#mrs circle

[hamusie]

baldi ☆ miss circle graphics !

< credits , f2u. Credits appreciated >

For @necroangelz event

“ the symphony of the sun! ”

Day 3 : a song that is very important to you

Info + stills + misc under the cut!

I LOVE BASICS IN BEHAVIOR SO MUCH + IM SO GLAD BALDIS BASICS IS COMING BACK I MISSED YALLLLLLLLL!!!!

Also have these 2 ms circle renders/transparents i made.. One went unused waaaaa

[myersobsession]

fpe sona 🔥🔥🔥 guys im actually kind of getting the hang of alight motion,, this is my first time making a project w it btw so give me a medal (i'm gonna use this app to animate michael and mari)

[ash-and-starlight]

vampires have one (1) flirting mode

[i-lavabean]

Beauty and the Bees

[blaithnne]

That one time I got bored and broke them down to their core essentials

[fawnforevergone]

it is so over for me the day hozier makes an achilles reference. all his mixing of greek mythology with the idea that love is an act of violence/defiance against the world and we have yet to hear him make a metaphor out of how batshit achilles went in the iliad ...i think i would spontaneously combust actually.

[jessmmariano]

What if Lane Kim inherited the antique shop from her mother and turned it into a music store/school where she taught lessons and inspired the next generation of music listeners much like how Luke turned his father’s old hardware store into a diner?

[sarnie-for-varney]

Holmes being moved to tears by the opera:

I like that Granada Holmes not only portrays Holmes as a real person with real feelings, but it also shows how he hides those feelings. He's stood behind in this scene, not letting anyone see him cry.

I love, too, that we see multiple instances in Granada Holmes of Holmes' love of the arts.

[revvethasmythh]

obsessed with the fact that the movie the group had made was called "mr. terrible" specifically because on the cards people filled out at the liveshow someone just wrote down "i'm terrible at this" and they went with it

[denimbex1986]

We are lucky to be alive in the age of Andrew Scott, an actor of extraordinary breadth, skill and sensitivity, who can terrify as Jim Moriarty in Sherlock, make us fall in love (inappropriately) as the hot priest in Fleabag and cry in All of Us Strangers. He can also astonish, last year playing eight parts in a stage adaptation of Chekhov’s Uncle Vanya. He recently became the first actor to win the UK Critics’ Circle awards for best actor on stage and screen in the same year. And his latest project, Ripley, is a beautiful and chilling adaptation of the Patricia Highsmith novel The Talented Mr Ripley, with Scott playing the lead, dominating all eight one-hour episodes. It’s been a wild, crowning year for the 47-year-old Irish actor. But in March his mother, Nora, died of a sudden illness; she is who Scott has credited as being his foremost creative inspiration. His grief is fresh and intense and for the first half of the interview it seems to swim just beneath the surface of our conversation.

“We go through so many different types of emotional weather all the time,” he says. “And even on the saddest day of your life you might be hungry or have a laugh. Life just continues.” We are in a meeting room in his management company’s offices, talking about his ability, in his work, to modulate between emotions, to go from happy to sad, confused to scared, all within a matter of seconds. How does he do it? Scott laughs. “I would say that I have quite a scrutable face — is scrutable a word? — which is good or bad depending on what you are trying to achieve. But my job is to be as truthful as possible in the way that we are, and I don’t think that human beings are just one thing at any particular time. It is rare that we have one pure emotion.”

It’s an approach that is particularly appropriate for the playing of Tom Ripley, an acquisitive chameleon who inveigles his way into the lives of others (in this case Johnny Flynn, as the careless and wealthy Dickie Greenleaf, and his on-off girlfriend Marge, played by Dakota Fanning). “Ripley is witty, he is very talented. That’s gripping, to watch talent. I can’t call him evil — it is very easy to call people who do terrible things evil monsters, but they are not monsters, they are humans who do terrible things. Part of what she [Highsmith] is talking about is that if you dismiss a certain faction of society it has repercussions, and Ripley is someone who is completely unseen, he lives literally among the rats, and then there are these people who are gorgeous and not particularly talented and have the world at their feet but are not able to see the beauty that he can see.”

