#maybe I'll make another comic page eventually

[lover-of-skellies]

Are there ask memes for sonas? I wanna bullshit around and be funny with Ibis, but I'm not sure how to go about doing that without immediately giving away too much of The Lore™️

[sen-ya]

Life After Info Post

[Click here to access the Life After Digital Comic Book]

Summary: Two years ago, a viral outbreak rose the dead. Considering how his life had gone up to this point, surgeon Trafalgar Law figured this might as well happen too. When a supply run into the nearby city gets intercepted by a seemingly reckless and impulsive former patient, the dependable routine Law had settled into in this new life shatters. He finds himself exposed — his body out in the infected landscape, his conscious clawing to define what he believes is right, his heart begrudgingly deciding to find a new home on his sleeve. Maybe there’s more than a virus roaming the new world that can bring a dead man back to life.

Content Warnings: Canon typical violence, zombies/body horror (but lbr I am not good at making scary things look scary)

Relationships: Luffy x Law

Update Schedule: New page every Monday/Wednesday/Friday

Page Count: [37 posted | 55 drawn]

Latest Update: [7/21/24] WOWEE did I get myself carried away this morning. I just spent 5 hours organizing my comics and creating the digital comic book pages. I could have spent that time drawing or idk not doing what I do for my job, but I cannot be stopped. Anyway I blocked out 30 pages of this comic last week and they include the most intense action sequence I've ever done in my gotdang life. Wish me luck because I am nervous about tying down all my drawings lmao.

OLD UPDATES:

[6/29/24] HULLO! I'm doing so bad at keeping my masterposts updated lately I am sorry. All pages of life after are tagged life after if you're ever looking between masterpost updates! Also exciting update, I finally have figured out all the different plot points i'm gonna be hitting (yay!). I got hung up on something for awhile that made me not wanna work on this project, but I'm back at it. I think we'll end up with 6-7 parts! I have probably another 80-100 pages to draw lol. Also i got the app Magic Poser and it's AWESOME and I immediately used it to block out sets cuz MAN I hate backgrounds.

[6/10/24] HELLO. I'm sorry I've been shit at updating my masterposts lately. It's easiest to do from my computer, which I rarely use, and life has been happening. I also can't believe I bungled the queue and posted pg19 before pg18 i am very sorry 🤦 Eventually I'll have to turn this into an airtable base I'm sure, but until that day comes where I have like 100 pages of this comic we're stickin to the regular post lmao

[5/26/23] I got real caught up in doing summer of lawlu comics this week and this is the first week since the first week of April I haven't drawn new Life After pages and it feels weird 🙊

[5/19/24] More Luffy backstory comin' this week! :^)

[5/12/24] Updating now so get myself on schedule to update on Sundays like I had been with my other comic master post!

[5/8/24] Thank you to everyone who's liked/reblogged/comment on the first few pages!! It means the world to me that anyone's reading my silly little comics.

[4/28/24] HULLO. It’s happeninnng. I’ve spent the last few weeks working on this comic, and I gotta make this post so I can start queuing pages & link this in them! This is the most like….legit? Comic endeavor I’ve undertaken perhaps….ever. I’m very nervous about committing to how long it will need to be lol. This story is dear to my heart — zombie content is kind of my very favorite. I’ve always found it to be a great backdrop for exploring themes like grief, coping with change, community, and learning to live again. It’ll be a long haul but I hope you’ll ride it out with me!! Tomorrow I’ll be posting the first two pages. After that a page will post every Monday/Wednesday/Friday. As of this post I’ve completed over 20 pages so that I have a good lead on what’s posting and continuing to write, so I’m hopeful that’s a cadence I’ll be able to maintain. I’ll update this post weekly to include the most recent pages the way I do with my main comics master post. All pages will be tagged 'Life After' and I'll tag any pages with zombies in them with 'zombie' for blacklisting etc.

[genericpuff]

Hi! Maybe this is a difficult question with no answer, but as a fan of Rekindled who might want to start their own comic, what do you suggest to avoid burnout? Do you start wiht writting the script right away, you doodle a bit,..? Thanks for reading, I love how you draw big noses, makes me more comfy with mine!

no fr my dark secret is that i've been experiencing burnout with my main original project that I've spent the last decade working on for literally a year now. this isn't the first long hiatus i've taken, the longest one i've ever been on has lasted two years, and it's undoubtedly not the last i'll experience because the lump of salt and fat and tissue that is my brain often overworks itself into exhaustion like a big dummy

rekindled has been my reprieve from the burnout. it has been my vacation from years of working on the same project, meeting the same deadlines, drawing the same characters, over and over and over again since before i was in college.

if there's anything working on rekindled has made clear to me, it's that i'm still capable of drawing comics. the comic-making isn't the problem. it's just that when you work on the same project for years and trap yourself in an uphill battle, eventually your climbing gear is bound to break.

if there's another thing that rekindled has opened my eyes to, it's the insanity that i put myself through prior to rekindled that led to my burnout in the first place.

i get people telling me that they couldn't imagine doing what i do, that even before i had my assistant helping me out, i was still able to put out 30-40 panel updates every week.

but before that, i was putting out 70-90 panel episodes of my original work. every week. full color. full spread action scenes. no assistant. very little financial gain aside from a couple patrons on patreon and one dedicated viewer on twitch, which i was also streaming on 2-3 times a week.

and now that i've been working on rekindled and even finding myself often crunched for time with that, i have zero clue, no idea, a complete lack of comprehension of how i pulled off 70-90 panels a week for months on end. there's a reason it resulted in burnout and i know that now. this comparison is not for the sake of a flex - this comparison is to make it clear that much of what i do isn't the norm and isn't exactly a healthy standard. case in point, i sneezed while sweeping up yesterday morning and it caused a muscle strain in my lower back/hips and i've been working out of my bed since, i'm in a lot of pain and it might mean i don't make any money this week if it's not better by the time i have to do my appointments at my day job on thursday. my need to create my personal passion projects is often at odds with my bad habits of not taking care of myself 。゜゜(´Ｏ`) ゜゜。

when it comes to tackling burnout, your guess is as good as mine. really it just comes down to rest. when burnout - real, true burnout - hits, it's not just "man i'm bored of working on this", it's "i can't even think of looking at this thing let alone working on it", it's basically akin to depression and it's an awful thing that i wouldn't even wish on my worst enemy (even with Rachel, I don't want to psychoanalyze her mental health but it does seem like she's possibly been experiencing burnout with LO for years now and that really sucks for her if that's true). so the solution is just as complicated as the cause, it's not something that you can just rest from for a week and come back from, it takes real long-term healing.

when I found my way out of that 2 year hiatus, it was in spring of 2019 and I decided to just work on a random comic page that wasn't even in the comic I was working on. and then suddenly it was like a switch flicked back into the on position and i didn't even finish what i was working on, i just went back to my original project and i kept working on it until it was finally finished at the end of 2021. as suddenly and randomly as it had set in, it was gone. but i can't just do the same thing this time, it just doesn't work that way.

that said, through all this, i've learned that my need to create is not restricted to any one tangible thing, i'm not doomed or designed to stick with the same words, the same faces, the same ideas until the end of time. while i do try to keep up healthy routines for myself to ensure i'm looking out for my future self and their deadlines and their upload schedules, sometimes the heart wants what the heart wants. and in my case, the heart wanted to take a break from the self-reflective psychological analysis dark fantasy weebo stuff and just draw some pink and blue characters a little less ugly. the self-reflective weebo shit will still be there when i'm done with the pink and blue stuff, and i'll surely have loads of new things to unpack through it once i return.

