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stra-tek · 1 year

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This is one of the greatest things ever. Walk around every single version of the U.S.S. Enterprise in photorealistic 3D in your browser, from the Roddenberry Archive. On a phone you just see wraparound 3D pics. On a PC or laptop you get the full 3D interactive experience. They NEED to make this VR compatible, it'll be beyond words.

There are more Enterprises here than Tumblr will allow me photos of, and more will likely be added.

Here's the TOS Enterprise, which appears in several incarnations ("The Cage", "Where No Man Has Gone Before" and TOS proper as well as TAS with the second turbolift!), has the correct original graphics and is perfect.

This is the bridge from the unmade Star Trek: Phase II series (whose pilot episode "In Thy Image" was rewritten to become Star Trek: The Motion Picture), with it's legendary big comfy command sofa seat and tactical display bubble!

The Motion Picture, such an accurate recreation that there's even a very faint flicker on the rear-projection animated screens as seen in the movie.

Enterprise NX-01, looking exactly as it did in "Broken Bow"

Recognise this? It's the briefing room of Discovery season 2's version of the U.S.S. Enterprise NCC-1701. Although at the front of the saucer on the "real" ship, here it's off the second bridge door which may well be where the set was IRL.

I wasn't expecting modern Trek to be represented equally as the originals in this project, but it is. This is the Enterprise from Strange New Worlds, with Pike's Ready Room located just off the bridge.

Star Trek V: The Final Frontier. My favourite version of the classic bridge, as a kid I drew all these control panels and stuck them on my bedroom walls. And now I can look around and look at them all close-up! They've even replicated the noticable TVs stuffed into the panels for the more complex animated screens.

The Enterprise-C bridge from "Yesterday's Enterprise". This one has always fascinated me, being a low-budget TV set (formerly the Enterprise-D battle bridge, originally built from the rain-damaged TMP set's back wall and redressed endlessly though TNG) representing TNG's immediate predecessor. In the episode they mostly shoot the back wall and imply the consoles make a huge circle, but here you can see the set's real dimensions and the weirdness of the classic movie helm/nav console in front of the TNG con/ops panels. I love it.

You know how much I love the Kelvin movies, so seeing this was amazing. For some reason the consoles don't have their screens lit (hopefully this'll be fixed soon), but you can see the saucer under the window and it's shiny and amazing.

The last thing I expected was the U.S.S. Titan-A/Enterprise-G bridge, but it's here. And the lights are on.

Other bridges available to explore which I'm out of pictures to show: The Enterprise-D (of course), Enterprise XCV-330 (the ringship, based on concept art for the unmade non-Trek series "Starship"), the Planet of the Titans U.S.S. Enterprise (again, based on concept art for a cool multi-levelled set) and the "launch" U.S.S. Enterprise NCC-1701 (based on the very first piece of TOS bridge set concept art), the Enterprise-E, the Enterprise-F (seen on viewscreen for all of 2 minutes in Picard) and the U.S.S. Voyager NCC-74656!

Take a bow lads, you've done good. Now just add VR support!

That link again.

#star trek #star trek aos #star trek movies #tng #voyager #star trek picard #star trek phase 2 #roddenberry archive #strange new worlds #set design #deep lore #star trek ships #star trek tech #star trek discovery #star trek enterprise #enterprise #uss enterprise #ncc 1701 #starfleet museum

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sirfrogsworth · 2 months

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Froggie's Guide to Budget Headphones

@nimrella I am more well versed in traditional audio and home theater with big honking speakers, so I don't have much personal experience with headphones and headphone accessories. But I can tell you what I've learned from other people who are in the headphone world. And since you are starting more within the "budget" range I think I am somewhat qualified to guide you at this level.

You have three paths to choose from...

Wireless, low impedance wired (no amplification required), and high impedance wired (amplification required).

Basically... easy, medium, and hard.

But also... good, better, best.

