#nagoya day 3

[website-com]

i am a 21 year old teenager and i do not understand visas or airplanes or airports or the japanese language or how to read a email. but i stay silly

[akkivee]

been feeling a little insane recently i might try to get into the 10th live idk

[tanuki-kimono]

I just found your blog and I am absolutely enamored by all these designs! I did have a quick question though

I'd love to one day visit Japan, and I love the idea of attending a festival in a rented yukata. However, I'm concerned about if I could wear one or not due to the sleeves. I'm disabled and get around using forearm crutches, and have difficulty fitting larger sleeves in them.

I guess I was just curious about if either the sleeves could easily be pulled back to my elbows, or if maybe there are yukata with shorter sleeves (I've never seen them myself at least.)

Hi! I am so happy you fell in love with kimono fashion <3

As for your question, there is a fantastic way to accomodate your crutches: tasuki 襷 sleeves holders. Those are cord used for holding up sleeves out of the way (when doing chores, physical/messy activity, etc).

You can see below how tasuki are tied: basically think of an ∞ with the crossing on your back and the loop up front gathering up sleeves on your sides:

Depending on your mobility, you can pre-knot the cord beforehand then slip it around your body.

The "right" way of doing it is this one:

Though to be honest, most people do like this and call it a day xD:

I am not sure how your mobility is so I'll also add other options to mix and match in order to nicely enjoy summer festivals in kimono attire:

Happi 法被 (festival coat): if you don't feel confortable strolling all day/night in yukata (the tighness of around your legs might be cumbersome), wearing a coat like those over your "normal" clothes is a good option to still be in festival mood :) Some are sleeveless, some have tube sleeves, and if not pair them with tasuki sleeves holder and you'll be good to go!

(pic below from)

Nibushiki kimono 二部式着物 / nibushiki yukata 二部式浴衣 (two parts kimono/yukata): exactly what it says on the lid, those are kimono/yukata tailored in two parts, a skirt and a top one. Those might be harder to find in rentals, but have the convenience of being super easy to put on while being less prone to unraveling :) The two parts are also gentler on the figure as you can more easily adapt tighness etc. If you're are able to shop for a yukata beforehand, altering is pretty easy: chop in two, add ties and you're ready to get dressed ;)

Tsuke obi 作り帯 (two parts belt): in the same spirit as above, those are pre-tied obi belt, with a wrap-around part and a knot part. They are super common for children, but also exist for adult. Altering a pre owned obi is also super easy, see for example this past note (for nagoya obi styled taiko knot).

Yukata can be worn with hanhaba obi (half width belt), heko obi (soft belt), or kaku obi ("men" belt). Heko obi would be my recommendation as those are unisex, comfortable, and suuuuper easy to tie.

If you want to try hanhaba or kaku, I'd advise for karuta musubi, a flat, sturdy, and unisex knot pretty easy to tie.

Hope your travel project will come true and that you'll have fun :D

[ywpd-translations]

Ride 782: The winner's parade!!

Pag 1

1: So... shall we fly?

Pag 2

4: Huh....

Huh!?

5: What's that blackboard that they showed out of that car just now?

Yeah, it's the signboard. In road races, they write the results of the race progress on that board like that to inform the other cyclists

Pag 3

1: Like, who won the “sprint” or the “mountain” and the time difference....!!

The first place...

Who's that!? Number 181?

Where is he from? Gunma!?

2: And the group behind changes its shape based on that information, just like a living thing!

Is it their debut?

Ah?

Someone like that took the first result?

What about Hiroshima!?

No but who is he! That number 181!!

3: What about Kagoshima and Kumadai!?

4: Nagoya, too

5: I mean, wait, that's not the point

Sohoku and Hakoaku should have been ahead too

6: It can't be

That guy...

Competed against those two

Pag 4

1: He defeated Hakogaku and Sohoku and took the sprint line!!

Pag 5

2: It was so hard.... but

I did it

Waaa.... I'm so happy, yon

3: Amazing!

I've never seen that jersey before!

Gunmaaa

4: I'm from Gunma!

Amazing!

Nice!

Pag 6

1: I'm so happy to hear the cheers...!!

2: Well then

3: To answer the cheers

5: Ready... set

6: What's number 181 doing

He bent forward, what is he doing!?

Is he accelerating!?

7: Hayaaa

Pag 7

1: Thank you-chai

It's a wheelie!!

Pag 8

1: Amaziing, it's the first time I see a wheelie during a race!

What's that!? It's amazing, he's only running on the rear wheel!

It's a service wheelie!!

What an amazing sense of balance!

He's waving his hand this way!

2: Ohhh he's super cool, though

He's incredible

3: He's not only strong but also cool!! He's the best...

Yoriko, shoot a video

4: He's doing a wheelie!!

Wooo!! Taa-kun, that guy you know is too cool

5: I just became a fan!

Number 181!! From now on more and more people will cheer for him

People who come to watch road racing are always looking for it!!

Pag 9

1: For an overwhelming newcomer!!

4: Dammit!!

Dammit!!

Pag 10

2: Idiot

Idiot

Idiot

3: Are you kidding me

What am I doing

What am I doing!!

4: What!!

5: I did!! Everything I could think of to become stronger, to become faster!!

Pag 11

1: Aaaaaagh dammit!!

3: I practiced... I practiced until I collapsed...

I lost last year....

4: And this year too!? What do I need to fix? Ah?

7: There's nothing to improve anymore!!

Pag 12

2: Stop screwing around, what “newcomer”

3: It's several times harder for someone to keep winning....!!

4: Even though that day

5: I

6: Watch me, Izumida-san, I'll definitely take the colored bib!!

Pag 13

1: I'll look forward to it

2: I promised....!!

3: This year I got the number “4”

In Hakone Academy it represents the ace sprinter

How important and heavy

4: is the role of the number “4” bib

5: That victory would have been a moral pillar for the team!!

6: I even changed my orders for this, and this is the outcome...!!

7: I had to win even if it meant to use up all my trump cards!!

Pag 14

2: I should have cornered him perfectly and shut him off...

4: Was I too naive somewhere?

5: No, there was no problem with you

Even from my point of view you ran well and had the perfect timing, Orange

6: San-na...!!

Pag 15

1: It must be frustrating for you too

You're a third year.... so this was your last first sprint

2: I guess you were aiming for two consecutive victories, since it's even harder to continue winning

3: Orange....!!

4: But don't worry

I promise myself

5: I will definitely not let that guy do as he wishes from now on!!

6: I'll be the one who will take the sprint line on the second and third day!! Leave it to me!!

Pag 16

2: No, I'll take them!!

3: Stop screwing around, why does it seem like I'll only finish the first result!?

Am I wrong?

Don't underestimate Hakogaku!

Ah... well, then, shall we race then?

Don't take it lightly!!

4: Hahaha but I'm an all-rounder, so I should have a job on the mountain, too!!

6: Is he joking!? Or should I correct him!?

7: H...uh? Yeah....

Let's just let it go...!!

Pag 18

1: The running order has changed!!

Gunma, who took the sprint, went ahead and is pulling the pack!!

2: I've never seen something like this

It's their debut, isn't it? Is this okay!?

3: If you take the sprint then you have to go in the front and pull – what kind of rule does road racing have? Isn't it too difficult?

4: It seems like it isn't a rule, Sonomoto-san

It's like they concede control

5: Kiji-saaan!!

Wooah, you were amazing, fou!! Kiji-san!! Everyone, follow me!!

Ichifuji is the only one who's pulling with so much energy

Pag 19

2: Doubashi-san....!!

3: Doubashi-san being defeated at the sprint is a big deal,isn't it?

That Kiji guy

4: If there's a chance to race him, please give me the order, Joe-san

No wait, you're the ace....

5: I'll crush him

Pag 20

1: Ahhh, ahhhh

2: We lost, teh.....!! What should we do!?

Kaburagi-san and Danchiku-san have.....!!

3: It's not a big deal

Since in road racing you don't have to retire just because you lost one of the midway races

4: But still, this isn't good!!

Yeah!!

5: Kaburagi-kun and Danchiku-kun lost...!!

