#maybe i will who knows. its not like i have anything better to do

[epicbuddieficrecs]

Favorite Season 6 fics

So these used to be called "Fic recs for my BFF", but unfortunately I was unable to sway her to buddie, so ¯\_(ツ)_/¯ these are just for me now (and you guys too I guess 😅)

Season 6

🔥Curl Up in My Heart and Let Me Keep You by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels (Animal Transformation | 10K | Teen): When an orange tabby cat starts hanging around the Diaz house, Eddie doesn't think anything of it. The little guy's cute and cuddly, and seems to always know when Eddie's having a bad time. Weird how the cat's never around when Buck is, though.

🔥let the world have its way with you by fleetinghearts/ @shitouttabuck (Post-Coma AU | 54K | Explicit): “It’s just that—I died,” Buck continues, voice unsteady enough that Eddie wonders if this is the first time he’s acknowledged that out loud. “I died, and there’s so much more. There’s so much more I want to do, things I don’t even know I want to do yet, and I almost had the chance to have and live them taken away. I don’t want to die and regret missing out on everything else, Eddie.” “So let’s make a list,” Eddie says. “Let’s do them.” or, a bucket list that’s really about buck needing to make a change and an eddie who’s ready to do anything to see him fall in love with life again. it takes some crossing off for eddie to realise—the thing at the top of the list in his own heart? it’s been right here all along

🔥like a dog with a bird at your door by fleetinghearts/ @shitouttabuck (Post-S6, Getting Together | 51K | Explicit): The kid with blood pouring down his shins is not so far from the dog lonely enough that he thinks breaking his housetraining is worth it for the ten minutes of berating that come with it, the ten minutes of undivided, if reluctant, attention. Buck thinks, sometimes, that at least he wasn’t the kind of puppy that gets put in a sack and drowned at birth. He wasn’t always unwanted. And he isn’t anymore. or, evan “i love you like a dog” buckley has only ever known how to love like, well, a dog, but maybe eddie diaz is the kinda guy to give a flea-bitten mongrel a forever home

🔥Something Dumb to Do by glorious_spoon/ @glorious-spoon (Post-S6, Getting Together | 8K | Explicit): "Too bad we can't just date each other." Eddie laughs. "What?" "No, I'm serious!" Buck sets his beer down, the better to gesture with both hands, face lighting up, and Eddie just—he really loves the guy, okay. Ridiculous as he is. "It would be so much easier! You wouldn't have to introduce a new person to Chris—he already likes me anyway—and you could tell Pepa so she'll stop setting you up on dates that don't go anywhere—" "And what would you get out of this?" Eddie asks, grinning. — Or: Buck and Eddie try something out together. (Part 1 of homeward bound)

🔥find a way to you (if it kills me) by foxwatson/ @eddiediazes (Post S6E13: Mixed Feelings, Pining | 19K | Mature): It’s something about the way Eddie phrases it. Something about the combination of his words and the way he’s staring down at the floor, and the flush in his cheeks and the way he’s fidgeting. Buck thinks, abruptly, he’s going to ask me on a date. “Well I - wanted to tell you first, and I need someone to watch Chris, anyways - I know he’s getting old enough now he doesn’t like feeling like he’s got a babysitter, so I was hoping - sorry. Not the point. Uh. I have a date on Saturday.” Just as abruptly as his own hopes had come soaring up above the cloud cover of his own unawareness - they go crashing back down to the floor - to the basement, and into the mud. “A date?” Buck rasps out. — the one where eddie decides to start dating again, buck figures out his own feelings just a minute too late, and then he spends a week going through the five stages of grief

🔥Being Eddie by Daisies_and_Briars/ @cal-daisies-and-briars (Time Travel, Post-S6, Getting Together | 80K | Teen): When Eddie starts seeing a new therapist, he’s presented with the opportunity to revisit several days from his past and right regrets that still bother him. OR: Eddie goes through the time travel therapy process of the 2009 Canadian TV show Being Erica.

🔥 Evan Buckley & The Coma-Verse of Madness by Daisies_and_Briars/ @cal-daisies-and-briars (Coma AU, Multiverse | 58K | Teen): After being struck by lightning on a call, Buck experiences a plethora of alternate realities showing him different directions his life could have taken. Fighting hard to get home, Buck learns what, or who, is important to him in every lifetime.

🔥 Both Blade and Branch by Daisies_and_Briars/ @cal-daisies-and-briars (Post-S6 | 62K | Mature): The chances of being struck by lightning twice are incredibly minute, but Buck still manages to pull it off. During a double date with Marisol and Natalia, nonetheless. Eddie manages to resuscitate him, but as Buck recovers from yet another trauma, Eddie can’t help but notice there’s something very different about him. He’s not quite sure what version of Buck he got back.

🔥 where all of the people dancing and clapping would greet me with such warmth by trysetmeonfire/ @try-set-me-on-fire (Season 6, Magical Realism | 15K | Mature): In the fall, Buck begins to disappear. (or: Buck can see that people become transparent when they're about to die) (Part 2 of All I Am, All That I Am)

🔥 Ace of Hearts by glorious_spoon/ @glorious-spoon (Post-S6, Getting Together | 9K | Teen): "I've been wondering…" Maddie pauses, watches Buck make a face like he's bracing to be smacked. "What happened with Eddie? You two were dancing around it for so long, and then… what, it just didn't work out? Was the date really that bad?" She's expecting another wince, or even for him to duck out of the conversation entirely, but instead Buck is staring at her like she's grown a second head. "Maddie. I've never been on a date with Eddie." Or: the poker game was a date. It takes Buck a while to catch on, though.

🔥 situations, circumstances, miscommunications ( i just may like some explanations ) by heartbeatdiaz / @loserdiaz (Didn't Know They Were Dating | 4K | Teen): "You didn't know?" Eddie asks, calmer but not less confused. He frowns. "How could you not know?" "You never said anything?" Buck tilts his head to the side. "We were dating?” “I guess not,” Eddie sighs. His heart is beating a little faster, an unpleasant buzz beneath his skin as he all but chokes on a feeling he can’t quite name— it could be hurt or disappointment or maybe a mix of both. In that moment, he knows three things very clearly. 1. Buck is going to be the death of him. 2. He is in love with the most dense, most oblivious man on planet Earth. 3. He is too gay and, honestly, too old for this shit.

