#mission impossible:fallout

[starwarsnonsense]

Top 10 Films of 2018

This is rather delayed (mainly on account of an extended bout of laziness on my part), but I was still determined to get it out there! While I don’t think 2018 quite reached the heights of 2017 (nothing matched The Last Jedi or Blade Runner 2049, for example), there was still a lot of great cinema. 

As always, keeping this list at 10 meant I had to omit some great titles. Just so you get an idea of what I had to leave out, here are some honourable mentions: Eighth Grade, Lady Bird, Revenge, Phantom Thread, Thoroughbreds, Lean on Pete and Game Night.

1. Roma, dir. Alfonso Cuarón

Roma is a deeply special film, and I’m very fortunate in having got to see it in the best possible circumstances - projected on a huge cinema screen, with its gorgeous, silvery cinematography a marvel to witness. This film takes the kind of life that would usually be forgotten and turns it into an epic, interweaving the story of a loving, resilient housemaid with the seismic political events unfolding in Mexico in the early 1970s. The shots are highly symmetrical and geometric, with characters passing in and out of pre-established frames. But this is clearly intentional, and - to me at least - the story felt no less personal for it. There are several all-time great scenes in this film, and while I don’t want to spoil any of them with extended descriptions, I will say that there’s a sequence in a hospital that balances the mundane and the monumental in an extraordinary and heartbreaking way. This is breathtaking, masterful filming, and I felt it did justice to Cleo’s life without ever attempting to claim her experience. The film is quiet and the dialogue is almost perfunctory, relying heavily on its visuals - it’s cinema at its purest.

2. Annihilation, dir. Alex Garland

True story: I was so desperate to see Annihilation in a cinema that I flew to New York for it. Of course Annihilation wasn’t my sole reason for travelling to New York, but you can be damn sure I made a point of tracking down an Alamo Drafthouse that was showing it. And boy was it worth it. This movie does a magnificent job of fulfilling the potential of sci-fi, taking otherworldly concepts and ideas and using them to interrogate some of the most profound and frightening truths of what it means to be human. This movie has a quietly hypnotic quality to it, and Natalie Portman continues to prove that she is one of the finest modern actors - she says so much with her face and her movements that lines are hardly necessary. I will continue to follow Alex Garland’s career with great interest...

3. Beast, dir. Michael Pearce

Beast was probably my biggest surprise in film in 2018 - I went in expecting nothing, and was bowled over by it to the point that I rushed out to see it again at the first opportunity. This film follows lonely outsider Moll and her ardent love for the mysterious Pascal. There is a heightened, almost supernatural, quality to their romance, and the actors - Jessie Buckley and Johnny Flynn - have electric chemistry. This film delights in playing with the viewer’s fears and suspicions, constantly adjusting them as the characters evolve over the course of the movie. It’s a great fusion of genres - mystery and romance - that also functions as a superb character piece, and it is entirely worth your time.

4. Bad Times at the El Royale, dir. Drew Goddard

This film is bonkers in an amazing way. A bunch of seemingly random strangers gather at a hotel that’s far from its glory days, and it isn’t long before all hell breaks lose. The ensemble here is terrific, with all the cast members playing off each other in a succession of utterly delightful ways. Every character conceals a secret history and motive, with their layers gradually being peeled back as the movie plays out. Special mention must go to Cynthia Erivo, who is simply stupendous as a session singer who I wound up considering the film’s real hero - she’s marvellously charismatic and complex, and her voice is a complete wonder. This film is a messy tangle of mysteries, and I had a wonderful time unravelling them.