6: Kiji-kun....!!

Pag 21

2: Puku...

He controlled it....

3: Gunma's Kiji controlled the sprint... ohh

4: What should I do?

Crush him quickly?

6: Or maybe.... make friends with him?

Puku....

Make friends!!

[ashxketchum]

Key art for the Digimon Adventure 25th Anniversary Cafe to be hosted by andGallery was revealed today.

It features the kids and their mons holding onto the floating balloons of the mons in-training forms. This one doesn’t really need a breakdown but I have to say the recent consistency in providing amazing illustrations that truly capture the nostalgia for a milestone anniversary plus keep the essence of the original series alive has been a real blessing.

Details about the menu plus merchandise available will be shared at a later date, and the entry to the cafe will be restricted through a lottery system, which is a bummer but pretty standard these days in Japan. The upside is that it will be held in 3 locations, Tokyo, Osaka and Nagoya, which will give more fans an opportunity to secure a visit.

This news was accompanied by the tease of a new card releasing in the set out on March 29th, featuring Taichi & Yamato in their Our War Game designs (an extremely rare occurrence).

What a way to start the week as someone who truly loves everything 01 related 🥰

[junk-story]

Interview: Ongaku to Hito and Sakurai Atsushi - Ichikawa Tetsushi x Kanemitsu Hiroshi, Part I

This interview is on pages 52-57 of the magazine. Footnotes are included in numbered parentheses and can be found at the bottom. Part II of this interview can be found here.

~~~~~~~

From the establishment of the magazine in 1993 to the present day, we are proud to say that, in the 356 releases of Ongaku to Hito, Sakurai Atsushi had the highest number of appearances. Including things like live reports and columns, the count of appearances is close to 130 times. We feel that it’s probable that this number will never be beaten by anyone else. Now, you may be asking why a person such as Sakurai Atsushi was so loved by Ongaku to Hito’s editorial department for such a long time. And, why he, too, responded to us as he did. The first editor-in-chief, Ichikawa, who came to see the incomplete Sakurai of the 20th Century, and the third editor-in-chief, Kanemitsu, who saw the process of his expressive style come to completion in the 21st century, discuss together what Sakurai Atsushi was to Ongaku to Hito.

Kanemitsu: When was the first time you met Sakurai-san?

Ichikawa: When I was working as editor-in-chief in Nagoya for Town Magazine. I was working as the Western music critic, but it was a town magazine, so I thought we needed to do Japanese music as well.

Kanemitsu: It was right when the first Band Boom(1) was going on, right?

Ichikawa: Right. And at that time, there was an older promoter from Victor’s Nagoya Sales Office that had come to do this over-the-top promotion of these new bands. I had no interest in them, but the way he made his sales pitch was very skilled. He was like, ‘Even though they have this sort of gaudy visual style, the melody is like a tulip.” (wry laugh)

Kanemitsu: (laughs) It certainly had that scent to it in the early days.

Ichikawa: At the time of their debut, Sakurai Atsushi didn’t really have the basics down of being a vocalist yet, but then, don’t Japanese people love the sound of a natural bass voice with a slightly sweet quality to it? However, behind that, there were a lot of strange wailing guitars, and I ended up taking an interest in them; I decided to do an interview with them, and the ones who came were Sakurai and Hoshino.

Kanemitsu: The person who was playing the weird guitar wasn’t there! (laughs)

Ichikawa: Moreover, even though they came with their hair standing up and in their full stage gear, no matter what I asked the two of them, they would only nod their heads shyly in agreement; it was a situation where they were like a “fleet of silence”. That overwhelming difference was so funny.

Kanemitsu: And the next time was in Tokyo?

Ichikawa: At Rocking on Japan. After interviewing Imai, I was kidnapped by Roppongi’s BOO!WHO?WOO!, and that was where I drank for the first time with Sakurai. For the following month’s issue, we had planned to do it with Sakurai and Anii, but on the day of the interview, we received communication that Sakurai’s mother had suddenly passed away and he wanted to hurry back home to Gunma, so in Sakurai’s place, Imai was to do the interview. When I went to the scene of the interview, feeling sympathetic for the whole situation, for some reason, Sakurai was there.

Kanemitsu: What?

Ichikawa: I asked him, “What’s the matter?(2)” and he said, “I thought I should come to properly greet you and ask you to please excuse me [for missing the interview].”

Kanemitsu: A good person who really respects the social hierarchy.

Ichikawa: It’s a good story, right? (laughs) Even though this man is this sort of flashy frontman, he doesn’t talk much and acts seriously.(3)

Kanemitsu: I really think so too.

Ichikawa: And then, as early as the next issue, Sakurai did a 20,000 character interview.

Kanemitsu: …for the No Blood, No Tears magazine.

Ichikawa: Wahahaha. As you might expect, I suppose I couldn’t touch on anything regarding his mother. When we sat down and had a thorough discussion, he was bad at speaking, but trying with all his might to do it. What came from that was how his adolescence was a rather empty(4) time.

Kanemitsu: After he graduated from high school, he went to work in a factory, correct?

Ichikawa: Yes, that. At a car factory, the job he did was screwing parts together as they came through, but it was like he agonized over it, thinking, “…why am I continuing to do something like this?” That sort of difficult-to-express feeling can really pull the heartstrings of readers, I think.

Kanemitsu. That became the heart of Sakurai’s lyrics.

Ichikawa: Yeah. That’s where it begins, you know, the “What am I?” series. Understanding that there is something there, but not being able to explain it well. So it can only be written as lyrics and sung. In search of an escape, an endless journey of self-discovery began.

Kanemitsu: Interviews became Sakurai-san’s therapy.

Ichikawa: I was his therapist, or, like his infinite hitting partner for wondering about things to himself. At the interview location, through talking with me, he would organize his thoughts and then verbalize them. It was like this repeatedly. And we couldn’t google information like we can now, and in the first place, there wouldn’t be an answer anywhere even if we did google it. So we ended up with lyrics like “Namida ukabete Deca-dance (eng: “deca-dance with tears in my eyes”) in Maboroshi no Miyako, and the kids that listened to it wrote us letters while crying, asking, “What kind of dance is this?!” (wry laugh)

Kanemitsu: The fans, readers, and even he himself didn’t understand.

Ichikawa: I think it was just that, even if you couldn’t comprehend it, the emptiness that Sakurai carried drew everyone to him. Like something a person instinctively sympathizes with deeply.

Kanemitsu: At that time, Ongaku to Hito was laying the groundwork for the beginning of an idea to materialize for him.

Ichikawa: Ultimately. (laughs) However, I think he also perhaps didn’t completely understand it.

Kanemitsu: Agreed. Sakurai-san himself tried reading [Charles] Baudelaire’s “The Flowers of Evil” and said he was frustrated by the second page. (laughs)

Ichikawa: That’s right. But, I think he had this indulgence of, “I’m good in the darkness, the emptiness in me is obvious.” So I called Sakurai Atsushi, “The Appeal of Self-Deprecation.” That’s because the lyrics written by the Sakurai Atsushi of the 20th century had these desperate contents of “I’m no good, no good, I’m NO GOOD” all throughout them.

Kanemitsu: But in Kurutta Taiyou, using the sun as a motif, I think he became able to view himself from a bird’s-eye view. And his mother’s existence is at the root of him.

Ichikawa: That complexity is the foundation of Sakurai’s work, right? But he couldn’t use it consciously as a technique. Making Kurutta Taiyou, I think even he could probably see and noticed that. And so then, when a year passed and he was face to face with the new release’s lyrics, he was back to square one again. Every time, he ended up returning back to the source.

Kanemitsu: It never became like, “I wrote this before, so I should do it like this next time”, did it?

Ichikawa: Right. Other musicians are more carefree when writing their lyrics, aren’t they? Once they’ve fallen into their own style, the only discussion is about if they should update it. Kanemitsu: When writing lyrics, do you always have to face yourself, or –

Ichikawa: You can’t escape it. On the other hand, that sort of work has some troublesome aspects to it, so I can’t dislike someone for not doing it. (wry laugh)

Kanemitsu: Meaning?

Ichikawa: The Sakurai Atsushi of the 20th century, and I think this could also be said for all of BUCK-TICK, had no progress - in a good way. Thanks to Imai’s desire for “wanting to put out strange sounds”, there was change every time, but in the lyrics, it was three steps forward and three steps back repeatedly. Because they’d make an album, go on tour, and all the time after that, the 5 of them spent drinking.

Kanemitsu: 365 days of the same cycle repeatedly. (laughs) There was an extremely low amount of [external] input, so there ended up being an absolute need for them to do the work to re-examine themselves.

Ichikawa: This continued the entire time. But, there can be no mistake that this shaped Sakurai’s unique lyrics’ worldview. One always ends up going back to the basics. It was a moratorium, in a good sense.

Kanemitsu: But they didn’t run away.

Ichikawa: That’s because Sakurai was a kind man. He knew better than anyone what would happen if he ran away. So no matter how driven into a corner he was, the one thing he would never sacrifice was the band.

Kanemitsu: I see.

Ichikawa: His rare charm was that the self-indulgent Sakurai Atsushi and the Sakurai Atsushi who took stoicism to its limit both existed together. So this troubled him, and he wanted to run away, but he didn’t. He faced things stoically, so this troubling feeling of wanting to run away is reflected in his lyrics.

Kanemitsu: In the 21st century, he began to act that part consciously. Taking himself to the limit and despairing that he was no good, no good. He would not face the lyrics while exhausted, but instead deepened his expression of them through the premise of acting them out.

Ichikawa: It may have been a shock, but in short, their material elevated(5). Really, because they were able to turn their work into art, we can grasp now how they were able to bring forth a decadent rock masterpiece like 21st Cherry Boy. Although that kind of dark decadence is seen as a negative, they established it as an excellent form of entertainment, which is fantastic. When I listened to that, I wondered, “Why has Sakurai made a breakthrough to this point?” What did you make of that?

