trusting innocence, allowing him to tip the hem of the cup against her mouth. The cool beverage filters through her taste buds and down her throat, the sweet and sour mixture leaving an enjoyable tingle in its wake. A few streams of the liquid bead out of the corners of her lips and Harry impulsively gathers them with the side of his index finger, the napkin in his other hand completely forgotten.

As he goes to pull back in order to clean up, Y/N leans forward and traps his digit between her lips like before. This time, there’s a more insistent sultry hint sparkling around her pupils.

“Christ...” Harry pants, watching Y/N work her way down his forefinger with a silent groan hinging on his teeth.

He doesn’t deny himself from indulging the dirty action this time around. Her mouth is as soft and warm as ever, sending chills racing down his spine despite the sweater hugging his body. His mind slips for a second, reminiscing in all the other ways he’s felt the inside of her mouth before, a faint red tinge splattering across his cheekbones.

Y/N draws his finger out, kissing messily across its length and over the pad, looking up at him through tension-heavied lashes. She doesn't speak a word, but her intentions are clear in the electricity between them.

He can’t hold back any longer, his next comment coming out as a pained growl. “God, you’re such a filthy little thing.”

She hums softly in the back of her throat at his explicit compliment, suckling at the center of her bottom lip needily. “I like being your filthy little thing.”

Harry swallows thickly in order to keep himself somewhat tame, fangs suddenly pricking his tongue in warning.

The mortal scoots closer to him, sifting her fingers between his around the drink and bringing it upwards, downing the last couple of inches in one go. She draws the cup from his grasp, reaching over to set it down carefully on the coffee table before turning back and snuggling deeper into his heaving chest.

Harry scoffs in amusement, but he can feel a certain charring scratching at the back of his throat. “Drinks like that are meant to be savored, darling. You’re not supposed to just pound them.”

Y/N stretches her neck upwards, taking his earlobe between her teeth, lips wet and cold from the alcohol. His lashes flutter when her warm breath hits his skin, contradicting the sensations from before.

“Why don’t you let me worry about how I drink, and you can worry about a different kind of pounding.”

And that’s all it takes, really. That’s all it takes for Harry to completely drop any self-control he has left.

The creature jars his face towards her, large hand shooting upwards to grip her jaw firmly, holding her in place as he crashes their mouths together. It’s all tongue and clacking teeth, desperate whines and stuttered gasps. Y/N’s hands fumble for something to tether to while Harry takes it upon himself to grasp at her opposite hip with his free hand, yanking her onto his lap. She buries her fists in the cotton fabric of his jumper, balancing her knees on either sides of his parted thighs. The boy’s fingers coast from her jaw down to her throat, tightening ever so slightly. The action is minimal, but it reveals that flare of dominance Y/N has become addicted to.

“Do you want it here?” Harry rasps against her eager tongue, smirking into the kiss when he feels her start to rock along the bulge that is beginning to tent his denim pants. “Do you want me to bend you over the couch and fuck you, baby? With the chandelier making your skin glow? Where we can put on a show for the whole city to see?”

It’s a tempting offer and his words obviously have some form of impact, seen in the way Y/N’s grinding takes on a hungrier, deeper pace against his clothed cock.

“I want…” Y/N finds it difficult to voice her desires, the responsible party being the manner in which Harry glues cracked mewls onto the roof of her mouth. “I want it in your bed.”

She doesn’t know why, but she just wants him to take her some place where the moment they share is intimate, unseen by the prying eyes of others. She wants to christen his bed exactly how he had done hers; she craves that strange connection, for some reason. Y/N isn’t naive, she knows she’s not the only person Harry has had in his home and in his sheets. But she wants that experience, nonetheless, even if it doesn’t necessarily mean anything. She knows she’s not his only, but at least she’s one.

Harry slowly breaks their kiss, brushing the tip of his nose across her own in a small comforting gesture. He blinks at her groggily, the copper specks in his eyes glitzing under the golden hue of the lighting. When he speaks, its soft and low, almost as if he doesn’t want to risk another soul overhearing. “Okay. Whatever you want, it’s yours.”

Y/N almost doesn’t get anything she wants, given that she nearly kills herself on the trek up the stairs, courtesy of her weakened knees and wobbly ankles. Harry just barely manages to save her, but he finds the occurrence too hilarious to spare her the embarrassment.

“Stop laughing, it’s not funny!” She exclaims indignantly as he helps her up the last few glass steps, clinging to him like a scared puppy, her hands still shaking with adrenaline. “I could have died!”

Her shrieking only makes him laugh harder and he nearly keels over, palm clutching his stomach as if to keep it from popping. “I’m sorry, I really am, but it’s just— your face when you— and how you tripped sideways— I—”

Y/N shoves him hard towards the corridor where his bedroom lies, but it’s hard to maintain an angry demeanor when the young man’s giggles sound like bells and when he looks so cute with his curls flopping across his forehead. “Dickhead.”

They’re almost at his bedroom door when Harry grabs onto her wrist, tugging her roughly so that she lurches forward into his chest. He plants a wet kiss onto the bridge of her nose, expression entertained. “Stop being such a bad sport. It was pretty funny.”

“Yeah, okay.” She huffs begrudgingly, glancing down impatiently at his plump lips as he walks backwards down the hallway with her in tow. “You can invalidate my rage once you have a near death experience yourself.”

The irony of it all.

Harry kicks the door open, ghosting his mouth over Y/N’s and watching her sight do a quick sweep around the area. “Welcome to my lair.”

The human likes his aesthetic. The room has different hues of the same color, so it all ties together nicely, and the hanging lights look like miniature versions of the two large ones downstairs. The bed is huge, which is a relief because for once, they won’t have to actively worry about accidentally rolling off the edge mid-fuck. “It’s nice. Very chic.”

“Thanks.” Harry reaches up and cups either side of her neck with his palms, dragging his damp lips over her chin and down the center of her jugular, smiling against her skin when he feels her shiver. “It doesn't have a bookshelf wall like yours, but I make due.”

“Yeah.” Y/N wisps out weakly, leaning her head back as he speckles his mouth across that sensitive point on her throat he discovered ages ago. “I bet.”

She feels Harry’s touch travel down her torso, cold fingers suddenly smearing across her love handles beneath her work shirt. His grip tightens at the hem with the intention of pulling the polo off, breath hot as it washes over her collarbones. “Wanna find out just how good I make it work?”

Y/N’s arms instinctively raise on command, her reply shaky and fragile. “Yes, please.”

Harry makes it work. He makes it work so fucking well. He doesn’t need crazy positions or any vibrating toys to make her feel good; he just knows her so thoroughly by now that he’s able to tend to every single one of her needs like it’s his sole purpose. The sex is missionary, with her splayed out across her back upon his mound of feathered pillows, her thighs clamped over his hips as he slams into her at a harsh, curt pace. Her calves are tied around the backs of his thighs, her nails are carving memories into the broad expanse of his shoulders, they’re both panting curse words and encouragement into each other’s mouths, and he’s cradling her to his chest as if he wants to absorb her heartbeat right through her ribs. If only obtaining one were that easy.

Y/N allows her head to fall back against the cushions, drawing away from the prolonged kiss only because she needs air to continue. Harry’s lips busy themselves elsewhere, running down the valley of her chest and toying with one of her pebbled nipples. Y/N’s back gives a sharp arch the second he brushes across the sensitive nub and the taunting coo he releases goes straight to her core.

“Liked that, darling? Like it when I kiss you there?”

The girl’s lashes have fallen shut, her eyes lulling around in their sockets as he maintains a steady rhythm between her thighs, ramming into her with so much force, the headboard is knocking into the wall. It’s loud and intense enough that Harry has to fit one of his palms between the railings, bracing the weight of the bed in order to prevent a hole from forming.

Y/N’s voice fills the dense atmosphere, so shattered and raw, she can hardly understand herself. “It feels so— so good, H.”

“I love it when you call me that. Sounds so pretty coming from your lips.” The vampire’s tongue flicks over her nipple a handful of times, dark veins momentarily webbing over the whites of his eyes at the cracked whimper she lets loose. “And of course it feels good. I always make you feel good, don’t I? Always make my girl cum so—fucking—hard.”

Y/N’s trembling fingers card into the curls along the nape of Harry’s neck as he thrusts to his words, twisting them around her knuckles and swimming in the throaty groan he pours over the clammy skin of her breasts. Her whisper sounds distant and dreamy. “Please...Please don’t stop.”

Harry gazes up at her through heavy lashes, lapping at her chest more fervently, accent thick and deep. “I won’t, baby. Not until I have you dripping all over my sheets.”

After a few more minutes of fractured moans bouncing around the panels of the room and the noise of wet skin slapping together, something catches Y/N’s bleary eyes. She wills past the blissful fog in her mind, focusing on the intriguing object hanging from one of the railings of Harry’s bedpost, swaying back and forth wildly due to his strong tempo.

“Are those...Are those handcuffs?”

Harry’s attention jumps to where hers is pinned, his powerful stride coming to a gradual stop. He’s heaving and shuddering above her, ringlets matted to his jaw and across his temples, cheeks flushed the prettiest shade of cherry red. His Adam’s Apple bobs once and he gives a short nod. “Y-Yeah. I’ve had them for a while...”

The hope dripping from his voice is practically palpable and Y/N interprets it easily. She glances down at him as he takes quivering inhales against her chest, his eyes bleeding lust. Her mumble is so quiet and soft, he wonders how it’s possible for her to make some of the preposterously loud sounds he’s used to hearing whenever he’s buried this deep. “Use them on me. Please?”

Harry bends to her request without hesitation. He locks her wrists into the restraints, sponging a kiss onto each before giving them one hard tug to check for security. He then regains his rough slams, but with more fervor than before.

The monster sits back onto his heels, groping her waist roughly and working her against his thighs, watching welts form on her flesh along the pads of his fingers. Y/N unconsciously begins circling her hips to match his speed and the fractured groan that rips out of him makes her walls tighten. He looks incredible looming in front of her, head toppled back between his shoulder blades, bouncing to his every ram. His throat flexes with the weight, jaw taut and inked pectorals glistening with sweat under the dim lights dangling from his ceiling. “That’s it, pet, just like that. Love the way you ride it. You’re so fucking tight and warm and...and just— Christ, just fuck me.”

She wishes she could frame this moment in time and drag it out forever.

Harry swings his head forward again, blinking the blurriness from his vision to take in the image before him. Y/N just looks so fucking gorgeous like that, tied down at his beck and call, her chest bouncing pertly as her fingers bunch around the chain link, thighs clinging to his waist as she chews her bottom lip raw in an attempt to control her noises.

The vampire ducks down, connecting their mouths in a sloppy kiss that cajoles her into spilling all the moans she had been withholding. He feels them trickle down his lungs and diffuse into his bones, flames lapping across his insides as their foreheads bump and noses smudge, ragged breaths intermingling. “Let it out for me, hm? Wanna know how I’m making you feel, don’t care who hears.”

As if that isn’t enough, there’s an instance where Harry’s animalistic senses suddenly enhance and he comes to the realization that the metal cuffs have made a tiny laceration along her skin.

A thin trail of blood travels down her suspended arm, but she doesn’t seem to notice, too lost in the pleasure Harry is pounding into the pit of her stomach. So he simply leans upwards and licks the sweet droplet clean, feeling heat spark across every fiber of his being. He laps up the entire stream and then presses a tender kiss to her palm for good measure, grunting out a gentle, “There’s a good girl.” when she whines at the affectionate gesture.

The release Harry is getting from between Y/N’s legs mixes with the ecstasy her blood brings, and it shoves him over the edge in a manner he hasn’t experienced since that first time they slept together all those weeks ago. Since the first time he tasted what lies in her veins, while also simultaneously getting to taste the indescribable relief her body so readily brings him.

After all is said and done that night, something peculiar happens. After they both milk their orgasms for everything it’s worth, and after Y/N gives into exhaustion in his arms with her wrists bruised and a content watery smile on her face, and after he gets a heftier drink from her neck and heals the two little puncture wounds with his own blood...The most bizarre, unexpected event occurs.

Harry falls asleep soundly for the first time in months, and all he dreams about is how Y/N tasted.

///

Y/N wakes up the next morning to her body covered in Harry’s Nike jumper, to an empty spot beside her in the messy duvet, to a familiar tune tinging her ears from a distance, and to a satisfying ache between her thighs.

As soon as she cracks the bedroom door open, the smell of pancakes wafts in through the chilled morning air. Specifically, lemon and blueberry pancakes. Her grandmother’s lemon and blueberry pancakes.

A shiver runs down Y/N’s spine the second she sets a toe along the cold glass panels of Harry’s staircase. She takes a deep breath, pulling the extra length of the sweater’s sleeves over her fists and tugging the hem of the article downwards as if she could convince it to cover more than just half her thighs. She carefully works her way down the steps, flinching at the iciness that travels up her legs with every motion. When she finally thunks down emptily onto the light-wash floorboards, her body has grown accustomed to the temperature. As she pads across the furry rug in Harry’s living room, she finds herself wondering why everything connected to him is always so unusually cold— colder than any normal person could withstand. His touch, his lips, the tip of his nose, his forehead, his chest, even his thighs; everything is always freezing, and she doesn’t understand how he can bear it. It’s such an odd affinity to have.

The human gradually wanders into the vampire’s kitchen, peeking inside the room from behind one of the archway’s walls. What she sees throws her for a loop.

Harry is cooking breakfast, as she expected from the sweet scent she’d awoken to, but he’s doing it in a manner she never really expected from him.

Music stems from a portable speaker he has situated at the center of the marble kitchen island, blaring loud enough to fill the entire giant home with high notes, guitar chords, and acapella riffs. The young man is dancing across his kitchen as he cooks, clad in nothing but a set of black Calvin Klein briefs and a pair of fuzzy magenta socks. Y/N rakes down his body, admiring the crimson and purple love bites she had left on his chest and the raspberry red scratches zig-zagging across his back, the marks flexing with the movements of his muscles. They’re strangely faint, for some reason. Practically barely there.

She chalks it up to the fact that maybe she hadn’t bruised him as much as she’d thought.

Y/N forces herself to keep her mind from straying onto anymore explicit topics; it’s probably not even ten A.M. yet. She needs to get herself under control.

Grooving while in the kitchen isn’t necessarily weird (she’s guilty of it herself), but Harry’s dancing techniques very much are. The only accurate depiction of it is that for a boy in his twenties, he dances like an old geezer in his eighties. His moves are choppy and old-schooled, almost like what you’d expect to see in a nineteen fifties disco hall, and watching him ebb and flow across the tiled ground to choreography similar to that of Dirty Dancing and Footloose... It would send anybody into a fit of laughter. Especially since Harry is so tall and lanky, so how he manages to move in such a way is beyond her understanding.

Aside from that, his choice of music is baffling, as well. Not only because she recognizes the soundtrack, but because she would have never expected someone like him— with his cocky behavior and overly-confident caliber— to be into these types of songs at all. She always pegged him for the seventies rock and roll type.

“You like Hamilton?”

Harry’s actions creak to a halt and he whips around towards where the disturbance had stemmed, spatula clutched in one hand and a marble plate stacked with pancakes in the other. His face breaks into a bright smile, voice slathered with dramatic friendliness. “Well, look who finally got up! I was starting to think you were dead, Sleeping Beauty.”

Y/N narrows her eyes at him mockingly, walking over to the kitchen counter and propping herself onto her elbows, chin in hand as she watches him set down the platter of food before her. She tips forward onto her toes, taking a deep inhale of the homey, sugary smell, letting it wash over her in flashes of childhood memories. “Are these like the ones I make?”

“Lemon and blueberry, yeah.” Harry bobs his head casually, turning around to place his metal spatula down into the sink, as well as to retrieve a glass bottle of maple syrup from one of his cupboards. “They’re pretty close, I think. I’ve never seen you use a recipe or measuring cups or anything when you make them, so I kinda eyeballed it to the best of my ability. Hope I did your nan justice.”

He pours a decently-sized glop of syrup over the mountain of treats and Y/N watches excitedly as it trickles down all the layers. He then pushes back from the table, pulling open a drawer and rummaging through, continuing to whistle along to the tune of Satisfied as he bops the cabinet closed with his hip and sets down an extra pair of forks and knives beside the plate.

Harry cuts a neat triangle out of the pancake at the top, pointing at her with his fork as he shrugs his brows nonchalantly. “And to answer your question from before: yes, I do like Hamilton.”

“Hm. Interesting.” Y/N murmurs, going cross-eyed as Harry offers her the forkful of food in his possession, poking at her mouth playfully and getting maple syrup all over her lips. She opens obediently, allowing him to feed her the piece. “You don’t really seem like the type of guy— oh, wow, these are actually really good!”

Harry bites into his lower lip with his two front teeth, a proud smile dimpling his cheeks as the light draft from the air vent ruffles a couple of his sex-mussed ringlets across his forehead. “Yeah? You mean it?”

The mortal nods her head vigorously as she finishes chewing and swallowing, wiping away some of the leftover syrup from her top lip with her middle finger and sucking it clean. “Yeah! You hit it spot on.”

“Aces. I should be on The Great British Bake Off.” Harry makes a small, celebratory fist bump next to his hip and the childish gesture makes Y/N snort softly.

“Like I was saying, you don’t really strike me as the type of guy who would be into musicals.” The girl comments, watching her friend cut another triangle out of the first pancake and pop it into his own mouth.

The vampire chews thoughtfully for a second, lifting one shoulder offhandedly and swallowing fully before talking. “I’m really not, to be honest. But this specific musical is pretty good. The songs are catchy.”

He nudges the other pair of utensils across the counter for emphasis, silently inviting her to dig into the dish along with him. She accepts, slicing down the other side of the stack as he leans forward onto his elbows, mimicking her stance. He gives her a curious glance. “What about you? Do you like musicals?”

Y/N shrugs, poking a few chunks of food onto her fork. “Not really, but I had a major Hamilton phase back in college. That’s why I recognized it.”

Harry hums in understanding, picking a blueberry off and chewing it slowly, a sly smirk beginning to tweak the corners of his mouth. “So were you, like, a nerd back then?”

“Well, I wouldn’t say a nerd, but I had decent grades and was pretty quiet.”

He swallows down audibly, blinking impassively. “That’s literally the definition of a nerd.”

Y/N returns his flat expression. “Fuck off.”

Harry throws his palms up in peaceful surrender, but he still has that shit-eating grin present. “Alright, fine, fine...It’s okay if you were, though. You were probably one of those cute ones, y’know? With the clunky glasses and innocent goody-goody face.”

“Shut up.”

“Oh, and with one of those short little plaid skirts?” He releases a pained groan, clutching his chest and closing his eyes for a second. She has no doubt he’s sketching some type of graphic image of her in his mind. “God, I bet you looked so good. Do you still have it? Can you wear it for me?”

“I said shut up!” Y/N reaches forward and stabs at his tummy lightly with her fork, ignoring the warmth crawling up her neck and across her cheeks. “Fucking perv.”

Harry smacks her utensil away with his own, giggling lightly as she tries to prick him again, continuing to fight her off. “I’m just asking a question! For science!”

Y/N twists her fork around his, trying to outmaneuver him into dropping it. “How could my fashion sense in college possibly contribute to science in any way?”

The vampire easily catches onto her play, slipping himself out of her grasp and trying to trap her makeshift sword down against the tabletop. He purses his lips into a simper, glimpsing up at her through his lashes and quirking his brows cheekily. “Biologically, of course. It contributes to my solo reproductive activities.”

“You are vile.”

“Really? ‘Cause you seemed pretty happy to help with said activities last night.”

Y/N drops her fork onto the brim of the platter, reaching up to massage at her temples and keep herself from swatting Harry’s eyeballs out of their sockets. “I’m finished.”

“Yeah,” the jade of his irises glimmers coyly as he sets down his utensil beside hers in a ceasefire, “you definitely finished.”

Harry chuckles boyishly as Y/N drags her palms down her face, trying to hide away how flustered he’s getting her. She decides to change the subject, not caring to steer the conversation smoothly at all, but rather jumping to another topic right away. “So does this mean you have all the lyrics memorized? Since you like them so much?”

“I do, yeah.” Harry taps his fingers against the marble counter to the beat of the song currently playing. “Do you?”

“I was obsessed, so of course I do.” Y/N reasons, her own digits following in tune with the immortal’s. “I think Non-Stop was probably my favorite to sing. It made for a good shower concert.”

“Well, it’s settled then.” Harry quips happily, reaching for his phone and tapping across the screen. “We’re duetting this. Right now. C’mon, Burr.”

Y/N’s motions stop, shyness creeping in from the back of her brain. “Oh, I don’t know, Harry. I never really—”

Her refusal is interrupted by the beginning of the arrangement mentioned, the notes blasting through the speaker as Harry purposefully turns up the volume to drown her out. He taps at his ear symbolically, mouthing, “Sorry, I can't hear you!” and he doesn’t even attempt to ward off the evil grin creeping across his face.

“Harry, I’m serious—”

But it’s already too late. Harry juts his hand out in front of him, pointing at his companion with a theatrical edge as he begins to serenade, picking up the slack of her part.

“After the war I went back to New York. A-After the war I went back to New York. I finished up my studies and I practiced law. I practiced law, Burr worked next door!”

He looks at her expectantly, urging her to jump into the next half as her assigned role. Y/N muscles down her hesitation and recites the lines timidly with her brows creased in hesitation, but at least she’s participating. “Even though we started at the very same time, Alexander Hamilton began to climb. How to account for his rise to the top?”

Harry joins her in the next stanza, grabbing her hand midair in encouragement, trying to shake her out of her rut. “Man, the man is non-stop!”

Y/N is surprised at how well they sound harmonizing together, and she can feel her discomfort slowly begin to melt. She watches as Harry freely boasts his solo with absolutely no remorse, making grand gestures as he slides down the side of the counter, his movements dragging her along.