5. First Reformed, dir. Paul Schrader

I have a weird soft spot for ‘crisis of faith’ movies (think Silence), and this is a very fine entry into that niche. Ethan Hawke is superb here as a priest attending to an old church that has effectively been reduced to a chintzy tourist attraction, and I found the depiction of how he struggles with his faith, overwhelmed by disillusionment and the immense crises facing the earth, fascinating and beautifully written. Schrader wrote and directed this film, and it is one of his greatest achievements - the dialogue probes deep, never feeling trite or obvious. I also appreciated how the spiritual was so often conflated with the personal, with a thin line drawn being drawn between the divine and the carnal (that end scene is a woozy thing to experience). It’s a beautifully judged film, made all the more fascinating for its ambiguity. 

6. Won’t You Be My Neighbor?, dir. Morgan Neville

The greatest testament to the power of this wonderful, good-hearted documentary is probably that I went into it knowing practically nothing about Mr Rodgers (he just wasn’t a thing here in the UK) and left it thinking he’s the hero the world needs right now. I’ve seen so many documentaries illuminating the ugliest parts of humanity that I didn’t realise how much I needed one spotlighting the best bits. But this documentary isn’t pure sentiment, though there’s a lot of that - I found a lot to admire in Mr Rodgers approach to child psychology and education, particularly his conviction that every child can benefit from a warm, steady presence, even of the source of the reassurance happens to be trapped in a TV monitor. I can only hope this inspires a fresh wave of documentaries on similarly worthy subjects.

7. The Wife, dir. Björn Runge

Glenn Close is coming for that Best Actress Oscar and no one can convince me otherwise. With The Wife, the whole movie transparently rests on the shoulders of one woman - Close’s performance is almost sphinx-like, being enigmatic and low-key to the point that her emotions are almost invisible. But their failure to manifest doesn’t mean they don’t exist, and that is perhaps the point of the whole movie. Joan Castleman might seem like the ideal wife of a great author, but she is revealed to be far more than that - a singular individual with dreams, passions, ambitions and regrets. Glenn Close makes the gradual reveal of each facet magnetic, to the point that the slightest twinges of her facial muscles become potent symbols.

8. Blindspotting, dir.  Carlos López Estrada

This is an urgent, gripping movie that tackles some of the biggest issues there are. Collin and Miles are friends, but this film sees their friendship challenged, the dynamics underlying it interrogated. I’ve seen movies described as “empathy machines” before, and Blindspotting is a great example of that. It sucks you into the day-to-day experience of living Collin’s life, whether he’s getting a window into the hang-ups of the people whose belongings he is moving (he drives a moving truck) or just chilling out with his friends. Alongside this, it also portrays how terrifying it is to live as a black man in America, how vanishingly little value appears to be placed on your life by those in authority. There’s a rap scene at the film’s climax that consolidates all of Collin’s rage and hurt, and it truly packs a punch.

9. American Animals, dir. Bart Layton

This film portrays a very different side to young American manhood from Blindspotting. Instead of living from day to day, the protagonists of this film start out with pretty much everything they could need - stability, support and good prospects. They choose to unsettle their existence by staging an outrageous heist, clearly dreaming of becoming legends and injecting excitement into their comfortable lives. American Animals does a fantastic job of pulling their plan apart, and since it was based on a true story director Bart Layton does something quite ingenious - he combines real interviews with re-enactments, the filmed scenes being switched out and adjusted according to the conflicting testimonies. In this way, American Animals becomes much more then a depiction of entitled young men seeking to mythologise themselves - it also functions as an interrogation of truth, and the myriad deceptive qualities of cinema.

10. Mission Impossible: Fallout, dir. Christopher McQuarrie

I have no idea how this franchise keeps on stepping up its game, but it does. It reminds me of how the James Bond films ended up taking Bond to space. I can see MI doing that at this point, except we all know that Tom Cruise would actually fly into space for it. With that prelude out of the way, I just need to stress what a fantastic action movie this is. The set-pieces here are marvellously staged, and their execution made them absolutely gripping - I was anxious over every punch, flinching at every cracked bone. McQuarrie is a true master of tension and suspense, and the movie was simply a magnificent ride. I was lucky enough to see this in IMAX with @bastila-bae, and the mere thought of people watching this on smartphones fills me with the rare kind of sorrow known only to shameless film snobs.