~~~~~~~

Footnotes:

(1) This refers to the period of time in the late '70s-’80s where the sort of distinct, Japanese-but-Western-but-neither-but-both style of bands were increasing in popularity and number. Bands like BUCK-TICK came out of this boom. (2) In the sense of like, “What are you doing here?” (3) This can also mean “genuine”. I think both words suit the context, and I’m not sure which meaning he intends. (4) “Empty” here is in a negative context - an emptiness of meaning, fulfillment. (5) “Elevated” here is a word I don’t think translates well into English. This word, in chemistry, also means “to sublimate” - like when something goes from a solid state to a gaseous state, without passing through the liquid state first. I think it’s helpful to imagine this in the use of “elevating” here, too - a sudden, jolting step up from where things were before.

This made sense as a logical cutoff point because the interview slowly starts turning to Kanemitsu's experience in the 21st century with Sakurai from here. I'll include Ichikawa's question at the start of Part II, just to keep things clear.

[xinfinityl0ve17]

YU-KI (B.)

1) August 8

2) Blood Type: A

3) Height: 175 cm, Weight: 58 kg

4) Shoe Size: 26.5 cm

5) Lark (Cigarettes)

6) Basically, can't drink

7) Likes sweets

8) Mushroom Family

9) Prefers people with beautiful hair, fair skin, distinct facial features, and those who are not too gentle

10) Interests: Clothes, etc. Cigarettes, clothes, etc.

T: MANA chan has a shortcoming! He never stops at the stop line. He stops right in the middle of the crosswalk (laughs).

Y: My shortcoming is that when I start thinking, I overthink endlessly. I get completely absorbed. My strength is that I’m usually calm and might not be thinking about anything at all (laughs). But I think I’m a pretty calm person. Though it doesn’t really mean anything in particular (laughs).

T: You're not listening, are you? (laughs). When we’re all talking together, I sometimes wonder if you’re seriously listening... I think, "Maybe Yu~ki chan will sum it up," but when I ask, "What do you think, Yu~ki chan?" you respond with "Huh?" like you weren’t listening at all (laughs).

K: My strength is that I don't overthink things. I quickly forget unpleasant things! That might be my strength. My weakness is that I'm lazy.

T: My shortcoming is that I talk too much and am noisy. But sometimes that weakness turns out to be a good thing, so it might be a strength too.

Q: Have there been any incidents around you lately?

T: When we went to Osaka, there was something we called the "Box Riding Incident" (laughs).

Q: Was that with the equipment vehicle? (laughs)

T: No, it was with a Benz.

K: A 560SEL (laughs).

T: And then our support member Yukyo-kun was zooming through the streets of Minami in Osaka, shouting "Yukyo!" (laughs).

K: That was a major incident, right? (laughs).

T: It was seriously a huge incident! We laughed so hard (laughs).

Q: Can you boast about yourself within the group?

T: Among the members, I’m the weakest and only have about two good days a year.

Y: Among the members, I’m the strongest. You can call me the "luggage carrying captain" (laughs).

K: I’m the most twisted among the members. My belly button is crooked and the crooked end is withered (laughs). What am I even saying? (laughs)

M: Well, I’m probably the most knowledgeable about horror videos. I’m a collector (laughs).

K: Yeah, you have tons of videos. Almost as many as a video rental shop (laughs).

Q: What’s next for Malice Mizer?

T: We haven't decided on a drummer yet, but once we do, we’ll let everyone know, especially our fans.

K: Once we have a drummer, we’ll start working hard. This year, we’re aiming to have our own solo concerts!

T: For now, we’ve done about 10 lives in March and April, so from around June, we’ll slow down to about 2-3 lives a month.

K: During that time, we’ll be planning various things.

Q: Any plans for a tour?

T: We’d like to go on tour around summer. We hope to visit Osaka, Nagoya, and if possible, the Tohoku region as well.

Q: Finally, do you have a message for your fans?

M: We’re putting everything into the music, so please listen with your whole body.

Y: Please come to our lives.

T: Listen to the beautiful, sorrowful Malice sound!!

K: Eat Yoshinoya’s Tokumori (extra-large beef bowl)!!

T&K: Très bien!

NOTE: T is for Tetsu and K is for Közi since this interview was back in Malice Mizer Tetsu era. I hope you enjoyed it xxx

[slugtranslation-hypmic]

Hey slug! Obviously it's a bit older now, but I was wondering if you might be able to translate Sougyaran BAM, from Kuko? I feel like I don't quite understand the TLs I have seen, so I was wondering if there were certain references or concepts I'm missing here lol

I saw the email notification of this request at the perfect moment. Too anxious to do work or anything else productive. Too caffeinated to sleep. Fuck it. Time to look at Kuukou for an hour.

Under a cut for length

Like a lot of Kuukou's... well, everything... this song is an eclectic mix of elements that can all more or less be distilled into these couple of bullet points:

Trying to fight the listener

Dropping powerful life advice or Buddhist teachings

Claiming his music is both a game changer and the kind of stuff that gets your blood pumping

Scatting, rhyming without meaning, or otherwise making wordplay

Outside of the parts that are straight-up nonsensical, the majority of the rap is very casual to the point of being rude. However, it's also interspersed with formal religious language. Again, both of these are how Kuukou talks, but I get why this would make it difficult for someone to translate.

I talk about this a lot whenever I translate anything, but an important (and maybe the most important!) part of any translation is determining the methodology, focus, and goals before you begin. I figure that if someone's asking me to look at song lyrics for songs that have been out for years, they probably care a lot more about the minutiae of what the character's saying than if I'm writing a rap as part of a longer work where readers aren't going to give it much attention. In that second case, it's probably more important to convey the appearance of a rap--rhyme, rhythm, what have you--and make sure I'm hitting the overall meaning rather than translate word-for-word. You know? The issue is, translating word-for-word would produce mostly nonsense on this one, since my interpretation of its meaning is largely coming from reading between the lines. There's also no real meaning outside of the four bullet points above. It's all vibes. So, this is a vibe-focused translation. When Kuukou says something with no meaning (that I can tell) outside of wordplay, I've exchanged it with a fresh wordplay. At the same time, since I assume the audience wants to know the minutiae, I put footnotes at the very end for the most curious souls. Finally, outside of wordplay moments, there is no attention paid to rhyming, rhythm, or line length.