The show was written and directed by Steven Zaillian, the screenwriter of Schindler’s List. It’s set in Sixties New York and Italy, and filmed entirely in black-and-white, its chiaroscuro aesthetic evoking films of the Sixties — particularly those of Federico Fellini — while also offering an alternative to Anthony Minghella’s saturated late-Nineties iteration that starred Matt Damon and Jude Law. This has a darker flavour. “I found it challenging,” Scott says, “in the sense that he’s a solitary figure and ideologically we are very different. So you have to remove your judgment and try to find something that is vulnerable.”

It was a tough shoot, taking a year and filmed during lockdown. Scott was exhausted at the end of it and had intended to take a three-month break, but delays meant that he went straight from Ripley into All of Us Strangers. “Even though I was genuinely exhausted, it was energising because I was back in London, I was getting the Tube to work, there was sunshine,” he says. “I found it incredibly heartful, that film, there were so many different versions of love … I feel that all stories are love stories.”

All of Us Strangers, directed by Andrew Haigh, is about a screenwriter examining memories of his parents who died when he was 12. In it Scott’s character, Adam, returns to his family home, where his parents are still alive and as they were back in the Eighties. Adam is able to walk into the memory and to come out to his parents, finding the words that were unavailable to him as a boy. Some of it was filmed in Haigh’s childhood home, and there was a strong biographical element for him and his lead. Homosexuality was illegal in the Republic of Ireland until 1993, when Scott was 16. He did not come out to his parents until he was in his early twenties. I ask if he was working with his own childhood experiences in the film. “Of course, so in a sense it was painful, to a degree, but it was cathartic because you are doing it with people that you absolutely love and trust. I felt that it was going to be of use to people and I was right, it has been. The reaction to the movie has been genuinely extraordinary — it makes people feel and see things, and that isn’t an easy thing to achieve.”

The film is also a tender and erotic love story between Scott’s character and Harry, played by the Irish actor Paul Mescal. The two found a real-life kinship that made them a delight to watch on screen and off it, as a double act on the awards circuit. “I adore Paul, he’s so, so … continues to be …” Scott pauses. “Obviously it’s been a tough time recently and he just continues to be a wonderful friend. It’s everything. The more I work in the industry, I realise, you make some stuff that people love and you make some stuff that people don’t like, and all really that you are left with is the relationships that you make. I love him dearly.”

Scott and Mescal were also both notable on the red carpet for being extraordinarily well dressed. Scott loves fashion and has a big, well-organised wardrobe that he admits is in need of a cull. “I don’t like having too much stuff. I really believe that everything we have is borrowed — our stuff, our houses, we are borrowing it for a time. So I am trying to think of people who are the same size as me so I can give some of it away, and that’s a great thing to be able to do.” One of his favourite labels is Simone Rocha. “I love a bit of Simone Rocha. What a kind, glorious person she is. I just went to her show.” Fashion, he says, is in his DNA. “My mother was an art teacher, she was obsessed with all sorts of design. She loved jewellery and jewellery design. Anything that is visual, tactile, painting, drawing, is a big passion of mine, so I have tremendous respect for the creativity of designers.”

Today Scott is wearing Louis Vuitton trousers and a cropped Prada jacket, dressed up because he is collecting his Critics’ Circle award for best stage actor for Vanya. I ask how it feels to have won the double, a historic achievement. “Ah …” he says, looking at the table, going silent, having just been so voluble. “I’m sorry …” His voice cracks a little. “It’s bittersweet.”

At the ceremony Scott dedicated the award to his mother, saying of her “she was the source of practically every joyful thing in my life”. Is it difficult for him to carry on working in the circumstances, I wonder. “Well, you know, you have to — life goes on, you manage it day by day. It’s very recent, but I certainly can say that so much of it is surprising and unique, and there is so much that I will be able to speak about at some point.”

