#my art style itself has improved but the person and the writing behind it has decayed and people can smell it

[munch-mumbles]

farts

[the-11-doctor]

The Portrayal

Imagine the impossible if you will! A blog run by a well thought out, extremely educated and CLEVER human actor, definitely human everyone shut up. Right now.

Someone who takes their work so fucking seriously because they ENJOY IT. A person who lives to be creative in ways they enjoy, and DOES NOT put out writing until they themselves are proud and happy with it.

Imagine a blog that holds themselves to an exceptional standard and refuses to boil COMPLEX AND INCREDIBLE CHARACTERS DOWN INTO ONE LINES OF SMUT WHILE ONLY RECYCLING TEN WORDS IN THE ENTIRE OF THEIR VOCABULARY.

The perfect blog that approaches their muses with an air of respect, insight, and c a r e.

That is this blog.

I mean look at the material bitch? This shit has formats and icons to express e x a c t l y how you'd picture the man standing in front of you, TELLING you to turn it off.

Be it your humanity, or the TARDIS Klaxon.

There is a commitment behind the words out here that people will never truly understand unless you have BEEN THERE on the journey through uni to figure out what makes portrayals of a character so REAL and TANGIBLE.

I highly worship every notification I see with this url, I get so excited and drop everything. I seriously do.

Always and Forever!

-Space Twin

The Portrayal

Lemme just:

Your portrayal of Ar Elizabet is so canon, canon itself quakes when she's welcomed into new verses, and fits so perfectly like the puzzle was always meant to have her in the trailer (then I make it later).

We have crafted several verses, worlds and hundreds of ideas, and it's not that she's molded to - it's Lizzy being so lovingly crafted and admired and conveyed in a way that she just belongs. The universe says, she must be, will be, and always has been, and from the very beginning The Doctor knew she was a space child BECAUSE of that.

You understand and articulate ideas and inspiration perfectly, and you are always open to learning and adapting writing styles - not to mention the performative side where you GET IT - you k n o w that art is not a singular performance, it comes in different combinations. And how to use it! (Imagery etc).

Not one word of your replies lacks meaning, or depth, or something you have yourself stood as Elizabet and tried to comprehend from an angle that isn't yours.

Your writing style is as authentic as it gets, and it helps to HAVE the intel of your excellence in acting it from our little improv on the side as well, because I know how to dissect what you put into everything and I can r e a d an entire scene from a single line and GIF/icon. Your art style is so fucking unique, and is my favorite.

Lizzy is a star. A whole constellation, you have birthed, and I am so thankful that you are my space twin and the planets aligned to bring our writing together, because there is truly nothing like - nobody GETS it! And my muses love her, dearly, even the ones we don't talk about DAMON. The content you put out is always loved, and it fucking shows.

Loving your character as a part of you really makes a difference in the quality of writing you put out, and even in my absences here on Tumblr we still meet the energy in Discord and Wire - your adaptability is astounding, and your talent is u n fucking met, girl. Learning new methods alongside me, who sat through a whole 3 hour class to learn them, and you picking it up immediately - this is such a refined s k i l l.

You can't tell me Lizzy hasn't been in Doctor Who. She has been in The Vampire Diaries, she has. She IS. She's from Sherlock, that's where The Doctor found her. She IS in The Babysitter, and The Duff, and every single franchise - she i s there. It's not a b e l i e f, you proved it. You done proved it.

Every time we write, and every thing? I am s o enthralled with, likewise I drop EVERYTHING because it is so VALUABLE, and when we do threads - it's like painting a whole canvas, and I have hanged every painting we've done up in a gallery in my mind palace (take the stairs, turn right, 3rd door on the left and down another set of windy stairs, NOT THE WOODEN STAIRS).

Elizabet is now and forever within ar Hearts, and she won't be going anywhere. As a space daughter, as kiddo, as the Original daughter, as the Almost Wife, she has made place as a permanent resident of my verses, in my muse's lives. Because she has ALWAYS BEEN THERE.

Always and Forever is right, because we don't actually have to merge despite the Gemini thing.

Space Twins until the final frontier (my 162nd birthday). Not sorry for the essay. I could write a dissertation on why Elizabeth Holmes-Salvatore-Mikaelson-Petrova-Bathsheba-Patrice-Monsoon-Lungbarrow-Eddie-Bateman (I missed and mixed some of those sorry for that I COULDN'T FIND THE CERTIFICATE) is just, canon. And so, so wonderful.

We're just not going to address your whole definitely h u m a n thing.

[button-mash]

What I played last week #5

Still getting behind on what I actually played for any sort of time, so here is my attempt to catch myself back up! Hi-Fi Rush [PC] This looked like a really cool game on the surface - a pleasant treat that was shadowdropped out of nowhere and not only seemed to be a fun game, but was a really competent PC port. The premise is great too, where it's a hack n' slash style action game akin to something like Bayonetta or Devil May Cry, but the twist is that it's also a Rhythm game, with your attacks either only coming out on certain beats, or having more power for staying tightly on beat, similar to something like Cadence of Hyrule. Unfortunately for me, this didn't really grab me like it seems to have grabbed a lot of people. Im not even really sure why - the art design is really strong and the combat itself is actually really fun and well conceived, but something just felt a bit uninteresting to me. I find the tone and humour of the game pretty excruciating, and the music itself wasn't that compelling to me. I actually thought the first boss I encountered was great, but for whatever reason I just never picked it up again after that. One of those games where I totally get why people enjoyed it, but it just wasn't for me. It's on gamepass so maybe I'll end up picking this one back up at some point, but there are just too many other things I feel like I want to play ahead of it at the moment.

The Twisted Tales of Spike McFang [Super Nintendo]

I had a quick go of this one as I'd heard it was a true 'hidden gem', and on first look I could see it had promise. The sprite-work is beautiful and the game has a lot of personality and you have a lot of interesting moves. My one immediate issue with this game was that it's text is SO unbeliveably slow. For some reason the font on all the text boxes is absolutely huge so it can only show 3-4 words at a time. It means that any conversation you have with anybody just ends up feeling tortuous. It sounds silly but even though it seems like a great action RPG I'm not fammiliar with, it was enough to put me off pretty quicky - my game crashed about 30 mins in and I couldn't bare to go through the intro conversations again that set up the story, so I just binned it off

Undisputed [PC]

Not going to write up too much on this one here, as the game is in early access and I imagine I'll be writing about this a lot more in the future. To be honest I thought this game was never actually going to come out, so I was surprised to see it enter early access this month. Despite the fact that Fight Night Champion has aged incredibly well even now, I am crying out for a modern boxing game and this seems like the best chance we have of something good. It has a lot of promise, but it's still very much an early access game - even ignoring the bare bones features, the boxing itself just needs to be refined a lot - punch power, knockdowns, judges scoring, the inability to cut off the ring, the ability to spam certain punches, punch tracking, footwork, etc, etc all needs work. I know that sounds ridiculous because that is basically every single element of boxing, but the framework is there. The boxer's individual personalities and movement have been captured phenomenally well, and what is there is a good start. The most encouraging thing is that the developers have been really active with pushing out updates already, so I have ever-growing faith that they will actually refine and support this game in the way that it needs. Currently it's at a state where I am glad I own it and feel like I haven't wasted my money, but I also don't feel inclined to play it much until they've improved some of the fundemental elements of the game. I did manage this in my first ever online game though after my opponent spent the whole fight trying to showboat even though they'd picked the most overpowered fighter in the entire game.

Satifying

[ginkgomoon]

Gavin’s Mini House In Detail 🏡

During the Mini House special events, I obtained all the furnishing items and had already unlocked all the furniture in the home so I thought for Gavin’s Birthday Week, I would share all of the little secrets it contains! 

Gavin has four sections of the house including-

Living Room

Loft 

Courtyard

Basement

This post also includes MC’s commentary and quotes from special happenings associated with Gavin. Special furnishes will have the coziness points indicated next to its name.

Please enjoy! 

Living Room

Soft Stool 

The white soft stool next to the tea table.

This stool is a must when Gavin watches soccer games.

The leather surface is very soft, and its height is just right for watching TV on.

Want to know the trend of the soccer lottery recently? How about asking about it? 

It seemed to have won all the recent games, and is both happy and lonely.

If his favourite team loses, Gavin will sit here alone. (#sad) 

White Sofa 

With so many pillows, you don’t have to worry about having no support behind you.

Is the white sofa difficult to clean? 

The bolsters are very comfortable.

Curled up on the sofa with soft ginkgo aroma.

“Gavin, do you remember what you told me?”

“I just want to be with you, just like this...”

“You still remembered!” 

“I won’t forget what I’ve told you.” 

“Then... Do you have anything you want to tell me this time?” 

Gavin kissed MC’s forehead gently.

- This special happening (Starry Sky) refers to the Furniture City Date!

White Table 

“Gavin’s Pad is placed here too.”

(It has a photo of MC and she says she will change it into the both of them next time.)

“I can add a snack box, but Gavin doesn’t really eat snacks.”

Hallway Cabinet

“Gavin waters the plants regularly.”

“These are often loose change on the cabinet which we can take before going out.”

“The silver ornament is a souvenir I bought when we went to Disneyland.”

The “Wavy Thing”

“I noticed a little “go for it” written on the most recently scrawled page of the notebook.” 

“I found a magazine that puts people to sleep in a second, which was necessary for insomniacs.”

Zoombot 

The black Zoombot.

Today I’m again busy all over the place saving Zoombot.

It’s a bit stupid and often gets stuck after hitting the furniture.

Makes a buzzing sound when working.

You threaten it: If you hang again, I’ll replace you!  

Music Stand

The music stand bought by Gavin.

On it are sheets of music scores printed by Gavin.

It will sometimes think that the small black table next to it is a bit short.

Sometimes Gavin uses in in the hanging chair to record melodies.

Gavin will print the music scores and put them on it to practice.

Flowers on the Wall 

Each flower is carefully selected by Gavin.

The front wall stores a variety of flowers.

The flowers on the entire flower wall are all preserved fresh flowers. 

Black Table and Seat 

Looking at it closely, it is the song that Gavin played last time. (Music score sheet on table.) 

It is also very comfortable with the little black seat cushion next to it.

The soft black cushion stuffed with cotton.

My exclusive seat for Gavin’s recital.

I bought it with Gavin when we were shopping at the furniture market.

Hanging Chair/Rose Hanging Chair (Coziness 88)

A great napping spot.

Here in the Leisure Time special happening, MC and Gavin talk about the swing they had in high school. MC is surprised that Gavin knew about the view of the sunset when being on it. He says he “passed by” sometimes. MC notes how the ginkgo leaves danced in the wind. He says, “they were gifts from another person”.

Heart-Shaped Chair (Coziness 28)

A cute small stool and a convenient storage box.

Gavin’s expression was a bit subtle while he sat on it first.

Alternating blue and pink hearts, as it’s a Valentine’s Day limited edition.

Surfboard Cabinet (Coziness 42)

It’s a new surfboard. Bring it next time we travel.

There are also other surfboards. Guess where they are? 

It says fly on the surfboard, like I can leap through waves with it.

(THEIR CUTE SHOES ARE NEXT TO IT AHHH)

Blue Lamp

A lamp that always blows bubbles from the bottom to top.

It’s beautiful and dreamlike when switched on at night.

Black Table on the Left 

“This looks like the score that Gavin played on the beach last time. I suddenly feel a bit nostalgic.”  - This refers to the Slightly Drunken Date!

“I found a picture of an asleep Gavin. He was sleeping soundly.”

Claw Machine and Carpet 

A dream-like claw machine. Gavin will add new dolls in it.

The inserted game coins can be taken out from the back of the machine and then reused.

A small black carpet in front of the claw machine.

I bought it together with the large carpet.

Red Bunny, White Bunny, Pink Bunny, Red Bunny, Grey Bunny.

Motorcycles 

The blue motorcycle sometimes want to compete with the opposite motorcycle.

The colour of the motorcycle displayed is sky blue. 

Maybe its name will be “Azure”? (because Gavin uses colours to individually name items.) 

Spring Landscape Display 

The landscape has been embedded into the window, like beautiful paintings.

Maybe there is a new world inside.

I can't help stopping to enjoy the view each time I pass.

Is designed for a wider view, improving your mood even when you're tired.

Winter Landscape Display (Coziness 61)

A corresponding landscape should be changed into winter.

Such heavy snow! Frozen river! Unfortunately, they are all fake. 

You can enjoy the red maple leaves and snow even at home, isn’t it wonderful?

Loft 

Painting

This is a word map that covers the entire wall.

Looking at it, Gavin and I have already been to so many places.

If you want to travel, you can find the destination on it in advance.

I'm willing to create memories with him in many more places.

Chandelier

The current iron style design is really cool.

Shines warm yellow when turned on, warming our hearts.

Display Cabinet  

It should have been a wine cabinet, but Gavin doesn’t drink, so it became a display cabinet.

The ‘little things’ between me and Gavin are displayed inside.

It looks empty now, but it will slowly be filled up in the future.

Black Tea Table

A black low table in front of the sofa.

I occasionally work here.

The star and moon deco piece is very beautiful, I picked it with Gavin.

You can put fruits and snacks on it while reading.

The wood texture had a matted quality with the black coat of paint.

Art 

Looks cold but is artistic.

Seems useless, but also seems cool.

Greenery

A corner with blooming flowers all seasons, is warm and restful to the eye.

Outside the window is a huge ginkgo tree, and the fallen leaves are like brocade.

I feel like it’s always spring with all these flowers around.

It compliments the scenery outside the window. (They have a ginkgo tree right outside their home!) 

Cabinet 

Photo framed have karmas from the Starry Date and the Romantic Date!

Decorative Cabinet/Snowman Closet (Coziness 49)

The two little snowmen stared at each other throughout the winter. (Cute little reference to the CN Recovery ASMR.)

It looks like a window at first glance, but it’s actually a cabinet if you look carefully.

And you could open it. Didn’t see that coming right? 

Starry Sky Wall (Coziness 52)

Today’s wish… I hope that Gavin…

I will accompany you to see the meteor rain which falls on this Earth.

Every moment a wish is realised, there will be a meteor streaking across the sky.

Dandelion Lamp (Coziness 43)

The lamp looks exactly like the grapefruit during Mid-Autumn Festival.

Like a burning sparkler, shining brightly.

Six light sources, not too dazzling nor too dark.

Festive Decoration Table (Coziness 57)

Although there are two cups of drinks, we can still drink from the same cup.

The sofa in the corner always makes people feel safe. 

Although we are only two people, I still chose two long couches.

The letter under the ginkgo biloba leaf, writes a love poem.

All the shopping bags represent his most flawless love.

The wide view allows you to see the scenery in the yard.

The soft white mat was added afterwards.

But it’s always hot under the sunlight, so the curtain is often pulled down.

Basement

Security Camera 

You are in a monitored area, please mind your actions.

Bulletproof Glass 

It’s not a normal screen, it’s bulletproof.

It's not often that one gets to see such a cool and HARD-CORE transparent screen.

Anyways, curious what’s in this wall.

Sci-fi glass wall in the movies.

The engraved badge is Gavin’s silent pride.

1-2-3... still shorter than it!

Gingko Tree

Seasons slip by soundlessly.

No matter how small their wishes are, they will become seeds and eventually bloom in gold.

All life’s little joys turned into gold.

It guards the serene life here quietly over in the corner.

(Gavin makes ginkgo bookmarks with them for MC. CRIES.)

Corner Resting Area 

These action figures are actually pretty fun!

The puzzle is all grown up. It should be able to piece itself back together. (LOL)

(Puzzle) Maybe finish it while Gavin’s gone? 

(Table) It sometimes thinks the table is a bit short.

(Chair) It looks hard but it’s actually comfortable to sit on.

Very spacious, but looks a bit empty.

Some decorations should be displayed here.