Look out for highlights from 2019 - coming up in a few months!

[captain--space--buns]

No Spoilers-MI:Fallout

Just watched Mission Impossible:Fallout and

AAAAHHHH!!!!

YES! I definitely recommend you see it! I was on the edge of my seat, the stunts were amazing (of course, it's Tom Cruise who's forever 35). There was maybe one thing that didn't quite sit well with me, but it's relatively small imo. Won't be said here, but otherwise it was awesome!

Anyway, seriously if you have the time and money, and you're a fan of the franchise and still wondering if you should see it, I recommend it wholeheartedly!

Have a wonderful day mah dudes! 💛

[wwprice1]

Henry Cavill has the best sense of humor!

[31miw-inkpsycho]

Current sexuality: Henry Cavill fucking cocking his arms before charging during the bathroom fight scene in Mission Impossible: Fallout.

[alltrekvarnews]

Se Retrasa Estreno de ´´Mission Impossible 7 / 8´´

Se Retrasa Estreno de ´´Mission Impossible 7 / 8´´

Paramount Pictures se ha visto obligada a retrasar el estreno de sus dos próximas películas de la franquicia de ‘Misión: Imposible’, dado que el rodaje simultáneo de ambas entregas se ha visto afectado e interrumpido, como el de tantos otros, por culpa del coronavirus.

El estreno de ‘Mission: Impossible 7‘ se ha retrasa cuatro meses,del 23 de julio al 19 de noviembre de 2021. Mientras, el…

[andsheloved]

Masterlist on your bio doesn’t work on mobile anymore and I’m like 😔 why do links do that (not work) sometimes 😔 how am I supposed to know which fictional man Maddy is the most hung up on at the moment on to spam her accordingly otherwise 😔

me right now going to fix my masterlist link

thANK YOU FOR TELLING ME i did have no idea until now so thANK YOU MWAUH!!

and hehe geralt and loki have most certainly been getting me through, but i’ve been in a slight bucky phase recently because of all the sebastian stan stuff that’s been coming out recently, and i’m actually going to watch mission impossible:fallout tonight (or this morning 😳 it’s very much 1am where i am right now oop) so who knows i might be in an august walker phase or something who knows but mwAUH I LOVE YOU have such a nice day you deserve the whole earth 🌍 there you go mwauh

[heartsbreaking-migrated]

it's time for my quarterly reminder that i would LOVE if someone wrote august walker from mission impossible:fallout!

he's hot

he's a villain

he's tall and lorge (i know how us y'all freaks love a size difference fuck off)

🔪 write 🔪 august🔪 walker🔪 or🔪 so🔪 help🔪 me🔪

[silentwhisper666]

Ooh 🥵🥵🥵 now I want to as well

Mission Impossible: Fallout (2018.)

[thejoeywright-blog]

YEAR IN REVIEW : Film 2018

Good evening/afternoon/morning,

A few notes on the breakdown on my year at the movies. I saw a grand total of 134 films released in 2018. A fair amount thanks in great part to MoviePass and various streaming services. If you are a fan of comic book movies, I would like to extend to you a personal thank you as you kept the movies theaters afloat this year. However, with the exception of Black Panther, I was located in the auditorium just down the hall. Full disclosure: I did actually try and see Avengers : Infinity War, but two four year-old’s were not being parented correctly and I ended up walking out. I hope they enjoyed seeing their favorite heroes turn to dust. I also most notably missed Mary Poppins Returns, Aquaman, Ant-Man and the Wasp, Spider-Man:Into the Spiderverse, Oceans 8, and Fifty Shades Freed. One film I did have the privilege of seeing and would surely be in my top ten, Under the Silverlake, is technically not scheduled for release until the Spring of 2019. So look forward to hearing about it next year. All that being said, here is how I saw the movies this year. Enjoy.

