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manicpixiefelix · 9 months

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head, heart, hand. {Felix Catton/Reader/Oliver Quick}

Part 3.

Summary: Your second year at Oxford brings with it Farleigh, much to your delight, and you get to learn about Farleigh's personal nemesis (which he rolls his eyes at every time you call him that) Oliver. It turns out Oliver's actually very lovely, and does Felix quite the favour one unassuming morning. Farleigh's not happy to see him again, but Felix is.

{ masterpost }

Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.

Warnings: heavy drinking by everyone at the pub including the reader, and 'dog' being used to demean the reader once.

A/N: 5101 words. much longer than the last ones, and we finally have oliver!! very excited to FINALLY be able to write their weird little fuckin dynamic at oxford, i love them all very much. im a bit unhappy with the pacing of the beginning but i like how it picks up once oli is introduced, but also the bar scene is SO LONG and i will not apologise i love them your honour. id be mighty grateful for any feedback or if you have any thoughts in general about the story, i stare at so many kind asks in my inbox lovingly, i will answer them very soon i promise!! also this is so unedited, sorry lol.

Taglist: @strangemaximoff @renaissance-mama @tsach @malscorner @xhoneymoonx134 @yelchinweasleylothbrok @tarriea @florencediet @butitsbetterifyoudoittoem @belladonnadarksshade @fandom-multiamory @snazzynacho @jubileexoxo @soocore @be-lla-vie @nightingale2124 @willow-sages @null4ndv0id @gracieluvthemoon @day2dream @marvellover98 @navixfr @bitxhinthecomments @daintylovers @alesunsets @noturningbacknow @d0llysposts @alilcloudy @callsignwidow @moviequotes23 @325575 @bonnieblue0606 @osoqueen125 @hot-dino-nuggies @darkness-falls-xo @mattymurderdocks @flowerecs @weepingwitchofthewest @ilovemydinoboi @marsmallow433 @king0flies @cashtons-wife

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At first you don't notice him for who he is. At first you hear about Farleigh's insufferable tutoring partner. At first, Oliver Quick means absolutely nothing to you.

The most important part of your second year of college is that Farleigh has finally conceded to joining you and Felix at Oxford. Once, during the last Summer break, while Felix had been off confronting his at-the-time good friend Eddie, after Farleigh had told him Eddie and Venetia had been sleeping together, you and Farleigh had gotten high in the maze to avoid the fallout.

Since the Cattons were paying for his education, he'd admitted that he wanted to remove himself as much as possible from his mother's legacy and memory and the guilt Sir James held about his sister. It would be hard to do at a college where he would be a legacy student because of his mother's attendance. You think you partly understood; certain people, usually staff, liked to kiss your ass when they found out about your own legacy status and the people your parents became, you're not so sure they'd treat Farleigh the same, all things considered.

But he's out of options.

Sometimes you're not sure what to make of Farleigh; his strange place in the Catton family was never something they seemed to like to discuss around you, but Farleigh was far more candid about it. So when he pulls these stunts, gets himself kicked out of schools, puts himself in precarious positions despite how you knew he genuinely enjoyed academics, especially literature, you can't help but wonder why.

"Don't try and pathologize it," you could hear him rolling his eyes as he attempted to scale the minotaur statue in the middle of the maze. Looking up at him from where you're laying in the grass, you watch him rise above the walls into the sunshine. Maybe it's dangerous, maybe he should stop, get down, be safe, but he looks far more content up there, on the edge. Maybe he feels freer up there, even if he knows it's not true.

So now he's with you and Felix at Oxford, a first year only academically, he slots perfectly into the group of friends you'd both already managed to collect.

The point is, you have no idea that of everything that happens in those first few weeks of your second year, the parties, the hook ups, the social dances you found yourself doing, that the guy Farleigh likes to complain about from his tutoring sessions - Oliver, Farleigh always says it with an eye roll - would mean so much more to you than you'd ever expect.

Everything about the man you would come to find extraordinary, from the outside, was completely, and charmingly, ordinary. Including how you'd met him.

Felix had overslept again, and threw a pillow at the door when you'd stuck your head into his room to remind him that he had classes. You'd left yourself enough time to walk, but Felix would have to at least run if he didn't get his ass up soon, or would ride his bike instead. Its on your way, so you duck your head in to at least check it there.

What you don't expect is the unassuming man with dark hair to have a gentle, almost caressing hand on the tire of Felix's bike. When you make a confused noise, he about jumps a foot in the air.

"Sorry," he seems to shrink in from himself, recoiling from the bike like he'd been caught red handed, "just admiring." He babbles, but can't meet your eyes. For a moment, you look over him, before turning your attention to the ludicrously expensive mountain bike that Felix has always taken for granted.

"It is a nice bike," you find yourself grinning, stepping towards the bike and giving the tire a squeeze, both as a show of your own appreciation, and to test the pressure, just in case, "didn't mean to spook you..." And you trail off, prompting for his name, holding your hand out.

It hangs in the air for a moment, and the man before you gives you a proper look over. The way he holds himself, as if trying to take up as little space as physically possible, but his eyes, his gaze, oh it longed to swallow whole every detail of everything he cast it upon.

"Oliver," he says after a very long moment. Despite his demure voice, there's something deliberate, unwavering about it, "Quick," he follows it up with, "I'm Oliver Quick." And he ducks his gaze, sparing you from his intensity as you shake his hand.

"Oliver Quick," you turn the name over on your tongue; the same Oliver that Farleigh's been complaining about, you ponder, before giving him a smile, "I'm Y/N." As soon as the handshake drops, Oliver's doing that thing again, shrinking back and looking uncomfortable in the space.

"Yeah, I think I've seen you around," Oliver nods but can't meet your gaze, "around campus, I mean -" Which reminds you -

"Fuck, I'm almost running late," you hissed, spinning on your heel, "sorry to run Ollie, you seem lovely!" You call over your shoulder as you bolt to class, hearing him calling out;

"No trouble," and awkwardly trailing off the further away you get, "you seem... very nice too..."

Bursting through the door to your tutorial with five minutes to spare, your lecture looks up from his desk for a brief moment. Giving him a nod, you try and slip past him to grab a seat by one of your friends, chatting near the back, when he raises his voice.

"No Mister Catton today either, I presume," he says with a sigh, and you again check you watch before plastering on an apologetic smile.

"He'll be here," you assured, "promise." The professor did not seem impressed.

Sitting next to India, she immediately greets you with a hug.

"Felix hung over?" She grins, and you anyway in respond with a smirk.

"After last night? I'd assume so."

"King's Arms tonight?"

"Of course."

When he does eventually show up, it's ten minutes late with an apology about how his bike had gotten a flat tire. The professor, just tells him to take a seat, and Felix does with many placating thanks, sliding into one of the open few open seats in the row in front of yours. Ruffling his hair, he throws a faintly guilty grin over his shoulder at you and India, telling you both not to start.

After the tutorial, you fully intend of having lunch with India, as the two of you don't have any other classes until the afternoon, the two of you walk with Felix to where he'd stashed his bike before his next lecture. Except -

"That's not yours," you look at the bicycle curiously, "I thought you had a flat."

