#massive crowds

[vox-anglosphere]

Two teenage princesses slipped into the roaring crowd unnoticed. After six years of blackouts, it was a night of unsurpassed jubilation.

[pralinesims]

Normcore days

[emdotcom]

Yeah, so while I was on my "I'm going to read into Vanny/Vanessa as much as possible" journey, I noticed an odd quirk in her animations in how she moves. At first, I thought it reminded me of a ballerina, 'cause she's kinda tip-toeing, & she has this way of keeping her head & chest in one place as she moves, but I looked again & realized --

That's not ballet! She's doing a tight-rope act. Like, look at this one:

This is like standing up on the wooden boards before you do the actual tight-rope walking, & the ring leader is hyping you up as you do some fun movement for the crowds. &, then, these:

These are all instances where she walks with one foot directly in front of the other. In that third, she's doing the "woaaah" wiggly-ass balance movements & everything, as if she's swaying up at the top of the tent, even though she's down on solid ground.

Idk, I feel like the way her feet are placed isn't accurate (pretty sure they should be pointed left & right, not both forwards...) doesn't make this 100% correct, but I like it. It also connects back with her first SB teaser, wherein she's up in the rafters.

[dumbcrustyassbitch]

more reneéchella screenshots i took

[muzzleroars]

two unauthorized bugs in the lust layer!!!! get them now!!!!!!

[chronurgy]

Now I'm imagining Durge as a saint too, a living saint to the Bhaalists

What would your durge be the patron saint of, and what would their halo and saintly regalia and symbols be?

[ruvviks]

Mikhail and Vitali were inseparable; when they weren’t studying or getting into fights, they would hang out at Mikhail’s place to smoke and get drunk on cheap rum and vodka, to then pass out in each other’s arms and sleep most of the next day away. They promised each other— no matter what would happen— they would never leave each other’s side. Yet after starting university and college respectively, they did not see each other for a little over six years, leaving them both heartbroken and wondering what went wrong.

by lucas expedidor // catch me if you can; eden // clementine von radics, from 'courtney love prays to oregon' // sam sax, cruising: a broken tiara // 'ceramic home' by heavensghost; quote from john murillo // 'something's changed' by laiikastears // i don't want to watch the world end with someone else; clinton kane // fortesa latifi, from 'the truth about grief' // audre lorde, the evening news // frank o'hara, biotherm (for bill berkson) // heading home; ruben // 'preface to a dream' by alessandra casini // tokyo; caroline kole // langston hughes, poem // haruki murakami, norwegian wood // julie buntin, marlena // by lute // by aleksandr popov // anyway; noah kahan // christa wolf, cassandra: a novel and four essays

[armandauntie]

Sorry for the lack of Armandposting I’ve been traveling but the good news is I took a three-hour train ride to a different country and ran up and down a lot of stairs but I finally found him

[astralleywright]

the thing is, like, imogen is blunt, and indecisive, and impulsive. she's cynical, angry at the world, and seemingly much less interested in doing good than in holding on to her loved ones. she's hypocritical, incredibly violent one moment and horrified at the prospect the next. she's passive aggressive, on occasion. she's overly critical. she's scatterbrained.

and all of that stuff is very fucking fascinating, and so fun to watch, and core to what makes her her. but not only are those things not the totality of imogen as a character, they're very much inextricable from the things that make her sympathetic.

imogen has spent much of the last decade of her life in pain, and isolated because of it. when she wasn't alone she couldn't relax, having to keep tight control over her mind so as to not get overwhelmed or invade the privacy of others. because even through all that pain and loneliness, she still bore the responsibility not to impose on other people's minds. and when she fails or slips up or gives in, all of the distrust and suspicion she recieves regardless is suddenly viewed as justified.

which is not to say imogen is not responsible for her actions, or the harm she causes others. of course she is! no one is saying she isn't! but, just like literally every other person, her actions don't exist in a void but within the context of both her past and present.

analyzing that context and coming up with explanations of her behavior that consider it is not excusing her actions or refusing to acknowledge her flaws. it is not coddling imogen to sympathize with her even when she's fucking up. these are pretty standard ways to discuss a character you enjoy actually! it's weird that having a nuanced perspective on a character's actions is being treated as an issue!

[chalamet-chalamet]

“We’re obviously very often part of the same conversation. I admire him [Timothée] I really like him as a friend. And he’s a good ally to have in a business that’s pretty cutthroat.”

-Tom Holland talking about his friendship with Timothée Chalamet (THR, June 14, 2023)

[acebytaemin]

no matter what taemin is taemin and don’t you FORGET IT

[sneezysubbyboi]

First Pride

✨First Pride✨

[givehimthemedicine]

🛹🛼

lots of talk about why Mike reacted so negatively to this when he reacted so positively to this:

can we talk about how the Rinkomania reaction started in between those two things? right here:

at mid-season-2, all the times Mike has seen El use force against people have been super justified because there were lives at stake (or at very least, like in the case of tossing Lucas in the junkyard, she thought there were)

then Max wipes out, and goes "ooh it was like a magnet pulled on my board" and instead of taking that the way anyone would - that this annoying girl fell due to lack of skill and is trying to save face with a stupid excuse - INSTANTLY Mike suspects El. El, who's currently dead or lost in another dimension or whatever, must actually be lurking around here with nothing better to do than trip Max.

ok 100% accurate but I'm offended nonetheless

why did he jump to that conclusion?

the last time some inexplicable, physical but nonlethal hijinks befell someone he was talking to, he turned around and saw who was responsible:

so when Max fell, in that same gym btw, of course his brain goes turn around, look at what you seee

this was Mike learning that, oh, El isn't Superman and doesn't reserve her powers only for perfectly morally justified situations, but can in fact lash out about anything that bothers her, like the disturbed child she is.

