#link has one of those

[girlwiththegreenhat]

team fortress 2 finally getting rid of the bots after 5 years

work on the team fortress 2 comic continuing after 7+ years

half life 3 development looking more likely than ever with legitimate code, file, and voicework leaks referencing a new non-VR single-player game from valve featuring a HEV suit wearing protagonist and Xen creatures and concepts

shoutout to the valve fan that found the genie lamp. you a real one

[majoralynx]

Welcome back to I have nothing to post so I share silly doodles!!!!! These pages started with just ravioli but I didn’t know what to fill the empty space with,, and when idk what to draw, silliness happens…. The Fledge page was drawn for mother@leaperfr0gg !!

[samijey]

WWE's Playback: Jey & Sami + Backlash 2023

[raycatzdraws]

Wind and Spirit have a bad time in the Sacred Realm!

It's my Spirit Tracks x LU fic / concept / thing! There are a couple written scenes which can be read on AO3! This is one of them and can be read [here!]. I don't see myself continuing this project, but even so, I want to say some thank yous (under the read more)!

The animatic has no audio, but if it did, it would be Robot Soldiers from Castle in the Sky.

---

The project isn't something I think I'll be finishing, but that said, it's been fun to work on.

I know it's just a silly unfinished fic and some art and maybe I'll come back to it, however, I am just a little guy with so much gratitude! It meant so much to me to be so welcomed by the LU fandom when I initially posted that Spirit Tracks LU art compilation in 2021. (this one!) The art and fic couldn't have been made without the incredible art, writing, support, and headcanon brainstorming from the people around me and the inspiration I found in their works and ideas.

Thank you to everyone who's left comments and kind tags!

Thank you to @esthelle-wanders for the excited comments and support over the years.

Thank you to @snowylynxx for her Spirit Tracks LU comics which gave me so much motivation and whose Spirit design I've been borrowing.

To @theegh0st. I adore your art! A frame from the pump trolley animation has been your header for so long and it's so fun to see it when visiting your blog. It's been an honor!

And thank you so much to Wicked (@spirit-tracks) and Train (@fuckit-hero-of-trains) for 1) being unhinged in the best possible way about Spirit Tracks and 2) for your incredible writing <3

If you like Spirit in LU fics, then I really recommend Keeping Track of the Little Things by wickedcriminal. Wicked started a headcanon post about Spirit [here], it got picked up and added to, I made some art, and Wicked made a fic. Spirit worrying about his place in the group and stressing about time management is a headcanon I'm fond of. Worrying about schedules is something Time can probably relate on, and so it's something I wanted to include for them to connect over in a moment of downtime. Though the setting and stakes are different, Wicked has already written something similar to how I imagine the scene would play out, and it's absolutely wonderful.

!!! The project meant so much at the time! Some of the work I did on the lore is so cool!!! There's a bit of lore about the Triforce that was given in OoT which we hadn't seen happen in a game, but that I wanted for the Spirit Tracks fic, so I plotted it out. So then (spoilers for Echoes of Wisdom) to see it in Echoes was really cool!!!! It was really validating that, yeah I read that right and executed it how it was meant to! >:) There's other stuff too, but anyways aaaa

I just don't see myself completing it, though. It feels kind of bad to give it away but I also need to be free of it. It's been nearly four years... which is wild!

Thank you again for reading and for the support and enthusiasm up to now. It means a lot to know there were people invested in a story I made. It's small and fragmented, but still. Thank you.

(maybe maybe maybe I'll draw a couple more scenes as I have been, but for the fic, I am releasing writing while also saying it's going to be unfinished and discontinued asjdsahdgs sorry 'xD is that a thing people can do? I think the scenes are cool! That's just,,, all I'm able to write I think. Can people post just- isolated scenes? ,,,, That's definitely a thing. I still felt like I should say something. ANYWAYS <3 See ya!)

[bookshelf-in-progress]

You could make a really cool cottagecore fantasy novel using the structure of Little House in the Big Woods. Where the main characters live in a stable environment and go about their daily lives dealing with the domestic details of the world, but they meet characters who have gone on adventures. So a huge chunk of the book is made up of the stories that these characters tell. The main characters would face very little peril, but you'd still have a book full of thrilling stories.