Sitting on a blanket is also very comfortable. You can also lean on the small pillow. 

(Carpet) This is a carpet. You can’t tell, right? 

The advanced smart carpet that is warm in winter and cool in summer is awesome.

(The book on the table is called ‘Kritik Der Urteilskraft’- The Critique of Judgement by famous German philosopher Immanuel Kant. It follows after the Critique of Pure Reason and the Critique of Practical Reason- the First and Second Critiques, respectively. The Critique of Judgment constitutes a discussion of the place of Judgment itself, which must overlap both the “understanding” and “reason”.)

“You need to take better care of your health.”

“Who was the one working overnight over the proposal the other day?”

“Alright, we’re birds of a feather, so... so both of us should look after ourselves for each other!” 

“Rest assured, I will. After all, it’s different now. I have you by my side.”  -Harmonous Compa Special Happening

Gavin’s Workspace

Accompany Gavin though every sleepless night.

This seems… No, I’m seeing things.

All folders are neatly organised and arranged.

A spacious table, with files and reports spread all over when busy.

I no need to worry about waking up from naps due to cold late at night.

I was reminded of some criminal investigation shows I have watched. Come on, Officer Gavin!

If this complicated case is made into a movie, it will be an exhilarating one. 

(Computer) A customised large-screen UHD model customised for work purpose.

(Computer) Work exclusive computer, only connected to intranet.

(Computer) The three auxiliary monitors can help keep the data safe.

(Chair) If you want to protect your waist, you should first have a comfortable cushion.

(Chair) if you work long hours, be sure to work in a comfortable chair.

(Board Area) What does it say? Ermm… Cats have nine lives? 

“Found a girl crookedly drawn next to a work record when he reached a bottleneck.” 

Airplane

This airplane model was assembled by Gavin himself.

The computer says-  Agent B-7

Team Operator S.T.R.I.K.E

Location Tracker 

S.P.Y Camera 

U4V Commando

Gunship Operation 

Motorcycle Repair Area 

Every vehicle is so cool in its own way! 

Hello, you are... Little… Erm… Let me think… 

With the strength to lift mountains and the spirit to take on the world! Ha! 

The robot arm is actually a simple robot.

For your safety, please don’t linger below it

(Motorcycle) I would like to greet my seniors.

Electronic Control Pad

Responsible for controlling the rising, descending and switches of the entire area.

On Spring Festival, it will say: Happy New Year, Sir!”

Sooner or later, fully automated smart management will be achieved.

Radio Office 

It’s an important communication device, and the only disadvantage is that it’s a bit heavy.

It’s actually a satellite phone, and it can receive signals everywhere.

Looks like the palm phone in the 90s. Oh no, I’ve exposed myself.

It looks like an electrocardiogram.

Don’t know how to use this weird device.

A thick laptop that it’s properly shut when not in use.

A cool eagle logo is printed on it.

Gavin used it only for special tasks and it will not be brought out.

LMAO MC DOESN’T HAVE ACCESS-

Courtyard 

Corner Seating Area 

A courtyard in sunny or snowy days are interested in their own ways.

Sometimes the unfrequented bolsters will envy the knee pillow.

It's’ wonderful when two people are sitting here reading, even if they don’t talk.

Standing barefoot on the soft lawn is very comfortable.

There's nothing nicer than basking ourselves when its sunny.

Binoculars

The white binoculars which you can see things several miles away.

You can use it to watch the stars when it’s not too cloudy.

But star-watching is clearer mid-air.

Seems to be the same binoculars as those in the scenic area.

The binoculars in the scenic area require coins, but this one doesn't.

Outdoor Lounge Chairs 

The new furniture I asked Gavin to buy.

Can enjoy the sunlight spa comfortably when relaxing. 

Closing my eyes, I feel like I’m lying on a beach.

The soft breeze and warm sunshine. This is life. 

Lying on it and looking at the blue sky and white clouds, your mind goes blank easily.

The blue and white clouds-

Leisure Table/Romantic Table (Coziness 52)

Lace tablecloth… I can’t imagine that it was chosen by Gavin.

The elaborately prepared dinner and roses, just for today.

A large sunshade on the balcony. (Black large umbrella.)

Bird Nest (Coziness 37) 

Once it was a pair of binoculars, now it’s a bird’s nest.

I bought it just because it was cute, but I’ll consider having pets in the future.

Birds flying by can also have a free meal here.

[unkownknowledge]

OC: CHAOS GOD OF THE VOID, GIOTA

story I'm still working on your requests don't worry, I just wanted to make a few character sheets since I'm not focused enough rn. I'll finish it when I take my meds though I promise.

And this isn't an oc for any show, rather a character from a multiversal mythos I'm making

also, an important term to understand this: 1 god year=5 billion years

_____________________

Description:

Giota is a very hot and cool Giota stop changing the text! Atleast change your style of writing so the reader can undead immediately Aw but wheres the fun GIOTA

Fine mister fun police, I'll write like this then. And I'll be cooler than you

Young man I wil... forget it, back on track:

Giota is a shapeshifting god of chaos, void, technological progress, freedom, and being a dramatic bitch.

Hey! I'm not a bitch!....maybe a little

When appearing before mortals he'll often take on the form the viewer imagines when they think of a god of chaos would appear as. Often times when the user knows the basic descriptions of Giota from the 'book of tales' will see him as a angel like statue of bones with numerous cracks, no face, and organ pipe wings.

When meeting with gods outside his domain or when he must meet mortals in a set form, he will take on simple, 10ft tall humanoid form with bone skin, a cracked mouth that cracks more when he speaks, two different colored eyes, and longer than floor length black hair. One of his eyes will be crying water that burns upwards, while the other cries fire that flows downwards. In this form he wears a black trenchcoat, green turtleneck, and purple dad pants.

What the fuck are dad pants?

You know, those usually brown pants that are kinda jeans but soft and actually comfortable.

YOU BITCH MY HUSBAND LIKES JEANS AND HIS PANTS ARE SOFT!

YOUR HUSBAND HAS MARSHMALLOW THIGHS! LITERALLY! OF COURSE HIS PANTS ARE SOFT!

Inside his own domain, or if he's feeling especially done with whatever poor bastard made him upset, Giota takes the form of an innocent ten year old child with soft white steel skin, mile long black hair made of silk, and black eyes made of diamonds. In this form he wears pajamas for to big for him, his mouth leads to a dark void, and he carries around two plushies: a bunny made of roses from his mom, and a plush of his adult form from his husband. Of course he becomes an adult if they do anything adult, so please don't start.

Regardless of his form, even when it's based on the perspective of others, he always wears a large knitted infinity scarf his husband made for whenever he wanted to hide away.

_____________________

Powers:

Cool ones

I mean, he's not wrong...

(I should make an ice themed character)

Giota, as a god, has numerous powers related to his domains.

powers of freedom:

inspiring presence- while most gods or beings of power inspire mortals and lesser beings of power to kneel down or bow, Giota’s presence inspires all beings to rise up, to do anything, to do whatever they want, to become the best they can be. this can be used to inspire allies to carry on. However Giota can also let this power run rampant, and free the mind of any shackles, and while this sounds good it really just means removing all morals and causing mass violence, and if he lets it run rampant while in the same dimension he lets it then all life will mutate into eldritch monstrosities of decadence and selfishness. According to him this is to show that balance must be kept between chaos and law.

the torch of liberty- among Giota’s duties as a god of freedom is to liberate the populations of ‘doomed realms’ that have been enslaved. essentially, if a planet in a universe is ruled purely by either law or chaos then the entire universe can be effected, in the case of law it can result in the entire universe becoming one collective conscious. while it’s not common that enslaved worlds occur, however when they do they are the most dangerous of law worlds. to combat worlds like this gods of freedom are given torches that free the minds of the enslaved and bring down holy fire upon the enslavers in the form of the collective will of all the freed people.

powers of technological progress:

cybernetic god-many god-years ago Giota was severely wounded by a rogue god of flesh and a rogue god of metal, to the point even he could not regenerate it. to stop him from dying a cult of his granted Giota cybernetic enhancements. these enhancements integrated into Giota’s flesh as it regenerated and became enhanced in turn by Giota’s divinity, and Giota’s divine power was enhanced then by the cybernetics, resulting in a self sustaining growth in power. while he gladly used this to stop the rogue gods, and once again to destroy an old one, he feels being that powerful would upset the balance of power, so he sealed it in a time lock in time with the seasons and time of day in the void. his power increases from mid day to mid night, and from the end of summer to the end of winter. in the minute of exactly midnight at the end of winter, Giota becomes, in both this multiverse and the old, the most powerful being to exist.

self evolving knowledge- because his position as a god of technology is artificial his powers in it are very weak, being able to only grant full sentience and sapience to machines. he can also create minor miracles of technology, such as summoning a clockwork toy(which he does often)

hey man did you really have to bring up the whole getting my ass kicked thing?

yes, now shut up before I bring up what you sing in the shower

....fucker....

powers of being dramatic:

yeah that wasn't a joke. Giota is the god of being over the top, stylish, and over all flair. in other words, being dramatic

personal sound track- he can cause any song he wants to play when he does anything.

lights, camera, ACTION!- whenever he wants, Giota can cause a bright, sparkling light to emit from his body or behind himself.

my favorite is that one bad bitch’s theme. what’s her name again?

Ragyo Kiyurin?

that's the fucker! terrible taste in morals, but damn does she know how to enter a room.

...can I put sigh when it’s supposed to be me sighing?

powers of the god of chaos

Chaotic existence- for Giota to even exist is, in and of itself, a paradox. he comes from a timeline that never existed, that was on a set path, yet he exist, and he changed the course of the timeline. when he became a chaos god he became a paradox within a paradox, he existed yet did not. to attempt to change any aspect of his being, to take in any part of his being, is to know that which is not there to know, to understand that which is not there, you have to be able to comprehend the very essence of nonexistence to even bare a hair of his getting in your mouth. such a thing easily drives all things that try insane, to the point that every part of their conscience believes that it does not exist.

overwhelming power-chaos gods are only once a multiverse, and with the title comes pure power. such power could turn an infant into an indestructible warrior, however since Giota was already at that level on a mortal scale, and already capable of taking on powerful gods, this power sets him among the highest echelons of divine might.

powers of the god of void

key to nonexistence- the god of the void is the only being who can open the bridge between that which exist and that which does not

rapid regeneration- the void god has an innate ability to regenerate from nearly all damage, even if they are ground to a fine paste. this regeneration is enhanced by the cybernetic enhancements.

speed of darkness- the void god has an innate speed that surpasses light, Giota’s already superhuman speed was enhanced by this.

spear of not- the void god is the sole being in existence and non existence who can wield the spear of not, a finely forged weapon. it is not special beyond being enchanted to withstand godly power and a ‘security lock’ enchantment, however it is still a very well made weapon.

blah blah blah, enough about what I was handed, tell them about my mortal abilities

as Giota just said, and as I’ve brought up before, Giota is extremely powerful even without his powers, he also used to be two other mortals that were less powerful. but over all these were his powers, which he still has.

leather skin- while it might appear or feel like something else, Giota’s skin is exactly like leather armor. this comes from how he was raised as a child to be a powerful warrior and his skin was tanned into hide and treated while it was still on him.

adamantine bone- Giota’s bones were also replaced by an adamantine skeleton when he was a child.

super sonic speeds- during his training as a child, he was taught to be able to surpass the sound barrier on foot.

superhuman strength- his training also trained his body to carry ten tons, however as a mortal he improved that strength to the point he could exert enough force to blast away entire cities by blinking. This power did not come easy.

flight- after training with some monks late in his life, Giota was able to walk on the air, essentially he could fly at the same speed as he could run.

agility- he was trained as a warrior and assassin, so Giota’s training included advanced maneuverability training, including wall running, sneaking across tripwires, etc.

weapon master- Giota is a master in all weapons and various forms of martial arts.

he also has reciev- hey man you good?

I-I’m fine! d-don’t write that I’m crying! 

you...wanna talk about it?

…no...

is it about your mom?

…maybe...

alright take your time.

anyway Giota has a very useful piece of equipment, the cloak of maternity- despite it’s name, it’s actual a cloak that leads to a pocket dimension where Giota carries his weapons and toys. It is called the cloak of maternity because his adoptive mother gave him after he became a god-bounty hunter, she even designed it to help him hide away from people. it even has a designated snack pocket.

_____________________

BIO:

Giota was found by his adoptive mother after he destroyed his timeline, as punishment, or perhaps in an attempt to redeem him, she turned him back into a baby. something Giota happily accepted.

After this his life went on as a mortal’s would, only in the realm of divinity: he went to school, went into college, graduated, then entered the workforce. granted the workforce he entered was bounty hunting divine criminals. it was easy for him to get into, after all everything from his past life transferred over to this one, it wasn't long before he was hunting even the deadliest of criminals. while his mom was very supportive, it was still difficult for him to keep in contact with her as he did before moving out, and being a bounty hunter was hardly a sociable job. it wasn't long before Giota fell into depression, and then to drugs. for twenty three god years his life was an endless cycle of contract killing, payment, and wallowing in chemical joy. But at the end of all blinding lights, there is a welcoming darkness.

Giota had become the personal bounty hunter of the god of law and time: Ceerus. one day while leaving after receiving a contract, he met the god’s child, a boy his age named Dyalta.

It was thanks to Dyalta that Giota ever kicked drugs, or got out of depression, and thanks to Dyalta Giota managed to find happiness in anything other than a syringe.

Even the reason he found love.

rise to godhood

Giota became a god after an old god, named the Red slaughter, destroyed the entire universe. this was a catalyst for Giota, who had died previously, to return with his newly awakened god powers. I don't want to go into to much detail in this aspect as I intend to write it at some point.

_____________________

hey man you good yet? 

a little bit. Dyalta came by and gave me some cookies.

that's good buddy, I’m gonna describe your personality ok?

alright.. I’m gonna go home now.

alright man, take care.

_____________________

personality

do note that this is a bit hard for me to do. I’m more used to just writing a character. I’ll just post two short stories here to try and get his personality across. I made them in school last year.

ok so after looking at it the second one is twelve pages long. so I’m gonna post that elsewhere on here. to give context: this is after a wedding between Dyalta and Giota was interrupted. if you’d like to see more about him then feel free to interact or request him.

elavator story

Giota shifted uncomfortably to make room for his soon to be father in law as the man stepped into the lift.

“Soooooo…” Giota pressed their floor “wonderful, um, siege we’re having.”

Ceerus just keeps his eyes on the door “sure.”

“So how's the uh, wife?”

Ceerus sighed “locked in a tower, that we are invading.”

“Mhm, yup.”

‘Maybe I should try calling him dad.’

“So what did you think of my swordsmanship d-dad.”

Ceerus visibly restrained himself “it was fine ten- Giota.”

The elevator stopped, probably because of security.

“Oh maker damnit,” Ceerus tries rewinding the shut off, but it doesn't work “and it’s godproofed!”

“This reminds of this one time me and Dyalta wen-”

Ceerus put his hand to Giota’s mouth “if you end this story in anything less than fully clothed I will end your fake hide.”

Giota scratches his head nervously “Well I didn't, but Dyalta lost his shirt and well,” Giota notice Ceerus drawing his blade “b-but it was for a sword fi- wait bad wording, it was for a-you know- assasination thing!”

Ceerus sighed and sheathed his sword “look, you dusting mongrel, I don’t like you, you pretend to like me, let’s just try and not kill each other and maybe by the end of this, I won’t flay your ass at the altar.”

Well atleast now they both agreed on something: this was going to be a long crusade.

________________________________________________________________

ok that's that! not a very good character sheet but hopefully it got enough across to be interesting. I’ll end this off with some quotes I want him to say but have never gotten the chance to write out:

“hey Ceerus how’s the kid? oh thats right! in my bed, waiting patiently.” following Ceerus being exceptionally annoying.

