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blackvahana · 6 months

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Was practicing with Lev again in the Astral. I keep making that same damn mistake with summoning things to me where I'm only partly summoning them which.. fantastic for the Rend Tear Sever mind to know I'm essentially extracting blood but shit for everything else.

Anyway. Had him watching me and dissecting what I was doing, we saw that it was mind related in that I was retracting so much of my own self like a dog that only feels safe in a cage. Withholding instinct and ability. Obviously this goddamn medical table I have there is getting a lot of use lmfao, but he sat me down in my mindspace and uh. I've explained it before, but it's hooked up to a sort of bas relief display of a human body and various in-cut holes on various parts that light up to diagnose the areas of problems. This time? Left hip socket.

Left being mental, hip being foundations wise and the connection to stability. The issue wasn't that I was "partially summoning" them as in there was a gap and stuff I just couldnt pull through, but instead I was "partially summoning them" as in filling the rest of their form in with my mind's substance. I was actively taking up space in the totality of the substance, instead of summoning it and letting it be I was effectively mixing it with my own mental substance.

There also was, extending from that, around me a big cushion of mental shit that needed to be taken care of, so we went to work on that.. Effectively back on the medical/operating table he said I need to thread it into something else, Im just hovering a shell of Mind around me that has no purpose and dampens my connection to reality, and uh. That needs to be given a different part of me. He ran through some possibilities, threading it into my tentacles, wings, tail, etc, but eventually we agree to just let it arc to the point it needs to be in. It went straight to the eyes in my skin, making them more real and immediately, weirdly, making the physical plane way more vivid despite is being in the Mental and those eyes being on my Astral body. Anyway. I kinda... didn't fully get on board with it, and so I made the process a little less intense as it first was but he ended up stitching that concept and mental haze into those eyes and uh. Yippie

I definitely am sort of one foot in now wanting to put the other foot in irt grounding the Thousand Eyes. That glimpse of how real they were... yeah woof. Ignoring that the myth is fucked up on the surface level (so. you know. not talking about the allegories of nature and storms breaking through human boundaries and kings weaving their ways into controlling their people's lives and taking what they want from them and so on), that myth of Indra being cursed with a thousand vaginas for violating a woman and eventually having the curse bloom into a thousand eyes is. absolutely. incredibly relevant to this life. specifically the variation of him going to Shiva about it and submitting and listening to him so that he can change in line with how Shiva is... The thousand eyes are just. the theme. And so I'm not going to be able to escape them popping up on my astral body lmfao

#Annnnddd we'll leave it there. I will finish thoughts on that myth and what it represents someday but like. Ironically... for now it's time #to just shut up and listen to Lev lmfao which. Includes. him teaching me astral stuff. I mean I'm also teaching myself and #need to recognise that but anyway #astral diary //#ramblings //#mindspace: sky temple //#location: physical house //

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covidsafecosplay · 1 month

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Do you need affordable sewing supplies? Do you want to help cut down on waste and fast fashion?

Do yourself a favor and check out Swanson's Fabrics! The physical location is in Turners Falls, Massachusetts, USA, but the online shop will ship to you!

I can't remember who first told me about Swanson's, but they're a textile thrift shop that collects and repurposes donations of unused sewing supplies. Their physical location, The Stash House, offers community sewing resources and a studio. For non-locals (such as myself), their online shop offers fabrics, patterns, and notions. The shop restocks on Thursdays, and they have a constantly-rotating collection of items. If you like thrifting secondhand craft materials, Swanson's is for you!

Via their official "about" page:

