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#malcolm merlyn
dailydccomics · 3 days
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mortal enemies ✿ Green Arrow #11 art by Phil Hester
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This picture is so fucking funny to me—
🎶One of these things is not like the other🎶
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aprill-99 · 1 year
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There’s a very specific type of antihero I’m noticing that loves committing atrocities for the heck of it, but figures out that their in-universe moral coding means they can only karmically get away with committing atrocities if it’s for their family (to save them, help them, etc).
And their response is to build the BIGGEST FOUND FAMILY EVER so they can get away with committing EXTRA ATROCITIES.
And it works.
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keishara-korianthil · 4 months
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Multifandom Villains
Is it bad if I like the villains, empathize with them (I understand them, not justify them) and want them to have a happy ending? (not by defeating the hero, but by redeeming themselves and NOT dying)
I just think some of them could have been good if the people just gave them a second chance, or at least a chance (because some of them didn't even have one) to prove that they weren't monsters, instead of just assuming they were pure evil and irredeemable from the beginning.
And if some of them were "evil from the beginning", people could have helped them instead of thinking that they couldn't be saved.
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kent-farm · 8 months
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—Arrow, “Year’s End”
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judedeluca · 4 months
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Malcolm Merlyn being all "IT WAS ME, OLLIE I DESTROYED YOUR LIFE" when the two who actually got destroyed were Roy and Lian, and they had little to nothing to do with taking him down while it's all shown from Ollie's POV.
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jbuffyangel · 2 months
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Survive: Arrow 1x23 Review (Sacrifice)
Well, my friends… we made it to the end of Season 1. Arrow’s first season was often uneven as it searched for the magic to bring it all together, but supported by fantastic stunts and fight scenes, and a great hero's journey story.
That said, they deliver on the finale. “Sacrifice” is tense, exhilarating and, above all, tragic. In the eight seasons, the Season 1 finale still has me emotionally traumatized and is definitely my most mourned character loss on the show.
But there is massive hope for Olicity in some very key scenes, while Laurel & Oliver are left in the wreckage of the Glades.
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This review is particularly spoiler heavy for Season 2. I cannot tell you how many times I started and restarted Arrow Season 1 reviews. It’s taken me the better part of a decade, so I am absolutely thrilled to say -
Let’s dig in…
Olicity (and Diggle)
Is Olicity the focus of this finale? No, not even close, but that’s okay. In fact, it’s very good. This is Season 1 friends. We are at the beginning of the story. Not the end. Oliver and Felicity are just getting started and Arrow makes it abundantly clear with scenes that echo through the show until the series finale. The absolute last thing we want is Oliver to get the girl in the Season 1 finale. *cough*Lauriver*cough*
Oliver left Laurel’s bed in 1x22 to take Malcolm down for good. He gets his ass handed to him on a platter instead and then Malcolm literally strings him up. Shirtless, sweaty and in chains. THIS IS A FAMILY SHOW. Get your head out of the gutter. HA! Just kidding. I’d never tell you that. Here’s some gifs of Oliver chained up and half naked. Enjoy.
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Source: PaigeOTA
Diggle rescues Oliver after he already rescued himself, but it’s the thought that counts. Felicity is on her way to the bunker when Detective Lance picks her up.
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Source: @felicitysmoakgifs
Paul Blackthorne is an actor’s actor. He is truly great, but Emily Bett Rickards finally gives Blackthorne someone to bounce off of. It makes the interrogation scene hilarious, but also sincere as Felicity voices the mission statement of the whole show.
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Source: @felicitysmoakgifs
Detective Lance is a damn good cop (minus the fact he never pieces together that Oliver is the Hood, but that’s not really his fault. Oliver gaslit his suspicions masterfully).  He reads Felicity Smoak for filth with the evidence he has on her. This is about the time Felicity should be asking for a lawyer, but it’s Oliver to the rescue instead.