“Gentlemen of the jury, I'm curious, bear with me. Are you aware that we're making history?” The boy taps at his chin to symbolize that he’s thinking, acting out the story the lyrics construct. “This is the first murder trial of our brand-new nation, the liberty behind deliberation.”

He points at Y/N once again and she does the supporting vocals, gradually beginning to gain more confidence. “Non-stop!”

“I intend to prove beyond a shadow of a doubt, with my assistant counsel—”

Harry doesn’t even have to cue Y/N this time around; she picks up her half immediately, falling into line with him flawlessly as if they’ve done this a million times before. “Co-counsel. Hamilton, sit down. Our client Levi Weeks is innocent, call your first witness.”

Harry quickly rounds the corner of the kitchen island, giving her body a grand spin as he draws closer, coming to stand right before her. She gives him a fake exasperated look to match the attitude her character depicts, shaking her head in disapproval. “That's all you had to say.”

“Okay…” The creature yanks Y/N forward into his bare chest, leaning down and flirting his lips right over hers tauntingly, eyes half-lidded in amusement. “One more thing—”

“Why do you assume you're the smartest in the room? Why do you assume you're the smartest in the room?” The girl rolls her eyes dramatically, shoving past Harry’s shoulder and she finds it humorous how these lines fit so well, almost as if they were actually directed at him, calling him out on the arrogance he always seems to dote. “Why do you assume you're the smartest in the room? Soon that attitude may be your doom.”

Harry swivels on his heel, following her as she scurries outside the kitchen entrance, running into the living room.

“Why do you write like you're running out of time?” Y/N grabs onto one of the couch cushions, pretending to scribble over it with a fake pen. “Write day and night, like you're running out of time? Everyday you fight, like you're running out of time.”

Harry swipes at her from across the couch, trying to grasp onto the jumper she’s wearing. “Keep on fighting in the meantime.”

Y/N ducks out of the path of his grabbing hand, chucking the pillow forward and it bonks him square in the face. She sticks her tongue out at him as Harry scowls dully, climbing onto his sofa and scuttling towards her on his hand and knees.

She jumps just out of reach, diving across the other end of the furniture. The vampire throws his weight to try and tackle her to the sofa, but she just barely escapes. He ends up toppling over the backrest due to his over-abundant momentum.

“Non-stop!” Y/N waves her middle up at him triumphantly as he pushes himself up off the ground, giving her a challenging look as he takes off after her once again.

The pair continue to sing back and forth, with Harry chasing Y/N around the living room and kitchen as he belts out his part of the song, Y/N always somehow managing to slip from his grasp as soon as her turn hits. They’re a mess of giggles, silly faces, and boisterous actions as they reenact the play and neither can recall a time they had ever had more fun. There’s never been an instance when they felt so comfortable with another soul that they are willing to run around half-naked, screaming lyrics at each other in their underwear, not caring who sees or overhears. It just feels so second-nature.

A section of the song comes up where a woman is singing and Harry immediately takes up the part, placing his hand on his bare hip and standing in the most feminine fashion he can possibly muster, fanning at his face. “I am sailing off to London, I am accompanied by someone who always pays.”

The exaggeration makes Y/N bend over laughing and her distraction allows Harry to nab her. He pulls her into his embrace by her forearms, cackling through the following stanza as she wriggles and squirms to try and get free. “I have found a wealthy husband who will keep me in comfort for all my days.”

Y/N finally gives up on trying to thrash herself free, going limp against his chest and glimpsing up at him with begrudged annoyance, but a fond smile is unmistakably buckling her cheeks. Harry leans down, singing right in her face just to flaunt his victory, their noses brushing. “He is not a lot of fun, but…”

And then, there’s a shift in the ambiance between them.

Harry gazes down at her as she giggles up at him from his arms, full of so much genuine warmth and excitement, she could power the entire city if she wanted. Her shoulders are heaving slightly as a result of all the running, there’s still faint traces of black mascara smeared under her waterline and down her cheeks from the previous evening’s exertions, she has some acne scarring littering her cheekbones that look fairly recent, and her hair looks like it could nest a family of at least ten birds. But despite these imperfections, Harry finds himself feeling oddly endeared by it all. These flaws are all things he’s gotten used to and has grown to treasure in Y/N. They make her who she is. They make her witty, and they make her clever. They make her fun, as well as trusting. They make her likeable, and energetic, and kind. They make her a good friend and a generous lover. They make her... her. Harry gets the feeling that if she didn’t have all of these traits— if even one was missing— this little arrangement they have going wouldn’t have flourished the way it did.

Yeah, maybe he would have slept with her once or twice more just to scratch an itch, but he most likely would have let it fizzle to an end after the fact. Her personality paired with these small details— albeit, not all entirely attractive— that make up her existence play a key role in the dynamic they share. And he wouldn’t trade them for anything else— wouldn't trade Y/N for anyone else. Not anytime soon.

A warm surge travels through his chest, filling his veins like kerosine, heating him from the heels of his socked feet to the tips of his ice cold fingers. An unorthodox swelling sensation twists inside his ribs, right where his heart used to beat, and he finds himself reciting the next line in a soft voice packed with more emotion than he’s shown or felt in the last two centuries.

“There’s no one who can match you, for turn of phrase…”

Y/N seems oblivious to all of the unsettling experiences he’s undergoing, her amused expression not changing in the slightest. Harry allows the rest of the song lyrics to pass by, the lump in his throat too heavy to fight. Instead, he just keeps staring down at Y/N with brows frowning in confusion, his breathing coming out bated and shaky, and that knot in his chest continuing to tighten until it becomes painful. He gets the sudden urge to kiss her— to feel her lips press to his and feel her give into him the way she always does. The way she has for the last four weeks. He doesn’t want it to be sloppy or desperate or sexual; he wants it to be intimate, soft, and caring. He wants it to be special. Something they share. Something only they share.

Then, that moment passes. That flicker of weakness that had leaked through vanishes and Harry feels like he can breathe properly again.

He breaks their locked eyes, releasing Y/N from his hold and taking a swift step back, coughing awkwardly to try and rid the tickling sensation in the back of his throat. He scratches at the nape of his neck nervously, fiddling with his baby curls and attempting to piece himself back together after that unexpected and unwelcome intrusion of his innermost feelings. Though, he doesn’t know if that spectacle even files under the category of emotions; from what he remembers, they aren’t supposed to tangibly attack you in such a manner. It felt more like a violation— like someone had gone in and started poking and prodding at his subconscious with a metal skewer.

“Harry…?” Y/N inches closer to him, concern prevalent in her voice and across her features as she stretches her hand out caringly. “Are you okay? You look like you’re about to be sick.”

“I-I’m—” His voice comes out higher than usual and quivering, so he coughs once again to get it under control, taking another step back. He's scared that if she touches him, that horrible burning sensation will come back. “I’m fine. Just...Just forgot the lyrics.”

“Oh, okay…” The girl doesn’t sound convinced with the answer, but she lets the subject falter anyways, her hand dropping back down beside her thigh. “Just checking.”

“Yeah, I got that. Uh, thanks. But I’m all good now.” He holds up a clenched first and juts out his pinky, wiggling it for significance. “Promise”

Y/N scoffs gently at his playful deed. “Alright, then.”

Harry eyes her attentively as she returns to her previous spot in front of the plate of pancakes, retrieving her fork and starting to pick at them like before, as if nothing had happened. As if Harry hadn’t just almost had a cardiac arrest, despite the fact that the organ responsible had crumbled to dust ages ago.

“Are you gonna eat anymore?” Y/N signals down at the stack of pastries before her questioningly. “Because if you don’t get some now, I’ll eat them all myself. Don’t think I won’t. They’re better than the ones I make and—”

The vampire suddenly feels like bile is rising up his throat and his words spew out before he can think to stop them, though he’s not so sure he would.

“Do you want to stay over the rest of the weekend?”

2K notes · View notes

link4eva · 3 years

Text

Kiro’s Mind’s Quest: Infatuation Play Translation Part 2 [CN]

Hey! Here’s Part 2 of Infatuation Play. Here is Part 1 if you haven’t read it yet.

Enjoy~ 💛

*Spoilers for future content below!*

[Chapter 4]

MC: It seems I’ve put too much salt in the seasoning….

MC: If it’s salty…. add more water!

Kiro: Haha.

Kiro was amused by what I said, and he shook off a piece of beef and tasted it.

Kiro: Good to eat!

Kiro also gave me a piece, the evening light leaked in from the window, reflecting a small layer of fluff on his face.

In the steam, the spicy and delicious smell seemed to dispel the previously unremarkable smell in the house.

I took a sip of soda and brought up the topic from before. *Changed some wording*

MC: By the way, in addition to encountering the big challenge of an actor’s career, filming NG….

MC: Is there anything else that left an impression on you?

Kiro looked down and thought about it seriously.

Kiro: Does scaring a crying kid count?

MC: Of course!

Kiro smiled when he saw the eagerness on my face to hear the story.

Kiro: This scene is also related to entering the character state.

Kiro: In order to maintain this state, I kept myself bored in the hotel room for a long time….

Kiro: Probably because of my routine, no one reminded me.

Kiro: Later, I didn’t know the exact time anymore. When I came out, I felt that I had been in the dark for a long time.

Kiro: I realized that I was a bit too immersed, so I went to buy a bottle of soda to take a break.

Kiro: Then I met a kid in the crew…. I didn’t do anything, he just saw me and then cried.

Kiro’s voice was very low, and the hot pot gurgled.

I think of Kiro’s immersive performance on the screen, and then I dig a little deeper into what he said just now-- *Changed some wording*

It was as if he had a bitter fruit in his heart, and he desperately wanted to hide it from me. The more bitter it was, the stronger the taste.

In the end, the fruit still found its way into my heart.

I sniffed and couldn’t help joking.

MC: From another perspective, that kid got to watch a scene for free.

Kiro raised his eyes, and I continued with a smile.

MC: I want to watch the exclusive performance of the big star Kiro too!

MC: Thinking about it this way, I feel a little jealous.

I took his hand and his fingertips quivered slightly.

Kiro: Don’t you think I’m not doing well enough? As a professional actor, I shouldn’t be in this situation.

I shook my head.

MC: Remember, you asked me before if there was anything interesting about this business trip.

MC: In fact, in the city where I was on business, there would be lively gatherings at night on the street next to the hotel.

MC: Looking down from the balcony, there are clusters of lights, and everyone sits on the steps and chats casually.

MC: When I saw it, I was thinking, “I must bring Kiro here next time. He will love the sparkling cider here.”

I looked at Kiro brightly. He seemed to be imagining the scene I described with slight waves in his eyes.

MC: I want to share with you all the good and bad, brilliant and lonely times.

MC: You can be imperfect, you can have lonely and dark moments because I will be with you.

MC: We share each other’s lives. No matter what life it is, as long as we experience it together, it is enough.

Those blue eyes staring at me seemed to be lit by some kind of warm light for a moment, filled with soft emotions.

I paused and asked him softly.

MC: I remember that every time you acted in a play, you would bid farewell to them at the end.

MC: You said that you were lucky to participate in a period of their lives and experienced their emotions.

MC: So in the end, you have to bid farewell to the partners you have been working with….

MC: Looking forward to another time and space, they will continue their lives.

MC: Did you say goodbye this time?

Kiro looked at me and suddenly reached out and wiped the oil stains on my lips.

The boiling of the hot pot sounded and there seemed to be some fragments of emotions in his eyes that had melted silently.

He paused, turned his head and raised the bear cup on the table. He raised it in the air, the emotions in his eyes were clear and calm.

Kiro: Americano is still too bitter, I prefer to drink soda.

Kiro: The hot pot made by Miss Chips is delicious. As long as you are with her, even the little things like walking your dog to the supermarket are worth remembering.

His gaze flickered over the neatly coded script on the sofa, and there was a sense of relief in his voice.

Kiro: What you didn’t find, I did.

Kiro: In the time and space I don’t know, you will definitely find what you want, and come back to shine on the stage again.

Kiro: Now, it’s time to say goodbye to you.

The starry sky is gentle, and the steam from the hot pot rises, almost like a response. The wind blows the curtains and the room is full of starlight. *Changed some wording*

We are both covered.

(Cut to the living room)

MC: What’s going on with Cello lately? She seems to be more irritable.

MC: Not only did she knock over the sunflower vase in the living room, but also bit her tail….

I pet Cello who was being held in Kiro’s arms and spoke tentatively.

It is said that the mood of pets will be influenced by the owner. Is Cello….?

Kiro looked away with a guilty conscience.

Kiro: Maybe it’s because the season makes everyone more irritable.

Kiro: [coughs] Just leave her be, save the sunflower first.

He found a new vase in the cabinet and handed it to me. I trimmed the sunflower’s branched and leaves that had been bitten by Cello.

Kiro sat cross-legged across from me and stared at me without blinking. I was a little embarrassed to be stared at.

MC: What are you looking at?

Kiro tilted his head at me and his blond hair swayed slightly. It was obviously a naughty action, but the smile in his eyes was very gentle.

Kiro: Of course I was looking at Miss Chips.

Kiro: Looking at your actions, expressions, the flower in your hand, and….

Kiro’s tone was stretched out and I followed his gaze to see the light-coloured hairband on the side of my head.

The soft end of the hairband slid down my neck and onto my skin.

MC: KI-RO!

I blushed for a moment and when I was hurriedly trying to retie my hairband, my hand was suddenly grabbed.

I looked up and under the frivolity of the sun, I didn’t know when Kiro got so close to me that I could see the creases on his lips.

His gaze fell on the end of my hair. He tucked the hairband lightly and winked at me.

Kiro: Miss Chips, let me help you.

Without waiting for my answer, he took a strand of my hair and maneuvered his hands dexterously, rubbing my earlobes with his fingertips which caused a burst of scorching heat.

The hairband is like a streamer that can be held in his hand, and he is the creator of beauty.

The mood is changing silently at this moment as we stay so close. *Changed some wording*

No matter how difficult the moments we encounter are, they will definitely be healed in the accompanying time.

After a while, Kiro held my face and looked at it with satisfaction.

Kiro: That’s it.

I reached up to touch the hairband and couldn’t help but smile. *Changed some wording*

MC: You even tied a small bow!

Kiro: Of course, this is the exclusive mark of Kiro.

Kiro picked up the end of the hairband and looked down at me tenderly. His blue eyes were like a vast and boundless sea and I willingly indulged in it.

(Cut to morning)

The morning light was in the room and the sound of the phone vibrating awakened me from my sleep. I picked up the phone and pressed the answer button.

MC: Kiki? What’s wrong?

Kiki: Boss, the project you flew abroad to talk about has passed!

Kiki: Anna received the letter of intent last night, and the person in charge there said that he hoped the date of the contract signing could be confirmed today.

Kiki: Where are you now? Come and visit the company!

MC: Okay, I’ll be there.

I hung up and turned my head, Kiro’s sleeping face came into view.

He seems to be having a good sleep and his lips are slightly upturned, he looks particularly meek. *Changed some wording*

MC: ….

It looks like he is still a little sick. *Changed some wording*

The lack of sleep made my brain work a little slow, so I shook my head in an attempt to wake myself up a bit.

Just as I was hesitating whether to go, Kiro woke up with a hint of sleepiness in his eyes. He was startled when he saw my neatly dressed look.

Kiro: [cute sleepy voice] Is something happening at the company?

(If you pick “No”)

Seeing Kiro’s still pale cheeks, I shook my head and smiled at him.

MC: Nothing, I was just talking to Kiki.

But Kiro looked at me and suddenly smiled.

Kiro: Miss Chips, you should go do more important things first.

Kiro: I will wait here for you to come back.

Seeing him look at me quietly, I nodded gently.

(If you pick “yes”)

I was conflicted for a moment and then nodded honestly.

MC: There is a little situation that needs to be dealt with, but….

Before I finished speaking, I saw Kiro stretch out lazily with a slight smile in his tone.

Kiro: I will wait for your return.

He looked no different from what I was familiar with. I hesitated for a moment and finally nodded gently.

[Memory Silhouette]

MC: Hahahahahaha! This episode is so funny!

I laughed so much that my cheeks hurt and I had to lean against Kiro’s arms. He opened his arms and caged me in them.

Kiro: Is the way I eat mustard so funny?

I lifted my head and looked at him as he asked me.

The sun was shining on us warmly through the French windows, Kiro’s milk fragrance also wrapped around the tip of my nose. I couldn’t help but squeeze his cheek with my hand.

MC: No, but I like it.

MC: Didn’t someone say that if there is a person who can keep you smiling, then he must be an important presence in your life.

MC: You make me laugh without even thinking about it, your existence turns cloudy days into sunny ones. *Changed some wording*

As if he had accepted my theory, Kiro no longer struggled with his expression about the variety show, so he clicked the button to continue playing.

Kiro: Okay, I agree with Miss Chips.

This variety show has Kiro as a guest appearance. When he participated in the show, he had not yet joined the cast to make a movie. The show was as bright as a little sun.

In the space between the advertisements, I quickly glanced sideways at the person next to me.

Over the past few days, I can feel his gradual relaxation.

It’s not that I’m always vigilant, telling myself that I have to be happy in front of him, but because when I’m with him, I can relax and smile.

I liked this relaxed and soft Kiro.

MC: But speaking of it, in this variety show, I see you in a way that I don’t usually see.

MC: Planting seedlings, bargaining with the owner of a small shop, and making mosquitos nests by yourself.

MC: So Kiro turned out to be a secret master of life?

MC: So when I was making homemade cranberry cupcakes, a certain superstar asked me to teach him how to beat the egg yolks?

After being questioned, Kiro gave a cheeky “um”.

Kiro: That’s because, in the cast, I need to play the image of SuperHero. This is my job.

Kiro: But in front of Miss Chips, I can be willful and not so perfect, can’t I? *Changed some wording*

He looked at me with a smile in his eyes, like an afternoon orange soda full of refreshing taste.

MC: You said that…. I can’t refute it.

Although I said that, I couldn’t help but laugh.

MC: But two people mixing the egg yolk batter together is always more interesting than doing it alone.

There was constant laughter on screen. I looked at Kiro who was always smiling on the screen and couldn’t help but lean into his arms.

His chin rested on my shoulder from behind and his warm breath brushed my neck.

It’s always a good time to need each other and be together. *Changed some wording*

MC: Next time, teach me how to make a mosquito net.

MC: Maybe in the future when we go on a trip, it will be useful.

Kiro: Okay, let’s make a big and beautiful mosquito net.

MC: Huh? Why does it have to be so big?

Kiro: It can be used as an open-air tent. If you watch the stars at night, you don’t have to worry about being bitten by bugs.

I couldn’t help being amused by Kiro’s serious tone.

MC: Okay, let’s do it together.

Time is moving slowly and quietly, walking forward with a lazy pace. The lazy rest is close to the not-so-perfect Kiro.

Put together a cupcake with a honey-flavoured centre. *Changed some wording*

[Chapter 5]

When I had walked halfway towards the company, I decided to pull out my phone and call Kiki.

MC: Kiki, there are some things on my end that I can’t get away from. You can help me with the people from the other company and change the meeting to a virtual one.

MC: The contract has been sorted out, I will send it to them later. You are responsible for monitoring the online meeting.

Kiki: Mhhm, okay. Sounds good, boss.

After temporarily solving the company’s problems, I returned to Kiro’s house.

In order to avoid disturbing Kiro, who might still be asleep, I opened the door very quietly.

But when I entered through the door, I saw Kiro sitting cross-legged on the floor with his back facing me.

Kiro: Cello, don’t move.

A cat’s tail came out from his side, swinging back and forth uncomfortably, but was caught by Kiro in the next second.

Kiro: A few days ago, I didn’t play with you, which made you unhappy with me.

He was talking to himself, then sighed slightly.

Kiro: From now on I will play with you every day, but you are not allowed to bite your tail.

Kiro: If you bite your tail bald again, I will confiscate your dried fish!

Hearing what he said, I couldn’t help but laugh.

Kiro turned around when he heard the sound and when I saw Cello resting in his arms, I opened my eyes wide.

MC: You made a small flower for her bald spot.

A small flower made of pink wool is tied around Cello’s tail, which was probably taken from Kiro’s clothes. It covered most of the bald spot.

Kiro: Miss Chips, why are you back so soon?

Kiro was a little taken back, but because of my presence, there was an unconcealed smile in his eyes.

As I walked to Kiro’s side, I creased my eyes and opened my mouth.

MC: Because the witty Miss Chips changed the meeting to an online one, if it is synchronized with the time abroad, it will not start until the evening.

Kiro touched his chin thoughtfully.

Kiro: In other words, before the meeting, you still have a lot of time alone with me.

MC: You can think of it like that.

Suddenly I saw the familiar sly smile in his eyes. I was stunned for a second as I realized something and then took a step back cautiously.

Kiro smiled innocently and brilliantly.

Kiro: Miss Chips can’t run away, you came back to me by “getting caught” by my net. *Changed some wording*

In the next second, he hugged my waist and his presence hit me overwhelmingly.

Cello jumped to the ground, licked her paws, and curiously tilted her head to look at everything in front of her.

Kiro led me to the sofa where I sat in his arms, my heartbeat still a little fast.

Kiro chuckled.

Kiro: Why does Miss Chips look like as if I’m going to do something bad?

His palm touched my bare back, arousing a shudder.

He looked down at me, but there was nothing else in his eyes other than like.

I think of his unusual moments these past few days and my heart can’t help but feel moved.

The next second, I reached out and hooked my arms around Kiro’s neck. Kiro looked at me in a daze.

MC: Kiro, all the things that happen to you, I want to be the first person to share them with you.

I paused.

MC: Just as happiness and sadness are all the flavours of life we must experience;

MC: I want to be together in those bleak moments that must be experienced.

MC: Because--friction generates heat.

MC: So next time if you feel empty, let me stay with you.

MC: Let me fill your time.

Kiro’s eyes seemed to have a small sparkle of light in them after hearing my words.

After a while, I was pulled by Kiro and fell back into his arms.

Following his movements, my bag fell to the ground and a clear sound rang out. Kiro turned his head and glanced, leaning over and picking up a lipstick.