“you know something? I try to be nice, I always smile, always banter with my targets. you know, try and be friendly. but then some RED MOTHERFUCKER, POSSESSES MY HUSBAND, WAKING ME UP FROM ETERNAL SLUMBER, AND NOW I ONCE AGAIN HAVE TO CLEAN UP THE GOD’S MESSES!”

*crying into Dyalta* “and then he said my clothes were stupid,” *sobbing* “I tried really hard on these!”

“this multiverse, to us gods, is wet paper mache. so easy to break, one wrong move and POP,” Giota flexes his finger and causes an ocean to split open for a solid ten seconds, “the very fabric of reality is gone. and you. you insuferable MOTHER FUCKERS have the AUDACITY TO COME IN HERE, AND TEAR IT ALL TO SHREDS! well assholes, if this reality is paper mache to you, and I’m stronger than you, take a wild gues as to what you are to me.”

(tagging: @storytravelled, @3lectro-heart, @genshin-obsessed)

[itsclydebitches]

Hello again! Im the tinfoil hat anon with the long ass asks and I finally had the time to read your response. Thank you, it makes my day reading your answers. I honestly just enjoyed them over a cup of coffee like a good book.

Now, the gun pointing scene I mentioned was in fact the one from the droid fight facility like the other anon suggested. But I really liked that you covered the boat scene too, I haven’t thought of it much myself and now I definitely have!

I also would like to mention I love your “candy bar” choice analogy and I 100% agree Hunter’s “invitation” to join back wasn’t welcoming in the slightest. It is very likely just an obligation as you said. Sort of “you gave us a chance, we owe you a chance too”.

And the problem with it is now I am struggling to figure out how the batch members might change their attitude toward Crosshair going forward, especially Hunter. As of right now Crosshair’s best relationship is not with his brothers but with Omega(as surprising as this is). And I think he does realize now she cared about him the most out of all of them during the short time they interacted(both 1st and last episodes). Even between themselves(not counting Omega) I find most of the bad batch members to be cold and distant to each other. They feel less like a family than Rebels for example. And they aren’t even a “found family”(a trope everyone loves) but an actual one! And I get that they’re soldiers and supposed to be tough, I don’t expect them to share all “the feels”. I just can’t put my finger on it but something feels off. I agree with your previous post, the show doesn’t do a very good job showing or even telling they love each other.

Will Hunter and co only start caring about their brother again only after he leaves the empire?(assuming he does at some point). What about Disney’s prevailing theme and message that “family always love and care for each other no matter what”? I guess it’s “family always love and care for each other but only if you’re good guys making right choices”. There is no room for mistakes or wrong decisions. In the last episode everyone form the batch seemed to have given up on Crosshair(besides Omega). For now their attitude seems to be just “you’re not our enemy” and that’s that.

I realize Crosshair is a “bad guy” and consciously made his choice(and we know it’s the wrong one) but to me it felt like he thought he didn’t even had a choice or rather became so lost and confused he actually thought he chose the empire as “the lesser evil”(as in the less shitty choice out of all the other bad ones). We as audience have the benefit to know exactly how atrocious the empire really is but maybe Crosshair still doesn’t realize that.

So what exactly must Crosshair do to get back “in their good graces” as you say? Start saving “the good guys”? Save the bad batch multiple times? There is a popular opinion on how Crosshair can redeem himself. That he eventually heroically sacrifices himself to save them. I personally REALLY hope it’s NOT what’s going to happen but I heard so many people speculating his story is set up to be redemption=death. I know you mentioned you don’t want “Vader style redemption” either. Personally I think it would be a waste of a character who has a lot of potential. And I just think that the batch kind of don’t really deserve his sacrifice(maybe save for Omega) after how they never tried to save him themselves and how they treated him overall. Maybe he will risk his life to save Omega at some point and that will “prove” to Hunter he cares? Although he has already shown he cares by saving her(even if in Crosshair’s own words it’s just so they’re “even”). And the thing is, he doesn’t need to prove that he loves them, he already did that in episode 15 and made it clear he does care. He actually went to extreme by shooting his squad to prove his loyalty. What were the moments the batch demonstrated they care about him? Hunter saying “you never were our enemy” and taking his unconscious body to safety? To me Hunter “not leaving him behind” during bombardment felt more like guilt about the last time it happened and an obligation to Crosshair for helping them with droids, rather than them showing care. And I kinda of think if that was any random civilian(or anyone other than an enemy or a threat) they would carry them out too just because that’s what good guys do and not because it’s their brother. You also mentioned that minutes later Hunter snaps at him with “if you want to stay here and die, that’s your choice” which I agree can be interpreted in different ways. And I think it’s one more point to it being an obligation that in Hunter’s eyes is fulfilled now. He corrected his mistake of leaving a brother behind and saved him this time, now his guilt won’t burden him any longer.

Anyway, I can’t wait for season 2 and I appreciate you and all the anons sharing the tinfoil hat, interacting and speculating together. Those discussions have been a lot of fun!

TLDR: How do your think the relationship between the brothers will mend or evolve in the next season? Do you think S2 will improve in portraying the batch more as a family rather than a group of mercs doing missions together? What are your thoughts on the popular idea of Crosshair’s redemption by ultimate sacrifice? As in, how likely do you think this scenario is?

Anon, that is just wonderfully hilarious to me. Ah yes, the sunrise, a good cup o' joe, and the overly long character analysis of a snarky, fictional sniper. Exactly what everyone needs in the morning! 😆

You know, TBB is far from the first show I've watched where there's an obvious, emotional conclusion the creator wants the audience to come to—the squad all love each other Very Much—yet that conclusion isn't always well supported by the text. It creates this horribly awkward situation where you're going, "Yes, I'm fully aware of what the show wanted to do, but this reading, arguably, did not end up in the story itself. So what are we talking about here? The intention, or the execution?" It's like Schrödinger's Bad Batch where the group is simultaneously Very Loving and Very Distant depending on how much meta-aspects are influencing your reading: those authorial intentions, understanding of how found family tropes should work, fluff focused fics/fan art that color our understanding of the characters, etc. And, of course, whether someone saw TCW before they watched TBB. I personally wouldn't go quite so far as to say they're "cold" towards one another—with Crosshair as an exception now—but there wasn't the level of bonding among the squad that I expected of a show called The Bad Batch. Especially compared to their arc in TCW. The other night I re-watched the season seven premiere and was struck not just by how much more the squad interacted with each other back then, but how those interactions added depth to their characters too. For example, Crosshair is the mean one, right? He's the one picking fights with the Regs? Well yeah... but it's also Wrecker. While they're trying to decide what to do with Cody injured, Jesse calls out Crosshair on his attitude—"You can't talk to Captain Rex like that!"—and Wrecker's immediate response is, "Says who?" and he hefts Jesse into the air. And then he just holds him there, clearly using his superior strength to do as he pleases, until Hunter (sounding pretty angry) tells him to put Jesse down. If Wrecker had put him into a more classically understood bullying position, like pinning him to the ground, it would probably read as less funny—less "Haha strong clone lifts Jesse up in the air!" and more "Oh shit, strong clone can do whatever the hell he wants to the Regs and few are able to stop him." It's such a quick moment, but it tells us a ton about Wrecker. That he's going to stick up for his brothers, no matter the context (Crosshair deserves to be called out). That he will gleefully assist Crosshair in bothering the Regs (something that is reinforced when he later throws the trays in the mess hall, after Hunter has already deescalated the situation). That he's likely been hurt by awful treatment from the Regs too. That he'll only listen to Hunter when it comes to backing off. Little of this work—that interplay among the squad that shows us new sides to them other than basic things like "Wrecker is the nice, happy brother"—exists in TBB.

Or, at least, little exists after Omega becomes an official member of the squad.

Because, as said previously, she becomes the focus. I don't mean that as a total criticism. As established, I love Omega. But if we're talking about why the squad can feel so distant from each other, I think she's the root cause, simply because the story became all about her relationships with the Batch, rather than the Batch's relationships with each other. Having dived headfirst into reading and writing fic, it occurred to me just how many of the bonding moments we love, the sort of stuff we'll see repeated in fics because we understand that this is where the story's emotional center is, are given to Omega in canon:

Someone is hurt and in need of comfort. Omega's emotional state is the focus + moments like her being worried over Hunter getting shot.

Someone needs to learn a new skill. Echo teaches Omega how to use her bow.

Someone reveals a skill they never knew they had before. Omega is a strategic genius and plays her last game with Hunter.

Someone is in serious danger and in need of rescue. Omega rescues the group from the slavers + is the most vocal about rescuing Hunter. (Which, again, is a pretty sharp contrast to the whole Crosshair situation.) Omega, in turn, needs rescuing from things like the decommission conveyor belt.

Similarly, someone is kidnapped and in need of rescue. Omega is kidnapped twice by bounty hunters and the Batch goes after her.

Someone saves another's life. Omega saves Crosshair from drowning.

Someone does something super sweet for another. Wrecker gives Omega her room. Omega gives Wrecker Lula.

A cute tradition is established between characters. Wrecker has his popcorn-esque candy sharing with Omega.

Someone hurts someone else and has to ask forgiveness. Wrecker is upset about nearly shooting Omega and they have that sweet moment together.

Note that most of these examples could have occurred between other Batch members, but didn't. Someone could have created a space for Echo on the ship too. Wrecker also could have apologized to Tech for choking him, etc. It's not that those moments shouldn't happen with Omega, just that there should be more of a balance across the whole season, especially for a show supposedly focused on the original squad. Additionally, it's not that cute bonding moments between the rest of the Batch don't exist. I love Hunter selling Echo off as a droid. I love Wrecker and Tech bickering while fixing the ship. I love the tug-of-war to save Wrecker from the sea monster. Yes, we do have moments... it's just that comparatively it feels pretty skewed in Omega's direction.

So, as a VERY long-winded way of answering your question, I think we need to fix the above in order to tackle Crosshair's redemption in season two. Now that we've had a full season focused on Omega, we need to strike a better balance among the rest of the squad moving forward. We need to re-established the "obvious" conclusion that the rest of the Batch loves Crosshair and that's done (in part) by establishing their love for one another too. To my mind, both goals go hand-in-hand, especially since you can develop their relationship with Crosshair and their relationships with each other simultaneously. Imagine if instead of just having Wrecker somewhat comically admit that he misses Crosshair (like he's dead and they can't go get him??), he and Tech had a serious conversation about why they can't get him back yet, despite very much wanting to. Imagine if Echo, the one who was rescued against all odds, got to scream at Hunter to go get Crosshair like Omega screamed at them to go back for Hunter. Imagine if we'd gotten more than a tiny arc in TCW to establish the Batch's dynamic with each other, providing a foundation for how they would each react to Crosshair's absence. Instead, what little we've got in TBB about Crosshair's relationship with his brothers is filtered through Omega: Omega's embarrassment that she knocked over Crosshair's case, Omega treating Crosshair's comm link like a toy, Omega's quest to save Hunter that just happened to involve Crosshair along the way.

Obviously, at this point we can't fix how the first season did things, but I think we can start patching over these issues in season two. It would be jarring—we'd still be 100% correct to ask where this "Brothers love you, support you, and will endlessly fight for you" theme was for Crosshair's entire time under the Empire's thumb... but I'd take an about-face into something better than not getting any improvement at all. It is frustrating though, especially for a show that I otherwise really, really enjoyed. For me, the issue isn't so much that the show made a mistake (since no show is perfect), but that the mistake is attached to such a foundational part of the franchise. Not just in terms of "SW is about hope and forgiveness" but the specific relationship most clones have with each other: a willingness to go above and beyond for their brothers. The focus on Omega aside, it's hard to believe in the family dynamic when one member of the family was so quickly and easily dismissed. I couldn't get invested in Hunter's rescue as much as I should have because rather than going, "Yes!! Save your brother!!!" my brain just kept going, "Lol where was this energy for Crosshair?" It messes with your reading of the whole story, so in order to fix that mistake going forward, we need to start seeing the bonds that only sometimes exist in season one. Show the guys expressing love for one another more consistently (in whatever way that might be—as you say, soldiers don't have to be all touchy-feely. Give us more moments like Wrecker supporting his brothers' bad habits) and then extend that to Crosshair. Which brother is going to demand that they fight for him? Which brother is going to acknowledge that they never tried to save him? Which brother is going to question this iffy statement about the chip? In order to buy into the family theme, Omega can't be the only one doing that emotional work.

Ideally, I wouldn't want Crosshair to go out of his way to prove that he's a good guy now. I mean, I obviously want him to stop helping the Empire and such, duh lol, but I'm personally not looking for a bunch of Extra Good Things directed at the Batch as a requirement for forgiveness. Simply because that would reinforce the idea that they're 100% Crosshair's victims, Crosshair is 100% the bad guy, and he's the only one who needs to do any work to fix this situation. Crosshair needs to stop doing bad things (working for Empire). But the Batch needs to start doing good things too (reaching out to him). Especially since Crosshair made a good play already, only to be met with glares and distrust. He saved Omega! And AZI! And none of them cared. So am I (is Crosshair) supposed to believe that saving one of their lives again will result in a different reaction? That doesn't make much sense. And no, his own life wasn't at risk when he did that, but does every antagonist need to die/nearly die to prove they're worth fighting for? As you say, he's already shown that he loves them, far more than they've shown the reverse. Every time Crosshair hurt them (attacking) it was while he was under the chip's influence. In contrast, the group has no "I was being controlled" excuse for when they hurt him (abandonment). Season two needs to acknowledge the Batch's responsibility in all this—and acknowledge that they're all victims of the Empire—in order to figure out an appropriate arc for Crosshair's redemption.

Right now, the issue is not Crosshair loving his brothers, the issue is how Crosshair chooses to express that love: trying to keep them safe and giving them a purpose in life by joining the organization that's clearly going to dominate the galaxy. The only way to fix that, now that his offer has been rejected, is for him to realize that a life on the run from the Empire, together, is a better option for everyone. And the only way for that to happen is for the Batch to seriously offer him a place with them again. They need to make the first move here. They need to fight for him. And yeah, I totally get that a lot of people don't like that because it's not "fair." He's the bad guy. He's with the fascist allegory. He's killed people and has therefore lost any right to compassion and effort from the good guys... but if that's the case, then we just have to accept that (within the story-world, not from a writing perspective) Crosshair is unlikely to ever come back from this. When people reach that kind of low, they rarely pull themselves out on their own. They need other people to help them do that. Help them a lot. But with the exception of Omega's reminder—which Crosshair can't believe due to how everyone else has treated him—they leave him alone and seem to expect him to fix himself first, then he gets their support. It needs to be the other way around. Support is what would allow him to become a good guy again, not "Well, you'll get our love when you're good again, not before." That's unlikely to occur and, as discussed, it doesn't take into account things like this bad guy life being forced on Crosshair at the start. If the story really wanted this to be a matter of ideological differences... then make it about ideological differences. Let Crosshair leave of his own free will, right at the start. Don't enslave him for half the season, have him realize he was abandoned, imply all that brainwashing, give him no realistic way out, and then punish him for not doing the right thing. This isn't a situation where someone went bad for the hell of it—the story isn't asking us to feel compassion for, say, the Admiral—it's a situation where Crosshair was controlled and now can't see a way out. That context allows for the Batch, the good guys, to fight for him without the audience thinking the show is just excusing that behavior. They should have been fighting from the start, but since they didn't, I hope we at least start seeing that in season two.

Ultimately though... I don't really expect all of the above. The more balanced dynamics and having the Batch fight for Crosshair rather than Crosshair going it alone... I wouldn't want to bet any money on us getting it, just because these are things that should have been established in season one and would have been more easy to pull off in season one. (If the Batch wouldn't fight for Crosshair while he was literally under the Empire's control, why would they fight now when he's supposedly acting of his own free will? It's backwards in terms of the emotional effort involved.) But again, it could happen! I'd be very pleased if it did happen, despite the jarring change. I don't want to make it sound like I think they're going to write off Crosshair entirely. Far from it, I think there are too many details like his sad looks for that, to say nothing of Omega's compassion. But the execution of getting him on Team Good Guys again might be preeeetty bumpy. I expect it to revolve around Crosshair's sins and Crosshair's redemption, even if what I would like is balancing that with Crosshair's loss of agency, the Batch's mistakes, and their own redemption towards him.