Also I spent like forty minutes on it so it isn't a polished work of art or anything of the sort. Lyrics:

You wanna piece of this? That’s cool, tough guy. Bring it on. ‘Cause I’mma mess you up. Hmm? You’ve had enough? Yeah, bitch, I bet you’re fuckin’ SATIETIED. Who the hell do you think you are? Aw, who I am kidding? It doesn’t matter who you are. I’ve never met an ass I couldn’t kick! And while I’m here thrashing your sorry butt, listen up. I’m Kuukou from Bad Ass Temple, representing Nagoya, yo. And I’m gonna be world champion. Whazzat? Who do I think I am, some kinda fancy-pants hotshot? Nah, dawg. I’m a monk, haha! Get in the zone, do it or go home, this ain’t the scene you’ve known. [1] I’m a rebellious rhymer staging a revolution. C’mon, join me! Let me hear your voices!

“Enough determination can move mountains,” as they say. Yeah, a-a-a-and I’ve got determination for days.

San gha gharan bam! [2] S-S-S-Scatting n’ rapping, rapping with my razzle-dazzle tongue [3] Check, ch-ch-ch-check it, che-wa-watch out Gha bam! S-S-S-Scatting n’ rapping, rapping, BAT’s sexy leader [4] Kick, kickin’ kickin’ killer San gha gharan bam gha gha gharan bam gha gha gharan bam Gha gha gha gha gharan bam

Say what? Rules, rules, rules—who the fuck cares about rules? I’m the ruler now. A ruler and a schooler. [5] Yo, I’ve got that brand new music— When I ring this giant bell, people hear that shit far and wide. Beat it! And lyrics? You already know I spit so much fire they call me a dragon. I’m all about the impulses, the anarchy, let’s fuckin’ go! I’m a breath of fresh air up in this shit. Eight pulls, nine pulls, ten pulls—someone say temples? [6] If you don’t know already, then you oughta listen up. You don’t need any of these options. Go make your own. Paint that shit vibrantly. Go try something new! And if it goes so well you can indulge in some goddamn rejoicin’? Then hell yeah, now we’re talking.

Yo, man. The world’s all in how you see it, as they say, and don’t you ever forget it. A-a-a-and I may be a monk, but I’m not preachin’ just to scold you! [7]

San gha gharan bam! S-S-S-Scatting n’ rapping, rapping with my razzle-dazzle tongue Check, ch-ch-ch-check it, che-wa-watch out Gha bam! S-S-S-Scatting n’ rapping, rapping, BAT’s sexy leader Kick, kickin’ kickin’ killer San gha gharan bam gha gha gharan bam gha gha gharan bam Gha gha gha gha gharan bam

Yeah, life’s got ups and downs. You asking me, “Whatchu lookin’ at?” [8] Your ASS, lol got ‘em. Wassup, wassup, I’m a rhymer. I’m makin’ some good shit up in here. Hm? Ey, dance, dance over days when our hearts are aligned [9] Shoo bidoo doo bidoo Roo bidoo doo bidoo Tickili tickili tackili-tatt-too

Yeah! Haha! My rapping’s freakin’ EXHILARATORY. Hello! Aight, c’mon on, lemme give you some of this and wake you right up. Yo, c’mon, c’mon, c’mon, ho!

Gharan bam gharan bam Gh-gh-gh-gh hey! Bring it on, tough guy! R-r-rapping, rapping, r-r-rapping with my razzle-dazzle tongue R-r-rapping, yeah, gh-gh-gh, hey!

Yeah, clear the scene, ‘cause I’mma reinvent the scene. [10] Yo, get outta my way. I’m Evil Monk, the dragon of Bad Ass Temple, you know. Rrrrrrah! [1] This last is literally "clear weather (空)" or "energetic vibes (空)." At face value, it appears to be nonsense for rhyming. However, at the very end of the song, Kuukou talks about "the vibes/the scene (空気)" changing and him changing it (which can also be read as the weather changing/clearing up), which makes me wonder if those two are related. Just in case, I wrote them with a possible connection in English too.

[2] 僧伽藍 (sangharan) is a short form of 僧伽藍摩 (sangharama), a Buddhist temple or monastery. Bam is, of course, the sound of Kuukou throwing hands.

[3] 饒舌 (jouzetsu) is a fairly formal word in Japanese to refer to excessive talking. However, I was surprised to learn in the process of TLing this that it's also Chinese for rapping which appears to be how Kuukou's using it here. Also, if you're curious how English "jazzy" became "razzle-dazzle," I realized near the end of the song that I needed to start this word with the same sound as "rapping" (because he scats the j sound on jazzy and jouzetsu) whereupon I set out to find a good synonym. The issue is, I wasn't sure exactly how the lyric writers were using the term, so I put "jazzy" in an English-to-Japanese dictionary to get "loud, invigorating, eye-catching." Yeah, that's Kuukou all right. "Razzle-dazzle" is similar and starts with an r, so there we go.

[4] The lyrics say "xy な leader" (the な is just indicating that "xy" is being used as an adjective, btw) which I assumed means sexy... ekkusu ii said quickly sounds like sekushii. To be sure I wasn't barking up the wrong tree entirely, I ran a quick Twitter search on that line and found a very large number of Japanese Tweeters thinking the exact same thing I was. (It looks like Kuukou's VA once flashed his collarbone on this line in a concert, delighting scores of collarbone lovers everywhere.) That being said, searching anything on Twitter and finding horny Tweets isn't exactly a novel concept. Well, if I'm wrong about this, then at least I'm in the good company of all the thirsty Kuukou fans. Hahaha. If this seems OoC to you, I feel like it's here mainly for fanservice, not necessarily because Kuukou's trying to get some with the person he's beating up and/or preaching at. Although, idk. If you ship Kuukou with anyone, you could very well see some parallels...

[5] Literally "I'll beat up [everything] including the roulette board." Wordplay on rules (ruuru), ruler (ruuraa), and roulette (ruuretto)

[6] Literally "Terapii (therapy), terapii, terapii, tera (temple)-- Oh, the age of temples?" Wordplay/stupid joke

[7] I don't like how I worded this line, but I don't care enough to spend much more time fussing over it. Kuukou's making a joke that, as a monk, he delivers religious sermons 説法. However, in colloquial terms, a 説法 is a telling-off when someone does something undesirable. Kuukou, as a frequent doer of undesirable things, gets these from his dad constantly. Therefore, he's being like, "This isn't the LAME STUPID kind of 説法... this is the kind that ROCKS! *sick guitar riff*"

[8] These two lines seem like complete non sequiturs because they're paired together in Japanese for rhyming. (nami ga dekiru/nani ga mieru)

[9] I admit that I'm struggling to understand this line because the grammar is very irregular. Japanese Twitter is not being especially helpful here, as most Tweets featuring it are some version of "God, this damn song is stuck in my head."

[10] Literally "[Someone] changes the atmosphere/scene. The atmosphere/scene changes." See note 1

[white-cat-of-doom]

In honour of me hitting 400 followers here, and after a bit of organization of my merchandise 'archives', I have grouping of CATS items to give away that one lucky kitty will win! An eclectic mix, mainly from Japan, including:

Tokyo March 2006 Programme

CATS (2019) Japanese Movie Programme

London Palladium Programme from January/February 2015

Three Shiki Secret Charms from the recent Nagoya run (you get to choose from Victoria, Jennyanydots, Jemima, Mungojerrie, Rumpleteazer, Old Deuteronomy, Rumpus Cat, and Coricopat! See what they look like below the cut)

A brand new 39th anniversary button set from Japan

A promotional handfan from Tokyo in 2007

Japanese 1989 2CD Cast Recording

(Sealed) CATS (2019) Highlights from the Motion Picture Soundtrack CD

A smaller bonus item or two 😸

RULES (Please read these carefully and follow them):

1. Entries will open today and will close end of day (EST) August 30th - in one week. You can enter at any time between now and then, but anything after than date will not be counted.