Swanson’s Fabrics and notions are gifts from retired sewing stashes. They are the fabrics and supplies that sewers and fiber-artists naturally accumulate. I had a suspicion that the reason we all collect so much is that we didn’t have a place “good enough” to take it. So I made the place. Turns out I was right, and thanks to my community (and yours) of makers and crafters, I can resell these fine materials at a low, approachable cost. ALL FABRICS ARE $5.00/yd, NO MATTER WHAT THEY ARE MADE OF. REALLY. I MEAN IT. I KNOW. UNBELIEVABLE BUT TRUE! As we come to grips with the climate crisis, interrupted supply lines, and our dependency on slave-labor in far away countries to produce our cotton and fiber goods, we need another way to approach the fabrics in our lives. We have a massive resource of textile goods in our country and it is time to tap into it. Our attics, basements, thrift-store donation bins, and dumpsters are brimming with discarded fabrics. It is time to start making and trading for the things we need, and stop buying so much new stuff we don’t. We need to see ourselves as trash-rich. Customers at Swanson’s can pay for goods and services with goods and services. I accept trade of sewing and fiber supplies/materials, and trade for help in the shop. I hope to inspire you to make your own clothes, to mend the ones you have, to shop second-hand and alter things to your taste. There is a lot of power in dressing yourself. Custom is king, and you can’t have a revolution in your master’s clothes…. ❤️💪🏻 -Kathryn

The CovidSafeCosplay blog and its admin are unaffiliated with Swanson's Fabrics, and are simply sharing the resource.

Do you have a favorite place to get your crafting supplies? Share in the comments or via a reblog! Bonus points for those that prioritize sustainability, accessibility, community, and trade.

#originals #sewing resources #cosplay resources #fabric stores #swanson's fabrics #sustainable fashion #slow fashion #shop secondhand #thrifting

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mcmansionhell · 3 months

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the motel room, or: on datedness

Often I find myself nostalgic for things that haven't disappeared yet. This feeling is enhanced by the strange conviction that once I stop looking at these things, I will never see them again, that I am living in the last moment of looking. This is sense is strongest for me in the interiors of buildings perhaps because, like items of clothing, they are of a fashionable nature, in other words, more impermanent than they probably should be.

As I get older, to stumble on something truly dated, once a drag, is now a gift. After over a decade of real estate aggregation and the havoc it's wreaked on how we as a society perceive and decorate houses, if you're going to Zillow to search for the dated (which used to be like shooting fish in a barrel), you'll be searching aimlessly, for hours, to increasingly no avail, even with all the filters engaged. (The only way to get around this is locational knowledge of datedness gleaned from the real world.) If you try to find images of the dated elsewhere on the internet, you will find that the search is not intuitive. In this day and age, you cannot simply Google "80s hotel room" anymore, what with the disintegration of the search engine ecosystem and the AI generated nonsense and the algorithmic preference for something popular (the same specific images collected over and over again on social media), recent, and usually a derivative of the original search query (in this case, finding material along the lines of r/nostalgia or the Backrooms.)

To find what one is looking for online, one must game the search engine with filters that only show content predating 2021, or, even better, use existing resources (or those previously discovered) both online and in print. In the physical world of interiors, to find what one is looking for one must also now lurk around obscure places, and often outside the realm of the domestic which is so beholden to and cursed by the churn of fashion and the logic of speculation. Our open world is rapidly closing, while, paradoxically, remaining ostensibly open. It's true, I can open Zillow. I can still search. In the curated, aggregated realm, it is becoming harder and harder to find, and ultimately, to look.

But what if, despite all these changes, datedness was never really searchable? This is a strange symmetry, one could say an obscurity, between interiors and online. It is perhaps unintentional, and it lurks in the places where searching doesn't work, one because no one is searching there, or two, because an aesthetic, for all our cataloguing, curation, aggregation, hoarding, is not inherently indexable and even if it was, there are vasts swaths of the internet and the world that are not categorized via certain - or any - parameters. The internet curator's job is to find them and aggregate them, but it becomes harder and harder to do. They can only be stumbled upon or known in an outside, offline, historical or situational way. If to index, to aggregate, is, or at least was for the last 30 years, to profit (whether monetarily or in likes), then to be dated, in many respects, is the aesthetic manifestation of barely breaking even. Of not starting, preserving, or reinventing but just doing a job.

We see this online as well. While the old-web Geocities look and later Blingee MySpace-era swag have become aestheticized and fetishized, a kind of naive art for a naive time, a great many old websites have not received the same treatment. These are no less naive but they are harder to repackage or commodify because they are simple and boring. They are not "core" enough.