🔥listen to you breathing (is where I wanna be) by Yavilee/ @theladyyavilee (Presumed Dead | 41K | Teen): The thing is – and Eddie should have known this, has been taught this cruel lesson over and over and over again – the thing is most of the time the worst day of your life will start like just any other day. A million small moments, so familiar and mundane you almost don’t even notice them slipping by - until you would give anything to go back and get just one more. (You can’t.) — Or the one where Buck is presumed dead after a building collapse and Eddie has to live through the reminder that tomorrow isn't promised to anyone

🔥Eddie Diaz vs The Feelings by ElvenSorceress/ @elvensorceress (Season 6, Sexuality Crisis, Demisexual Eddie | 62K | Explicit): Eddie dives into the mysteries of attraction, romantic love, and asexuality because there's a good chance he's fallen in love with his best friend. AKA demisexual!Eddie figures out he’s demi and finds the happily ever after he’s been longing for

🔥tomorrow will always and forever now be today (tomorrow is our always and forever) by withmeornotatall/ @chronicowboy (Post-S6, Time Loop | 43K | Mature): "Think I can get a hug from my best man on my wedding day?" he asks, quietly hopeful in a way that makes Eddie want to tear off his skin. "Sure," Chris replies with a shrug, turning to throw Eddie a cheeky grin. "Dad, Buck needs a hug." Two things happen at once then: Eddie has to plaster on a smile authentic enough to convince the one person on this planet that knows him inside out—except he doesn't really have to fake his smile, not at first, because of number two—he sees groom-Buck for the first time. And groom-Buck is every bit as beautiful as Eddie might have imagined him over the years. For a moment, Eddie falls into the greatest betrayal his brain has ever laid out for him, imagining that he might have got to see Buck like this for the first time from the other end of the aisle— (OR: eddie gets trapped in a time loop on the day buck marries natalia)

🔥 Muscle Memory by Daisies_and_Briars/ @cal-daisies-and-briars (Post-S6, Amnesia AU | 40K | Teen): After a disappointment in his personal life, Buck wakes up one morning to find everyone he loves has forgotten him completely. No memories. No recognition. Almost like he was never really there.

🔥 but i can see all along, love (it was you all the way down) by diazchristopher/ @captain-hen (Post-S6, Time Loop | 28K Mature): He puts his laptop away after a bit, and paces the length of his apartment as he tries to take stock of the situation at hand. One: The date is March 22nd, 2024. Two: It has been March 22nd for 3 days now. Three: Buck is trapped in some kind of time loop that is forcing him to relive this day. Four: Eddie is, apparently, in love with him. And. And. Five: Buck doesn’t feel the same way.

🔥 a blaze in the dark by woodchoc_magnum/ @woodchoc-magnum (Post-S6, Eddie Coming Out | 117K | Explicit): Set post-Season 6, where Buck has inadvertently sacrificed his friendship with Eddie in order to focus on his new relationship with Natalia, and is shocked when Eddie comes out to the team and subsequently reveals that he is dating a guy.

AUs

🔥Nothing Left But You by Daisies_and_Briars/ @cal-daisies-and-briars ("Blip" AU, Post-S4E13: Suspicion | 27K | Teen | Warning: MCD): In May of 2021, 25% of Earth's population suddenly disappears. Including Eddie. In May of 2026, they all come back. Eddie finds himself suddenly in the middle of a world he doesn't recognize, where the people he loves most have changed significantly.

🔥 Your Love is an Oil Slick (It Glows like Rainbows, It Stains My Soul) by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels (Canon Divergent - Supernatural Elements, Ghost Buck | 67K | Explicit): When Eddie's son claims he has an imaginary friend, Eddie doesn't think much of it. Christopher is seven, it's what kids do. But then weird things start happening around the house, and Eddie starts dreaming about a handsome blue-eyed man. Turns out, Christopher's friend isn't so imaginary. Their house is haunted.

🔥like when the sun came out by spaceprincessem/ @spaceprincessem (Canon Divergent, Ghosts | 39K | Mature): He completely pulls the charger from the wall as he fumbles to put in his passcode. He doesn’t know who to call first. Everyone is busy, carrying on with their lives and Buck is stuck here in the loft with the terrifying ghost of his childhood like an omen. Out of the corner of his eye he catches the Crooked Smiled Man now standing in the dark entrance way to his bathroom. He swallows around the taste of blood in his mouth, hands shaking, useless as his list of contacts blur beneath the burn of tears. Eddie Eddie Eddie. He doesn’t know where the feeling comes from, but it’s sudden and sharp and excruciating. Eddie is the first name at the top of his list, his most recent calls and texts, and he doesn’t hesitate to hit the call button. [or buck can see ghosts au]

🔥All My Shattered Oaths by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels (Vampires AU | 107K | Explicit): Eddie wants to stay away from his family’s legacy and give his son a normal life. Buck’s desperate to find a way to get over the love he lost. Fate has other plans for both of them.

🔥 Further Than Blood (Or Than Bones) by letmetellyouaboutmyfeels/ @letmetellyouaboutmyfeels (Vampires AU | 50K | Explicit): Once, Eddie chose to save a newly turned against his better judgment. Five hundred years ago, Buck was saved by a rescuer he thought was a hallucination. Now they're together again and about to find out just how far either of them will go to try and deny what they are to each other.

🔥 let it pour out of your soul series by Rianne/ @rianneeyre (Magical Realism AU, Witch Eddie | 3 works | 71K | Complete):

collectively unconsciously composed (S4E6: Jinx | 46K | Explicit): Or: in which the author re-watched Buck Begins and Jinx and thought: what if this was gayer and had actual magic?

that systematic drug (PWP | 5K | Explicit): Eddie’s mouth goes dry when he opens the door and sees Buck. He’s clean-shaven and with his hair carefully styled back, smiling at Eddie sweetly and a little teasingly. Buck is wearing his dark jeans and his light blue v-neck polo shirt, the one that’s tight enough that it shows off the bulge of his biceps and the definition of his pecs and abs. Eddie knows this shirt. Buck's favourite, because he knows he looks good in it.

something binding us together (Established Buddie | 20K | Teen): Or: Eddie plans a long-avoided visit to his parents, discovers some things about his magic, and begins to build his family a home in LA's witching community.