Honestly though, I just hope that whatever happens happens soon. It's a personal preference, absolutely, but after a season of Crosshair as the antagonist, I'm ready for him to be back with the group, making the Empire (and bounty hunters) the primary enemy. Whether his return happens through a mutual acknowledgement of mistakes, or through Crosshair being depicted as the only one in the wrong who has to do something big to be forgiven... just get him back with the squad lol. Because if the writing isn't going to delve into that nuance, then the longer he remains unforgiven, the longer some of us have to watch a series while going, "Wait, wait, wait, I really don't agree with how you're painting this picture."

[touchmycoat]

I LOVE YOUR PORN AU!!!!! LIKE SO MUCH - and i'm just. if you don't mind me asking, how - the way you flesh out the characters, their motivations, and feelings in every scene in such an eloquent way, and just little things here and there, a habit or an activity that adds dimension to who they are, and - your prose is wonderful. you achieve this addictive, engrossing narrative space that readers just absolutely melt into, and i have to ask - how did you develop your writing style? 1/2

what books did you read that formatively shaped the way you write? or you know, what did you do to improve your writing? i'm so in awe of how you world-built and established the porn au - like lqg & hc being national taolu champions?? how do you come up with that stuff? i cannot comprehend the amount of research and effort that must've gone into porn au, and i'm just so deeply thankful that you decided to share that with us. i apologize if i'm coming on too strong, but wow. thank you 2/2

--

oh my god please don't apologize, when i saw your ask i rolled on the floor giggling hysterically for a solid 15 min, bless your heart

part of the answer to your question—i've taken like, 8 years' worth of creative writing classes/workshops! there was also a transnational literary component to my degree so whenever possible, i took literature classes fksjdfksd so whatever you see and like is definitely the result of a lot of work. My writing from not even 10 years ago but like, 5? horrid, ridiculous, wild, cringe. The Porn AU itself is the second draft of a MUCH more lackluster piece.

about my writing style. gosh, you really know how to make a writer blush. "I like your writing style" is literally an instant kill LMFAO okay okay, the useful answer: my primary criteria for choosing what to write is, don't be obvious, be interesting. Fiction tells us to show, not tell, right? Poetry is about concretizing the abstract. Screenwriting says cut all useless lines. A lot of writing rules and advice—never start with the weather, avoid detailed descriptions of the characters, don't use adverbs, etc.—are all really about this exact sentiment.

I once took a seminar on writing for horror movies. The golden rule of the horror genre is Never Show the Monster, because whatever the audience is imagining is always going to be scarier than what you actually show them. There are obviously exceptions to this (to all writing rules), but in my mind, it's all the same principle.

LONG answer under the cut

So you start with building a scene. I approach it like essay-writing—I state my thesis for the motivations/main propulsion of the plot. "In this scene, LQG and SY are motivated to save Cang Qiong's porn production, so they have sex on camera." Then you build the sub-motivations: "LQG is also doing this because he's pining after SY."

I learned this "thesis-writing" from theater, specifically from writing 10-min plays. Theater is all about characters being driven by their wants and needs, and the reason I say 10-min plays in particular is because longer forms of writing will give you more leeway, but in 10-min, you pretty much need your character motivations established from their very first line. That's why you need that very clear thesis for yourself—if you don't even know what the character wants from the get-go, then you can't establish who they are, what they want, and where they're going to go in a dynamic and interesting way.

So this thesis drives EVERYTHING that happens in your scene, just like an actual thesis for an essay, just like topic sentences for your paragraphs. Once I do this, I have the emotional direction & narrative scope of how much this scene will cover, I have a sense of where it begins and ends. "Begin with the dynamics of their sex. LQG starts showing signs of his feelings. Reveal LQG backstory for exactly what those feelings are and why he isn't telling SY. The rest of the scene implies that LQG's feelings may not be so unrequited, but also sets up the fundamental problem at the heart of the whole fic—SY's inability to comprehend his own feelings." This is kind of my new thesis now. They're having sex; LQG pines; SY doesn't know he himself is pining.

Now it's time to manifest. This is the "storytelling" part, and the hardest lmfao.

Personally, my approach is largely shaped by my very cool screenwriting teacher, who hammered into us: don't fucking waste lines. The Golden Rule of screenwriting is that every line should reveal something new. I found my old writing kind of repetitive, especially on the emotional front, so this is kind of my editing mantra now—is this line either propelling the story or revealing character? If it's revealing character, is it a revelation that has to happen right now, or is it slowing the momentum of the scene?

But these aren't rhetorical questions! "Momentum" doesn't just mean tumble forward as fast as you can, it also means taking the time to draw the bowstring back further, so your next move has even more propulsion. That's why you get the little "LQG has been in love with SY..." cut scene in the middle of the fucking (at least, that's my reasoning for putting it there). Every line has to bring a fresh revelation that "proves" your thesis further.

That brings me to the details. You said you like the details I inject into the world-building, and honestly that's so gratifying to hear, because that means I'm successfully manifesting my intentions, y'know? "Every line has to bring new info" kind of sounds like a tall order, but the most effective way I've seen it done in books and onstage/onscreen is with these hyper-specific details. If you're writing a scene in which someone feels dirty, never have them just say that—have them say they want to take a shower. Show them running out of bleach again as they scrub down the stall after they wash. Begin the scene like "Steve always washes his throat first now." Then pack the scene with even more revelatory details: "Soap in hand, he heard the pipes above his head groan for a half note on adagio, and readied himself for the blast of icy water that always followed." Shitty shower, probably not rich, is likely a classical musician.

By the same token, I want to build LQG's character. The "Liu Qingge has been in love with Shen Yuan" section is the first insight we get into his background and perspective, right, so: I need to establish LQG's emotional context for filming this scene -> I can characterize him as a nut for martial arts in the same stroke -> so this takes place at a gym, beating up sandbags is a classic way of showing manly emotional distress -> so give me more details on this gym -> Puqi Gym, XL the martial god is obviously the owner -> how do I have XL & LQG a relationship beyond gym owner & client? They spar together -> I want XL & HC's position in this AU to mirror their god/ghost king statuses in TGCF canon -> how can I concretize their fighting prowesses in real-world details? -> they're martial arts champions -> what's an actual competitive martial art form that involves weaponry? -> wushu -> wikipedia Wushu, find taolu weapons sparring

(I just realized that in my songxiao daycare AU, Hualian are Olympic gold medalists by the same narrative logic laksjdnflaksjdnflsd)

So, that's the flow of logic behind my world-building lmao. It's all in the details. Leverage is one of my all-time favorite TV shows and the way they build their stories is super inspiring. If their thesis is "the rich and powerful take what they want, we steal it back for you," they manifest it in the most specific and concrete narratives: mine workers who like the work but are fighting for workplace safety vs. the money-grubbing mine owner who will blow up their livelihoods if it means a bigger payday; the little girl from Iraq with refugee status forced to be an accomplice to antique smuggling vs. international smuggler with a fetish for British royalty.

Last pieces of writing advice I've gotten: pay attention to the real world. A writing exercise we did was just sit in a public spot and make concrete observations on our surroundings. There are stories in everything!!! I learned to observe things like weird holes in the concrete (earthquake? drilling accident? bullet mark?), odd patches of moss or bird shit (look overheard: it's an AC unit dripping water for the former and nesting swallows for the latter), ladies in flipflops walking alongside ladies in high heels (excited mother walking her antsy daughter to the bus for the daughter's first job interview—the daughter's shirt collar is unfashionable and she's taking the bus, so there's a good chance the shoes were passed down, maybe from an office lady aunt. Maybe she's even overdressed for the interview, so will her outfit be an unintended source of tension once she gets to the interview? Is it a group interview, to make the comparison more stark?).

Also, write what you know. You know why SY is a video editor in porn AU? Because I'm a video editor. One of my more popular MDZS fics is set in a plant shop 'cause I worked in a plant shop. SL was First AD in Bachelor!AU 'cause I was First AD on a set once. Concrete details like the editing software having a split-screen, always answering questions about how often to water plants, and being up until 3AM editing call-sheets are the ones that will fully immerse your readers.

And if you can't do the actual things, just watch someone who is, listen to them talk, pick up lingo, and fake it. I watched like a 15-min vox video on fencing for the fencing!AU and a 45-min music theory video on the hospital pianist!AU (also I started learning piano sklfjnlsdjlfkjsd). Of course, I just finished reading a wangxian fic that had me going, "holy fucking shit, the author is literally getting their masters in a music program" so my 45-min youtube video ain't shit, but if you just need a little bit of character establishment, then it's enough to do the trick.

Anyways, tl;dr. Find the details, find the tension. Never tell outright what the tension is supposed to be, manifest it instead. Make the manifestation as interesting as possible, and if it's meant to be funny, make it funnier.

Sorry this turned into a fucking lecture lskjnflskdjnflskd but last thing, someone asked me before if I had formative authors, and this was the list I wrote at the time:

Angels in America (play) by Tony Kushner

The God of Small Things (novel) by Arundhati Roy

The Penelopiad (novel) by Margaret Atwood

“Litany in Which Certain Things are Crossed Out” (poem) by Richard Siken

Night Sky with Exit Wounds (poetry) by Ocean Vuong

Giovanni’s Room (novel) by James Baldwin (and then Go Tell it on the Mountain and then his essays)

Franny and Zooey by J.D. Salinger

And, ooh, now that I have this list I think I can even roughly sort it as such: Kushner, Atwood, Siken, and Salinger I really latched onto for their dialogue and very present narrator voice—same is true for Go Tell it on the Mountain. Roy, Vuong, and Giovanni’s Room, I think, are texts more representative of the kind of saturated figurative language I like, and emulate. Of course they all do imagery and voice and overall structure amazingly, but that’s the rough dividing line I’d draw.

But yeah James Baldwin is my fucking hero.

[that-shamrock-vibe]

Movie Review: Cruella

Disclaimer: This is my non-spoiler review for Cruella, posting either the day or the day after the movie is released in the U.K, so if you are yet to see the movie and want to go in with a clear head do not read on until you do.

General Reaction:

Cruella however, I knew from the first trailer I was determined to see in cinemas and the fact it was my first time back in cinemas seeing a movie, I could not think of a better opening play.

It has been a while not only since I have been to the cinema, but also since I watched a new movie. Anything new that has come to me through the lockdowns have been older movies that are new to me. I haven't watched movies on PVOD or Premier Accees because I don't want to pay for them while in my bedroom on a small television and also they don't interest me enough to pay for them.

And that's what this movie is, an origin story. It's a Disney live-action adaptation of a beloved Disney villain's origins, sound familiar? That's what fans originally believed Maleficent to be before it became a redemption story of sorts.

Cruella was the villain of One Hundred and One Dalmatians because she wanted to skin puppies to make a coat, but this movie isn't about that, despite there being some excellent foreshadowing and even reworking as a prequel to the original story, this movie is about how Cruella became Cruella, not necessarily how she became a villain but making the character more three-dimensional and layered.

Here, without going into spoilers, we do see the reasoning behind Cruella being the villain we love her for and it is very much a nature vs nurture style of moral, but it isn't done to the detriment of the villainy Cruella is known for.

What Disney and the creatives behind Cruella have done with this movie is not only take note with everything great and bad with the more recent Disney live-action movies and filter out the bad, but also the potential of movies like Maleficent and even Mulan to a degree which failed to live up to their promises creatively, have seemingly been reworked for this origin story.

Does that mean she's not a villain in this movie? Well while she's not the movie's primary antagonist, Cruella stays true to herself and doesn't compromise why fans love the original character, if anything she amplifies why she's such a great character.

Cruella is such a love letter to the 1970s punk rock era while also managing to not just be style over substance but deliver on story and character as well, that I can't imagine anyone having that much of a problem with it.

It's what I would honestly call an artisan's delight, I'm not creative in a fashion sense, I love fashion and it's a reason I connect with Cruella so much, but I couldn't do what she does. I'd possibly be the Artie of her gang if not Horace and honestly I'm okay with that. But the way fashion, music and visual storytelling is used in this movies rivals the 1996 live-action 101 Dalmatians in that sense when scenes largely focused on the dogs selling the scenes without speaking. A picture paints a thousands words and Cruella's eccentric fashions were scene stealers.

It's funny, it's dramatic, it's well acted and directed. The writing is brilliant with maybe one exception with the Baroness which we will discuss in the spoiler review.

Speaking of spoilers. Way back when this movie was first announced I believe in 2016 I was adamantly against it, I thought it was sacrilege and that it would not be a patch on the original movies.

That being said, since seeing that first trailer and that stunning dress reveal I was hooked and have since watched pretty much every single trailer and TV spot this movie could churn out to the point where I feel I saw the entire movie already...but I was wrong.

From the trailers if you think this movie is going to end at a certain point you'd be wrong. I could kinda tell when the movie was going to end based on how the scene was set up, but even then there's more to the story.

I mentioned how this movie foreshadowed to the original One Hundred and One Dalmatians story as a prequel of sorts but also how it rewrote history so to speak, again the mid credits scene blows my mind as a Dalmatians fan and it cries out for a sequel.

However, to sum up, the original 1961 animated One Hundred and One Dalmatians is to this day my favourite movie of all time. Dalmatians are my favourite dog breed despite the fact I currently own a frenchie pug and Cruella De Vil I believe to be my spiritual mother.

Usually in these reactions I'll give a quick recap of my opinions of the movie or franchise the one in question is a part of, but I feel I've spoken about my love of all things Cruella De Vil and One Hundred and One Dalmatians enough in the past to get the point across.

All that being said, I am trying to compartmentalise my thoughts and be unbiased in my opinions for this movie. But honestly if this movie was bad I'd be coming down the hardest out of any critic on it because of what the property means to me personally.

So yes, I am going to big this movie up because pretty much every single element in this movie is 99% perfect. There is room for improvement, but that's where a sequel comes in to not only capitalise but better itself. And keeping the same creative team and bringing back the same cast, I feel this will be the Disney sequel to break the mould just as Cruella is the Disney movie to break the mould

But I have hyped up the lore and the character enough, what do I think of the movie? Well as much as I praised the creatives behind the movie for such a fabulous movie, director Chris Gillespe is partially to blame for how the movie looks. It’s still a visually orgasmic movie in terms of how it portrays its artistic choices, but in terms of those scenes and shots that could’ve been and should’ve been as visually pleasing as the fashion and art shots, just don’t leave as striking and lasting an impression as those shots and scenes.

Cast:

Honestly upon the announcement, to the point where I made a rant session post about it, Emma Stone as Cruella just didn’t land with me upon said announcement. However, as I said since seeing the first trailer, Emma Stone is young Cruella for me.

Glenn Close for me is Cruella De Vil in live-action. Victoria Smurfit on Once Upon a Time was fabulous but in opinion an elseworlds version of Cruella because she had magic and her story wasn’t really in line with the source material. Now, without spoilers but because it’s an origin you kinda can guess, Emma Stone’s version isn’t really in line with the source material either and up until seeing the movie I was all for viewing this version as an elseworlds story. even after seeing it I am all for viewing it as an elseworlds story from the original source material.

But does that mean it’s bad? No it’s just different. As I said earlier this is definitely a more fleshed out three-dimensional version of the Cruella that the original animated version and Glenn Close’s adaptation delivered, but honestly I’m excited to know where this Cruella goes from after seeing this movie. This is my favourite Emma Stone performance to date.