HONORABLE MENTIONS

Black Panther, Bodied, Boy Erased, First Reformed, Hearts Beat Loud, Hot Summer Nights, If Beale Street Could Talk, Isle of Dogs, Minding the Gap, Mission Impossible:Fallout, A Quiet Place, The Rider, Thunder Road, Tully, Won’t You Be My Neighbor

THE TOP TEN

10. The Miseducation of Cameron Post

This is the “other gay conversion camp” movie that sadly was overlooked in place of Boy Erased. I saw both, and while the latter packs some excellent performances, judging by my exposure to Christian camps, this was the one that rang most authentic.

9.  Suspiria

Coming on the heels of Luca Guadagnino’s masterpiece Call Me By Your Name, there was no other film I was looking forward to more in 2018 than Suspiria. I also wouldn’t believe they had the same director. This heavy on style remake of the 1977 horror classic of the same name is truly made in Guadagnino’s image. It was vile, erotic, funny, beautiful, and captivating often in the same breaths. The buzzed about “contortionist dance sequence” from CinemaCon lived up to its vomit inducing hype reminding me while I liked the film a great deal, it’s not for the squeamish.

8.  Vice

Some are saying it lionizes former Vice President Dick Cheney. Others are saying it runs his name through the dirt.Part biopic, more parts political satire. It is definitely more Dr. Stangelove than Lincoln in terms of story and tone.  In a somewhat packed theater, those looking for a straight biopic, who I imagine missed director Adam McKay’s previous works Anchorman and The Big Short were seen heading for the exits due to the amounts of silliness. Amy Adams gives a downright diabolical performance as Lynn Cheney often overshadowing that of her on screen husband. 

7.  Annihilation 

Alex Garland’s follow-up to Ex Machina is much bigger film which in his hands is not a bad thing. Natalie Portman plays a biologist looking for answers after her presumed dead husband suddenly returns from secret military assignment.Your typical “journey into the unknown” story is enhanced with amazing visuals, intriguing scientific concept, and chilling horror. I’m still haunted by the sounds coming out of that, uhh, lets just call it a bear.

6.  Burning

An American remake of Burning would clock in at 92 minutes and be forgotten immediately upon leaving the theater. This is why I’m glad this was in the hands  Chang-dong Lee, a director who focuses greatly on the human condition. Large amounts of the run time of Burning is dedicated to the emotions, reactions, and exploration of our characters. The Walking Dead’s Steven Yeun gives the supporting performance of the year as the mysterious Ben. A love-triangle, a missing girl, and burning greenhouses amount to the most rewarding cinematic experience I had in 2018. 

5.  Roma

Roma is a film that asks of its viewer to almost meditate within it. Those familiar with director Alfonso Cuaron’s other films, Children of Men and Gravity, will find a more reserved and personal picture. The story of a maid and the middle class family she cares for in the Colonia Roma neighborhood of Mexico City is the most relatable and touching film of the year. First time actor Yalitza Aparicio gives one of the most award-worthy debut performances in recent memory as Cleo. Scenes have lingered in my mind since my viewing almost a month ago now, particularly a single-shot sequence of a family swimming into the ocean with no realization of how powerful the surf can be. 

4.  The Favourite

This cheeky period COMEDY, don’t let anyone tell you otherwise, had me laughing harder than any other film in 2018. The story of Queen Anne’s two most trusted advisers battle for her commendation is delicious and diabolical at every turn. The film relies strongly on the equally grand performances it’s three ladies Olivia Coleman, Rachel Weisz, and Emma Stone, but DO NOT, I repeat do not sleep on the duck races.

