#m . out of character

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[skittyplush]

Jesslyn is having a girls night when jessean is out :3

[athina-blaine]

I'd like to take a moment to point out to detractors of ships involving Laios who feel that "Laios wouldn't take any interest in people!" that he'd hyperfixated on Shuro so badly it was ruining the man's life lmao

[mobius-m-mobius]

falling in love with a god is not a death sentence. the story is only a tragedy if the god loves you back. - nathaniel orion g. k.

[lgbtiwtv]

GODDD louis and identity!!!!!! he’s always performing he’s always repressing and vampirism didn’t free him from a damn thing he’s the breadwinner, the favored son, the gentle hand, the kind word, the black sheep, the outcast, the lover, the father, the brother, the mourner, the saint, the vampire with the guilt that weighs him down that pulls him under and makes him beautiful and yes he’s drowning but at least he’ll die human even that creates another layer between himself and the rest of the world and he literally can’t go on like this so. so

[fant-asm4]

Ok, i’ll say it: when are we finally getting a d20 campaign for the freaks?

And why have i just created the perfect table?

System: Monsterhearts 2

DM: Ify Nwadiwe - allowed dropout to air the list of the # of times he and Em fucked each month, posts videos of himself crushing watermelons between his thighs when baited, includes Polysecure on his list of campaign essentials

Aabria Iyengar - #1 Monsterfucker, instigated the first in-game threesome in CR history, created A Court of Fey and Flowers

Erika Ishii - #2 Monsterfucker, seduced every PC and most NPC’s in the CR Monsterhearts one shot, created an enchanted cock ring for a villager in her first scene in WWWO

Brennan Lee Mulligan - will match anyone’s freak at any table, created Plug Strutt

Rekha Shankar - known big ass cartoon-lover, pulled that move (spoilers in the tags) in the Of Mice & Murder finale, every table of freaks needs one person who is this level of wild card

Grant O’Brien - “Hello, I’m…FIFTY?!” literally just watch any of the True Facts About Grant Anthony O’Brien episodes of Breaking News

Ally Beardsley - would somehow be the grounding force in the season, no one plays uncomfortable and horny like they do, 69 for healing

[still-a-morosexual-help]

Despite how possessive Mammon can be, when it actually comes down to it, he's so laid back? Like, it's always MC's choice. He's so not forceful.

Mammon & Levi are both script writers/directors in the Film Festival Event. Both are tasked with deciding whose love interest MC will be. Levi writes them as his love interest without consulting the others and states that the director's word is law. Mammon doesn't write who the love interest is and instead leaves the script open ended, expecting MC to ad lib it at the end.

In S2, he's the only one that doesn't ask MC to the dance. He very vaguely hints at wanting to go with MC & then waits for them to ask, if they don't take the hint, he drops it & doesn't ask them.

In S2, when he sees MC making the move and kissing Lucifer, he looks upset but doesn't say a word about it. He stays silent and lets them have their moment.

In S2, after he gets cursed and comes, extremely strongly, on to MC he apologizes to them later despite it being in no way his fault

Even when they finally sleep together (in s2) he asks MC to take the lead and tell him what to do.

[ashleyslorens]

TAROT CARDS ✴ MOULIN ROUGE! THE MUSICAL

[apartmentsmoke]

the number of people who saw Tommy was surprised about Buck wanting his attention and THEN go on to say "oh it's because he thought Buck wanted Eddie's attention AND he knows Buck/Eddie have romantic feelings for each other and THAT'S why he was surprised AND Buck was just confused on his feelings and he really wants Eddie" - they are really watching with buddie goggles on. they came to one correct conclusion and then go off the rails

yes, Tommy did think Buck wanted Eddie's attention - because Eddie told him as much! Tommy goes to Buck's place immediately after he helps Eddie with his ankle, so he would have heard Eddie's take on it - that Eddie thinks Buck is jealous because Eddie and Tommy are spending so much time together. That's why Tommy starts talking about he doesn't want to interfere in their friendship; he doesn't know that Buck wanted his attention until Buck says it.