Oliver actually calls the cops to report a crime! It’s really shocking quite frankly. He tells Lance that Merlyn is going to blow up the Glades and it needs to evacuated. Even more shocking than Oliver reporting a crime is the fact that Lance listens to him! See boys? Isn’t it better when we use our words?
Oliver feigns ignorance when Lance says he has Felicity in custody.
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Alright he lies better than that, but Lance buys it because they have bigger fish to fry quite frankly, so he lets Felicity go.
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Source: @livelovecaliforniadreams
Laurel told Oliver he was too selfish to be the Hood. Then she called the Hood a killer. Tommy called him a murderer after he learned Oliver’s true identity. Yes, the Vigilante/Hood has killed, but we’re not watching the story of the Vigilante or the Hood – the killer. We’re watching the story of Oliver Queen – the hero.
This is the first time the show has uttered the word "hero" in relation to masked man in the hood (I think? Feel free to fact check me) and it's said by none other than Felicity Smoak – the guest star, the girl Friday, the comedic relief. Or any other term those who failed to believe in this character liked to call Felicity to minimize her importance in the story. But the writers are not minimizing Felicity. They are elevating her.
Felicity admits initially she thought the Hood was a killer, but then she found out it was Oliver Queen. From the moment Felicity met Oliver she saw the light inside him. She sees who Oliver is and who he can become. In Felicity’s eyes there are no grey zones when it comes to Oliver Queen. There are no moral quandaries. Felicity knows both sides. She knows the hood and the man. She sees him as a good man who selflessly sacrifices for the people of Starling City every day.
Quentin: She says you care about the people of this city. That it needs you.
Felicity is telling Lance instead of hunting the Hood he should be working with him. And you know what? It works! Felicity has an impact on Detective Lance. He’s second guessing his approach to the Hood.
It used to be Laurel who was extolling the virtues of the Hood to her father, but now it’s Felicity. This shift is so incredibly subtle, given all the other Laurel activities in the final two episodes, but so incredibly important.
If you look at the history on superheroes (which is modern day Greek mythology) there is always one person who believes in the superhero, calls them a hero before anyone else, and loves the hero unconditionally – particularly when it’s inconceivable for the two to be together. That person is typically the superhero’s great love.
So WHY are the writers giving Felicity Smoak a love interest speech in the Season 1 finale? Particularly when Oliver just hopped out of Laurel Lance’s bed. Riddle me that kids! It’s also the line from which the episode title is pulled from – a significant factor when you look at the history of Arrow. This is the first time a series finale episode title is pulled from a Felicity Smoak line, but it’s not the last!
It’s Felicity who figures out where Merlyn has hidden the earthquake machine. The friggin map in Oliver’s book did actually mean something guys! Points to those who cared. I was not among them, but I rejoice in your win.
The device can be remote activated, so someone needs to find it, but Oliver isn't leaving anything to chance. He wants Diggle in the field to deactivate the device. But this leaves Oliver to fight Merlyn alone.
Diggle: He’ll kill you, Oliver.
Oliver: I know.
Can we talk for a moment about the absolute resolution in Oliver’s voice? There’s no fear. Not even sadness really. This is the way the battle ends – the way it was always going to end. Oliver came home to save his city, but it means sacrificing his life. Oliver is not suicidal, but he’s resigned to his fate.
Except, bit by bit, Oliver has allowed people he loves back into his life. That impenetrable wall, the one that made him almost machine like in the beginning of the season, has softened a bit. Those people are the tethers to his life and make it more difficult for Oliver to just let go now. He loves and is loved returned.
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As far as Diggle speeches go, this is one of the greats. Oliver accepts Diggle’s help, but balks when Felicity volunteers to deactivate the device while John fights Merlyn with Oliver.
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Oliver looks so proud of Felicity in this moment, particularly when she refuses to leave his side. So much is said between these two in just a single look. I am feeling verklempt.