"Had," Felix agrees, wheeling the unfamiliar bike from the rack with a grin, "bloody angel of a man lent me his."

"Of course someone just gave you their bike," India chuckles, reaching out to give Felix's shoulder a squeeze before he mounts the bike with intent to take off.

"Lent," Felix grinned back, "I'm gonna give it back."

"And what about yours?" You asked, eyebrows raised.

"He took it back for me."

"Your hero," you laughed, shaking your head at him.

"My absolute hero," Felix agreed, "I'll tell you about it later, okay? King's Arms tonight?"

And once he's away, and you and India are on your way to the campus cafe, her arm tucked in hers, she gives you a knowing, almost exasperated smile.

"You're already trying to figure out how to fix his tire, aren't you?" Her nails dig a little too much and her smile's a little too sly and her tone almost grates against a thought you don't like to consider, so you push it to the back of your mind and give an embarrassed little smile.

"Was it that obvious?"

"No, but you are," she leans in, lips almost against your ear, smile in her voice, "endearingly predictable," she murmurs against the shell of your ear, "you're always wrapped up in him."

"Right now I seem to be rather wrapped up in you," you rest your free hand on hers, tucked into the crook of her elbow, taking her hint and lowering your voice to something flirty.

"And make darling Felix wait?" She teased in response. Instead of answering her properly, you ask her back to your dorm under the guise of lunch and she happily accepts.

The bike shop is closed and Felix has class and you can't even be sure if this supposed bike saviour has even returned Felix's bike by now; there's no waiting, but India likes feeling prioritised, so you keep all that to your self. India likes to feel important in Felix's life. Anyone who Felix spends even a little of his time and attention on ends up rather addicted to that feeling, to feeling special to Felix Catton, and India is one of the many who have picked up on your own importance to the man himself.

So you're not dating India. You're also not not dating India; you're a placeholder of sorts, which would be cruel to you if you didn't like her well enough or if you weren't satisfied taking your fun with her. It would also probably be cruel to India if she knew the truth, that Felix thought she was hot and wasn't ready to commit to maybe dating her, but that he was getting that way he sometimes got about people, that he wanted them around, wanting to not share them, but without devoting himself to them. That's where you come in. A placeholder. A proxy. An almost. Someone who makes this pretty girl feel important and close to Felix. Someone Felix isn't worried about falling in love with India even while keeping her happy and around.

When you arrive late to the King's Arms with your own around India's shoulders, Felix lights up while Farleigh, from beside him, narrows his eyes with a smirk.

"Cute shade of lipstick," he says slyly, even as he moves over at Felix's insistence to fit both yourself and India in the booth beside him. Farleigh flicks the collar of the shirt you'd thrown on in a rush to get dressed for afternoon classes, "on both of you."

"Are you jealous, Farleigh?" India grins, taking it all in stride as you pull your collar out with your thumb to try and inspect it. India's lipstick was smeared faintly against the collar from where she'd been enthusiastically kissing her way down your jaw a few hours earlier.

"Of course," Farleigh's sly smile widens to a cocky grin, and he winks at her, while she leans over you to plant a kiss on the corner of his mouth with a wicked grin.

"Right in front of her partner?" Annabel, Felix's latest fling was on his other side, reaching over Felix to shove Farleigh's shoulder with a scandalised laugh.

"Not really together," India mused, even as she shifted to lean heavily against you, her arm around you and tucking herself up by your side. You nodded in kind, shrugging as Felix had to hide his laughter in his pint.

"And besides," Farleigh declares in a voice you knew all too well, "if anyone knows how to share it's Y/N," with a cheshire-cat smile and making a show of putting his hand far up your thigh under the table. Surprised by the outright boldness of it all, Felix, who had been trying to take a sip to cover his amusement, ends up snorting beer out of his nose as he laughs, which sets the whole table off.

It's later in the night, several rounds of drinks and plates of chips, when you finally remember to ask Felix about his bike. There's this look in his eyes as he recounts the details, how he'd somehow gotten on the wrong side of something small and sharp when he'd been found by his 'absolute hero'.

"Ollie," he says brightly, "Ollie - Oliver - something, I don't -" he's babbling, and though he doesn't at the time, both yourself and Farleigh react, though in vastly different ways.

"Oliver?" Farleigh draws out the name with disdain, like it's done him some sort of personal affront, or set off a bad smell, judging by his expression.

"Don't make that face," Felix rolls his eyes, giving Farleigh a good-natured shove, but it's all becoming background noise to you as you glance over your shoulder. In your mind, all you can focus on the brief but captivating moments you shared with a blue-eyed Oliver just this morning. As if by fate, when you finally come back to reality, and realise you're staring at the bar, you see those same blue eyes staring back at you, intense and surprised.

"There he is!" Behind you, Felix's voice raises above the din of the pub with barely restrained glee, "Ollie! Oliver! Oliver!" And immediately those blue eyes snap to your attention-grabbing best friend, "come over here, mate!" Felix insists, and you drop your gaze with a faint smile.

As Felix loudly and insistently vies for Oliver's attention and company, you briefly raise your gaze, only to see the disdain on Farleigh's face having grown immensely.

Oliver. Farleigh's classmate Oliver. Insufferable tutoring Oliver. Know-it-all Oliver. 'Thus' Oliver. No regard for style in his academics or his wardrobe Oliver.

Felix's hero, Oliver.

Considering how much joy Farleigh took from ribbing you at every given opportunity, just to see your squirm for his amusement, you supposed you could take some joy from his discomfort in this moment. When he sees your smug smile he scowls at you.

"This guy's my fucking hero," you've heard that warmth in Felix's voice a hundred times over, "just telling everyone how you saved my ass today," you wonder how long it will take Oliver to fall for him too.

Oliver, for his part, plays at being abashed as the rest of the group gives him faint compliments, gaze surprisingly shallow as he takes you all in. Keeping your own eyes down for the moment, you take the cigarette from India that you'd been sharing with her. You quickly reach into Felix's jean pocket beside you for the lighter you know is there, and when you look up to light it, cigarette poised between your lips, you see Oliver's gaze momentarily focused on the lack of space between yourself and Felix, where your hand had disappeared. Felix, you know without even having to look at him, hasn't even looked away from Oliver once.

"Take a seat, I owe you a drink," Felix grins, and is already shoving the few people on his left, before you put a hand on his arm to get him to settle down.

"Could you get the next round, India?" You ask her quietly, and though she hesitates for a moment, she relents, considering it was meant to be her shout after all.

Oliver is hesitating as India stands and smooths out her skirt, heading for the bar, and finally Felix remembers that most people's worlds don't revolve around him.

"Oh, sorry, are you with friends?"

Another moment of deliberation from Oliver, before he finally relents to Felix, and agrees to join them. Looking around, there's a chair next to a table behind Farleigh that was going unused, or -

When you pat the now empty seat at the end of the booth beside yourself, you're not looking at Oliver. Chin in your hand and cigarette poised between your fingers, you're giving Farleigh a grin that's all teeth, while he looks like he's trying to stave off a sudden tension headache.