As for Tommy thinking Buck and Eddie have romantic feelings for each other... There is just straight up no evidence for that in the show lol. You want to write fic based on that assumption? Hell yeah. But thinking that's what's happening in canon is simply wrong based on what's on screen

And the third one - oh, Buck is just confused - is insulting to the story that's being told. Buck is into Tommy. Even if the relationship ends, he will always have been into Tommy. He told Tommy himself, he told Maddie, he told Eddie - he acted like someone with an enormous crush because he has an enormous crush! And trying to erase that because it doesn't work with your view for your ship is

That's also why all the speculation that Tommy is going to step aside because of how close Buck and Eddie are is ridiculous - he already knows how close they are, and he doesn't seem to care.

[hazelnutnebula]

you wont believe it, b ut the animal loose in house ??? ? 🐀💥✨

[olliepurples]

bitches will abandon you for a century, eat your intestines with their dick and completely the cycle of abuse by becoming you, and then expect you not to eviscerate yourself in a final desperate act of love and revenge

[2004hitalbumsevenswans]

I really enjoyed Batman: Caped Crusader. I was worried (like everyone else) that Bruce Timm would push his Bruce/Barbara obsession, but they barely interact when Bruce is out of costume, and he’s all business as Batman. Barbara is (presumably) about the same age as Bruce in this adaptation, she’s a young public defender, who still lives at home with her dad. Commissioner Gordon is mentioned to have 30 years on the Gotham police force at one point. And the series is loosely based on Batman: Year One by Frank Miller, and has Matt Reeves as a producer. It’s definitely an interpretation of the early years of Batman.

The setting is vaguely and aesthetically set in the 1940s, mirroring the original Batman and riffing on DC comic stories and character interpretations from that time. Clayface’s story and appearance is based on the original interpretation of the character, which I really enjoyed - especially as someone’s who’s read the first couple years of the original Detective Comics/Batman stories. (There’s also a lot of great references to the Adam West show, and a couple of its themes are reimagined for this more noir story.)

I could see the series setting up something between Bruce and Barbara potentially, but their interactions are really blink-and-you’ll-miss-it. There’s a moment where Bruce’s is climbing back onto the Iceberg Lounge yacht and he uses a pick up line on her, which she scoffs at, then he proceeds to use the line on two other young women. There’s another moment that you could say is pre-flirting, or is at least setting up a foundation to further a relationship between the two. Where Barbara makes a comment about Batman letting himself into her office unannounced whenever he feels like it, and she tells him she needs a way to contact him, and he gives her the Batphone number. At this point I think you could make more of an argument for a Harleen/Barbara pairing than her and Bruce.

I think the characters would both individually need a lot more development to be in a romantic relationship. I’ll say this even though I know it will be an unpopular opinion: in this interpretation I wouldn’t mind putting Bruce and Barbara together. I know that’s practically sacrilege coming from someone who’s favourite character is Oracle but hear me out.

My main issues with Bruce and Barbara together (especially when it comes to Timm’s work) is the age difference. It’s often debated but Barbara in most iterations (including current comic canon) is around the same age as Dick, usually a couple of years older, 2-3 at most. Bruce is depicted as having at least 15 years on her, if not more. And most stories that have Bruce and Barbara together also fixate on her being batgirl. Then there’s the tendency to make a Nightwing-Batgirl-Batman love triangle which I don’t want to get into but I hate completely.

None of that is happening here. Barbara has her own storylines that are just as prominent as Bruce and Harvey’s. She’s an adult with agency and flaws and is just as fleshed out as any of the other characters are. I wouldn’t be surprised if the show takes a season or two to develop a romantic relationship between the two of them. Bruce is completely focused on being Batman and sees Bruce Wayne as a persona. He’s callous with peoples feelings (Harvey, notably) and is shown to struggle with smaller acts of empathy, opening himself up to people, and honestly, social skills. The last of which doesnt doesn’t affect him too negatively because he’s a rich and well known man in Gotham.