3. A Star is Born

A Star is Born has been a social and commercial juggernaut with hefty box office sales, record sales, music award nominations, and memes beyond galore. However, it’s also an excellent example of Hollywood at its nostalgic best. There are easy avenues director, star, screenwriter, songwriter, catering manager Bradley Cooper could have taken with the thrice revamped story, but he plays it very close to the chest. It’s well known within my circle of friends and family how much I truly adored Cooper as the burning out rock star Jackson Maine.. Or Jack as you told me at the bar you wanted to be called... Every line of dialogue. Every smirk. Every caring gesture to Allie, Lady Gaga in frankly the best thing she’s ever breathed life into. Everything works here. See it the biggest and loudest way possible. 

2.  BlacKkKlansman

Here is my pick for Best Picture at the Academy Awards. It checks all the boxes. Great performances, screenplay, and direction with a great message tied in. I used to hold issue with Spike Lee’s political and social statements book-ending his films, but here it really works. Ron Stallworth, the excellent John David Washington, is Colorado Springs first African-American police officer, who on whim manages to infiltrate the local chapter of the Ku Klux Klan. He works as the voice on the phone while his partner is the nice upstanding wh-ite man they are seeing. What follows is a wild, funny, thrilling, and cautionary tale that rings truer in 2018 than its setting of the 1970s.

1. Sorry To Bother You

I saw Sorry To Bother You on July 16, 2018. It has held my number one spot for almost seven full months. Leaving the theater I had a feeling I have not had in a movie since 2003, “Well I’ve never seen anything like that before!” That alone holds a lot of weight after watching 133 other films this year that I could compare to something previous. The feature film directorial debut from The Coup musician Boots Riley ten years from now, much in the same way Pulp Fiction and Eternal Sunshine of the Spotless Mind are viewed, will be seen as “the norm” and a turning point in the way movies in its genre are made. I realize that is high praise, but risks are taken here where lesser films have flown off the rails. Somehow Riley takes what many would deem “absolutely insane” and makes it work. The performance of Lakeith Stanfield has been grossly unmerited all award season and is one of the best of the year. No other performance this year is asked to navigate the varying levels of despair, satire, and rage than Stanfield. Sorry To Bother You arrives without training wheels or a brake, possibly even handle bars. Enjoy the ride because you’ve never been on one like it before. 

YEAR END AWARDS

BEST FILM: BlacKkKlansman

BEST DIRECTOR: Alfonso Cuaron for ‘Roma’

BEST ACTRESS: Olivia Coleman for ‘The Favourite’

BEST ACTOR: Bradley Cooper for ‘A Star is Born’

SUPPORTING ACTRESS: Amy Adams for ‘Vice’

SUPPORTING ACTOR: Steven Yeun for ‘Burning’

ADAPTED SCREENPLAY: ‘Burning’

ORIGINAL SCREENPLAY: ‘Sorry to Bother You’

CINEMATOGRAPHY: ‘Roma’

BEST SCORE : IF BEALE STREET COULD TALK’

BEST ANIMATED FILM: Isle of Dogs

BEST DOCUMENTARY: Minding the Gap

BEST FIRST FILM: Boots Riley for ‘Sorry To Bother You’

BREAKTHROUGH PERFORMANCE: Jim Cummings in ‘Thunder Road’

SCENES OF THE YEAR:

“Shallow” from ‘A Star is Born’

“Breaking the Waves” from ‘Roma’

“What’s On the Menu” from ‘Vice’

“Eulogy” from ‘Thunder Road’

Final scene from ‘If Beale Street Could Talk’

“The Contortionist” from ‘Suspiria’

[utterlyhopeful-fics]

Masterlist

Pedro Pascal x Reader

The Last of Us 

Joel Miller x Reader 

Puppy Love  Shoulda, Woulda, Coulda (Part 2)

Marvel

Steve Rogers x Reader 

Snapped

Pretty Words

Broken Edges  Part 2  Part 3  Part 4  Part 5  Part 6  Part 7  Part 8 

Henry Cavill x Reader

P-I-Z-Z-A

Sweet as Sin

Pretty Little Fool

Sapphires and Sins

Wedding Season

Shattered Glass Will Glitter

Indecent Exposure

Any Other Day

Tough Love

Two of a Kind (drabble)