2. Please only ONE entry per person. When you reblog THIS post, you will be assigned a random number, and the receiver will be picked by a random generator to make it fair for everyone. Likes do not count as entries. Multiple reblogs will result in disqualification. I want everything to be as fair as possible!

3. It will be free shipping within North America to receive your prize. This giveaway is open to individuals overseas as well, but I may ask for half of any shipping charges, as they can get expensive. This is especially true if you want to ensure delivery! Tracking is not cheap unfortunately and worldwide mail delivery can be very slow if not sent by air. Any import fees are not controlled by me, so please keep that in mind, even if marked as a gift.

4. You must be comfortable with providing me with shipping information. Rest assured you will be providing me this information in confidence and I will not share it with anyone. If you are not comfortable sharing this information, please do not enter as I will not be able to send it to you.

A winner will be selected on August 31st, and they will receive a message indicating that The Everlasting Cat blessed them with a prize. It will be publicly announced as well. I will ship them out to you within one or two days and will give an update once that happens.

I have been selling items online for more than eight years now, and I do my absolute best to have my packages arrive safely. While I would feel terrible if the package becomes lost, without tracking I cannot do anything except say sorry.

Good luck to everyone who enters!

[mofffun]

I totally forgot but TTFC promised to release 5 of the 23 regional FLT shows (talk part) some day.

I bet Fukuoka's last show with Idol Rita has got to be one! A Nagoya show (or two) by pure probability, but I hope it's the one where Yuzuki revealed she considered leaving acting if not for Rita… Then I guess Sendai? That one sold out pretty early on and had 3 retainers. Plus Shizuoka's first show.

[lesbiansloveseokjin]

day 251/548 of taehyung's military service

this selca was posted on 161207 with the caption:

#BTS JAPAN OFFICIAL FANMEETING VOL.3 ~ReachingYou~ Is everyone in Nagoya ready~? See you soon! #BTS (in Japanese) #BTS #ReachingYou

(trans cr: Lam @ bts-trans)

[noona96n]

Yoh & Segasaki's timeline

According to Episode 7 (around the 00:33 minute mark), Yoh and segasaki have only been living together for four months. And Nikke-sensei's tweet, also clarifies that the proposal was made 3 years ago and that they’ve only been living together since March or April; which explains, in part, their shit communication lmao. 

Series timeline: June to July of year zero 

Ep 1: June 3rd (Sat)

The sunny weather forecast with Segasaki and Takatsu Reiko around the 12:30 minute mark in the latter part of Episode 1 is for 6月3日 (土). That means the present timeline, as in the drama, starts at the beginning of June; which tracks with the weather in the current episode and the weather in future episodes. Rainy season (梅雨 tsuyu) in Kanto (that includes Tokyo and Yokohama) usually starts in early June and lasts until mid-July, and, by then, typhoons already started ravaging the nation every two days lol 

Ep 2: June 8th (Thur) 

At the 8:03 minute mark, we find out that Hiyoshi Aika starts her job at EW (AHAHA WHAT A GOOFY ABBREVIATION) on the 8th of June (Hiyoshi Aika starts the broadcast by announcing the date: 六月八日). By June 10th, Yoh full-on became a sad, sulky puppy who’s pouting cutely as he made his sad stir-fry pork dinner (Yoh’s phone screen at the 9:05 minute mark reads ６月10日 土曜日). 

Around 9:56 minute mark the in-universe weather forecast shows forecasts for the 12th (Mon), 13th (Tue), 14th (Wed), 15th (Thur), 16th (Fri), 17th (Sat), and 18th (Sun) in Sapporo, Tokyo, Nagoya, Osaka, Fukuoka, and Naha, suggesting that the day that Yoh resorts to making the Teru Teru Bouzu is June 11th. (Teru Teru Bouzu is a small ghost-like white doll people hang around the house in the hope of stopping the rain and bringing about good weather. Yoh’s desperate for some dicking down lol.) So, the day Yoh got frustrated and masturbated for erotic manga inspiration is at least a day after June 11th. Yoh and Segasaki’s clothes changed by then (the most noticeable is Segasaki’s shirt and tie). 

Since the tail end of Episode 2 probably takes place on June 12th, at the earliest, we can only assume that Episode 3 and 4 take place over the weekend of the 17th and 18th. Or the next weekend after. I’m tempted to even suggest that both episodes take place on the weekend of 24th (Sat) and 25th (Sun) because of how loud the cicadas were in the background in the 4th episode with Man-san. Cicadas in Japan are no joke, guys, they are so fucking damn loud, RIP ears, you will be missed. 

Ep 6: July 24th (Mon) 

*** I think canon dates broke down from Episode 5 onward… Around the 14:47 minute mark of Episode 5, Segasaki and Hiyoshi were presenting the weather for the 7th (Thur). There’s no monthly indication but we can assume that it’s in July; July because we were just in June in the first four episodes but also because (the beginning of) July is when the (awful, terrible, no good) heatwave starts taking Japan by storm (it lasts until fucking August and even spills into September this goddamn year, I kid you not; it was horrible). But, in Episode 6, the weather forecast at the end of the episode (around the 21:33 minute mark) was for 24th (Mon). If the 7th was a Thursday, then the 24th should be a Sunday, not a Monday. 

That’s why I’m just gonna disregard the 7th (Thur) in Episode 5, though I do think it takes place at the beginning of June or the end of July. Also, if we disregard that and count the days from Episode 1 (Saturday, June 3rd), then Monday, July 24th would make sense in Episode 6. So, let's go with that.

By the end of Episode 6, it’s the 24th of July. I know this is a while from Episode 5 but if we consider Man-san’s My Idol Boyfriend manga, then it makes sense. Yoh was ‘offered a job’ by Man-san pretty much immediately after he got dropped by his editor and by Episode 7, their manga was already in print. It would take them some time to finish their manga; less than a month is a very tight time to write, storyboard, edit, and have it approved but let’s make believe lol 

Ep 7: Typhoon No. 5

At the beginning of Episode 7 (around the 00:09 minute mark), Typhoon No. 5 was forecasted to take Tokyo by storm tomorrow. That kinda checks out, to be honest. Typhoon season in Japan could start as early as mid-May and could last until mid-October, depending on how early or late the heat begins and how long it’ll last. So I do think Episode 7 takes place some time after July 24th. 

Interesting tidbit: typhoons in Japan aren’t given names but are usually referred to by numbers. 

Personal (interesting?) tidbit #1: the first year I came to Japan, the super typhoon Hagibis made landfall in Japan. It was the strongest typhoon to hit Japan in decades and it was one of the strongest and biggest ever recorded. It was hella scary, not gonna lie lol and food was all out, even from the convenience stores. Fortunately, I was living in central Tokyo and wasn’t affected. Still scared though…. And, the crazy thing was, an earthquake struck the coast of Chiba before the typhoon hit so the typhoon’s effect was compounded. Wasn’t a fun experience, 0/10, do not recommend. 

Personal (interesting?) tidbit #2: my parents visited me this passing late May to early June, around the time typhoon Mawar wasn’t waging war in the Pacific. It was not a fun experience… we weren’t directly struck by it but the effects were kinda crazy: roads were closed, trains were suspended, rivers were flooded, and shops and restaurants were mostly closed. Felt really bad cause I took my family to Hakone (booked everything ages in advance and couldn’t cancel our reservation RIP) and we were just stranded up there… thankfully the sky cleared by our last day there and we were able to catch a glimpse of Fuji on our Ashi-no-ko’s cruise and on the train back to Tokyo. Still, wasn’t a fun experience, 0/10, do not recommend. 

Japan’s a wonderful place to visit though! Just… pick the right time. (I recommend autumn (Oct-Nov) because the weather’s great, the food’s fucking amazing, and the autumn foilage’s pretty rad.) 

Ep 8: July 28th 

The date after their (mildly) kinky sexy time was July 28th (Fri). The date can be found on Man-san’s phone around the 11:00 minute mark (7月28日、金曜日). 