Oliver cannot focus on fighting Merlyn if Felicity is not safe, so he calls Detective Lance for a second time and asks him to deactivate the device. He volunteers Felicity to talk Quentin through it. Yes, Oliver is willing to sacrifice his girlfriend’s father to save Felicity (HA!), who shall be hereby known as his Not Girlfriend-Girlfriend.
Lance and Felicity are successful. They deactivate the device. Oliver beats Malcolm, but he doesn’t outsmart him. There was a second device, and the team must watch helplessly as a portion of the Glades crumbles around them.
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Source: @yet-i-remain-quiet
Oliver hears her voice and his first thought is of Felicity's safety. His second thought is of Laurel’s safety, once Felicity tells him the location of the damage. (Jen evil grins).
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Admittedly, I missed all of these moments the first time I watched. I didn’t realize the importance until the Season 2 finale and I began this blog. The way Felicity sees Oliver Queen is the way he will be seen someday, but not in Season 1. He will become a hero, but this failure and loss will be one of many incredibly painful sacrifices in that journey.
There will be one woman, in a hero’s journey of her own, who will be integrally linked with Oliver. The one woman who saw Oliver Queen for who is truly is and believed in him from the beginning. The one woman he trusts and depends on. The one woman whose unconditional love helps Oliver Queen become a hero.
But it’s not the woman promised in the pilot.
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The story shift was there all along my friends. We just had to look.
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Lauriver and Merlance
The dreaded love triangle of Season 1 resolves itself in the most heart breaking and disastrous way possible. Actions have consequences, my friends. Don’t ever forget it.
A very drunk Tommy decides to pay his “best friend” a visit after witnessing his sex romp with Laurel. Tommy still can’t even bring himself to say sex. He refers to kissing, but come on my son. We all know where they were doing.
Oliver gives a classic sorry not sorry response and tries to pivot the conversation to Tommy’s mass murdering psychopathic father. Why Oliver feels the best time to share his father's evil mastermind plan is when Tommy is three sheets to a very drunkity drunk wind is beyond me. Oliver has the emotional intelligence of a stump in Season 1. I can’t even call him a pine tree yet.
Tommy swings on Oliver after he brings up Tommy’s mother. Yes, Oliver is trying to explain Malcolm’s motivation for destroying the Glades, but it’s just a step too far after banging the love of Tommy’s life.  Oliver side steps it easily, but I wish the writers would’ve given Tommy that punch. Oliver completely deserves it. Not more than three seconds after telling Tommy to fight for Laurel, Oliver shows up at her door for an illicit sex romp. YES, I SAID ILLICIT. COME FIGHT ME.
Oliver: The difference between us Tommy is that I didn’t find out the truth about my father until it was too late. But you’ve always known, deep down, you have always known the man he is.
Tommy: I wish you would’ve died on that island.
This lands harder than any punch Tommy could’ve given Oliver.
After discovering her bed empty, Laurel pays Oliver a visit at the Queen Mansion because understandably she has questions. Like WHAT THE FUCK OLIVER???!!!
One of the first posts I wrote for Something to Live For was “Moments of Truth: Oliver’s S1 & S2 Queen Mansion Love Confessions.” You can still read it. I stand by every word of it. It’s funny that in ten years my perspective on this scene between Oliver and Laurel has not changed at all. I will try not to repeat myself too much, but the bottom line is the scene is not believable. There’s too much dishonesty. That’s the crux of my problem with it.
It’s supposed to be the big love confession between Oliver and Laurel. The entire season has been building toward it. Oliver assures Laurel that he’s not reverting to form by leaving her bed in the middle of the night with no note. Laurel believes Oliver is scared again and he’s running away – just like last time.
Oliver assures Laurel that he’s not afraid and there’s so much he wants to tell her. For the first time, we hear Oliver’s perspective on the island. It didn’t change him. It just stripped away all the things that he wasn’t, which was the person Laurel always saw.
