#mahabharata art

[musingsonthemahabharata]

excerpt from an audio-translation I worked on with a colleague of mine; we translated Draupadī's imposing speech as rendered in modern Mahābhārat retellings. Draupadī utters this speech after she is dragged to the royal hall by her hair, and is assaulted & sexually harassed by the men of the Kuru dynasty. she renounces her status as a wife; in the Sanskrit Mbh, symbolically, by refusing to tie her hair again, while in modern renderings, explicitly, by directly renouncing her husbands who passively watched her humiliation.

in this sequence, Draupadī curses the Kurus. the curse bears similarities across the Sanskrit & modern tellings; that just as she bled in the sabhā (royal court / hall), so will all the men bleed on the battlefield, and just as she wept with her hair untied, so will their women cry before their corpses with their hair dishevelled (tied hair was the marking of a wife / bride, untied hair, of a widow).

photo: Pooja Sharma as Draupadī. Pooja is my Draupadī.

[suklengoesbrrr]

NAKULA THE PANDAV!!!!!

I'M WITH MY MAHABHARATA BRAINROT ERA GUYS, YOU CAN'T SCAPE FROM ME HAHAHHAHAHAHHA‼️‼️‼️

I abolutely LOVE MAHABHARATA, is my fave book and epic history guys. And currently i'm reading it, and something that always bothers me, was that literally all artist draw the 5 pandavas (the main protagobist of the epic) like EXACTLY the same 😭 when in the Mahabharata there is actuall descriptions of them. So I wanted to do my thing bc i'm an artist i'm a vaishnav AND I HAVE THE POWER OF THE PENCIL IN MY HAND🔥🔥🔥 so I will make the character design of the 5 brothers :3

And btw I can give some good representation that Mahabharata and India actually deserve, bc hollywoke is making 💩 (i'm sorry wtf is a indian atheist?? HELL NUH UH, LET'S STAND UP SANATAN DHARMA!!) LETS GOOO MAHABHARATA.

[blue-lotus333]

Hello everyone!!! Since I’ve had the courage to finally post, I've come to show my art.

Imma start off this first post with Brihannala art (cus she’s the best✨)

[nipsyyy]

I hate how patriarchy has even ruined Hindu mythology so specifically to benefit the men.The casual jokes on family WhatsApp groups about how Mahabharat and Ramayan, the worst wars of all time, were fought because of a woman and how women bring ruin everywhere they go,as if they are the root cause of all suffering. Where in fact the women were LITERALLY the victims, one was publicly humiliated, the other kidnapped.The men have misinterpreted the stories so badly that it physically pains me, god went to war not because of women, they went to war FOR them.Because what happened to the women was WRONG,they weren’t to blame, the ones who wronged them were.

I also see a major polarisation in how a huge section of Hindus treat Sita and Draupadi, and it reminds me of the quote “a woman has to do everything right for her to be a victim and a man has to do everything wrong for him to be a culprit.”It breaks my heart at the number of times I’ve heard men say “well Draupadi shouldn’t have disrespected him,aise toh hona hi tha na fir”,first and foremost,that’s an inaccurate narrative promoted by wrong retellings who need to constantly find a reason to blame the victim,she did no such thing and you can find pretty much evidence for it everywhere.But even if she had, it does NOT make it okay for them to publicly disrobe her.This is one more example of the victim blaming culture that I see deep ingrained in the minds of so many of these dumbfuck Hindus who have absolutely no respect for their culture.So next time don’t go to ram mandirs and krishna mandirs if you can’t even truly understand and respect the relevance behind their existence.

[kikarou]

Krishna crossdressed as a gopi :3

Bonus:

Arjun, you ok my guy?

It's not radha's first time seeing it lol

[h0bg0blin-meat]

[dream--interrupted]

Old FGO Mahabharata stuff.

Various Brihannalas (my favourite portrayal is the one from Suryaputra Karna)

The Madreyas ~~

genderbent (summer) Pandavas under the cut (you have been warned)

First up, Caster: Bhima.... Bhumi?

Saber: Arjun...i? (I like Arundhati for her)

Archer, ... Sahadevi?

Caster.................i have no name for genderbent!Nakula

Bonus genderbent summer Abhimanyu

I have no summer outfit for Yudidi... But I have Bride Yudidi (I cannot be stopped)

Archer, Yudidi (...I like Yuvika for her). it's her Swayamvara.