there are still times when i'm working on rekindled and i'm feeling the creeping hand of my routine destruction digging its claws into my back. the reality is that 30-40 panels is still a lot for someone like myself who's doing this entirely for free, but my definition of normal for a while was so insanely inhumane that even what's still considered a lot by most people's standards feels sane and normal to me after what i put myself through.

i've learned to be more gentle with myself, and to loosen my own expectations of what i'm capable of to ensure i don't do anything like that to myself, by myself, again. i give myself room to create without expectations or the pressure of eyes watching when i can, and i remind myself that even if burnout rears its head again, and again, and again, the will to create is not gone. it's just tired, and resting, and growing, and healing as i am.

anyways that turned into a self-reflective essay post, to answer your question about making stuff ahead of time, i find that's more helpful with just like, planning out a structured story (so you don't write yourself into a corner) but whether or not it helps with burnout kind of depends. because it can just as also easily be the cause of the problem because constantly seeing the stuff you wanna be drawing so far away can be just as much of a morale killer as a motivator. some of the stuff i'm super psyched to write and draw with time gate is years away and that timeline grows longer the more the burnout goes on which makes the struggle feel even more overwhelming and pointless and defeating. so plan ahead, but keep it all within your means if you can. i find what works for me is planning out just general beat-to-beat plot structures (to ensure i at least have a plot skeleton going on so i know where i'm going) then i leave the finer details to when the actual episode i've planned gets closer to fruition and i can get myself in the headspace to write it fully.

also remember that just because you're really excited and motivated to work on your comic doesn't mean you should work yourself into exhaustion - it's a good thing if you're going through the mundane of your daily routine and the whole time you're hyped af to work on your hobby/personal project/etc. because that's what will keep you moving forward, so don't spend all that hype in one place by working and working and working until you're exhausted, because that hype is REALLY hard to get back after you've spent it all.

long post over! hope that helps! best of luck in your projects! ( ´ ∀ `)ノ～ ♡

[gleefultogo]

Aira Character Talk

Since Aira was mentioned again in Saltyplaytoons (spongebob reference? Lol, funny either way) blog post I wanted to take a deep dive and talk about her. Plus at this point she’s the only pure character that deserves to be rescued from this shit comic and not written by a misogynist. She get’s shit on for no fucking reason. 

It is very well known now that kique has stated that she is his “least” favorite character. Why? Probably because she’s another female character he made and got bored of her. Honestly it saves her the injustice he would have given her if she had more screen time.  When we first met Aira, she was stuck in her creature form. I thought at first she was an evolved creature that was based on Aedra and her beast form was pretty cool in my opinion it looked like a mix between a cat and a dog. Which btw people was made and turned into by a Spirit, so that quickly leads my thoughts into rhov’s and feaf’s future kids. If a spirit can turn a dog into an evolved creature, then it’s very much possible because of the spirits for them to have hybrid kids. Will it be canon? I don’t know, like many have said; it’s obvious kique is bored of his own comic and shoved into our faces just to keep pages being pumped out with nothing really interesting. For me, I see the comic as a sitcom show that just goes nowhere and the characters do and say random stuff that doesn’t revolve around their world or plot. Besides, you can’t tell me half of the characters in this world wanna sit cooped up in one area based on “Tribes” Dog’s just don’t do that they would have way too much pent up energy and would need to run. Can you just imagine if this comic was realistic,  the dog's muscles and bone structure would become weaker because they aren’t doing anything really, they just sit in one place and that's it. Ok sorry, back to Aira :) 

   (Aira’s first appearance form)

You see what I mean though? She resembles a sorta dog and cat hybrid mix. The paws are a dead giveaway as they look like a feline and she has retractable claws. It’s a neat design in itself. I'll give kique that much of any positivity for his comic XD. 

Very Interesting design features if you ask me. Anyways, Aira gets killed by kargo and she wakes up a normal dog again and sets off into the woods to heal her wounds I guess? Probably also went to seek shelter maybe. We later on see her again on page 138. Heavily bleeding still and this when she meets keirr and you know how it goes. He ends up helping her and she’s taken aback from being surprised I guess, which is quite valid of her character, as we do eventually learn about her backstory and she was never treated kindly by others. Aira is a character who’s a really good example of someone who would have a “fixation” on someone, I don’t think it would personally be a bad thing and realistic to her character because she’s never been treated so kindly before and i don’t think she’d be able to help herself with that mindset. She obviously took comfort in keirr  as she hesitated to follow him at first, but also because he was offering to help her and wasn’t appearing a threat to her.

  (oh look when keirr was actually a nice guy, before becoming a dick to her) 

Moving forward. Keirr takes her back to her cave and was suspicious why she was living in such a large area for one individual. Aira remains mute and just eats the food she was given. Which I suppose was rude on her part, but her communication skills seemed to be lacking as she was trapped inside a body and couldn’t talk for a long time, ok at least that makes sense because there is a valid reason enough for her to be doing that. Eventually keirr leaves her behind as she is now safely placed back into her sheltered area. But she ends up following him and keirr ends up venting to her about why he couldn’t go back to his family, he was understandably grieving over zilas. I find these next few parts important to Aira’s character. She willingly sits there even if not knowing him for not a very long time. But she sits there and listens to him vent and doesn’t question him, that’s just an empathetic thing and it's wholesome to have seen that in the comic as they being the characters actually talked about things that troubled them, and it didn’t lead to sex confrontation. She may not have known him very long, but she’s a character that gives off a warm and comforting vibe, like a friend you can tell anything too without her judging because she obviously cares about others. 

Later keirr ends up following her and getting to know her more. Then we see a page with them together and keirr is giving her physical therapy? 

(hey keirr how do you know about PT?). They end up jumping over some logs to strengthen her legs or whatever. Kinda pointless in a way if she was born with a weak structure. It’s like saying you can just magically cure a dog with mobility issues with just some PT. Wellll nope, it’s much harder and time consuming. Plus it won't fully heal someone with a physical disability, it may help strengthen her a bit, but she wouldn’t be able to fully walk normally. Compare it to a dog who was born with swimmers syndrome or cerebellar hypoplasia. That’s a lot of PT work and also medication in order for them to walk to a degree. It’s not something that can fully be cured, so Aira’s 180 later on would be really stupid when the author wrote her this way. 

Now the next page (198) is important, keirr states he has to go back home cause he’s been gone for too long. Aira very clearly goes into panic mode and begs keirr to stay with her because she clearly states she doesn't wanna be “Alone” She’s told to basically just shut up and he’ll return soon whenever. Again Aira panics and kisses keirr forcefully. 

Now I find that quite sad and interesting for her. I’m not a therapist or a physician by any means. But this is my own take on this situation. Aira is using a tactic that almost feels like she is forcing her own affection onto keirr, not being in control of her own body due to her panicking. In a way, yes Aira did sexually assault keirr and he had every right to confront her about it because it was wrong of her. He leaves her behind anyway to go back to his family. Aira is then left with what looks like the expression of shock and most likely guilt because she’s being left behind again and most likely processing stuff in her head. I'd like to believe that her mind is very scattered due to her having issues of being left behind. 

We then proceed to see Aira again and most likely took keirr’s words to heart and goes back to the spirit of strength because she feels weak without and can’t survive. She practically feels hopeless without that spirit, keirr stops her and then asks was it because of him? Keep that in mind. Aira is obviously upset in this scene and then tells keirr her back story and the things she did. She basically claims that she went back to the spirit because of Keirr, she was upset. It’s like if someone told you as a person, that you weren’t good enough for them, nor did they want you around them because to them you felt like a burden. I wouldn’t be surprised if Aira was the first dog in the comic to commit suicide because she deems herself as a burden and was never accepted. If the spirits didn’t exist and the comic took more of a dark turn, I think she would have been a character to have that type of mindset. 