I reached out to take the lipstick, but Kiro grabbed my wrist.

He looked at me and suddenly put some on his lips slowly.

In the small and charming space, all his movements seemed to be slow and carefully planned, which made me suddenly think of the fragments I saw in the lens.

Kiro: While eating hot pot, Miss Chips said that she regretted not being able to see my exclusive performance.

He paused for a moment and gave a grin.

Kiro: Well now you can.

He raised his hand and the hot red in his palm brushed my hair and then letting it fall onto my back, bringing the smell of spices.

It’s like a light kiss.

I stiffened for a moment, only to feel that the spot touched by him was burning like fire, making me want to get closer.

MC: Kiro….

I muttered Kiro’s name softly. As if receiving some kind of response, he suddenly took my hand.

Then he lowered his head slightly and pressed his warm lips to my wrist.

Kiro: I’m here.

There was a warm touch from his skin and Kiro’s lips were still pressed against my wrist, but he lifted his eyes to look at me.

I blushed suddenly and wanted to lower my head and look away. The next second, I was firmly grasped with his other hand.

He held my hand and guided my fingertips past his lips.

His look was seductive, like a fairy falling into the world, unknowingly attracting me.

But perhaps, he knew it.

Kiro: Now I am sure that you have filled the most precious time in my world.

His blue eyes are as gentle as the sea and there is only a small me inside of them.

He looked at me and got closer, hot breath fell on the side of my neck accompanied by a soft voice.

Kiro: In fact, there have always been many temptations and difficulties on the way to becoming an actor.

Kiro: It’s a small boat called “Kiro”, sailing on the waves of the world. He often encounters danger, gets injured, and breaks.

The soft touch lingers from the side of my neck to my earlobe, and the breathy whispers fall on my ears very affectionately.

Kiro: But this one person, she found the boat on the boundless sea and repaired his damages.

Kiro: She then stayed on the boat and sailed the world with him to see glaciers and lakes.

Kiro: This person is called Miss Chips, and she is-- the beacon that guides me through the world.

His voice is like falling petals; quiet and soft with the ultimate sincerity. *Changed some wording*

Kiro: In the play, Kiro’s emotions belong to the stage.

Kiro: But Kiro outside the play, his world, everything about him belongs to you.

The scorching temperature left my neck and he looked at me earnestly with undisguised emotions in his eyes, like the surging ocean tides.

I couldn’t help but hug his neck back.

MC: Kiro, you made me the best Miss Chips in the world.

MC: Let’s go to farther places together, see glacial lakes, and sail the world together….

MC: Nothing can make me leave your side.

The sunflower grows enthusiastically and his golden hair is soft and brilliant. The world is flourishing and beautiful, just like himself.

If I were Kiro’s beacon for sailing the world, then let me be that tower that illuminates him.

Because-- he is also the most indispensable part of my world.

End

#mlqc #mlqc spoilers #mr love queens choice #mr love #mr love game #mr love dream date #mldd #mr love kiro #mlqc kiro #mldd kiro #周棋洛 #date translation #IM SO PROUD OF MC!!

82 notes · View notes

shihalyfie · 3 years

Text

Some fun talking about and analyzing the tri. stage play, and its relationship to Kizuna

The tri. stage play (full title: "Super Evolution Stage! Digimon Adventure tri. August 1st Adventure") is honestly quite an unusual entry in this franchise, even within Adventure standards. Nearly everything about its production is unusual -- the entire genre it's in is unexpected, the choice of time period to release something like this is unusual, and moreover, now that Kizuna’s out, a lot of people have noticed a lot of suspiciously similar themes and even language, most notably the key “we’ll always be together” line (phrased even exactly the same way in Japanese). In fact, despite ostensibly being a tri.-branded product, other than a few vague token nods to the anime series in the play itself, said stage play has very little to do with the actual anime sharing its name, so the similarity to Kizuna is even more striking in retrospect.

Perhaps another interesting thing about this play is that it’s a very good example of a standout work in the Adventure universe that didn’t have any original creator involvement (other than some minor tips from Seki). I think there’s often a tendency for people to think that in order for a sequel or spinoff to be true to the original, it has to have some member of original staff on there, especially since the Adventure (and 02) characters tend to be a bit overly complex and it helps to have the reassurance that someone who knows them is behind the wheel -- Kizuna used the presence of Seki and Yamatoya as an outright advertising point -- but this stage play’s director and writer had no experience with the franchise beforehand, not even as a fan, yet still made a very respectful product that has generally been received well by Adventure (and 02) fans and even got the original director’s approval, too. If anything, that makes it all the more impressive!

(Note that the below text spoils the story content of the play, but not Kizuna’s to any substantial degree.)

Some production background

Anime and video game stage tie-ins are fairly common -- much like this one, they tend to have very short runs and are targeted at a limited audience -- but they’re usually stereotyped as being for the otome crowd (i.e. predominantly female otaku audience), so works like this are generally associated with it. As a result, when this play was announced and released between tri. Parts 4 and 5, quite a few people were surprised, because this franchise originally came from products associated with shounen anime. In practice, this was a period where it was becoming increasingly clear that there was, in fact, a huge female audience for Digimon (especially Adventure universe), on top of the fact that (as noted by the performers in the final show) the audience for this show ended up being unusually mixed-gender, because Digimon really is universal -- but it did lead to the announcement of the play being initially received with heavy skepticism, partially because of the usual misogyny (stigma around things associated with female audiences, etc.), and partially because this was during a time where...well, saying that a very huge percentage of the fanbase, especially the Japanese side, was really pissed off at anything tri.-branded at the time is kind of an understatement. Ultimately, the play ended up very well-received with a small but dedicated following, and it’s currently referred to as “dejisute” (short for “Digimon Stage”) in Japanese fan shorthand. Bringing it up generally elicits positive critical feedback, even among those who were initially skeptical.

Some interesting things also surround the circumstances of its production as well. As some might know already, the tri. anime series and Kizuna share only one key member of staff: Kinoshita Yousuke, who was involved in tri. Parts 5 and 6, and eventually went on to become the producer for Kizuna and the upcoming 02-based movie. tri. was a work that (for some reason) had a huge number of producers on it, of which Kinoshita was only one; he seemed to have been replacing Arai Shuuhei, who left the project after Part 4. However, while Arai was formerly one of the most visible of tri.’s producers (he was the only one regularly brought up in interviews), how much degree of influence Kinoshita had with tri. is unknown, other than the fact he had no involvement in its story. Given that the decision to make Kizuna also seemed to have been made around Part 5, it seems that Kinoshita may have been brought on specifically for the purpose of observing and prepping for Kizuna, because his role on tri. seems to have been so minimal that the moment he was put in charge of Kizuna, the production philosophy ended up becoming completely different under his management. (When you think about it, tri. and Kizuna have very little in common, other than the rough premises of involving the older Adventure cast.)

The thing is, though, Part 5 isn’t actually the first tri. work Kinoshita is credited for, but this stage play is -- which is interesting to consider when taking into account the heavy amount of thematic parallels between this and Kizuna three years later, and in general the very unusual creative decision to make a stage play that suddenly popped up at exactly this time, making heavier tributes to Adventure (and even 02) than the actual anime it was branded with. Making things even more interesting was that the stage play’s director and writer, Tani Kenichi, was allegedly recruited by an unnamed producer impressed with his work (by the way, did I mention Kinoshita used to work in live-action before joining Toei?). Given all that, perhaps this stage play coming off unnervingly like a sort of Kizuna prototype isn’t all that surprising...

Unfortunately, right now we’re still kind of in a time period where official will get barraged with violently angry comments for even so much as putting the series on streaming services, so it’ll probably be a few more years (if ever) before official will be willing to be more open about what went on behind tri. production, and it’s probably a bit much to get too speculative about things like this when real people are involved. Nevertheless, one thing is apparent: the director and writer, Tani, was a newcomer to Digimon -- not even someone who’d been a fan beforehand -- but watched all of Adventure and 02 in preparation for it and stated openly that he was very, very emotionally touched by it. The work itself is obviously made with a lot of love and respect for the series, and one really cool thing about it is that you can also tell that it came from the perspective of an adult with no preconceived notions about it, therefore meaning it comes from someone analyzing the series without necessarily caving to fanbase mantras, and making some very cogent observations about the characters. It’s also just a fabulous work production-wise in general -- the puppet work and making the Digimon look convincing on stage is very well-done, especially when you consider that this play had only ten showings -- and you really gotta appreciate the fact that, even before Seki gave him a few pointers, he was so passionate about the importance of Digimon partners that he pushed for all eight to be represented despite the expenses.

Taking a look at the play itself

Despite ostensibly tying into the tri. anime series it's branded with, the play only really seems to loosely refer to some of its key elements as taking place at approximately the same time, such as Koushirou’s server, infected Digimon, setpieces like KNIFE OF DAY, and an eventual “reveal” that this seems to take place ostensibly around the rough time period of tri.’s Part 4. Look closely, however, and you’ll notice that a lot of things in the characterization and plot arena actually don’t track much with tri. at all -- for instance, in a very non-comprehensive list of things:

It’s implied that Yamato himself is embarrassed about the KNIFE OF DAY band name and is desperately trying to get through it with passion, which doesn’t quite line up with his attitude about it in the anime.

The timeline just really doesn’t line up; Mochizuki Meiko, Meicoomon, and the infections obviously exist, but you can’t have a time period in Part 4 where the kids recognize Meicoomon as being related to the distortions or infections while also being separated from Meiko. Moreover, the “reboot” just doesn’t seem to have happened at all (and to be fair, if you’re planning on making a two-hour tribute to Adventure, not having the Digimon with memories of said adventure would seriously limit the scope of your plot, so this kind of “leeway” was probably downright necessary).

The tri. anime series portrayed Takeru as having a very sharp shift in language, presumably under the implication he’s putting up a front as a flirtatious, aggressive playboy, and so his first-person pronoun was turned into the aggressive ore and his way of referring to Yamato aniki. In Adventure and 02, Takeru had used the polite boku and childish/cutesy onii-chan, and the boku was prominently used as a plot point to hint at Takeru’s identity as the series narrator. (Yes, these kinds of things are actually kind of a big deal in fiction.) Since even longtime fans generally agree that at some point Takeru would be likely to stop using onii-chan once he became old enough, the stage play likewise also prefers aniki over onii-chan, but, notably, it doesn’t even bother with ore in the slightest nor any of the implications that surround it, and Takeru comfortably uses boku for the entirety of the play. Considering that the use of aniki is still a bit unusual (both Diablomon Strikes Back and Kizuna prominently favor the slightly more polite nii-san instead), it seems that the play was made with an awareness that both aspects of Takeru’s language had changed, but a conscious decision to hold over only one from the anime.

And so on and so forth.

In general, the way you could describe this play’s handling of Adventure universe lore and characterization elements is that it’s a bit selective about which tri.-related elements it makes use of, particularly in regards to ones that might be too difficult to reconcile with the original Adventure (and 02). (This is basically the same attitude Kizuna roughly takes in regards to handling of tri. elements, although it’s less noticeable there partially because of the five-year gap between tri. and Kizuna.) Obviously, being completely incongruous with the tri. anime would be a pretty crude thing to do for a play that’s actually branded with it (and especially when said anime was still ongoing at the time, regardless of public opinion), but, regardless, the end result is that its actual relationship with the tri. anime’s version of canon is a bit tenuous.

The main reason for this is probably that, on the flip side, the stage play's references to Adventure -- as in, the specific series that aired in 1999-2000 and took place in the in-universe August 1 and 3, 1999 -- are incredibly aggressive. In fact, it’s actually far more aggressive in this respect than Kizuna is. For all Kizuna is branded as an Adventure movie and puts the original Adventure cast first and foremost in all of the advertising, if you watch the actual movie, in practice, it’s more of something that lies in the gap between Adventure and 02 and the two series together as a whole. Adventure was a series that practically revolved around a "trapped in another world" story and the specific impact its events had on the kids involved, but Kizuna focuses more on the “larger world”, including real world society (very much 02 things), with a lot of themes with suspicious pertinence to 02 and references to its epilogue looming over the plot; the specific Adventure references and even the Digital World don’t come into play until the climax. (And that’s before we get into the fact that the 02 quartet gets more screentime than a good chunk of their seniors.) Really, you can see it just by the fact that a majority of the primary key visuals line the 02 quartet up with everyone else; it’s a movie about both, not just Adventure.

So in other words, Kizuna is really about mixing Adventure and 02 elements, serving as a sort of stopgap work, and recasting the Adventure group in a lot of 02′s context. (And that’s by no means a bad thing; since Adventure wasn’t about that, the differing juxtaposition is a fresh perspective in its own way.) But in terms of revisiting what the actual series called Digimon Adventure was and how those events might have an influence on its relevant cast years later, this play (which actually has longer runtime than Kizuna, being around two hours) is a good place to go to if that’s what you’re looking for. The entire premise of the play revolves around copiously referencing that specific adventure back in 1999, and, more importantly, what impact it’s still continuing to have in this particular group’s memories, to the point where they’re starting to romanticize it and wish they could return to it forever...

Ah, right, that’s what this play has in common with Kizuna: the overall theme of unhealthy fixation on rose-colored nostalgia, and the need to move forward from it. (And, driving it home, “unhealthy fixation on the events of Adventure” as a symbol of that rose-colored nostalgia, to boot.)

The premise of the play itself is that the kids decide to hold a camping trip as tribute to the adventure in 1999, as part of a desire to "go back to those times" (and, as is eventually revealed, it’s actually part of a pocket universe their subconscious wishes had dreamed up as a desire to recreate the past, thanks to the power of the Digital World). So all of the references to Adventure are concrete and fleshed out in specific detail, ranging from everyone referencing specific events and how they impacted them (Jou very explicitly refers to his experiences in Adventure episodes 46-47 in terms of why it fuels his current desire to become a doctor) to even the most minor of references (direct reference to bananas on File Island, from Adventure episode 3).

As a brief aside, a positive side effect of centering the plot on this specific adventure is that it justifies the reason for why these eight are working together (at least prior to the endgame reveal that they’re still involved in tri.’s events); the eight of them weren’t portrayed as liable to do so without good reason, and while certain aspects and events from 02 are alluded to when they’re relevant, the absence of the actual quartet passing without note is completely justifiable because they simply were not on that adventure anyway. (They weren’t initially planned to be at the event in 02 episode 17, and knowing them, it’s likely they wouldn’t want to be at this kind of outright commemorative camping event, because they’d feel like they’d be intrusive in something they had nothing to do with.) So within the scope of the play in two hours, the narrative can be very neatly condensed to be mostly about Adventure itself.

Although this play and Kizuna both share the common theme of the existential crisis that comes with getting older and the tendency to romanticize one’s childhood, the underlying reasons are a bit different; Kizuna’s is very close to 02 in that it’s largely to do with societal pressures and expectations, especially since the question of "what you want to do with your career" is a driving motivation in it. In other words, the existential crisis comes from living up to other people’s expectations, or trying to fit into an arbitrary societal mold of an “adult” without necessarily knowing if that’s what you really want. In the case of this stage play, being set in everyone’s high school years where everyone’s relationship to “the world at large” is a bit more tenuous, the reason for the existential crisis is somewhat closer to Adventure’s: everyone’s started to think they might have been better people back then. More confident, less hesitant, more honest with their feelings. Adventure was a series about self-improvement and one’s relationship with oneself, so it’s understandable that a work meant to look back on that specific adventure will ask the question “well, did they become better people after all?” as a result.

But there’s two problems with this line of thinking: one, this is a very rose-colored evaluation of their former selves, because just because they might have been “more confident” back then doesn’t mean they didn’t have other problems going on (Hikari calls her past self out for being arguably “more honest”, but also somewhat of a dependent child), and two, being more hesitant doesn’t make one a weaker person, just one who’s dealing with a lot more problems and awareness and things to worry about because of how much the scope of their lives has increased. As Agumon says at the end, the old Taichi and the current Taichi are still the same person; it’s just that he’s dealing with more, so he’ll naturally worry about more, and taking on those extra burdens is actually his own way of “evolving”.

Particularly interesting is the position of Jou, the not-so-unsung hero of this story, who is explicitly identified as the person most clearly aware of his future dreams and proceeding without hesitation towards them, to the point of being somewhat immune to the effects of the dream world. (Somewhat, mainly because the ending establishes that he wasn’t entirely.) It's consistent in line with the fact that we actually saw, directly, the train of thought that led to his decision to become a doctor back in Adventure, and he even states it directly in this play himself: he doesn’t consider himself someone who wants to solve things through fighting, but rather someone who can prevent casualties and heal the injured if he pursues this line of study, and thus is determined to make it happen. Even from the very early points of the play, there are several hints at him being able to see a metaphorical “future” that the others cannot, and while he remains unfailingly loyal to his friends (there’s a long sequence of him constantly claiming he’ll leave them as per Koushirou’s request but constantly coming back because he just can’t bring himself to abandon them), he also is the first one to depart the camping trip to attend to a test -- that is to say, he treasures his past, but he has a strong enough dream for his future that he’s willing to move on better than the others can.

Jou’s also the one to personally advise Yamato about the difference in nuance between doing things because you feel you must, versus doing it because you yourself truly want to, a difference in nuance that also becomes very pertinent in Kizuna. Also pertinent to both works in common is the discussion of nuances between “staying trapped in one’s memories” and “violently cutting them all away” (the consequences of the latter being more extensively discussed in Kizuna), versus the ideal situation of reflecting on those memories and experiences from the past in order to productively move forward.

And in the end, rose-colored nostalgia is, indeed, rose-colored nostalgia. Because, sure, that adventure back in the day was great, and they grew a lot, but they also grew a lot because they were overcoming some very harsh, difficult troubles; omitting those parts is losing the substance. The re-invocation of the fun “camping trip” also means re-invoking all of the other things that came along with it, including all of the dangerous threats they’d faced back then. It’s a package deal, and you can’t just filter those out, because it misses the point of what you gained out of it in the first place.

In general, the character writing for this play is also very good; there are some differences between the characters here and them back in 02, but they’re all within the believable scope of positive progression within three years and general adherence to core tenets of their character (Koushirou is certainly more assertive, but emphasis continues to be placed on his deference to others, penchant for spotting details, and capability for being an organizational leader in his own sense). Also notably, this play manages to verbalize a lot of the subtleties in Adventure and 02 that the mainstream tends to gloss over (and don’t tend to get put in official profiles) but are well-known to those deeply familiar with the series. This is the kind of attention to detail usually associated with those who have been studying the series for years, so it’s refreshing to see these come out in words -- for instance, Koushirou stating outright that he was one of the closest people to Taichi for a long time (very true!), Hikari and Takeru actually commenting on each other from back in Adventure (something we never really got in 02, despite “them having known each other for a while” being part of their character arcs), and Sora explicitly admitting that she goes out of her way for others because it’s easier to work for others than it is to even think about herself.

Actually, the attention to detail in general is fantastic; other than a minor slip-up (Sora refers to having met Koushirou during the summer camp at the beginning of the play when she’d actually known him prior from the soccer club, a detail that’s very easy to miss because it’s only mentioned once in Adventure episode 16 and clarified further in the novels), a lot of things from Adventure and 02 are made use of and framed in very clever context; the choice of Etemon as the enemy for this play is well-placed for both his entertainment value and the fact that, as an enemy personally defeated by MetalGreymon in Adventure episode 20, it makes perfect sense that he would have a grudge against Taichi in particular. (It’s also explicitly mentioned that Hikari and Tailmon never met Etemon in person even once, and that Taichi never actually got to see MetalEtemon, so there’s a lot of attention paid to logistics like that.)

Also, while 02 is not really brought up within the scope of the story (and really shouldn’t be, not when this story so heavily centers around Adventure and its themes), its place in canon and its contributions to the worldbuilding are fully respected; a lot of the offhand references to family situations and background are elements that were originally introduced in 02, and many aspects of its Digital World lore are used to assist the plot premise (in particular, the idea of the Digital World being connected to something that can conjure up unconscious dreams wasn’t explicitly invoked until 02). Rather amusingly, at one point, Hikari uses the events of 02 episode 13 to tell a “scary story” to troll Mimi, and it’s interesting and rather refreshing to see the implication that Hikari’s been able to move past the incident enough to use it to troll someone else. There are also some latent epilogue references as well, with Hikari directly bringing up her goal of becoming a kindergarten teacher, Takeru making some really subtle references to wanting to be a novelist and chronicle their adventures (in true Takeru fashion, he never states it outright, but anyone familiar with the epilogue can figure it out), and Taichi alluding to an ultimate goal of humans coexisting alongside Digimon.

Finally, attention should be called to the play’s relationship writing in general. As stated before, the play does call attention to relationships between characters that often don’t get brought up by the mainstream but are somewhat more well-known to fans -- Koushirou and Taichi, Sora and Mimi, Jou and Yamato -- but even the well-known ones are treated with nuance endemic to that from Adventure and especially 02, given that Taichi and Yamato don’t actually have the stereotypical “cold rivals” atmosphere that shounen anime would usually suggest, and the two of them have an extended heart-to-heart in which Yamato actively tries to figure out what’s wrong with Taichi and treat him kindly. (Like in Adventure, the only time they break out in a fight is when Yamato gets emotionally compromised and starts worrying that Taichi isn’t doing enough for others’ welfare.) It’s also very consistent with how the two treat each other in Kizuna as well (the izakaya scene comes to mind, and has a lot of similarities to the awkward-but-ultimately-close conversation they have at night in this play).