"Come here, Oliver Quick," you refuse to explain your smug smile, "I don't bite."

"Yes they do," Farleigh huffs in irate response, to which most of the rest of the group cracks up. The leather beside you shifts, and you can feel the heat Oliver radiates before you even look at him.

"Quick, Oliver Quick!" Felix, behind you, is muttering almost to himself, before adding, "wait, how did you know that?" And throwing himself practically over your shoulder as you'd turned to face Oliver properly.

"We met this morning," you say quietly, gaze fixed on Oliver's, on the way he's taking you both in. With Felix's chin on your shoulder, the two of you cheek to cheek and watching him with interest, it could be enough to send anyone else running. But his gaze isn't the shallow one he'd ghosted across the others, he's drinking this moment, and the both of you, in. Smile stretching wide across your face and you tip your head against Felix's, "just as lovely as I thought," and turning your face even slightly towards Felix means your lips against his temple, not that either of you seem to mind, "your hero."

"My fuckin' hero," Felix agrees adamantly, though you and he sit back as India approaches with a tray of pints and an exasperated look.

"And you've given up my seat," she sighs, placing the drinks on the table for everyone else to take their share. Farleigh's already passive-aggressively reached behind himself to grab the extra empty chair, and you promise to make it up to her with a heavy layer of implications that the rest of the table snickers at.

Introductions are made and drinks are had and the night carries on apace until you, at the very least, felt like you could call yourself reasonably wasted. Despite how quiet Oliver is in the general conversation, Felix makes a point of always including him, arm around your shoulders so he can lean across you to talk to him, while Oliver just tried to keep up.

Everything about Oliver shouted that these people weren't his people; his clothes, his accent, his vernacular, his very unfamiliarity with who so many of them were considering their families were often titans of industry. Still, you respected the effort he was making to keep up. Whenever even the hint of a joke at Oliver's expense could be felt in the air, Felix shut it down, and though it started out subtle, it became less so as the night wore on; the grateful look on Oliver's face, even as he tried to duck to hide it, said how much he appreciated the gesture.

It's decided almost unanimously by the time you have to buy a round that it should be the first round of shots for the table. Several more would be to come, but you were getting tequila, and all the fanfare that came with it.

Getting back to the table you find Oliver's slid into your spot by Felix. Though he tries to apologise and get up, you shush him, insisting it's fine as you sit down next to him with the tray of shots topped with lime wedges, and the shot glass half full of salt for the table the bartender had kindly provided.

"You do know this is why I was late to my tutorial this morning," Felix still helped himself to a shot glass with lime as the salt was being passed around the table.

"Salt?" Oliver frowned at the glass in front of him, "lime?"

"You've never done tequila shots before?" Farleigh scoffed, holding India's hand up in front of himself where she'd offered it to him to apply salt.

"No, I haven't," is all Oliver can say awkwardly, watching as Farleigh sprinkled a line of salt across the back of India's aloft hand, licking it up in one swift motion before he took the shot and bit the lime in quick succession.

"Salt, shot, lime," you give Oliver a nudge to bring his attention back to you.

"Salt, shot, lime," Oliver repeats, looking from his glass to the glass full of salt that Felix had reached over and brought to your side of the table, "do I have to lick the salt off of someone else?"

"Not necessarily," Felix says from his other side, while Annabel giggled and allowed him to apply salt to her hand.

"More fun that way," she adds coyly.

"Not unless you want to," your own shot glass sits untouched, salt now sitting between both your glasses.

"Do you- should I-" Oliver's stumbling over his words, fidgeting with the end of the lime.

"Lick it off their neck," Farleigh barked from across the table, and though you tried to tell Oliver that he didn't have to do anything like that, and Felix's disappointed admonishment of his cousin, the entire rest of the table, who had finished their own shots and were now invested in the drama, light up with agreement.

"You're so crass, you're gonna give him the wrong idea," Felix groaned, rolling his eyes with frustration.

"I love Y/N but I don't think there is a wrong idea about them -"

"Watch what the fuck you say about them, Farleigh -"

"Watch what I say about your fucking dog-?"

"I'll lick their neck!" Oliver announces at the top of his lungs, interrupting the vicious barb, and the way Felix had practically leapt across half the table in a sudden fury. For a long moment, tense silence hangs in the air, Farleigh half out of his chair, wearing a sneer, and Felix braced over the table with white-knuckled fists pressed into the woodgrain. Then, as Felix sits back down and things begin to ease, once again all eyes return to Oliver, who's shifting in his seat, looking at you with almost apology in his eyes, "if- if you're okay with that."

After a beat, you break into a self deprecating smile.

"I do like getting my neck licked," you laughed, and immediately angled your head and pulled the collar of your shirt to the side so he could have a better angle and more of your shoulder to apply salt. The tension dropped almost entirely as everyone but Farleigh and Felix burst out in cheers. Chatter arose again as Oliver fumbled with the salt, but you caught Felix's eyes from behind him. Tension in his brow that you longed to smooth away, and discomfort in his gaze, but when you smiled you could see him take a breath, and smile back.

"I won't bite," it comes as a surprise when you hear Oliver say this, so quiet only you can hear as he diligently applies a sprinkle of salt to the soft skin of where your throat meets your shoulder, "promise," you can't see his expression but you think you can hear him smirking. It actually sounds almost like flirting.

India's been glaring at you across the table whenever she hasn't been flirting overtly with Farleigh for the past half an hour. So you flirt back.

"Not even if I ask nicely?" You murmur back, trying to repress the thrill that the whole moment was giving you. You hear the faintest, momentary rumble of a laugh from Oliver before you feel his hand on your thigh as if to steady himself, and his tongue on your neck. It's barely a second of contact, the delicate caress of his mouth as he licked the line of salt clear from your skin. Quickly, he then takes the shot, and swallows before biting down on the lime, making a pained face as the table cheered.

His hand is still on your thigh; his grip is tight.

As he's spluttering and grinning and Felix is clapping him on the back for the effort, he's rather abashedly offering himself to you, if you'd like to repeat the same salt process on him -

"You've done enough for your first shot, Ollie," you told him with a fond nudge, happily applying salt to the back of your own hand, completing the ritual with far less fanfare. Still, when you glance past Oliver to Felix, you see the way he's regarding the newcomer, with a kind of awe and warmth. This too you know well.

Crammed so close in the booth, Felix's arm stays around Oliver's shoulders for most of the rest of the night, and while no-one can see it, Oliver's hand remains on your thigh. Sometimes he taps along to the music of the pub that you've already tuned out, sometimes he's rubbing small circles with his thumb, or give you a squeeze when he's laughing at a joke, but it never waivers.

The more drunk you become, the more you find yourself leaning into him, and you begin to tune out the conversation, focusing only on your drink, the warmth of Oliver and his hand on you, and on the sensation of Felix's hand playing with your hair since his arm was around Oliver's shoulders, and you're leaning your head against him.