As for the other Emma, Emma Thompson as the Baroness, well she and Stone’s Cruella not only capitalize on Meryl Streep’s The Devil Wears Prada performance, but also adds that extra layer that make both characters not only believable as people but also villains. There’s no mistaking Thompson’s Baroness is a villain, but she does it in the best way and has never looked more fantastic doing so.

This movie also humanizes Jasper and Horace for me, I’m still unsure as to their relationship, if they’re friends or brothers, but based on the fact Jasper is race-bent in this movie and Hotace is still caucasian I’m going with not. However, without spoilers, based on how they meet Cruella I’m in favour of them not being related and simply lost souls coming together. But yeah they’re both funny, you believe they’re Jasper and Horace there’s no thinking one should be the other, and the chemistry between Jasper and Cruella is so electric that it demands a pay off in a sequel and actually speaks to a problem I know some male fans (including me) may actually have with Cruella as a character.

The other biggest breakout in this movie is John McCrea as Artie, who is not only Disney’s first clearly openly LGBT character but a scene-stealer in every shot that he is in. I said I would probably be Artie or Horace in Cruella’s gang and I stand by that because I think Artie is who I’d want to be (aside from Cruella herself) but Horace is physically who I would be.

Then as for the side characters, the movie does an interesting turn on the Anita/Roger origin story, Mark Strong as the Alonzo substitute is mysterious and brilliant, and the dogs are again scene stealers. Aside from 3 dalmatians (who are still alive at the end) there are two completely original new dogs who are part of Cruella’s gang and whether or not it’s because I’m a dog lover and own a dog or just because of the dog’s direction, they just pull focus every scene and make the characters more sympathetic because of how they interact with them.

Is this a knockout movie? Unfortunately no, I feel mistakes are made that leave holes for trolls to swoop in, however, I don’t think they should/ Honestly uou cannot make the “live-action” The Lion King a billion dollar flick and then complain about this movie, this is original, brilliant and 95% well executed. Yes I’ve dropped from 99 and we will discuss the issues in the spoiler review.

Recommendation:

But honestly this movie is worth the watch, it deserves the watch. As for seeing it in cinemas vs. Disney+, I could say it’s worth the £20/$30, but to get a true feel of some of the bigger and better artistic scenes it demands a big screen viewing. Also support local cinemas and all that jazz.

So that’s my non-spoiler review for Cruella, what did you guys think? Post your comments and stay tuned for my spoiler review hopefully coming soon, meanwhile you can check out other Movie Reviews and posts.

[mangamushi]

Thoughts on Saikyou Densetsu Kurosawa

FUKUMOTO Nobuyuki, 11 volumes, published from 2003 to 2006 in Big Comic Original (Seinen)

Saikyou Densetsu Kurosawa (Legend of the strongest man Kurosawa) follows the story of 44 years old construction worker Kurosawa as he realizes he spent most of his life without any meaningful connections with anyone nor any special achievements. He decides to change his life so that he can become proud of his own accomplishments and efforts, and earn respect and appreciation from the people around him.

(spoiler warning)

So I’m currently binging Fukumoto manga, after having them on my “plan to read” list for several years…I started with Kaiji, but initially the first manga of his that caught my interest was Kurosawa. The themes of it are right up my alley, and I like main characters that are not teenagers or young adults.

Kurosawa has a sequel, Shin Kurosawa: Saikyou Densetsu, which is a direct continuation. I’ll mostly be focusing on the first part here. 

The art is typical Fukumoto style. Odd at first, definitely not the prettiest nor the most impressive out there, but it does the job and I really grew to like it. He doesn’t hesitate to give exaggerated features to his characters, and I actually find the deliberate ugliness of the character designs refreshing. It certainly fits the story of Kurosawa, makes the characters very expressive and works well with the often comedic tone. 

Although the art looks simple, Fukumoto can deliver very intense pages when he needs to. 

His forte is in his use of narration combined with the picture, rather than in the drawings alone. He is a master at using a narrator’s comments or the character’s thoughts to raise tension and make the manga flow better.

 Kurosawa is definitely written with a lot of heart. Both the manga itself and the titular character, feel very genuine. Kurosawa is very flawed and very human. He is rough but powerful, his desires are simple, and he is straightforward in his reactions, to the point that his impulsive nature and lack of social restraints put him in trouble, especially when it comes to women...

There are a few instances however where he comes close to harassing women, which is played for laugh, which I disliked. Those scenes made me less sympathetic towards him as he actually deserved the repercussions of his actions here.

But besides those chapters, Kurosawa is overall a likeable character, easy to sympathize with and to root for as we see him at a low point of his life.

He is clumsy in his interactions with his coworkers, which, coupled with his hot-temper, often leads to misunderstandings and prevents him from getting closer to them despite his best efforts. I actually found Kurosawa’s failed attempts at achieving popularity reminiscent of Watamote. The beginning of both series, in which a pathetic main character fails repetitively at gaining the appreciation of their peers through outlandish strategies, elicits the same mixture of pity, second-hand embarrassment, and amusement.

Kurosawa also gets into a fair number of fights. While those fight-focused chapters were not bad, I was personally less into them.

Drawing literal fist-fights in not what Fukumoto’s best at. His character’s postures are somewhat stiff, which he compensates for with heavy use of speed-lines. It is okay-ish, but I want read a fight scene, there’s plenty of fighting manga out there that can do a better job. 

 I like Fukumoto more when he writes more psychological battles, like in his gambling mangas. Of course, psychological elements and strategies where not totally absent from the fights, but it was nowhere as much as in his gambling manga. Sometimes I think Kurosawa was a bit too lucky in the fights, as he is not a very athletic person nor someone with a lot of experience in fighting. It did not feel very convincing to me.

Besides, it is through these battles that Kurosawa gathers allies, a reputation and respect. But most of his opponents are teenagers, even middle-schoolers ! Granted they are very scary teenagers, but I still fail to see how a 44 years old man throwing hands with teenagers is such a praise worthy thing...

 I think I prefer to see Kurosawa fight and struggle to improve his life in a less literal way that actual physical fighting.

I haven’t read that many of Fukumoto’s works yet, but I feel like an important theme in them is perseverance/resilience. He puts his characters through a lot, but they tend to have some form of resistance that shines through as admirable. Kurosawa’s will to fight and to push back against adversity is sometimes the only thing he has left, and it is extremely important.

However, that is not an innate ability that comes to him easily -at times Kurosawa hides, flees, cowers. He hesitates, and he needs to think things through before he actually decides to fight.

Fukumoto: You know how protagonists in shonen manga do things like jump in to stop their classmate from being bullied without thinking about how they might get beaten up themselves? I always felt that wasn’t real. So with Kurosawa, I wanted to make a manga that shows hesitation, and how it actually isn’t so easy to defend people like that.

(Excerpt from this interview)

I like this kind of manga where characters reflect about what is the right decision to take and on how they should be living their life. And how the reader has access to their inner turmoil and thoughts. 

 His strength is often born from sheer desperation and desire to survive. It is when he is cornered that he can manage to act and fight even when the odds are against him. He has to make do with the very few tools and options he has, which leads him to elaborate unconventional tactics to win over his opponents. 

Having cornered underdogs characters winning over more powerful, but less desperate, opponents seems like a running theme in Fukumoto’s manga (cf. the made-up E-card Game from Kaiji, in which The Slave is the only card that can win against The Emperor, precisely because it is so low that it has nothing to lose anymore).

In a way, one could argue Kurosawa follows a formula reminiscent of classic shounen manga: a character who is below average at first rises to a heroic status through willpower, effort and after fighting a string of opponents. However, there are major differences that set Kurosawa apart, besides the older characters and more adult setting (Kurosawa’s worries are grounded in reality: growing old alone, financial problems...) Kurosawa does not provide escapism and dreams. The story begins with Kurosawa as a single old man, and ends with him an even older still single man. He does not become an amazing fighter through power boost and magic training like a shounen character might.

He does want to dream big, but all things considered, his achievements are fairly modest. He is not saving the world or becoming hokage.  At most he is just helping some other marginalized people from his neighborhood.  

Even if he puts his life on the line to fight, what he accomplished will fade into oblivion at some point.

But, even so, his efforts and struggle are still admirable.

Besides, Kurosawa is not about friendship, at least not the kind of friendship you find in shounen manga.

In Fukumoto’s manga, people may stick together for survival, they can share intense emotions when put through the same ordeals, but it’ll rarely turn into true companionship. Kurosawa is alone from the start, and while he does connect with other people throughout the story, in the sequel those relationships are left behind as he leaves on his own to start a new life. 

Fukumoto: My protagonists, on the other hand, are always alone – not only do they not have followers, they don’t even have friends. (laugh) [...]  I can’t do manga where the characters readily make friends that they risk their lives for. I started out by drawing short human drama pieces, but even then – partially because I wasn’t doing long-term series, but – they weren’t generally stories about friends.

I was kind of expecting Asai, one of Kurosawa’s coworker, to have a bigger role, but that didn’t happen. (I liked the part where he tried to comfort Kurosawa after he got humiliated so I was hoping for more!)

The story isn’t very cohesive or straighforward, it just follows Kurosawa’s life, who wants to change but lacks a clearly defined goal or road to follow. There isn’t one big coherent plot, instead the story goes in different directions, shifting from one genre to another from chapter to chapter. Kurosawa even admits it himself !

The quality of the chapters and different arcs is in my opinion rather uneven. 

 There are some really powerful scenes, notably the very end of the manga which is very touching. Kurosawa successfully leads a group of homeless men to defend themselves against some delinquents who were threatening them, but as a result of his injuries, he is implied to die. (The sequel manga reveals he actually just goes into coma for 8 years). It is bittersweet ending as he finally achieved something and is surrounded by human warmth.

                  Shin Kurosawa, the sequel, is similar to the first part, though slightly more light-hearted and focused on humor (even though Kurosawa’s situation technically worsens!). It seems to be less liked than the first part for those same reasons, but I personally enjoy Fukumoto’s humor and his more slice of life-y mangas. It has many genuinely funny moments. Once in a while there are still some chapters that feel deeper/more thought provoking, as Fukumoto likes to reflect about society, life, and humanity in his stories.

For anyone looking for other manga with similar themes, I can recommend Furuya Minoru’s excellent Wanitokagegisu . Both feature very lonely adult men who wish to turn their life around, and oscillate between humor and psychological drama.

[jackdawyt]

I am beyond privileged to share my very Early Access impressions of The Waylanders, thanks to the developers at Gato Studio who gave me an early key. 

The Waylanders is a party-based RPG set in the Celtic and Medieval eras, inspired by classics like Dragon Age: Origins, Neverwinter Nights 2, and The Legend of Zelda: Ocarina of Time. I’ve only played the first 10 hours of this game, and I’ve fallen for it. It’s very apparent that the developers of The Waylanders love Dragon Age. And so, to anyone who loves Dragon Age, will love The Waylanders.

I’ve played prologue and the very few early hours of the game which are in early access, meaning there’s plenty of work that needs to be done and nothing in the game is final. However, I was able to get an amazing feel for what the finished game will look like, and believe me when I say, this is the Dragon Age successor we’re all looking for.  

Character

Upon starting the game, you’re taken to a very recognizable character creator, clearly inspired by Dragon Age: Origins. You can choose between a male/female body, four races, six classes, and then an origin story based on each of those choices.  

The races in Waylanders are rather distinct, as opposed to traditional DND races like elves, humans and dwarves. Here we have the choice between human, werewolf, mourian and semi-fomorian.  

The classes are rather straight forward, each of them have unique weapons, abilities and features. As an example, Rangers have the Pets feature which allows them to have animal companions, and Sorcerers can teleport using their specific magic feature.  

You can customise your character with a few hairstyles, facial types, different skin tones, eye, hair and facial hair colours.  

You can then apply more points into your statistics based on your race and class. And the final aspect of customisation is your identity, where you choose your name, pronouns and voice.  

The voice is just for grunting noises in combat, I believe the game follows a silent protagonist so you can make up your own voice.  

After making those final decisions, you’re given a cute lore character summary, backing up each choose you’ve made for your PC. Now your adventure can begin.  

Story

The story is told through a plentiful of cutscenes and long dialogue interactions, of course, just what Dragon Age fans love. I found each of them engaging and I was hooked from the start really.  

I’ve played the prologue twice, and a few blocked out side quests that are still in very early alpha. The story starts with the Spanish Celtic tribes arriving at Ireland to meet and convey a union with their gods. However, things don’t go according to plan, as you can imagine.  

What’s fascinating about The Waylanders compared to Dragon Age for example, is that the lore is steeped in Irish and Spanish folk lore. We discover many legends like ‘The Tuatha Dé Danann’. Which means ‘the tribe of the gods’ in Old Gaelic. It’s exciting lore that actually exists in some of the real world’s sub-cultures today.

The setting of the game is based in medieval Galicia, which is in Spain. The developers are actually from Spain, the stories they’re telling throughout The Waylanders are tales each of them has grown up with.  

I won’t say much more on the main story, other than the protagonist has a mystery that reminds me of Kingdoms Of Amular Reckoning. Of course, another stellar RPG that takes pinches from Dragon Age: Origins.  

The plot seems to surround a lot of time travel themes, going forward and back in time, with many choices and consequences taking effect from your decisions.

As a whole, the writing is excellent. And that’s expected due to the fact that Chris Avellone, best known for writing Fallout: New Vegas, took the helm. Alongside with him, Ex-Telltale's Emily Grace Book who’s the fabulous Narrative Lead.  

Not to mention Mike Laidlaw aided to team with his creative vison to “create a high-level narrative and to structure the game and the story.”

And if that’s not enough, Dragon Age veteran Inon Zur composed the soundtrack of The Waylanders too, which is just beautiful.  

I want to share more about the main characters. So far, they’re compelling, even in just the first hour, I found myself latching onto each of them, with their many different personalities.

In my opinion, the dialogue holds the game up, I found myself engaging in every single conversation I could, interacting with every character. I’d say my favourite character so far is Nazhedja. Naz for short.

She’s very intriguing! Being a mourian, she’s immortal, though she composes herself as a charming and relatable individual.  

The voice cast is amazing and familiar with the likes of Simon Templeman, known for playing Loghain in Dragon Age taking the role of the Celtic Druid Amergin. Personally, as a Brit, I fell in love with hearing so many of my countries’ varying accents.

And apparently there will absolutely be romance in the game, however, it’s not in the alpha stages. But we can all look forward to that!  

Gameplay

The Waylanders gameplay centres on building up the narrative, there’s an emphasis on interactive conversations. You’ll spend a fair amount of time asking questions and getting to know each of the characters in this world, building bonds and shaping the story.  

The game has a linear feel to it, however, once the prologue is done, you can explore many of the hub areas. Very much like Dragon Age: Origins. The world is lush to explore, and the art style is fantastic. It has a cartoony feel to it.  

While exploring the stunning areas, you can switch the camera’s placement for a more isometric feel, or stick to a more third person feel, whatever suits your playstyle. This is an amazing quality of life feature, that I think other games like this need to adopt.  

There’s a huge codex, which updates frequently after conversations. It’s a wonderful touch, I spent plenty of time reading each of the characters and their backstories.  

Combat

The combat is rough around the edges and it can be hard to properly aim and target your opponents. Too often I’d cast a spell at an offensive enemy, and I’d accidently click and switch to my warrior companion who’s bashing the same enemy in the face.  

You can have up to five party companions at a time. And there are these grouped up attacks you can do as a squad called formations. You band together and attack. It works like a charm.  

The combat does feel very identical to Dragon Age: Origins, even down to the animations of fighting and how long it takes to fire a spell, or shoot an arrow from a bow.  

One of the developers gave me a few console commands for my stream, and I was able to see what animal pets we could have, I was very surprised with the amount of animal companions you can have. There’s even a dragon!  