[iid-smile]

#08 ୨ৎ ⸝⸝ @meidiary ⋆

i think im in luv with u... 😪 mei is a 10/10 guys!! certified cutie ☺️ idk who i was expecting you to pick, but inumaki 😆😆 one of my favs fr! and i was so excited to do 23 for some reason... you're the first one to request it 👏 all of them are headcanons 🙂‍↕️ (tumblr keeps not saving what i put down its stressing me out!!!)

#18 🍓 | protecting you

im sorry, but inumaki can be such a scaredy cat sometimes...

he'd be afraid, but still step up and get in between you and whatever is the threat

doesn't consider his own safety and wellbeing in the process either... he always puts others first, and a little bit of throat pain is much better than you getting hurt

100% mans up against insects because you hate them

gets intimated when he's up against a muscular 6ft guy, but has a eureka moment and uses his cursed speech. easy win

theres also other things he'd protect you from too, like pulling you away from hot oil and flames if you're cooking together. he's got spidey senses (according to him)

the cold is also something he'd protect you from. always makes sure you have a warm coat, scarf, gloves, and everything. i think inumaki really likes earmuffs too, because then he can whisper about how much he loves you and you wouldn't hear a thing

#20 🍦 | love language

physical touch + quality time

a mixture of both

the two of you could lay around for hours, and he'd just listen to you talk as you both cuddle. when you're both into a particular show or series, snuggling in bed when you're both supposed to be sleeping hits different

if you're on public transport or aimlessly walking around, he'll hold your hand, but it's more like he's holding it from behind rather than actual handholding.

silence with him is always comfortable, and you completely tune out from the rest of the world whenever you're with him

gift giving

he gifts you snacks a lot. even better if he specifically gets ones with pink packaging

not the best with fashion but he tries for you. he would buy you a turtleneck just like his but a different colour and patterned

not the best with fashion, but he tries. at first, he'd literally buy you any clothes that are pink, and gets so confused when it's not your style. he gets it eventually, don't worry

matching shoes are a must! not the exact same shoe as you, but the same colour

pranks

not really a love language but aha

he loves it too much when he scares you with bugs, especially ones that fly. craneflies are the worst, because they're relatively easy to pick up and hold compared to flies or other flying creatures

he'll grab it by the leg and chase you around with it. sometimes he'll cup his hands together and pretend he has one because he finds it funny

he doesn't do anything with spiders because you're both scared of them

he actually would love it when you prank him back. scaring him from behind by shaking his shoulders is the best way to get him

#23 🍦 | your romance trope / dynamic

friends to lovers / mutual friends

he wouldn't date anybody he doesn't know well

since you're friends with a lot of people, there's no way he hasn't heard about you, and you happened to meet by chance

maybe coincidentally crossing paths and your extroverted self just had to say hello.

as soon as you both realise you have a mutual friend, the friendship blossoms and grows quick

the way he cares for you is so clear to everyone else except for you, but when somebody points it out, you can tell

sunshine x enthusiastic but silent enabler

inumaki is already a silly guy, and he just gets sillier

the conversations you have are always energetic, engaging and exciting, even with the language barrier, so he's pulling out ingredients that nobody's ever heard him say before. essentially, you're the only two that actually can understand

his energy immediately springs up whenever he gets to hang out with you. he can go from 0 to 100 in a split second, and that needs to be studied

he really doesn't mind how much you talk, since he likes to listen

#24 🍦 | when they're jealous

it's hard to see his face when his mouth and eyebrows are both covered, so you're only depending on the eyes. or if he tells you himself

if he wants to get out of a situation to feel more at ease, he'll tug on your sleeve or fingers

"🤬"

that's literally all he sends you over text or shows you on notes, and when you look over at him, it's really obvious that he's upset. (to you, at least)

will have a whole debate with you on why, how and what he's jealous about. small or big, it doesn't matter

when he gets the most jealous is if you're paying too much attention to something else in general

like, if you're sitting a bit too far to each other and you're on your phone, he'd pull you closer so you'd be right by his side, silently asking for you to talk to him a bit

event masterlist

[mariacallous]

There was a moment that struck me, and I think it would strike you too: Donald Trump openly praised Viktor Orbán, as he has done repeatedly in the past. But he said, explicitly, Orbán is a good guy because he’s a “strongman,” which is a word that he clearly takes to be a compliment, not derogatory. You’ve written about the strongman fantasy in your Substack, so I’m curious: What do you think Trump is appealing to here?

Well, I’m going to answer it in a slightly different way, and then I’ll go back to the way you mean it. I think he’s tapping into one of his own inner fantasies. I think he looks around the world and he sees that there’s a person like Orbán, who’s taken a constitutional system and climbed out of it and has managed to go from being a normal prime minister to essentially being an extraconstitutional figure. And I think that’s what Trump wants for himself. And then, of course, the next step is a Putin-type figure, where he’s now an unquestioned dictator.

For the rest of us, I think he’s tapping—in a minor key—into inexperience, and that was my strongman piece that you kindly mentioned. Americans don’t really think through what it would mean to have a government without the rule of law and the possibility of throwing the bums out. I think we just haven’t thought that through in all of its banality: the neighbors denouncing you, your kids not having social mobility because you maybe did something wrong, having to be afraid all the damn time. African Americans and some immigrants have a sense of this, but in general, Americans don’t get that. They don’t get what that would be like.

So that’s a minor key. The major key, though, is the 20% or so of Americans who really, I think, authentically do want an authoritarian regime, because they would prefer to identify personally with a leader figure and feel good about it rather than enjoy freedom.

You mentioned the word banality, which makes me think of Hannah Arendt’s theory of the “banality of evil.” What would the banality of authoritarianism look like in America?

So let me first talk about the nonbanality of evil, because our version of evil is something like, and I don’t want to be too mean, but it’s something like this: A giant monster rises out of the ocean and then we get it with our F-16s or F-35s or whatever. That’s our version of evil. It’s corporeal, it’s obviously bad, and it can be defeated by dramatic acts of violence.

And we apply that to figures like Hitler or Stalin, and we think, Okay, what happened with Hitler was that he was suddenly defeated by a war. Of course he was defeated by a war, but he did some dramatic and violent things to come to power, but his coming to power also involved a million banalities. It involved a million assimilations, a million changes of what we think of as normal. And it’s our ability to make things normal and abnormal which is so terrifying. It’s like an animal instinct on our part: We can tell what the power wants us to do, and if we don’t think about it, we then do it. In authoritarian conditions, this means that we realize, Oh, the law doesn’t really apply anymore. That means my neighbor could have denounced me for anything, and so I better denounce my neighbor first. And before you know it, you’re in a completely different society, and the banality here is that instead of just walking down the street thinking about your own stuff, you’re thinking, Wait a minute, which of my neighbors is going to denounce me?