And, of course, the centerpiece of the narrative overall: the human-partner relationship. Of course, a lot of this was probably helped by Seki lecturing Tani to not mess this part up, but it really is impressive to consider in light of the fact we’re working with a lot of puppets that have handlers clearly in plain view, so you have to have some massive suspension of disbelief to make this work. But not only are the movements well-done to make it convincing that you really are seeing these actors physically interacting with their partners on stage, the narrative also puts huge spotlights on them, making the Digimon outright be the ones to snap their partners out of their worst patterns of thinking (especially with Agumon and Taichi), and dedicating a long period of silence where literal stage spotlights are dedicated to each kid having some alone time with their partner. The intimacy is very convincing, and, truly, Tani’s insistence on making sure every single one of the main Digimon was represented in spite of the prohibitive budget paid off very well. The point is made: a Digimon partner has to be someone who knows you well and intimately and can call you out at your worst moments, and Taichi even spells it out: Agumon’s capable of seeing right through him.

Putting it next to Kizuna -- a movie dedicated entirely to examining the meaning of a partner relationship, what happens when it deteriorates, what that means for oneself, and what it takes to recover it again -- it’s perhaps unsurprising that this play ends on the same line that was used in all of Kizuna’s advertising and was central to its own plot: “We’ll always be together.”

#digimon #tri stage play #digimon adventure last evolution kizuna #shihameta

62 notes · View notes

straighttohellbuddy · 3 years

Photo

how the light gets in {Corpse Husband}

2. you’ve gone way too fast for way too long.

Summary: Supernatural Creatures AU. Them/Them Reader. After the success of your first stream, you find yourself wanting to get back to your YouTube roots, and what better way to do that than with a cover by one of the bands who holds a special place in your heart? And maybe you’re using it to distract yourself from thinking about how coming back to YouTube means coming back to the things - the people - you’d left behind.

Maybe it’s selfish, but Corpse kind of wishes you hadn’t come back to YouTube; honestly, if anyone else had taken the world by storm, he wouldn’t complain half as much, except it’s you and he’s still mostly convinced that you might be an angel like him... Except better. Because of course you would be a better angel, you’re talented and driven and personable and essentially everything an angel should be, and - bar the talented bit, Corpse at least knows some of his worth - you’re everything he’s pretty sure he’s not. Except it seems like everyone loves you, and he doesn’t exactly have a good enough reason to be bothered by you the way he is, so he has to act like he isn’t. Which is a lot easier said than done, when you barely say a word to him and it feels like all of his suspicions are confirmed.

A/N: 8471 words. Reader in the fic is stated to be 24. THIS HAS NOTHING TO DO WITH SUPERNATURAL THE TV SERIES. me, trying to walk the line between 3rd person omniscient narrator and trying to make the narration feel like its somewhat coming from the POV character?? it’s more likely than you think! as always, i really appreciate feedback.

{ m a s t e r l i s t }

Taglist: @nanasort @meme-lord-and-savior-sebastian @theboywhocriedlupin @taikalinna @jaychirps @bingusmode @divine-artemis @realmejay @lovemelikepercy @balla-deer @miniritzcrackers @loraleiix @ppopty @easygoingtheatre @insanedeathwish @siriuslystupid @losvertown @janiathecat @wineandionysus @moonlightsimp @allylyew @chokingonflxwers @sicnesa @xxniksxx @mishisamess @preciousskye @yashinosakura @meleekabenjamin @whatamievendoinghere01 @lxurxn-02 @liljennyx3 @the-fusionist @benjaminka @lilysdaydreams @a-lonely-bic @letsloveimagines @melmachh @tama-chan-suneater @shio-yuki @fairywriter-oracle @easygoingtheatre @pixelbxtch @dreammoutlouddd @abysshaven @mediocrearistophanes @tsukishimawh0re @inkbyajm @jordiee95 @honkcorpse @kaiihaan @takenbyheartstrings @mrtony-stank1 @dangeroustreebread @xibrokensunriseix @corpseglider @artsyally @ellsbells2143 @machine-gun-casie @marvelsmurphy @bigmac-papi @danielle143 @fivedicksinatrenchcoat @starstruckllamapuppy @youretheonlyonewhomakesme @fee-btheweeb @parkerpeanuts @fanfictionenthusiast @evans-dejong @pancakebinnie @minbunbun @sabrinarahaman @thefangirl05 @jades-bullshit @fo-love @roses-and-grasses @thirstyfangirl @lovelysmp @325575 @wrongcielo @lukathecrime @lunariasilver @delicrieux @rebloogggs @kookiesandtae7 @mizxkii @effielumiere @happyyyandcrazyyy @teenageguitarist @prettylittlealiengirl @aroyalharknessblr @kylie-writes-stuff @annshit @haunteddeputymugpersona

taglist is always open! message me if you’d like to be added xx

----

The day after your song drops, it’s on Spotify’s Top 50 Viral playlist, it’s charting on iTunes, it’s splattered across the internet, according to your manager, who sees fit to text you, congratulating you on what she assumed to be a masterful marketing tactic; releasing the song and immediately streaming alongside huge YouTube creators who have a wide and diverse fanbase, all plugging your music. She thinks it was a carefully calculated move, which makes you feel all kinds of scummy, like you were using your new friends. Thankfully, when you fire a somewhat defensive response about how you had no ulterior motive, that all you wanted to do was have fun and make friends, your tone apparently reads loud and clear, as you receive an apology a few moments later. Backtracking, she simply mentions that, even unintentionally, you had great timing, and she’s glad you had a good time, which is better, and you try not to dwell on your initial assumption. Years of your life had been spent worrying that the people you were close to just thought you were using them for views or fame; her words did little to quell that worry, so instead you tried to distract yourself, or at the very least, focus on the good that yesterday had brought about.

The best, of course, was Sykkuno, the hellhound who’d endeared himself to you almost immediately. Something about him makes you feel safe, though perhaps it’s that you’re unused to someone feeling so familiar; you like to think you’re a good judge of character, so for now, you’re trusting in your instincts, trusting in Sykkuno. The next best thing was a tie, between friends and freedom. Yesterday you’d been doing what you wanted to do, not what you thought you should be doing, not what was on brand, or carefully scripted; you were messy, stumbled over your words, and you laughed and deceived your friends as was the aim of the game, it was so freeing to be unfiltered. People kept saying it was nice to see you smile, to hear you laugh again. Huh. Part of you really doesn’t like that you know exactly what they mean, and more importantly, why people are saying that at all. But things are different now, are freer now; your brand was built on you, it’s nice to get back to that.

By mid-morning, you’d been sprawled out on your sofa for almost an hour, glad to be alone, to not have to worry about being seen, as you’ve phased your tail back into reality, and have it holding up your phone as you scroll through Twitter with one hand and fidget idly with the other. More and more you’re seeing supportive comments from people gushing about the few bars you’d sung of 5 Seconds of Summer’s Youngblood on stream yesterday. First your chat had loved it, now it seems the general consensus was that people would love for you to cover more than a few bars. While you tried not to listen too much to what other people wanted, you couldn’t help but admit that it was something you definitely wanted too.

When you text your manager, new idea already taking hold of your focus, your earlier unsavoury text conversation seemingly forgotten, your manager reminds you that you should be working on your new album, putting together the tracklist for your EP. Ugh.

It’s not that you didn’t have ideas, quite the opposite; you’re exploding with ideas, brimming, overflowing with them, for songs you wants to write and feelings you can’t express any other way, but the songs and collaborations you’ve already completed, their mp4 files sitting neatly on your desktop, you wanted to save them for the full album, like it was some sort of penance for getting to collaborate, getting to become friends with people you looked up to, people who inspired you. To you, their contribution was worthy of your full album.

Well, that was part of the reason, the other part was that the songs you had designated for the album had a different vibe to your EP songs; albumtouralbumtour and imposter syndrome had both been written in lockdown, about very specific concerns you were having at the time. The EP was shaping up to capture a very specific moment in time, while the album was so much more than that. You couldn’t put read at five am on the EP, the collaboration you’d done with Troye, a lyrical-lament with a dissonant, upbeat melody, an apology for when you’re the one who cuts off contact with someone you’re close to and don’t know how to say why, and don’t know how to come back; yes, the fact that you and Ethan are talking again means that the song is technically relevant to this period of time, but it’s three years of regret and indirect apology compressed into in three minutes. It’s going on the album.

But being stuck at home all day for months had made you all nostalgic for your roots, for when you’d started uploading all the way back in 2012, at 16, with no idea what a few videos would lead to. You missed covering songs you loved, the songs other people had written and that you had still connected with, the songs that made you want to write your own. Yes, you loved your own content, obviously, but from idea to video publishing, you knew a low-effort cover would take you maximum a day and a half if you were particularly inspired, which you clearly were. By now, you’d been doing this for so long that you knew the legality of it all like the back of your hand, and were in a stable enough place to be more than happy to pay royalties to the band you’d co-headlined alongside for your first international tour.

“What if I call the boys and ask them?” You decided to just call your manager directly, tail curled securely around your phone where you’d put her on speaker, pottering around your kitchen trying to find something to eat. Alison, on the other end of the line, sighed deeply, having been fielding these sorts of calls from you about once a fortnight since lockdown had started.

“Have you finished moment before impact yet?” She countered, and you wrinkle your nose; its as if she can hear the expression through the phone with the way she continues on, not giving you a moment to cut in, “listen, I won’t tell you what to do, but you need to make a decision about your EP tracklist soon, okay? The label’s breathing down my neck, you know you have more than enough songs for it.”

“Alison, the vibes -”

“The vibes, Y/N, I know,” she sighed deeply, but you could hear the faintest smile in her voice.

“I promise I’m working on my own stuff; I think moment before impact is gonna be a collab, but I’m not sure who with yet, but if it makes you happy, once I record this 5SOS thing, I’ll work on a demo of moment for the EP,” you concede, and you hear her hum in approval, “I promise I have all the songs in my head, I just gotta make sense of which ones are the right ones for now, you know?”

“I really don’t,” you could hear her actually smiling now, so you let yourself relax for a moment, hands braced on your kitchen counter as you looked to your phone, “but I suppose that’s why you’re the musical one and I’m the manager.”

“My favourite manager,” you told her sweetly, and her answering laugh is more of a snort.

"Call the band, maybe they can work something out for you regarding royalties, if you plan to monetise it," she suggested, and you hummed, "keep me updated, okay? Make sure you're still working on your own stuff though."

"Alison you're a national treasure," you tell her feelingly; you don't even have to see her to know she's rolling her eyes.

But you take her advice, sending 'what if I covered Youngblood and posted it to YT? I'll pay you royalties' to the mostly dormant WhatsApp group you have with 5 Seconds of Summer, despite it being about six in the morning in Australia. Callum sends back a thumbs up almost immediately. Its all the confirmation you need to get started.

As you’re hunting through your house for a pick, turning over cushions, looking through junk drawers, you hear your phone go off, and you take a moment to check, surprised by what you see. A message from Sean. Huh.

[I see you’ve finally decided to join us in the gaming community, took you long enough 😊 If you ever wanna play something, just gimme a yell, you know Id be glad to have ya on my team.]

Considering the fact that it had been three years since you and Sean had properly been in contact, you find the message both surprising, and strangely heartwarming. There were a few people you’d purposefully fallen out of contact with, plagued by your own fears and self doubts. The people who you’d seen in person almost daily were the ones who you’d felt the absence of the most, but Sean, just by his close association with those people, along with a few other international friends, had been regretfully left behind also. Here and now, you can feel just how much you’ve missed him, how guilty you feel for giving in to your own anxieties and the negativity spewed by others.

But you know you can’t dwell on the past, on your mistakes, all you can do is be grateful for the opportunity to reconnect, and take it.

[ID: A tweet and reply conversation between @yourtwitter and @goldeny/n, followed by a single tweet by @ZeRoyalViking, and a tweet and reply conversation between @yourtwitter, and @5SOS.

@yourtwitter: someone yell at me for doing another cover instead of my original stuff. quarantine got me feeling 17 again. might do the cinnamon challenge next. or finally do that Roast Yourself trend 4 years too late. | @golden_y/n: BRUH YOU BEST NOT BE PULLING OUR LEGS | @golden_y/n: I would empty my bank account to see you roast yourself. | @yourtwitter: Please Don't Do That YouTube Is Free | @golden_y/n: 😳💀💖

@ZeRoyalViking: stream today with some familiar and not so familiar faces!!

@yourtwitter posted an image of Griffin McElroy from the My Brother My Brother & Me TV show. Griffin is a Caucasian man wearing glasses and a blue checked shirt. He is visible from the chest up and is sitting behind a desk with one arm in front of him, with his thumb out, as if counting. The image’s subtitles have been edited, now reading ‘My friends are very much into the following: Bullying me on TikTok.’ | @yourtwitter: @luke5SOS is just mad im gonna sing his song better than him. he doesn’t use twitter anymore so i have the upper hand here. | @5SOS replies with a gif of Jason Momoa, who is incredibly muscular, with dark hair down to his shoulders, a black tank top, and sunglasses on, holding a microphone, standing in a confrontational manner, captioned ‘No, no, no. By all means, speak your mind. You got a problem with my boy?’ | @yourtwitter: HE WENT LIVE UNPROMPTED TO TELL PEOPLE ABOUT HOW I WROTE NOTIMETOSLEEP IN THREE DAYS WITH NO ACTUAL SLEEP, OPENED FOR THEM IN ARIZONA, AND IMMEDIATELY PASSED OUT FOR 16 HOURS AFTER WALKING OFF STAGE | @5SOS: we just miss you tho... and it is kind of funny. | @yourtwitter: the minute im allowed to safely leave lockdown im coming to australia to german supplex the lot of you. ❤️

End ID.]

Corpse’s whole ‘not thinking about you’ plan goes down a lot smoother when you’re not actively stealing his friends- what kind of Angel goes around stealing another person - another Angel’s, no less - friends?! Except, right, he doesn't actually have proof that you're an angel, just a hunch he’s apparently committed to... and, okay, you don't know you're stealing them... Sykkuno and Rae are allowed to have more than one friend. Obviously.

"Honestly, I'm still kind of riding the high from yesterday's stream," Sykkuno’s all kinds of elated in the voice chat, and Rae's quick to chime in, matching his tone, his energy, as she agrees.

"I cannot believe Y/N played with us! I’m sorry you missed it, Corpse, I think you'd love them," Rae is adamant, to which Corpse, from behind the safety of his monitor, makes a face.

"What makes you say that?” Even as he says it, as he tries to keep the negativity from his voice, his nose wrinkles, the expression shifting his eyepatch just a little.

“I don’t know, just something about...” Rae’s voice turns thoughtful as she considers, though Sykkuno takes the chance to pipe up, voice brimming with his trademark sincerity.

“You guys have weirdly similar vibes, like kind of a similar energy?” He tries to explain before a faintly embarrassed laugh escaping him, even with Rae humming in agreement, “not the exact same, obviously, but like, I don’t know, I think you’d really like them.” The problem with having Sykkuno for a friend is that he’s almost always trying to be genuinely kind or helpful. The problem is that Corpse can tell he believes what he’s saying.

An angelic ability that often goes overlooked, even by angels themselves, is the innate ability to tell whether or not someone’s lying. It’s like a faint buzzing, low grade tinnitus, at the sound of a lie, something that can actually be pretty effectively ignored and forgotten, but right now, the lack of buzzing with Sykkuno’s words is frankly irritating. Not that Corpse can say that, he has no real reason to be jealous of your fast forming friendships with his friends, well, not any reason he can admit to on stream.

"You know what,” Sean muses, finally joining the conversation, “It’s been a while since I properly spoke to them, but I totally get what you mean,” fucking great; of course he agrees, “did anyone invite them to play; would love to have them here if they’re up for it.”

"I think they're working on a thing today, but I can message and ask?" It’s Sykkuno who speaks up, the barest hesitation in his voice, and to that Rae makes a proud little noise in the back of her throat.

"You met yesterday on the stream that I organised, and suddenly you're all best buddies? Gonna be honest, I’m a little jealous,” she admits, to which Sykkuno huffs a soft laugh, uncertain of what to say, though Rae’s tone is fond and she continues on, “seriously though, good for you, dude, finally getting the recognition you deserve -"

And on the one hand, yes, Corpse would agree that Sykkuno deserved infinitely more recognition and praise than he currently received, but on the other, the speed at which you two had aparently become close - a day! It had been a day! - sets Corpse’s teeth on edge. It was all he could do to keep quiet as the others chimed in, all their sentiments mirroring Rae’s.

All this frustration and resentment was almost definitely unhealthy, he was more than aware, but something about you had fixed in his mind; if it had been anyone else, anyone less talented or personable or productive, he could have probably handled it, but you...

All he gets is two games worth of peace before Sykkuno announces that he’s gotten a reply. Aparently you’re in the middle of recording a cover. Something about knowing that fills Corpse with discomfort, with envy, like he should be working on his music instead of being here.

"But they say they're gonna take a break in an hour or say, so they might join us for a few games," Sykkuno’s tone betrayed his bright smile, and suddenly the voice chat was flooded with excitement from almost all in attendance.

"Wait, really? Just like that, we'll be playing with Y/N?" Leslie sounds disbelievingly hopeful, but thankfully it’s only a few moments until the next game beings. While none of the others had picked up on Corpse’s silence, his chat seemed confused. Purposefully ignoring their questions and comments on the matter, he instead gives a few comments on the game, trying to come off lighter than he was feeling.

He’s not quite sure what he’s going to do if you join the stream, he’d never actually considered that he might one day talk to you, have to confront the person whose very existence got under his skin, who might very well be the only other person like him on this side of the world. Unsurprisingly, his head’s not in the game.

"Did you get enough sleep last night?” Rae feels the need to ask when whatever response he’d given in a meeting had just come out as an incoherent mumble. Of course he straight up laughs at her question, which is answer enough, and she clicks her tongue disapprovingly, “you’re impossible.”

“Have you drunk any water today -?”

“Sykkuno you’re dead,” Sean interrupts Sykkuno, who had broken one of the main rules of the game simply to question Corpse about his health; he’s far too caring for his own good, but moments like this make for good entertainment, “dead people can’t talk,” Corpse is grateful for all of five seconds before Sean turns on him, reiterating Sykkuno’s question like a traitor; “Corpse, have you drunk water today?” In lieu of a proper response, Corpse groans, playing at being annoyed.

“I say we vote him out because if he is the imposter, we win, and if he isn’t, he has time to go drink a glass of water,” Rae proposes matter-of-factly, which just leaves Corpse spluttering with disbelief.

“That’s fucking stupid; I’m not the imposter, you’re basically throwing the game -” but the votes are already popping up, and unfortunately, for the first time all stream, everyone seems to be in agreement.

“Drink water, Corpse,” Rae, clearly the leader of this mutiny, orders, as Corpse watches his character get flung into lava, and very begrudgingly heeds her words. He takes his sweet time drinking a full glass of water and refilling it to take back with him, intermittently glaring from his kitchen at his computer, despite the game still going on; he’s got several tasks left, if they don’t catch the imposters, they’re doomed, and honestly he doesn’t care. Once the game ends, with the crewmates’ loss, as he’d suspected, they all find themselves back in the lobby. Maybe they’re waiting for him. They can wait longer.

As he settles himself back into his office chair, he pulls on his headphones in time to hear -

“- earlier than I thought because of a whole thing on TikTok and then Twitter, and then my manager texted me telling me-” It’s like he’s turned twenty again at the sound of your voice; you, bright, earnest, rambling to probably Sykkuno or Sean or Rae, probably not even aware of him, but he’s never been more aware of you. Not that he’d ever admit it to anyone, but your second EP, hyperfocus, had been in heavy rotation on his Spotify since he’d discovered it, since he’d listened to the crack in your voice, the exhaustion with which you spoke on i’m going through some stuff when Lofi had just been taking off as a genre. He’s... conflicted, going through an internal crisis while you keep talking, blissfully unaware, “- anyways, I think she’s just worried that I’ll end up threatening to German Supplex Harry Styles, or the late, great, Prince, and I’ll end up cancelled.”

“Y/N,” your name sounds equal parts amused and concerned as Sykkuno says it, with the air of someone who’s been privy to you and your antics far longer than just one day. The response you give is just as bright and cheery as your rambling had been, assuring him that you wouldn’t threaten to German Supplex Prince.

“You sure about that?” Sean was obviously grinning, judging by his fond tone, “sounds like something you’d try -”

“I’ve changed, Jack- Sean- fuck,” your muttered swear undercuts your attempt at earnestness after you correct yourself, clearly not used to calling him by his actual name. To that, Sean gives a fond chuckle, before going right back to ribbing you.

“I’m pretty sure there’s still video evidence of you trying to square up with Mark in person,” Sean points out, to which you grow huffy and defensive, playing up your frustration.

“Well, that was for a completely reasonable reason!”

“Which was?”

“I thought it would be funny,” tone flipping completely, the words come out so sincere and bright it’s almost tooth rotting; if he didn’t know any better, Corpse would probably find himself being endeared by it, “and it was! Plus,” though here you give pause, and something about the tone of the conversation shifts as you chew on the words you’d almost said without thinking, “it was funny,” you said, softer this time. Sean, sensing the shift, does his best to pick the mood back up, reminding you that both you and Mark lost the competition you’d been taking part in anyways, and asking if you really had changed.

Before you had time to answer, however, Rae spots Corpse’s avatar moving ever so slightly, and immediately jumps on him.

“Corpse! Did you drink water?” She asks. He unmutes so they can all hear his deep, beleaguered sigh. “I can and will bully you into taking care of yourself,” her heart’s in the right place, and it is mostly a bit, so he can’t be too put out by the fact that she cares.

“I can’t believe you all voted me out because of it,” he chooses to respond instead, and Rae’s cackle echoes through the voice call.

“She also was the imposter, so...” Ze trailed off, a little sheepishly, to which Corpse rolled his eyes, not that anyone can see. Of course she was. But he’s not even given a moments before -

“You must be Corpse!” The moment the words leave your lips, every single goddamn nerve in Corpse’s body feels like it’s alight; everything overwhelming, unfamiliar,. white-hot, he’s suddenly desperately trying to keep his various abilities in check, since he really doesn’t want to short out his whole system, end the stream early, and probably cause his building to go into a blackout, just because of whatever this is. The whole world has changed with four words; better and worse and more more than anything. It’s... it’s a confirmation of some kind, and he tries to hold onto that vindictive feeling in his chest. You are familiar, you are something he recognises like no-one else he’s ever met before; you are like him. Is it better or worse now he knows it’s the truth?