As with interiors, web datedness can be found in part or as a whole. For example, sites like Imgur or Reddit are not in and of themselves dated but they are full of remnants, of 15-year old posts and their "you, sir, have won the internet" vernacular that certainly are. Other websites are dated because they were made a long time ago by and for a clientele that doesn't have a need or the skill to update (we see this often with Web 2.0 e-commerce sites that figured out how to do a basic mobile page and reckoned it was enough). The next language of datedness, like the all-white landlord-special interior, is the default, clean Squarespace restaurant page, a landing space that's the digital equivalent of a flyer, rarely gleaned unless someone needs a menu, has a food allergy or if information about the place is not available immediately from Google Maps. I say this only to maintain that there is a continuity in practices between the on- and off-line world beyond what we would immediately assume, and that we cannot blame everything on algorithms.

But now you may ask, what is, exactly, datedness? Having spent two days in a distinctly dated hotel room, I've decided to sit in utter boredom with the numinous past and try and pin it down.

II.

I am in an obscure place. I am in Saint-Georges, Quebec, Canada, on assignment. I am staying at a specific motel, the Voyageur. By my estimation the hotel was originally built in the late seventies and I'd be shocked if it was older than 1989. The hotel exterior was remodeled sometime in the 2000s with EIFS cladding and beige paint. Above is a picture of my room, which, forgive me, is in the process of being inhabited. American (and to a lesser extent Canadian) hotel rooms are some of the most churned through, renovated spaces in the world, and it's pretty rare, unless you're staying in either very small towns or are forced by economic necessity to stay at real holes in the wall, to find ones from this era. The last real hitter for me was a 90s Day's Inn in the meme-famous Breezewood, PA during the pandemic.

At first my reaction to seeing the room was cautionary. It was the last room in town, and certainly compared to other options, probably not the world's first choice. However, after staying in real, genuine European shitholes covering professional cycling I've become a class-A connoisseur of bad rooms. This one was definitively three stars. A mutter of "okay time to do a quick look through." But upon further inspection (post-bedbug paranoia) I came to the realization that maybe the always-new brainrot I'd been so critical of had seeped a teeny bit into my own subconscious and here I was snubbing my nose at a blessing in disguise. The room is not a bad room, nor is it unclean. It's just old. It's dated. We are sentimental about interiors like this now because they are disappearing, but they are for my parents what 2005 beige-core is for me and what 2010s greige will become for the generation after. When I'm writing about datedness, I'm writing in general using a previous era's examples because datedness, by its very nature, is a transitional status. Its end state is the mixed emotion of seeing things for what they are yet still appreciating them, expressed here.

Datedness is the period between vintage and contemporary. It is the sentiment between quotidian and subpar. It is uncurated and preserved only by way of inertia, not initiative. It gives us a specific feeling we don't necessarily like, one that is deliberately evoked in the media subcultures surrounding so-called "liminal" spaces: the fuguelike feeling of being spatially trapped in a time while our real time is passing. Datedness in the real world is not a curated experience, it is only what was. It is different from nostalgia because it is not deliberately remembered, yearned for or attached to sweetness. Instead, it is somehow annoying. It is like stumbling into the world of adults as a child, but now you're the adult and the child in you is disappointed. (The real child-you forgot a dull hotel room the moment something more interesting came along.) An image of my father puts his car keys on the table, looks around and says, "It'll do." We have an intolerance for datedness because it is the realization of what sufficed. Sufficiency in many ways implies lack.

However, for all its datedness, many, if not all, of the things in this room will never be seen again if the room is renovated. They will become unpurchaseable and extinct. Things like the bizarrely-patterned linoleum tile in the shower, the hose connecting to the specific faucet of the once-luxurious (or at least middling) jacuzzi tub whose jets haven't been exercised since the fall of the Berlin Wall. The wide berth of the tank on the toilet. There is nothing, really, worth saving about these things. Even the most sentimental among us wouldn't dare argue that the items and finishes in this room are particularly important from a design or historical standpoint. Not everything old has a patina. They're too cheaply made to salvage. Plastic tile. Bowed plywood. The image-artifacts of these rooms, gussied up for Booking dot com, will also, inevitably disappear, relegated to the dustheap of web caches and comments that say "it was ok kinda expensive but close to twon (sic)." You wouldn't be able to find them anyway unless you were looking for a room.