BUT I don't think he actually processed that at that moment. he wasn't thinking about how Max did absolutely nothing that could be misinterpreted as a threat, and didn't deserve this. at that moment, any thought of justice for Max, or scrutiny of El's motives, was easily and completely drowned out by excitement that El might be there.

so later Mike sees Angela screaming on the ground with El standing over her, and remembers he has already seen El respond to a non-life-threatening situation with a level of force that didn't make sense to him.

plus he has that whole protection thing and I think seeing anyone get hurt is paladin catnip to him (see him rushing to Max's aid two seconds after telling her she's annoying). he has that instinct to support whoever's been knocked down undeservedly - yeah he knows Angela is an asshole, but El's response seems overboard to him, so while he doesn't go as far as rushing to Angela's side, he doesn't rush to El's side either.

he keeps distance between himself and El at the rink and leaves her sitting alone in the most literal demonstration of not wanting to take her side. he seems irritated in the car and downright pissed at the dinner table. I think it's true that he was overwhelmed in the moment and scared not of El but of the situation, but I don't think that's all of it, because then why would he be pissed.

maybe he's seeing patterns and thinking back on how Max didn't deserve that at all, and how neither of these things were very Superman of El and he's a bit disillusioned that she doesn't live up to the flawless superhero moral code he assigns her in his mind.

while the Angela thing seems WAY harsher than the Max thing, can I also say that a lot of that is due to circumstances?

Angela's pouring blood, wailing, an ambulance has to come, there's lots of witnesses. it looks baaaad. Max isn't injured, isn't too bothered, and there are no witnesses or real consequences. shrug. but it easily could've gone down much more like Angela. you can absolutely break a bone or get a concussion from a spill like Max's.

Max isn't hurt, so Mike just leaves the room, and nothing ever comes of it. compare to Mike watching an inevitably-to-be-arrested El sit stewing in the aftermath as dozens of Angela's sympathizers watch her get checked for brain damage by EMTs.

it's little wonder Mike has such a different reaction in the moment, even though El's actions in these two scenes actually isn't totally night and day.

El's force was more deliberately focused on Angela, and I think El did intend to hurt Angela in a way she didn't intend to hurt Max (El yoinked the skateboard rather than bodily targeting Max herself, but her intent was still to make Max fall, and she could have been comparably injured as a result).

like, up til the point of "El gets mad and lashes out" these are similar - the way the aftermath unfolds just happens to take the best and worst possible paths, respectively.

and before you want to point out that the Angela thing was a reaction of anger and the Max was just about puppy love jealousy, no, that was anger. Max is literally the first thing El thinks of when Kali says to think of something that angers her.

tldr; rinkomania is just a nightmare remix of the gym scene to Mike

[kismetmoon]

whenever i listen to my embarrassingly gigantic playlist filled with just completely random songs that i like and have been thrown in there, it likes to play ‘Taurnado’ from Centaur World every time without missing a beat

and every time i hear it i immediately think about how the Nightmare Realm might just be built on top of Bill’s home dimension with all of the burnt second dimensional corpses

and what if they could manifest themselves (via ‘left-over’ Nightmare Realm madness magic whatever) into a giant ghost or spirit type creature (akin to the Taurnado) - all working together as one giant organism - to just fuck with Bill for killing them. roaming around the waste of a dimension or appearing during storms (if they even have those there) or just randomly to scare the shit outta ppl

[Plain text ID: two digital drawings of an original Gravity Falls / Flatland crossover character named The Mosaic.

In the first photo, The Mosaic is depicted in it’s ‘line form’. It is a humanoid creature made up from various, small, monochrome shapes and lines and has a large glowing red eye for a head with a point on top and no pupil. It is holding out two of it’s hands to each side, while it's legs hang down loosely as though suspended in the air. A small depiction of Bill Cipher, a yellow triangle with a black top hat, and Kryptos, a teal rhombus, can be seen above The Mosaic’s right hand. The background is a very dark grey with a white circle that contains a light grey hexagon, a dark grey upside down triangle and an even darker grey line behind The Mosaic.

In the second photo, The Mosaic is depicted in one of it’s various ‘shape forms’ - as an isosceles triangle creature with limbs and a large centre yellow glowing eye made from smaller and monochrome shapes and lines. They are holding one arm slightly raised and a tiny depiction of Bill Cipher can be seen between their loosely pinched claws. The background is dark grey with lighter grey swirling patterns.

End ID.]

[superhell]

the fact that like half the hospital has bets on who gets fired is both fucking hilarious and the most in character thing i think this show has ever done

[alucardsinep]

how we feeling lads