I do not agree with Oliver’s perspective on island AT ALL. This is a beautifully prepared speech and I’m sure it made Laurel feel really good, but it doesn’t make a lot of sense when you parse it out. Lian Yu means purgatory. You suffer in the fire of your sins in purgatory. That pain and suffering is redemptive. It forms you into something new, something better. I do not believe Oliver was always a hero deep down. I believe Lian Yu burned him like molten steel until he was remade new. Ollie Queen died on that boat with his father, and he was formed into someone one else… something else to survive.  
Agree to disagree, Oliver. Except, I am right, and you're wrong BECAUSE TREE STUMP.
Laurel believed Oliver could be more than a selfish, cheating, lazy, entitled, spoiled playboy who lived off his father’s money and did whatever he pleased, regardless of who it hurt. Laurel could see the potential in Oliver, but the writers never truly quantify what that potential is. I do not believe she meant a crime fighting archer who vigilantes by night and is a reclusive bar owner by day.
We don’t know what GOOD Laurel sees in Oliver. She’s basically mute on the topic. All Laurel will say is Oliver changed. So, we’re just supposed to accept that Oliver is a different person and the person he is today is the man Laurel always believed he could be. Ok. It would just be nice if Arrow would SHOW us that rather than tell.
I don’t want to rag on Laurel too much, because she’s really not my primary issue is this speech. She’s just the object of Oliver’s word vomit. And like I said, girlfriend has put in the YEARS, and this is probably the first time he’s articulated what she means to him. So, a win for Laurel I guess. However, hallow it is.
No, my issue is with Oliver. Not just in what he’s saying but in what he’s NOT saying. Oliver never tells Laurel that he’s the Hood. HE’S STILL LYING TO HER. Oliver is on his “nobody can know my secret” trip, so some of this we’ll just have to attribute it to being Season 1. But this is the big speech about who he truly is, so it would make sense for Oliver to tell Laurel WHO HE TRULY IS. He even says there’s so much he wants to tell her, but then doesn’t tell her anything.
Let’s remove the safety concern. This leaves two options. The first is Oliver intends to save the city, hang up the hood, and live a peaceful life with Laurel. The second is Oliver does not anticipate surviving this fight with Merlyn, so doesn’t feel it is necessary to tell Laurel the truth because he’ll be dead.
I’m a glass half full girl. Also, they are shining a big old spotlight on Oliver and Laurel as they kiss, so I think the first option is most likely. It’s also the reason Oliver raced over to hop into bed with Laurel the previous night. Oliver NEVER plans to tell Laurel he’s the Hood the same way he never planned to tell Tommy (or Moira, Thea, etc.).
The problem is, Oliver wants a new life with Laurel, one built on trust because trust is their big issue (because all the lying and cheating). But in order to have trust, there must be honesty. Oliver cannot hope to have a functional relationship with Laurel if he’s keeping a secret this big. Laurel deserves to know all sides of Oliver Queen - the man and the hood. Anything short of that proves Oliver hasn’t changed at all. Not when it comes to Laurel Lance.
The second option is very dark and twisty. He’s giving it one last go, telling Laurel how he feels, before he marches off to battle and dies. Is this something Oliver Queen would do? Absolutely. I’m just not convinced this is where his head space is at in this particular finale. Oliver is celebrating with Laurel like he already saved the city. But he hasn’t done anything yet, so the pacing of this scene feels very off. We’re in the middle of the episode, but it feels like the end.   
Things brings me to my biggest problem with this speech – Oliver never says “I love you” to Laurel.  This is the big love confession speech, but there is no “I love you.” Oliver says a lot of stuff, but he never says what’s really important and what Laurel truly deserves to hear.
You only put the couple together this early in an episode to break them up at the end. Cleary, Lauriver is going to be sacrificed on the altar of Starling City, but we don’t know how or why. We get our answer at the end of the episode.
