Sigh take these doodles tumblr
Also ignore my love for middle aged Gradient Joe
Will wood reference on the 3rd
I’m so hungry
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Joe and Yuri from Megalobox. This happens after Nomad. 'Cause I took on the job of making middle-aged queers happy for myself, and I carry my duties with care. (Also, yeah, I have a thing for nourishing dead Fandoms). This is what happened after Joe's last fight. Now you know. Enjoy.
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WHY IS HE STANDING LIKE THAT-
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God help me I WILL babygirlify John Cazale in the hearts and minds of tumblr users if it’s the last thing I do
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|| To Scold A King ⚔️
AO3 LINK HERE
Pairing: Henry “Hotspur” Percy and Lady “Kate” Mortimer Percy -early 15th century
Dynamic: a rough northern lord and his too good for him lady -a lady who has, through years of an arranged marriage gone horribly well, come to find his homespun gallantry and blunt ways more than a little intoxicating when knelt before her in amused deference. She could almost find it in herself to be gentle with him -if he hadn’t just started a rebellion whilst away from her at the Capitol.
Fandom: RPF, Shakespeare? Tom Glynn-Carney’s 5 magnificent minutes of a performance as Hotspur in <The King 2019> the armor alone was amply inspiring. The Hollow Crown fans feel free to imagine whoever, as you like. I love this historical pairing in about any iteration and the plot is drawn from both Shakespeare’s play and real history, the timeline, plot and politics being pretty self explanatory through the incorporated dialogue.
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January-February 1945. Several years before the introduction of Kryptonian headbands, the first Superboy story in MORE FUN COMICS #101 shows Kryptonians wearing these yellow (gold?) or purple head coverings when in public or in formal situations. The purple and green ones worn by the Kryptonian women here appear to be skull caps with a decorative flap, while the ear pieces on the men's headgear suggests a leather football helmet, giving an early Buck Rogers vibe.
Most of these scenes and a lot of the dialogue and narration was more or less standardized throughout the various early depictions of Superman's origin, and also incorporated into the radio show. Note that Jor-El goes bareheaded at home, but as soon as he goes outside, he puts on the headgear again.
Jor-El leaves his headgear on during his meeting with the Supreme Council, who all have the same head coverings, suggesting that the headgear is for formal occasions as well as going about in public. However, he removes it again after returning home. The Kryptonian headgear was a new feature in this story — I think the Kryptonian men seen in earlier versions in the comic book and comic strip were all bareheaded — and the headbands, first seen in 1948, after the departure of Siegel and Shuster, seem to have been an adaptation or variation on that idea. Another unusual detail is that unlike most later versions, all Kryptonian men wear identical outfits, not varying even in color. (One man in the first panel above has one green sleeve, but that's almost certainly a coloring error, which for once the reprint has retained.)
Note that while Kryptonians are aware that they would have incredible powers on Earth, that doesn't appear to rank highly among Jor-El's priorities; unlike the rather fascistic overtones of the later MAN OF STEEL version, his object is refuge, not empowerment. Also, unlike in many later versions, Jor-El hopes to save Lara as well as Kal-El, but she chooses to stay. Although it's not mentioned here, in some versions, including the initial radio episodes, Lara argues that Kal-El's ship will have a better chance of escaping without her added weight.
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