Eventually keirr takes Aira under his wing with a better understanding of her to a degree. She proceeds to then help him look for his family as she’s apparently traveled all over the map while being a beast at the time and saw many tribes fall and create new ones. We meet the deer rp tribe and then kique puts them there because he doesn’t know what to do with them at that moment. Aira is then very clearly seen to be hesitant and doesn’t wanna join them because they were just going to ask if they saw family members of keirr’s. But then the 180 happens and they join anyway. Keirr becomes a dick and then judges fucking Aira behind her back  because of the jarl confronting her leg structure. Yeah hey morons, maybe she's struggling because she got a giant ass heavy deer rack strapped to her head and has weak legs, antlers are not light things. Of fucking curse she’d be struggling. 

Honestly that’s when I started hating keirr the most, like why the fuck are you jugding her? She literally told you she was born with a mobility disability and was tossed aside for it. *sighs* She ends up stuck with Keirr as a Herbalist, like kique? The fuck man, how stupid can you be. You made a character with a physical disability who struggles with that and you give her a rank that requires to walk a lot? Like what? She’d be a terrible herbalist because she’d probably take much longer to even get to a location and back to the tribe. She has to carry her weight around. How frustrating, it’s like he literally forgets his own character traits they have. Like if you didn’t wanna deal with a character with a disability then why give her one if you're gonna 180 it.

Page 481. The page that did it all for me and hated this dude's guts. Ok so even if Aira did end up stuck in a tribe she didn’t wanna be, plus she looks absolutely miserable in the panel. She literally got excited when he returned with bootleg kargo after their little flirting session or whatever that was. 

    (look at the sweet baby… I love her)

Like damn keirr, you should be fucking honored that someone likes you for you and your company, plus she was even worried about you. He could have easily just told her he was being sent to scout, like keirr did you not forget that you joined the tribe when you didn’t have too? Like at all. Aira stated to you that she didn’t wanna be there and wanted to go back to looking for your family. But whatever, he gives her the cold shoulder and tells her to suck it up and build connections with a tribe of strangers. God I really want to just rewrite this page at times. Keirr should have welcomed her with open arms (or paws) and told her about his travels and that he didn’t find what he was looking for unfortunately. Like why did you diss the only character who showed remorse and care for you. She obviously likes having you around and because you took her under your wing, you have no right to be a moody dick to her. This is when I see abandonment issues come into play. As someone who has abandonment issues myself, Aira is so frikin relatable. It hurts a lot when you think about it and you're stuck in your head wondering what you did or if you're doing something wrong to have someone push you away like that. It’s the worst feeling ever and poor Aira here basically got rejected from someone she clearly cares about. 

    (She looks so lost and heartbroken in this page)  But like keirr, dude how the fuck did you forget that she told you earlier on before you joined the stupid tribe. That she literally went back to the spirit because of YOU. That’s basically her struggle, Rejection and being alone. I’m disappointed that some of the people were siding with keirr on this page. In reality if a friend asked about your mental health and you told them to fuck off in, just because your moody. Then be damned if they leave your ass. That's such a shitty thing to do to a person. Aira is no exception and didn’t deserve any of that. And sadly it only gets worse for her as even when he did do that, she still looked out for him and had to save his ass from a ghoul. 

(She cares about him still)

      (Fuck you keirr, you should have thanked her)

I’d also like to point something out. But in a certain page, Aira claims she lived with the meteor tribe. I’m unsure if she was referring to a beast or when she was a normal dog before cursing herself? 

If that’s true then could Aira quite possibly be a victim to rape as well? I didn���t think much of it at first because the wording confused me for a while. But going back it made me think. If she was used by MT before arenak rules then she’s very much understanding when it comes to her trauma and issues she has. In conclusion Aira seems like a complex character with her own trauma and if it was written better, it would have been interesting to see her overcome her said trauma. She’s a literal victim, a lot more than what kique claims rogio and his “mental chains” bullshit. Aira didn’t have a choice in her life,she didn’t ask to be born the way she was or have to deal with not feeling wanted by others. I feel if kique actually knew how people worked when it came to trauma and one’s mental health and emotions. Aira and keirr could have been a great duo for each other and helped support each other as friends and grew a good connection based on needing each other in a certain time because they were struggling. Sexual intercourse during trauma isn’t something that’ll help someone. It's only a distraction really at the moment. But again it shouldn't be a way out when you're in your feelings and all that. It’s quite unhealthy. I’ll say it again, Aira deserves better and needs out of this terrible comic. 

[ask-duotale-b2fc]

✨️Duotale FAQ✨️

Just in case peeps ask questions a lot lol. Will add more as we go.

•What exactly is this AU about?

Its just a funny little AU where not all monsters were locked underground and some went into hiding instead. Some species of monster in this AU can take on human form with their magic, hence why this is possible. Of course, this doesnt stop kiddos, human or monster, from climbing that darn mountain though.

•When is the next page?

Duotale updates every Friday. Time varies but I try to keep it between 10am and 12pm EST. If either day falls on a holiday, the page will be posted the following day.

•Why is this AU called Duotale?

Because the two main characters are twins, hence the Duo in Duotale. Ok they aren't twins, but they are siblings, born a few months apart. Yes, Strawberry is the Older one.

•Is the player a thing in this AU?

Maybe, maybe not. Depends on the AUs in the Citadel. No one is controlling the Duotale cast though. They've had their own mind and actions from the start. Underplayer is in the Citadel though, if you count them as a player.

●Can my AU be featured in your comic?

Why yes. Just refer to the link in the Masterpost labeled "how to get your AU into the comic". Follow the rules, answer the questions, and you'll be in where we can fit you! Do note that we will try to spread everyone out through different MVC visits, so please, don't be upset if your appearance isn't automatic! You will be seen eventually before the story's end! Scene art and asks are a different story though.

•Will Kris make an appearance?

Yes :3. I'll leave it at that. Ralsei will make an appearance in asks or art, Susie may or may not be in the comic itself. Here's the boi. During the comic he's a lil toddler. (Gender explaination is below btw for those that care.)

•Is Kris gonna be Frisk or Luci's counterpart?

No. Neither. They will be their own person.

●Is Clover gonna make an appearance?

Like Kris, the cowboy ghost will be there, but unlike Kris, you won't see him in comic til the end. He will (and has already) pop up on our blog, like Dalv or Star sherrif boi, but in comic, sorry, hes in Asgore's castle and that's so far away right now lmao. But here's how he looks. Yes, he knows the fox stole his hat. He does not know where his gun is, though.

●Will xxx color soul child also be in this AU?

Depends. We already have the Yellow soul decided (obvi). If There's another colored child you wanna see pop up as a canon-to-duotale ghost at the end of the comic you can ask, but so far only Clover and MAYBE Marine(Patience soul) but the lore is off that comic might contradict yellow or ours so that's undecided. Any other kids so far would be only seen in the MVC. We're trying not to pick kids in full existing sets so thats why Clover and maybe Marine are our only choices so far. We are more likely to make up the rest tbh. No more red souls though beyond cameos. Red souls work a special way in our AU and there's not a lot (if any) that can fit that requirement.

•Can other ghosts see Chara/Luci?

Yes. And she can see said other ghosts. Strawberry can only see those that she summons and Blackberry can see ghosts as well. Frisky can sense spirits near him but obviously cannot see them.

●Why do some characters have rings around them?