Everything's become blurry, your brain is still trying to catch up after you take another shot from muscle memory alone when Farleigh starts insisting on Oliver shout the next round, and for that round to be jaeger bombs.

"We just did shots," you shake your head with a faint frown, but the movement makes you feel all kind of queasy.

"You tapping out?" Farleigh, in much better spirits considering how many he'd consumed, is all wide, challenging smiles full of teeth.

"Nope," you again shake your head, against your better judgement, "never ever ever." Everything is spinning, even with your eyes closed.

"Then you shouldn't be letting Ollie snake his way out of paying for his round," Farleigh sounds all kinds of smug, and despite how you're all kind of done with him for tonight, and Oliver is trying to insist that he's not trying to wiggle out of paying for a round, the rest of the table have apparently taken up Farleigh's crusade. They're booing him, hissing at him, while Farleigh's smugness screams social triumph; you can feel Oliver's fingers twitching on your thigh, like he wants to be fidgeting but can't bring himself to let you go.

"Fine," Oliver relents to the peer pressure, letting you go and throwing his hands in the air, "can you move a sec?" He asks, and you shuffle out to let him past, before scooting back in and back beside a once more frustrated Felix.

Farleigh argues that it's the rules of the pub when Felix asks him to give Oliver a break, but you don't really hear them. You've cleared enough space on the table in front of you to be able to cross your arms on the table, laying your head on your arms to try and see if it would help. Felix is rubbing soothing circles on your back as he argues with Farleigh, probably out of pure habit, so you try and focus on that sensation, and picking a point that you see that you can focus on.

Everything's sideways, the bar, the people, the street outside, but it doesn't matter. In the moments you find yourself focusing on Oliver in the cool light of the bar, everything else falls away. He looks antsy and uncomfortable, watching the bartender pour the shots, wallet in his hand. You'd have paid in a heartbeat if Farleigh hadn't been so insistent on attacking Oliver's pride. Everything else about him was so charmingly ordinary, perhaps that's why Farleigh was infuriated by him, and why he'd attacked Oliver's pride, one of the few things that Farleigh probably believed Oliver had of value to himself.

Tomorrow, you and Farleigh were having words.

Tonight, you wanted to somehow help Oliver without making any kind of big deal about it. Problem was, you weren't sure how. You weren't even sure if you were capable of walking in straight line right now.

"Fi -" when you turn your head to your other side, you see Felix, half finished a cigarette, with a pensive look on his face as he too was watching Oliver. When he looks at you there's a moment that the two of you share, of understanding, of compassion and a shared goal, "can you get me a glass of water?" You asked, knowing he'd take the hint. Thankfully, he smiles at you, the two of you shuffling once more so he could get out of the booth and head towards Oliver and the bar.

Leaning on the end of the booth, you wait for Felix to return before you sit back down, instead focusing on the interaction between the two men at the bar. It's not that you can hear them, but you can see the grateful but anxious look in Oliver's eyes, and the way he can't look away from Felix's smile, and something sharp and bright and intrigued lights up in your chest.

There's a moment as the interaction begins winding down, when Felix takes the tray of drinks, and looks back at your gathered group of friends. His eyes meet yours, faint flicker of familiar affection passing in the next moment as he says something else to Oliver before he's making a beeline back to the group.

"Thank you, Ollie!" He announces brightly, much to the cheer and delight of the rest of the group once the jaeger bombs are set down at the table. Caught up in the sudden influx of joy, you chant Ollie's name, clapping along, not even realising that since you'd let go of the booth you were starting to take on a lean.

"You're fucking legless," Felix crows with laughter, who had already slid back into the booth and was now taking you by the arm and sitting you back down beside himself, "I'm cutting you off, you're on the waters now," he joked, arm around you to steady you, though you weren't inclined to disagree. Thankfully, in the next moment, a water was being placed in front of you, and a cheer was once again rising from the group as Oliver rejoined you all, bashful smile on his face as everyone was lavishing praise on him for following through with buying the round.

The glass was cold and clear and faintly frosted, few ice cubes floating delicately on top of the pint of water before you, looking absolutely perfect in this golden, humid pub. Even just reaching out and holding the cold glass of water in your hands seemed to make everything a little less blurry at the edges.

As you dragged the glass towards you, surprised by your sudden craving for fresh, cold water, praise tumbles from your lips, words half blurring together, and Oliver takes his seat once more beside you.

"Ollie, you're my fucking hero."

#felix catton x reader x oliver quick #saltburn x reader #felix catton x reader #saltburn imagine #felix catton imagine #felix catton x y/n #felix catton x you #oliver quick x reader #oliver quick imagine #oliver quick x you #oliver quick x y/n #head heart hand fic #manic writer

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artbyblastweave · 2 months

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Several years ago I was making it a personal project to create as many portrait-style illustrations of minor worm characters for the worm wiki as possible, creating a situation where for a while the only visual depictions of certain characters were either mine or one from @scarfgirl (as she was doing something similar.) This occasionally leads to situations where I see someone else's post-wormblr renaissance take on some minor character that I'm 90% sure is taking visual cues from one of my designs in the absence of anything else to go on. This gives me a warm fuzzy feeling but it's also kind of harrowing when you extrapolate how much fandom consensus is probably similarly informed by whichever shut-in with too much free time positioned themselves as first mover on a minor unresolved issue. And then you extrapolate this to the historical consensus about stuff that wasn't very well documented and suddenly you've got a truthy little insight about how the world works I think

#thoughts #meta #personal

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vroomvroomwee · 11 months

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Goddamn all of you lovely Good Omens artists are fucking incredible do you know that? And I don't just mean the skill and talent and range you all possess in drawing cute adorable comics all the way to renaissance masterpieces because I won't be able to shut up if I start talking about that.

No, I mean who you are as PEOPLE.

You are all absolutely wonderful. Every single piece relays the refreshing and comforting views and opinions you have as well as your kindness. Drawing Aziraphale chubby and big but as well as soft and sexy and desirable and magnificently ETHEREAL. It has made me love my belly and thighs. It's made me view them as adorable and cute. The utter ADORATION you have for Crowley's nose. I went from despising mine (which is slightly crooked) to flaunting it and being PROUD of it. Because, guess what? ITS FUCKING CUTE.

As a result of all the love you all show towards these characters and the traits that society would call "unattractive", the ones that people should be ASHAMED about and try to hide, I have genuinely started to love my body. Traits that would cause me to feel inferior and pathetic are now causing me to feel giddy and affectionate towards myself. Went from "ew" and "uhhgg" to "tehe" and "eee" every time I look in the mirror.

If there's anyone that feels that their art isn't being appreciated, therefore that means they aren't good enough, I want to remind you that there's probably a person out there somewhere, too shy to like and reblog, who accidentally stumbled upon it and now has a smile on their face. There could also be another individual at a different corner of the planet who comes back to your art when they feel down and need some comfort and happiness, their confidence receiving a momentanious boost, and to be reminded how lovable and worthy they are.