Americans think all the time about getting their kids into the right school. What happens in an authoritarian country is that all of that access to social mobility becomes determined by obedience. And as a parent, suddenly you realize you have to be publicly loyal all the time, because one little black mark against you ruins your child’s future. And that’s the banality right there. In Russia, everybody lives like that, because any little thing you do wrong, and your kid has no chance. They get thrown out of school; they can’t go to university.

We don’t imagine how a regime change is going to be at the dinner table. The regime change is going to be on the sidewalk. It’s going to be in your whole life. It’s not going to be some external thing. It’s not like this strongman is just going to be some bad person in the White House, and then eventually the good guys will come and knock him out. When the regime changes, you change and you adapt, and you look around as everyone else is adapting and you realize, Well, everyone else adapting is a new reality for me, and I’m probably going to have to adapt too. Trump wants to be a strongman. He’s already tried a ​​ coup d’état. He makes it clear that he wants to be a different regime. And so if you vote him in, you’re basically saying, “Okay, strongman, tell me how to adapt.”

Yeah, we could talk about Project 2025 all day. This new effort to bureaucratize tyranny—which was not in place in 2020—could really make the banal aspect a reality because it’s enforced by the administrative state, which is going to be felt by Americans at a quotidian level.

I agree with what you say. If I were in business, I would be terrified of Project 2025 because what it’s going to lead to is favoritism. You’re never going to get approvals for your stuff unless you’re politically close to administration. It’s going to push us toward a more Hungary-like situation, where the president’s pals’ or Jared Kushner’s pals’ companies are going to do fine. But everybody else is going to have to pay bribes. Everyone else is going to have to make friends.

It’s anticompetitive.

Yeah, it’s going to generate a very, very uneven playing field where certain people are going to be favored and become oligarchs. And most of the rest of us are going to have a hard time. Also, the 40,000 [loyalists Trump wants to replace the administrative state with] are going to be completely incompetent. When people stop getting their Social Security checks, they’re going to realize that the federal government—which they’ve been told is so dysfunctional—actually did do some things. It’s going to be chaos. The only way to get anything done is to have a phone number where you can call somebody at someplace in the government and say, “Make my thing a priority.” The chaos of the administration state feeds into the strongman thing. And since that’s true, the strongman view starts to become natural for you because it’s the only way to get anything done.

Timothy Snyder Explains How Americans Might Adapt to Fascism Under Trump

[peachjagiya]

I hope you don’t take offense to what I am about to say cuz i’ll speak freely. I think the issue here is, so many taekookers kept talking about how much Jungkook didn’t want to do the show and even went as far as claiming that he was forced to do this show no matter how much Jungkook verbally proclaimed how much fun he was having and how he loved the show. Let’s also be serious here, does anyone really believe that Jungkook would have continued shooting in other locations if he hated the first experience in NY? Before someone comes up with the contract excuse, I need to remind everyone that this show was never the company’s idea. It was Jimin who thought of it, told Jungkook about it and then pushed at the level of the company to make it happen. I had never gotten chance to watch ITS friendcation with Tae because honestly I am more a music fan and their variety shows or other healing shows kinda bore me but I recently watched Friendcation and it was Tae too who wanted to film the show with his wooga squad and from what I understood from what they said at the beginning, he was the one who took the idea to the company and they let it happen. So I don’t think it’s fair to claim that Jungkook couldn’t back out of the show even if he didn’t like it because he was contractually bound.

Right now if I were jikookers I would gloat too because so many people have claimed that Jk looked miserable, looked disinterested, didn’t want to do the show at all or didn’t see the point but from his own words we know that is far from the truth. Not only did he declare how much he loved the show and how free he felt during the show, he also thinks that out of all the trips he been on in his life, these trips for AYS were the best. He also mentioned wanting to go back to the start of their trip so anyone still claiming that Jungkook didn’t love being on that show is not being realistic or reasonable at all. He could have just not said anything if he didn’t feel that way because ofcourse he couldn’t say he didn’t enjoy the trip if he didn’t (or maybe he could) so knowing how blunt Jk can be if he said he loved it, then he loved it. So I think it is wise to just stop with all the stuff about him not liking it or not not wanting to be there because nothing we have seen and heard from him supports that line of thought. He clearly looked bummed that the trip was ending, him and Jimin, and someone wouldn’t feel that way if they didn’t enjoy the trip. I feel like those trips to him, were an opportunity for him to break away from his excessive work load for a few days and just unwind, have fun and eat to his hearts delights. In hindsight, I think it was a great Idea that the show was there to film as after watching his documentary and seeing just how much he worked and pushed himself, I think those few days inbetween schedules to just have fun did him some good.

This is just me stating my honest opinion and I hope I didn’t say anything condescending or rude.

Honest opinions are fine and you're welcome to them.

The only thing I want to query is that jimkookers should gloat. What is this victim storyline? Oh well they're only gloating cos we were so mean to them?

They spent a couple of weeks saying JK visibly hated Tae, laughing at misinterpreted jokes to make it look like JK wanted him gone, mocking their short lay down. Did they all bow at our feet when he finally said it was better with Tae? No they absolutely did not. What they did was just carry on. Cos they perceived events a different way. And I couldn't give a fuck if they do that.... until they get pissy when others do it.

I have never, in my life, been to a JMKK space to "gloat." Or to say anything actually. I've often wondered about their thoughts on things and I just haven't ever. It's not my space.

Imagine if the tumblr Taekookers reacted to, for example, Hawaii this way. Ran into Jikook spaces to "gloat". Because as you say here, we had plenty of reason to. After months and years of "JK can't stand being around him" and "Tae just lies" that became too much even in the short time I've been around, there was vindication. Yeah, we could have gloated.

I bet if we'd done that, the first thing the jmkkrs would say would be "why hasn't this made you feel good?"

What actually happened is we just had a couple of exciting days being dorks about it, feeling good and happy in our "community" here.

So they should go do that.

[mama-qwerty]

Okay, so I'm working on the next chapter of Lost and Found, and rewatched the little Master Emerald backstory scene for details.

I just noticed something.

Tails said that with the Master Emerald, "a single warrior could defeat entire armies".