Butt Naked

Midnight Magic    Part 2

You Broke Me First 

Christmas Time is Here 

Birthday Wish

Fight for me

Wrong Place, Right Time

Yes, sir

FWB

Hand in Marriage

Welcome Home   Part 2

Dinner is Served

The Last Time (Song fic)

Home at Last 

I Can’t  Miles Between Us (Part 2)

Love on the Line  Part 2  Part 3  Part 4  Part 5   Part 6   Part 7

Sand Castle

Captain Syverson x Reader

Goodbye  Part 2   Part 3  Part 4  Part 5  Epilogue

Costco Haul 

The Tudors

Charles Brandon x Reader

Your Grace

For Love and War 

Silly Little Love

The Witcher

Geralt of Rivia x Reader

Rise Above

Mission Impossible:Fallout 

August Walker x Reader

Midnight Devil

Who is in Control?    Part 2

Drabble#1

The Predator and Prey

Mayans MC

Angel Reyes x Reader

Never Enough

Little Pink Line

Can’t or Won’t

Shotgun Wedding   Part 2

Save Your Tears

Get Out

Playin with Fire    Part 2    Part 3

Too Late

Tease

Desire

Damages

Secrets

Happy Ending

Brave Enough

The Luckiest Girl

Date Night with Angel

Nobody Touches my Girl 

Mission Complete

Bad Liar

Drabble #1

The Only One

Somebody Else  Part 2  Part 3  Part 4

HC #1 Netflix and Chill

Drabble #2

Amor y Miedo (Love and Fear)

EZ Reyes x Reader

Bodies and Betrayals 

Fun in the Sun

Morning Sex drabble

Hell or High Water

Watch Me

Pretty Boy

Old Scars

Love you too

Nightmare

Finally

Lucky Us

His Girl

Lo Siento

Drabble #1

Drabble #2

Drabble #3

Take me, I’m yours

Coco Cruz x Reader

Head in the Clouds

Just Friends  Part 2

Worth the Wait

Nestor Oceteva 

No Time like the Present

Prospect  Part 2

Drabble#1

Bishop Losa x Reader

Moment of Clarity

Not That Simple

Right here, Right now

Brat

Mine

The Bet  Part 2

Miguel Galindo x Reader

Work in Progress  Part 2

Sons of Anarchy 

Jax Teller x Reader

Already Gone   Part 2  Part 3

[filmviewerme]

Mission Impossible: Fallout  My review

To preface this review, I have never watched another “Mssion Impossible” film, in this six film action oriented franchise. Other than when the television has had it on and I’ve seen small amounts. I also know enough about the series to know that it star Tom Cruise as “MR SUPER SPY”, and can easily recognise the iconic theme tune composed by Lalo Schriffin.

Now, what do I think of the film from my pespective? It is a great introduction to the franchise for someone like myself, and a great addition to a long lived film series. The cast have a great chemistry, and it was easily believable that the chracters had a close histroy with each other. Though this is where my own personal viewing was effected, I was not completely in the know of what had happened previously to the characters I was watching on screen. And after five previous films, stretchign back to 1996, it is not totally unreasonable for some expectancy that the viewer has seen previous installements . And therefore, not totally the fault of the film makers. Instead, it is the opposite, they were able to give me as a new viewer, enough information to grasp the essence of “Mission Impossible: Fallout”. And this would not have been possible without believable performances by the returning cast. (Tom Cruise, Sean Harris, Rebecca Ferguson, Simon Pegg, Ving Rhames and Michelle Monoghan) With new comer Henry Caville having a great physical, imposing presence throughout. Honestly, the cast made the film, with the relationships feeling genuine and in no way forced. 