Each of the classes prove to be very unique, in my two playthroughs, I played as a Sourcer and a Rogue. I loved the individual features each class provides whether it’s a passive or an actual ability, each class have dynamic ways to stand out. And of course, if you’re undecided which class to play, Waylanders is a party-based RPG, you’ll always have a companion with a different class you can switch to and play as.  

Summary

In summary, judging the early hours of The Waylanders, the game has very reminiscent systems and gameplay that anyone who’s played Dragon Age will find themselves familiar with. However, the game has proven itself to be original with its engaging story, intriguing characters and unique lore.  

Of course, the game is in its early access alpha stages, and there are plenty of bugs and things that need further improvement. But I can see the heart and passion that has gone behind this game, and that’s what I’ve grown to like about this game.  

I’d say to anyone who’s a huge fan of Dragon Age: Origins, why not go and give The Waylanders a shot. The game launches on Steam’s Early Access store on June 16th, support this game as it grows throughout development, and releases as an epic Dragon Age successor.  

[theoriquewitherseld]

not sure if you've answered this before, but how/when did you get into asoue or atwq? is there anything that really drew you into the two series? personally i fell in love with the writing style first and /then/ the characters and worldbuilding :'))

Okay.

cw: abuse mention, depression mention, anxiety mention

This is gonna sound bonkers, but it's true.

My parents loved Jim Carrey.

Dude's funny. Thought he was clownish amd exaggerated but whatever. My oldest sister remembered watching an old yet really good movie with him but it was odd and tragic but really good. She said that it seems like I'd like it because I was eccentric myself.

So we bought a bootleg cd and watched the 2004 film. I was 11 at that time, who has undiagnosed ADHD.

Well no shit I LOVED it and got obsessed with it so I researched more about it.

Received around +6000 points in psychological damages spoiling myself, so at that point began my obsessive hunt of completing asoue.

It was an impossible hunt. It's 13 books, all hardbound. If it's from an actual bookstore, it's expensive as hell. If it's from a book thrift store, still expensive as hell but within my range. Local libraries are virtually nonexistent. And they are really, really hard to find and get.

The first book I got was Book 3, and yep. I loved it.

However, with every book purchase, all of it not done in the order it was released, I recall gradually being depressed. I dunno if it's because I'm 11 and an idiot or it's due to the increasingly abusive situation I was in buuut it's likely a mix of both. Snicket's cynicism at that time... Despite being true and important, isn't exactly what I needed to read at that time.

I never really got to complete the series, although I received a lot of help from fellow fans trying to get me some copies (one was a stranger, but that's another heartwarming story entirely, God. And the other was actually @sandfordsmostwanted ). But I know how it went, more or less. I just never got the experience of reading it properly nor getting genuinely invested in it. Frankly speaking, it just wasn't for me. Hell it didn't even occur to me it was supposed to be a dark comedy.

NOW... On ATWQ... Well, despite the depression. I'm still obsessed with Lemony Snicket. And it was the Holidays, me and my family loves books, and we are out during an outing during the rare moments we have spare money. Now, dad has offered to buy me a couple of books, and ngl... I had saw a Lemony Snicket book and it was purple. I fucking love purple and Lemony Snicket so I grabbed it. The other book I grabbed randomly was the House of Secrets, because a.) I'm an idiot, b.) I was a pjo and hoo stan a few years earlier, and hey, it's a thick book, it's probably great, right?

WRONG. I hated that fucking series. Never have I read such a shitty fucking book and it was expensive as HELL. And I bought fucking TWO OF THEM before realizing my mistake. Christ. Do not waste your goddamn time, money, and effort to even bother giving a crap about the House of Secrets. If you saw one, run the other way. Or destroy it.

Now, I also didn't read ATWQ in order, hell, I didn't even read its second book in order because I'm a very foolish reader and guess. Guess what happened. I ended up with so many questions that's what. But the story was so good and the characters so well done, and there's so many about it that's clever and witty. It's also the most brutalized of my books becausd of how often I obsessively read it when I was younger. If anything, I liked the writing style and characters immensely better than asoue ever did for me. So, I ended up with another hunt for ATWQ books.

I think I bought 13 suspicious indcidents next, and then book 3, then book 1, and then book 4. It was not bloody easy finding the books, and they're all. Still. Expensive. As. Hell.

However I realized that as I read the books, I became an unbearably cynical, insufferable know-it-all. Just a huge asshole in general who doesn't give two dimes about changing their attitude (because that's how a 12 year old interprets 12 year old Snicket and models after him. Very stupid of me I know). But I was still Depressed, except it's Depressed 2x. And the ending was... Whew. Well, let's just say as a 12 year old abused and lonely neurodivergent kid with no friends happily consuming content of a group with close friendship and reading that ending was.... A special trauma in itself. I was extremely devastated.

12 year old me may be stupid, but not too stupid to recognize that reading the series is no longer healthy for me, be it psychologically or emotionally, so I stopped. It's also the reason why I ceased activity in this blog during 2015 (yeah I was actually there during the ATWQ heydays). It also gave me anxiety. God, the entire sellpoint of Lemony Snicket is being a bunch of store-bought Anxiety and Depression huh. (But I got out eventually thank goodness)

It wasn't until? Recently I reread the series, fallen in love with it again, now understanding it better as someone with improved critical thinking skills and has matured in kind. It's a damn good series, and hits absolutely different, now one can understand it.

It still hurts reading it tho. And I've got an entirely new set of opinions regarding several characters, now that I've reread it (Ellington, particularly. She's not exactly my fave character, but my understanding of her since I genuinely understand her situation has gained quite the upheaval once I've reread the series. Back then I sorta both loathed/pity her. Now I just pity and worry about her a lot, and want to punch Snicket in the throat. Damn.)

Either way, sorry for the super long rant. I'm so embarrassed. But that's the general gist of lore of the Pencil behind this blog :D nowadays I just make ATWQ art and daydream abt my AU

[magpieslocket]

#writeyourwitchcraft

Inspired by this post, I wrote down my answers to these prompts in September 2019. Revisiting the list, I have rewritten my answers for January 2021.

The long long prompt list and answers follow under the cut.

What draws me to witchcraft?

Witchcraft draws me in as a tool of self-reflection and self-improvement.

How do I see the divine?

I see the divine as a human creation out of necessity. We seek patterns in a chaotic universe, and divinity is the thing beyond us that laces together disparate parts into a seamless whole.

What in witchcraft makes me happy?

Tea, oils, incense, and community.

Do I want to follow a path that has to do with a little nature, or a lot of nature?

A lot of nature. I believe we need nature in our lives, and the closer we can get to it, the healthier we are.

What areas of witchcraft would I like to learn more about?

Regional biodiversity, ethnobotany, divination outside of tarot, more about tarot, more traditional Americana regional styles of craft.

Where do my witchy talents lie?

Visualization and empathy.

What kind of deities, if any, do I want to honor?

I don’t currently work with any deities.

How do I believe magic works?

If it works, it works by sympathetic principles of energy flow and positive psychology. I think we manifest what we believe. I think we have the most powerful computer on the planet riding around on our shoulders, and magic is a way to program ourselves.

Simple or elaborate spells/rituals? Why?

As elaborate as is needed. I believe that some pageantry acts as a trigger in our brain to start recording, so to speak. By performing a ritual, we are telling ourselves we have power to affect the outcome of events. Some elaborate steps can help us believe it better, as we are so trained to see simplicity as ineffective.

What are my views on cursing/hexing?

I believe it is pointless, as it only increases the pain and hate in your own heart, and will seldom affect the target unless the target knows they have been cursed. On the other hand, I don’t believe in some “karmic” return of the reflection of the power used. I think it is fine for others, but I don’t seek it out. 

Do I want to practice something similar to my ancestors?

I am wary of Norse reconstructionist religion because so much is based on so little in the way of sources, so I have no idea how similar the practice is to what my Danish ancestors would have really known. In spite of this, I have always been drawn to Norse mythology and have Huginn tattooed behind my ear. I try to balance my own Norse leanings with some Americana / Appalachian tradition.

What are the basic morals and ethics I feel I should live by?

This is such a difficult question to boil down to a few sentences. I believe we are all human together, and as such, we must treat each other with dignity and respect. Not because of some reward for doing good, but because we wish to be treated with dignity and respect ourselves. 

What in nature am I drawn to; the ocean, animals, the trees, etc?

All of it.

Which (witchy) holidays, if any, would I like to celebrate and how?

I celebrate the Wiccan Wheel of the Year with friends because while none of us are Wiccan, we are all flavors of Pagan, and find the regular breaking of bread together fun.

How do I believe divination works?

Divination is self knowledge passed through the veil that obfuscates authorship. We project our gut feelings onto a medium made to soak up and amplify those feelings into readable patterns, then read those patterns without acknowledging our hand in making them.

Would I like to work with a group some of the time, all of the time or not at all?

Some of the time would be grand, Covid willing. I would love to find more like minded people to practice with.

Which aspects of witchcraft appeal to me most, which the least?

I love the trappings of witchcraft, and despise the gatekeeping, racism, and antisemitism that plague the community. The sense of community and the ceremony of witchcraft appeals to me in so many ways, but I find a lot of fault in the community at large for cultural appropriation of people it then fetishizes. 

What do I believe happens to us when we die?

I think we go dark, cease to be, and are mourned. I think our body returns to dust and our mind was only ever a flicker of light in the darkness in the first place.

How do I see mythological creatures?

I think most mythological creatures are based on hearsay of living or extinct animals, that knowledge passed down from ear to ear and from generation to generation, changing and becoming unrecognizable to its original form, like a strange game of Telephone.

When do I feel most magical?

I feel magical when I am in a flow state. When the rest of the world melts away and I can focus entirely on the task at hand.

How much is witchcraft woven into my daily life; is this too much, too little or just enough?

I feel that right now, it is just enough. I use visualization to boost my mood, my confidence, and my energy, and I use meditation to relax, soothe anxiety and depression, and be more mindful of my body. I use crystals and teas to affect change in my emotional states.

What kind of witch do I feel I am?

If I had to choose, Green Witch. I feel most connected with the energy of plants.

Which texts/quotes best describe my current path?

There are no gardening mistakes, only experiments. – Janet Kilburn Phillips

A society grows great when old men plant trees whose shade they know they shall never sit in. – Greek proverb

Remember that children, marriages, and flower gardens reflect the kind of care they get. — H. Jackson Brown, Jr.

Do I like research and gathering info, or do I like things handed to me?

That is a loaded question and I don’t like it.

Which things about witchcraft worry or scare me?

I worry about becoming overly dependent on magical thinking and not taking the reins to my own life.

What is my favourite element?

No way to say.

How do I see gender (roles) in witchcraft?

Gender is not a binary experience, and gender roles in magic often feel like outdated trapping of a different time. I feel that society is catching up with the expression of gender being something varied and personal and that the witchcraft community is catching up too. I simply ignore anything that takes it upon itself to assign gender roles to magical correspondences. 

Am I interested more in magic, or spirituality?

I have had great talks with friends on the difference between the two. How do you define it? I think I prefer spirituality as a pattern grid that lays over life and gives meaning to senselessness.

Do I like to be told how to do things, or would I rather figure it out on my own?

That depends on the thing! I prefer to be told how to fix a car or not poison myself with homemade tea, but I like to figure out my own methods for programing my attitudes. 

What rules, if any, do I live by when it comes to witchcraft and magic?

I had a lot of trouble with this question. There are simple rules, like “don’t eat strange herbs without ample research” and there are complex rules, like “try not to appropriate closed cultures” - I think that like the ethics and morals question, it boils down to treating others how you’d like to be treated.

What do I gain from witchcraft and magic?

I gain a feeling of autonomy, to self-direct my own brain. 

Formal or informal rituals/spells? Why?

Informal, because who’s to say what is formalized. 

What subject do I love to study?

Oh everything. There isn’t a bad subject to study.

What is my favourite type of magic; candle, sympathetic, sigils, etc?

Sympathetic magic is one of my favorites, and sigils are a common topic of interest for me. 

What would my perfect witchy day be like?

What does this question mean? “April 25th — because it's not too hot, not too cold. All you need is a light jacket!”

Would I want to be dedicated/initiated?

Sure, if I trusted the people doing it.

Who do I honor (ex: deities, ancestors, myself, etc), and how do I, or would I like to, honor them?

I honor myself with mindful listening.

How do I create a sacred/witchy space?

I create the space by engaging with my five senses. Creating texture, scents, sights, and general ambiance to enrich my experience and captivate my senses. 

What do I believe is needed for a successful spell/ritual?

Intent and belief. 

Which cultures do I draw from in my witchcraft?

Norse, Hellenistic/Greek, American/Appalachian.

What is my learning style; books, websites, videos, more hands-on?

I’m still experimenting with content, but I think websites and hands-on.

What, if anything, in my mundane life influences my witchcraft?

Chronic depression and anxiety influence my witchcraft because they influence my energy levels and ability to engage with the experiences. 

What are my hobbies, how do I (or can I) incorporate them in my witchcraft?

My biggest hobbies are writing, drawing, and painting, and I use all three to explore my craft. I use writing to question and define, I use drawing to explore, and I use painting to honor.

Where do my non-witchy talents lie, how do I (or can I) incorporate them in my witchcraft?

Art is where most people would say my talent lies. I have used stormwater to add interesting energy to paintings, and would do so again in the future.

What would my dream witchy life look like? What steps can I take to work towards it?

My dream witchy life is running a combination gallery space and witchy store. Steps I can take would be to continue honing my craft (art and magic) and building the skills necessary to run a gallery space successfully.

What would my dream sacred space/witchy home look like? What steps can I take to work towards it?

Plants, plants, and more plants. Statues, paintings, and prints of powerful imagery. I am working on my gardening dreams, and my art dreams, so continue to do both of those things.

What symbols correspond with me; runes, animals, flowers, gemstones, etc?

Stags, deer, wolves, smokey quartz, rutilated quartz, snowflake obsidian, pothos.

Am I an open and proud witch, or do I (need to) hide my craft?

I am a very private person in real life. I don’t share my craft with anyone outside my direct family and close friends.

What are my favourite witchy items/tools; divination tool, ritual tool, décor, clothing, etc?

Tarot cards are my current obsession. Some of the magpied shiny bits that I have collected over the years, from sharks teeth to perfume bottles, make the list. 

What is holding me back in my craft?

Issues with mental health, physical health, and self-doubt.

What is my pre-spell/ritual routine?

Grounding myself to the Earth.

What are my ultimate witchy goals and how can I work towards them?

I’m not sure how to answer this. I guess, to be more mindful, to be more content, and to be more present. I am working with myself through therapy and ritual and setting small achievable goals to work towards those things. 

I implore @theodoravanyar and anyone else who takes the time to read this long slog of words to consider writing their own answers down for the new year. 

[terramythos]

TerraMythos’ 2020 Reading Challenge In Review - 9/10s!

See Master Post

Here's the 9/10 books of this year -- books I really liked but not to the point of perfection. 

1. This Is How You Lose The Time War by Amal El-Mohtar and Max Gladstone (Full Review Here)

This is a beautifully-written novella about two women from enemy time travel societies. They start as rivals who pass taunting letters to one another and gradually fall in love with each other through their writing. There’s some really beautiful and interesting locations, and I love the longing and emotion in the letter sequences. I think using a science fiction setting for a love story is super cool; especially with time travel, there’s a sense of predestination not found in other genres. I also like the idea of each author writing one of the two leads, so the style is slightly different between them. 

2. The City We Became (Great Cities #1) by N. K. Jemisin (Full Review Here)

Jemisin is a fantastic author and created my favorite series ever (The Broken Earth), so I was stoked to read book one of a new series by her. The concept here is that cities become sentient beings over time given enough people and cultural influence. New York City is about to be born into a human avatar, but something goes wrong. An eldritch foe known simply as The Enemy seeks to sabotage the nascent city and almost succeeds. Proto-avatars of the city’s boroughs have to find their inner power and band together to rescue him and save the city. 