Could.

That's not the same as did.

I know it's speculated that this version of what happened wasn't the full truth, as history is written by the victors and all that. So it's very likely that the owls aren't the benevolent heroes that Sonic and Tails were led to believe. And they read this account in an owl temple, which would of course make the owls out to be the good guys, and the echidna out to be the bad guys, with no gray area in between.

Now, based on game lore, we know that the echidna did go after the Master Emerald with the intention of using its power for themselves. But movie lore isn't the same, or at least isn't following the same beat-for-beat game story. So there could be some play there.

Another thing that pokes at me is the masks the echidna from all those years ago wear. They look suspiciously bird-like to me, in much the same vein as the ones Knuckles' tribe wore more recently. With the latter, you could see that as an "I'll wear the skin of my enemies to scare them in battle" kinda thing, but why would echidna from ages ago wear bird masks, if they didn't already have a beef with the owls?

So maybe the owls and echidna were already beefing, and in an attempt to either defend themselves, or end the war before more blood was shed, the echidna formed the Master Emerald. This scared the owls shitless, and they decided nuh uh, that ain't fair, and decided to remove the ME from the echidna and just hide it away, thereby doing an about face and making themselves out to be such kindly and good-hearted folks to have 'saved the galaxy' from the 'horrible danger' that the echidna presented.

Or

The owls were the ones who coerced the echidna into forming the Master Emerald in the first place.

Maybe the two species coexisted in peace for the most part, but there was a faction of the owls that wanted more. Maybe the echidna at the time were more pacifists, and content with guarding or protecting the island and gems more than anything.

Maybe there was an order of echidna that trained under the owls as warriors, under the guise of becoming better guardians for those they protected. They didn't seek power or want to conquer, they simply wanted to keep their loved ones and home safe.

But the owls took advantage of this desire, and convinced them to form the seven chaos emeralds into a single gem, one that held unimaginable power. One the owls hoped to use as a weapon, perhaps against the echidna themselves.

Once the ME was formed, it grew too powerful, too tempting for the echidna to resist, and one single echidna warrior became fused with it, possibly by accident, becoming more powerful than any before.

The owls, not wanting to fess up to being the ones who planted the idea for the echidna to do this, stepped up as the heroes of the galaxy, bravely fighting this power mad echidna for the good of all.

The echidna, feeling betrayed, now have a royal beef with the owls, and vow to retrieve what they'd been tricked into creating, and then had stolen away from them. So they truly were looking to restore their honor, because the owls had taken advantage of them, and pushed them to do something that went against their very nature and code.

I hope this makes sense, I'm just spitballing off the top of my head.

I don't know if we'll ever discover the whole truth to what happened when the ME was formed, but am certain that there's no clear good and bad in this.

[detta-pica]

Mei Mei, Juju Corp’s CFO, strolls in, followed closely by her ever-present personal assistant, Ui Ui, who is an actual child and therefore definitely an illegal hire. Probably he’s not an official employee at all. When Satoru first saw him and Mei interact, he decided it would be healthiest to mind his own business, though he did leave an anonymous tip with social services. Nanami, the COO, is right behind her, steps brisk, annoyance carved deeply into the lines of his face. Immediately, Satoru knows that Nanami knows that something is not right. It’s in the way Nanami pauses in the door, takes in Satoru’s closed laptop and noodle-like sprawl on the couch, and loosens his tie with the gravitas of someone preparing for their own execution. Satoru decides not to prolong his suffering. “I quit.” “Absolutely not,” Nanami says immediately. “You can’t stop me.” “We can sue you,” Mei informs him pleasantly, “if you mean what I think you mean, which is that you want to leave right now and never come back to this office.” Satoru grins. “That’s exactly right. I could file an anonymous report on my own negligence and get myself fired, if that’s what you prefer.” Nanami pulls out his phone and dials. “We need time to find a suitable replacement, you selfish--ah, Ieiri-san. I need you to talk Gojo down from quitting his job on the spot.” Satoru takes the phone when it’s thrust at him. “Shoko! I’m quitting!” “Congrats! And hey, I actually meant to call you anyway. Your great-uncle, the one who ran away from home and settled on a farm here, died last night. Do you know if anyone will be sad or can I handle it through the Gojo legal team?” “Huh. No, no one will be… Wait, there’s a farm?” Shoko exhales in that tell-tale way that means she’s smoking, even though she swore up and down that she’d quit the last time they talked. “It’s in terrible condition. Finding a buyer will take forever, I bet.” “I want it.” “You what?” “Shoko, I’m gonna live on that farm.” He can see it in his mind’s eye. A quaint little house with a porch swing, rustic decor, and a little fireplace to make it extra cosy in winter. There’s probably a barn. Maybe a chicken coop? He could get a cat, the kind that will roam on its own and leave dead rodents on his doormat. “Gojo, wait.” Shoko sounds distressed. “You know that--” He ends the call and beams at Mei and Nanami. “I just got great news. My great-uncle is dead!”

Listen. I've wanted to write a stsg Stardew Valley AU since before the March patch, but I got distracted with other things. I'm still distracted. This thing is nowhere near done, and it's not coming soon, but I didn't have anything better for WIP Wednesday.

(Current fic timeline is something like:

witch AU, with 5 stories to go in the series

a dark fairytale thing for Halloween

vampire AU sequel

Stardew Valley AU

fantasy AU no. 1

fantasy AU no. 2

The order could change. We'll see.)

[pyrosomatic-metamorphosis]

tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.

but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.

[daily-hanamura]

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[strawberryicemoon]

Why I can't watch the Ducktales Finale

I'm not the kind of person who struggles to watch the last episode of something. I love to finish a show, and let it sit in my brain. I'm the kind of person who often enjoys spoilers because it adds to my understanding of the media. I love to view the media in their entirety just as much as I love a journey to get there.

But I can't get past the first few minutes of Ducktales 2017, The Last Adventure. And it's because of spoilers that I couldn't deal with. I don't like them, and even years later after I've had time to digest, and have seen so many finale clips, that I still can't just sit down and watch it. And I've made attempts. I've looked through the summary of the episode to prepare. But I can't.

And there's... a couple of things that rub me the wrong way about the Finale that keep me from being able to just watch it.

1. Webby is Scrooge's Clone Daughter

2. Webby is April, of April May and June

3. Donald and Daisy are going on vacation.

Now, I don't actually hate any of these... conceptually. And I'm well aware that Frank Angones has stated the Webby twist was planned from very early on. And usually I am completely down for whatever a finale is, as long as I can tell that this was something the creator really believed in.