That just means they're dead. Ghosts. Spirits that didn't move on to heven or hell. The ring color matches the color of their soul and doesn't change. Luci, Blackberry, Dalv, and Kris have special rings though. They change color based on emotions. This color changing mood ring is only available to one species and it starts becoming visible around puberty. Luci is fullblooded, hence why her ring is always visible and changing like a rainbow, though Blackie and Kris aren't fullblooded, so their rings might be a bit faultly ha. If you're every curious what the colors mean, you can refer to the link labeled "Luci's mood ring" on the master post. Or a more simplified list ca be found on her teen ref.

•What exactly are the main cast's species?

Blackie is is a halfbreed kitsune vampire, Luci is a purebreed vampire with demonic powers, Strawberry is a tanuki who practices witch magic, and Frisky is a human. He just has a magical scarf to give him wings like redbull. As for Kris... you'll figure it out. No spoilers, sorry lol.

•How did you come up with the idea of Duotale?

Originally this story was gonna be a comic of our own runs in Undertale, showing how they clash and would effect each other. Kinda like thise PMD comics and Nuzlocke animations people make. But somewhere between writing the script and making the first cover art, we changed our minds and made a whole AU instead.

•Is fanart allowed?

Yes uwu. You can find character info and all current ref sheets in the Masterpost, last section at the bottom :3 If ya tag me, I can reblog it in my main account so peeps can see it, and an account I have specifically for or art made by others so I wont lose it. Main account is @oatmealkitty . That is where all non ask/comic art goes.

•What ships are in this comic/blog?

Oh boy a hard question to answer. Ignoring any cameos, out of our own and JUST our own characters this is the list. I'm probably missing a LOT though as these are off the top of my mind.

☆Friskyberry (Frisk x Blackie) | ☆Charaberry (Luci x Strawberry) | ☆Charisk (Sugartale) | ☆Chariel (Luci x Cristal; in the past before adoption, though nothing comes of this.) | ☆Pappyton | ☆Soriel (They break up post story on mutual terms) | ☆Torgore (They break up before the story and never get back together.) | ☆Kingdings (Asgore's relationship post comic) | ☆Sansby (After Sans and Tori split) | ☆Alphyne | ☆Kris x Ralsei

•What are the pronouns of each character?

You will find all information on the masterpost, last section. If someone is missing we just didnt finish the refs yet. Apologies. Since I know MK, MTT and Blooky will be asked about due to lack of refs, they are all he/him here but Blooky and MK accept They/Them. Remember that this is an Alternate Universe, as in not sticking to the game's lore to a T. So please dont start a fuss over this. If canon versions of the characters ever speak or are spoken to in the Citadel, they will be referred to by the genders Toby (NOT THE FANDOM) placed on them, so be happy with that smh.

A note to avoid confusion since I KNOW this will cause issues if I don't give a bible explanation: WITHIN the comic, Kris' pronouns will be he/him, hence me calling the younger one he/him. Personally, I can't see a literal 3 year old toddler changing his gender or even caring about that. I know I sure didn't back then lol. I didn't care till damn near the end of highschool tbh. Soo, He starts requesting people use they/them (if possible) in his late teens as thats what I personally experienced. Sorry to anyone who wants out of the womb non binary/trans babies. Oh and when he's spoken to or about in another language, regaurdless of age, it will be male pronouns bc languages. Sorry, can't fix that either. That's just how languages work. So yeah, Tldr: In comic=he/him. In asks=they/them (he/him if non english language).

𖤐~~~~~~𖤐~~~~~~𖤐

✨️Asks✨️

•You can ask LITERALLY anything to ANYONE. Even the mods.

•All questions will go to the cast as they are in the comic, unless we allow asks for the adults for some reason. All asks starting in chapter 2 are considered canon.

•You can ask spoiler based questions, but they will either be heavily censored or answered in a joking manner as to not give away everything that happens in the story. Depending on the question, we may not be able to answer it at all though.

•All asks that seem like spam will be ignored. I know we answered them before jokingly but after a while it becomes too much. Also! We will ignore asks about religion (offensive/forcing), racism, sexism, stuff like that.

[biteghost]

State of Affairs: oh, it's not good. Bad, in fact!

listening music (lol)

Greetings, all! I apologize for not much communication, art or comics this month, but things were a bit out of my control! I'll cut right to the point: I had a big oopsie at the start of May, and the situation overall has not gotten much better since then.

Here's the scoop as plain as I can explain it: I dropped my external hard drive, and it no longer connected to my computer. My computer has a very tiny amount of memory (the OS capacity is less than 120GB), so I have used an external hard drive as the brain of my computer for years now. I have no back-ups either on another hard drive, older computer, or cloud service.

This external hard drive housed everything I have created and brought with me between computers since 2013. It stored all my art. All of it. My comic pages, my working files, my works-in-progress, my commission pieces, as well as gifts from friends and other artists. It had all the sessions of my at-home tabletop game 'Blueshift', which is a pretty big hit for me as I had only just finished the game. I didn't even have time to be happy the game was finished until I had to mourn a loss of it I had not anticipated.

I sent the hard drive to a data recovery company with good reviews. It had nearly 2TB of data on it, and I tried very hard not to get my hopes up that they'd be able to retrieve most of my data. Despite this, I still was disappointed by what they sent back.

To be blunt: they did not retrieve most of my data. In fact, I'd say in total they only recovered about 40%, if I am being generous. They were unable to recover any of my in-development projects (A Cure for Athanasia, Super Manifest: Steward Cycle, The Tenth, The Sword of Hours, etc), and unfortunately BACKLASH didn't make it out unscathed either. Old art files that I one day wanted to make Prints off have been lost, as well as small doodles and secret sketches which never made it online.

While reviewing the files that they managed to recover, I also noticed that whole chunks of BACKLASH's working page files have been lost or corrupted. This isn't a huge setback for the comic itself since all of BACKLASH is online to read. But it is hard and heartbreaking for me, because despite everything I did one day want to make a printed edition of BACKLASH. I wanted to hold my comic in my hands.

That dream is not impossible, but it is now much further away. I can recreate my old pages with what I currently have, but it will be a lot of extra work, and there is no getting around that.

Losing this much of my history, artistic journey, relationships and formative time as an artist has been really hard on me, emotionally and mentally. I'm very sad. It's hard to draw right now for myself. Commission work comes easily, since I am given a prompt to draw for someone else, but creative ideas are not flowing for me at the moment. My hands are frozen and dejected.

I am now waiting to get back the files that the data recovery people managed to retrieve for me (probably by tomorrow, they said), and I am looking into other places in order to get a second opinion of sorts. At this point there really is no harm in trying, and maybe a different operation might have better luck. Who knows? It may be grasping at straws, but at this point things can't get any worse than this.

When I get my data back I'll be able to finish up BACKLASH chapter 7. I want to finish it off - there are not very many pages left, and miraculously the few remaining pages are among the ones that were recovered! So that's good. I will be finishing up the chapter, and afterward BACKLASH will be taking a bit of a break. I don't know how long the hiatus will last, and I won't be making any kind of estimate. It'll take as long as I need until I feel I can put one foot in front of the other again. Maybe I'll work on something else for a while, maybe I won't draw anything. Who knows! I don't, haha.

Eventually I'll be okay, and I'll get back on the horse. Even in the midst of all this turmoil I really just want to be making comics ;_;

Until then, I just need some time. It's the only cure for this kind of problem, I think. So, I thank you for your patience, and I thank you for the love you've shown me, my work, and my characters. I couldn't be where I am and I couldn't have made all the work I have without your support and love. Thank you, thank you, thank you!!

I'll see you when I get back! Much love and many kisses, xoxo 💖💖💖

(cross-posted from patreon)

[a-hobit]

Hey! I adore your work.

I was curious if you were discontinuing Unwelcome due to the responses from the last comic.