I'd try for a middle-grade fantasy. Center it on a group of siblings whose parents went on save-the-world adventures, but have settled down to raise a family. Maybe they run an inn that caters to people from a ton of the nations and races of this fantasy world. Or maybe they're just frequently visited by old adventuring companions who always have cool stories to share about the adventures they've been on or the events or history of their homeland.

[benevolenterrancy]

Swords pining for each other's cultivator is my new favorite type of pining. Love your NieYao content! <3

I don't suppose we could get Baxia or Hensheng throwing a tantrum while Jin Guangyao / Nie Mingjue are away, leaving their owners to deal with the embarrassing aftermath?

Also, do you have any recs you'd recommend with these two?

this is the exact moment Nie Huaisang realised he was going to have to start meddling in his big brother's love life (con't: 1, 2, 3, 4, 5)

Hensheng, on the other hand, doesn't throw tantrums but WILL sulk...

[mordredpendragon]

obviously i have my biases, but i'm just curious.

a bunch of knights go through grail quest, but what i want to know is your preference for the GRAIL HERO specifically. bonus points if you tell me why!

as a refresher, here's all of the relevant texts they show up in and undergo grail quest

Percival

Peredur (Welsh) Y Seint Greal (Welsh) Perceval + Continuations (French) Parzival (German) Parceval (Norse) Perchevael (Dutch) Prose Perceval (Middle English) Perlesvaus (French) Merlin and the Grail by Robert de Boron (French) Le Morte D'Arthur by Thomas Malory (Middle English) The Quest for the Holy Grail (Vulgate) (French) The Quest for The Holy Grail (Post-Vulgate) (French) La Tavola Ritonda (Italian)

Galahad and Bors

Le Morte D'Arthur by Thomas Malory (Middle English) The Quest for the Holy Grail (Vulgate) (French) The Quest for The Holy Grail (Post-Vulgate) (French) La Tavola Ritonda (Italian)

Gawain

The Crown by Heinrich von dem Türlin (Diu Crône) (German) Perlesvaus (French)

Lancelot and Arthur

Perlesvaus (French)

links are supplied by the Arthurian Preservation Project!

[jubileedeeznuts-posting]

“agoraphobia. it’s like you’re drowning.”

[stupidpersonhere]

One thing I appreciate on Link Click is that our main character doesn't know how the power system works - he essentially stumbles upon a supernatural ability he learns as he goes and his initial suppositions are denied outright or even extended further upon and each character has their own information that mismatches others.

For example, it is a fact Lu Guang knows you can pass an ability as the original holder dies and was adament to keep separated Cheng Xiaoshi from the serial killers in S2 - however because Cheng Xiaoshi didnt know that his original supposition was that the killers wanted to posses him and make him change the past which contradicts his initial standing in the show.

(and he was right)

Few shows allow their capable characters be ignorant on the power systems and learn as they go . Most shows have to attract audience as fast as possible and to do that they have to set up the system as quickly as possible and make the main character, if not the most powerful or knowledgeable, at least the one with the correct information. They can't retcon perceptions on the power system and keeping track on what each character knows is something that takes time out of the story you are trying to tell. Li Haolin can do that because he is a well-known director working in an original IP and some authors, like Natsu from the Apothecary Diaries or Hirumo Arakawa from FMA are masterminds in writing well-tight plots.

Idk if I made sense.

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

Vetted Gaza Evacuation Fundraiser List

E-sims donation

heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[poorly-drawn-mdzs]

Bonus 9: So that's where the turtle came from!

[First] Prev <–-> Next

[mirensiart]

The newest pain sharing update is literally just the post about that 6 week old kitten trying his best to take care of a couple 2 week old kittens

Its them

YEEEES, THAT'S THEM !!!!!! OMG

I personally headcanon hyrule to be 16 almost 17, four to be 15 and wind 13 almost 14, so they're all babies lmao

A kitten looking after two kittens being chased by a mountain lion lol

[farshootergotme]

"Dick Grayson has anger issues-" okay, but does he actually? When I thought that was true I come to find that most of the evidence to make that claim come from a time in which Dick was being mentally controlled by Brother Blood or right after the death of his parents which obviously would cause anger after finding out they didn't even die naturally but were murdered on top of that.

