What's p/p?
Ah, I meant to say, pp, Psycho-Pass. I usually add slashes to avoid unprompted rambles to show up in main tags, sorry if that resulted confusing.
I love Psycho-Pass. I already made a post about why bsd fans might find it enjoyable, but honestly, there's so much more to it beyond what it has in common with bsd.
The prompts for reflection this series offers are just wonderful: on the relationship between citizens and government, on pervasive systems, on freedom of choice and free will, on safety vs. freedom, on discrimination of minorities and creation of scapegoats, on propaganda and brainwashing, on the increasing and treacherous presence of technology in everyday life, on how government uses technology to control and manipulate people, on fighting the system from the inside vs. fighting the system from the outside. I should watch it again too. It's crazy good.
Akane Tsunemori - the coprotagonist of the first season, the protagonist of the second season and overall the true core and heart of the franchise - is one of the most complex and beautiful characters I ever met. Her growth and character development is truly amazing: the way she starts off as unknowing and naïve, and grows so so much from there; how her writing finds this perfect balance between becoming more mature / hardening and staying true to her beliefs - even when everyone, the system, the people she relies to, the people she looks up to - tell her that there's no other way, that it can't be. It's breathtaking. She is a breathtaking character. The way alone that no matter how conscious and aware she becomes of how cruel the world is, how unredeemable people are, how beyond saving the system is, she still keeps believing in humans… It may sound cliché by itself, but believe me, it's wonderfully executed, and her character is truly amazing. Not to mention, the way she mirrors the coprotagonist Kougami is fabulous, but this is not really about him; she's an amazing character of her own right, and I will die on this hill.
The female cast in general is all amazing honestly. Don't get me wrong, the male characters are just as complex and multilayered (and I LOVE Gino and Kou, how couldn't I), but that's… Something we're more accustomed to, while finding well written female characters is objectively much harder. Female characters in Psycho-Pass aren't written as female characters, they're written as people, just as much as their male counterparts are. They have their fears and hopes and strengths and weaknesses just like any other character. I love Yayoi for being strong and coolheaded. I love (LOVE) Shion for being her fabulous self, kind and flirty and confident and with an heart so big, and for her subverting the trope of guy in the chair by being a glamorous woman who's also incredibly competent at her job of analyst. I love Akane's friends and I don't like season 3 but Mai is genuinely awesome and a joy every time she's on screen. I love Risa so much I could die, I love how strong and independent she is, I love the dilemmas she had to face, I love her choices and how they might have been the wrong ones and how it still haunts her, I love the tragedy of her character in general, I love the doomed friendship that used to be between her Gino and Kou. I love love love Fredrica, I love her being bossy and confident, diligent and determined. There's just a lot of… Strong and independent women in Psycho-Pass, and it's not just a way of saying, they really are.
I LOVE women loving other women, canonly, on screen. The confirmation may be delegated to a small moment in the last episode of the first season, but the fact that it's still there nonetheless, and how it confirms that all the previous moments and exchanges were indeed moments and didn't leave it to ambiguity… It's nice, to say that the first season of Psycho-Pass came out in 2012. And you might have to wait eight years, three seasons, five movies for it, but the phrase “I just want to go outside, dine somewhere nice, and go for walks with someone I love” may make it worth it.
And I LOVE how all the leader positions are filled by women. It's a little funny, honestly, in the best way– despite what I made it look like so far, the Psycho-Pass cast is still men-dominated (or at least a pretty equally split 50/50?); yet all the leader positions are always filled by women: Akane and Mika and Kasei and Frederica and Karina, it's always women.
Also, Mika is a brilliant character. Of course I love her. I'm so so sorry for how much hate and criticism she gets (over being a purposely annoying character! Insane! When Dazai exists!), when she does really and excellent job at conveying “look! A fucked up brainwashed individual in a fucked up brainwashing environment! I wonder how that could have happened!”. Not to mention that her growth, her long and devious way to admitting that the system is flawed, is truly well made, too. Unpopular opinion, characters with big flaws, characters who are unsufferable and make lives impossible to everyone around them, characters who mess up again and again, are actually great to watch.
Again, don't get me wrong, I absolutely adore Gino and Kou too ahah. They're both great!! But that you can probably see by your own. Gino in particular used to be my favourite, how his character does a total 180° turn. I love to see men admit their mistakes and make the choice to be better tomorrow.
About that, the relationships between the characters are AMAZING. Especially the main trio Akane / Kou / Gino, all the combinations within it are beautiful and deep and brilliant, so so enjoyable to explore and with their fair share of canon content, while still never straying to romantic territory (I mean, Akane/Kou may be going in that direction, but if that's true, that's the slowest slow burn I've ever witnessed in my life).
What's more. The world building / general premise - a dystopian world, where your predisposition to do crime can be measured and the government makes use of such technology to monitor and control the population and guarantee everyone's safety - is genuinely interesting and compelling. The aesthetic is genuinely cool (AH, now that I think about it, I've got my unfair bias for people in suits, and pp has a LOT of people in suits… ). The opening and endings feature great artists like Egoist, Ryo, Who-ya Extended and Cö shu Nie, so you're sure to love them!!