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NOW we get to rag on Laurel. Both Oliver and Lance tell her to stay out of the Glades, but does she listen? NO. Laurel and the rest of the staff at CNRI need to save paper. Yes, you read that correctly. PAPER. Apparently, all the clients would lose everything if they didn’t save the files. It was 2013, not 1954!!! Throw a litter of kittens or something in the building to make it make sense!
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Of course, the building collapses and of course Laurel is trapped under a cement block. Ugh, just leave her there. I’m so over it. DIE WITH THE PAPER LAUREL! BE ONE WITH YOUR FILES!!
But it is not Oliver, dressed as the hood, ready to reveal his secret and save Laurel like we expect. It’s Tommy. Beautiful, precious, wonderful, cinnamon roll Tommy Merlyn who immediately tells Laurel the one thing Oliver Queen has not.
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You can pinpoint the moment where Laurel realizes she made the biggest mistake of her life.
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Tommy was always honest with Laurel. He loves her unconditionally. Tommy put Laurel first and made her laugh. They built a peaceful and happy life together. Tommy Merlyn was already the man Laurel wanted Oliver to become. He’s the man who truly deserves her. It wasn’t Oliver’s love confession we were waiting to hear. It was Tommy’s. It was always Tommy.
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Laurel knows Tommy was the right man, the better man, for her but now it’s too late. She can never tell Tommy loves him. Laurel can never choose him. She can never make it right. All we can hear are her anguished screams as the building collapses around Tommy.
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I’ve had my disagreements with Katie Cassidy over the years, but holy crap was her acting amazing in this scene. She sold Laurel’s despair and devastation. This is easily one of my favorite Laurel Lance scenes. Perhaps only surpassed by 3x01, but it’s an awfully close second.
Quentin: You have to promise me one thing Laurel. You’re not gonna die along with me. You have to go on with your life. After your sister died, I pushed people away. I became like a ghost, and I didn’t think I had the right to live if my baby couldn’t.  Promise me you’re not going to make the same mistakes as I did.
Can someone just give Paul Blackthorne an award. I don’t care which one. Just give him awards. This scene, while a heart-breaking goodbye between a father and daughter, also perfectly sets up Laurel’s Season 2 arc. If Oliver Queen has taught us one thing it’s that you can physically survive, but emotionally may be a completely different story.
Laurel is begging for someone to help Tommy and when we see Oliver’s motorcycle it gives us a glimmer of hope that maybe he arrived just in time. Oliver removes the fallen concrete boulders away, but there is a rebar through Tommy’s chest and then we know it’s too late. Tommy’s final moments will be with Oliver.
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There are more physically traumatic deaths on Arrow, but no other death impacted me more emotionally. He was not a perfect man, but there was a real light in Tommy Merlyn. He exuded humor and charm, but underneath all of that, was a truly kind and earnest man who wanted to be a better person, not only for the woman he loved, but for himself. And Tommy became a better man. In a series about hooded vigilantes, it’s easy to lose sight of what makes someone a good person. You don’t need to save a city. You just need to show up every day for the people you love. That’s all the heroism most of us really need.
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Oliver knows one of the main reasons Tommy broke up with Laurel was because he felt he’d never measure up to Oliver. He could never swoop in and save Laurel like the Hood could. Tommy felt he wasn’t enough - Laurel wanted a hero. This is Oliver’s way of telling Tommy he is one. In the end, Tommy was everything Laurel needed him to be and more. Oliver is realizing this just like Laurel. Sometimes the clarity of death exposes the lunacy of our life choices.
If I didn’t love Oliver Queen so much, I would hate him for inserting himself between Laurel and Tommy. But I don’t need to hate Oliver Queen for his decisions. He’ll hate himself enough. I must forgive Oliver because he is incapable of forgiving himself.
Tommy never wanted to be like his father, which is why joining his company was so disheartening. We thought we’d lose Tommy to the darkness, but he proves once again he is the antithesis of Malcolm Merlyn by asking for Oliver’s forgiveness. 