[rrcraft-and-lore]

In addition to my Monkey Man post from earlier, the always kind & sweet Aparna Verma (author of The Phoenix King, check it out) asked that I do a thread on Hijras, & more of the history around them, South Asia, mythology (because that's my thing), & the positive inclusion of them in Monkey Man which I brought up in my gushing review.

Hijra: They are the transgender, eunuch, or intersex people in India who are officially recognized as the third sex throughout most countries in the Indian subcontinent. The trans community and history in India goes back a long way as being documented and officially recognized - far back as 12th century under the Delhi Sultanate in government records, and further back in our stories in Hinduism. The word itself is a Hindi word that's been roughly translated into English as "eunuch" commonly but it's not exactly accurate.

Hijras have been considered the third sex back in our ancient stories, and by 2014 got official recognition to identify as the third gender (neither male or female) legally. Pakistan, Nepal, Bangladesh, and India have accepted: eunuch, trans, intersex people & granted them the proper identification options on passports and other government official documents.

But let's get into some of the history surrounding the Hijra community (which for the longest time has been nomadic, and a part of India's long, rich, and sometimes, sadly, troubled history of nomadic tribes/people who have suffered a lot over the ages. Hijras and intersex people are mentioned as far back as in the Kama Sutra, as well as in the early writings of Manu Smriti in the 1st century CE (Common Era), specifically said that a third sex can exist if possessing equal male and female seed.

This concept of balancing male/female energies, seed, and halves is seen in two places in South Asian mythos/culture and connected to the Hijra history.

First, we have Aravan/Iravan (romanized) - who is also the patron deity of the transgender community. He is most commonly seen as a minor/village deity and is depicted in the Indian epic Mahabharata. Aravan is portrayed as having a heroic in the story and his self-sacrifice to the goddess Kali earns him a boon.

He requests to be married before his death. But because he is doomed to die so shortly after marriage, no one wants to marry him.

No one except Krishna, who adopts his female form Mohini (one of the legendary temptresses in mythology I've written about before) and marries him. It is through this union of male, and male presenting as female in the female form of Mohini that the seed of the Hijras is said to begun, and why the transgender community often worships Aravan and, another name for the community is Aravani - of/from Aravan.

But that's not the only place where a gender non conforming divine representation can be seen. Ardhanarishvara is the half female form of lord Shiva, the destroyer god.

Shiva combines with his consort Parvarti and creates a form that represents the balancing/union between male/female energies and physically as a perfectly split down the middle half-male half-female being. This duality in nature has long been part of South Asian culture, spiritual and philosophical beliefs, and it must be noted the sexuality/gender has often been displayed as fluid in South Asian epics and the stories. It's nothing new.

Many celestial or cosmic level beings have expressed this, and defied modern western limiting beliefs on the ideas of these themes/possibilities/forms of existence.

Ardhanarishvara signifies "totality that lies beyond duality", "bi-unity of male and female in God" and "the bisexuality and therefore the non-duality" of the Supreme Being.

Back to the Hijra community.

They have a complex and long history. Throughout time, and as commented on in the movie, Monkey Man, the Hijra community has faced ostracization, but also been incorporated into mainstream society there. During the time of the Dehli Sultanate and then later the Mughal Empire, Hijras actually served in the military and as military commanders in some records, they were also servants for wealthy households, manual laborers, political guardians, and it was seen as wise to put women under the protection of Hijras -- they often specifically served as the bodyguards and overseers of harems. A princess might be appointed a Hijra warrior to guard her.

But by the time of British colonialism, anti-Hijra laws began to come in place folded into laws against the many nomadic tribes of India (also shown in part in Monkey Man with Kid (portrayed by Dev Patel) and his family, who are possibly

one of those nomadic tribes that participated in early theater - sadly by caste often treated horribly and relegated to only the performing arts to make money (this is a guess based on the village play they were performing as no other details were given about his family).

Hijras were criminalized in 1861 by the Indian Penal Code enforced by the British and were labeled specifically as "The Hijra Problem" -- leading to an anti-Hijra campaign across the subcontinent with following laws being enacted: punishing the practices of the Hijra community, and outlawing castration (something many Hijra did to themselves). Though, it should be noted many of the laws were rarely enforced by local Indian officials/officers. But, the British made a point to further the laws against them by later adding the Criminal Tribes Act in 1871, which targeted the Hijra community along with the other nomadic Indian tribes - it subjected them to registration, tracking/monitoring, stripping them of children, and their ability to sequester themselves in their nomadic lifestyle away from the British Colonial Rule.