One does, of course, recognize a little bit of design in what's here. Signifiers of an era. The wood-veneer of the late 70s giving way to the pastel overtones of the 80s. Perhaps even a slow 90s. The all-in-one vanity floating above the floor, a modernist basement bathroom hallmark. White walls as a sign of cleanliness. Gestures, in the curved lines of the nightstands, towards postmodernity. Metallic lamp bases with wide-brimmed shades, a whisper of glamor. A kind of scalloped aura to the club chairs. The color teal mediated through hundreds if not thousands of shoes. Yellowing plastic, including the strips of "molding" that visually tie floor to wall. These are remnants (or are they intuitions?) of so many movements and micromovements, none of them definite enough to point to the influence of a single designer, hell, even of a single decade, just strands of past-ness accumulated into one thread, which is cheapness. Continuity exists in the materials only because everything was purchased as a set from a wholesale catalog.

In some way a hotel is supposed to be placeless. Anonymous. Everything tries to be that way now, even houses. Perhaps because we don't like the way we spy on ourselves and lease our images out to the world so we crave the specificity of hotel anonymity, of someplace we move through on our way to bigger, better or at least different things. The hotel was designed to be frictionless but because it is in a little town, it sees little use and because it sees little use, there are elements that can last far longer than they were intended and which inadvertently cause friction. (The janky door unlocks with a key. The shower hose keeps coming out of the faucet. It's deeply annoying.)

Lack of wear and lack of funds only keep them that way. Not even the paper goods of the eighties have been exhausted yet. Datedness is not a choice but an inevitability. Because it is not a choice, it is not advertised except in a utilitarian sense. It is kept subtle on the hotel websites, out of shame. Because it does not subscribe to an advertiser's economy of the now, of the curated type rather than the "here is my service" type, it disappears into the folds of the earth and cannot be searched for in the way "design" can. It can only be discovered by accident.

When I look at all of these objects and things, I do so knowing I will never see them again, at least not all here together like this, as a cohesive whole assembled for a specific purpose. I don't think I'll ever have reason to come back to this town or this place, which has given me an unexpected experience of being peevish in my father's time. Whenever I end up in a place like this, where all is as it was, I get the sense that it will take a very long time for others to experience this sensation again with the things my generation has made. The machinations of fashion work rapaciously to make sure that nothing is ever old, not people, not rooms, not items, not furniture, not fabrics, not even design, that old matron who loves to wax poetic about futurity and timelessness. The plastic-veneered particleboard used here is now the bedrock of countless landfills. Eventually it will become the chemical-laced soil upon which we build our condos. It is possible that we are standing now at the very last frontier of our prior datedness. The next one has not yet elided. It's a special place. Spend a night. Take pictures.

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#architecture #design #1980s #datedness #essay #the backrooms #oddcore #dreamcore #weirdcore

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bunnys-kisses · 5 months

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the jailbird

prisoner!simon 'ghost' riley

a full fic based on this post

cw: prison!au, civilian!reader, pen-pals, smut,romance/romantic!simon, domestic, missonary, wife kink, size kink, nudity, tattoo kink, body worship, cuddling

bunny says: like the fic? leave a comment! really like the fic? suggest your own! reblogs are always welcomed!

it started out as a flyer at the bus stop near your house. it was for a service that connected prisoners at a nearby prison with civilians as pen-pals. you had seen the flyer often over the course of work as you went to work.

you honestly felt bad, those people must be isolated. the organization prided itself on giving prisoners a bit of their humanity back by not cutting them off from those on the outside. so on a rainy friday you took a photo of the flyer and filled out the form on the organization's website.

that was how you met simon riley, or as he was called on the inside 'ghost'. what caught your attention wasn't his face scar that ran from under his nose down to the left side of his chin, but rather his brown eyes. how intense they stared into the camera. it was almost intimidating.

but you kept the photo on your desk as you typed out your first letter to send to him. you heard of places who did it through email, but screen time for those could often be limited and to send a physical letter would ensure that it would be sent to them.