I'm a fan of such "controversial" endings as, Amphibia and Digimon Adventure 02, because I know exactly why they ended like that. It's written in the themes. Even if it took me time to understand Adventure's ending, I've grown to understand it and love it once I learned more about the original Japanese version and the shows production (and also grew up myself). Amphibia ended exactly as I expected based on one of the very earliest things I heard about the show from Matt Braly: "an ode to past friendships". Even if I think there are things they messed up I GET IT. I wouldn't want them ending any other way.

So I understand WHY the decision is made. Conceptually it does make sense. Webby exists as a composite character of April May and June, and I believe shares the same name as April in one language. Webby being Scrooge's clone daughter is an effective way of full-circling her relationship with him. Strangers in each other's home to father and daughter. She's family not BECAUSE of Blood, but because of Love. She still loves her Granny, it's just the non blood relationship wasn't the one she thought it was. And Donald deserves a vacation, and to have the more down to earth life experiences he wanted, especially after raising his sisters kids alone for 10 years.

But they still twist me up inside.

And I think it comes down to three reasons: 1. Lack of Continuity between episodes 2. An over-focusing on Scrooge 3. Handling of Word of God

1. Lack of Continuity between episodes Part of what got me to fall in love with Ducktales was S1 and the continuity of the Spear of Selene subplot. We got hints at a semi-regular pace, but it successfully overhung the entire series. It was what separated Scrooge and Donald. It was why Della was gone. The subject matter was of course not something that needed to be overstated, as most of it was being kept hush hush. Sure it was a mystery, but not an urgent one. Dewey had never had his mom, so it wasn't like he couldn't focus on anything else for a while

But in S2 I started noticing that the show stopped explaining or foreshadowing things. Maybe it always did, I haven't re watched it properly. But I definitely noticed something off about the storytelling then. But it was definitely a problem throughout the show.

Webby never brought up Lena after her sacrifice until the relevant episode.

Lena living with the Sabrewings was something never brought up until episodes later we saw her with them.

We had Della talking about the boys with their "Uncles" setting up the pain of not knowing how things fell apart after her departure, only to get no payoff.

We didn't get ANYTHING about Webby's parentage until the final episode, and barely a hint in 1 season 3 episode.

Almost every finale episode changes the status quo in some way. The question is how much. Lots of final episodes kind of have things going back to the way they were before plot kicked off but better (like with new friends or a new government). Sometimes someone dies.

Webby being Scrooge's clone is paradigm shifting. And that kind of thing needs to be set up. You CANNOT catch your audience off guard with something like that.

In Digimon Adventure 02 the series ends with everyone on earth with a digimon partner which is controversial but at least built up throughout the series at hints of other digidestined until an arc near the end showcased many international digidestined. Hilda ends with the reveal that Hilda's mother is half-fairy, and despite not being present throughout the first two seasons, it was hinted at through the third season, and contextualized some of the few things we did know before about Johanna's childhood. The Hollow's first season ends with you finding out it was all a game, but it had been hinted at before with the video game nature of the world. Sure Avatar didn't hint at Aang getting the power to take away bending, but we knew he was a pacifist who didn't want to kill so was looking for a solution, getting the power to remove bending (ie power over others) works thematically, in the same way Anne using the power of the stones and getting brought back to life by a god like being worked. Sure, Scratch turning out to be a wraith at the end of The Ghost and Molly McGee was rather sudden, but people had been theorizing that Todd was Scratch's body for a long time, so it wasn't like there weren't any hints, and while the show was cut short and had to rush to end, the build up of Scratch's memories at least gave some sort of foreshadowing link to what was going on.

There's a reason people rarely throw in new characters at the very end of a show. It can absolutely work. Amphibia and The Owl House threw in "God" at the end, but that gets a pass for being the kind of figure they meet once and then move on with their lives. On the other side, you can sometimes have secret big bads that were pulling the strings the whole time too. I can't speak for the finale of Ducktales (because again, can't bring myself to watch it), but adding two new characters on top of changing the entire dynamic of how the family is set up at the very end of the show does not sit well with me. We won't get to see how this change in status quo effects the characters. We saw how learning about their mom affected the boys relationship with Scrooge, her return and having to build a relationship with her and her presence conflicting with Launchpad's. But we don't get that with Scrooge and Webby? Basically too many status quo shifts in the finale all at once.

All we got was Beakley was a spy, was overprotective of Webby, and a few episodes before the end it was revealed Beakley was lying to her. Webby didn't seem to care about her parents. And this was a girl who was very dedicated to unraveling the secrets of clan mcduck. Couldn't they have had one hint at some point in the show where it was unclear if it was the boys or Webby who were recognized as a McDuck? Some offhand mention where the boys ask her about HER parents, because she helped them with her mom?

You couldn't tell what was or was not going be important in the way they dropped. It's very hard to set your expectations when you had no clue what to expect. And while there is something to be said for unexpected surprises and twists in a story, an audience really needs to know what is or is important or they're going to go on wild goose chases and get disappointed when they build up hype for something the show then refuses to address.

In HINDSIGHT, I find it extremely odd that Huey and Louie, prior to finding out about Dewey's investigations, did not pry at ALL into the fact that hey: if Donald was an adventurer with Scrooge, then he had to know their mom. Like that’s weird right?

2. An over-focusing on Scrooge Scrooge is the Center of the Universe.

I'm not a Disney Ducks fan. Aside from 2017, and pop culture osmosis, I know very little. But the thing is I am someone whose first inclination once I become a fan of something is to check out the wiki pages for information. Find about what longstanding fan mysteries there are. I understand the importance of cross continuity callbacks. I'm a fan of other longstanding series and have rubbed elbows with several others. I get really long franchises with several iterations.

Which is to say that I, despite not having a horse in this race, understand how this works and how it should work.

Now a bit of this is the fact Ducktales is ABOUT Scrooge. But Scrooge isn't the center of the Duck universe. Something I find pretty interesting is the fact that Donald has reasonably fleshed out family trees on both sides of his family. That's cool. That's how real people work, a meeting point of the stories of those who came before. But Ducktales doesn't care, the only adult the show cares about is him. I get that to a certain extent it was the show execs insisting on focusing on the kids. And again, he's kind of the main character. But you brought back Donald, and Della. There are other characters here with rich lives, he doesn't need to take over everything.