There’s also another time indication later in the episode around the 17:13 minute mark where Yoh and Segasaki last texted on July 26th. Segasaki was telling Yoh about the rain and Yoh’s responses were pretty frosty if I’m being honest. Their texts go like this:

Segasaki: 今日午後から雨降る (It’s gonna rain this evening) Yoh: ありがとう (thanks) Segasaki: 洗濯物取り込んどけよ (bring the laundry in) Yoh: うん (k) 

It’s… frosty. Bare minimum from Yoh. Ofc he’s just feeling guilty (about the manga situation and stuff) but, y’know… it feels cold to Segasaki. I honestly feel really bad for the guy lol, especially because, from his perspective, Yoh’s only thinking about leaving and Yoh’s touchy-feely with that editor guy, and Yoh smiles happily and fully at and with that editor guy, and Yoh’s tired from being with him. 

Anyway, the series takes place from June to July of year zero and that’s canon. There, I said it. 

Yoh moving in: April of year zero

As you can see from my shittily drawn ‘graph’, I place Yoh’s moving in with Segasaki at April. This tracks with the timeline and Nikke-sensei’s clarification as well as in-universe narrative of them only been living together for four months. But, I’m extra so I’m gonna explain why (I found out about sensei’s tweet after figuring out the timeline lol)... and it’s not just backtracking from July. 

So, in Japan, the year usually ‘starts’ in April; as in the school year and the fiscal year ends in March and starts in April. This applies to leases as well: contracts are usually for 2 years and will likely end in March. Housing is in very high demand during that time and the prices for each unit are also very expensive because of that. Of course, you can rent a unit any time of the year but the good ones are also mostly available and up for grabs in the March-April period. (Renting a unit in Japan is… an experience lol and not a fun one. My being a foreigner does not help one bit because many landlords do not accept foreign tenants no matter who you are, where you’re from, or what you’re in Japan for.) 

Anyways, as Yoh can see, I think that Yoh graduated in year zero… so, that’s a winter graduation some time in February. (People also graduate in summer some time in August but it’s much rarer because most Japanese enter uni in Spring (April). People who graduate in September are either those who extend their uni year or foreign students who enter during the Autumn intake in September because that’s when the English program school year start (in my department, at least… I entered in April and graduated my Master's 3 years later in February but it’s a somewhat special case.)

Anyway!!! Yoh graduates ‘this’ year so, that means his lease will be up too and it makes perfect sense for him to move with Segasaki around late March or early April. 

The proposal: mid-Feb —  late-March three years ago

I place the proposal at the end of Winter, beginning of Spring in year minus-three. Weather-wise, it’s plausible because we know that the day of the proposal was unusually warm for the time and February is easily one of the coldest months in Japan. And, even though Spring starts in March, warmth doesn’t really come around until later in the month or even April. (It snowed in March, once. In Tokyo. It rarely ever snows in Tokyo but it’s been snowing every other year since I came here.) 

I also headcanon that Segasaki graduated (his Master's) that minus-three year while Yoh is only in his second year of bachelor’s. My logic is that because he’s graduating, this could be his last desperate attempt to lock Yoh down and make sure Yoh’s spoken for (Yoh’s just a dumb-dumb who doesn’t recognize a proposal lol). It also makes sense for the proposal to come up at that period if we think about it… Mizuki’s graduating and Yoh could be asking him about his jobs after graduation and whatever else which, in turn, allows Mizuki to start a conversation about Yoh’s plan for the future. It’s also not uncommon for peeps to hang around uni before they start their jobs (for whatever reasons) so it makes sense to me that the proposal was in some time between Mizuki’s graduation in mid-Feb till late-March, when Yoh’s about to start his new school year and Segasaki will have to start his job. (This could be when Yoh finds out Segasaki will be working with EW and starts watching the broadcast religiously.) 

Job prospect-wise, it’s pretty solid. Segasaki’s confident that he’d be working in a high-paying job when he proposed to Yoh. If Segasaki’s graduating in year minus-three, then he’d extremely likely to already have a job lined up for him; he’s just gonna immediately enter the workforce right out of uni. This is very common in Japan. University graduates are socially expected and pressured into working immediately after finishing their studies which is why it’s common practice for them to start their job-hunting process during the second to last or last year at uni. It’s generally advised that they start second to last year in uni (B3 if you’re in your bachelor’s and M1 if you’re in your Master's) because the process is long and drawn out and it could be a very long time before a job is offered. It’s also ill-advised to do your job-hunting in your final year because final year can be very hectic for some; some B4 and M2 students need to write their thesis, do graduation projects, finish up their experiments, etc. it’s not fun to add job-hunting into the mix. So, even if the proposal happened right after Segasaki’s graduation, Segasaki would be confident that he’d be able to support both of them just fine. 

Why I don’t think Yoh did his job hunting 

I honestly don’t think Yoh did his job-hunting because:

As I talked about here, Yoh became anxious about jobs and job-hunting in general in Episode 5 and this could imply that he didn’t go through the process while he was in university. You could do it on your own, but it’s difficult. That’s why many students take advantage of the recruitment offered by universities. Many also make use of other public recruitment services. 

Yoh’s the kind of person who does things at his own pace and does what he wants. I.E. 1; Yoh is a slow walker who has always walked slow. Segasaki made a point of commenting about his pace but instead of increasing his speed to match that of his sempai’s, he continued at his own pace and said he’s been told that before, and Segasaki was forced to match his pace. Yoh’s aware of his snail's pace, he was criticized for it but said fuck all and went about walking at his speed anyway. This is very not-Japanese. I.E. #2; He doesn’t really care to socialize. That’s it, that’s the reason. I.E. #3; my guy used 俺 (ore) with the stranger seniors. Peeps aren’t expected to drop 俺 (ore) and go for 僕 (boku) when talking to seniors anymore but they’re strangers… he should be using 僕 (boku). I.E. #4; he made fucking curry rice for a sick person because that’s the only thing he can make. Curry rice. He could’ve googled how to make porridge but nah, curry rice lol. I.E. #5; arguing with his editor that the ‘I love you’ dialogue is necessary in his 20 pages long porn manga. I don’t man, Yoh’s not afraid to do his own shit and he totally seems like the kinda guy who’d fuck around and find out when it comes to his career. Which I think is why Yoh’s secured that he has a patron in Segasaki and decided not to do his job-hunting. 

Yoh & Segasaki’s first meeting: May —  June four years ago

I think Yoh first ‘met’ Segasaki four years ago; that’s his first year in university, and that would explain why he hasn’t seen Segasaki sooner. I placed their first meeting in May — June mainly because of their outfits. Everyone was wearing a Spring palette when we first saw them at the cafeteria, but they weren’t wearing any thick outer layers so that’s probably very late into Spring and early June. Their clothes also became progressively lighter throughout the flashback and, by the time Segasaki was sick, there were more layers on everyone again, esp. Segasaki, indicating that Autumn could’ve been around the corner. (Though this could just be due to the timing of the filming!)

Also, Segasaki’s friend asked for his notebook, implying that there’s a report/assignment/quiz coming up that he needs to prepare for. So, at least we know it’s definitely not the start of the semester.

On Mizuki’s Master’s level education 

I’ll be real… I’m entirely biased when it comes to Segasaki’s educational level. I have a Master's and I’m an old, I want my fav to be an old too haha. (I’m currently doing my PhD, it’s… going somewhere lmao) 

Anyway, I didn’t make him have a Master's just because… I think Segasaki has a position of seniority in the workplace despite his young age: he led the discussion and (I presume) implemented the new weather reporting system thing. He was also comfortable with rejecting the welcome dinner (歓迎会 kangeikai) for Hiyoshi… and his co-workers, who are obviously his seniors, just accept it as it is. You don’t just reject invitations to after-work dinners/parties, 飲み会 (nomikai), especially not the kangeikai. It’s a party to welcome new members; rejecting it means you’re not a team player and unwilling to bond with your co-workers to cultivate a harmonious workplace relationship, which is a no-no in Japan (please read up on 和 (wa) if you’re interested in learning why), and definitely a no-no if you’re not high-up in position. (There’s a lot of politics going on in the background that I’m not very familiar with. I understand the most basics; like filling superior’s glasses, ‘hanging out’ with superiors, being frank and up-front and coming away unscathed, power-harassment bosses forcing people to drink, etc.) So, Segasaki must’ve entered the workplace in a relatively high position; which is achievable with a Master's. 