(Also, Psycho-Pass is something I used to spend entire nights talking about with a friend, and I'm always thinking about her and hold her tight to my heart in every moment so. That's worth mentioning for me, pfffttt. I love my friend so much.)
Finally, because the other Psycho-Pass post I made here keeps haunting me for the lack of trigger warnings, please be aware: Psycho-Pass DOES have trigger warnings. Pretty much for eveything you can think of. Sexual assault and gore and body horror on the top of my mind, but it's quite dark and gritty at parts in its entirety, so please please keep that in mind if you decide to pick it up.
Well, this is the end of my Psycho-Pass love letter for now. Please give it a chance if you can! I'll go rewatch it now. General watch order, in order of release, is season 1 → season 2 → movie → Sinners of the System movie trilogy → season 3 → First Inspector movie → Providence movie. I don't really like the third season or First Inspector movie (the characters are still great tho, even the newly introduced ones), and I've yet to watch Providence. The first season later came out with an extended edition of added scenes between episodes, and they're quite nice, so if you can't get ahold of it, you might want to look up for a compilation of the missing scenes still.
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these chapter 89 and 90 coloured pages came to haunt me today
things to point out:
- gojo: the covered eye + the infinity halo (obviously referencing his technique and positioned sideways on his head over the exposed eye)
- kenjaku/geto: the halo within an halo (like kenjaku within geto) + kenjaku's stitches looking like they're being shot from his/geto's hand as if they were made of blood (the angle almost makes it seem like he's pointing at gojo when the pictures are positioned together)
- the opposite colour palettes (black and white with the pop of blue for his eyes and white/yellow-ish halo vs colourful palette with great focus on red, green and blue)
a curiosity about halos in jjk is that they're not used - apart from hana - in the traditional sense associated with the idea of heaven or angels. they are usually stylistic and are linked with the characters and the motifs in their stories. the only two other characters i'm aware of having been drawn with a halo over their heads in the volumes' illustrations have been rika and toji - rika's like a floral crown (possibly tying with yuuta and their promise to marry each other) and toji's a simple halo (probably symbolising his lack of cursed energy).
they're, coincidentally (or not!!!!), all characters that have been considered dead at this point in time. additionally, all of them have managed to live on beyond death somehow. well, except gojo. unless you count his enlightenment and figurative death during hidden inventory as his first but he didn't really die. he did, however, lose his life in the fight against sukuna (or so we think). is this is a hint that he will come back? not sure. but it's a curious detail nonetheless
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In today's episode of 'Sae, do you (...)': the topic of Ningguang and Yelan, and I thought that I should note my opinion more clearly outside of my rules as it's very important information for my portrayal: I do not ship Ningguang and Yelan romantically.
Honestly, while this is of course my own opinion, I don't find that there's anything to really substantiate a romantic interest between the two. For starters, I don't think that Ning, as interesting of a character as she is with a past that might just be similar in its 'rise' to Yelan's (we're left with very little information on the latter's childhood), ticks the right kind of boxes for her, though to be fair: not many do. Yelan craves a specific sort of thrill in her life, I mean she lives it at the roll of a dice because she is, on some level, bored, and craves the unexpected, the unusual, the 'surprise', and Ningguang's life nor personality seem to play into that. Beyond it, Yelan would need a kinship within this very specific 'loneliness' that I talk about too often and I think that Ning is not one who quite meshes into that in the right way.
Second, despite their long-standing history that even predates their mutual involvement with the Qixing, there seems to be a certain professional distance between the two that I'm quite fond of that is shown in brief event cutscenes, and also Yelan's vision story, that I find inherently intriguing. Perhaps this distance plays more into Yelan's character of not investing too heavily, or rather not too easily, into social dynamics than it does Ning's (I'm not one to weigh in on her character), but it seems evident to me that there's also that semblance of professionalism that creates a line that takes away the possibility of growing closer on an emotional level. And whether that's a mutual decision or not is not up to me to judge, but I think it's one that's made rather clearly from Yelan's side. On top of that, Yelan is Yelan and it's my personal belief that shipping her is rather difficult.
Now I'm also inherently of the opinion (unpopular, I know, I apologize) that dynamics aren't always more interesting when written in romantic settings, and I don't think it's a benefit for all of them to veer into a romantic nature. And in my opinion (and most importantly: in my depiction and understanding of Yelan's character), I think that having Ning and Yelan cross the line from professionalism into something inherently more rooted in romanticism, would be a detriment to their dynamic. Because honestly, I think the fact that Ningguang being one of two people (other being Uncle Tian) to know Yelan best, without ever crossing that line, is too good. I would simply, well, just prefer to keep that not only platonic, but professional, but of course not excluding it of Yelan's quips, and the occasional 'confidant' element.
/rambles in tags because I feel like I have more to say that I shouldn't flood the post with.
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