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[riddlemearose]

Inherited Handwriting

(CW: background themes of adoption and loss of/implied non-forceful removal from family)

He’s got Wild tucked into one side and Twilight against the other. They’re both asleep, breathing even and deep, faces softly lit by the pale moonlight above.

Time watches them both, neck craned awkwardly in order to do so.

It’s strange sometimes, knowing these two are his descendants, that they are his future. He can’t really think of them as his sons, per se. There’s barely a decade between himself and Wild, if one considers their physical ages, and about half that time between him and Twilight.

But still it’s quietly baffling to think that his legacy has not only one but two tangible forms.

Wild doesn’t really resemble either Time or Twilight.

Eons have stretched out between Time's inevitable death and Wild's birth, their bloodline naturally changing as the centuries tick past. The only physical appearance that has survived that passage of time seems to be the colour of his eyes; that same sharp, bright blue as Time's own.

But there are other things that have made themselves known; small tics and habits that Time had once dismissed as irrelevant and miniscule in himself finding their way into another person who exists a millennia later.

Perhaps the worst and most recognisable trait of all is the way Wild carries his guilt close to his chest, cloaked by his cheerful demeanour to keep it away from prying eyes.

It certainly is painfully familiar. Twilight does the same thing, but hides his behind a wall of bone-deep protective instincts and care.

And Time has always hid his guilt beneath a mask of festering anger.

He isn’t sure if he can truly call it a family trait; the entire Chain has things they don’t want to talk about and things they continue to hide even now, after all.

However there are occasions where this behaviour certainly feels like something Twilight and Wild, who will be born centuries and millennia after Time's own life will come to an end, are destined to inherit from him.

But in a way, Time is grateful that Wild only shares habits and behaviours. It's much harder in Twilight's case because Twilight actually looks like Time.

Time can see himself in the shape of their faces, the line of their noses. Twilight's chin and physical build are all from Malon, and even the texture of his hair is closer to Malon's than to Time's.

In the back of Time's mind, he's quietly thankful for those few differences because he knows the very striking and blatant similarities had thrown Twilight off too for the first few weeks of this quest.

Much like Time, Twilight has never known his parents; he has no memories of them at all. Apparently all he'd had when Uli found him in the Ordon Spring was a small blanket with his name embroidered on one corner.

Twilight had grown up never knowing his blood, had never had anyone who looked like him at all through his childhood.

And Time knows exactly what that does to a person.

In a strange way, the Kokiri had softened the blow for him, because Time had been nine years old before he first heard statements like ‘you have your mother’s eyes’ being directed towards another person.

It was aged nine when he had been able to see how Malon looks like her father, and how Lullaby has an almost uncanny resemblance to her own ancestors, their faces well-preserved in portraits that decorate the walls of Hyrule Castle.

There is no need for biological resemblance among the Kokiri, so it had been an almost mystifying concept for his young mind to grasp. He hadn’t truly understood back then, too young at first, and then too busy and angry to truly pay attention, but eventually time will march on and with each step comes awareness.

So eventually Time too had found himself wondering just who he looked like? Who he got this trait or that habit from?

The Great Deku Tree had told him his mother fled a war, entrusting him to the Kokiri before she passed. Does Time have her eyes, like Twilight does Malon's? Does he have her nose, like Twilight has his?

The questions, even to this day, are endless and almost insanity-inducing, and he has tried his best to ignore them, to push them away for his own mental health.

It isn’t fair to say it as bluntly as he does, but seeing Twilight had brought all those questions Time had locked away back to the forefront of his mind. They’re not questions Time expects to ever get an answer to.

But somehow the knowledge that Twilight gets to know who he looks like, that he gets to know who he got his eyes and his nose and his face from is relieving and comforting and…

... And bittersweet.