Interesting tidbit #1: did you know, you don’t get fired from a workplace in Japan? If the company wanna lay off people, they usually just close the entire department lol crazy, I know, but it’s legit. It’s why people can be employed for life at work.

Interesting tidbit #2: not many Japanese students go for a Master's but when they do, they usually enter right after their Bachelor’s. However, there are certain majors where having a Master’s is advantageous and students are generally encouraged to go for it. I.E. my major, Architecture and Urbanism, and Civil Engineering. These majors typically take 5 years of undergrad for students to qualify as practitioners. In Japan, their Bachelor’s only lasts for 4 years and a 2 years Master’s will put them on the same level as other practitioners from abroad. (I did 5 years of Undergrad in Architecture and Urbanism and another 3 years for my M.Arch degree lol and there are years to go until I get my Doctoral RIP)

wrote this whole thing bcs of this silly lil fic lmao

[todayintokyo]

Hi there! Hope you’re well and not melting away in the humidity. I am super excited to be planning a trip to Japan again after almost four years away. Considering I lived 1) in Kansai-ish territory and 2) near Nagoya, I never got much chance to explore Tokyo outside of the usual tourist places. I already have Jinbocho on my list (along with one of the Aoyama flower market tea houses and Nakano Broadway)— do you have any suggestions for what’s fun in Tokyo for someone who is a little more experienced with the area?

Welcome back!

Now here's a challenge! I don’t know whether you're looking for new & trendy, or old & traditional, and a lot depends on the season, but…

1) Stroll from Ueno Park or Nezu to Yanaka and Sendagi. See if you can find Snake Street and follow its curves. Yanaka is as Kyoto as Tokyo gets. Yanaka and Kagurazaka.

2) Shibamata for more old Edo vibes. Cross the river on the ferry. Only ferry in Tokyo.

3) Sunamachi Ginza Shopping District in Koto-ku: another old area that's being transformed by gentrification.

4) Get lost in Shibuya Station, just for fun, but take tranquilizers with you. Walk from Shibuya via Shoto to Yoyogi Park. Shoto is one of the wealthiest areas in Tokyo, but it's not as famous as, say, Azabu-Juban or Denenchofu. Stop at Levain for bread and Fuglen for coffee.

5) Explore the swanky, hipsterish areas of Kichijōji, Shimokitazawa, Daikanyama. Take the Setagaya Tram Line from Sangenjaya to Gotokuji and visit the temple birthplace of the famous maneki-neko. Lots of tiny shops and quaint shopping streets in a relatively upmarket area along the way.

6) Okutama. Walk along the Mitake Valley Riverside Trail, from Ikusabata to Sawai, stop for sake at the Sawanoi Sake Brewery, visit the Gyokudo Museum. You can continue past Mitake to the Okutama Fishing Centre. If you are here in autumn, you'll see breathtaking autumn colours.

7) Yokohama! Not exactly Tokyo, but a nice day trip. Minato-Mirai, Yokohama Foreign General Cemetery (no, seriously, Google it), Sankeien Gardens.

I'm not a food expert, but there are really nice restaurants in all these areas. Add Yakitori Alley in Yurakucho to your list: great atmosphere. (There's a maze under the tracks between Yurakucho and Shimbashi. Well worth a visit, but it gets a bit dystopian.) Museums? Fukagawa Edo Museum in Kiyosumi, all the art museums in Ueno Park. Plants 'n stuff? Yumenoshima Tropical Greenhouse Dome. Shinjuku Gyoen remains my favourite Tokyo park/garden.

It's very touristy, but so iconic that it's really worth it: New York Bar and Grill in the Park Hyatt Tokyo. Expensive though. Cocktail Works is a craft gin bar in Kanda (close to Jimbocho), and a very good alternative (but without the glorious view) (which is the whole point) (actually).

Oh, by the way, Piss Alley in Shinjuku? So yesterday. Try Sankaku Chitai in Sangenjaya or Nogecho in Yokohama instead. Shh, don't tell anyone.

Best free and still relatively uncrowded view of skyline: Bunkyo Civic Center observation lounge. Shh again.

Would this suffice? If you send more details about your timing and what you're interested in, I'll happily add more.

Enjoy the planning as much as the trip! 😊

[ywpd-translations]

Ride 766: The ones chasing the colored bib!!

Pag 1

1: Those who pride themselves on their speed on flats are jumping ahead one by one!!

Waa

So fast!

2: Their goal is

3: the first result that's 10km ahead of here...

Pag 2

1: The sprint line!!

Pag 3

1: We're done here

On!!

Hurry up, you haven't forgotten anything?

No

2: Damn, road racing is so much more hectic than tennis

3: I-I'll grab that for you!

Thanks

4: We have to take a different route than the race to get to the supply point ahead of time

5: They were saying that a a lot of people jumped ahead earlier right after the start

For that “something line”? Is that thing so important?

On

Pag 4

1: The sprint line is the first title

2: During the Inter High there are three colored bibs you can obtain in one day: the sprint's “green bib”, the mountains' “red bib”, and the one for that day's victory, the “yellow bib”

This for all three days... nine of them in total

3: And among them, the “first day's fast sprint line” is the very first one

4: A flash situation right after the start when no one is injured or had retired yet.... out of the nine bibs that everyone can desire

5: under the same conditions, this, most of all, is the one

Pag 5

1: when everyone has the same chances!!

Gallop!!

2: The green bib

3: has to be mine!!

Ugh!! That guy's fast!!

4: There's a lot of show-offs from Nagoya

They mistake flashiness for strength

Real strength is

Pag 6

2: is “thickness”!!

Th... “thickness”!?

3: I'm Oosumi from Kagoshima's Satsuma Nishi high school!!

In Kyushu “thick” means “big”!! And I won't lose against anyone when it comes to waist circumference and neck thickness!!

Ugh!! He really is huge!

4: Oosumi-kun!!

Kagoshima's Oosumi-kun!!

5: The thickest volcano in Japan is Sakurajima!!

The thickest radish in Japan is the Sakurajima radish!!

Uh... but that has nothing to do with running!!

Pag 7

1: I want to try and see if there's a connection!!

3: If everyone has a chance, then it's not out of reach for anyone

4: That's right... the chances are equal... so

5: of course... in order to take all the bibs and regain the title

Pag 8

1: Kanagawa's Hakone Academy is aiming for the first sprint line too!!

Pag 9

1: “Shoot them down”?

You really wanna go, Bashi-kun?

2: Well...

3: In that case, Jou-kun will rest..

Wha!! wait, Manami, the plan....

4: We can't hold him back.... Bashi-san, please don't break your zipper

5: Even if I break it, as long as I win there's nothing to complain about!!

6: Can you do it?

Who do you think you're speaking to!!

7: I'll take it, 100%!!

My jersey, that was handed over to me by Izumida-san... and that Izumida-san got from Shinkai-san...

Pag 10

1: Is the one with the “bib number 4”, the ace sprinter number of Hakone Academy's tradition!!

2: Ugh!! Hakogaku is moving....

Ugh...

The first sprint.... for Hakogaku, Doubashi is suddenly going for it?!

Pag 11

3: Just now

4: I heard someone say that Hakogaku is moving!!

5: And earlier I got confirmation that Kaburagi moved

Pag 12

1: The third year Doubashi is going?

That Doubashi!!

2: What should our selected team do!!

3: We have no chance of winning

So do we keep going like this and preserve our strengths?

No

Should we send someone!?

4: Good grief.... is there no time to calmly savor the “feeling of running”at the Inter High!! The feeling of running!!

5: Pfui...

Pag 13

1: Of course I'm prepared for it but still!!

2: Kobayashi!! Uchikawa!!

3: You have the chance to test your legs that you've trained on the track field!!

4: Go for the green bib challenge!!

Pag 14

1: Huh.... but

But the first attack is basically already done

If only the two of us jump ahead now from here....

2: One last train is soon coming up from behind us

He has a terrific acceleration, but if you can jump on it you can make it to the front!!