“Must I be?” He manages to respond, keeping his voice as level as he’s able, shooting for vaguely amused and trying not to let any of the past few seconds sudden overwhelming panic and triumph bleed into his voice. But the moment you hear him, there’s a sharp gasp; that same something, understanding, recognition he’d felt, you feel it too.

“Y/N, you okay?” Ze had asked, and you made a vaguely muffled noise of unconvincing confirmation. Out of sheer, idle curiosity, Corpse opened a new tab and searched up your YouTube channel where you were streaming.

“Maybe we should have warned ya’,” Sean offers with a light laugh, before lowering his voice, immitating and announcer as best as he could, “warning! Corpse is about to speak!” Which at the very least got Corpse to laugh, though he refused to give anything away as your stream loaded, and the banter continued in his ears.

“Har har,” you muttered sarcastically into the voice chat, right as the stream finished loading, and - you. Well dressed, face in your hands, heels of your palms pressed against your closed eyes; honestly, he doesn’t exactly have any prominent initial thoughts about you, watching you scrunch your face up in your hands, dealing with the same thing he had to, though your face was live to thousands. Beside you, the text chat for your stream was going almost too fast to read, but he managed to follow a few threads of thought here and there.

[an eye thing! they’ve got an eye thing!] [someone @ y/n_creature_spec on twt!!] [who has an eye thing??] [lmao love that they were so shocked hearing corpse that it set off their eye thing] [hello!! vampire here!! we have eye things!!] [u cant be a vampire it’s the middle of the day] [THERE ARE COUNTRIES OTHER THAN AMERICA YOU KNOW] [i am willing to put MONEY on the idea of them being fae of some kind.] [^^yeah they just didnt want us to see their eyes sparkling like an anime character.] [that feels like smthn corpse could bring out in people]

And then you’re blinking back to reality, bringing him from his thoughts as for one terrifying moment, it’s as if his gaze locks with yours. Expression so bright and inviting, despite the way your eyes were watering just a little, you hold eye contact with your camera for a moment before looking at your screen, mumbling something about an eyelash in your eye; Corpse lets out a shaky breath. Chat seems unconvinced, but at least the other streams take you on your word. For a few more moments, he quietly watches you, watches the way your eyes roam your screen as you order your thoughts, and for all that he’s thought of you, he’s never properly looked at you. It’s taken him until now to acknowledge that there was definitely a reason for your success beyond just your talent; certainly you could have become successful from your music alone, but your career certainly wasn’t hindered by the fact that you’re actually quite- suddenly, Corpse is overcome by the sense that he’s intruding, exiting out of the window immediately, even going so far as to push back from his desk, fingers spread wide, braced against the edge, trying not to think too hard about... any of it. If he thought too hard about what it meant to have another angel in LA, he would drive himself mad.

“Well, Corpse, it’s good to meet ya, been told great things,” to him and him alone it’s so clear you’re trying so hard to play it cool, though Corpse couldn’t fault you for that, doing the exact same thing; again, when you speak to him, it’s like his whole being is hit with a rush of warmth; it’s less overwhelming this time, somehow scalding but bearable now.

“I see Sykkuno’s been spreading lies about me,” Corpse fires off instinctually, to which Sykkuno splutters protests at the implication, despite your bright laughter, and Sean’s shout to the contrary.

“Don’t be mean, Corpse, Sykkuno would never lie about you,” Sean is adamant, and Corpse can tell he’s being honest, just as the tell-tale ringing in his ears knows the next words from Sean’s mouth are utter lies; “me on the other hand? Y/N whatever you do, do not listen to Corpse’s music, it’s just the worst.” Before the implication, the reality of what he’s saying sinks in, for just a moment, Corpse feels a rush of affection for Sean, so clearly and earnestly plugging his music, right before your voice re-joins the chat and Corpse remembers exactly who Sean is plugging his music to.

“Fuck you, J- Sean, I do what I want,” while you played along, amused and light, Corpse himself was at a loss for words. You ask him - him specifically, he knows, he knows with absolute certainty you’re asking him - if he’s a musician, and everyone else chimes in before he can even think about finding his voice.

“Don’t search him on Spotify! Don’t do it!” Sean, on the verge of laughter, seems delighted by the turn this conversation has taken as the sound of aggressive typing fills the chat from your end. What the fuck. What the fuck?! No matter his thoughts and opinions about you and your possible supernatural origins, you were still Y/N, literal Grammy winner and Golden Child from the Golden Age of YouTube, playing along as Sean used the world’s worst reverse psychology on you to get you to listen to his music. Oh fuck, this is not how today was meant to go.

“I don’t wanna hold up the game, I’ll listen as I play,” you tell them, almost painfully polite, though Ze agrees to start the next game. If Corpse’s mind wasn’t in the game before, there’s no way in hell it was now.

Three minutes into the first round and he’s failing miserably at card swipe when he chances a look at his chat; people were spamming lyrics from Miss YOU! and Cat Girls Are Ruining My Life! which was sweet but nerve wracking, since he’s pretty sure it means you’ve already listened to one and moved on to the next. If you’re an angel, and you know he’s an angel, what in the hell would you think of his music? Honestly, even if you weren’t an angel, you’re still you, and his music was... well...

When the first meeting is called, and it’s discovered that you’ve been murdered, there’s a strange sense of relief that comes with it, even as he’s being accused of your murder. He’s got a solid alibi, so they end up voting out Sean, and the game continues. Despite the brief reprieve from your possible judgement, his heart still feels as though it’s skittering erratically around his ribcage.

Rae comes along when he’s doing Simon Says, and shoots his little avatar. The moment he becomes a ghost, he lets out a long breath, giving himself a moment to relax, to collect his thoughts, catching back up with some questions with chat he hadn’t quite realised he’d been holding, and chances a look at his chat again.

“Of course I’m tense,” he finds himself musing quietly to his chat while the remaining players were arguing over the top of each other in a meeting, “pretty sure most of hyperfocus has been in my Spotify wrapped every year since it was released,” for a few moments, it doesn’t even occur to him what he’s said, or that he’s said it out loud, but when it hits him- oh, oh no, it feels like too much to admit, and he has no idea what to say next, how to backtrack, how to at least pretend like he doesn’t think about you or your music any more than any other person would. However much he may resent certain aspects of it, he still knows he has a reputation to uphold, and panic and denial have never been a part of his reputation.

So he keeps his mouth shut, bites down on the half-hearted excuses and explanations that keep springing to mind, keep pressing against his teeth. He does his tasks quietly, thanks the people donating, and pretend it never happened until the round ends, heart in his throat. He knows, the same way a human survivor in a zombie apocalypse movie knows, that he’s just putting off the inevitable, and that someone’s definitely already clipped it and is probably uploading it to Twitter or Tumblr faster than he could protest.

“Y/N I’m so sorry!” Sean’s the first one to talk when they’re back in the lobby, which leads to your laughter filling the voice chat, telling him it’s okay.

“I didn’t even care, honestly I was just vibing,” the smile in your voice is almost enough to distract from the strained edge to your words, something not quite right, but so faint Corpse isn’t sure if it was really there, and he’s not quite sure anyone else heard it either. Except -

“Y/N?” Sykkuno says your name like it means something that no-one but you and him can decipher, something concerned, almost a question, checking in without being too obvious.

“Yeah?” There’s that strained tone, just a little more audible this time, before you process who’s talking, how he’d said your name, and - “yeah,” firmer, calmer, a reassurance.

“Vibing?” And he says it like that was his question all along, like the two of you hadn’t had a full conversation in three words. When the others started asking about what you thought of the music, it’s clear none of them have picked up on the hint of strangeness that had been in your tone, and you deliberate before answering.

“Am I- is it- it’s weird if I quote it, isn’t it -?”

“Jacksepdicy how I whip that!” Sean practically yells into his microphone, cutting you off and somehow making the line sounding even more Irish than he himself did naturally, which startles a laugh from Corpse, “it’s my name in a song, I think about it daily,” he announces, voice oozing pride, and despite the situation and headspace he found himself in, Corpse feels his heart grow warm knowing that even a line like that had brought Sean joy.

“I thought,” you pause for a moment, presumably to double check which song you were about to reference, “I thought Miss YOU was a whole mood,” you admit, the faintest smile in your voice, and something tightens in Corpse’s chest at that.

“You not gonna quote it?” Rae teased.

“Too nervous to follow Sean,” you fired back.

“Don’t worry, you’ll get there one day, Y/N,” Sean laughs fondly, and you all joke around, playing up the bit, while Corpse’s mind is stuck on the fact that you never once addressed him when talking about his music. It’s not necessarily a bad thing, it meant he didn’t have to deal with the sudden, fiery sensation your voice brought with it, so not bothered, persay, if anything he’s glad to know you liked it... But it’s weird that he knows so acutely -

“Hey,” and you don’t even say his name, but there’s that feeling again. Each time it grows less intense, like he’s been inoculated, and no instead of his nerves being ablaze, it’s as if he’s suddenly sitting beside a bonfire, each and every time you speak to him. The others voice their confusion at your sudden vaguness, but Corpse answers without even thinking, because of course he knows.

“Yeah?”

A few moments pass, while the others carry on amongst themselves for the moment. The two of you sit in this one moment together, neither quite sure how to feel about it.

“You’ve been awfully quiet,” you point out, though there was only the barest him of the earlier strangeness in your voice, now overpowered by something that made it almost sound like you were pleased. At this, however, even more confusion arises when the others figure out that Corpse had ‘guessed’ correctly, that you’d been talking to him. But he can’t really hear them, or, well, he finds himself tuning them out, swallowing hard before he pushes to talk.

“Am I not allowed to enjoy the moment?” He asked, trying to ignore the weirdness of it all, keeping his tone light.

“I’m just surprised; it’s your music after all.”

“You like hearing my voice?” Despite the surprisingly cocky way with which he speaks, he regrets the words as soon as they leave his mouth, wincing internally. Of all the people he could have said that to...

“I never said that,” and though your own tone matched his, something teasing, something that could almost be misconstrued as flirty in the right circumstances, he’d heard the faint thread of discomfort, feeling it all too much himself. But your words, and thankfully your tone, was overshadowed by both Sykkuno and Sean jumping in to assure Corpse that they enjoyed hearing his voice.

“If you and Y/N ever collaborated, you know it’d break the internet, right?” Rae interjects, all kinds of smug and knowing, followed by a chorus of approving voices all broke out in unison as the rest of the lobby considered the possibility.

“Rae, you know our Twitter mentions are going to be going off for the next month now, don’t you?” You groaned.

“Maybe it’s a sign!” Rae exclaimed, delighted, before her tone turns teasing and fond, “and besides, aren’t your mentions always going off?”

[ID: The first four posts on Y/N’s Tumblr dashboard.

blueheart-anon hearing y/n and sean interact again after like 3 years unlocked memories like im a fucking sleeper agent. having war flashbacks to 2017′s ‘y/n is septiplier’s kid’ phase. how do i lock the memories up again im going to die of embarrassment why were we like that [tagged: #y/n #y/n y/l/n #jacksepticeye #sean mcloughlin #i WILL NOT add the ship tag i mentioned #blue talks] [7 notes] [▶️🗩↪️🖤]

fangloriousbastard ↪️fangloriousbastard fangloriousbastard Rae: Y/N & Corpse Collab When? Y/N: 🔪 - fangloriousbastard Y/N IMMEDIATELY MURDERING RAE AND THEN CORPSE I- - fangloriousbastard Y/N MUTTERING THE JACKSEPDICY LYRIC WHILE MURDERING HIM WTF IS HAPPENING?? - fangloriousbastard SYKKUNO NO BBY IM SO WORRIED - fangloriousbastard Y/N IM BEGGING U TO STOP SAYING CORPSE LYRICS BEFORE U KILL UR FRIENDS - fangloriousbastard WAIT WHAT Y/N AND SYKKUNO BOTH VOTING FOR THEMSELVES INSTEAD OF EACH OTHER - fangloriousbastard “ride or die guess im gonna die” y/N PLEASE U MET HIM YESTERDAY - fangloriousbastard y/n’s still listening to corpse’s music we love to see it - fangloriousbastard WAIT NO ZE KILLED SYKKUNO IN FRONT OF THEM AND THEY WON OMG SO MUCH IS HAPPENING DID THESE MOTHERFUCKERS QUOTE AN ACTUAL THE OFFICE MEME AT EACH OTHER - fangloriousbastard Y/N: YOU KILLED MY BOY Ze: you’ve known him A Day! Y/N: you don’t have all the facts Ze: which are? Y/N: I love him. Y/N: Not in a weird, shippy way tho, but like, come on, man, look at him! Sykkuno’s avatar: 🌱 👁👄👁 Sykkuno irl: 🥰 - fangloriousbastard ahem anyways corpse & y/n collab when? - y/n 🔪❤️ - fangloriousbastard 👁👄👁 - fangloriousbastard aren’t you supposed to be streaming?? [tagged: #HEWWO??? #among us lb #why do i only remember they’re following me when i post outrageously stupid content #btw y/n if u kill sean again i’ll cry] [43 notes] [▶️🗩↪️❤️]

fyahproof-y/n ↪️ selkiey/n selkiey/n y/n’s explicit ‘i love him but not in a weird shippy way’ is the LOUDEST fandom vague i’ve ever heard in my life [286 notes] [▶️🗩↪️❤️]

crpshsbnd ↪️ 221b-theres-a-bee crpshsbnd hope corpse is feeling okay he’s been kinda quiet this stream - 221b-theres-a-bee if someone suggested i make music with a grammy award winning artist i might be kind of quiet too - crpshsbnd asjdskldfjkdsf u right, still, hope that’s the reason. [tagged: #how do i always forget they won a grammy #actually i know why i keep forgetting #because every time i remember they won a grammy i remember the video where they jousted corndogs with joe sugg #and the winner had to deepthroat theirs for the camera #and y/n won but felt like an asshole for making joe deepthroat his corndog alone #and they ended up almost throwing up because they went too far with it #so hot #so talented #so very stupid sometimes] [3 notes] [▶️🗩↪️🖤]

Twitter is kind of a hellscape, Corpse decides, scrolling through his notifications as the stream’s winding down, seeing about a thousand different people tagging both you and him, asking for a collab, or seeing fit to show you both every single time one of you had mentioned the other in stream. Or had simply interacted. He’s not quite sure how to feel about hearing you mutter ‘make it rain, leave her wet, like a snowflake’. Unsurprisingly, a considerable few people had thought to clip the interaction where he’d apparently instinctively known you were talking to him, which he thoroughly regrets. There’s enough speculation about him online already, he doesn’t need people cluing into the fact that he might not be entirely human as well.

So now, he’s sitting idle in the lobby of the game as everyone’s thanking each other, discussing when they might get together to stream again; he’s quiet, disconnected from it all even though he knows he’s still live, he can’t help but stare at his phone, frown at your Twitter profile. You’re not following each other. A lot of his friends follow you, are mutuals with you, but you and he are not following each other, and he’s not sure if he’d like to change that. But it would make sense, right? It’s what’s expected.

Your pinned tweet is the single you released yesterday, which he still hasn’t listened to. The cover is cute; you’re - fuck. He refreshes the page. In the few moments since he’d clicked on your profile and now, you’d tweeted, thanking everyone for joining the stream, while you’re still in his ear, alongside everyone else, distinctly not addressing him. Maybe he should DM you, be upfront, ask about what you are, if his suspicions are true.

He hits the back button and goes back to scrolling through his mentions.

“Hey.” Your voice, soft and earnest despite that warmth that crackles through him; he’s half distracted, hand moving instinctively to push-to-talk, and -

“Yeah?” God fucking damn it. Not again. He’s really gotta stop answering on instinct just because he knows you’re talking to him. He hates that he knows.

“Good to meet you, Corpse,” and there was a strange sincerity in your voice, and he responds in kind, but his heart’s not in it. There’s too much on his mind, too conflicted in his heart to tell the truth; his own words makes his ears ring. He can’t even lie to himself.

So he says his goodbyes, waits for the lobby to clear out and chatters away to his stream about when he might be on next. Upon ending the stream, he immediately opens the latest email from his producer, his latest project glaring back at him from the screen.

Yes, his various ailments have his body aching, but the interactions he’s had with you are giving him a headache when he thinks too hard about them, and he feels woefully unproductive. Never Satisfied stares back at him, so close to being finished, mocking him. Scowling harder, he listens to what he has so far, making tweaks and notes, glad for the distraction, glad that his producer had as chaotic of a sleep schedule as he did. This was the home stretch; one more all-nighter and it would finally be done.

He texts Heartful that he’s getting to work.

It’s four in the morning when he finally stops for a break, his good eye starting to itch from staring at a screen for so long. With a yawn, he leans forward, out of his chair, groaning as he straightens up to a mostly standing position. Hands braced against the edge of his desk, he lets out a resigned sigh and wills his wings into existence. The weight of them curled up tight against his back, as was customary for them to be when non-corporeal, has him leaning a little further forward. Another yawn and he lets them uncurl, lets them stretch out behind him, knocking over an empty microphone stand as they went. He’d get that later. A grateful groan escapes him, it’s been far too long since he’d even had a half-assed stretch like this, wings helping to stretch all the aching muscles in his back that were simply impossible to stretch otherwise, no matter how much he’d twist. Even so, his studio wasn’t big enough to properly stretch them, and he really didn’t feel like laying on his living room floor right now; he’s kind of concerned he’d just fall asleep there. Instead, he kicks his chair to the side and hits shuffle on one of his Spotify playlists, doing what he can for himself in the limited space, and finally going to forage through his cupboards for something resembling a meal. Maybe drink water, Rae’s damn voice in his head.

At least with his wings around he didn’t need to bother turning on any lights; he’s gotta find joy in the little things.

Today, or well, the past twenty-four hours, was a series of cruel jokes, he decides, all leading to the moment he curls up his wings and sits back down at his desk. The moment he puts his headphones back on, he’s greeted by your voice, and he almost jumps a foot in the air, concerned that you’d called him.

"- who I became, dreading when the music stops, what if I just fade away?” In the split second he’s realised that it was just a song, just your voice, crooning, gentle and sad against a soft beat and the sound of rain, as i’m going through some stuff playing in his ears, it’s too late. Already his aura had gone off, and his computer cuts out, as his monitor cuts to darkness, so suddenly all he can see is his own, exhausted reflection in the monitor, backlit by his own wings... Not exactly flattering.

Thankfully, it was only his computer that was affected, as he can still hear his refrigerator humming in the other room, so he wedges himself beneath his desk to reset the breaker for the power board that his whole system was connected to, grumbling to himself the whole time.

If he was being honest, however, he was glad he didn’t have to hear more than a few seconds of your song. For a long time it had been one of his favourites, though at this point he’d rather die than admit that. Yes, it’s a good song, but it’s the last thing he needs to hear right now. If he listened to you voice half the fears he still tried to ignore, well right now it may kill him, and he was so close to being finished with Never Satisfied. So close.

Instead, he gives himself the moment in which his system is rebooting to scroll through Twitter and Instagram on his phone, checking his mentions for good fanart to appreciate, only to stumble across one of your stan accounts tagging both you and him in a clip that he hadn’t seen earlier. He’s not sure what possesses him to click it.

“Don’t follow me baby, swear I’m going to hell,” Corpse’s own words leave your lips as you’re focused on the game, on being imposter, leading Sykkuno into electrical to fix lights, and something about it sounds wrong and he can’t quite put his finger on it. He’d heard other lines of his leave your mouth, clips from the stream he’d been tagged in, and it always manages to surprise him. When you sing his songs, even just a little bit, something in the back of his mind, something that had appreciated you as an artist all this time, it’s grateful, it’s excited, it’s overwhelmed. He wouldn’t deny that part of himself, he couldn’t, it didn’t feel right, but upon hearing this line, that grateful part was overshadowed by a visceral bitterness.

The line had been a moment of self deprecation, the only Angel he knew of who, granted it was by some of his own choices, was almost certainly going to Hell, if you believe in that sort of thing of course. But you? Every single part of you seemed to be the exact antithesis to him; you’re what an Angel should be, and him? Well, the line said it all really. It’s just... it feels like you’re mocking him at every turn now that he knows, or well, strongly suspects. With evidence. Which you’re probably not; if you’re an Angel, you wouldn’t go out of your way to mock another angel, so now he’s all in his head, frustrated at himself for being frustrated at you for just... liking his song?

He really should message you about earlier, clear things up, get out of his own mind and stop jumping to conclusions. Finding another angel was big, no matter his personal reservations, he should try and take this opportunity, right? Except that you hadn’t reached out to him either.

Damn it; he knows he needs to stop thinking about you and focus on his own shit. He turns off his phone and gently tosses it to the floor, out of sight out of mind.

Maybe he’ll feel better when he finishes his song, feel more productive, feel... complete for just a few moments. Maybe he’d stop comparing himself to you. Maybe.

[ID: Two tweets, one from @sp00kybihh, and one from @yourtwitter, followed by a retweet and reply conversation between @ashton5sos, @yourtwitter, and @y/nirwin.

@sp00kybihh: why did y/n’s smile every time corpse just knew they were talking to him without them having to say anythign make me feel things?? u no we love day 1 ride-or-die y/nkunno, but corpse & y/n just seem to get each other wtf 🥺🥺

@yourtwitter: australians are asleep post forbidden youngblood cover

(Thumbnail of Y/N sitting in front of the camera, dressed casually, visible from the chest up. There is a black microphone on a stand in front of them that they’re holding. Their mouth is open, as if halfway through singing, their eyes are closed, their background is a simple, white wall. Above Y/N, in black, VCR font, is the word ‘youngblood’. There is a large play button in blue and white in the middle of the thumbnail, to indicate that it is a link to a video.