Other than the cast, of course the action was spectacular with smooth and crisp scenes allowing me to easily follow what was going on, from chase scenes, fight scenes and the amazing stunts that Tom Cruise is known for performing himself. 

The only “problem” (nitpick perhaps) I would say I have, is the fact there was no sense of tension/uncertainty that they would fail in their mission. Though they thoroughly make up for this in making me want to see HOW exactly they would succeed.

Overall, “Mission Impossible:Fallout” is an excellent action film which any movie goer could enjoy. And has in fact made me want to watch the previous entries. Which is of course a major aim for the filmmakers. And hopefully makes others like myself, interested in the other five. 

And can we just appreciate the opening credits? How many movies do that anymore? And of course, thanks for reading. 

[calamity-queen]

- Southern MOTHERFUCKING DEMOCRATIC REPUBLICANS

- “I’ll live inside you forever-“ “-nO-“ “-With Satan Himself by my side-“ “NO-“ “AND I KNOW THAT NOW AND FOREVER THEY’LL NEVER BE ABLE TO SEPARATE JEKYLL FROM HYDE!”

- When Duel of the Fates plays during the Anakin/Obi-Wan and Palpatine/Yoda duel

- Just,,, The Winter Soldier

- “If I can’t love her, let the world be done with me!”

- this isnt even in the movie but when “Friction” by Imagine Dragons played in the Mission Impossible:Fallout trailer and they matched the beat to the Mission Imposdible theme while three gunshots were fired in-time with the music

- “For Russia, my beauty. What choice but simple duty. We have a past to burry AAAAAAANNNNNNYYYYAAAAAAAAAA!”

- The end of “Wait for Me (Reprise)”

- Wonder Woman’s entrance in Batman V Superman

- i mean, the Imperial March in general. Especially when it’s used in The Clone Wars

- when the chandelier drops in Phantom of the Opera

my list, in no particular order, of when a soundtrack has absolutely went off it’s tits to give some of the best moments in any media.

infamous quicksilver scene from x-men apocalypse (”sweet dreams are made of this” playing as he saves everyone from the manor)

the inexplicable use of supermassive black hole by muse  in twilight during the baseball scene

the scene in umbrella academy where five fucks up all those agents in the diner while “istanbul (not constantinople)” plays in the background

what’s up danger playing from into the spiderverse when miles takes the leap of faith

the start of spiderman homecoming when they played the orchestral version of the spiderman theme for the first time

sweet victory

“sitting there useless as two shits hey, turn around bend over i’ll show you where my shoe fits”

the part in rwby where they slingshot ruby at the nevermore while the final part of red like roses pt.2 plays, the guitars blaring as she goes up the cliff and ending with the beheading

“I AM MOANA”

busted from phineas and ferb

the end of guardians of the galaxy volume 2 where they start playing father and son

the part in thor ragnarok when hela asks thor “what were you the god of again?” before thor attacks her and starts going batshit crazy on the undead army while led zeppelin’s immigrant song plays

as this is by no means a comprehensive list, please add any soundtrack moments that were so Fucking Good they made you have a physical reaction.

[richgirlnetworktv]

Behind The Scenes With Tom Cruise.MISSION: IMPOSSIBLE – FALLOUT is in theaters July 27, 2018

[alltrekvarnews]

´´Mission Impossible:Fallout´´ Una Mirada al Tras Camara de esta Exitosa Produccion de la Saga de ´´Mission Impossible´´.

[dirbenaffleck]

Henry Cavill as August Walker Mission Impossible:Fallout (2018) Dir. Christopher McQuarrie

[s7evendaysageek]

Ep 181: Symbology, Fallouts, and Bromances

This week your favorite geeks geek out about Slaughterhouse Rulez, Summer of 84', The Equalizer, Mission Impossible:Fallout, Enemy, a new weight loss competition between podcasters and more!

Check out this BRAND NEW episode of 7 Days a Geek. Share it with your fellow tumblrs!