Wireless Headphones

Wireless headphones have come a long way. Audiophiles used to scoff at them but now there are options that really do sound fantastic and the Bluetooth data rates are good enough to deliver high resolution audio. They also have noise cancellation options which may be desirable. If you do not have a quiet, dedicated space for listening to music you might find high end noise cancellation a godsend. People love them especially for planes, trains, and automobiles.

I don't know if everyone knows how noise cancellation works or not, but basically the headphones have microphones that listen to the world around you. They measure the incoming sound and then generate an opposite sound that just about kills ambient noise. If you play the same sound 180 degrees out of phase it basically nullifies those sound waves. The tech works best between 50 Hz and 1000 Hz. For reference we hear between 20 Hz and 20,000 Hz (lower if you are old). So anything super high or super low pitched can still get through.

In any case, if that sounds appealing, wireless headphones should be a consideration.

The other advantage of wireless headphones would be the ease of use. They pair to your phone, your laptop, your TV. They have controls to help you pause and skip songs and change volume. Some allow you to take phone calls.

But the big downside is the sound quality takes a bit of a hit. As I said, the bluetooth standards have actually gotten very very good. (Though there are audiophiles who will swear it still sounds like a 1990s MP3.) So streaming the actual media files are not really an issue. But trying to cram all of that tech into lightweight headphones you can wear around town all day requires compromises and added expense. Not to mention the battery has a limited lifespan. You may have more limited or inconsistent frequency response, poor dynamic range, distortion problems, weak output, and a high noise floor. Wireless options still can't match wired headphone systems in the same price range. And the wireless options that come close are quite spendy.

Wireless Headphones Suggestions

In your price range the two wireless options that I hear mentioned over and over again are the Sony WH-1000 series and the Bose QuietComfort. They are both well regarded for having a good mix of sound quality and noise cancellation while also being a decent value. You might be able to visit a Best Buy and demo them to see if you prefer the sound and comfort of one over the other.

The Apple AirPods Max are said to work really well within the Apple ecosystem. They have some interesting spatial sound modes and very good audio quality. I've heard the noise cancellation is some of the best currently available. But they seem too expensive and a lot of people feel they are too heavy. I also suspect they are due for an update. That said, if you wait for the new ones to come out and buy used, they could come into your price range. I'd really only suggest these if you have multiple Apple products that you will be streaming sound from.

Before we move into wired headphones, let's go over some terms that you might see pop up when doing research and reading reviews.

Froggie's Glossary of Audiophile Terminology

Driver A speaker is made up of drivers. Some speakers have a woofer, a midrange, and a tweeter. Each individual thing is a driver. And with headphones you will often hear "headphone driver" instead of speaker because it is more specific. Headphones typically have an all-in-one driver that does all frequencies. A woofymidteet.

That's not a thing.

I made that up.

Frequency Response This is the range of frequencies produced by the drivers from low to high. You want to make sure your headphones have good, deep bass. That will make more of a difference than anything else. It's the foundation of all sound and what is sorely lacking in devices with small/cheap speakers.

Music typically doesn't go much below 40 Hz in the bass range. So if you are only interested in music listening, that is plenty deep. Movies can go down to 20 Hz, but this isn't necessary for a good immersive experience unless you have giant subwoofers. So if you find something that can play ~40 Hz with decent output, you should be all good. Every speaker has a frequency response curve. It looks something like this.

The X-axis represents the frequency and the Y-axis represents the volume in decibels. We are most concerned with the 40 to 10K Hz section, as most sound happens there.

I'm not going to go super in-depth and overwhelm everyone, but typically you want this graph to look fairly flat in that range. A flat-ish line will give you a "neutral" response.

The above graph gets a little bumpy in the high frequencies. That means those frequencies will have a higher volume than the lower frequencies. If a higher frequency has a big peak, that could make your sound seem too bright or tinny.

Or you could have the opposite problem. You could have a null in the bass where the output dips below everything else. This can make your sound a bit anemic and lacking punch.

Whereas a more flat speaker will output all frequencies at about the same volume and sound much more balanced and smooth.

Equalization or EQ A flat response is good because it will accept EQ well. Equalization is where you add peaks and dips in volume deliberately to taste.