3: Ohh

Waaa

4: He's coming!!

5: Seriously!? If we can then I wanna go!!

What should we do, Sugimoto-san!!

Pag 15

1: He's here!!

5: He's huge!!

Hakogaku!!

Huh!! Sugimoto-san!?

7: Kuaaaaaa!!

Pag 16

1: Doubashii!!

2: Sugimoto-san jumped ahead....

3: and caught up to the Hakogaku guy!?

4: Huh!?

What do you want, you....

Pag 17

1: You're Sohoku's handyman....!?

2: Can you take two people of the selcted team with you!?

I want to give them the chance to experience the sprint

3: Why are you running in the Inter High!!

4: The selected team!? So you're the one they said they called at last minute!!

Please take them with you

5: Ah!? You call that a negotiation!?

Get out of here with that selfish talk!!

6: There's no benefit for me..!! It's ridiculous!! I refuse!!

I'll make up for it!!

Pag 18

1: When Hakogaku is in a pinch somewhere, we'll help you!! I'll take the initiative!!

3: Buah!! Oi, wait-

You!? Helping!? Hakogaku!?

Th-that's right!!

4: Buuah, that's not balanced!!

Please

5: Please!!

Pag 19

1: …. tch, I don't hate earnest people

2: Get on!! Selected team's guys!! But I won't care if you get shaken off!!

5: Handyman!!

I felt your spirit!!

Pag 20

1: I'll take these guys for now

I don't expect anything though!!

Thank you Doubashi!!

Waaa-

He's so fast!!

Pag 21

1: Ah I'm so glad....

Sugimoto-san....

Sugimoto-san is amazing.... he negotiated....

2: Now, we'll run in a formation while preserving our strength

Otherwise, if we're all scattered when they come back, they won't have a place to rest

3: Yessir!!

4: Do your best, guys

5: So fast....

It's hard, Kobayashi...

6: But we'll hold out

This is the road that Sugimoto-san negotiated for us!!

Yes!!

Pag 22

2: Hakone Academy's Doubashi moved, on!!

This.... Issa-kun and Doubashi-san... could it be that it'll be like...

3: last year's matchup, on!!

4: No but, Kanzaki-chan, what you were saying earlier about the colored bibs

5: You said that counting the sprint and the climb, there's three of them for each day

Pag 23

1: And there's no one who wants to take all three of them?

2: Yeah, since climbing and sprinting are fundamentally different running styles, there's no one

5: That is, if you exclude....

Pag 24

1: those out-of the-ordinary people who will appear sometimes!!

Yon

[gh0stsp1d3r]

Safe

Warnings- its all angst, none of its happy 🤭

Your guys child is like 3/4 idc however old you wanna imagine

You put your baby down to sleep, and sighed in relief. You could finally relax.

Tangerines been gone a few days, he’s been doing jobs off and on, and apparently this one was so urgent he had to come home say hi and then leave again.

He called you though, all that was all that mattered.

“Hey, love. I uh… should be home in a few days. The job should be done today but some things have come up.”

“Are you okay? You sound a bit…”

“I’m- I’m fine.” He said. He would admit he was just crying in the bathroom, not knowing if he’d get the chance to go back home. “Just uh.. tired, is all. I can’t wait to see you both.” He said.

“I can’t wait to see you. Be safe, okay?” You said.

“I always am. Well, uh, I’ll call you back later, I love you guys.”

“Love you too.” You said.

He hung up and sighed, holding his head down in defeat. He sat down on the dirty floor, head hung down.

❤︎︎❤︎︎❤︎︎❤︎︎❤︎︎

He saw the girl again.

“Oi! You, I know you.” He said, pointing to her. “You’re the girl, aren’t ya?”

He walked closer to her, she looked panicked. “Oh my god.” She said quietly.

“Yeah, I never forget a face, me.”

“I’ts so good to see you. Please help me. Uhm.. there’s this man and he was holding me hostage. He was wearing glasses and… and he killed my uncle, and he also killed this other man which I don’t know.. he just kept talking about- uh- uh- uh.. Thomas the trains and..”

“Tank engine.”

“Yeah, right, exactly. But he killed both of them and then he said he was going to get away with some sort of money, I don’t know.”

“I’m sorry, I don’t know who the fuck you are.”

“I’m just a girl who was supposed to get off at Nagoya and then-“

“That was fucking ages ago!”

“I know! But this man he just said that I could be a good backup plan and that a pretty girl makes a good hostage.” She said, voice trembling.

“Well, he ain’t wrong there, but, look keep your fucking knickers on, alright?”

“Please just help me.”

“Alright, alright, calm down. Get off or do whatever the fuck you’d like, your free to go.” He passed her.

“Thank you, thank you.”

“Yeah, yeah, yeah, don’t know what you’re still fucking doing here anyway.”

He looked back and he tore off a sticker on her back.

“Huh.”

“Are you okay?” She asked, innocently.

“Diesel. The absolute fucking worst. Little shit-stirrer.” He sighed heavily. “See, Lemon, God rest his soul, he could read people, see them for who they really are. He was right, there’s been a diesel, running around this train, causing all sorts of fucking havoc, and it was you the whole fucking time! You dirty little diesel!” He pulled his gun out and pointed it at her.

“You made lemon bleed, and lemon never bleeds.”

Ladybug came up behind him and the girl put her act back on, she screamed.

“Oh my god! Sir, please help me!!”

Ladybug took his gun and shot him right in the neck.

The girl scrambled back and ladybug looked at tangerine.

“Ohhh…”

Tangerine held his neck, and tried to stop it.

He slid his phone to ladybug.

He tried to speak, and tell him that she was the diesel. But he didn’t understand until he fell to the ground, lifeless.

“You’re a diesel. What the fuck..”

He took tangerines phone, and saw a treat from someone.

The name had “My love” with a wedding ring emoji. He used tangerines messed up face, and opened his phone.

“Hey, call me back when you’re done please. Shes asking for you.” The text read.

He scrolled through some other texts and pictures.

“Oh fuck, did I really just kill a married man with a kid?” Ladybug sighed. “My therapist is gonna need a therapist after next session.”

❤︎︎❤︎︎❤︎︎❤︎︎

There was a knock on the door, it woke you up. You sighed, getting up and expecting a package or maybe even tangerine.

Instead, you were met with Lemon. He looked sad.

“Hey, lemon. What’s up? Where’s your brother?”You muttered groggily, rubbing your eyes.

You considered them brothers, because brothers didn’t need to be blood.

“About that.. I’m sorry. He’s dead.”

“What..” you said, quickly waking up and denying it.

“I was unconscious while it happened, but the person who did it said it was an honest accident. He says that he’s sorry, and that he’d do anything to take it back.”

“No, no, Lemon. That’s not.. tell me this isn’t true. Tell me you’re joking.” You said, your lips quivering.

He looked up, to avoid crying as well.

“I’m so sorry, I miss him too.” He muttered, as you cried, he patted your back and where red the house, he guided you back to the couch. You sat down and held your face in your hands.

Lemon started crying to.

“Wheres.. uh-“

“Uncle lemon?”

He turned back quickly.

“What’s wrong with mommy?” (D/n) asked.

“Go back to sleep, we can talk in the morning. It’s late.” You said, you would need time to process so that you could explain it to her. Lemon got up and carried her to her bed, tucking her in and closing the door.

He sat back down on the couch next to you. He hugged your side, and sat with you as you cried. He was tearing up a bit too.

“How- How am I supposed to explain to her that her dads not coming back..?” You muttered quietly, while still crying.

“I’ll explain it to her. I’ll stay here for as long as I need to.”

[yuzu-all-the-way]

FaOI 2024 Aichi Masterpost

30 May

Rehearsal [Nagoya TV]

Yuzu + Mascot

Gym-bro mirror selfie

Day 1

Morning news - short Yuzu interview

Yuzu rearranging plushies

Message from Yuzu

Footage of Day 1 on Nagoya TV

Day 2

Photos

Day 3

Danny Boy

Meteor

Photos with TMR, with Rei, with Shirota

Yuzu greeting Polish fans

Behind the Scenes

Wolfy photos