It was so very well done and heartbreaking, but jeez did some folks read that poorly.

Heyoooo! SO idk. I think the response made me kind of revaluate the work I was creating and if I was doing it right? I had two kinds of bigger controvercies back to back that sapped a lot of my fun out of the toh fandom as a whole. My heart breaks thinking of leaving everyone on the edge of their seats but I was supremely disappointed with the larger community. My larger hyper fixation has mostly passed and my life has kind of moved into bigger things at the moment but I'm never going to say I'll put it away fully. I think honestly that eventually I'll finish it up over a few months and just turn off comments maybe? I've said a few times that hearing your comments good or bad tends to be what fuels me but if its making me not want to continue working at all I can't see how that can help me...maybe instead of multiple updates maybe a last "master" update of the last 8-10 ish pages so that everyone can see the full vision?? Lots of possibilities.

BY THE WAY:

Anon I'm so glad you like my work!! Especially Unwelcome it's been kind of my baby over the past year now and seeing all the positive feedback really made me bully through a lot of hard times to continue working on it. I personally really resonate with the story that I was telling and from some feedback could tell that other people raised similarly had a connection with the comic as well-- which just fyi was SO touching. I am extraordinarily bad with words and had never really tried to draw a full comic before so that was certainly an experience I will never forget.

ALSO:

If you're another person who enjoyed Unwelcome and is still hoping for an update the best thing you can do is just tell me in the asks! I am crazy busy atm (and sick lol) but just reading your love for it definitely could make me move faster/ at all.

[subdee]

B and E for the ask game?

Pretending I answered this two days ago... Aha.

B:  What was the first fandom you read fic in?  Which was the first you wrote fic for?

First fandom: It was Ranma 1/2! In second grade we got a PC for the first time, a few years later we got a dial-up internet connection. The only people on the internet at that time - as far as I knew anyway - were adult nerds and college students. The college students had the fast college internet, so their pages were unusable because they all had huge fancy anime JPEG headers that took 10 minutes to load.

I starting reading fanfiction because plaintext loaded quicker, and my favorite page on the entire internet was someone's boring HTML page that was literally nothing but a manually-updated list of links to every Ranma/Akane fanfiction that existed on the internet in English.

I was probably in 6th or 7th grade. I'd never read the comics, which were expensive as they were still being sold in the western comics format, where you charged a lot of $$$ for a small number of (flipped) pages. The tankobans came out a year or two later. I'm probably mixing all this up. I saw some of the anime, eventually, renting tapes from a going out of business video rental store near my high school boyfriend's house.

Uhh where was I. Yeah, to this day I've never seen or read all of Ranma 1/2, but I read literally every English language Ranma/Akane fanfic that existed on the internet circa 1995. I liked the ones where Akane was in love with girl Ranma, and Ranma didn't care that they were dating a lesbian, the best.

First fandom I wrote in: Naruto! I was still in high school, or maybe just starting college? I started some ambitious WIP, specofically to make friends with a group of livejournalers whose blogs I'd been lurking for several years (I succeeded in this btw, just not with the Naruto fic - with Death Note mainly). Since I didn't have any real plan for the fic, I didn't make it very far before I gave up.

There's another one I wrote, close to around that time, that I wish I could orphan or at least delete from my ff.net account, but alas I can't as the email I used to sign up for ff.net no longer exists. It was a fic about Sasuke and Hinata in an arranged marriage, there's a rape in it, I wrote it as a proof of concept for how horrible that pairing would be, but it got positive feedback from Sasuke fans invested in how I was going to redeem him. Yeah, lesson learned, never write an anti-fic.

E: What character do you identify with most?  Is there a certain fic of yours that captures these qualities particularly well?

Hmmmmmm. Usually I'd say, Yukino Arizawa from His and Her circumstances? She is insanely competitive and ambitious but hides it so she can get more adulation from her high school fanbase. I'm not exactly like this but I admire it, and it's closer to my mental image of myself than the majority of female characters. "They think I'm sweet, but I want to beat them all into the ground with the best test scores, best grades, AND be the best athlete! Haha!"

In general I'm not really trying to write characters who are like me when I write, though. It's like, write my essay about the canon, pretend it's fiction and not an essay; or join a fandom event to make friends and write an AU I can put some of my personal experiences in to make it more interesting. Fanfic as a social thing, more than a way to explore myself.

I'll plug the way I wrote Ging (HxH) in "Pariging Coffee Shop AU" though (though you just said you don't read AUs and especially not coffee shop AUs). I like the way he's a mystery in that and then... Revealed to be SOMEWHAT interesting but in a way that only appeals to like, the niche of the niche. (Academic genius only popular among sociology grad students, etc.) Hah.

Here's the fic:

https://archiveofourown.org/works/32737069

Thanks for the ask <333

[theamateurartistblog]

The Sad Tale of an Artist's Burnout

I have been burnout over a lot of things but being burnout because of art hits differently. Art burnouts are the worst. Imagine just losing your passion for something or having to force yourself to do so. If this sounds like something you’re going through have no fear, I’m here. Imma tell you how to prevent a burnout and some tips that will help you get back into shape in no time.

Stop Drawing

Mcutie are you serious? Yes, I’m not joking. Stop drawing. Your brain is tired of doing the same thing over and over again, give it a break. Find another hobby, play a game, watch a movie, catch up on a comic or manga (if you want some recommendations I got you;) maybe then you will find inspiration to draw.

Ease your mind a little. What always helps me is ASMRs, find a channel you like and relax to them or put on some Lofi tunes, whatever it takes for you to get your mind out of the sketchbook. Don’t think that when you stop drawing you’re gonna lose your talent, you can’t lose talent but you can lose passion.

Stop looking for likes and views

They'll come eventually, I'm still in the baby stages myself and sometimes it's disappointing not to see any likes or views but that just takes the fun out of art. Social Media is tiring especially with the algorithm doing whatever it likes. If you run an art page why not give it a break a little, maybe the stress of putting out too much content is getting to you.

Also, the self-declared “art critics” don't help either (baby artists please ignore these people, pay attention to the ones who really give you solid advice) so drop social media for a while and post your art unless you want to.

“But Mcutie I need to advertise to get commissions!” (in a future post, I'll give you tips on how to make money with your art). I hear you, but the posts you have in your feed are already enough to tell your audience about what you do and which commissions you’ll take. My advice is to shake it up a bit, instead of Instagram try Twitter maybe art station or deviant art, they have some nice communities on there.

Or better yet create your little website and build a community around it (I'm currently trying this one on Tumblr so follow me on my journey if you want) who knows maybe you’ll find people who respect and admire what you do. ^^

Don’t Compare Yourself!

HA! I need to take my advice. It’s easy to compare yourself with others and let’s be frank there is always gonna be a better artist or athlete or dancer but there is never gonna be another you. The way how YOU draw is different from other artists, no two people are the same and no two artists have the same style unless one artist copies from another. However, it's good to try out new styles and see how you can implement them into your drawings. You may find something that can add an extra spice to your art.

Find Inspiration - Outside!!!

AHA! You thought I was gonna tell you to take up Pinterest and browse huh? Nope! I need YOU to TOUCH SOME GRASS! Look at the clouds find shapes in them, take a walk in the park or something. “But what if it is snowing?” Who cares?! Sit at your window and watch the snowflakes fall you may just find something that inspires you. Doing this motivates you to take up that pen and paper or tablet or whatever kids use these days and draw.

Sleep!! - Please Sleep...