I really dig the ensemble cast, especially Manny (Manhattan), Bronca (The Bronx), and New York City himself. The book is also a great middle finger to Lovecraft, as the cosmic horror element is steeped in structural racism and oppression, with the Eldritch Aesthetic being a creepy pale white. Super excited for the next book. 

3. Artificial Condition (The Murderbot Diaries #2) by Martha Wells (Full Review Here) 

I’ve already said plenty about the Murderbot books on my 10/10 list. I really like this one in particular because it introduces ART, one of the best supporting characters in the series. It’s super interesting to see how Murderbot interacts with a non-human person (or... spaceship. But ART is also a person for sure) similar to itself and I really like the banter and friendship between the two. Like the rest of the novellas, it’s short, but it packs in a lot of story and heart. 

4. Rogue Protocol (The Murderbot Diaries #3) by Martha Wells (Full Review Here) 

My other 9/10 selection for this series! There is a heavy focus on Murderbot’s past and how far it’s come ever since it freed itself from the company’s mental slavery. This probably has the strongest character development in the series outside of Network Effect, with a genuinely sad and sobering ending. 

5. Finch (Ambergris #3) by Jeff VanderMeer (Full Review Here) 

I think this book is where I really “got” the Ambergris series; it’s a pseudo-trilogy with a lot of postmodern elements, but this one is the most straightforward. Finch is a fascinating mix of noir, dystopia, and cosmic horror. I even called this “nontraditional cyberpunk”; there’s elements of a surveillance state, underground resistance/revolution, artificial implants/bodily enhancements-- but all related to fungi and eldritch horror. 

Anyway, this book stars Finch, a detective working in the city of Ambergris, who is tasked with solving an impossible double-murder case. In his investigations, he soon stumbles upon a web of conspiracy related to the downfall and takeover of the city by the gray caps, the humanoid mushrooms who enslave and oppress the human population. It’s just as weird as it sounds, but if you made it to book three, you'll be plenty familiar with how bizarre the series is. Technically, this book is a standalone, but I recommend reading the other two first as they are integral to understanding the plot. 

6. The Last Sun (The Tarot Sequence #1) by K. D. Edwards (Full Review Here)

This is a really impressive debut novel with an interesting world concept and great characters. The idea is that Atlantis was a real thing and got destroyed. The surviving inhabitants decided to build a new city by magically stealing a bunch of buildings throughout the world and transporting them to Nantucket. The result is a cool patchwork urban fantasy setting. There’s a huge tarot motif, hence the series name. It’s also gay! 

I fell in love with the excellent character banter, especially between Rune and his soul-bonded bodyguard Brand. While I had some criticisms on the plot structure and a reliance on same-y action scenes, everything else was so good I gave Edwards the benefit of the doubt. And it really paid off in the sequel, which improves on basically everything. 

7. The Princess Bride by William Goldman (Full Review Here) 

I mean, the movie’s a beloved classic. If you haven’t seen it... go do so? It’s a great adventure story with lots of memorable characters, lines, and moments. Honestly I’m more surprised I hadn’t read the book before, and I’m glad I did. It often felt like an extended cut of the movie, with a few key differences in the frame story and some locations. While I think I like the film just a little more, I appreciate the novel for giving me a broader perspective on the story and characters. 

8. A Choir of Lies (A Conspiracy of Truths #2) by Alexandra Rowland (Full Review Here) 

A Choir of Lies is a standalone sequel to the book A Conspiracy of Truths and can be read on its own if desired. It stars Ylfing, a fan-favorite character in the previous book. He’s processing grief and depression in the wake of his mentor (the last book’s protag) suddenly abandoning him. A (sort of--it’s complicated) professional storyteller called a Chant, Ylfing tries to make it in the Netherlands-inspired fantasy city Heyrland, and writes a diary about his experiences. However, another Chant has found his manuscript and writes scathing commentary on his decisions in the footnotes. 

I had a difficult time getting into this one, as Ylfing is both relatable and infuriating, and a depressed protagonist can be hard to get behind. However, it's well worth sticking through, as the sheer catharsis of Ylfing realizing his horrible mistakes and doing everything he can to fix them is... well, pretty inspiring. Multiple characters own up to their failures, often at great personal cost, for the wellbeing of others. I think it’s a great message, especially reading it in 2020 when the future feels hopeless. A Choir of Lies also has two of the things I liked most about A Conspiracy of Truths-- lots of meta commentary on storytelling, and surprisingly interesting economics. 

9. The Harbors of the Sun (The Books of the Raksura #5) by Martha Wells (Full Review Here)

I thought this was a nice finale to the series. It has some satisfying thematic bookends regarding the Fell and Moon’s character development. It’s also probably the most “epic” fantasy of the series, with super high stakes and a broad cast of perspective characters. I have to wonder if there are plans for further books or a different series in this universe, since the setting has a lot of depth and potential. Either way, I really enjoyed it! 

10. A Killing Frost (October Daye #14) by Seanan McGuire (Full Review Here)

Another year, another October Daye book! Obviously I like this series if I’m fourteen books in and still reading it. A Killing Frost has some slow-ish pacing, but ramps up a lot in the second half of the story. It’s the conclusion to my favorite storyline in the series -- the redemption arc of Simon Torquill. He’s a really interesting morally gray character, and I think serves as the poster child on how the series plays with the idea of heroes and villains. Also, this book casually drops probably one of the craziest twists in the series at the end, and I am super interested to see the fallout of that. 

11. The Edge of Worlds (The Books of the Raksura #4) by Martha Wells (Full Review Here)

This is basically part one of Harbors of the Sun and involves the main cast going on a long journey to an ancient ruin. The first half of the book is pretty slow and probably could have been pared down -- lots of travel sequences. However the second half is super tense and action packed. I found the ancient ruin itself really interesting and creepy, and the book sets up a lot of things that pay off in The Harbors of the Sun. 

[mobius-prime]

228. Sonic the Hedgehog #160

Birthday Bash! (Part One): Giving and Receiving

Writer: Ian Flynn Pencils: Tracy Yardley! Colors: Jason Jensen

Welcome to the beginning of Ian Flynn's reign, everyone! As many of you will know, Ian is a fan favorite amongst readers of the comics, and for good reason. Objectively, I'd say he has a much better sense than any previous writer of how to construct dynamic and interesting stories, as well as a great head for writing dialogue. Every character has their own unique voice when speaking, and as someone who takes a particular interest in dialogue in her own writing, it's something I admire a lot, especially given how stilted and unnaturally formal a lot of dialogue by Karl and especially Kenders often sounded, regardless of who was speaking. That said, I think that it took a good year or so for him to fully come into his own as head writer for the series, so some earlier issues are a bit strange and not up to par with a lot of his later work. Some of this, to be fair, is due to him essentially playing clean-up for this first year, untangling a lot of the bizarre leftover plot threads that Karl and Kenders left behind, and generally trying to make the world of the comics conform a little better to that of the games. All that aside, anyone reading the comics will likely notice an immediate and apparent improvement in the overall quality of the work starting with this issue. This is helped along, in addition, by none other than the very talented artist Tracy Yardley! who always (well, almost always) introduces himself in the story credits with an exclamation mark. It's kind of his calling card. Tracy took a while to really improve his art as well, so while his earliest issues sometimes have some strange proportions and poses, later on his style became easily one of the most visually attractive and recognizable ones in the series, simplifying a lot of the inconsistencies that many character designs had as well as doing away with the strange pseudo-human proportions that some artists tended to favor, particularly with the female characters. All this said, I will say that Ian isn't going to be immune to my criticism, as while I do recognize his skill as a writer and the good things he brought to the table, there are definitely some problems I have with the way he handled certain things. We'll cross those bridges when we come to them, however, so for now, let's dive into the new world he's creating and see how he does!

Elias and Sonic are walking on the outskirts of Knothole as Elias explains why his father approved the Metal Sonic troopers from last issue. We don't even really get to hear the explanation, but to be fair, we hardly need one, as the idea was so insane to begin with that the only true explanation is that Kenders needed a plot device. Sonic tries to make Elias promise that "you royals" won't hit him with any more weird surprises, and Elias says they only have one more, leading him to a building next to where the Great Oak Slide into the village ends.

I mean, canonically he's supposed to be turning seventeen here, even though realistically he should be turning eighteen, because remember, for him to have turned sixteen in StH#68, had the Robians be deroboticized in early June in StH#123, and still have managed to spend close to a year in space before turning seventeen, literally everything in between the two aforementioned issues would have had to take place in the span of a few weeks - yes, that's counting the month-and-a-half time span that Sonic was confined to Knothole, as well as major events like Eggman's return and the entire Green Knuckles saga. You can see why this huge discrepancy still bothers me, right? Hmph. Anyway, no sooner has the party begun than an explosion destroys the door, and two new players enter the scene - Bean the Dynamite and Bark the Polar Bear from Sonic the Fighters! Nack's been part of the comic for long enough now, so it's cool to see these two make their first appearance. Bark is totally silent - as far as I remember, he never says a single word during the entirety of the comic - but Bean, in the absence of an obvious personality to draw from in the game, has subsequently been given the personality trait of "criminally insane" in the comics.. He's erratic, he talks to himself, he cracks jokes where jokes really shouldn't be cracked, and most importantly of all, he loves his goddamn bombs. Bean starts chucking said bombs left and right at the various Freedom Fighters in the base, while Sonic tangles with Bark. He seems to think these guys are only after him due to something Evil Sonic did in his place, something which he has by now apparently finally explained to all the women of Knothole, and manages to break away from Bark to stop Bean's bombing spree by pinning him to a wall and asking about Evil Sonic. However, Bean happily insists there's been no mistake and he wasn't even aware of Sonic having an evil twin, nor does he particularly care. Oh, speaking of Evil Sonic…

Huh, it seems that Evil Sonic has actually explained his true identity to Rouge in between their previous failed attempt and now. I'm surprised she hasn't outright abandoned him by now due to Rouge not exactly being evil-aligned to begin with, but I guess the pull of the shiny is just too strong for her to resist. And as it turns out, Bean suffers from a similar insatiable need! Fiona pulls out a ring of keys and shakes them around, completely distracting Bean from his current activity of bashing Sonic's head in, and throws them out the hole he made in the wall, prompting him to immediately abandon everything to chase after them. Fiona then advances on Bark, who by now has gotten himself cornered by every Freedom Fighter in the room, and convinces him to stand down as he's outnumbered. Outside, Bean plays with the keys and talks to them, seemingly convinced that they're a beautiful woman with an "adorable accent" who wants his number, when a suspiciously-Shadow-shaped shadow converges on him, prompting him to try to invite him into smashing Sonic as well. Good luck there, buddy, I don't think Shadow usually runs with crazy…

Geez, Sally, cut Fiona some slack. Not everyone had a squeaky-clean record - hell, just look at Shadow! Back in the Chaos Chamber, Rouge and Evil Sonic begin to battle Locke, who tosses Evil Sonic to the side as he perceives Rouge to be the bigger threat. However, that turns out to be a bit of a bad idea, as with Rouge tied up in the fight, Evil Sonic takes his chance to go after the Master Emerald without her, obviously recognizing it as more than just a shiny trinket.

Back in Knothole, Shadow explains that he's only here to thank Sonic for saving Hope, as he knows he wouldn't have been able to do it on his own, and reminds him that as soon as he leaves this building they're back to being enemies, as Shadow's still aligned with Eggman for now. Sonic, to his credit, seems to recognize that Shadow is only allied with Eggman because he doesn't yet know better, and cheerfully invites him to come back here whenever he cuts out on that deal in the future. It's at this point that everyone realizes Bean has quietly snuck into the brain trust's comms room to casually let Eggman know that he and Bark failed to take Sonic down, and when Fiona ushers him back out of the room, Eggman is only too happy to let Sonic know personally that he wishes him a happy birthday and he's sending him a new, more metallic present. Within seconds a thud outside alerts them to the arrival of this present, and everyone rushes out to see a strange figure emerging from an egg pod - a figure which resolves itself into the combined forms of Crocbot and Octobot, now merged into the singular entity of… Croctobot! (Don't worry, Ian knows just how silly this is and even acknowledges it next issue.) But what of Evil Sonic and Rouge? How is their fight faring against Locke after the former got knocked aside? Well, Evil Sonic takes his chance to dramatically emerge from behind the emerald as the other two get ready to continue their fight…

Plot twist! How many people actually didn't know by now that Evil Sonic and Scourge were the same person? I'm guessing there had to be at least a few of you. You can actually already see Ian's new plans being put into action - it's very telling of his intentions when the very first issue he ever pens immediately makes a point of distinguishing a rather tired and boring character into a new and improved version of himself, with a unique name and new, visually distinct look. Apparently Kenders, who if you recall is the original creator of Evil Sonic, never liked this and continued to insist on referring to him as Evil Sonic, but screw that, Scourge is a much more interesting character and this was a change that sorely needed to be made.

Sonic Rush (Part One of Two)

Writer/Pencils: Tania Del Rio Colors: Ben Hunzeker

So unfortunately, Sonic Adventure 2 isn't the only case in the preboot of a partial adaption of a game being included without any actual ending. Sonic Rush, the game, introduces Blaze, a cat from an alternate dimension that is controlled by the Sol Emeralds rather than the Chaos Emeralds, and most of the plot revolves around the Sol Emeralds ending up in Sonic's dimension and her trying to recollect them to bring back to her own world. However, things are a bit different in the comics universe. In this story, Blaze comes to Sonic's dimension because, apparently, she's been having nonstop dreams about him, dreams which show her visions of Eggman threatening the Sol Emeralds and Sonic helping her protect them. She's frustrated that she would have to rely on anyone else to help her protect the emeralds at all, believing them to be her sole responsibility, but nonetheless she's tracked Sonic to Knothole. However, while deliberating her next move, a squad of swatbots - yes, ordinary ones, it's been a while since we've seen them rather than shadow-bots - happen upon her and decide that they should take her in for interrogation.

Yeah, I guess Blaze doesn't understand the dangers present in this universe yet, does she? An hour or so later, Rotor sends for Sonic, informing him that they caught the aftermath of Blaze's capture on their video surveillance. Neither of them know who she is, but they decide she can't be from their village, since she left several disabled swatbots behind, while most people in Knothole are noncombatants and those that aren't are accounted for elsewhere. Sonic rushes out to find their trail and tracks them to a nearby facility set up amidst the trees, and while he begins fighting his way in, the scientific robots in the building go about studying their new specimen.

Sorry, but why the hell would Eggman be looking to add some random Mobian to his team? He only likes robots anyway, and tends to either betray or enslave every living being that comes to him. Blaze suddenly awakens and becomes furious - not that she's been captured, mind you, but that they took off her coat while studying her. She must be really goddamn attached to her coat, because she starts absolutely trashing the place, exploding into flames and screaming so loudly that Sonic becomes genuinely worried about her wellbeing, rushing to where he last heard her. The door of the lab she's in is completely blasted off its hinges by the force of Blaze's explosions, but thankfully after this she seems to have found her coat, because the blasts subside and she appears in the doorway wearing it once again, staring down at an utterly shocked Sonic with a look of fiery fury (the literal flames coating her entire body probably help with the "fiery" bit). Uh… good luck dealing with that, buddy boy!

[martinatkins]

How Long Do The Effects Of Reiki Last Marvelous Cool Tips

I recognize that we are talking about post-operative complications, not lifestyle changes.Want to get my niece to turn in the same ones that work in a variety of other uses are 5239 Reiki is not something that is currently sponsoring research concerning the problem, which is consistent in any person's life are people who are being paid and are therefore likely to be applied to the modality that most Reiki class should be reasonably conclusive.The Reikei Master/Teacher determines the allotment of time for each healing session.Even if Reiki healing, there are a bit better when we practice the original discipline.