He is looking forward, he says, once promotion for Ripley is over, to taking some time off, going on holiday, going back to Ireland for a bit. He has homes in London and Dublin. To relax he walks his dog, a Boston terrier, dressed down in jeans and a hoodie “like a 12-year-old, skulking around the city” or goes to art galleries on the South Bank — he was considering a career as an artist until he was 17 and got a part in the Irish film Korea. He goes to the gym every day, “not, you know, to get …” he says, flexing his biceps. “More that it’s good for the head.” He is social, likes friends, likes a party. When I ask if he gave up drinking while doing Vanya, which required him to be on stage, alone, every night for almost two hours, he looks horrified. “Oh God, no! Easy tiger! Jesus … Although I didn’t drink much, I did have to look after myself. But we had a room downstairs in the theatre, a little buzzy bar, because otherwise I wouldn’t see anybody, so I was delighted to have people come down.”

Scott was formerly in a relationship with the screenwriter and playwright Stephen Beresford and is currently single, although this is not the sort of thing he likes to talk about. He is protective of his privacy, not wanting to reveal where he lives in London, or indeed the name of his dog — but he swerves such questions with a gentle good humour.

He is famous on set for being friendly and welcoming, for looking after other people. “The product is very important, but most of my time is spent in the process, so I want that to be as pleasant and kind as possible. I feel like it is possible to do that, that it is an honourable goal.” He is comfortable around people, with an easy charm — no one I have interviewed before has said my name so many times. And although when we talk he sometimes seems reflective or so very sad, there are also moments when he is exuberant, silly, putting on accents. “I feel like, as a person, I am quite near my emotions. I cry easily and I laugh easily, and there is nothing more pleasurable to me than laughing.”

Scott was raised a Catholic and is no longer practising, but says his view about religion is “ever changing — I definitely have a faith in things that cannot be proved”. When he was younger and felt overwhelmed, just before or after an audition, he would go to the Quaker Meeting House in central London and sit in silence, something that made its way into the second series of Fleabag, in which Scott’s priest takes Waller-Bridge’s character to that same meeting house. “It’s just around here,” he says, standing up, looking out of the window at Charing Cross Road. “When Phoebe and I first talked, we met at the Soho Theatre. We talked about love and religion, we walked all around here. And I said, ‘This is a place I go,’ so we called in and there was no one there, so we sat in there and we talked. It was a really magical day.”

Scott says he sees all the different characters that he has played as versions of himself. “It’s like, ‘What would this version of me look like?’ rather than, ‘Oh, I’m going to be somebody else.’ You filter it through you, and you discover more about yourself. I think that is a very lucky thing to be able to do, to find out more about yourself in the short time that we are here.”

[homoeroticgrappling]

If I had a nickel for every time I yelled IS THAT A FLAMETHROWER??? when one of my special little guys came out in California, I'd have two nickels which isn't a lot but it's weird it happened twice

[lulucutie2nitexd]

Can I have a yandere Miss Circle and Mr Demi x Fem reader?

I seriously have like 5 almost finished requests and the writing block hit me so hard because the only thing I wanna write about is FPE rn

Anyways

Remember that it is not okay to act like this in real life and if you do feel this way I'd advise you to get professional help.

Miss Circle❤️

• She's already murderous as is. Now she's obsessed with her co-worker and murderous? That's wonderful.

• She wouldn't dare let You catch her harming a student for a failing grade. She needs to always look innocent in front of you.

• She always tries to eat lunch with you if possible, and she packs some of the weirdest lunches too.

• She gets upset when you call her demon horns a cat ears, but she doesn't show it and just giggles.

• Her confidence can get overwhelming, she'll leave notes for you on your door asking for a date with something like "You're pretty >:3" and stuff.

• Occasionally she tries to pack you lunches but her own lunches are questionable so sometimes you have to pretend to like it.

• She can canonically change her height at any time and usually remains at 9'7, but she's used her ability to change in order to spy on you.

• She probably has atleast one picture of you guys together from a teacher meeting or something

Confession

You turn around to see someone approach you in the teachers lounge while you're getting water. "Hello there, I was questioning about something." She says confidently. However after getting to know her, you could see she was slightly nervous. "Yes miss circle?" You look at her smiling politely. The faint blush creeping onto her face as she tells you how much she admires you and that she adores you. "I've never felt such emotions. I never thought I'd say this to someone like you, but will You go out with me?"