Link: youngblood - 5 seconds of summer | y/n y/l/n cover i miss my boys. i miss people. thank you 5sos for being cool about me covering this <3</i> twitter: @yourtwitter 🔗youtube.com)

@ashton5sos retweeted the link and commented: Y/N you said it was gonna be low effort, this is killer! All it’s missing is some drums. Reminds me, I’m still sad we never got to record that thing we wrote in New York. | @yourtwitter: ASHTON IT IS 8AM I HAVE HAD NO SLEEP AND WAS NOT EXPECTING SUCH A QUICK RESPONSE I WOULD DIE FOR YOU | @yourtwitter: also lmfao i forgot about that ny thing that was good, from what i remember. do u still have that recording of us?? i may or may not have forgotten everything about that night apart from it being a blast #bringbacknewyork | @ashton5sos: Calum has it but also its 2am and he’s asleep, which you should also do. You know the boys are gonna love this... #bringbacknewyork | @y/nirwin: thank u both i have decided to pass away effective immediately #bringbacknewyork

End ID.]

#corpse #corpse husband #corpse husband imagine #corpse imagine #corpse x reader #corpse husband x reader #sykkuno #jacksepticeye #valkyrae #how the light gets in #shut ur pretty mouth #cyltlanp

303 notes · View notes

lmanberg · 3 years

Note

my ultimate ranboo take is that i think he's a good person, not a good content creator.

i admire what he was able to do with his platform, raising half a million for charity isn't a small feat and should be acknowledged, he clearly enjoys doing charity work like the good Christian he is and i think that's great! He's also put a lot of effort into making sure his community was inclusive, especially towards lgbtq+ people, probably in part bc having a safe space online like that when he was younger was good for him and he wanted be someone who could contribute to that.

However, it's very clear that he was a lil stan before becoming a cc and that he didn't have an objective or clear vision of what he wanted his content to be and what kind of creator he wants to be known as. The influence of other ccs is very obvious,, some streams he strives for:

- the comfort streamer. reassuring older sibling vibes, it's the eret influence, he's very nice to his chat/donos, attempts to reassure people that things will be ok, is generally pretty calm "'can you say [x sexuality] rights?' of course!! it's honestly a shame that people have to even ask this, it should be the norm, please know that you are valid in your feelings, thank you for the 3 dollars i hope you're doing ok <3"

other times u have

- the chat bully, his tommyinnit influence often shines here, makes fun of chat/donos, is generally pretty loud, makes a lot of hyperconfident jokes, sometimes just kind of a dick [very obviously joking but dick nonetheless]

and also

- 2015 tumblr kid™ , just a quirky lad, he knows all the inside jokes and he will make sure u know that he dies a lil inside everytime u mention that one reference that he/his donos will keep bringing up for the rest of the stream! is lemon demon a personality trait ? a: yes!! , lots of self deprecating humour and bad puns? for some reason ? [slimecicle influence gone wrong]

and many more. See when tommy says something sweet on stream people are taken aback a little [in a /pos way] bc it's out of character for his stream persona, in ranboo's case nothing is really out of character bc there is no established character, not that you have to have a consistent stream persona you play everytime, but when your personality highly shifts throughout different streams it sort of eludes to 'you have no idea what you're doing and are just trying to copy what other ccs do and see what sticks"

maybe having a bit more time before he blew up would've helped him figure out what he wants out of being a cc a little bit more and detach himself from other ccs influence,, back in the day tommy used to act a lot more like schlatt but he developed his own persona and style in a way that's more like a call back [? idk the word here ;w;] to schlatt than a copy/wannabe,, ranboo didn't. The problem now is that this is how he blew up, this is what worked for him, so why change ? There's no incentive to develop his own more original less influenced style if what he's been doing so far has worked.

^^^

#ask

24 notes · View notes

avatar-news · 3 years

Photo

The Fire Nation Awaits 🌺 An in-depth look at the ever-elusive islands in the era of Korra and when we will finally pay them a visit

[Artwork by Avatar News; not official.]

Note: This article was published before the official announcement of Avatar Studios at the Paramount+ investor day.

“Water. Earth. Fire. Air. Long ago, the four nations lived together in harmony. Then, everything changed when the Fire Nation attacked.” We’ve all heard those words a million times. The four elements, and the power to control them bestowed by four subspecies of giant lion-turtles, are at the very heart of the world of Avatar. The balance between them was once upon a time broken by one of the four, the Fire Nation, forming the main conflict of Avatar: The Last Airbender. For much of Aang and the Gaang’s quest at the close of the Hundred Year War, the Fire Nation was a forbidden, far-away location, until the curtain was finally drawn back in the aptly-named Book Three: Fire when our heroes entered the inferno, undercover behind enemy lines. A dramatic tropical destination! New outfits! Culture shock! Needless to say, it was a big deal.

→ 🌺 The big reveal of the Fire Nation in Book Three: Fire had its own marketing push, matching public anticipation.

When the Hundred Year War ended, the newly-instated Fire Lord Zuko dedicated his life to righting the wrongs of his forefathers and working with Avatar Aang to bring the Fire Nation back into the fold under peace. By the time Aang’s successor debuted as the next Avatar in the titular The Legend of Korra, Zuko had abdicated the five-pointed crown and his daughter, Fire Lord Izumi, took the stage leading a reformed, rebalanced Fire Nation.

There was no more war, no more enemy lines, yet the Fire Nation became more distant and mysterious than ever before.

Korra’s close encounters with the land of fire

To this day, Korra has never visited the Fire Nation, nor has it been seen at all, nor do we know anything about it in her era. In fact, practically the only thing we do know is that its leader is a noninterventionist, which conveniently gets it out of the way of making an appearance in Korra’s journey as the Avatar so far.

The closest we have come to seeing the Fire Nation in The Legend of Korra was in Book Two: Spirits, Chapter Five: Peacekeepers. In the midst of the Water Tribe Civil War, Korra sets out across the sea to get help from the royal family, however, she is intercepted by a dark spirit and never makes it to her destination. In the next episode, she washes up on a secret island home to the Bhanti sages, which probably technically counts as Fire Nation territory, but as we know from The Shadow of Kyoshi (more on that later), this faction predates the Four Nations themselves so it doesn’t really count.

→ 🌺 Korra washes up on the beach of Bhanti Island in Book Two: Spirits, Chapter Six: The Sting.

No, as cool as that location and the events of the Beginnings two-parter that happened there were, it wasn’t the main draw of seeing the Fire Nation that we’re still waiting for: seeing how the Fire Nation, which was already industrializing in Aang’s time, changed over the decades, compared to places like Republic City and Ba Sing Se; meeting new characters; visiting new and familiar locations; worldbuilding both new and expanding on what we already learned.

After this aborted tease in Book Two, we never come close to the island country again (at least not with this Avatar and in her era; yes I’m leading up to something...). Instead, the focus turns strongly to the Earth Kingdom in the third and fourth Books, and beyond.

Keep in mind that The Legend of Korra aired for about two-and-a-half years total from 2012 to 2014. Since then, the story has continued in comics. The comics era has lasted from 2015 to present-- seven years to the animated series’ two. In that time, there have only been two comic trilogies due to various production troubles, and neither have touched the Fire Nation. Instead, they directly continue the Earth Kingdom-focused threads started in Books Three and Four of Korra, both originally airing in 2014. Or, in perspective: we had a focus on Republic City in 2012, the Water Tribes in 2013, and the Earth Kingdom from 2014-2021.

Will we finally see the Fire Nation in the next graphic novel trilogy?

This question comes to mind every time new Korra content is supposed to roll around, and the powers that be know it-- it’s a pretty obvious gap in the world of Avatar right now. This franchise is iconically built around four elements and the Four Nations based on them, so one of them being MIA is quite glaring, and for that reason everyone is understandably always asking about it.

The most concrete confirmation we’ve gotten was this AMA answer from franchise co-creator Michael Dante DiMartino in 2016, two years after the show ended and a year before the first graphic novels did come out:

“Yes, hopefully in the [Korra] comics, we’ll have a chance to go to the Fire Nation and see how it has changed since A:TLA.”

Since then, as previously discussed, two comic trilogies have come and gone, obviously not getting closer to the Fire Nation-- and I would actually argue entrenching themselves further away from it.

I want to make it clear that I’m against fan entitlement. Creatives telling the tales they want to in service of the story and the artform is how the industry should run. I’m just hoping to offer some perspective on how we got to where we are almost a decade into the era of Korra and the metatextual pacing of the franchise itself.

Either way, the next Korra comic trilogy has been official confirmed by the editor for Avatar at Dark Horse Comics in this informal statement on Twitter:

We’re not ready to announce any details yet, but we are working on the next trilogy. I really appreciate your patience and hope it’s worth the wait! ✨

There’s currently some kind of holdup for which we really have zero context or information, and we of course have no idea what this next trilogy will be about. (I do speculate a bit on what it could be a few paragraphs down.)

But, like what turned out to be Ruins of the Empire before it, I faithfully made a mockup graphic for my post announcing the confirmation of the next The Legend of Korra graphic novel trilogy. And like before, I chose to completely speculatively and blindly make it Fire Nation-y, as if the next comic could/would(/should?) feature it. This is mainly because I feel like that’s what most people’s eyes would be caught by and thus result in the most successful post (hey, at least I’m honest), but also because it’s just fun.

Here are both images, from 2018 and 2020 respectively:

→ 🌺 Speculative edits I made for my posts on the announcement of previous and upcoming Korra comics before we knew anything about them.

In both cases, the response was huge, and people were super excited about the prospect of Fire Nation content just from my quick speculative mockups. I am of course hoping that the new artwork I made of the Krew for this post will have a similar effect (it’s the first time I just straight-up drew it instead of editing existing images) but again it’s really mostly just for fun.

Anyway, until the next trilogy is properly revealed, we’ll just have to wait and see.

However, that’s not the only place this could happen.

Are they saving the Fire Nation for an animated movie?

With Avatar’s HUGE success on Netflix last year, interest in the franchise rocketed to an all-time high. The streaming wars have begun, and Avatar’s owner and its parent company, Nickelodeon and ViacomCBS, have finally started to notice.

ViacomCBS is launching Paramount+ on March 4th, a relaunch of its existing streaming service CBS All Access. Paramount+ is meant to be a big expansion and refocus to compete with the big hitters: Disney+, HBO Max, and, yes, Netflix. (There’s quite an entanglement there, with Netflix being the home of Avatar’s big year and the upcoming live-action series.)

One of the keys to a successful streamer today is high-profile originals to drive new subscribers. ViacomCBS knows this and they know Avatar has just become among the highest profiles a property can have, breaking records and going toe-to-toe with other big-hitting sci-fi/fantasy/genre franchises. This knowledge goes right to the top of the food chain: the CEO of ViacomCBS mentioned Avatar by name when discussing potential originals for Paramount+.

I have previously discussed how The Search relates to this. The Search was the second ATLA comic trilogy, focused on the search for Zuko’s mother in the thick of the Fire Nation, and if you didn’t know, it was originally pitched by Bryke as an animated movie after the original series ended.

I just want to be clear that what I’m discussing here is purely speculative, but this is the only other piece of the Avatar franchise that we know was optioned for animation besides the shows themselves. It’s possible they would be interested in going back to this idea as a Paramount+ original (and it would certainly be popular among audiences), but it is of course set during the era of Aang and thus covers both a time period we’ve already seen, and also by nature of already being released as comics, events we’ve already seen too.

However, the whole point of this article is that there is one major, huge thing we haven’t seen yet, with massive anticipation building for a decade behind it: the Fire Nation in the era of Korra. So, again, this is just speculation, but it’s also possible that they could return to the very smallest seed of the original idea for a The Search movie, and do a Fire Nation-focused Korra movie now.

→ 🌺 ATLA’s Fire Nation-focused The Search was originally pitched as an animated movie.

You can skip this next part if you don’t want to see me embarrassingly promote my fan idea 😆 but this is where the artwork I made for this article comes into play. The general idea for it, and the reason I tried to replicate the show’s style as much as possible, is that it’s what a Fire Nation-focused movie could maybe look like. Something as standalone and unrelated to Earth Kingdom drama as possible, with fresh new looks for the Krew to get people excited for something fresh and new! I really feel like the Avatar franchise has so much potential for expanded content like this, that’s why I have high hopes that Paramount+ will make the most out of it! You can see the individual characters’ artwork in larger size here. Ok I’m done back to business.

If the idea of a movie seems too impossible to you, we can also take a deeper look at Bryke’s involvement with upcoming comics instead.

After Korra ended, they officially each went their separate ways. They vaguely consulted on Avatar stuff, and Mike of course wrote the Korra comics, but Bryan was planning on writing and drawing his own original non-Avatar comic series and Mike was releasing his own non-Avatar novels. This all appears to have come to a stop when they signed on to showrun the live-action retelling of ATLA at Netflix, officially reuniting the partnership and committing to Avatar again in a big way. Of course, they ended up leaving that project over creative differences, but it did result in a big, lasting change: this time they remained official creative partners and have indicated they’re still working on Avatar now, together. This is a far cry from the official breakup after Korra, so it begs the question what exactly they’re working on. I of course have my fanciful predictions of a sprawling expansion of the Avatar franchise at Paramount+, but what if it’s actually a combination of the ingredients from before the live-action series...

More speculation, but what if the reason for all the mystery behind the next Korra comics is because they will be made by Bryke, with the two of them co-writing and Bryan doing the art for the first time? If that’s the case, they could want to make them a bigger deal than the other Avatar comics have been so far, and maybe that’s why it’s taking so long to iron everything out, have a more significant story, have more of a marketing push, etc. If they’ve been saving the Fire Nation for something big, this could be it.

I personally think this is less likely than a show or movies or something, but it is possible. Anything is possible right now since we know so little about the large-scale direction of the franchise moving forward, just that it’s gonna get big.

⛰️🌋 The Fire Nation in the era of Avatar Kyoshi

We’re not done! Despite everything I’ve written here, believe it or not, the Fire Nation was actually the star of the show in the last year.

With the debut of the Avatar franchise’s first original novels, Kyoshi made a huge splash (in a way only she can). If you haven’t read them yet, you NEED to-- they’re some of the best Avatar content EVER. The Rise of Kyoshi hit shelves in 2019 and The Shadow of Kyoshi followed in 2020. The latter is of particular interest here, because it was almost entirely set in the Fire Nation and featured practically everything and anything you could want from a visit to elusive islands. Though obviously set in a historical period some four hundred years before Aang’s time, Kyoshi’s sojourn in the Fire Nation gave us a huge amount of new information, a depth and breadth of worldbuilding, culture, and character we’ve never really seen in Avatar before. It truly makes the most of the literary medium, so hats off to author F. C. Yee for the passion and effort he put in.

In The Shadow of Kyoshi, we learn about the era of the previous fire Avatar before Roku, Avatar Szeto. Through Kyoshi and her own Team Avatar, we learn about the different clans and islands of the Fire Nation, as they experience the fraught early reign of Fire Lord Zoryu and the conflict between the Keohso and Saowon clans, culminating in the Camellia-Peony War. We get a multitude of fleshed-out perspectives from the upper crust to the flea-bitten underworld, matching the heights of the worldbuilding quality of Republic City. It’s such cool, intricate stuff, and really shows Avatar’s potential (and that’s all just the worldbuilding-- the character work is also top-notch).

That’s not the only place the Fire Nation has shone recently. One of Insight Editions’ awesome scrapbooks, Legacy of the Fire Nation, gave us a tour through the royal family’s history, including never-before-seen looks at young Iroh and Ozai and much, much more.

All this just goes to show that the Fire Nation has been a hot ticket throughout the ages and there’s one conspicuous gap in that history: the era of Avatar Korra. With so much recent expansion and development of the Fire Nation in our world, it would be perfect to see the culmination of it all in the current time period in the world of Avatar too.

If this made you excited for the potential of what the Avatar franchise could look like in the coming years, same boat!

The next concrete date where something could be announced is February 24th, when ViacomCBS will host their investor day and present their streaming strategy, including Paramount+ originals. There’s no guarantee Avatar is mentioned, but I’m keeping a hopeful eye out.

As for comics, Dark Horse’s schedule marches to its own beat, so there’s no way to know when the next drop of information is coming our way.

Could this finally be the comics that take us to the Fire Nation, or could the much-anticipated visit be in another medium like animation? Stay tuned-- as always I’ll post as soon as we learn anything new!

#korra comics #paramount plus #the fire nation awaits

148 notes · View notes

erithel · 3 years

Note

I guess I worded it weirdly: fans consider Allura racist towards keith and Lance a bully towards keith because of comments Allura or Lance made on screen and is popularly condemned for it. But there is a double standard in fandom, and encouraged by the show, that when Keith acts poorly or say something poorly he's always rescued/protected from the fallout of that and it's associated as a positive part of him. James Griffin deserves to be punched three times for that comment, but

Anonymous also writes:

it's clear that he's in the wrong for it. But Keith in his "i don't care about anyone else" middle school attitude, tanking the class's flight test and the class taking a collective punishment is just glossed over like that. It's not on the same level, but it's just interesting the show just keeps saving Keith again and again over the consequences of his own actions and behavior. A luxury that's not afforded to others. And I don't believe this personally, but there's sects who hates Lance for "accusing keith of using shiro's death to become BP". But it's more nuance than Lance haters say considering the scene that came before that was Keith, yes out of grief but still callously, upended the team's coalition effort and ally outreach -which again, is never called out- and the onerous falls on Shiro for failure to actually tell the team he intended for Keith to be leader. The show does Keith dirty when they keep saving him like this instead of letting him actually fail and learn. I hope I don't sound like I'm ragging on Keith. I love him dearly and I know he's a good kid under it all, but there's just something about his show presence that's just simply sometimes very annoying to muddle through as an audience member. Especially when you can see the explicit favoritism the writers plays off him compared to everyone else in this supposed ensemble cast.

Hm. I'm guessing the disconnect here comes purely from the fact that I did my absolute best to stay out of any fandom drama, if I could help it. Some of these things come up, but I also have not heard a lot of these things – and I'm glad of that.

I totally understand where you're coming from with this, though.

No one likes seeing people get away with things that others are punished for (well, speaking of racism...). So it hits a bit harder when we see favoritism in shows we love, because it reminds us of how it's all around us in the real world – and so many people watch shows to escape from the real world, if only for half an hour.

If we had been shown how these characters grew over time...if we had been given a glimpse, even, of what was going on in their heads, I think a lot of this fandom drama could have been avoided.

And for anyone writing anything, or creating content like this – they are obviously going to have a favorite character. Everyone does. But it should never be apparent in the story, because the story isn't about the author/creator.

For VLD, it was a little too apparent which characters the creative team liked, and which ones they did not like. And that's the wrong way to handle an ensemble cast. :(

#asks #vld team #vld #keith (voltron)#erithel's hot takes

18 notes · View notes

florrickandassociates · 3 years

Text

TGF Thoughts: 5x06- And the two partners had a fight...

I’ve been waiting for this episode for nearly a decade, and I didn’t even realize it. More under the cut.

(This is very long! Please fight me on stuff and disagree because I just wrote all these words about this episode and I STILL want to talk about it more, it was that interesting!)

This is the second episode in a row to start off with a TikTok video. 5x02 and 5x03 both ended with elevators. Is there some sort of pattern they’re going for here?

This case—which is, it’s important to note, in Wackner’s court—is about TikTok content creators and copyright laws. Probably not enough material for a full case, but definitely an interesting theme to explore.

Marissa doesn’t have her laptop volume off (which I suppose makes sense; she was just playing the TikTok videos) and a notification sounds. She shuts the laptop.

Wackner rules that the profits made from the TikTok dance must be split evenly between the guy who stole the dance for his video game and the creator. The thief does not like this, removes his moose costume (oh, yeah, did I mention they’re in costumes again?), and starts shouting that he’s going to sue and then moons the whole court. Okay!

He follows through on his threat, and next thing we know, Liz, Cord, Wackner, and Marissa are meeting to discuss strategy.

Liz’s computer makes the same noise Marissa’s did; she punches some keys.

Liz points out that Wackner’s biggest problem is that real judges are not going to like Wackner playacting as a judge. “I’m not playing a judge. I am a judge,” Wackner says. Liz notes that Wackner’s court lacks any way of forcing people to comply with his rulings, but real court can shut him down.

I guess whatever keys Liz punched did not silence the annoying notification sound.

She asks Wackner to try not to become the focus of the court case, since that’s how they’ll lose. “This is why I started a court,” Wackner says after Liz instructs him to only answer yes or no and to wear a suit.

Liz asks Marissa to keep Wackner in line. She says she’ll try.

Now we are at the Black Lawyers Association, where there’s a panel with leaders from Chicago’s four top black law firms. For reasons passing understanding, DIANE is on this panel. This makes absolutely no sense (I mean, unless only white people were involved in this decision, and even then!) and I’ll only excuse it because they mention later that it makes no sense for Diane to have been on this panel.

I wonder why everyone else’s firm gets named but not Diane’s.

Diane also gets the first question, which is, pointedly, about opportunities for black lawyers. Her phone starts making the annoying notification sound. Ever heard of silent mode??

The annoying sound happens every five seconds at the RL offices. According to David Lee, it happens twenty times an hour, but it seems like more than that! He, for some reason, goes to Carmen to ask how to stop the sound. He also wants to know what it is. Carmen explains that it is “Dawnk” which is a new messaging system within the company.

On Dawnk, you can talk about anything you want and be anonymous. Who approved this?! In one frame, I can see there’s someone complaining about someone being promoted too fast because of “the future is female bs.” In another, someone is upset that they are anonymous and wants to use their real name (only Jay, who is otherwise absent from this episode, seems to have figured out how to turn this anon mode off).

Sorry, before I can get on board with this plot, I just need to note for the record how phenomenally stupid the idea of using anonymous messaging software within a company is. This was obviously not going to end well! It’s like workplace YikYak... (remember YikYak?!)

David Lee hates the idea of a messaging software; Carmen says the associates prefer this.

Jay is being very nice in the chat and defends the person who was promoted “too fast”.