Compared to the Bruce Wayne of BTAS it was a smart choice to show a Bruce/Batman who struggles with people and emotions. It reminded me a lot of Reeves’ the Batman. In wider Batman media you usually see two types of depictions: a compassionate Batman (which is where I would place BTAS) or a more emotionless, be-stoic-and-punch-the-bad-guys-and-look-badass version that is usually just a male power fantasy.

This version of Batman sets up the foundation for a storyline that is relatively unexplored, and I’m sure they’re going to explore it more in the next season (which has already been greenlit).

I was surprised at the lack of adult themes in the show, it was marketed for an adult audience but could easily fit into a PG13 rating, but that was probably on purpose. I was impressed they managed to have so many strong, fleshed out storylines in only 10, 30 minute episodes. But I wouldn’t expect anything less of Bruce Timm, or some of the other names I recognized attached to the project in various ways (Greg Rucka, JJ Abrams, Matt Reeves, and Ed Brubaker).

While there are a lot of critiques of Timm I agree with, I generally enjoy his work and the care he puts into it. I love Greg Rucka and was really excited to see that he wrote the episode that was more Renee Montoya centric. And while I have my issues with Ed Brubaker, I do enjoy his work.

While the series is visually and technologically based around the 1940s, the politics are more modern. Harleen asks Renee out on a date and she talks about it with Barbara openly. I saw one review call the show “race blind” which I would not agree with. Most of the racism is implied through euphemism (the scene with Lucius Fox and Gentleman ghost), but it’s still felt as a point of friction for multiple characters, it affects how they interact with the world around them. There’s also a line spoken by either detective Flass or Bullock that implies no one in the GCPD wants to follow Renee because she’s gay. It’s cut off before the last word, but again, the meaning is implied.

An issue I always had with the Timmverse is its depictions of female characters. They always feel less real than their male counterparts, less important and less visually stylized. All the important (read: desirable) women have the same body shape. They’re thin and extremely, unnaturally curvy. I’m aware that these characters are supposed to evoke that 50s comic pinup imagery but I always thought it was a bit much. Male characters - even before the animation downgrade in BTAS season 4 - were always way more unique from each other than the female characters. That wasn’t something I felt with Caped Crusader. The three most prominent female characters (Barbara, Renee and Harleen) were all different from each other, with different heights, body shapes, hair and clothing styles. They also all had 3 distinct personalities that were built up through the series. I would argue that the show was as much about the “supporting cast” (characters like Harvey, Commissioner Gordon, Renee and Barbara) as it was about Batman.

Overall I was really impressed by the show. I was disappointed with how short it was. I hope that Renee’s personal life gets a focus with the next season, and I hope they bring back Greg Rucka to write it. I love how he wrote her in Gotham Central. I was a little annoyed that they introduced the Joker at the end of the series (as a peak into the next season). I think he’s too over saturated as a character, and sometimes his introduction into a Batman story takes over everything else, and he’s depicted as Batman’s Moriarty. I do have hope that this won’t happen in Caped Crusader, because it seems that villains will be reoccurring, but there’ll be a large cast, just like in BTAS. That aspect did remind me of the way characters were introduced in those early Batman comics, it really has the same vibe. I also really really do not want Harley to be involved with the Joker in any way. Please keep her as a separate character, this new interpretation of her is great as is, he doesn’t need to be involved.

I would also be interested to see if the show develops Barbara’s character into Oracle. I could see that happening with the introduction of the Joker at the end of season one. Maybe they’re going to rework the Killing Joke? I couldn’t see them having her as batgirl, but I would be interested to see how they worked Oracle into a world with 1940s technology. I’m thinking back to her as Oracle in the Doom that Came to Gotham, and how clever that was. I’m sure they could do something just as interesting with her here. Something more supernatural feels like a long shot, because Timm usually sticks to the more “realistic”, street-level versions of Batman, but they did introduce Gentleman Ghost. So it’s a possibility.