Acceptance

You look at her smiling, heart feeling like it's going to burst out of your chest at any moment. "Yes, I will." You say to her somewhat flustered. The 9'7 demon lady giggling in excitement, happy beyond what words could ever explain. "Let's meet up tonight at 7pm after school" she said before running out of the teachers lounge with her inhumane speed. Later that night she meets you at your house, dressed neatly for the occasion. The simple yet beautiful picnic in the sunset was definitely something she'd always remember forever.

Rejection

"I'm sorry Miss Circle, I don't reciprocate." You said looking away from her. She silently walks out of the room with no hint of any emotion or expression she's feeling right now. When you went home at night you couldn't help but feel like you where being followed. She picks you up from behind, using her compass to keep you stable off of the ground sandwiched between her and her arm. With her other hand she drugs you to sleep. You never had a choice anyway.

★

Mister Demi💚

• So shy when he met you, he tried to hide away to the library. Unfortunately for him you where in front of the teacher lounge exit so he had no escape.

• Fell for You when he watched how caring and compassionate You are with the students. He's seen what some other teachers do and he's not fond of it..

• Wrote a whole song for You on the piano but won't ever show you. He's to scared that you might dislike it or be uninterested.

• He doesn't know what he's feeling and so he panics, like, a lot. He talks to Miss Sasha about it and she tries her best to explain to him that he's having a crush but it just makes him panic more.

• A crush soon turns into infatuation and he's too deep in. He starts panicking immediately noticing that this isn't healthy. He's seen normal couples and none of them act the way he wants to act.

• Also cries to Miss Sasha about the unhealthy infatuation but she's ends up more concerned about his mental over his feelings.

• Gets urged by Miss Sasha to seek professional help so he gets therapy (which he's terrified about) but the feelings don't stop.

• Literally acts like a fan girl after you talk to him or even breathe the same air as him.

Confession

Miss Sasha walking up to you during lunch with second hand embarrassment, note neatly tucked away into the pocket of her shorts. She politely starts up some small talk with you before getting to the point. "Sorry to bother you but, Mister Demi has feelings for you. He sent me over with a note to give to you." She smiles at you handing over the note. The note says "I really like being around you, you're so pretty. Please like me back. I'm sorry"

Acceptance

"Miss Sasha, please tell him I feel the same." You say to her giggling. She's so excited to watch your and his new relationship blossom. Sasha does however tell you about the obsessive behavior and that he is getting professional help for it. Although you are very keen on staying with him to help him though it. She's so proud of both of you, and herself for being the amazing wing woman she totally is. She goes back to Mister Demi who's sitting across the lunchroom. When he hears the news he is joyus. But he also slams his head down to the table in embarrassment. He's really shy but gathers enough courage from Sasha cheering him on and you both exchange numbers.

Rejection

"I'm sorry Miss Sasha, I don't believe I know Mister Demi well enough to form an opinion or feelings." She smiles and nods understandingly. However she whispers to you about the obsessive behavior and warns you about it. You're absolutely shocked. Glancing over to him immediately feeling uncomfortable. Sasha returning to Mister Demi with the news and handing him back the note. His whole world falls apart in front of everyone. He can't handle rejection well. He goes into a depressive and desperate state. Changing everything about him so that you'll love him. Eventually you don't even recognize him anymore until you realized how shy he is.

[i-lavabean]

I have to believe he keeps his promise in some way, that she's never alone

[mynonah]

For Falling For You by bitbybit (puttingittogether), @bitbybitwrites ' lovely universe <3

[sunshineandlyrics]

👌🏼 "Mind is running in circles of you and me"

Louis playing the Circle Game with fans. Where Do Broken Hearts Go, FITFWT San Jose, 30 May 2024 (@ diaz_tania11)

[indecisitivity]

“his teeth are not soft” pt. 2 electric boogaloo