“Who’s ‘Anonymous Crab’?” David Lee asks. Well, I think the fact they are “anonymous” should be a bit of a hint there, David.

Anonymous Crab asks, “How the hell did this happen??! How did Diane end up at a Black Conference speaking for our firm?” Good question, Anonymous Crab.

Anon Crab also shares a video and David Lee doesn’t understand how to press play. Carmen plays it for him. Diane looks really awful on the panel. No shit! David Lee seems to enjoy Diane looking bad, even though he should be able to connect the dots between Diane looking bad and potential for bad things to come for the firm...

Not only does Diane get quizzed about why she’s running a firm that is still insisting on calling itself a black firm, she also gets questions about her insurrectionist husband. “He was completely cleared of those charges,” Diane notes. Oh, hey!!!!! Remember how last week I said I’d be more surprised if that was the end of the FBI nonsense than if it continued? I am surprised!! And relieved. Mostly relieved. Dealing with the consequences of that high profile, relationship-straining ordeal is so much more interesting to me than any FBI machinations.

Next Diane is asked if Kurt just took a job to revitalize the NRA. She hasn’t heard of this yet. I’m glad she’s getting grilled on this stuff... it is about time.

There’s a hint that Carmen will be representing Mr. Rapey next week. I assume that’s why there’s a line where David checks in with Carmen on Mr. Rapey’s case?

Anon Platypus says, “I heard she didn’t even have seniority. She just jumped past other black partners to become our name partner. It’s crazy!!!” Anon Platypus is correct—technically. Diane was a name partner at one of Chicago’s top firms before joining RL, so while she skipped the line... that doesn’t seem to me like the PRIMARY issue in bringing her on. The primary issue is that bringing on someone that senior from outside the company is more similar to a merger than a promotion, and Diane’s partnership meant changes for the firm.

Other anonymous animals also don’t like Diane. One calls her clueless; another says that “Liz needs to do something about this.” Someone responds to that, “Liz will never do it on her own,” which is an interesting sentiment I want to come back to in a little bit.

“What is Black Twitter?” David Lee asks Liz out of the blue. “People on Twitter who are black and talk to each other,” Liz responds. David Lee asks how he can find it. “I could tell you, but then I’d have to kill you,” Liz jokes. And to think Jay said Liz wasn’t funny!

The Dawnk conversation shifts and now everyone’s ragging on Julius for representing Kurt and just generally being a Trump voter. There’s a lot of heated and racial language I’m not going to type here, enough to make Julius spit out his coffee and storm down to the associate floor.

He goes to Devin, who I’m not sure if we’ve seen before but is high ranking enough to have Lucca’s old office, to get information on the anonymous posts.

Anonymous Bison says, “Unpopular opinion: I blame Adrian.” Hey, Anon Bison, let’s be friends! I am with you. Adrian is the one who brought Diane on, who encouraged them to lean into Julius’s Trump connections, and who pushed the firm to pursue profit over everything else. Diane and Julius aren’t blameless (though I don’t actually think defending Kurt is a bad thing) but if there’s someone who actively strategized to make RL what it is today? Adrian all the way.

In what world does noting that Julius is pissed in an anonymous message do ANYTHING to stop people who are pissed at him? If they were that concerned about him being pissed they wouldn’t have said anything in the first place.

Liz and opposing counsel talk over each other in court until the judge makes them stop. I think we’ve seen both the judge and opposing counsel this season, making me wonder if there’s a bit of a COVID bubble situation going on here with the guest stars.

Judge Farley jokes about “contempt cards” that go up in value and Wackner, of course, is all, “Wow, I really love that.”

Liz, whose entire strategy was to not let on that anyone calls Wackner a judge, refers to Wackner as “Judge Wackner.” Come on, Liz! (I buy that she’d slip up—there's no one in the world I wouldn’t believe slipping up—but ugh!)

How did the opposition not realize that they could make this about Wackner’s “crazy court” by referring to him as Judge Wackner? You’d think they’d be all over that.

Judge Farley looks SO unhappy that Wackner would refer to himself as a judge; it’s phenomenal.

Now Marissa stumbles over stuff because she’s, for some reason, speaking in court. I bought Liz’s dumb moment more.

The plaintiff’s strategy is to make it look like Wackner is of unsound mind, and they’ve got video evidence. Remember how Del, Cord, and Wackner all chatted in the RL elevator? Well, turns out that lead to a reality show about Wackner for Del’s streaming service. Sounds about right.

I don’t really think Wackner cares about attention or anyone else’s motivations... I think he just likes the idea of budget and an audience and a platform.

Liz meets Del for a romantic dinner and asks him when he was going to tell her about Wackner’s show. Del doesn’t understand why she’s upset. He doesn’t get why he would’ve needed her permission to go into business with Wackner. (I don’t think he’s wrong from a business POV, but from a relationship POV, he totally should’ve let her know!)

Liz says he should’ve asked because they’re using it against her in court. “That is unfortunate, baby, but this streaming show could be really good for Wackner. It’ll draw attention to his court. And... as I say that...that sounds... okay, look I’m sorry,” Del realizes. I like that he sees that Liz has a point. He goes on to note that he would be totally open to Liz trying to go into business with any of his acquaintances, and I think he genuinely means it.

Del notes that this is what “power couples” do. Oh? So they’re an official couple? Don’t power couples also associate in public and not hide their relationship from their colleagues?

This is the place where I note, yet again, that it is always going to be more interesting to see a relationship that feels realistic than to see a relationship that feels like it takes place in a vacuum.

Liz doesn’t want Wackner becoming popular. Del argues someone else would’ve made the show if he didn’t, and that “disrupters gotta disrupt.” Oh God.

Are we going to remember that Liz has a child at any point this season?

Diane is reading the Dawnk discussion at home. It’s still lively even after work hours. The associates appear to be discussing the vaccine before someone changes the topic to “the Diane situation.”

One associate notes that the partners probably aren’t happy about Diane either and just have to vote her out. Kurt arrives home as Diane reads this, reacts to the loud music Diane has playing, the open alcohol, and her general demeanor and asks if they’re getting drunk. “Are we getting a job with the NRA?” she counters.

Turns out it’s not entirely untrue about Kurt and the NRA. They want him for a new role. It would pay $167,000. I can’t decide if I think that’s a lot (objectively that’s a high salary) or not very much at all (isn’t Kurt the top of his field?)

Kurt notes he doesn’t have a job so he’s considering it. “Diane, our politics are very different,” he starts. “I know,” Diane says. “I’m, lately, struck by just how different they are.”

“I would just like one week when I don’t have to defend you,” Diane says in frustration. Kurt doesn’t even know what that means at the current moment.

“You’ll tell me when they offer you the job?” Diane asks. “They may not offer it,” Kurt says. “No, they will,” Diane says, because she knows that it’s basically a done deal already.

In the middle of the night, Diane turns to Kurt and tries to ask him a question. That wakes him up. She asks who he voted for in 2020 and he doesn’t answer. Uh oh.

Dreaming now, Diane sits up and asks, “Hello? What do I do?” More on that later...

The HR nightmare known as Dawnk is still going wild the next day at the office. (Seriously, with HR that strict, the anon feature would’ve been disabled the second the first semi-controversial comment was posted.) Everyone’s obsessed.

The partners, minus Diane, all gather in Liz’s office to discuss Dawnk (and the topics of conversation on Dawnk). Madeline says they should ignore it. I say they should make STR Laurie shut it down and be the bad guy. It is nonsensical that this workplace would continue to allow Dawnk to continue! In addition to being an HR nightmare, it’s also a drain on productivity if everyone’s constantly glued to it, and I imagine STR Laurie cares about profit more than anything else.

But like I really don’t get why Madeline says they can’t censor their associates. Of course they can shut down the app if they want to! Someone put the app there in the first place, no? I do understand not wanting to look like you’re violating free speech (even though taking away anonymous commenting in the workplace would not be a violation of free speech) but I highly doubt it would be only the partners complaining. Tina, whose promotion was called into question, would be complaining too. Anyone trying to get work done, or anyone who didn’t like the toxic culture, or anyone who was uncomfortable with a joke made, would be complaining. There are more than enough reasons it would be perfectly acceptable to take the anon commenting away.

Now the partners are fighting about Kurt’s case too. “Diane is not responsible for her husband,” Liz says when Madeline says that Diane should’ve known better than to get involved. Um, Liz, Madeline is right. Diane isn’t responsible for Kurt’s actions but she’s sure as hell responsible for volunteering to represent him.

“In the real world of this firm, Diane’s billable hours speak for themselves,” Liz notes when a partner tries to call Diane’s unsavory associations into question.

“The rest of us put in the hours too, for the record,” notes another partner. I’m sure... but do you put in DIANE’S hours and have DIANE’S client list? My guess is no. If Diane weren’t the biggest earner at the firm we wouldn’t be having this debate. She’d just be gone. She’d never have been at the firm to begin with.

“Liz, when I joined this firm, it was because of your father’s legacy. It was about Black civil rights, activism, justice. That’s what people talked about in meetings. Now, people talk about billable hours, million-dollar clients, corporate payouts. Now, I know it’s not your fault. That was Boseman’s vision and we were trying to survive the Trump years by bringing in white lawyers, but those days are gone. They’re done with. And I miss being a strong black firm,” Madeline says. Everyone but Liz (and probably Julius) seems to agree with that.

This is one of many interesting facets of this issue. When Madeline argues against Diane, she’s not just arguing that she wants a black person running the firm for optics. She’s not saying that Diane-but-black would be an acceptable choice. She is saying she wants RL to be the firm it was at the very very start of the show—a firm committed to social justice, not maximizing revenue. A firm that didn’t just accept every client that came their way because they love profit. A firm that stood for something. So my question is: Does Liz want that firm?

Liz is hard to read throughout this whole plot, and I think that may be intentional. Liz isn’t a manager by training—she was an AUSA who suddenly became a name partner at a firm (if you want to talk about seniority and skipping the line, Liz is a way better example than Diane—you can even through some nepotism, twice over, in there). She doesn’t seem to have a clear goal for her firm other than maintaining the status quo and keeping power. Liz not taking a stronger stance from the start (either accepting that they are no longer going to be a social justice-oriented firm or pushing to get them back to that place) allows these kinds of questions to fester. It’s my hope that this becomes text instead of subtext pretty soon, ‘cause this is the kind of thing that if it’s subtext for too long will start to feel like bad writing/Liz being conveniently clueless. It’s way more interesting if Liz is just not yet good at being a manager... because she is learning on the job.

Anyway. I think the ideal solution here is probably that Diane and Liz continue to run RL: A STR Laurie Company (the fact they’re owned by corporate overlords kind of makes any decision about RL’s mission moot) since Diane wants to do that and Liz seems to be content where she is. Madeline and the other partners, instead of trying to force STRL to let them pursue the cases they want, can accept pay cuts and go start their own firm. Maybe they can even team up with Barbara Kolstad!

None of that’s to say that the dilemma here is easily solvable, nor is it to say that Diane shouldn’t consider stepping down. I’ll say more on that later. My point here is just that this issue is much deeper than just if Diane is on the letterhead or not. As long as they’re owned by STR Laurie and have clients like Rivi, Diane stepping aside would just be a band-aid.

(And that, I think, is intentional... they’ve been building the “why are we even representing x?” tension pretty consistently this season, so I imagine it’s on the writers’ minds.)

Diane stumbles across the secret partner’s meeting and knows something’s up.

“You gotta handle this, Liz. You cannot have a white partner leading a black firm. We’ll lose clients with that kind of hypocrisy” Madeline insists after Diane heads back to her office. I’ve already said it, but just to say it in a less rambly way: Madeline is right, but she’s right IF AND ONLY IF the goal is to be a black firm. So, Liz, is it?

(They’ll lose clients, sure, but which ones? They’ll lose the clients Madeline wants while Diane continues to keep bringing in business and Rivi and Cord and Wolfe-Colman and their elk* stay put.)

*I know this is not the correct word; see 6x17 of TGW

David Lee has also noticed the meeting in Liz’s office and thinks this may be the “beginning of the end.” Diane glares at him and he says he was just joking.

Diane schedules a meeting with Liz. Liz’s assistant doesn’t know Diane by voice, adding to her frustration.

Credits! We are 22 minutes in! This might be a record if 5x01 hadn’t saved the credits til the very end!

I’ve already written more than I did last week by a couple hundred words.

Two interesting things about the credits. First, this episode was written by Aurin Squire. Forgive me if I’ve mentioned this in a prior recap (I know I thought about it but can’t remember if I deleted), but I think Aurin Squire and Davita Scarlett are key to why TGF and Evil are both always so good. They’re the two writers other than the Kings who are in both the TGF and Evil rooms, and they both REALLY seem to be on the same wavelength as the Kings. I imagine that having four people who are in both rooms helps with managing both at basically the same time.

(This isn’t where I wanted to go with this bullet point, but I may as well shout out how great Evil is this season, too! It also just aired an episode by Aurin Squire about the lead white female character realizing her privilege!)

Second, this episode was directed by Brooke Kennedy. I didn’t know that going in, but seconds before the director credit popped up, I was thinking to myself, “this episode feels like it’s going to be a very important one. I bet Brooke directed it.” I was very pleased to see her name appear.

(For anyone who doesn’t know, Brooke is an EP who’s been involved in nearly every episode of both Wife and Fight and she tends to direct important episodes that require a lot of familiarity with the characters. She directed 5x15 of The Good Wife and she’s done a bunch of the premieres and finales that Robert King hasn’t claimed for himself.)

Diane and Liz meet in a bar to catch up. Diane’s still staring at Dawnk. Liz takes her phone and silences the notifications. “Who thought that sound was pleasing?” Diane complains. “All day in court today,” Liz commiserates. Carmen had to teach her how to silence the notifications. Liz, you’re using an iPhone, there is a very easy to use switch that silences your phone, like you would need to for court. I know you know this.

(I think Diane, despite her complaining about the sound, is captivated by Dawnk.)

Liz orders soda water instead of a drink. I assume that’s intentional, perhaps because she knows this isn’t going to be an easy conversation or a long night of drinking? She has wine in an earlier scene.

I love that Liz and Diane chat about Dawnk even though there’s no real plot reason for them to spend this much time discussing it. Little moments like this make me believe Liz and Diane are actually colleagues who get along well and make management decisions together.

Diane asks if Liz thinks Dawnk actually increases productivity. Liz laughs—she does not. But she knows the associates would “riot” if they got rid of it. She’s right. I still think they can get rid of it without too much blowback. But at least they’re acknowledging this.

“What do the partners think?” Diane asks, very intentionally shifting the subject. You can hear it in Christine’s voice and see it in her body language—Diane is looking for an opportunity to talk about what she wants to talk about.

“God, Madeline can’t even open it. She’s lost her password three times. She finally just gave up,” Liz says. This is concerning! Madeline should know how to open an app! Probably not unrealistic, though. When you’re that senior, you probably don’t need to know how to use a messaging app. And messaging apps can be confusing sometimes. Like, I still don’t understand how to use Discord.

The captions have a line I can’t hear in this scene—Liz (I presume?) saying “You know, ‘cause it’s Madeline.” This makes it sound like Madeline is a little less than competent, no?

“Thanks for sitting down with me, Liz,” Diane says in a quite serious tone. “Of course. So, you’re wondering about the meeting today?” Liz immediately understands. “I am.” “Yeah. Uh, it was about Julius. He’s being harassed on Dawnk,” Liz explains.

“Okay, and I couldn’t be a part of that?” Diane wants to know. “He’s being harassed because he’s defending your husband,” Liz explains. Diane doesn’t seem surprised (perhaps because she, too, would have read these messages?). “Well, that’s unfortunate. We’ve represented people far worse than Kurt, who, by the way, was found innocent,” Diane argues like they’re having a very different conversation. It’s one thing to represent rapists and murderers and drug lords—and I’d argue that the same people pissed about Kurt are also pissed about them!-- and another for your leadership to be married to/close friends with someone who you believe participated in the events of 1/6.

“I’m not saying it wasn’t. But, January 6th. I mean, we watched the Confederate flag make its way into the Capitol building. You know, those people that Kurt didn’t want to turn over to the FBI, those people. They don’t even want us alive,” Liz says better than I ever could. I think it’s important that Liz mentions a POV that likely wouldn’t have ever crossed Diane’s mind here. This is a small glimpse of why it could be so important to have black leadership at a black firm. Would Diane be thinking about the implications of having the Confederate flag in the Capitol? Probably not in the same way that Liz instantly does.

“Well, not all of them,” Diane Lockhart, who is suddenly an idiot, says. Liz looks at her drink and grimaces, and Diane realizes she’s said something wrong. “I’m sorry, I didn’t mean that. I’m certainly not defending those people. They’re all despicable traitors.”

“And now, that’s what people are saying about Julius,” Liz explains. “And me?” Diane asks, though she already knows the answer. Liz doesn’t want to answer that. Before she can say anything, Diane asks if she’s being pushed out.

“No. Not pushed out. You’re a name partner. You can’t be pushed out,” Liz clarifies. Diane knows there’s a but. “The partners just think you should do the right thing,” Liz adds.

“And step aside?” Diane asks. “No. Stay in the firm. Stay as an equity partner, just step back from your managerial role,” Liz says. Diane pauses. “Liz, I... I pull in the big clients. I... I get the billable hours. But still, ‘maybe you should step aside.’ Weren’t we going to form a firm led by women?” Diane argues. Oh, wow, I have so much to say.

First, I completely understand why Diane doesn’t want to give up her title or her power. She's Diane Lockhart! She’s been one of the best in her field for decades. She’s not wrong about the clients and billable hours. It’s just that every time Diane decides to be at this firm, making arguments about how she should retain her role in power, she’s saying that she values her own career/appearance more than the values she claims to care about. And every time she refuses to take a back seat or threatens to walk rather than sacrifice, she’s saying she’ll only through her weight behind her colleagues and their mission if she gets credit for it. To be clear, I don’t think it would be the shittiest decision in the world if Diane decided to walk, to take her clients to a new firm and to let RL become the firm Madeline and the rest envision. It’s asking a lot of her to give up that power and prestige. The interesting part of this dilemma is, to me, that Diane claims to value working for RL and to be active in the fight against racism... but the second she’s forced to choose between that fight and her own power, we all know what Diane is going to choose. There was never really any doubt. Diane doesn’t have to be on the forefront of this fight if she doesn’t want to... but she can’t claim to be invested in the fight if she isn’t willing to sacrifice, at all.

Second, LMAO at this firm led by women idea. Every time Diane talks about her firm led by women idea it sounds sillier! Not because a firm led by women is silly, but because Diane has a habit of saying this like it is a shared goal and each time she references it, it sounds less and less intersectional. For example, when she says it here, she’s essentially saying a firm led by women only has meaning if one of those women is a white woman (specifically a white woman named Diane Lockhart). Who’s to say that Madeline wouldn’t be made partner in Diane’s absence? Or Barbara (haha) or someone else we haven’t met? There is a very real possibility that Liz and another woman could run the firm and Diane would still be unhappy about it. Diane doesn’t ask Liz for a commitment that if she does step aside, her replacement would be female (idk if it’s legal to make this commitment but you get my point). Diane acts like asking her to step aside is already a betrayal of the female led firm.

“And I hope that it will be,” Liz says, basically hinting to Diane that there are women in the world besides her.

“But black women?” Diane says, agitatedly. “Diane, I... am not voting against you. I promised you that I wouldn’t. But there is growing anger here. They want to address it at the next partners' meeting. So just think about it,” Liz responds.

I think Liz is totally fair and forthcoming in this scene and strikes pretty much the right tone for this initial conversation. She gives Diane a choice and is honest with her.

“You’re a good person,” Liz adds. Diane does a double-take, understanding that Liz is actually telling her “You are a good person, so you know that you absolutely need to step aside.”

“No, I’m not!” Diane responds. As I said: Diane already knows what she is going to do. She needs to do mental gymnastics to excuse her actions, but her mind was made up before the question was even raised. (She did warn Liz in 5x01 she was going to fight any attempt to push her out.)

“Yes, you are,” Liz says again. She may as well be saying, “No, don’t try this. Everyone will think you’re in the wrong if you push this.”

Later, at home, Diane is doing some stretches on the floor and groaning. I don’t know if this scene is meant to show her age, but it does remind me that Diane is nearly 70 and started off this show by planning to retire. Retirement doesn’t seem to be an option for her here. (That’s fine by me; she is a workaholic whose career is her life.)

Kurt asks Diane what she wants to do. She says she wants to keep her name on the letterhead and “keep what I fought for.” Heh, I was just re-reading something I wrote about Cary a while ago and I’d pointed out that when Alicia and Cary discuss merging with what’s left of LG, Cary is also concerned about his name on the letterhead because even though he wants to change the world, he also cares about having power. It’s almost like Diane and Cary are really similar characters! (They are! That’s why the Diane/Cary moment in Hitting the Fan is so good!)

Diane calls her position as name partner a fight against “gender and then age discrimination.” She isn’t wrong, especially when you consider how meaningful it likely was when she and Stern went into business together. It’s very easy for me to forget that when Diane has such an attachment to fighting for white women’s rights, it’s not just because she’s out of touch and selfish: it’s because that was something she personally had to fight for. That doesn’t make it okay that she seems to forget the concept of intersectionality (which she’s definitely aware of) the second anything challenges her own power, but it does explain why a firm run by women is so important to her.

Diane is not wrong that she deserves name partnership and she’s not wrong to not want to step aside. Yet, starting a war to retain her position as name partner is a CHOICE. The best thing for Diane to do here (morally, I mean) would be for her to step aside and throw her resources behind the firm’s new leadership, using her experiences and stature to benefit the firm (this would also be a way for her to cement her legacy and mentor a new generation of leaders). The best compromise, I think, would be for someone to leave the current firm—either Diane or the dissenting partners, probably Diane since Liz seems to agree with Madeline—without any hard feelings. The worst possible choice is for Diane to insist that this firm is hers and force every single tension at the firm to come to a head, screwing over Liz in the process and potentially permanently ruining the firm’s status as a black firm. Sooo... yeah.