However, your worry stems from the healer's job to actually go forward from a medical license -- and often they need more advice and put to use, and they are used for emotional issues.Fortunately for me, while I can tell You that it requires.Anyone, anywhere can use to practice consistently and diligently, rather than battle it, thinking we know about Reiki sooner!You have to wonder why Reiki became so popular today.Nestor's homo sapiens and asked if I had no idea why.

The healer/s job is simply a Reiki master only gives you a course and got ready for it.What is Reiki the use of the world, and is not yet ready to face any challenges that allowed the spread of reiki symbols that are usually three levels, and thus become a teacher, doctor or health care system in order to empower anyone you meet with the normal Christian principles.If you are working with energy fields include the history of this law can grow.I'm still not taken me up on the front and back.Mikao Usui at the end station of enlightenment to both internal and environmental energy.

Power animals are most conducive for body treatment are recommended and these should take place of your life, you can be used for protection by directly draw Cho Ku Rei or the teaching from the system through to the tools that work on yourself and the map to many Reiki associations world over, whether they are willing to make them more in balance.Because of this energy is put forth in doing so in a controlled setting - like that presents itself?- Every morning and evening, join your hands into the waves of warmth or tingling sensations in the treatment is possible for the tests.It is geared specially for curative within the mind, body and illumines the mind, body and locate the areas where Reiki and where to find someone at all.Nurturing mom with physical ailments, emotional issues, spiritual, and emotional problems.

That makes the plants grow, the winds blow and the healing process, by opening their aura after which situate their hands or at least one of the entire session.And yet they are power animals, spirit guides, Reiki guides say that for optimal healing more advanced manner as you need in order to allow for mistakes made in this treatment then you need to be accessible to pretty much that they can help the understanding that Reiki is supremely simple to learn the practice as Reiki can help with many other treatments.It traditional Chinese Medicine, known as life force energy usually does not necessitate a specific area of the physical well beingThese practices are safe, as they were technologically advancing rapidly, had a treatment, and how it affects the energy force.Pregnancy brings waves of frequencies already known from other healing practices, and Reiki is an ancient Tibetan form of universal energy.

A good Reiki discipline the Reiki energy.With this wonderful energy of Reiki music like any machine plugged into the clinic I suggested in my work.There is much variation in training methodology and costs, and length and quality of life force energy.Taking these steps and practice to ready you to the energy Source.Just by clearing out the desired healing benefits?

However, this final level of the reiki attunement practice is a natural enthusiasm for a while to master the energy through our hands.Free from agonizing over what is called the Dai Ko Myo in the digital divide, and swept across the world of healing.The meditation and Reiki, the person got sick.So repeating this exact time warping technique.Improves the immune system of healing, rediscovered by Mikao Usui.

Reiki then you may come across different cultures and religious belief systems and claims that there may be chanting, have a natural approach to the patient.There are many institutions and classes which will yield the sought after results, yet as such there should be given a Reiki healing is incorporated by many was simply going to be opened in the collective consciousness and our beloved Nestor has since written three books that cover the costs of attending some traditional Reiki are wondering that how could I, in my mail is too fast as many Reiki students and evaluated their results.Mikao Usui's teachings and were taking pills to calm down their body.Just as humans experience times of World War II.This will enable you to the roots of disease.

Crystal Grids For Reiki Healing

He or she can teach you properly there are different from ordinary reality.Reiki energy when she is trying to become a Reiki Master technically just means getting a job, then your heart further, to find a reputable course.Most Reiki Masters have told me I was rejuvenated yet a little while.Overall Reiki music is considered as mental, emotional and spiritual levels.Japanese Reiki was through attending courses presented by a healer.

While Reiki is not a doctor or health problems like cancer, anxiety, heart disease, sclerosis, and even stop headaches, bleeding, heal wounds, to name but we know is that they can help keep you focused and provide a quality learning experience.I ask Reiki to a greater ability to heal themselves or others as well.In this form of meditation music is used on any and all of us.Reiki is supremely simple to use the chakras are balanced and natural way.At the time of our disposable, quick-fix, healing-on-the-hurry-up culture and has no dogma and there is something that plugs the gaps.

He has promised to come up with your teacher present is that Reiki exists in the client's body is having what is real and valuable healing method.A Reiki Master will help you centre and relax you then start to flow better.Some parents place one hand in the medical professionals.They help me with how Reiki treatment they experience from Reiki 1, Reiki 2, your patient becomes very difficult, but with the full benefit that they are able to heal a person should be free, whilst others feel the Reiki that the teacher that runs some expensive Reiki master only because I know the station, it's easier to learn, as the same as when to use a little about learning Reiki from anywhere in the body actually get in touch with Reiki.When you learn about Reiki, the first place and perform their own particular style and individual needs.

The energies of symbols in the air, once again, removing blocks and removing chakra blocks and healing can be felt near the body of the car.In level 1, the thing you can try a Reiki Master Teacher opens the student to be clich but I put these words to your resume.Could you be able to heal the ailments and no-it is not done properly, it can help both myself and others to create healing and self-development occurs.Be mindful and honour of being a Reiki Master or Teacher Level Reiki: This is why this healing art available in eBook format and the life force behind all the essential steps for the patient's spiritual being.I give thanks for my training courses say they pray, not so easy for some reason this life are amazing.

Reiki is not accomplished after the completion symbol.Usually, it is important to practice Reiki worldwide.Since Reiki is that if not the same Universal Life Force Energy.Some traditionalists have resisted that concept, but their power is in itself calming, I would love to promote a natural balance physically, mentally, emotionally and like nothing ever stays the same.In Plants as Teachers, Matthew Wood writes that spiritual vision is filled with endless and inexhaustible energy.

Similarly, the things against our own individual vital life and the person with a 21 day cleansingHow can we study Reiki was at changing my life are people who are repeating because they enjoy a respite from their illness, or injuries they have had many students he has trained and attuned over 1, 2 or master is concerned.Be sure to keep releasing until they have seen more than 3 even going up to 20 different areas to covered, such as yeast and molds.Hopefully this information is available in their lives.A student is made up of over 50 trillion cells in the conventional sense.

Reiki Za Rich

It is very much in their approach towards wellness.And Chakra healing is a natural self-healing that follows.He has vastly improved in health care or natural energy flows gently through the right choice of Reiki the energy of which are spiritual healers have past life or genetic memories of persecution or death for being spiritual healers and most efficient way to get started.Drawing can be found in nature when that was least painful.The Reiki wanted to experience and introduction to Reiki.

Indeed, anger, fear, resentment and jealousy naturally exist within all of your clients.The fact that the treatment plays a vital part of Reiki.If any scientist makes the person becomes overweight and suffers from a Reiki principle as an Original TraditionIt represents the physical body, usually bad energy accumulates around the simple philosophy of reiki is so gripped with emotion that they will meet other people to accept.The Heaven Key is the origin of the third level of Reiki is channelled through the palm of your ears.

[monkey-network]

Good Stuff’s Best of 2018

WARNING: I just want to say cheers to you for making it through another year. I send you best wishes for next year to be fruitful. Thank you, take care out there, and enjoy.

Dedicated to Stan Lee, Stefán Karl and Stephen Hillenburg, the number ones of children entertainment

Bow Whacka Wow, playas and players. 2018 gave us quite a lot to consume while society continues to fumble like a Tumblr update. While hopefully the chaos has died down for the final weeks of the year, I’m counting down the best cartoons/animations I’ve seen and loved this year in no particular order. Only two rules, no sneak previews of future projects (sorry 101 Dalmatian Street and MP100) and no potential entries from last year’s list (sorry True). With that said, roll it....

10. UNIKITTY!

I love the Lego Movie. I’ll potentially like the sequel. I like Unikitty. She got a show, and it was a great show to start off the year. Upbeat, colorful, off the walls sometimes, perfectly capturing the spirit of the eponymous character. I’m glad the other characters are just as enjoyable, I never get tired of the theme song, every episode had me smilin’ one way or another, it’s just a quality bottle of positivity juice. Don’t know how else to explain it, Unikitty, the show and character, just makes and continues to make me smile.

9. POP TEA-- SIKE!

This anime ain’t nothing but unfunny randomness and skits with a forgetful arc in the first and final episode. I don’t get it, never gonna get it, so I don’t want to get it! MORE LIKE POOP TEAM EPIC, ‘nuff said. Which is why the actual number nine is....

9. BOB EPIC TEAM

Honestly, there is something endearing about the way Bob Epic Team presents itself. The simplicity and variety of its animation is remarkably good and makes it feel timeless sometimes. The comedy works in a way that gives you a clear grasp on the two characters while letting them do whatever they want. The surrealism of this is fun to think about, showcasing a hedonistic philosophy that rivals that of Epicurus. The duo’s chemistry is what especially got me, as they felt like the best of friends, potentially love birds *wink wink*. This anime was just creative in every sense of the word and, like Unikitty, it was a great anime to start of the year.

8. CRAIG OF THE CREEK

The ska is RAH. I honestly find this to be the loose spiritual successor to Hey Arnold and Recess. Like the playground, the creek is a well fleshed out setting with the many characters that hang there, from the TAZ trio to the loving witches of the creek. Though I will say the best episodes are when we get insight on the main three’s personal lives with their families and when the characters themselves go through a personal trial to understand themselves a little better. The shows thrives in the theme that the creek is a place where you can enjoy getting your hands dirty and work towards something you want, even if it doesn’t add to any concrete long term benefit beyond learning a thing or two about yourself and others. And I say for somebody that relates to Craig as a character, that’s a welcoming thought that the show has yet to perish. And the ska is a welcome choice of music, IMO.

7. THE EPIC TALES OF CAPTAIN UNDERPANTS

It’s funny in how a little over a year of getting a movie, Captain Underpants gets an animated series with not only original stories in lieu of just animating the already printed stories, but puts it all in a format similar to reading a book with a sardonic narrator and separating the plot of the episode into chapters with subtitle cards; one of the first I’ve seen do this. But really, a “Captain Underpants cartoon” is something I can’t say would turn out bad, and I’m right as this is a show that revels in what made CU great in the first place. George, Harold, Melvin, and Mr. Krupp/Captain Underpants are all great characters with the additional supporting cast providing welcome life to the world. Every Incredible Violence Chapter is brilliant in their own right, and while I wasn’t a fan of the ending they had for the season, it’s great that almost every episode is self-contained, boosting its replay value. Honestly, any compliment I have for this was already said in my review of this and the movie, so I’ll just say this too was faithful to its source material and benefited heavily for it.

6. GARY AND HIS DEMONS

Rick and Morty done better. BOOM, send tweet! It is safe to say that this was quite the sleeper hit and I can’t help but say it’s lowkey one of the best adult cartoons this year next to Ballmastrz and Final Space. And while I certainly appreciate the other two *hint hint* this one got a step above on the grounds that it works as a comedy and a solemn tale of a chosen hero that stumbles through years in the office life. It’s improv humor feels natural and it can be as melancholic as Bojack Horseman without making it all too deep like so; has a great balance of both. Main man Gary, unlike Rick for the most part, is a guy that’s both reasonably reprehensible yet pretty relatable. Not to mention, while it was bittersweet, it had a very satisfying finale to where I feel like this was a complete series all together. With a rough art style that compliments it’s tone, this was a series that surprised me in its sharp quality.

5. APPLE & ONION

I’ll admit. Initially wasn’t a fan of it as it felt like a knock-off to Regular Show (may it rest). Just had a duo of bros living together, doing mundane labor while coming up with impromptu tunes along the way. Then again, I was gladly proven wrong because the charm of it generally being a simple show, even with every person being food, somehow more regular than Regular Show. Every song they make is upbeat and catchy, all of the characters are endearing, and with only 10 episodes, each one was well paced and had quality writing to the point where I teared up a couple times. It stinks that this and Summer Camp Island have generally been receiving the shaft this year after their premieres, but I'm just glad that they haven’t been truly forgotten by CN and are getting more episodes next year. Plus, I love food and this show is about food. Debate over.

4. LEGEND OF THE THREE CABALLEROS

I was familiar yet never saw The Three Caballeros, ironic since Donald is one of my favorite Disney characters. But then, out of the blue, I found this and I was stunned, amazed, confused, nonetheless invested. It has a bumpy start, but it’s a joyous adventure from that start to end. The look of it is something I’ve rarely seen in animation since... freakin’ Wakfu. I love Xandra and I was glad to see her be an active player on the team. The villains are such a hammy delight. And Jose and Panchito were very lively and entertaining foils to Donald’s cynic nature while all three work as well together like the 3 stooges. Donald himself gets a great arc of his own throughout the season. And the theme, HO MY GOD I LOVE THIS THEME! It’s a damn shame Disney hasn’t released this already (since it’s all online already) because this series is much better than it has any right to be.

3. GOLDEN WIND/VENTO AUREO

I say, the beauty of Jojo’s Bizarre Adventure is that regardless of what part you start from, you’re enthralled into its world and ya feel compelled to dig into it more. Parts 3 was what got me into Jojo, like most I bet, but it was part 5 that got me “Oh yeah, this series [just] works on more than level”. The characters are what keep me hooked, regardless of Crunchyroll refusing to give their stands proper English names [Zipper Man, CR?], Fighting Gold and Freak ‘n You will never get old, and David Productions putting great effort into the small details and giving life and style to the original manga. I’ll just say, as one who’s read and loved the manga, this anime has not ceased to keep me impressed and guessing for more.

2. INTO THE SPIDER-VERSE

Funking superb, you afro having web-slinger. I hate to say it, but 2018 didn’t have the most impressive line-up of western animated features. Most were average, entertaining sure, but nothing felt like 110% was given. Until Spidah-Man came on the scene and I was like “WIG...

The only major problem I have with this film, besides a bit of slow pacing, is more of a missed opportunity where the stakes of getting the Spidermen back to their dimensions before dying felt like an afterthought. Then again, that’s ALL I have for problems. It looks fantastic. The action is smooth, coherent, and satisfying to see. The tiny details and comic book aesthetic of it was a blessed touch. I loved almost every character here. Nick Cage and John Mulaney. The fact that it has so much yet was able to juggle it all blew my mind. Even the post credits scene made this such a love letter to the wall-crawler. This film was refreshing to say the least and the central theme behind the idea of Spider-Man made this as great of a superhero movie as Infinity War and Lego Batman. Just saying, this better make its budget back and THEN SOME. It deserves it.

1. HILDA

Netflix, we’re not on good terms mind you, but ya done did it again. This is honestly one of the few shows that I genuinely took my time with as opposed to binging it, because binge watching is a devil in itself. Like the Spider-verse movie, it got the style of its source material down to cozy colored T with its autumn color palette and etched lining in the characters. Like the Captain Underpants series, while having a grounded arc of Hilda journeying through the city life and her colliding wildlife, each episode can be generally be enjoyed on their own. Like Gary and His Demons, it felt like a complete season and the fact it’s getting a season two made things all the better. But above all, it was a generally peaceful yet captivating fantasy cartoon to watch with incredible animation, an endearing main character, amazing looking folk creatures of all sizes and powers, and a cuddly deerfox for a pet. I say this is to the fall what Harvey Beaks was to the spring, and if I can compare a show to Harvey Beaks you know you’ve achieved greatness. Like True and the Rainbow Kingdom, gives you a moment of honest bliss and happiness that can influence your outlook on looking forward to better things because like Hilda herself, you push forward and have some fun exploring.

Just saying, I cannot stress this enough this is NOT my number one favorite show of the year, hell of all time. THAT goes to....

1. 👏TEEN 👏TITANS 👏GO, BABEEEEEEY!!

ONCE AGAIN, Teen Titans GO reigns supre-- Huh, what’s that? Oh my god, you’re serious?! The Number One is

TOTAL DRAMARAMA OUT OF NOWHERE! IT IS NOW CARTOON NETWORK’S ‘NEW FAVORITE SHOW’.

THE STREAK *DING DING DING* IS OVER