And what's even more amazing is how we don't have this revelation: "My body/face is ugly, but I love it anyway." NO!! It has the "My body is a body. I'm human. There's no such thing as an ugly body. " And that's so so so so important.

People always talk about how Good Omens completely warps your view of gender and sexuality and makes you realise how abstract they both are. But it also has that effect for bodies and facial features.

Changing your opinion and feelings on something doesn't usually happen in the blink of an eye like they depict it in the movies where the characters have this memorable dramatic revelation. In real life, it happens gradually. Because we're human, and we need time to process things. So the Good Omens artists doing this to so so so many of us is incredible because they pop up these gorgeous pieces of art constantly. Over and over and over and over, and it's such a breath of fresh air and freedom from being suffocated by the media and society everywhere you go. And I say this with 100% seriousness, Good Omens has some of the most wonderful people in its fandom.

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wistfulcynic · 11 months

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a non-izzy-centric reading of the events of season two

i didn't really want to get into this because it's so, so tiresome and i'd rather talk about the things i loved about this season. Poison, positivity, etc. But.

reading this post about people doubting their own judgement due to the overwhelming noise from Izzy stans along with a rewatch of season two from start to finish made me realise that i too had been influenced by a year and a half of being intensely frustrated by people insisting so loudly that OFMD was in fact the Izzy Hands Show. My initial issues with S2 mostly stemmed from overcompensating for that by resenting any development of Izzy on the screen because i did not want it to feed those people. Which meant that i also was centring Izzy in a way that he should not be centred! i was letting their noise lead me to read him as far more important than he actually is.

So i looked back at several points from the season that had me feeling uncomfortable and which, from a cursory browse through the Izzy tag i've concluded his stans see as a contradiction or a betrayal or something and re-evaluated them from the perspective of Izzy not being a main fucking character.

point one: "He's our dick."

When Archie (a newcomer and therefore a fairly effective audience stand-in for anyone not balls deep in fandom bullshit) asks Jim why they're going to so much trouble for Izzy, who she has immediately clocked as "kind of a dick", Jim gives this response. Which, if you think Izzy is important, may read as an expression of reluctant fondness. But then, Jim continues: "There was a time when life meant something on this ship. When we lived for each other, not just to survive." These lines are punctuated by a flashback to the famous Revenge crew found-family Renaissance-painting moment. Jim is nostalgic for the "good old days" of the Revenge under Stede's people-positive management style. It is out of respect for that (seemingly) lost way of life that they take the trouble for Izzy, not for Izzy himself. They'd have done the same for anyone, because they desperately want life to matter again. Izzy, as the person whose gamy leg is a direct result of his threatening Ed and bringing the kraken era down on all of them, is simply the one whose life happens to be on the line.

(honestly, i love this from Jim, who was one of Stede's boldest detractors in season one and still the crew member most likely to call him out on his bullshit. That's your "reluctant fondness" moment right there.)

point two: the new unicorn

apparently Izzy stans see the gift of the unicorn leg prosthetic as a symbol of deep love and respect from the crew to Izzy. Which is an absolutely wild reading when you look at what led up to it.

There's tension on the ship. Divisions. Lucius is chain-smoking and jump-scared by his own shadow. Jim, Archie, Frenchie, and Fang are overcome by guilt over their mutiny and frantically scrubbing nonexistent blood from the deck in what is a fantastically darkly funny Lady Macbeth moment for them. Izzy is sloppy drunk and yelling nonsensical abuse at the unicorn masthead. Roach, Pete, Oluwande, and Wee John make a well-intentioned but ill-conceived attempt to bring everyone back together (i say "everyone" but Izzy, significantly, is not included) which leads to them all being at each other's throats in the sort of mutually-assured-destruction configuration that starts world wars. It's a great scene. Izzy is not a part of it.

until he interrupts them, throws the unicorn legs at them and in his drunken clumsiness breaks his prosthetic. He then pointedly refuses their offers of assistance and drags himself away along the floor by his arms.

my friends. This is peak pathos. The crew do not respect Izzy in this moment, they feel sorry for him. They realise that he's worse off than any of the rest of them and that knowledge brings them back together. Making the unicorn prosthetic is barely about Izzy at all. It's about the crew coming together, repairing the rifts in their found family and as a bonus helping out their grumpy second cousin who doesn't really want to be there but has nowhere else to go. It's also a very generous offer of a new place on the ship--as the new unicorn--and a fresh start. Because that's what life on the Revenge is. For everyone.

point three: la vie en rose

much has been made of Izzy putting on drag makeup and singing at the Calypso birthday party, and fair enough. That's a big character development point for him. i don't hate it, though i wish there'd been more build-up to it, a longer conversation between Izzy and Wee John at least (insert obligatory "fuck Max" here) but regardless, if we accept Izzy's amputated leg as cutting off his old self and replacing it with the unicorn then we can arrive at a place where he's able to participate in a drag performance without too much cognitive gymnastics.

i've written before about the curious choice to have Izzy sing La Vie En Rose in French (after he initially sang it in English) at the very moment when Ed and Stede are having sex for the first time. On first watch i felt viscerally troubled by it, it felt like a validation of the obsessive psychosexual reading of Izzy's feelings for Ed. Looking at the season as a whole, it feels more like a (cringy, creepy, waaaay over the line) attempt on his part to signal approval for Ed and Stede's relationship. Especially when taken in conjunction with his (super creepy, like wtf who greenlit this) interruption of their breakfast in bed the next morning to make a ham-fisted innuendo. Weird but okay i guess, it's not like Izzy and social niceties have ever gone hand in hand.

many people point to the drag scene as the crew embracing Izzy and welcoming him as one of them. Again, i don't disagree. But, also again, this is not specific to Izzy. This is just what they do. They also embraced Archie with her snake-cult stories, they re-embraced Ed (who yes, they do love, refutations of arguments that they don't love Ed are a whole other essay though) and later they embrace Zheng and Auntie and also Jackie who once stole their savings jar and threatened to cut off their noses. That's what they do! They embrace people! That's what the show is about!

point four: the death scene

i have to be honest, i still hate this. i don't hate that Izzy died, i hate that he died in Ed's arms with Ed calling him his only family. That still feels unearned to me, and alas was probably another victim of the shortened season. But even with this extremely kind and forgiving death scene, the stans are not satisfied! They feel that the entire crew should have been gathered round, assuring Izzy of their profound love for him. There should have been weeping at the funeral, wailing and gnashing of teeth, rending of garments etc. It's what he deserves as such a beloved member of the crew!

except he wasn't beloved. He was accepted, yes. Welcomed, even. But acceptance is a far cry from love. Cheering as someone sings a song at a party does not mean you feel ready to weep at their deathbed or proclaim your undying affection for them.

yet even so, the crew are visibly distraught at his death scene. There are tears in many eyes! But effusive declarations of feeling from any one of them other than Ed would have felt (to anyone not convinced Izzy is the main character) completely wrong and very weird. You can headcanon what you like to fill the gaps in canon but on screen we have seen very few meaningful interactions between Izzy and any of the existing crew aside from Fang and Lucius and to a lesser extent Wee John. Izzy's primary relationship with another character is with Ed and so, as much as i still don't like it, Ed is the only one who has any real reason to be at Izzy's side as he dies.