This can be as simple as 3 knobs.

Or it can be a more complicated parametric EQ.

A lot of digital EQ methods have presets to help get you started. I promise it isn't as intimidating as it looks.

Some people like to buy speakers/headphones that are EQ'd how they prefer out of the box. (Or if you get Beats by Dre they just turn the bass all the way up and say "Fuck them other frequencies!") But this is often a bit of a crapshoot because it is hard to EQ a speaker that sounds good in every room or every environment or just to varying individual preferences.

By making the speaker more neutral, it can be much easier to equalize specifically to your needs and enjoyment.

So if you like the bass a little bassier and the mids a little quieter, you have the power to dial that in with great specificity on a neutral speaker. You can apply any EQ you wish and you won't be fighting the speaker's predetermined response.

Basically if you are reading reviews and the headphones are described as "flat" or "neutral" that's a good thing (in my opinion). Just remember nothing is going to be perfectly flat. We're shooting for flat-ish.

If you do decide to get a neutral sounding pair of headphones you may find them a little bland out of the box. Do not panic. You just need to learn a bit about how to apply EQ, but thankfully YouTube is plentiful with tutorials.

The Harman Curve was researched to be most liked by the most people, so you might start there. (Also, SoundSource is a very popular EQ app for Mac.)

Dynamic Range This is the spectrum of how quiet to loud something can get. If you have speakers that can render both a pin drop and a big explosion with great fidelity and proper intensity, you will be in audio heaven. There is so much emotion and drama that can be expressed by expansive dynamic range and most cheap speakers compress it to an inch of its life. When the soft and the loud sounds are the same you miss out on so much audio information intended by the composer.

Distortion This is just how loud a speaker can go without breaking up. Low distortion is good. While every driver distorts at some point, usually that is at a much higher volume than you will use. This typically only plagues cheap, tiny drivers.

Sound Pressure Level (SPL) This is a measurement of how loud a speaker can get. While you don't want to listen to anything louder than a sustained average decibel level of 80 to 85, you do want peaks over 100, especially in the bass. Bass is less damaging to ears and hearing damage is all about sustained volume rather than quick peaks here and there. Most headphones can comfortably do an SPL between 90 and 110 dB. The ability to go louder is good, but only because that expands headroom, not because you should actually listen to them that loud. So if the headphones can get super loud, that means they will have a much easier time delivering normal levels.

Noise Floor Every sound system has background noise. You know that static you hear when you turn a radio up really loud when there is no sound playing? That is your noise floor. You want that to be as quiet as possible because if you turn up the volume, you don't just turn up the volume of the sounds you want to hear, you also turn up the volume of that background noise.

If you can find a headphone system with a decent low noise floor and you can also find a very quiet space to listen in, you could have a religious experience. I don't think people realize how much the room you are in matters, even when listening to headphones. When you are in a quiet room, you can play at lower volumes. And that can mitigate a lot of the problems associated with cranking the volume. You won't damage your ears for one thing. But the speakers won't have to work as hard so you'll have less distortion and better clarity.

Noise mostly comes from the amplifier, which I will talk about later on.

Froggie Pro Tip: If you want cheap speakers to perform better, go to a quiet room and move them as close as possible. This allows you to play them at a lower output while maintaining your desired perceived volume.

Okay, now we can finally talk about...

Wired Headphones

You have open back and closed back styles.

Open back tends to have a more natural sound and feels more comfortable. Like listening to regular speakers. People generally feel they are able to listen to them longer because they don't create a seal and cause pressure on your ear drum. However, if sound can get out, it can also get in. So with open back headphones people nearby will be able to hear what you are listening to. And if you are not in a quiet room, all of that sound will leak in. Meaning you have to increase the volume and the noise floor and the distortion.

Closed back seals off your ears and gives you a quiet and immersive experience. You can be in a noisier room without having to crank the volume as much. Some prefer this style just because it helps them feel like they are going into their own personal dimension of sound. These are great for ASMR too. But ear fatigue can become an issue and you may need to take little breaks to let your ears breathe and your ear drums rest.