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Oliver has been chasing forgiveness all season and what is so beautiful about this moment is how freely he absolves Tommy. Oliver refuses to accept Tommy has anything to even apologize for (which is correct). Sometimes when we are not forgiven it can harden us against those who require our forgiveness, but that hasn’t happened with Oliver Queen. There is a heart that loves deeply underneath that fortified wall of pain and we are watching it break.
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Source: @olivergifs
Tommy asks Oliver if he killed Merlyn and Oliver says no. It’s a lie, but a merciful one. Tommy leaves this world for the next with a thank you as his final words to his best friend and Oliver shatters. He was ready to die to fulfill his mission, but he was not prepared to lose Tommy. Oliver begs God to switch places, but Tommy does not open his eyes. There is no reprieve from this grief. Tommy died and Oliver survived. It is a sacrifice much too difficult to bear. 
I was absolutely gutted after this episode. It’s still hard to watch these final scenes to this day. I truly do not see how Laurel and Oliver overcome Tommy’s death. If Lauriver is the Titanic (and it is) and Sara was the iceberg, then Tommy is the split down the middle that sends the ship plummeting to the ocean bed. Quite frankly, I don’t understand how they ever overcame Sara, which is another problem with the big love confession in the mansion. Neither of them is being honest about their reasons for resurrecting this corpse of a relationship.
This is why Tommy is a death knell to Laurel & Oliver’s relationship. There is a confluence of events which led Tommy to that building and the primary factor (other than Laurel and her papers) was betrayal. Sure, all the technicality boxes are checked. Laurel and Tommy broke up, but boy did Oliver & Laurel have a hell of a time at the wake. (re: Rachel and Ross). Oliver betrayed Tommy just like he betrayed Laurel with Sara. And now Laurel is culpable in the same betrayal that made her wish for Oliver’s infinite suffering. This guilt is inescapable, and it will drive them apart.
Tommy is the nail in the coffin. Lauriver is dead and it needs to stay dead.
***Did I know this after watching the finale the first time? Nope. But I’m here to save you a lot of heartache, stress, and worry. You’re welcome. Enjoy Season 2!
Malcolm Merlyn
I haven’t written much about Merlyn and the Dark Archer primarily because we haven’t heard much from him outside of his conversations with Moira and flashbacks with Robert Queen. His motivations, albeit depraved and evil, are simple. His wife died in the Glades; therefore, the Glades must die.
Malcolm: You mother built her clinic in the Glades because she wanted to save this city. It can’t be saved.  Because the people there don’t want it to be saved.
Tommy: So, you kill them all?
Malcolm: YES! They deserve to die, all of them, the way she died!!
“Sacrifice” showcases John Barrowman’s acting ability because he’s allowed to unleash the crazy, particularly when he explains his master plan to Tommy. Daddy is one friggin scarry fruit loop!
We also get some great super villain monologuing and much-needed philosophical debates between Malcolm and Oliver.
Oliver: Do you really think you’re honoring Tommy’s mother by destroying the Glades?
Malcolm: As surely as you believe you’re honoring your father by wearing this hood. Not a day goes by that I don’t miss your father.
Oliver: You’ll see him soon.
Malcolm: You can’t beat me, Oliver. Yes, you’re younger and you’re faster, yet you always seem to come up short against me. Wanna know why? Because you don’t know in your heart what you’re fighting for. What you’re willing to sacrifice, and I do.
This dialogue is so great! Classic good versus evil. The best villains are ones with emotional ties to the hero. The best villains are often the dark reflection of the hero.  The terrifying part of Malcolm’s monologue is he’s right.
There is a thin, but discernible line between Oliver and Malcolm Merlyn. Oliver is choosing to murder guilty people to honor his father. Merlyn is murdering innocent people to honor his wife. It’s a big difference, but Oliver lacks the firm moral high ground needed in this conversation, which is why he silently twists helplessly in the chains.