It's especially egregious ANY time the McDuck clan gets involved. Could Matilda be the youngest child now? Sure. But that's a really arbitrary change, that they don't use for anything. And even if that was purposeful, the fact is that the first thing they established is Donald's mom is still Scrooge's sister, so Donald is the grandson of Fergus and Downy McDuck. Not nephew? Surely they could recognize him? But where is Hortense and Quackmore? They brought them up in the first episode, and then they never made any appearances aside from references. Why were Donald and Della staying with Scrooge for Christmas? Never clarified. Fans (reasonably) assumed they were dead. Scrooge called Donald his ward (admittedly when he also called him Fergus and Downy’s nephew rather than grandson). I mean where else would they be when their DAUGHTER DISAPPEARED. Would they not want to meet their grandchildren? But that was never clarified. And I've seen some fans alternatively interpret them as bad parents, which I think is just really unfair. Scrooge gets to be the good parent? It's once again Scrooge to the rescue. The CAPITALIST? I mean it's also a little bit just a family issue in general: It's Uncle Gladstone and Cousin Fethry when they are theoretically the same: technically cousins but old enough to be honorary uncles. It's fair enough. But really that brings us to the Duck family in general.

Grandma Duck? What about Gladstone and Fethry's parents? Gus Goose? Are they all dead? Does Fethry have any siblings? Do the boys not know or not care about the Duck side of the family? They know Gladstone but no one else? I mean Scrooge's parents, who should be dead, were magically kept alive but nothing for the duck family. Speaking of which, they constantly bring up how old Scrooge and occasionally refer to the causes of his supernatural age, but that does not explain how young Donald and Della are compared to him. Overall, we get nothing on the Duck family except for its existence at least, so even removed from the context of Disney Ducks legacy its weird to introduce a side of the family and just gloss over it.

The one episode about the Duck family legacy is a Webby episode. Which, fine, she's not a Duck, but she's part of the family. Except wait. She's Scrooge's daughter/clone, and you gave her the focus on the one episode about the Duck family not the McDuck's? You couldn't leave Scrooge out of anything?

So for Webby's great twist in the finale, was taking not just one, but two characters NOT related to Scrooge (April and Webby), and tying them to Scrooge. I think I could deal with Webby being April, and (HUGE MAYBE) Webby being Scrooge’s clone or April being Scrooge’s clone but not both. Not to mention April, May and June are DAISY's nieces... not random three girls who are her boyfriends uncles clone and and boyfriends uncles clones clone? It doesn't sit right with me that a character who I thought was supposed to be learning that he was sometimes in the wrong, and not the center of morality (see how he made Glomgold a villain through his own ego), continue to be made the center of the universe in ways he simply shouldn't be.

He's literally an old rich guy. Like there is historical context for why this character is like this, but why does the world revolve around him in this show.

3. Word of God Word of God is useful. As are interviews and statements made by the creator. It helps to provide insight into the themes. I love seeing the person behind the art.

But here's the thing. Word of God is clarification, insight into how you should look at the work to set expectations. It's supplementary. It doesn't replace text.

This is a little bit difficult to really talk about now that I'm several years removed from the experience, so grain of salt and all, but I really think the way Word of God was handled did the show a disservice.

Back to Lena becoming a Sabrewing, we didn't get that in show. Lena just dropped off the face of the earth, not until S3’s premier we got a clarification on that in show.

We never got Della's reaction to learning that Donald and Scrooge were estranged, she just suddenly stopped speaking under that assumption.

So Word of God became an essential part of understanding the text, because a lot of necessary information was left unexplained by the canon its a huge problem. And Word of God is often fluid. It can be changed later if during the writing process something changes. (We should probably cover this topic in show and want to do it a bit differently, I have a great Idea of what we can do to turn that error into foreshadowing, I was lying to the fans to keep a secret).

But when word of god is necessary, word of god becomes essential for tempering expectations about the show.

This is probably going to be less of an issue for people who come and watch the show later. Sure, things are still unexplained, but when you can binge the show Lena's unexplained absence is less obvious, you're so busy moving on to other things that Della's change in understanding about the situation is clearly unimportant and you can move on.

But what ended up happening is that Frank Angones struggled to balance clarifications, keeping show secrets, and a sometimes changing story. Which sometimes left characters completely sure on where the story was sitting, only for it to be ripped out from under them. Also, tying back to the first point, of plot points being dropped until the episode where they where they were relevant made it VERY difficult to tell what was or wasn’t going to be relevant, and what emotional beats to get emotionally invested in.

Prior to the finale there was a bit of a community of Webby/Triplet shippers. Personally, I see that as a complete dismissal of the themes of the show and a bit heteronormative. I avoided all such content. But at the same time, shipping doesn't hurt anyone. At the end of the day, the boys and Webby were not related by blood, and hadn't even met until age 10. There wasn't... really a reason you couldn't ship them. There are TONS of shows out there with 10 year old characters and love interests. Just off the top of my head: Any Ship with Ash Ketchum, Sprigivy, Phinabella, Kenyako, Sorato. Even if they don't get together at 10, (or at all) the fact of the matter is 10 year olds getting shipped is old news. I'm still attached to Pokeshipping and Takari to this day, even if I tend to see them more as platonic relationships these days. So I avoided all shipping with them, but I understood why people (particularly younger people) were shipping them. Until the finale hit, and the ships that people thought never going to be canon, but were safe, weren't. To a certain extent, that's the game you play with shipping clearly noncanonical ships. But I feel that the way questions about shipping were answered didn't help, because iirc he tended to say the show wouldn't focus on that more than he explicitly stated the kids were family. He called Webby/Triplet shipping highly unlikely for example, giving it more legitimacy than a no, which leant to it being taken as a solid fact prior to the finale that Webby was definitely not related to the boys, because a lot of what else was said was solid fact.

4. (Bonus): of course, I do also feel it kind of isn't enough to justify breaking the found family. So much of Webby's arc was being accepted into the family. Becoming the 4th triplet. So for her to have been blood all along is a little cheap. Sure it doesn't break the becoming family despite blood before. But, having meta-knowledge of Launchpad probably finding family with Gosalyn and Drake Mallard, it's just Beakley whose left as not blood related (and she's technically the help...). And yeah, there's the Granny/Grandaughter adopted relationship. But....