as for the brevity of the funeral and the fact that they went straight from it to Pete and Lucius's wedding instead of having, idk, a prolonged wake at which everyone speaks at length about how important Izzy was to them, i mean. Obviously that wasn't going to happen. More than enough screen time had already been given to a side character who spent most of it either being miserable himself or making others so. It was time for the rest of them to find some moments of joy. As Izzy himself said, not moving on is worse.

in conclusion, i'd like to address the people saying that Izzy should have lived so he could continue his arc of self-discovery and sure, that would have been great--on the Izzy Hands Show. But OFMD is about Ed and Stede and Izzy had served his purpose in their story. i feel certain there will be copious fanfics to soothe anyone who feels Izzy was shortchanged.

on the show, though, he was treated in a very logical and foreseeable way as the antagonist who was able to see the light at the end but not necessarily to thrive in such a well-lit environment. Literature (by which i mean also films and tv) abounds with examples of this sort of character. They see the error of their ways but they are too stuck in them, shaped by them, to exist comfortably in any other way. They help bring about change to benefit others and not for themselves, that is the bittersweet beauty of their endings.

Izzy let Ed go. He embraced the softer parts of himself. He died surrounded by people who may not have loved him but at least accepted him as one of their own and felt genuine sorrow about his passing. That is a satisfying narrative end for a reformed antagonist! If you truly feel that he was shortchanged by it then you have forgotten what show you're watching and what sort of character he was.

Izzy Hands: not the main character, still an interesting one, absolute nightmare, what a guy.

#our flag means death #ofmd meta #ofmd season two #izzy critical #the izcourse #izzy hands meta #sorry not sorry to people who are going to hate this post but writing it has been therapeutic for me #i'm tired of hating a character on a show i love so much so i shall go back to thinking of him as the nasty rat man and focusing on faves #saira has Thoughts

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heliphantie · 10 months

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Happy second anniversary of Encanto movie!

I had (then and year ago) more ambitious idea of mock poster, but again, to execute it properly, decided to put it aside until skills and tools for it gained. So I opted for the piece reflecting on my personal take from the story.

The drawing is an experiment, drawn traditionally in complementary colors and put through color inversion in an editor.

I’m not a fandom person, admittedly. What piques my interest in exploring of piece of fiction is, usually, is its origins, history of creation, cultural background and, in some cases, impact it leaves on the art coming after it, rarely anything beyond. With all things I’ve had getting into recently, it was like that, generally observatory things. When I’ve got into MLP, it was a phenomenon of its large fandom, sheer variety of art forms it produced (from the music and games to automata toys), people of different upbringing and cultures being all inspired by it – fascinating to witness such a movement in present time. With The Simpsons, it was its legacy, its large influence in modern media – seeing the roots, the blueprint of it, getting understanding of why it was such a powerful piece of storytelling and visual direction to raise the cult around it. With Encanto, it got me curious at first to see aesthetic of magical realism being translated in form of animation, and I was surprised Disney decided to dip their toes into attempt of it. Generally, I’m more enticed by potential of the story and its artistic presentation, most of it is left in concept studies rather than in finished work, as often in mainstream production, possibilities and imagination and artistic talent poured into it is much more stunning than the product released to the public. I may feel reasonably cynical about modern Disney as company, but I can’t deny the imagination and immense genius of professionals who are still at work in it. I wish we’ll see the true Renaissance of what always was its major power - traditional animation.

So, what’s the outcome of it: while any piece of fiction that wins my full attention does make my creative juices flowing, nothing of it got to see the light of day until I felt the urge to express what was brewing in my mind affected by that new and hot thing, not to a lesser extent getting inspired by other people’s concurrent creative works, it did kick off renewal of drawing practice I had abandoned years ago and continued postponing for indefinite period. It still induces me to work toward my own progress, for it provides me with backlog of ideas to make into drawings when I really need motivation. It’s going to keeping up, hopefully, until some other thing sweeps me away or something makes my enthusiasm fade. And so, the movie in question is what had the most productive impact on me so far, it helps me keep going, and I’m grateful for that.

On the different note, Bruno in this image is based on Disney Magic Kingdoms's Encanto event video:

#encanto #encanto fanart #disney fanart #bruno madrigal #julieta madrigal #agustín madrigal #isabela madrigal #luisa madrigal #mirabel madrigal #la familia madrigal #madrigal family #phantieart

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wisteria-lodge · 4 months

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Assorted historical notes for the first chapter of my jedtavius fic (happy pride everybody...)

~ Romans took their public baths extremely seriously, and setting one up would be high priority for a garrison stationed out in the territories (basically the situation in these movies?) Nudity in the context of baths was just normal.

~ For some reason, Octavius wears his cape slung across his chest

instead of pinned to his shoulder(s) like a Roman cape.

If anything, this seems to be riffing on the 1600s half-cape, which is often strung cross-body like that in a sort of Renaissance *costume.*

Note: these are both modern historical costumes. It seems in the actual 1600s it was more normal to just sort of balance your capelet on one arm, or wear it over both shoulders (like when you wear a big coat without putting your arms through the sleeves.)

1600s capes are especially annoying to study, because basically all of them were tailored into 1700s coats, but WHATEVER.

(diegetically, since Octavius the tiny Roman lives in a museum, I guess he could be influenced by the 1600s cape costume, and just decide to wear his cape like that.)

~ “Sinister” is just Latin for “on the left side.” Couldn’t resist a latin joke, especially since Owen Wilson (and therefore Jed) is left-handed.

~ Roman orgies and sex parties were not really all that common. Like sure, they're brought up in the context of Caligula, Nero, Tiberus - the classics. But, your Roman writers historians and archivists were extremely political, and when you hear about this stuff there is always a political motive behind it, and almost certainly some exaggeration. Roman writers loved their gossip.

However, as a literary trope 'the Roman orgy' is extremely important. Most people in the buttoned-up 1800s saw Rome as this fascinating but immoral free-for-all, and we haven't totally shaken that off. And since Octavius is written as a slightly comic version of our current cultural idea of ‘Roman’... orgies are absolutely part of that.

(It’s the same reason I threw in the two-handed ‘Roman Handshake,’ even though as far as I can figure out, it was invented for a production of Julius Caesar in 1898. Romans seemed to just - shake hands.)

~ One of the interesting thing about the The Night at the Museum franchise is its interest in exploring the 21st century Idea of a Roman, the Idea of a Cowboy, the Idea of Theodore Roosevelt (even more than the historical reality.) It's a plot point that Museum Exhibit!Teddy knows that he's not Teddy Roosevelt, and kind of struggles with the symbolic importance people give to him. Octavius is very much a Movie!Roman, not a History!Roman. Even the fact that he's played by a British actor with a very British accent makes him seem like a background Roman General in Ben-Hur, here to deliver a letter, say "Yes sir, the rebels have returned from the provinces with new allies," and then die half an hour from the end to raise the stakes.