Oliver’s own actions have handcuffed him in a way. He is a killer just like Malcolm. Yes, he killed bad people, but not always because he had to. Oliver killed to exact justice (revenge?) too. A justice based on his convictions and beliefs alone. But what does Oliver believe?
We can justify just about anything in this world if we want to, which is why it’s so important to have a moral code. Without one, you’re just making it up as you go along and it’s very easy to be pulled off track. Oliver’s code in Season 1 was the list of names. He thought saving the city was as simple as crossing names off a list. Oliver believes he was honoring Robert by making those who hurt the city pay for their unanswered crimes.
Felicity answers Malcolm’s question about sacrifice when she tells Quentin Lance who she believes the Vigilante is. She’s right. Oliver is willing to sacrifice a lot to save strangers. People he’s never met but feels a responsibility for because of the sins of his father. It’s not an insane idea. Some carry the weight of our parents’ failings and recognize themselves in Oliver Queen.
Both men are clearly willing to sacrifice their own lives. But Malcolm will sacrifice anything and anyone for his mission – including his own son. For Oliver that price was too high and one he never anticipated paying.  
Tommy is not the only death in the series finale. Yao Fei dies in the flashbacks and its brutal. As we peel back the layers of Oliver Queen, we see how truly traumatizing those years away were. It’s freaking miracle Oliver can even function, let alone fight for his city. The symmetry of fighting Malcolm, the man who sent Oliver to Lian Yu, with Yao Fei’s’ bow, the man who saved him from Lian Yu, is exceptionally beautiful.
The rooftop battle between Malcolm and Oliver is the level of awesome I require in a series finale fight scene. In the end, Oliver kills Malcolm but fails to save the city. Primarily because Merlyn outsmarted him and used two earthquake machines. But Malcolm also beat Oliver because he was right. Oliver does not know what he is truly fighting for. A list of names is not enough to save the city and honor Robert Queen.
Oliver: Thank you for teaching me what I’m fighting for, but my father taught me how.
It looks like Malcolm will kill Oliver in the final moments of their fight, but Oliver flashes back to that moment on the boat with his father (like he did a thousand times on the island and over the course of the series) and recalls what his father instructed him to do: SURVIVE.
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Oliver Queen has an indomitable will to survive. It’s the promise he made to his father. It’s what kept him alive the five years he was on the island. It’s why he ultimately beats Malcolm Merlyn. Pure determination.
But survival isn’t enough. None of us are here to survive life. It’s not a moral code. It’s why Oliver falls woefully short. Robert Queen taught Oliver how to survive, but it will take someone else to teach him how to live.  Until he learns that lesson, he will never be the hero Starling City needs.
Stray Thoughts
The earthquake machine being at the location of where Malcolm’s wife was murdered does have a nice poetry to it. Crazy poetry. But poetry.
Oliver killing Fyers with Yao Fei’s bow which is the justice I needed. He also chooses to save Shado’s life over securing a ride home and we hear the Hood’s voice for the very first time. The evolution is happening!!!
Malcolm stops an arrow with his bare hand. It was friggin cool. It was even cooler when Oliver used an explosive arrow the next time Malcolm tried to pull the same trick.
“I take back every joke I made about you putting a tracker in your boot.” I love when this show tackles potential plot holes and the solutions make sense.
Fyers is shooting down a commercial airliner to mess with China’s economy like what happened to the USA on September 11th. I'm not a fan of killing, but anyone trying to repeat 9/11 needs to die.
Shado is really the hero in the flashbacks. Homegirl reprogrammed a missile and blows up the camp!
“What are laws, rules, if they don’t protect people?” Detective Lance is grappling with his own moral code and gets suspended. Quentin teaming up with the Hood? I am 100% down for this storyline.
Oliver: What about those people in the Glades?
Moira: I’m not their mother.