One thing I did think could have been better was some of the voice work. Not the voice acting itself, but the design. It felt too polished alongside the score and the animation. I wish the voice acting had been more atmospheric, had more depth. It felt too clean. Hamish Linklater was great as Bruce/Batman. Following Kevin Conroy is no small feat, and Linklater’s performance felt reminiscent of Conroy without sounding like an impression. It was quiet and unassuming, yet strong.

I’m not usually someone who watches things more than once, but I’m definitely going to be rewatching Caped Crusader soon.

[ricksanchezbignaturals]

i love when rick pulls morty around by his shirt and scruffing him like a fuckin cat is the best lmao

episode 110 close rick-counters of the rick kind

[oddly-casual]

Gaap Goemon appreciation post/ Character Analysis

because I need y'all to hype him up as much as I do.

I was a fan of the Mairimashita Iruma Kun anime many moons ago, and just recently I got back into it. Finished the manga. Walked away loving the entire Misfit class. Most of all, I see a criminal lack of Gaap content. So, here's why I love Gaap and why I think you should too.

By all accounts, there isnt a whole lot of focus or information about Gaap that goes beyond the depth of a kiddy pool. (It's like that for most of the misfits tbh...) Still, Gaap gets more focus than most.

Kindness and care:

The thing about Gaap that stands out the most, is how much of a natural caretaker this kid is.

He greets everyone he meets with respect. Often using the honorific "Dono" Which google tells me translates to "Lord" or "Master". Almost every time he greets somebody he always has an offer of Hell tea and onigiri. He always makes sure to take care of his guests and his friends. This kid has no shortage of manners. So polite.

In the Harvest Festival arc, Gaap is the one who goes out to save the other students even when Agares has valid points about why rescuing a bunch of demons they dont know wouldn't benefit them in any way. In the festival, where the entire point is to be a cut above the rest, what did Gaap do?

We see little examples of Gaap's kindness. How he defends his friends and is usually on the front lines whenever someone's well-being is cause for concern.

This boy is the mom friend who always had a painkiller and a stack of bandaids on hand. He's such a mom friend that he canonically fights with Jazz when it comes to taking care of their classmates. (They both have a caretaker complex.)

It's also the way Gaap responds to stress! In the Heartbreaker arc, Gaap is paired up with two first-years who won't stop fighting. This obviously stresses the boy out, because he had high expectations of getting along with his first years, but it didn't turn out that way.

The first thing Gaap does is try to offer them food, something we see Gap do to Agares when he snaps at him. When the offer of food doesnt work, he instead tries to assure the first years that everything will be fine. Even if Gaap isn't confident, his first instinct is to try to appeal to and take care of people. Even if that's not what they want.

It’s interesting, because Gaap doesn’t physically get in between them, like you would expect him to do. He avoids conflict when it gets physical, despite being such a capable fighter. (Though when it comes to saving others, he has no problem acting.)

Friends and Habits:

We get to know Gaap the most when he's around other people. Obviously, because he's a secondary character. I think another aspect of this is because Gaap is a social creature, he thrives around people. We rarely see Gaap standing alone and this makes sense because his goal is to have 100 allies.

In the demon world, we know that demons usually dont care about saving or helping others if it doesnt help them. Nor do they have the drive to see their efforts to the end, because they get bored rather quickly. Gaap breaks out of this status quo, along with the rest of the Misfits, by stubbornly pushing towards his goal even when the fruits of his labor dont bloom right away.

The biggest showcase of this drive is the person Gaap takes care of the most, that we know of.

Chapter 111 shows us that Gaap came to Agares' house every day. check it, every day. Gaap would go out of his way with breakfast and pick Agares up so he could make it to class.

Agares clearly doesnt want to go, but Gaap takes him anyway, refusing to leave him behind. From what we can guess, he's been doing it before they started training together. Which could mean Gaap didn't know this kid, but saw he wasn't going to class and went to go take care of him. (Classic extrovert adopting their introvert friend).