Webby is one of four kids. Again, she became one of the kids. So yeah. I'm happy that she became one of the kids. Able to call him uncle scrooge. But it feels weird to me that she, the kid who already lived in the manor with Scrooge even if they kept their distance, displaced the triplets as Scrooge's natural heirs. The uncle relationships in this show being parental/grandparental was already good. Not all families look the same, some people parent their siblings' kids for one reason or another. Scrooge's presumed "heirs' ' was his sister's descendants, not his, but he loved them like his own. That's good. So to not only break the "not blood related at all" to "actually daughter", kind of ALSO meant a "my niblings are my legacy" got overtaken with "my daughter is my legacy".

And maybe I'd feel less sour about it if we had more time after the show. But on a fundamental level it didn't just alter Webby's place in the family, but her grandmother's, and the Duck Twins and Triplets. Again, especially with the triplets. I wanted the four of them to become functional equals. The 4th triplet. But for her to have a secret Scrooge connection that overtakes the one she was jealous of the triplets of having doesn't sit right to say the least.

I feel I could get over this one, especially maybe if they gave us more time. But it just didn't make it worth it to me.

5. (Bonus Bonus): Now I don't use the term Mary Sue lightly. But what I do think of canon Mary Sueism is a tendency to make female characters on predominately male casts "special" in some way to justify their presence. They have to be the level headed smart ones and the ones with . They have to be likable so they're robbed of character. I wouldn't say Webby is a particularly bad example of this, and it's not like Ducktales lacks other flawed female characters (Della my beloved).

But the way Webby is treated reminds me of April from TMNT 2012, and Allura from Voltron Legendary Defender (and kinda Larmina from Voltron Force). All are 80s characters in shows that had a predominately male cast of characters, and who were both an outsider, and defined by being a girl. And then the reboot both doubled down on making them special, integrating them into the group more, but also making them generally tougher the boys in some way, and also sometimes more in the know about things. Webby is aged up to match the boys age rather than aged down to match the boys age like April but the effect is still the same.

The girl is now a peer to the boys, 4th triplet, rather than a little sister. Webby is more capable and well-read than any of the boys. And at the start of the series she's socially awkward enough it feels like it will work. And I'm not saying Webby isn't flawed, she is. But when it comes to the things the family finds important: adventuring, she doesn't have any obvious shortcomings. Louie quits easily and isn't as coordinated, Dewey is reckless and generally uneducated, and Huey isn't flexible. And Webby... used to be socially awkward???

It’s kinda trading 1 sexist trope for another. And yeah, all shows do have OTHER female characters who kind of avert this. But it doesn’t change the fact the leading lady is more “special” than the boys. Like being a girl has to be special.

In short, at the end of the day Webby being Scrooge's daughter doesn't help her character, her grandmothers, or the rest of the family. It kinda helps Scrooge’s character, but while I haven’t seen the episode myself, I’m not sure there would be enough time for it to be meaningful. And again, I think a lot of the characterization and worldbuilding of other characters were already sacrificed for Scrooge’s sake in the show already.

Oh and the Donald/Daisy thing.

The reason Daisy/Donald's trip doesn't sit right with me is we barely got any Donald and Della having to coparent. Get used to each other again. We barely got any of them and we're heading back into separation. It doesn’t feel cathartic when we still have unanswered questions from this stage in their life. And even if the trip is well, a trip. It feels weird.

It feels kind of unexpectedly "conventional family", even if it's still really unconventional. Donald is going to go be happy with his love interest, away from the boys he raised who aren't actually his sons (and yes, I know he takes May and June with him but still, knowing that May and June are by default Daisy's nieces kind of has "new kids with new wife" implications to me but that's neither here nor there). Adding this to "Webby being Scrooge's daughter is a good plot point for him" and it's just really weird, and kind of feels like the final nail in the nontraditional family dynamics coffin. If feel only way they could have buried it more is if Beakley died or something.

I was already kinda uncomfortable with the “Daisy being the only one to understand him” thing because like. That’s sweet. His soulmate is the only one who really hears him. But also that’s a fucking speech impediment Donald has. Are you telling me that no one in his family cared enough to effectively communicate with him despite his disability? Like if it is REALLY that much a problem he should have an effective communication method. Sign-language for example?

The triplets he raised don’t always understand him. His twin sister doesn’t always understand him? But this random woman does? I am all for Daisy and Donald being basically soulmates. But uh? This feels both ableist and allonormative in a show that really wasn’t those things before. (well okay it was kinda ableist about Donald but it felt less weird to me when there wasn’t one person who could magically understand Donald). And Daisy understanding him still could be a big thing? The first person who understood him without getting to know him first/wasn’t literally raising him/raised with/raised by him?

I want to like Daisy so much, but she just feels a bit like Webby does: a legacy female character they are trying to make too cool, who gets some of their coolness incidentally defined by a male character, rather than a full-fledged character on their own. (For instance if we saw Daisy with anyone other than Donald, her overbearing boss and… whatever Storkules is). 

I feel some of these may have been resolved with more time. But some of these problems had their seeds planted as early as S1. That said I think if the quality of S1 was maintained they would have been fine. Overall, I think Ducktales is a good reboot, and a good show, but it really could have been better. Was so close to being better.

[toytulini]

me, stupidly and weirdly resistant to listening to audio books vs reading a physical book for no real reason: man i wish there was a way to like, read a book while i crochet like i do with tv shows and movies and podcasts

[plulp]

duuuuude oh my god i had to redesign this guy like THRICE because i couldnt get it RIGHT! heres EDEN. for you.

[roitaminnah]

um. literally about to fall asleep and then i remembered this idea i sketched out the other day and jumped out of bed in a cold sweat to look at it again

[bigothteddies]

I think that part of what like. kills me about the whole media literacy and critical thinking aspect of enjoying media these days is that people refuse to like. contextualize that

A. Bad media can still hold significant meaning to people

B. Media made for a demographic you aren’t apart of is not inherently bad media

C. Media made for and consumed by the opposite demographic is not inherently shallow or flawed nor is it above criticism for its media tropes either.

[pillowenvelopchair]

Absolutely fucking stupid that my schools suicide prevention protocol is to basically to put someone in house arrest until a professional can write and “prove” that theyre okay so that theyre sure that they can let a student back in. Yeah. Sure. Just force someone to be in the house where they are even MORE at danger when there are literal sharp objects makes it easier to do it