The exception to this is Ahkmenrah, who as a mummy that comes to life, is not a museum exhibit, he's just A Guy and *that's* the joke. He's not engaging with, or symbolic of 21st century tropes and stereotypes surrounding the idea of "pharaoh." He's just a person doing his own thing. Compare this to Kahmunrah from the sequel, who IS both a pharaoh and an exhibit come to life. So of course he's all about the literary tropes historically attached to the linked ideas "pharaoh, desert, villain." He's sadistic, he's camp, he's super queer coded, he's got a lisp, and he's putting our hero in a hour-glass death trap just like Jafar.

#night at the museum #my fic #spa day #jedtavius #Ahkmenrah #Kahmunrah #natm meta #natm octavius #history stuff #fashion history #costuming stuff #literary analysis

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quillandsaber · 7 months

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It seems like I am fated to crawl back to Tumblr every time I play a new Final Fantasy game to wax poetic about my OTPs. This time it's Final Fantasy XVI and Warfield.

To me, there's an important unstated implication I haven't seen many people talk about in the fandom discourse: in medieval/Renaissance Europe (which was the cultural basis for Valisthea), the only reason a girl would be sent as a ward to a man she's not related to with no daughters would be if the intention was for her to eventually marry one of his sons, probably one a little older than she. Clive would have known this. Jill would have known this. Everyone would have known this. Anabella may not have liked it, but she would have known this. Clive and Jill's friendship would have formed with the underlying assumption that they were supposed to be husband and wife one day. While we as modern people tend to revolt at the idea of child betrothal as a matter of principle, we have to remember that, in a world where arranged (or at the very least approved/facilitated) marriage is likely the only option for most people, Clive and Jill would have probably thought they were pretty lucky that they knew and liked the person who they were going to spend the rest of their life with.

So now rewatch the cutscenes when they reunite after thirteen years apart; it's not just "my friend, who I thought was dead for thirteen years, is alive." It's "the only person I have ever thought of as a life partner, who I thought was dead for thirteen years, is alive." It makes complete sense why Jill's immediate response is "I'm going with you; we're facing this together" and why Clive doesn't argue. The fact that they're going to do things together is a foregone conclusion. They never have a "what exactly are we" talk because they don't have to.

This is the way it was supposed to be.

#ffxvi #jill warrick #clive rosfield #warfield #cliji #warrose

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myfruitlessthorns · 16 days

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𝐭𝐡𝐞 𝐛𝐚𝐥𝐥𝐚𝐝 𝐨𝐟 𝐬𝐨𝐧𝐠𝐛𝐢𝐫𝐝𝐬 𝐚𝐧𝐝 𝐬𝐧𝐚𝐤𝐞𝐬, 𝐅𝐎𝐌𝐎 𝐚𝐧𝐝 𝐟𝐚𝐧𝐠𝐢𝐫𝐥-𝐚𝐫𝐜𝐡𝐚𝐞𝐨𝐥𝐨𝐠𝐢𝐬𝐭𝐬

as an 18-year-old, 2006 baby, most of my fandoms were in their prime long before i was even cognisant. i mean, merlin had finished by the time i had just started school, superwholock was thriving away as i obliviously flicked from the ludicrous image of matt smith dancing away in the tardis to sherlock babbling away to john on the bbc, and even by the time i'd hit secondary school, i was left with the tail ends of pretty little liars. i can just remember so desperately binging the entire show at the ripe age of 11, just to catch the shitty season finale and exactly on time for the enraged twitter afterparty. living like this, i've somewhat made peace with the fact that i am a sort of fangirl-archaeologist, sifting away happily through the dusty ruins of once great and mighty fandoms and finding the occasional relic hidden - fantastically written fanfiction.net smut hidden amidst the rubble of mid 2010s jhutch whistle edits.

however, bitter as i am, nothing - and i repeat - *nothing* has given me such enraging, all consuming FOMO as the ballad of songbirds and snakes.

picture the scene. its 2020. a young, 14-year-old tisha has just finished the hunger games trilogy. she adores it, and to her luck, the brilliant suzanne collins has decidedly published a prequel just as she tucks mockingjay away, back into her bookshelf. perfect timing, right? i just remember the feeling of 'i cant wait to read it!' battling away with 'except it's covid so i cant' and one of my friends had pre-ordered it anyway, so i was determined to get my hands on a copy as soon as lockdown was over.

except, after lockdown finished, came gcses and after gcses finished came a levels and it was then, amidst personal statements and entrance exams and oxbridge applications that *it* came out. the ballad of songbirds and snakes: the fucking film. i was long out of my hunger games phase; i dont think i considered even quickly flicking through the novel before going to the theatres. im a purist like that - book before film always - but i just didnt have time to read it and so, completely oblivious to the fact that i was alive and concious, missing the hunger games renaissance when every other teenager was obsessing over tom blyth and making fan edits of rachel zegler and listening to the soundtrack on repeat, i decided to save the book till after a levels.

and what a fucking mistake.

the fact that i could’ve revelled in the prime of tbosas fandom in live time and been there at its peak!!! and that i fucking missed it???? everyone i knew watching that masterpiece play out in theatres and now, i have to sit and listen to you all reminiscing about november 2023 not knowing what that felt like, envying the fyp full of coriolanus snow edits and the fresh off the cut late night interviews with the cast that you all got to experience. in fact, the movie has aged just enough to be declared a ‘phase’ by everyone that was there in at its peak. and its driving me up the wall, because the worst part of all this is i have no one to talk to share my burning obsession with, knowing well, that 11 months ago, half the internet would’ve happily shared it with me.

so please, tbosas fans, if there are any of you still active, if you empathise with the plight of listening to ‘cant catch me now’ on repeat whilst pretending to be lucy gray - lets be mutuals. please.

-a girl going slightly insane.

(on a side note, i have sincerely learnt from my mistakes and will not, by ANY means, be leaving sunrise on the reaping to the last minute. i just hope its as good as tbosas!!!! in suzanne collins, we trust!)

#the ballad of songbirds and snakes #tbosas #the hunger games #thg #thg tbosas #coriolanus snow #lucy gray baird

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beauty-and-passion · 2 days

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Did you see Thomas Sanders' YouTube community post about his plans for videos, including Sanders Sides?

... well, it looks like something happened in the SaSi fandom. Jeez, I cannot leave for a couple months to celebrate the Gravity Falls renaissance, that Mr. Sanders decides to pull up some stunts while I wasn't looking :P

Maybe he hoped I wouldn't notice. That I was gone. Well, unfortunately for him, I am always around - and if I lose something, there are always nice people ready to give me a heads-up. So here I am again, ready to give my unrequested two cents about the latest updates.

A lot of things happened since dear anon wrote me this ask, so I will not talk about one single post (also because I have no idea what post the anon was referring to :P) but I will briefly talk about the latest info taken straight from the ts_criticism tag, which is always the most updated place regarding SaSi.

No, Mr. Sanders' updates do not count, considering they're non-existent.

_____________

Season 2 finale: to watch or not to watch?