Once again…….I need to take my advice. But let’s face it have you ever gone to bed and suddenly at exactly 3:00 am you get the urge to get creative? That’s what you want! Therefore, get some rest, take a nice bath, rub on your favorite lotion, put on your favorite PJs, and sleep it out. “I suffer from insomnia….” So do I but if it is chronic go and see the doctor maybe you need medical assistance, if not try playing rain sounds or as I said earlier find your favorite ASMRist and just close you’re eyes and fall asleep.

In Conclusion....

At the end of the day, something is gonna burn us out whether it is work, hobbies, or just life in general but the thing is we do not want to stay in a burnout. Besides if you stay in a burnout you’ll just shrivel up and die. So try my tips and if you have anything to add say it in the comments so others can benefit from them. Until next time stay healthy and stay cute.

(〃＾▽＾〃)

[partyhorn]

Curious Question, but that old version of Molly where they were more cartoony and didn't wear shirts at all, did you ever make a comic with that old version of them? Or did they only existed in just drawings before you would eventually go and make the comic we know today?

I did actually make an unpublished comic back in 2019/2020, but it was my first ever attempt at a long-form story-driven comic and admittedly was pretty sloppy (the pages were just loosely sketched+uncolored, and took me about 15 minutes each total). But funny enough the only reason I'd stopped that version of the story was because I'd made an unrelated one shot comic over that summer and realized how to have confidence in comics and not just loosely sketch them LOL.

That version of the story was a lot different, focusing on Molly going back in time to present-day Earth to live amongst the humans, and very much not fitting in. Molly and Jo had acted like their chapter 1 selves throughout it, so... you can probably imagine it. Molly was supposed to be a lot more easily fed-up with life, a lazy bum who probably would've fit in very well in a 90's cartoon (and didn't even wear pj's! For a chromodoris quadricolor, THE pajama slug, that's a crime). I still find myself pretty embarrassed by that first draft, but mostly just because it was my first serious comic attempt and I know I've improved tenfold since then LOL. It's a fun and goofy story, but definitely not a reflection of MFM now, it's honestly kind of the exact opposite tone-wise (if you've read up to the most recent chapters you can see the heavy tone shifting already). But in all honesty, I still have a soft spot for the drastically different original Molly and Jo, so maybe I'll revisit the concept one day... many many years from now when MFM is done that is, I don't feel like sharing it until then.

A few months before I'd started MFM as it is now back in early 2021, I also tried to work the idea into a short film. That also didn't pan out, and sadly all of the half-completed work I've done on those are gone on an old broken hard drive (well, maybe not "sadly". They were also embarrassingly bad as well LOL) But, trying to rework everything into a >5min short film with no voices had proved to be a good exercise in condensing plots, and it really helped me smooth out the rough edges and establish the basic plot and lore. So then when I decided to make everything into a comic again, everything went extremely well! I could go on more about my behind the scenes with this comic, but maybe in another post sometime... this is quite long LMAO

[in-the-mines-of-veingadd]

This comic is discontinued.

I think everyone's seen this coming now. >.>"

Sorry for trying to draw it out so long. I did try, and I wasn't pretending to salvage this comic... but let's say I've done a LOT of missteps that ruined the experience for me.

I'll put the longer stuff under read more, but the basic is: I'm sorry that it had to come to this. You may shoot some asks if you wanna know the rest of the story, or what my thoughts are, or anything else, really! And if you're disappointed, I understand. I am, too. But I think it's best to put the pencil down for this project.

Thank you to those who were waiting. ;o;

The story I planned for this comic was pretty big, and it was my pride for a long, long time. I even had a whole google docs at 23 pages worldbuilding for this comic! But it seems like despite all I try, it still didn't work out for me.

The basics are these:

I am not a person who can focus on a huge project for too long. It feels like a chore eventually and my motivation for it dies. I needed a handbook to hold onto, and I didn't have it! Because I didn't plan the story through!! So if you're like me who keeps jumping projects, maybe limiting yourself to a shorter, simpler story and writing everything down in text format BEFORE turning it into a comic will work wonders.

I discussed it with too many people... Now, having friends isn't bad, and sharing work with your friends isn't bad, either! The problem is, as I said above, I DIDN'T have a strong grip on the story and kept asking people to 'help figure things out with me'. This really muddies my story and overtime, I forget my true intent for it... which pushed me away from the story altogether.

I. STARTED. TOO. BIG. Despite my weaknesses, I chomped down on it because I thought I could do it. I got way too eager, way too greedy, and without pacing myself properly I just shot myself at the foot and lost steam early in the race.

Please note that this only works for me. I am someone with massive focus issues, a full-time job, and other real-life stresses, and I cannot hold the weight of this story over time. So don't be discouraged if you are planning on making your own comic. Just be prepared and try things out before you jump into it.

Pilot comics are always good. Yes. Please do that.

Thank you! Really. For still waiting all this time. I appreciate all of you, and I'm sorry for all of this. I hope the comic was fun while it lasted. As I said, if you have questions or need advice, please ask away! (I won't answer complaints because, sadly, it bogs me down. I'm also unhappy with my own decision! ; ;)

(The good news is I am using this energy to make another comic, but you will see that in +6 years once I ACTUALLY finalize and plan the story down.)

[evegwood]

Hi sorry just wanna say seeing your answers to the QnA has been really inspiring and cool! I've followed Inhibit almost since the start, which was a lot of my teenage years, and you were a big inspo when it came to trying to create my own comics. Nae worries if I'm late to the party but if you're still open for AMA qs I was wondering, do you ever have to motivate yourself to make pages, or does it just come easy? If you do have to motivate yourself sometimes, how do you go about it?

This is awesome to hear, thanks so much! There are loads of webcomics that I grew up reading as a teenager, so to know that my comic is that for some people is amazing to me.

I do definitely struggle with motivation at times, particularly since the pandemic started. I'm lucky that I have a really big buffer now so it doesn't affect my posting schedule but sometimes I don't work on pages for months because there's something I reaaaaallly don't want to draw, namely cars or multiple people in one panel or environments that aren't just a box lmao. It can be a real pain in the ass to slog through a page that is painfully boring to draw, but ultimately I utterly love the project and that is what keeps me coming back to it. I eventually go and reluctantly finish up those hell pages because it's for the good of the story. Even when something is a passion project, not everything will be fun. A lot of it will suck ass.

One of my most foolproof ways of motivating myself is to listen to my Inhibit playlists, of which I have.. just.... so many. If there's a scene with a particular character I'll listen to their playlist and get hyped up thinking about their character arc and that will give me the energy to sit down and just fucking draw the page with that shitty stupid Urquhart van. My other favourite method is to just let myself move on to the next page; for Book Two I've tried to work on pages in chronological order, even when the entire chapter will be thumbed or pencilled so theoretically I could jump ahead to whatever page I want to draw. But that way lies only more suffering. If I drew all the fun stuff in one go (like I would do for a lot of Book One near the end) then I'd just be left with the boring stuff and would have a worse time of it. But sometimes, if the motivation is reaaally low, I'll let myself have a little treat and draw that one goofy face two pages away.

Most of all, you do have to let yourself be demotivated sometimes. Your body and brain need time to rest from projects. Distance makes the heart grow fonder, and maybe you need to go and work on another project for a bit to recharge, or pick away at a different part of the story so you're still technically working on it. If I really, really don't want to draw, I'll look over the script or do a bunch of admin like uploading pages until the urge takes me again. It's a marathon not a sprint, so take your time and accept that periods of low or no motivation are part of the creation process!

--

I'm doing a little Q&A right now to celebrate the launch of the Inhibit: Book Two Kickstarter! If you have a question about Inhibit, comics in general, or anything else, shoot me an ask 🔥

[moe-broey]

I do really want to buckle down and get my old WIPs presentable though, even if I do resort to just cleaning up pencil sketches (though ideally I would like to ink and color -- or even just settle for inking).