(I say it could ruin the firm’s status as a black firm because if Diane’s a white partner who happens to be there and the firm is mostly black, that’s one thing. If Diane is a white partner who fought all of the black partners to assert her own dominance over their firm... that’s hard to come back from. She can’t really call herself an ally, can she?)

“Diane, this is the first time I’ve ever heard you sound defeated,” Kurt says. “Because I can’t win this,” she says. She insists she can’t even after Kurt tries to cheer her on (of course he does, he probably thinks having an all black firm is just identity politics and therefore worthless).

“You just don’t want to,” Kurt says. He is not wrong. This is a winnable fight for Diane. Liz is smart but Diane has the experience, the clients, the power, and her own reputation to use in this fight. Liz has her dad’s name (and I don’t think it would come to this, but Diane knows how she can pretty easily destroy Liz’s dad’s reputation). (Liz is great, don’t get me wrong. Liz is also someone who happened into a name partnership because her dad was important.)

“It’s bigger than that. To fight this would go against every fiber of my being,” Diane says. “Every fiber in your being is about winning,” Kurt counters. Oh, damn. That’s a succinct way of putting it. He is completely right. Diane would love to think that every fiber of her being is about her commitment to social justice and women’s rights. It is not. If that were the case, would she really be a lawyer with clients like ChumHum, Bishop, Sweeney, Rivi, and Wolfe-Colman? We all know the answer to this. We all know Diane likes social justice a lot but winning, wealth, and power far more.

When I first watched TGW, now nearly a decade ago, I was a high schooler and my media diet mostly consisted of Desperate Housewives and a bunch of procedurals like Bones and Castle. The thing that hooked me about TGW—more than Alicia’s journey, more than anything—was that TGW never had easy answers to anything. Will tells Diane in 1x07 that “nothing here is pure and nothing here is simple” and that basically blew my mind. TGW always made it obvious that Will was morally gray, which fascinated me. But I struggled with Diane. Here was this woman who looked like she should be someone so impressive and inspirational I could write a college admissions essay about her (I did not, but that was my frame of reference at the time)… but the decisions she made... never seemed all that great?? I couldn’t comprehend it.

When Blue Ribbon Panel aired in March 2012, I wrote to a friend, “Diane confused me a little bit tonight. She didn’t approve of Alicia standing up to the panel, and yet, she’s supposed to care about people, the truth, morality, etc etc. I never understand Diane’s motivations– is her philosophy to help others whenever it wouldn’t hurt her, personally, to do so?”

At that point, Diane compromising her values struck me as something confusing because I wanted to think of her as a powerful role model and icon, and I didn’t know what to do with someone who looked like and often was role model material who also sometimes betrayed her values for her own self-interest. I had my analysis of Diane down: she her motivations ARE to help others whenever it wouldn’t hurt her, personally, to do so. All I needed to do was remove my question mark from the end of that thought.

I promise I’ll move on from quoting myself, but I also want to share a paragraph I wrote about Diane in March 2014 (during season five of Wife) because it says what I want to say now as well as anything I could write today:

Diane is driven and ambitious. Her initial actions can come as the result of intense emotions, but given enough time and space, Diane will always be strategic and pragmatic when it comes to business. She’s spent her entire life putting her career first, and she wouldn’t have it any other way. That she found love is just icing. Kurt aside, the two most important things to Diane are advancing her own self-interest and doing good in the world. These objectives appear to be a contradiction, and often, they are. Nine times out of ten, when it comes down to it, she’ll choose herself. I mean no judgment here: another central aspect of Diane’s character is that she’s upfront about her choices and stands by them, and this sort of moral ambiguity makes for a great character.

The reason I quote myself here is not to be like, ha ha, I was right. It's because I think this episode is even more powerful because I can copy/paste in stuff I wrote nine years ago or seven years ago (oh god, 2014 was seven years ago?) verbatim and it can hold up as analysis. Both Fight and Wife have always implied Diane’s selfish side and given more than enough evidence to make a convincing argument about it, but they’ve never really engaged with it directly (and if you ask the social media teams for either show, Diane is a #queen who can never do wrong). This episode interrogates something that’s always been an unpleasant part of Diane’s character, and I’m so fucking glad about it.

(I don’t think anyone’s accusing Diane of not growing as a person but it crossed my mind that this could be seen as lack of growth. I don’t think it is. I wouldn’t expect Diane to change. Her life and career are so set that growth on this without a LOT of struggle on her part would feel like a cop out.)

Another reason I quote myself is to highlight how friggin’ character driven this episode is. I’ve seen a lot of people saying this episode felt like old-school TGW—and it absolutely does; that’s also how I felt—and I think that’s because it’s so character focused and meaty.

But back to this scene. Kurt tells Diane that if she doesn’t try to win she should just give up entirely. Seems like bad advice.

“Kurt, I appreciate the pep talk, but I don’t think the way you think. I cannot put my interests above a whole group of people—black people—just so I can keep my position.” Sure you can, Diane. You just don’t like to believe that about yourself. You know how Diane says to Kurt earlier that she knows the NRA will offer him the job? That is how I feel about this scene. The writers go to great lengths to explain where Diane’s head is at when she decides to fight for her partnership, but they’d have needed to do ten times more to get me to believe Diane would step aside voluntarily.

Kurt basically thinks that Diane should fight because if her competition is actually talented enough to deserve name partnership, they should fight her for it. He’s missing the point here.

“But a black person’s talent has always been valued less than mine,” Diane counters. The fact she knows and understands this makes her decision even less forgivable.

Kurt knows he’s going to lose this argument and tries the same strategy he did on 5x01: telling Diane she’s right and should just give up and leave the firm. Diane doesn’t like that answer either.

Given how much I loathed Jay’s hallucinations, I was expecting that when Diane asks Kurt in the middle of the night if he believes the election was stolen and then sits down at her fireplace to have a chat with Ruth Bader Ginsburg, I’d loathe what happened next. I did not! I actually really liked it!

I think this is more effective than Jay’s hallucinations, at least for me, because it's less gimmicky. It isn’t played for humor or quirk, and it gets to the character-driven point a LOT faster. This feels more similar to Alicia imagining Gloria Steinem is telling her she’s good enough to be on the Supreme Court in 6x03 than it does to Jay’s hallucinations.

I LOVE that Diane would dream that RBG would advise her on her work dilemma. Dream!RBG tells Diane that “any law firm would be insane to let you go.” (I don’t wanna spend too much time fighting dream logic, but I feel like the operative phrase here is ‘let you go’. Are the RL partners seeing this as letting Diane go? Or are they just trying to get at a different goal and Diane is in the way, and they don’t really care if Diane has top connections or billable hours? It’s almost like the other RL partners want a firm that stands for something and all Diane has stood for thus far at the firm is profit...)

Diane pushes back on RBG and RBG shares her “real” thoughts. This is where this sequence clicks into place for me, because it’s working on a LOT of levels. Obviously, Diane is going to imagine that her hero tells her to do exactly what she wants to do (the aforementioned mental gymnastics). But without losing the level on which this is dream!RBG and filtered through Diane’s POV, the writers are also... criticizing RBG for not stepping down herself!? It’s fascinating and pointed and makes her the exact right choice to play Diane’s conscience.

Dream!RBG shares her life story and notes how she was always asked to step aside, but she didn’t and that’s how she got to be RBG. “Don’t step aside because someone wants you to. Don’t step aside for politics. Men are always asking women to step aside so a man can go first,” RBG advises Diane. Even Diane knows that this isn’t exactly equal to her current situation-- “Even though I’m being asked to step aside so that a black person can take my place?” she counters.

So RBG asks if Diane can still do something “for women” if she says. Diane says yes, and RBG says Diane should do that instead of stepping aside—she should do whatever it takes. That’s the wrong takeaway, Diane! If you want to do something for women then a) you could do something for the black women at your firm lol or b) you could politely remove yourself from the firm, encourage your most profitable clients to stay on if they are wanted by the other partners or and/or c) you could choose to bring your talent and your stature to a non-profit. But, of course, these options aren’t on the table. There’s a reason the options are leave and lose everything or stay and fight for name partnership, and it’s that Diane cares about maintaining control of what she sees as hers and winning more than she cares about anything else, including or even especially her desire to help women.

And also what women is she even helping at RL? Herself? She’s certainly not helping Wolfe-Coleman's rape victim. The closest she’s recently come to helping women is when she told off Weinstein’s lawyer and tried to start #MeToo... in a DREAM.

The score for the next sequence sounds so familiar and I can’t place it. At first, I thought it was Hitting the Fan, but I’m not sure if that’s the right reference (also, damn, the Hitting the Fan score is REALLY GOOD!). I think it might be similar to 5x14 when Alicia’s pacing back and forth in the hotel room.

Anyway, Diane starts meeting with her (white, male) clients to tell them about how she’s stepping aside. She hasn’t run this past any of the other partners, of course. She’s doing exactly what they want, in the most malicious and calculated way possible.

One of her clients is a fracking client who wants to win over democrats by being a RL client.

Diane is so sneaky here! No one said that if Diane steps aside as partner she can’t handle the day to day on her cases... yet that’s what Diane tells this client since she knows it’ll make him mad!

Diane makes a point of showing her fracking client that his new representation will be Madeline. He doesn’t know anything about Madeline, and, as Diane was likely counting on, he isn’t confident in having a black woman he’s less “comfortable” with on his cases. I don’t know if Diane was going for the racial element here, but... if you’re really concerned about continuity, you don’t have this meeting without having Madeline ready to jump in and show she’s read up on the client. I’m sure it’s possible that Diane meant nothing in giving this client only Madeline’s name, title, gender, and race to go off of, but is that likely?

She hands another (white, male) client off to Julius, whom she describes as a “very competent lawyer.” What an introduction. She says she’s not retiring and the firm “just wants to let some other people step forward into a name partner position.” Diane knows how to sell clients on changes they won’t like. She knows this isn’t how you do it.

That phrase, “comfortable with you” is doing a lot of work, no? Both clients so far have said it, and while it might not be racially coded... it’s racially coded.

“Who should we call about it?” the clients ask. Diane can barely keep herself from smiling.

They call David Lee, immediately. He takes the call in the middle of a meeting, while someone else is talking—he is David Lee, after all.

The information on the screen in David’s meeting is quite interesting. It’s about STRL’s plans for RL. Here’s how the firm is described: “RL is a high-end mid-sized Chicago law firm that can consolidate its specialized brand within the American POC community and expand its national and global brand with STR Laure.” Soooo... yeah. For the corporate overloards, RL needs it to be just black enough that it appears like a black firm, but they care more about appearances and branding than anything of substance. (Notice how it says “POC” and not black? Notice how there’s this mention of national and global presence that doesn’t seem to be on the RL partners’ mind?)

There’s an area called room for growth, listing top clients—entertainment law, fracking, the DNC, and civil cases against CPD. Interestingly, two of these are Liz’s clients (entertainment and DNC), one is Adrian’s (civil cases against CPD), and only fracking is Diane’s... so maybe I didn’t give Liz enough credit earlier.

There’s also a plan of action that includes partners working with STRL and the 15-20% layoffs we already know about. I don’t think this text is meant to include any new info, but I assume one of the writers had a hand in writing it and it’s a good way of confirming things that had been subtext.

Wackner’s reality show looks... well, like his court, because his court always looked like a reality show. Cutting together the most out-there moments (audience reaction cards, Wackner singing “Come on defense!”, Wackner renaming himself Judge Shmuley for a day) makes Wackner look pretty bad.

Hey Liz, I thought you figured out how to silence your notifications for Dawnk permanently. (It’s not all high-stakes controversy over on the “R&L General” channel—the anon animals are now discussing a broken coffee maker.) (Though even this discussion is a bit political! Anon Owl says they bet STR’s coffee machine works, and Anon Dolphin wants to know why they don’t have more coffee maters at RL.)

There’s also a dance party—which Marissa participates in—in the footage of Wackner.

Hey, wouldn’t Marissa have reported the cameras to Diane and Liz? I feel like she’d know they’d want to know.

Wackner ends up on the stand to offer context for the strange-looking clips. In a smart move, Liz offers to just let Judge Farley ask questions—she knows that’s what Farley is really after.

Unsurprisingly, Wackner’s context makes his outrageous practices seem much more reasonable. There’s a scoreboard to keep lawyers aware of where they’re standing so they can gauge instead of guess at Wackner’s thought process. Shmuley is to honor a recently deceased relative. The costumes are to prevent bias and cut down entitlement.

Plaintiff’s counsel argues that Wackner is biased and the case continues even though Wackner’s (mostly) won over Farley.

The case next turns to something about copyright law that sounds downright silly—the point is to underline that Wackner’s court makes more sense than real court on some things. It makes more common sense and it’s less racist.

Del gets called into court. It’s interesting how these scenes are blocked together rather than spread out. The same is true of Diane’s scenes—after credits, we have Diane and Liz at the bar, Diane at home, Diane talking to RBG, Diane making moves, and then David Lee becoming aware of the situation. Then we have several consecutive court scenes (all of which feel like they have natural break points) of Wackner stuff. If I had to guess, I would guess that it’s to keep the momentum going. The Diane stuff plays better when it feels like a continuous chain rather than a subplot.

(The only thing that suffers is that I have no idea why there’s a court scene about copyright law right after the plaintiff argues they have evidence about Wackner’s bias? I probably wouldn’t have even noticed if the scenes had been spread out more.)

Now Cord’s involvement with Wackner’s court becomes an issue. It’s funny they need a witness to bring up Cord when Cord is SITTING IN THE COURT ROOM.

Apparently Cord is financing a company that would compete with the plaintiff’s company and this means Wackner is biased. As the next scene will explain, Cord wasn’t even aware of his investment in the rival company, and Wackner certainly wasn’t. But, regardless, it’s going to be challenging to prove that neither Wackner nor Cord knew about the investment, and the opposition is going to go after Cord’s financial records, which no one wants. Liz suggests a continuance, which would give Wackner about a year to keep working on his court before they have to come back to this issue.

Wackner HATES the idea of delays and is all, THIS IS WHY I HAVE MY OWN COURT and again, he isn’t wrong.

David Lee needs to see Liz, now. Liz and Diane meet in David Lee’s office and stare at their phones. Diane says she has no idea what the meeting is about, even though she basically set up the meeting herself.

“What the fuck is going on?” David Lee says. Diane feigns surprise and asks for more specifics. David Lee reveals that four top clients have called with issues about their representation shifting.

Liz knows what’s going on and aggressively says, “Diane, thoughts?” “Nothing from me. I met with my clients. I just told them of a restructuring that I was being told about,” Diane says like it’s no big deal. Liz and Diane both know that Diane forced this meeting.

“Is this a power play on your part?” Liz asks Diane. “No, it’s just updating my clients,” Diane says for David Lee’s benefit or commitment to the bit or something. It is definitely a power play, and a nearly unforgivable one done to an ally.

“David, Diane was told about frustration at the partner level about a white woman being a name partner in a black firm. And apparently, this is her response,” Liz explains. “I just told our clients what was going on,” Diane defends. David Lee doesn’t really care about what happened: he cares about one thing, and that thing is money.

“Diane’s a fucking name partner until STR Laurie says she’s not. No one decides until I decide. Now stick your race war back in its bottle,” David Lee says. I mean, basically, yeah, that’s what happens when you merge with a huge firm that only cares about profit.

I like that this ends up coming back to STRL. You can’t really have a conversation about RL’s identity without also acknowledging that RL is not independently owned. Sure, STRL will care at some point if RL loses its clout with the black community—but like most companies, they care about guaranteed loss of profit and the short term more than long-term what-ifs. It may sound cynical, but if Madeline and all of the other partners quit, STRL would simply put all their effort into keeping Liz or even just the Reddick name and would then hire black lawyers who think more like Julius than Madeline to keep the reputation. STRL does not give a shit about helping anyone, and that’s what Diane counts on.

I do not believe the version of RL that Madeline wants can exist when they’re under STRL’s control. I believe the version Diane wants (not really a black firm) can, and I believe the version Liz seems to want (one that’s mostly black and occasionally social justice focused) can, but this issue won’t go away until STRL does.

Sure, Diane, keep telling yourself you’re fighting the good fight out here.

(Perhaps “The Good Fight” is a more ironic and fraught title than it originally seemed.)

“That was a mistake. I am on your side, and you don’t even realize it,” Liz tells Diane afterwards. Interesting that Liz says “I am” and not “I was.” I would love to know what Liz really thinks about this situation and hope we get more from her POV next week. I think Liz wants to run a black firm, but I also think she wants to run a successful firm and likes working with Diane. Liz is on Diane’s side about as much as she can be while still advocating for Diane to step down.

Pissing off Liz is a very interesting move for Diane here, too. Diane wants to fight the one person who is on her side for control of a firm that doesn’t want her there, and she’s convinced herself this is the smart move! Kind of wild. What does Diane think the day to day will look like? I think I said this above, but in forcing this war, Diane is all but guaranteeing that if she wins, RL will only be a black firm in that STRL will say it’s one to make more money.

Julius and Diane chat next. Julius says he wants to start his own firm—with Diane. Her only reaction is laughter, but, like, this is probably happening. I’m not sure why she laughs. It’s not quite a case of unfortunate timing (Diane could’ve done this before she blew things up, and it’s not quite too late for Diane to commit to leaving and smooth things over with Liz), so maybe it’s just a “well, this sounds familiar!” laugh.

(If you think of Previously On as 5x00 instead of 5x01, that would make this episode 5x05, which would make this a Hitting the Fan callback. I can also do mental gymnastics!)

The episode could end there, but it doesn’t. We’ve still got a Wackner plot to resolve. Cord has some people beat up the plaintiff as a way of enforcing Wackner’s verdict and getting the real court case to go away. Marissa picks up on what’s happened faster than Wackner does, unless Wackner just doesn’t care.

It’s subtle, but throughout this episode, there’s a little bit of a trend towards Marissa becoming more skeptical of Wackner. She tries to keep him under control in court, tries to reason with him about the continuance, and in this scene, she just looks entirely displeased and alarmed every time she’s on camera.

We get another scene with RBG. “It’s different for me than it was for you,” Diane says. She notes that unlike RBG, she herself is up against another “dominated culture.” This other dominated culture is “black lawyers.” (I’m sorry, I just find the way she says “black lawyers” funny, partially because she says “lawyers” instead of people and partially because Diane seems insistent on only occasionally remembering that Liz is both black and female.)

I can’t tell if this scene was originally intended to close the episode or not. The blocks of scenes, the way the episode seems like it should’ve ended with Julius’s laugh but instead has three more scenes (guy getting beat up, Wackner’s court, this one), and the fact the Kings said this episode had to be almost totally rethought because both Christine and Audra had concerns about the original script all suggest to me that maybe some of the scenes in this episode got shuffled around to keep momentum and hit the right notes at the right time.

Diane acknowledges that RBG could’ve stepped down and we wouldn’t have a conservative majority on the court now if she had. RBG insists that she wouldn’t have stepped aside even if Obama had guaranteed that her replacement would be black. She says it’s because she only knows what she can do—not what others would do. And “what you know is always better than what might happen.”

Even if this was originally supposed to happen earlier (Diane saying she doesn’t know what to do makes me feel like it way), I like that we get to see it’s still weighing on Diane after the fact.

(Also, I have seen some comments about, for lack of a better phrase, the girl power energy of these Diane and RBG scenes. No! These scenes aren’t a tribute to RBG! She’s in these scenes because she didn’t step down and can thus help Diane excuse her own actions! These scenes aren’t exactly anti-RBG, but they are certainly critical of some of her choices!)

The topic shifts to Diane and Kurt’s relationship (another reason to put this somewhere other than the main part of the episode; this would slow down the momentum of the middle part of the episode) and its similarity to RBG’s friendship with Scalia.

Tbh, I don’t think a friendship and a marriage are all that similar on this front and I’d be curious to see Diane think about RBG/Scalia in the context of her potential partnership with Julius rather than her marriage.

RBG basically tells Diane to stay with Kurt. Diane thanks her, and then, back in reality, tells Kurt to take the NRA job so he’ll be happy—and then she’ll just sue him. Okay, that feels like an episode ending, so I am REALLY curious about all the re-writing and re-structuring that happened in this episode and what did/didn’t get touched. I can’t make up my mind about what feels out of place.

So we start out with Diane feeling like it might be the right thing to explore whether or not it still makes sense for her to be with Kurt, a suspected insurrectionist and future NRA employee, and Diane feeling like she wants to help her friends and partners at her mostly black firm do good in the world. And we end with Diane doubling down on her relationship with Kurt, giving her blessing for the NRA job, and fucking over her colleagues because she wants to keep her own power. Dark! I love it.

This episode does this all without making Diane entirely unsympathetic, which is astounding. While I think Diane knowingly makes choices that further her self-interest over the values she (claims to?) hold and I am definitely NOT Team Diane on her decisions in this episode, this episode could easily have been less interesting and complex. It’s understandable that Diane would not want to step aside from a firm she’s helped build—who would? It’s understandable that Diane might not feel the passion for a black firm the way she does for a female firm. It’s understandable that Diane might not want to blow up her marriage, despite her political differences from Kurt. This episode allows Diane to be just sympathetic enough she never becomes a flat villain, but never sympathetic enough that someone could mistake this episode for one that shows Diane as a morally pure hero. Personally, I love that in a TV show. That’s the exact kind of writing that made me love Alicia Florrick enough that I still spend a considerable amount of time thinking about her character arc even though TGW ended half a decade ago. It’s what’s been missing from a lot of TGF episodes for me, and why I’ve said that TGF seems like a show more about theme than character. It’s why I’ve written—oh god, TEN THOUSAND words—about this episode.

I have no clue what’s going to happen next, but I hope it includes more character-driven drama (ideally with a lot of good material for Liz) and not a lot of firm-jumping shenanigans.

#tgf thoughts #the good fight

31 notes · View notes