And the last thing we need to discuss is impedance.

The impedance of headphones mostly determines how hard they are to amplify. Impedance is measured in ohms which is this little horseshoe symbol... Ω.

Lower ohms means less electrical resistance and easier to amplify.

Higher ohms means more electrical resistance and difficult to amplify.

If you get headphones rated below 100 ohms, they can typically be driven by smartphones and laptops just by plugging into a standard headphone jack. Though depending on the device, 100 may sound a little quiet so you may want to go lower. 30 ohms is fairly typical if you plan to drive your headphones with everyday electronics.

Above 100 ohms you are going to need some sort of amplification—usually a DAC with a headphone amplifier. (There are DACs without amplification so be sure to check that.)

A DAC, or digital-to-analog converter, is already built into your phone and laptop. But those are very small, don't have a lot of power, and might have a higher noise floor due to interference from other components and heat and just a lot of electrical signals nearby.

By getting an external DAC w/amplifier you separate out the components, make them larger and more powerful, and typically improve the sound quality. Because it is more isolated, the amplification can be much quieter despite being more powerful.

If you plan to stay in a static location and you have high impedance headphones, you can get a little box DAC that sits on your desk. It works like an external sound card for your computer. If you record music or stream, a digital audio interface works great as well (remember to check the Ω).

But if you need to be more mobile with your headphones you can get a little USB dongle DAC, though you will probably not get the same sound quality and power.

Both will be superior to the internal DAC built into your computing devices.

So, low impedance headphones are easier if you need to move around.

High impedance headphones are better for staying put in a single location unless you get a dongle DAC.

Just remember, high and low impedance doesn't necessarily indicate quality. It's just that in order to drive high impedance headphones you need the larger amplifier with the nicer components and, by necessity, you automatically get that quality bump.

You can get very good low impedance headphones. However, if you power them *only* with a smartphone, you may not use them to their full potential. Which is why getting an external DAC is a good idea regardless.

But the nice thing about low impedance is you can get the headphones and still use them until you save up for the DAC. Or you can use them as normal while out and about and have a special listening spot at home with the DAC.

To review...

Low impedance and high impedance can both be high quality.

Low impedance (less than 100 ohms) works with anything.

High impedance (more than 100 ohms) requires amplification.

Both will be used to their full potential with a DAC/headphone amplifier of some kind.

Wired Headphones Suggestions

Again, I have not personally listened to any of these. I am just relaying what experts I trust have mentioned as being nice quality in your price range.

The beyerdynamic DT 770 headphones are some of the most well-regarded budget headphones I've heard of. They come in low and high impedance versions.

The Sennheiser HD 560 high impedance headphones are also praised for their value and performance.

If you can go a little pricier...

The HIFIMAN Sundara headphones have low impedance and can be driven easily by all your devices.

And the HIFIMAN Edition XS are even lower impedance and about the same price.

And if you want to try a DAC, I've heard good things about both Fosi and Schiit (yes, like the poopies), though there are many different brands. Just make sure the DAC has a headphone amplifier rated for the ohms you need.

The FOSI K5 Pro is a cheap "beginner" DAC that will power anything up to 300 ohms. This is the kind that sits on your desk.

And if you want a more portable dongle DAC, you can get something like the iFi Go Link.

I've also heard good things about the AudioQuest Dragonfly, though I hate recommending AudioQuest products due to them claiming they can do magical things. They use scientific gobbledygook to scam customers most of the time. That said, the DragonFly might be their only valid product.

Note from Future Froggie: AudioQuest just can't help themselves. While the Dragonfly itself is a good product and not a scam, they developed the "DragonTail", which is a scam.

It's just a USB A to C Adapter for the Dragonfly. But they have to find a way to justify 30 fucking dollars so they came up with this bullshit.

Definitely need to stabilize my geometry. If I have unstable geometry that could lead to quixotic trigonometry. And we all know that could introduce vertices into dodecahedrons. Which leads straight to accelerated cosmotic entropy catalyzing the heat death of the universe.