the letter started out simple, you asked how he was and if it was okay to ask what he was in prison for. you asked him other questions, like if his health was doing well, what did he do most days while on the inside. you ended the letter with a little information about yourself.

you thought it would be nice to take a few photos and print them out on photo paper to be included with your letter. just so he had a better idea of who he was talking about. once you tweaked the letter with a bit of editing, you printed it out and thanks to the Royal Mail, your letter was sent to him.

you didn't actually expect for him to respond. nor did you expect for the letter to be do detailed. it was almost three pages double sided in neat hand writing. your eyes went wide when you saw the thickness of the envelope with the stamp of approval from the prison for it to be sent to you.

simon sent you a bracelet made of string that had been braided together. he said you were the first person from the outside to reach out since he got locked up. that broke your heart. it only broke further the more you read.

he was a military man who was tossed aside once the ptsd got too intense. he had been between jobs, and it felt like everything was just too much for him. he got wrapped up in large scale theft, while it paid good, you could only rob so many banks before it all caught up. he had been in for three years now, he was thankful it wasn't a life sentence. not much was stolen, and there was minimal violence. he said that his stature alone intimidated enough people that he didn't need to be violent.

you re-read his letters and it wouldn't be until almost six months of speaking that you finally wore the bracelet. when he said, "i want to see you in it, since i can't buy you a ring." you sent a photo of you wearing it and since then you hadn't taken it off.

the letters were nice, you sent them at least twice a week. even though you two had never met face to face, and the only photos you had of him were mugshots, he knew all the gossip in your work place. he knew the names of all your friends, your favourite saturday night treat and how you took your coffee.

he told you he'd be happy to make you coffee every morning before you went to work. that comment made your cheeks burn.

he often called you his 'wife' to the other prisoners. he had your photos on the wall near his bunk. he even kept the pictures where you looked terrible after you tried to cut your bangs one night. he knew the exact location of where your favourite take out was. he said that he was writing down ideas of where to take you once he got out. "i gotta make the missus feel special."

he even made you a birthday card. his cellmate 'soap' even signed it. you knew all about the explosives expert mactavish. when you looked into his case on the news, your eyes went a little wide. this guy was.. something.

simon did admit that 'soap' had a bit of a crush on you. but he said that 'johnny' was harmless and probably just liked the photo of a woman in the cell.

"he hurt ya, there will be no cell that could keep me from killin' him. no god either."

simon remembered everything.

the way he spoke about you and to you in his letters were nothing but soft. while he had to put on a tough guy exterior, his letters were filled with gentle words. like when he wrote out that he loved you in big text on a spare piece of paper so you could tape it on your mirror to look at every morning.

"i want to be what you get ready to."

"i want to be with you when you wake up."

"i want to come home to you every night. please make me an honest man."

you knew he was a trained killer. he was in special forces before his brief stint as a criminal. he was trained to kill, but in the margins of your letters, his love shined through. despite it all, he was capable of love.

and he wanted to pour all that love into you, his (future) wife.

you two would go on to write letters every week, for almost two years. when you got the letter from him asking if he could put you down as a permanent address when he got out, you cried. of course!

it was a cold spring morning, the sky was misty as you stood outside the gates of the prison. your heart raced, you even arrived early in the hopes he'd be released sooner.

and then you saw him.

those eyes. hard and stern, until he caught sight of you. his shoulder visibly dropped and his pace quickened as he made his way towards you. before you could step forward to meet him, he had you in his arms. his strong arms, littered with tattoos, wrapped around you as he held you close to his strong chest.

you held onto him as the air left your chest from the force he held you. you clutched onto his shoulders and choked out a sob. you squeaked, "holy shit."

he pulled away from you, but still kept you in his arms. you swore you saw minimal mistiness in his eyes. he reached to cup your face. he said quietly, "soft... like i imagined."

you beamed up at him, "of course, si."

