#maybe think of another idea too

[katimanki]

Yo my dudes👏🏻🌈, if I could just decide and post 💙byler💛 art🎨 everyday, I would. But I can't just do that actually😔, because I am slow🦥 as fuck(at drawing lol) and busy🏃🏻 as a bee🐝 or whatever . After I got done with elmaxweek👩🏻‍🦰👩🏻I have worked on my 💙BylerBigBang💛 art🎨(🎉excite!!💥 WOoo!!🚨🚀) AND😳 I just got an iPad📱🤯 so I'm trying to learn🧐 how to use it🤔, and I am failing😵‍💫😔 miserably💀

Anyway I do have one1️⃣ plan📝 for 💙💛bylerween🎃 so hopefully🙏🏻 I'll get something done✔️ by then if anyone even cares✌🏻

Best regards👼🏻, The Bitter Artist👩🏻‍🎨💕

(I'm on a silly🤡goofy🤪mood okay, I'm posting status updates like I'm on myspace or whatever idk lol)

[screwpinecaprice]

Actually cute. Had to do a quick redraw.

Screenshot is from when Jay lit up the Jack-o'-lantern in the living room.

[bloodbonesandmarrow]

The Emperor Undying, John Gaius

Photos and editing - @Stingray_photos (IG)

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[skunkes]

[clumsypuppy]

axolotl

[saetiate]

pov you're on sae's line messages with me

p.s. i might srb this but please don't reblog!! i am open to replies but i'm feeling a little shy about this ahaha <3 thank you for your kind understanding!

[cent-scratchnsniff]

MALUTHHH!!!!

[im-kinno-hello]

and if i made a comic about them making a blog for the weird demon dog they found in the woods just because they are being brainwashed by it and it told them they need to spread the word of what word they don’t even fucking know?

[st4rstudent]

Winn + Mac fusion idea. lalala.

[somegrumpynerd]

Remaining kitties for the garden

Here are all the kitties who didn't make it to the website and their pet screens c:

^The regular kitties (The nothing option would make Error show up and just kinda glare at everybody lol and there would be mirror and paper bag options to see Dust and Horror again)

^The winter kitties (The snow option would bring out Blue and Dream, the christmas lights brought Fresh and the stocking was Ink)

^The special pairs (I don't think any of these made it to the polls lol but putting out a bed would bring Horror and Dust together, putting out a rainbow cushion would bring Color and Killer (this was how you would finally be able to pet him) and putting down comic books would bring Epic and Cross, who would finally purr when pet with his bestie)

[orengejoshi]

do u write fanfics? i need to GOON 💔

damn brother, you just gonna come at me like that? alright I see you

that's a great question tho! I have indeed thought about writing a fic... for years tbh...

but there's a myriad of problems

well first of all I'm not native in english. that is probably noticeable more often than not. I sometimes even use a translator, I always secretly got google/dict.cc open in a second tab. didn't formally learn english, I just snagged it by proxy listening to American Youtubers and reading manga online. that's why I prefer to ramble a bit in public or to my damn self in private areas than live-texting 1 on 1/in groups; bc I can take more time totally judgement-free. you're gonna see me "typing..." for 30 minutes and wonder wtf is taking this mf so long?!

apart from that there's dyslexia. I can't spell one word correctly without swipe-to-type autocorrect. I think all arguments I've gotten into stem from me mistyping, using completely wrong words, messing up the sentence structure etc

my brain is a single dense cloud of fog that'll occasionally split open to drizzle down a bunch of jumbled thoughts that I could turn into barely cohesive words if I'm brave enough and exude copious amounts of energy.

so my linguistic skills are not up to par. my intelligence lies more in... intrapersonal and existential departments.

unsurprisingly I've thus become a visual artist to express myself.

the catch is... that I understand paperhat, I do.

but I can't seem to draw toxic dynamics. my head is just empty about how to depict it. it's like it doesn't come naturally to me. not without going overboard and making a whole comic that I would likely abandon before even reaching the half mark. I've been given these angelic skills along with the curse that I shall only draw joyous, bright scenes.

however if I could write it... now we're talking.

as a matter of fact, I'm pretty sure that most of my ideas are way too dark and sober. people don't know me like that so I'm petrified about the presumably shocked response when and if I did drop smth like that.

I'm not ready for that... I have really severe OCD (that the internet is making way worse with their anxious tendencies to interpret smth sinister into any and all fiction that is not happiness and rainbows. which seems new to me, idk where this mindset to read so deep into shit is suddenly coming from. I was here 2017-19, left for like 3 years and all of a sudden everybody's fallen off their rockers)

writing domestic stuff is too boring for me... there's gotta be gut-wrenching horrors and drama and tragedy and conflict!

none of this would be PG (which is what I assume you're asking for anyway) I'd just write smut with sprinkles of character studies and a pinch of comedy mayhaps, but I used to do that about 10 years ago and it was so bad. the way I describe these scenes comes off very plump and cringe

I... might. dip my toes into it later this year.

I'll drop a few ideas in the tags... maybe 2 ideas. very roughly. without spoilers, just in case.

[cowboy-robooty]

im not going to lie i have an illuminati type theory that fanfiction has gotten so fucking bad recently as yet another consequence of the pandemic

[feroluce]

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

[lumiereswig]

I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:

It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."

If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.

The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.

My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.

[irenespring]

Thoughts on Bertha Russell (Many Thoughts)

I am So curious about Bertha Russell's backstory. We have little snippets:

Her father was a potato farmer.