Fucking AudioQuest.

ANYWAY...

An inexpensive DAC may be all you ever need but DACs can get crazy expensive—just like headphones. And if you are really fancy you can get a DAC and a headphone amplifier as separate items. Audiophiles claim when you simplify components to a singular function you increase quality. While I think there is some small truth to that, I suspect they just think the tubes look neat.

Froggie's Disclaimer: I am not telling you to get these specific things, but I do think you'll probably be happy with anything I've suggested. But sound is a subjective experience and it is always best to test things out before you buy them, if possible. Or make sure there is a return policy. You might see if there is a brick-and-mortar store nearby that allows you to demo headphones. Remember that comfort can be just as crucial as sound quality for long listening sessions.

Final Thoughts

Good sound has been life changing for me. And I am excited when anyone goes down this journey. While the stuff mentioned is considered "budget" by audiophiles, this can give you a good starting point if you want to upgrade down the road. You'll get to know your preferences and get a better understanding of how this all works and choose your own adventure from there.

Though it is very possible you'll be quite content with "budget" and the sound quality is more than enough.

Personally, while I am very happy with my current home theater setup, I am hopeful one day I can upgrade one budget tier above where I currently am and that will be my endgame. I've heard $10,000 speakers and it is mostly a land of diminishing returns once you reach that level.

I'm fine in "budget" land.

Further Research

I didn't mention the different types of headphone drivers because I didn't want to put too much data in everyone's head. But if you want to do additional research you can learn about the 4 main types... dynamic, planar magnetic, electrostatic, and balanced armature.

#long post #headphones

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raquelgutierrez02 · 1 year

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Dell 2022 Inspiron 3000 I3525 15.6″ FHD Laptop AMD Dual-Core Ryzen 3 3250U 24GB DDR4 512GB NVMe SSD 1TB HDD AMD Radeon Graphics HDMI Webcam WiFi AC BT Card...

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grapementos · 1 year

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walk away as the door slams

aged up bakugo x reader

cw: heavily! toxic relationships, emotionally abusive (gaslighting, etc.), angst.

pt 2 here.

bakugo isn't the same person he was in high school. he grew into a top five hero and opened his own agency, only to be brutally torn apart by the tabloids.

scandal after scandal, you watched him crack. like glass, he grew more and more fragile each time he was made out to be a monster, an asshole, a douchebag--whatever other name was thrown out there.

each time, you were there to comfort him and stand by his side against every rumor and generalization. still, it scared you as you watched his resolve weaken. it was as if he didn't see the point in being a hero anymore.

then came the headline, the article that had him hanging up his gauntlets in exchange for civilian life. the article had an incriminating photo of him holding up his hand to a child. of course, it was taken out of context; bakugo had merely been guiding the child away from the rubble of the building near them.

however, the media ate it up, and bakugo decided that being a hero wasn't worth the false allegations. he announced his resignation the same day and rid the entire house of hero news.

it broke your heart to see him give up his dream, so you'd tried and failed time and time again to talk him out of it. you even invited midoriya and kirishima to persuade him to become a hero again, but his mind was made.

he'd since picked up a new, low-brow job that kept him out of the public eye. with that, unfortunately, came stress regarding bills, grocery shopping, and necessary budget cuts. it was a huge adjustment, one that led to frequent arguments.

you worked from home, so you were able to keep it clean and cook meals for the most part. you tried so hard to keep your home a place where the two of you could coexist happily, but he always came home with an unfulfilled look in his eyes.

truth be told, you were exhausted, but bringing it up just made bakugo frustrated, so you avoided the subject. instead, you'd ask him about work, only to be brushed off.

it hurt.

"katsuki," you called from your spot at the table, finishing up some work, "what do you want to eat tonight?"

"dunno." he grunted, walking out of your shared bedroom.

"right. so helpful." you sighed, looking at your laptop once more, "do you have a general idea? or do you want to cook?"

"i just got home from an 8-hour shift." he looked at you like you were dumb, eyes narrowed, "can you lay off with the million questions?"