I’m as fierce a Mama Bear as any other mother, but this is not a good look Moira. I love that Oliver finally tells her how Robert died and that they have an honest conversation about Moira’s choices.
Moira going to the press to expose Malcolm Merlyn was AWESOME, but couldn’t she have thought of that like, I don’t know, twenty-three episodes ago?
Laurel is wearing green in the mansion scene. No, not even symbolic color coding will make me love these two. And that means a lot coming from me because symbolism is my freaking jam. This also includes the sunlight shining on Lauriver. It's a red herring. Pay it no attention.
Moira DEARDEN Queen. Wave hi to another comic book reference.
Thea goes to the Glades too to save Roy which makes her the second stupidest character in this episode. DOESN’T ANYONE HAVE A PHONE? JUST CALL HIM THEA.
Don’t pull the knife out, John. That’s literally the last thing you do.
“You fucking dumb ass.” My note while watching Laurel collect all the paper.
They should have killed Laurel and Tommy should have become the next Dark Archer. It would've been a waaaaay better story. They saved the wrong character. The Season 6 appearance by Colin Donnell supports this theory.
Just so you know where I was at emotionally in May 2013. On Wednesday I watched Tommy die on Arrow and then Thursday, on The Vampire Diaries, I watched Elena choose Damon while Stefan was trapped in a safe at the bottom of a lake drowning repeatedly.  It is easily my worst series finale week EVER. Including Grey’s Anatomy Season 5 and 6 finales (hello trauma) and Pam dying on Dallas (I was six and thought she really died).
Listen to the Watchover podcast reaction to 1x23!!!
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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!
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the-feral-gremlin · 3 months
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“You’re the best of us, Thea.”
Stop me by Natalia Kills// quote from the tv show You // 2x??// The Lover by Marguerite Duras // Bruno is Orange by Hop Along//arrow 1x23// tiktok comment//tags (and post) by @marypsue // arrow 3x14 // fatima asghar.
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why-i-love-comics · 5 months
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Green Arrow #6 - "Homecoming" (2023)
written by Joshua Williamson art by Sean Izaakse, Phil Hester, Trevor Hairsine, Ande Parks, & Romulo Fajardo, Jr.
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inc0rrect-chaos · 1 month
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Malcolm: Am I a good person? No. But do I try to be better every single day? Also no.
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The Legion of BOOP
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arrow-v-flash-polls · 1 month
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I know it's weird, but maybe you could put Malcolm Merlyn, Damien Darhk and Eobard Thawne?
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Notorious villians all in their own rights who together formed the Legion of Doom. But do you like to see the three together romantically, see their scheming more platonically or rather not see the three together at all?
Thank you for the suggestion Anon and sorry it took so long to post.
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keishara-korianthil · 3 months
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Multifandom Villains #2
I know my obsession with villains isn't healthy, but I can't force myself not to like them.
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hawkzeyes · 1 year
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Well it’s Ollie so LMFAOOO idk what else you expected from him
Green Arrow #59 (2001-2007)
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sherwoodflorists · 3 days
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POV you're Malcolm Merlyn and you make a deal with Amanda Waller and sneak into your arch-nemesis' house to implant a brain bomb in him just so he'll finally fight you only for you to get left at the altar
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arrowverseoutfits · 13 days
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This Green Arrow Suit is worn four times in Arrow, First on John Barrowman as Malcolm Merlyn in Season 4 (2015/2016) and later worn on David Ramsey as John Diggle as Green Arrow in Next of Kin (2017) and worn again on Stephen Amell as Oliver Queen in The Devil’s Greatest Trick (2018) and worn again in Colin Donnell as Tommy Merlyn/Green Arrow in Docket No. 11-19-41-73 (2018).
The Suit is worn in The Flash: Elseworlds (2018) on Grant Gustin as Barry Allen and worn for last time in Legends of Tomorrow: Hey, World! (2019) on Nick Zano as Nate Heywood
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