"your voice is so nice." he groaned as he then pulled you close once more and buried his nose in your hair. he inhaled the scent of your shampoo and relaxed, "i'm home."

you thought transitioning from being the only person in the flat, to having this hulking, strong man in your home as well, was going to be a bit hard. but that didn't matter when simon got you through the door. his hands were on you, he promised on the universe that he'd romance you tomorrow.

but tonight was just going to be the two of you.

you managed to get his hands off you in order to get your shoes off before you led him to your bedroom. he was close behind you, he had a hand on one of your hips. he wanted to be as close to you as he could, you two had spent enough time apart.

you couldn't even close the bedroom door before he was pulling at the waistband on your pants. his calloused, strong hands felt delicate on you. it was like he was going to break you and he had to be as delicate as possible.

"si."

"i know, darling." he said quietly as he started to undress you. with your help the both of you were soon nude in the afternoon light in your bedroom. you tried to cover your chest with your arms but he pulled your arms away and looked at you.

your eyes met and you got up on your tip-toes to kiss him gently on the lips. soon he picked you up like you weighed less than a bag of potatoes.

he placed you on the bed gently when you half expected him to toss you like a shot-put. he admired your body down on your soft covers and soon got onto the bed too.

you reached for him as he pulled you into a tight kiss. his lips were chapped and you could tease the fresh skin underneath. your nails raked at his strong back, that you knew was covered in tattoos.

you wrapped your legs around him and held him. from a moment he dropped to his side and you two held each other. you tucked his head under your chin as you laid together naked.

it wasn't even meant to be sexually stimulating, you both just wanted to feel one another. to hear your lover's heartbeat meant more to you than anything in that moment.

you kissed the top of his head, you felt his blond hair against your face as you soaked in his warmth. you could almost cry from how nice it felt to be so close to him.

after everything, you had your man.

he said in his low tone, "you feel so soft. after everything, i have you. you made every day in the can worth it." he sighed, "thank you." he kissed at your bare chest.

you replied, "i loved your letters, i have them still." you chuckled, "i didn't want to throw any of them away. it made me feel closer."

"well. i'm not goin' anywhere." he looked up at you and smiled, "you're home and i'm finally here." he pulled away and got him between your legs. he rested on his knees and carefully moved you to his liking. he sat there between your legs and waited for your command.

you looked at him and nodded, "yeah, si. you can go." then tightened your legs around your lover. you held your breath as he slowly pushed his cock into you. you didn't realize how big it was until he was fully inside of you.

"are you alright, love?"

"golden."

the two of you moved together. it took a little bit to get used to the size, but the pressure and speed of his movements made heat spread through your body. like two pieces of the same puzzle, you fit together perfect soon after. it was like you two were always meant to be.

you felt so loved by him, it was so sweet. this was your first time with him and you only had a few sexual experiences with others prior to him. but the entire time you knew each other you didn't sleep with others, you wanted to wait for your man.

"that's my good wife." he groaned as he held onto your hips, "i know, you wanted this for a long time. i bet you thought about me when i was locked up."

you blushed and replied, "i did, si. i thought about you all the time, i even had your picture in my office. i wanted this, i wanted to be with you!" you whined a little as his cock dragged against a sensitive spot.

he chuckled softly, "yeah. i thought about my missus when i was locked up. i used to jerk off to your letters, your photos. messed one of 'em up by gettin' my spunk all over it." he licked his lips, "but now i can see it every day in person."

you smiled when he rested his body against you and continued to thrust up into you. you felt the curl of pleasure of your gut get together which each of his heavy thrusts.

the kisses you shared were intimate and hot. the air of your bedroom was warmed as you made love on the bed you would share together. your soft noises together filled the air.

you clenched onto him, you dug your nails into his shoulders. they were so strong and broad that they were much bigger than your hands.

he kissed you one last time as he quickened his pace. the bed moved against your movements as you both climaxed at the same time. it was like a shock to the system, the heightened euphoria before your head felt full of cotton.

you let out a soft groan as your grip on his loosened and you relaxed into the bed. you felt yourself partially get crushed by your lover but he gave a few more earnest thrusts as he made sure that his cum shot to the back of your womb.

he pulled out and dropped beside you. he tucked some hair behind your ear and wiped the sweat from your forehead with the back of his hand. your breathing was heavy, but you were both so happy. to share your first time together felt so special.

you nestled yourself into his arms and held his hand. you exhaled contently then said, "my husband."

he kissed the top of your head, he felt complete, "my missus."

part two

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