"it's a simple question. i need to know if i have to defrost anything." you shut your laptop a little harder than necessary, "i work too, you know."

he laughed bitterly but didn't say anything.

"what?" you demanded, hands on your hips.

"oh, nothing. just thought it was funny, is all."

"what's so damn funny?"

"you, sitting on a laptop all day. 'working'," he used air-quotes, opening the cupboards.

"really? you wanna go there?" you closed the cupboard he was looking in, cheeks flushed with frustration.

he stared at you, jaw clenched, "can you move?"

"can you stop being so damn mean?"

"god, i'm not being mean." he shook his head and opted for digging through the fridge instead, "y'just being too damn sensitive."

you took in a deep breath, red hot anger beginning to boil up in your gut and through your hands all the way down to your fingers.

"stop digging through the fridge when i'm trying to talk to you, please."

he didn't even spare you a glance, pulling out the last cold water bottle.

"katuski." you demanded, louder.

"my god, what?" he slammed the fridge closed, leaning back on the counter, "as if i don't get nagged enough by my boss."

"i'm not nagging you. i'm," you stammered, trying not to escalate the situation into an argument, "i'm trying to see what you want for dinner. that's all."

"just make whatever. i'm not hungry anyways." he tossed the plastic bottle into the trash, plopping down at the table.

you rubbed your temples, trying so hard to maintain your calm, "okay."

the two of you were sat across each other at the kitchen table. you ate something quick you'd whipped up, finally breaking the silence, "they're considering me for a promotion. it's a pretty significant payraise, and i think i--"

"god, are you fuckin' kidding me?" he interrupted, eyes suddenly aflame.

"what?" you cocked your head, confused at his sudden irritation.

"you just love rubbing that shit in my face, huh? you're always talking about how you get paid more than i do, how work is so great, and now this? great job, breadwinner."

"katsuki, we're partners, we both contribute to this household no matter what. i'm not the... breadwinner." you insisted, pain blooming in your chest, "i thought you'd be happy for me."

"like you were so happy for me to quit that hero gig? so you can get all the glory of supporting us?"

"is that really what you think?" you stood, not able to control the flames of anger licking at your chest, "katsuki, you know damn well i gave my all trying to talk you into staying a hero."

"bullshit. you just wanted it to look that way." he stood too, hands planted firmly on the table, "because that's what you do. you pretend you care, and then just soak up all the glory for it."

you clenched your jaw, "not everyone cares for glory as much as you do. i don't know why you think that, but i know you loved being a hero, and i supported that because i love you."

"do you? or did you only get with me to be the partner of a hero?" he spat, eyes narrow and downright venomous, "poor partner of dynamight, they must go through so much to endure his anger issues. poor fuckin' you, right? poor y/n."

your lower lip quivered, the back of your eyes burning, and he laughed. he laughed.

"what? you're gonna cry, really?" he scoffed, shaking his head, "fine, fuckin' cry. that's all you seem to know how to do."

you inhaled sharply through your nose, eyes trained steadily on him, "fuck you." you whispered, hands balled into fists by your side.

"say it louder." he challenged, "maybe it'll actually do something."

"fuck you, bakugo katsuki." tears fell freely down your cheeks, but you weren't sad. you were pissed.

you walked around the table and jabbed your finger in his chest, "i have done so much for you. so goddamn much. i have stood by you, i have disproved every bad thing the media had to say, i've supported you, and-" your voice wobbled, "it's never fucking enough. nothing is ever enough for you. someone is always after you, someone is always praying on your downfall, because everything's about katsuki, right?"

he was stunned silent, leaning back away from you. his face was conflicted, eyes wide with surprise.

"well news-fucking-flash, the world doesn't revolve around you. and neither do i," you dropped your hand, wiping at your cheeks, "so i'm done. i'm done fighting for us, because you have never once tried for me."

"y/n--"

"y'know, katsuki." you paused on your way to the bedroom, "i think they were right about you. you are a douchebag. an asshole. a monster."

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