We see how that kindness affects Agares as a result. Agares feels guilty when he snaps at Gaap and goes out of his way to visit Gaap when he doesn't show up for class. (This could also mean Agares went to class on his own, without Gaap having to force him.)

Agares was also willing to help the people Gaap saved. Even when telling Gaap not to go out and save those people, Agares still houses them, keeps them safe, and even plans an escape route for the other students when things look bad. It's a lot of hassle for a character who hates being bothered. Gaap's kindness is contagious, even if it's not obvious at first glance.

Oh, Maybe He's Kinda Fucked Up?

No one escapes childhood unscathed.

Gaap is a caretaker, he does it happily. Even so, when you put yourself in the position to take care of others, there are parts of yourself that fall into neglect that you dont realize.

After the Heartbreaker arc (Chapter 272), Gaap is noticeably absent. We find out later, what happens when you fuck with the nice guy too much.

Maybe it was his crushed expectations, the stress of failing and losing, or maybe Gaap was just tired of being nice but he goes apeshit. Accidentally slipping into his Wicked cycle and nearly driving two students mad with his fucked up face.

We learn that showing your true face is a big no-no in the Gaap household. It's literally written on the walls, and Gaap feels immense shame and embarrassment that he broke a family rule.

He hides his face in his hands, and puts a bag over his face when Agares comes over. He's afraid of hurting someone again, even though the stress of those events have passed.

We dont know his parents' reaction, (because aint no way they dont know) Whether Gaap was disciplined by his parents or not, Gaap put this huge weight on his shoulders. Not blaming the stress of the situation, but blaming himself for losing control.

Gaap specifically said, “I panicked”. Which could mean that with all the stressors, he snapped and just lashed out. Gaap didn't willingly enter his wicked phase, I think he just gave in to his instincts. His bloodline originally started by warding off predators with their maddening appearance. What is panic if not your brain responding as if your body is in danger?

Despite Gaap reasonably getting upset, he still feels terrible for the trouble he caused and the students he hurt. The first thing he did after waking up was to ask if he could apologize to the first years for mentally scarring them.

Gaap’s ambition is to make 100 allies. It's pretty sweet. When a teenager says it(Gaap looks 17 yrs old), It just sounds like he wants to have friends. Pair this up with the fact that Gaap rarely asks for anything in return, and suddenly his wanting a ton of friends makes sense for someone who looks his age. Gaap takes care of people because he wants them to like him. (Even if he can drive them away with how much he cares.)

I have no idea where this desire comes from. If it's something his family drills into him, to be sociable and network, or if it's just a personal goal because of his ugly ahh face.

Regardless, this moment makes me want to lie down on the road while it rains:

Despite how much his ambition means to him, he is willing to isolate himself as long as it means no one else gets hurt. This speaks to his good intentions. It isn't just about the popularity or all the favors he could have from knowing so many demons. It's about forming genuine relationships with other demons and providing them a soft place to land and build community.

Look at my son, he tries so hard.

My final point:

Look at how cool he is. This is Chapter 76, my boy came out the gate swinging with powerful bloodline magic. He's got the position, he's got technique, he's got flare. What more could you ask for?

Gaap started out as rank 2, and since then has had no problem leveling himself up. Gaap always stays on his feet (Hence his nickname Busy Body), not letting himself fall behind his classmates. He aced his training and had since learned to use Wind as a companion and not as a tool. He even developed a full-range attack where he can pick which targets get hit by his swing and which dont. He is leveling up in the world. Dont hurt em now Gaap.

Conclusion:

I'm the equivalent of those parents who show off pictures of their kids from their wallet.

Gaap as a character, in the story he's in, isn't anything really new or groundbreaking. Even still, in a story like Mairimashita Iruma-Kun, the Misfit class are demons that are different. We get to learn why they're different, and how they learn to overcome these challenges despite how they threaten to hold them back.

Gaap is a good kid that you watch succeed from the background. We see him struggle and fall apart, but he never stops caring about others in that process. He's that good-natured kid in your life that you hope succeeds because in a cruel world, they make the decision to be kind.