I talk a lot about my concepts and I feel bad/frustrated that I can't present them...

I would say the Veronica focused comic is like a one-shot, initially planned to have two pages (though only one was sketched/written out).

Meanwhile I have a long ongoing plotline that started off as a non-serious, silly comic, that I ended up having Strong Feelings about actually, which eventually would kick off all of my Askr sibs/Alfàr thoughts. There's a short interlude with Sharena and Lif as well in the og silly comic as well, as I was drawing parallels/trying to grasp the vibe... this comic did actually reach coloring stage, almost all character illustrations are fully colored, bg blank (which. The art is so old. I almost just want to leave it.)

And I guess that Is the nice thing about doing all of this as a hobby, like, nothing Actually has to be done perfectly, it just needs to look presentable. I can take as many or as few shortcuts as I want, and learn in the process what works for me.

Like, actually, I feel like my Henry/Libra/Nowi comic is a fantastic example of that -- the bg is extremely basic (borderline looks childishly done), and I Know I could do way more than that, but. All I really wanted was to draw something quick and fun that was exclusively focused on the characters, the joke, and the actions taking place. The background only existed for the purpose of Making it work -- you need to see that there's a river, that Henry is currently dragging Nowi towards as if he was disposing a body. And later, you need to see the river still, when Libra picks her up and throws her into it. Core point, it doesn't have to Look nice -- it just needs to perform a function.

Something else nice that I learned in letting myself do it poorly is that watercolors are really good for broad quick coverage. Which IS something I knew and was going to utilize in some Genshin comics, which ultimately got abandoned esp bc I lost the interest -- I just haven't actually Used the method in a larger piece. Which! I think is actually what I'm getting at.... being able to draw something small, not serious, with the lowest amount of effort required to serve its purpose, actually helped a lot in conceptualizing how I can approach future projects. And likewise, how I can approach cleaning up older ones that don't quite stand the test of time.... but again, I may just opt for filling in the necessary blanks (fully coloring The Characters if it got to that stage) and cleaning up what I can with updated art (which would end up being pencil sketches).

Another thing is I really want to organize everything somehow, beyond my art tag. Especially because a lot of these thoughts are interconnected, even in the case of the Veronica one-shot. And of course, the other WIPs, while disconnected at first glance, Are the jumping off point for a storyline that has A Lot of different parts. Plus, on top of all that, I actually have a lot of comic/story ideas for my summoner OC. Either to present characterization/parallels, or to be a part of another broader storyline that's interconnected as well.

I think. Maybe the main thing to get sorted Is whatever is closest to being finished, and starting from there. Which also means I'll want to figure out a navigation system..... hgnghghnhghbngh......

[nitromemustdie2]

okay, okay now what if I ACTUALLY make a Nitrome Must Die fan comic???

the ms paint esque medium mix about shady business and distant dreams, all achieved in the coldest ways possible???

well except some elements of mechanically produced magic... but uhhh we might wanna leave it to the still developing worldbuilding???

okay fine but what's with the hustle? well it's a little passion project of mine that will revolve around made up postcanon events of NMD because that open ending can be interpreted in so many ways

yeah that emo 100th game anniversary Nitrome game uh huh

here's de synopsis: our two (2) protags are angsty fellow kids (sorta) planning on opening up a game studio of their own. why did they decide to do this – only the true OGs know /hj???

the main characters are very stupid! unemployed mfs from cheap apartments! except their supposed net worths are definitely not cheap. A and J do have quite a dark story behind of course, but nah, nah they are not traumatised by bit, quite the opposite here they're the ones that traumatize.

and so they try to start their ways out of spite! here's the catch: their puny souls can be fueled by anger and hate only, so they have to pick up some unhealthy hobbies to keep their inspiration afloat. (spoiler: cartoonish violence. exclusively. maybe mafia ca-chings)

they have no talent, they have no sheer will and any actual goals in life, but one specific thing to do, like again, out of spite.

however eventually this will quickly shift solve into a maniacal production phase which pushes them forward in game-making industry. (idk much about further stuff tbh... it's the synopsis)

the perfect result would be achieved if we make it really REALLY really close to the original source. while the source itself really doesn't show the characters' true personality enough... well I sorta strive to make all the style the writing and everything both as canon and as adapted to modern stuff as pozbl.

and yeah the artstyle?? like emo 00s cartoons sort of? you know the ones? i'm having a crisis in this field it's either making it funky as heck or not making it at all kind of stance.

ohh the world they live in is a quite an interesting place. but actually not really. generic edgy big city that has a charm I've yet to practice my writing and drawing skills for.

08 Mar 2024 update:

making it public so any fellow tumblr nitromians get another dose of nmd fan content

(because to be honest i can't get rid of the terrible hyperfixation i got on NMD alone until i do something big for it, then i'll do awesome stuff for other nitrome masterpieces after that)

this post here is not a teaser; maybe just a prompt, and so far it's a little reminder (for me it's been a prompt for a year... argh help)

the style picking is still ongoing, the script is planned yet not properly written, like for example idk what other characters to add if they're not canon to the original universe

the designs might just might get released here in a few months or so

aaand the planned page amount?? idunnow... prob 50-55 by default it needs to have a finished plot.

with this being a FAN project i take inspos from other comics that use canon characters for one's own plot (this exact genre of resurrecting the unused characters) and honestly they drove me to this haha

along with one comment under that nmd trailer vid on youtube with the same idea that got 8 likes by now.

oh it got 10 already!!! (i couldn't get in contact with the OP sadly)

so yep... now it's a semi public post xd. wait not or wait wait wait cause I still try. btw happy women's day <3

[sabrinatvband]

Fat Evil Women devlog 1

I'm working on a new comic and I thought it would be good to share some notes on its production. I think this will be the only devlog I share publically for this comic; I'll probably include a start-to-finish log with all of the concept art and layout roughs as a tier bonus when I sell this on itch.io later. But, here's a very generous taste.

This comic is eventually going to be sold as a CBR file on itch, but I'm also doing to try printing it on A3 paper [which will be folded] and making a small batch of physical copies to give away. It will probably be 32 pages long. It's going to be an anthology [with one particularly long story]. In other words, it's going to be a complete comic, like one you might buy in a comic shop, rather than something more "informal" in shape. In the future, I plan on making enough of these to collect them in trade paperback form, perhaps as a print on demand book?

So far I've done a couple of layouts and compiled a ton of notes. Work on this project began with a simple two-page layout for a bimbo sequence.

I did all the pencilling, inking, and coloring in between two and four hours I think. The first panel on the second page uses an old drawing of the bimbo character I'd drawn several months ago.

I then made a sequence using a Goblin Queen character I'd created around a year ago. Here's the sequence and the original illustration I'd done. The second incomplete panel is from an old drawing I started but never finished.

Yes, the Goblin Queen who looks nothing like a goblin is meant to be a reference of sorts to the Goblin King from Labyrinth, if you were wondering. Except my Goblin Queen mostly hangs out with dark elves.

These sequences are only meant to be rough guides for the final drawings, but I put way more efforts into my layouts than I actually need to. After making these two page sequences, I decided to do something a little more ambitious.

I illustrated a woman wearing a shiny black dress, and she reminded me of an old indie porno producer character I'd created a while ago named Demonia [please ignore how terrible the old three part sequence looks; I didn't know how to draw fat women yet].

When I started plotting this sequence out in my notebook, it was only four pages long. But I added a bunch of extra panels in later and brought it up to six pages [The numbers are original panels, and the letters are ones I added in after making the first complete rough layout.]

I made some concept art for characters I'd mentioned in the script that didn't have designs yet, as well as a few locations. I then compiled all of that into a CBR file I can refer to while working on the final art [the blacked out bits in the thumbnails are photo references].