She has lots of mommy issues. (George mentions her mother said she was the only child "worthy of her dreams" to which Bertha angrily responds that her mother's dreams were worthless because she died with nothing which is A Lot)

She has sibling issues. (George offers to invite her sister to a thing and she refuses)

She and George met when they were both poor, they made the fortune together.

She had a distinct learning curve when they first got to New York. She bought The Wrong House and made The Wrong Friends and had to learn and relearn things over a period of years. (I am especially interested about this time, because she would know Nothing, being the ultimate outsider, but she is a tactical genius and viciously ambitious...I want to see young!Bertha in the early stages of the struggle before she knows how to dress/talk/act).

I hope we will learn more about her because more than any of the other characters she wants things. Things that are nebulous, but she doesn't seem to realize are nebulous, because she has clear goals but they don't satisfy her so she has to make another goal. Loving husband doing well? Not enough. They have enough money to hear the call of the guillotine? It's not enough, they need status. They have status? Not enough, they need to beat Lina Astor. Now they've beaten Lina Astor, but I don't think anyone thinks that's going to be enough. George points out multiple times that he is content where he is and content to let their children marry for love to people of what Bertha considers middling station. She's the sole driving force for continued social climbing. And it doesn't matter how high they get, she wants to go higher, she wants to go "all the way" but there isn't an all the way unless I guess you're Empress of the World. But then the moon starts looking awfully conquerable.

She claims she's doing it for their children, but both children have said her suggestions aren't what they want. And it is heavily implied she just sold her only daughter to the Duke so he would attend an opera performance. She wants Gladys to marry the Duke so that she will be grandmother to English nobility. It's for her. So she is willing to use her children, her alleged motivation, as pawns. They aren't her real motivation after all, even if she may think they are. I do think she loves her children and George. I also think that she thinks she's helping Gladys, but I also think there's a limit to that love because it exists beside the yawning void of hunger within her psyche. George outright asks her if his love for her is enough to make her happy early in s1, because her love is enough for him. She says it's "almost enough" and that's significant and enough for him, which is telling, when usually any answer other than "yes of course" would be taken by a love interest as a searing betrayal. Anyway, the point is, her kids/her family are, at least, not her entire motivation and might not factor into her motivation at all, if she is fully honest with herself.

So, the hunger. The call to Rise. The rage that has her hyperventilating in bed alone after her failed party instead of crying in her husband's arms like most television characters would do. The instinct to look upon a room of people and think you will all bow to me you sniveling mortals. Why is it there? Like...why is she Like This? I think some of it has to come from what we can learn just from George's comment about impossibly ambitious, ruthless, low empathy Bertha being the only one "worthy of her mother's dreams." Which means her mother had dreams that were very important to her and that she never achieved. Her mother also guarded said dreams and judged her children harshly, we know Bertha has at least one sister, who is apparently judged not worthy in the eyes of her own mother. We know Bertha does not like talking about this and tries to dismiss it. Was there pressure on Bertha to be worthy? When could that have started and how did it manifest? Circling back to my interest in young!Bertha in NY, if the social rejection was bad in s1, it was probably worse then, and constant social failures would have made her angrier and more determined to both to become the queen of New York society and to see it burn. This is all stuff I want to learn more about in season 3.

HERE IS WHERE I PRETTY MUCH JUST DO PREDICTIONS (WHICH MAY BE TINFOIL, IDK):

Because I think we will finally get to see Bertha Russell: Season Villain. Every season needs a villain, and Bertha has pretty much vanquished all of them. The first couple seasons the overarching villain has been New York Society with its inequalities and pointless social cruelty, if that holds, Bertha is now the head of that system, having beaten Lina Astor and set herself up as the queen. Additionally, side opponents (not really villains) like Agnes also aren't in a position to make major problems for the protagonists because the Van Rhijn household is now the Forte household and cinnamon roll Ada is now in charge. Unless Agnes attempts to usurp her sister in a subplot (which I don't think will happen except for maybe one episode of hijinx) she's not in a powerful spot. The Society character is indisputably Bertha. And Bertha has been up to some serious villain shit. If she did agree to marry Gladys to the Duke, she's now against All the Protagonists---a sure sign of villain status. She's even against her husband, who swore to back Gladys in her choice of love match, and Gladys doesn't like the Duke. If Gladys wants out, Larry will almost certainly help her. And Saint Marian will help Larry either for love reasons or moral reasons, and hopefully Peggy has better things to do but she will probably get dragged into it somehow and if Marian's involved Ada's also involved and you see where this is going.

Also, show pacing wise, Bertha is due for a loss. I love her and I want her to win everything and be declared Empress of Earth and Moon but realistically that isn't going to happen. In a show where villains lose, it checks out. Gladys isn't going to marry the Duke, and if she does, everyone is going to regret it. One reason I think we will learn more about Bertha and her history is because if she loses she's going to Lose It. Dramatic monologue style. When she had a party and no one came she swore eternal vengeance and spent the night Angry Breathing and presumably fantasizing about the Red Wedding. She doesn't handle losing well. A big public loss after achieving every status symbol she could think of would probably break her mind, and she'll probably tell whoever she's talking to (probably George) enough backstory info that we the audience can fill in stuff. This is also where I would guess she and George would reconcile where he would see she is the person he loves and has not transformed into an automaton, she's just Messed Up, which he always knew and loved so he is Back In.

IN CONCLUSION:

This is who Marina was writing about. She is a primadonna girl, and all she ever wanted was the world. She cannot help that she needs it all, in this case the primadonna life: both the rise and the fall. She also knows exactly what she wants and who she wants to be. This is why she walks and talks like a machine. Unfortunately, she is becoming a self-fulfilled prophecy.

Oh, oh no. Oh no. Oh no. Oh.