Today, things have changed and Hijras are being seen once again in a more positive light (though not always and this is something Monkey Man balances by what's happened to the community in a few scenes, and the heroic return/scene with Dev and his warriors). All-hijra communities exist and sort of mirror the western concept of "found families" where they are safe haven/welcoming place trans folks and those identifying as intersex.

These communities also have their own secret language known as Hijra Farsi, which is loosely based on Hindi, but consists of a unique vocabulary of at least 1,000 words.

As noted above, in 2014, the trans community received more legal rights.

Specifically: In April 2014, Justice K. S. Radhakrishnan declared transgender to be the third gender in Indian law in National Legal Services Authority v. Union of India.

Hijras, Eunuchs, apart from binary gender, be treated as "third gender" for the purpose of safeguarding their rights under Part III of our Constitution and the laws made by the Parliament and the State Legislature. Transgender persons' right to decide their self-identified gender is also upheld and the Centre and State Governments are directed to grant legal recognition of their gender identity such as male, female or as third gender.

I've included some screenshots of (some, not all, and certainly not the only/definitive reads) books people can check out about SOME of the history. Not all again. This goes back ages and even our celestial beings/creatures have/do display gender non conforming ways.

There are also films that touch on Hijra history and life. But in regards to Monkey Man, which is what started this thread particularly and being asked to comment - it is a film that positively portrayed India's third sex and normalized it in its depiction. Kid the protagonist encounters a found family of Hijras at one point in the story (no spoilers for plot) and his interactions/acceptance, living with them is just normal. There's no explaining, justifying, anything to/for the audience. It simply is. And, it's a beautiful arc of the story of Kid finding himself in their care/company.

[cheapplasticfolderr]

Need myself a boy bestie like Krishna was to Draupadi

[artgsposts]

M. V. Dhurandhar

Disrobing of Draupadi (1922)

[jacobpking]

One of the most important figures in the Mahabharata and Hinduism as a whole finally makes his entrance!

[musingsonthemahabharata]

check out this stunning futuristic Mahābhārata art by Vamchi Vams!

the tendency with modern Mbh-inspired artwork is for it to still adhere to 'traditional' / historic conventions and for these to be seen as more 'accurate' renderings, but, especially with the war books (parvas), i'd maintain that one needs only to skim-read to see that the futuristic artwork most likely is a more 'accurate' representation of how the war is said to be fought. it would not be an exaggeration to claim that the astras (supranatural weapons imbued with mantras) used by warriors such as Arjuna, Karṇa & Aśvatthāmā functioned like nuclear weapons. i personally adore futuristic Mbh artwork because in my opinion it enlivens the epic & grounds it in our present as a timeless dynamic work and not as an ancient lifeless poem.

i do wonder if it is the inescapable archaic tone of 99% of the Mbh translations from sanskrit (which my dear friend Avi Sato pointed to me once & now i can't unsee!) that which contributes to this overall impression that traditional renditions * must * be more accurate. perhaps. i for one would love to see a truly futuristic translation and interpretation of the Mbh (both in literature & in film / TV) that also follows the narrative thread faithfully. might take it upon myself.

[suklengoesbrrr]

" Oh look! Is that cute boy from Vraja!!! I really like that boy....♡♡♡ "

' You mean, Nanda Baba's son? Krishna? '

" Yes!! HIM!! ✨️Krishna✨️🦚 "

- probably a young gopi and her friend.

I was too lazy for finish the rendering of His jewels, i'm so sorry. But here is my post about MY LORD AND SAVIOUR, and cuTIE PATOOTIE BEAUTIFUL AND PRECIOUS Krishna uwu

[apricitycanvas]

Sibling rivalry? Nah, queen synergy ✶⋆.˚

Satyabhama : Bold and beautiful—that’s me.

Rukmini : Soft and stunning—that’s me.

Together : And we’re both untouchable.

Krishna : Not me being the real trophy here

✨ Rukmini and Satyabhama : Grace and Strength in Divine Harmony ✨

⋆｡°✩ Two queens, two shades of devotion—Rukmini, the embodiment of serenity and unconditional love; Satyabhama, the fierce spirit of strength and self-worth. Together, they represent the perfect balance of grace and power in the divine play of Krishna’s life ⊹₊♚₊⊹

-----------------✩⋆--------⭑✧⭑--------⋆✩---------------

Artist - instagram • pinterest

[kikarou]

💕🏹Sayvasachi 💕🏹

[h0bg0blin-meat]