There was a survey going on in the criticism tag regarding the season 2 finale and whether people would watch it on YouTube, another platform, or just ignore it.

Now we can tell ourselves all the stories we want, but at the end of the day, we know everyone will watch it - no matter if on Thomas' YouTube page or somewhere else.

And even though we already know it will never be worth the years of waiting, I am sure everyone will still give it a chance. The view count will be high.

But if that's true for part one, who knows what will happen for all other parts? What if part 1 is not worth the wait? Will people still be willing to give a try to the other parts? Will they be willing to wait who knows how long for them?

_____________

The hilariously bad Brei Grace situation

Is it so surprising, that Thomas lost another person working for him? It's basically a constant, considering people keep being laid off, disappearing or not getting paid enough. By now, you would think this man learned something from the past but hey, it looks like I overestimated his intelligence.

What I find incredibly funny about this situation is not that Brei herself had to tell the truth to the public because Thomas, as always, refuses to be honest about anything. It's about this specific part of his post regarding Roleslaying with Roman:

Oh my god, this is so bad it's hilarious.

So Thomas laid his last writer off, but apparently he wasn't clever enough to find a proper replacement before doing it and he openly admitted in a post, to his fans (including his investors) that he has no writer to replace Brei and will have to keep following/begging her to get more of the script, because there's no one else who can develop the story in her place.

Do I really have to explain why everything about this is so stupid? Do I? Okay, then:

Thomas was apparently very quick at firing Brei, but not quick enough in finding another writer before doing it. That's not how any competent person works: when I left my last job, my boss asked me to stay for a couple more days, just enough to get a replacement. But hey, I suppose "finding a replacement" and "not leaving a vacant position" were too complex, too difficult thoughts for Mr. Sanders.

Mr. Sanders showed his investors he's so disorganized and impulsive, he fired someone with no backup plan and, as a result, had to put the series on hold. One of the series people are paying him to produce. If I were still paying him, I would stop immediately after this: if you're this unprofessional, you don't deserve money.

After laying Brei off, Thomas still wants to reach her for details regarding the story. The same story he fired her from. If he was so desperate for more of her work, he should've found a way to keep her around, not laid her off, then waste more time trying to find a way to get more of her.

If I were Brei, I would ignore Thomas forever and refuse to write even one more word regarding Roleslaying. But I'm a cold, heartless person, so I don't count. Still hope Brei will have some self-respect and refuse to share her work for free just because he's begging.

Or, at least, I hope she will ask for pre-payments first.

Thomas thought it was a great idea to show how unprofessional and disorganized he is via Twitter post. And refused to say the whole truth too. And no one was in the room to tell him: "Hey, what if you get a replacement first, so at least you won't have to admit you are dropping a series because you have no writer left?".

That's so stupid it doesn't even make me mad. It simply goes all the way around and becomes pure genius.

It also (involuntarily?) reconfirms a thought I had long ago, when Joan left. When I watched the goodbye video, I expected Thomas and/or Joan to tell us: "Hey, Joan is leaving, but here is the person who will replace them!".

But nope, no introduction of a new writer, no update post. Literally nothing. Joan left and no one came in. Only vague mentions of other people and names, but mostly Thomas confirming he was the main SaSi writer.

Thomas. Who is not a writer - let alone a competent one.

That's so stupid it's hilarious.

So, since now Thomas got rid of his last writer, what will he do? Learn how to become one? Considering his lack of progress in general, I suppose not.

So what? Will he hire another one of his friends? Will he think he can do anything and write RwR himself? Or will he keep trying on SaSi, a series that is so difficult to handle and with so many stakes, that even a competent writer would have problems with?

The incompetence has just reached a new level and I can't wait to see how deeper we can go.

_____________

The spoilers for the next SaSi episode

Thanks to @t-slanders, who appeared out of nowhere and decided to feed us something more than the absolute nothing Thomas gave us for years, we know what the next SaSi episode will be about.

And look, it's a plot in which:

The main topic of discussion is Thomas and Nico's relationship

Roman is ready to push things further

Janus and Virgil are not

Virgil is hiding he's on Janus' side

Wow. Wow. That's what Thomas came up with, this is what he's working on for 4+ years and hasn't finished writing yet.

Now, I'm not saying he should've created another plot: that's the only possible plot he could've developed. The only one that made sense, considering how WTIT ended and what was hinted during the 5 year anniversary special.

Why am I so sure of that? Because those are the exact same plot points for the season 2 finale - part 1 I came up with: in my version, Thomas was questioning if he was ready to have a relationship with Nico, Roman wanted to push things further, Janus wanted Thomas to be more cautious, Virgil was siding with Janus but refused to admit it.

Sure, some elements are different of course, but the plot points are the same. The biggest difference is that it took me a few months to develop them into a plot, not 4+ years.

And since those are the plot points, I already know how they will develop too. And not because I'm a genius but, again, they can only go in one direction: Thomas will eventually agree with Janus, it will become obvious Virgil is siding with him, Roman will feel betrayed and his arc will start in the next parts. It's already all written here, it can only go this way. The time travel idea is an "embellishment", but the plot can only go one way.

However, that doesn't mean the season finale will be automatically bad. A lot of stories I can predict end up being great anyway. So no, I won't judge it for its predictability. I will judge it for the production time and the characters' personalities.

And speaking of personalities...

_____________

The tweet video

I watched it at 2x speed, because didn't want to waste too much time on it.

It was... okay. Just okay. The characters' personalities are just okay. Everything is just okay.

Sigh. I'm tired of everything being "just okay".

And no, I cannot shake the feeling that Thomas pulled out this video in 0.2 seconds, only because he had a sponsorship to do.

One last thing I want to tell now, so consider it a warning: if the next episode and/or eventual season finale part 1 are "just okay", I will consider it negatively. From a canonical episode, I expect more than to feel "meh" while watching it.

_____________

And now?

We do the same thing we do every night, my dears: we wait forever for Mr. Sanders to finally decide to update us, to work on SaSi, or to do some stupid shit worthy of a discussion.

Of course, that doesn't mean we should burn him at the stake or cancel SaSi: we are all adults here, so we will simply highlight the shit Thomas does, because if you do stupid shit, you deserve to be criticized. That's not a personal attack, that's just being objective. I hope, one day, he will learn that too.

And maybe, who knows? He will also learn from his mistakes, hire someone competent, pay them properly and not lay them off without finding a replacement first.

Or, maybe, he will just find the perfect excuse to drop SaSi/put the finale on hold forever, so he will be finally free from the burden he clearly feels. When that day comes, I wish him to find a series he will be truly passionate enough, to keep it on until the end.

And sure, of course I will be around when the supposed next episode will supposedly come out: one part of me hopes it will be good, while the other part loves shooting a fish in a barrel. So... well, at least I will be satisfied either way ;P

#sanders sides #ask #ts criticism #sorry for the long wait for the reply #I just don't have a lot of free time #I need 40-hours-long days #thank you all dear anons for the asks #and for keeping me updated #you're great <3 #this post is for all the previous asks too #I basically put everything together here

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