I then started work on another sequence that quickly grew beyond the six pages I was initially planning on doing.

A few years ago, when I first started using my Wacom, I illustrated an androgynous spider creature. Much more recently, I started moving overseas and started designing new characters in my sketchbook that I was planning on making digital pieces with later, and I revisited my spider concept. If you overlay the rough spider drawing from the sketchbook page with the digital WIP below, you'll notice I did a whole bunch of warping and stuff to the individual limbs to make it look better.

This WIP will appear in finished form in the spider comic somewhere; look out for it.

Anyways, I decided this spider would be perfect for a weight gain sequence, and so I started making concept art.

This is just a fraction of the concept art I created. I've done at least 15 pages of work for this comic, and a lot of it is exploratory work. In the beginning, I had basically no idea what the plot of the sequence would be, and designing new characters and illustrating scenarios gave shape to the story.

After making maybe three or four pages of sketches, and writing a list of elements I wanted to be in the story in my notebook, I made this rough synopsis of the plot. I then started working on a CBR file for the spider sequence that includes photo references, sketches, old designs I want to repurpose, scans of my notebook, etc.

Work was slowing down in my notebook, and so eventually I made a text document and started writing down panel-by-panel bullet points. Of course this all needs to be adapted into rough visuals, but I covered a lot of ground with this after building my foundation.

You might be wondering what the point of all this pre-production work is. The problem with comics as a medium is that it's extremely time intensive, and so you have to get all of the iterative stuff done long before you put pencil to bristol board for the first time [assuming you only use bristol board during the very last stage of your process].

[Old comic artists were sometimes drawing upwards of 40 pages a month, and they didn't have time to think things out so thoroughly. But for people who aren't drawing multiple books a month, it's been common to do multiple waves of layouts for decades, and this pre-production stuff has only gotten more common. Which is good; quality > quantity. The video on layouts below is a great overview.]

While I was doing layouts in my notebook for this spider sequence, I started working out a page that ended up not hitting all of the notes it needed to. If I'd been drawing by the seat of my pants, it would've been a big problem, but when you're doing layouts with illustrations only two or three steps above stick figure drawings, re-doing a page is not a hassle.

You might be wondering what my actual workflow is for producing finished art. Once I got very used to the feeling of using an Intuos Wacom, I told myself I was going to draw comics entirely digitally. It made a lot of sense; I could use layers, perspective work is a lot easier digitally, and I can fix mistakes and/or warp things a lot more easily.

Over time, I realized I hated doing everything digitally. There are many things that are better digital, like coloring. I prefer drawing pin-ups digitally. But I really don't like drawing an entire page digitally, and I realized my previous serious comic attempts had all petered out when it was time to start doing the final work in the computer, after the layouts and stuff had already been completed.

Of course, I'd tried making professional quality work without computers before. But it's nearly impossible to do that inside of a sketchbook [although I'd drawn many joke comics in highschool using a sketchbook], and using only bristol board I had problems with things like perspective; I have a lot of respect for older artists who couldn't use any digital tools.

So, I've resolved to buy a scanner and printer. I'm going to make final layouts in my art programs that have skeletons laid out where I want them, perspective grids, panel layouts, etc, and then I'll print them onto bristol board using light blue ink [which doesn't get picked up by a scanner]. I'll then do the final pencilling and inking on bristol board, scan those pages, and do any touch-ups and coloring in the computer.

I forgot to mention that none of these comics have words. Perhaps future issues of Fat Evil Women will have dialogue and stuff, but as a conceptual thing this first issue is basically completely silent. When I was making panel grids digitally to start working on some final layouts, I noticed that, when you don't have any speech bubbles, a traditional six panel grid looks way too square and vertical. So, I've decided to make my spider sequence on a four-tier grid, which shouldn't be a massive change. The entire story uses uniform rows, and so it just means moving stuff back. There are no dramatic page-turn moments that will be compromised by this change.

I might have to alter the Demonia sequence as well, but probably not. Since the height of the panels in the two page sequences are variable, I think I'll leave them exactly as they are.

I was planning on including a giantess sequence in this first issue as well, but if I reach 32 pages without it then I'll have to push it to a later issue. But since I'm moving to four-tier layouts, I might end up with a lot fewer pages than expected.

[skelizard]

How do you deal with or avoid artist block &/or burnout?! <8O

Hmm, I don't think I've ever really had 'artist's block', or at least to the extent people describe it. Or maybe I do and I just don't see it as artist's block, idk. I will say that what I'm about to say is comin' from the perspective of someone who ain't doin' it as a career and mostly keeps it as a passionate hobby.

I do from time to time feel a creative lull where I don't feel particularly inspired or have any real urge to draw, that's a completely normal part of bein' creative and it's unavoidable. I think also sittin' round and constantly thinkin' 'oh no I've got art block' only exacerbates the problem n doesn't help, it's just passive pessimism. Part of dealin' with it is acceptin' the fact you're in a lull and just, go off to do other things. Do other hobbies, play a new game, go outside, watch a series, read a book, anythin' that isn't makin' art basically. These art block periods are a good opportunity to search for new inspiration and I find eventually, either from doin' one of these things or just lettin' the creative lull simmer for a bit, you'll find a lil nugget that gives you an idea that you really wanna draw. There's gonna be times where you feel ya can't draw or everythin' that's comin' out sucks and that's fine, just take a break if you can. Sometimes I still feel the itch to draw durin' these periods and instead of tryin' to make somethin' exclusively from my brain/original I'll do studies, animal portraits, fanart, basically just somethin' that isn't as mentally intensive as doin' entirely original stuff. That and also mindless doodling, drawing with no vision or goal in mind n just lettin' your hand draw what it wants to draw. Another thing you can try is different mediums, sculpture, 3d modelling, embroidery, ect. It's good for the soul to try out different things, and the good thing bout tryin' somethin' new to you is you can't expect it to be good, so it doesn't matter if it looks bad. Makin' bad art is good for you actually.

As for avoiding burnout, again I'm speakin' from the perspective of someone who isn't doin' this as my job so I only draw when I feel like drawin', which just happens to be pretty often. In fact not doin' it as my job is probably one of the best things I could've done in avoiding severe burnout, I did commissions for a few years and the burnout was Real (not to put people off from doin' commissions it just wasn't for me). These days I feel I'm constantly operating on low energy and as a result I don't really do a whole lotta 'big finished illustrations' anymore, at least not as often as I used to. I don't really try to push myself beyond the energy levels that I have and as a result I feel I create stuff generally a lot slower these days than I used to, and that's fine! Just gotta accept it and move on. Also just doin' sketches is fine! Don't gotta do fully finished paintings n whatever all the time. Also be realistic about your goals n projects, if you wanna make a 300 page comic n you haven't even completed a single 1 page comic then you're just settin' yourself up for failure. You can still have your 300 page comic idea but focus on makin' multiple much much smaller comics first, you'll feel a lot better and more motivated havin' completed many smaller projects than only havin' that one massive unfinished project loomin' over your head, and it'll train/prepare you for makin' that bigger project. This applies to any sort of creative project, comics are just on the brain right now. Bein' realistic with yourself n not biting off more than you can chew, n lettin' yourself have breaks helps with burnout a lot. I also almost exclusively these days just doodle my characters, so it helps to just draw the things you really wanna draw, especially if you're just a hobbyist. Nothin' kills motivation more than constantly makin' yourself draw shit you simply don't wanna do.

This gotta kinda long but basically my advice just boils down to just chill out, creative lulls are normal, be kinder to yoself, hopefully somethin' in there helps ya out.