If anyone made it this far, slay. Even if you never noticed Gaap before, I hope you have a new appreciation for his character. Nishi took time and love to write him out, I think that deserves attention too.

[archer-kacey]

Problems with erasing Bendy Book canon:

With the FNAF books, we were told they were canon-divergent fairly early on. For Bendy, this was never specified, leading many to believe this was all just straight-up canon information that they were running with for theorycrafting. For a long time.

Why the hell would you de-canonize the ENTIRE origin story of Boris? He's a central character to Bendy and the Ink Machine.

You're going to throw out THE ENTIRE AUTOBIOGRAPHY OF YOUR MAIN VILLAIN? THAT'S.......NOT A GOOD IDEA!

(And before it's pointed out, no, we don't "need" Illusion of Living for "gay evidence." The point here is y'all released an autobiography for one of your two main characters and you're saying it's not canon. That's ludicrous.)

Things that were explained/brought up in the novels that apparently "aren't canon anymore": how Sammy got infected, Thomas's conflicting feelings about the machine he created, the origin of Boris the wolf, several instances of Joey's gaslighting and manipulative behavior and his slow descent into madness after Henry's departure, a look into Gent technology and the Gent experiments that took place after they switched over to "research", Abby Lambert (who SHOULD be in the mainline games all things considered), Joey Drew's ENTIRE AUTOBIOGRAPHY including his PHILOSOPHIES AND REAL ASS LIFE, ANDDD the themes of classism, racism, and sexism that were VERY present at that time in history. Among other things.

You're taking out several new characters for no reason. I'm not saying they all need to return, but it makes zero sense to introduce a bunch of new guys and then immediately abandon them...only to introduce a bunch of OTHER new guys.

I've seen a few comments in response to Mike that go along the lines of "oh thank goodness now I don't need to read the books to understand the lore!" No disrespect, but I think that's a fundamental misunderstanding of what the books do. They enhance your understanding of all the background plot. You don't need to read the books to understand the games. But that shouldn't mean erasing the existing information's canonicity because not everyone wants to read it.

Bendy isn't FNAF. Bendy has a much more streamlined plot. Not everything fits perfectly of course, but to take out such a large chunk of what we THOUGHT was the plot (or plot-adjacent) is headscratching to me. You claim to care about the plot, characters and worldbuilding and then you decide that some of the BEST written interpretations of these characters and their world just aren't "legitimate" now? .......All of a sudden?

I want to punch something

[veinsfullofstars]

🪞 Fallen angel... who do you see staring back from the Mirror? 🪞

(ID: Kirby series fanart of Galacta Knight and my personal interpretation of his Mirror World counterpart. GK hovers above facing slightly to our left, his feathery wings spread wide, shaded in lilac and tipped with gilded wing talons, a swallow-like tail visible. He holds his shield forward in his left hand (our right) and his lance to the side in his right (our left), a single magenta eye leering at the viewer through the visor of his mask. A halo of heart spears floats and shines angelically behind his horns. Below him, M!GK hovers in the same pose but flipped horizontally and without the halo. Visually, M!GK has mostly the same features as GK, with his color palette being darker and less saturated (dusty purple body, dark gray armor, gray mask, maroon lance, rose-gold horns and weapons accents). His eyes are not visible in the shadow of his mask, but there are signs of erosion running down the metal surface in rusty orange lines, almost like tear tracks. Instead of feathery wings, M!GK has wings composed of jagged shards of pink crystal, glittering and lit from within by a luminous glow. A few pale feathers can still be seen peeking out from his back. END ID.)

Hey, so... what if... I went a little insane for a minute? What if I just... concepted a character... for the sequel... to an AU... I've told no one about... and haven't even finished writing yet? What if I then... pulled the salt shaker labeled "ANGST" out of the pantry and just... unscrewed the cap all over this poor lad? Oh, and Galacta Knight's here, too, I guess.

Sketch started 02/21/24, render started 03/01/24, finished 03/06/24.