#naturally and in such a familiar way.
hi i'm still not over the fact that tgp just proved you could so easily make a r.obin h.ood adaptation that was good actually instead of all the shit we've gotten over the years.
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Hey so sorry if this somehow feels uncomfortable, but I'd really like to thank you for being like, very compassionate in how you portray Machete. I don't know why I feel so strongly about this but as someone who has been dealing with the fallout of religious trauma and other such problems, it really affected my ability to deal with sexuality and the overwhelming almost instinctual self-hating shame that comes with that. It's something I'm so absolutely ashamed of talking about even with close friends, it actually makes me a bit emotional to see that someone, who might or might have not been through the same, understands how it's like. It's one of the great things about art. Anyway sorry for the long ask, you're great, keep being so strong.
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The reason I am so ensnared by the idea of Patty interacting with Dante AND the entire DMC cast is that she is, pretty much, the only normal person out here. Dante and Patty's relationship (found family or just friendly, I hunt down shippers for sport) is the most normal relationship, which is also quite important to him. And he has never had that.
Dante's relationship with literally any other character is rooted in very bad, no good, terrible history which neither of them want to talk about ever again. Those relationships are full of landmines, which they need to avoid. Dante&Patty don't have that, there is no big blacklist of topics between them, they can just vibe together without this additional weight of History TM between them. This normality, is in itself, abnormal in DMC and for Dante especially. He needs that, and honestly, every character in this series is mentally deranged in some way, they all need that. But I also think exposing them to this little island of almost-normal will hurt them initially...(this can vary a lot depending on the circumstances, look for reblog for additional thoughts).
This doesn't make other relationships Dante has with characters less, nor does it make Dante&Patty's relationship more important than others. I just wanted to point out how heavily this (1) normal relationship heavily contrasts with everything else this series has, and can have a little earthquake effect of this house build of cards. More importantly, I wanted to highlight how Interesting it would be to compare it with others, and it would be fascinating to see other character's reacting to it.
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My best friend and I moved in together with his closest friend from his MA program, and while I had met her before (the friend; my bff is a man), we hadn't spent much time together because I've never lived away from the West Coast (and only two years out of the PNW) and she's never lived outside of North Carolina and only briefly visited the PNW once, when she went to Portland last year.
It's been a delight to show her around the PNW and realize we need to explain things that are just sort of omnipresent in our lives. The bff and I were casually griping with each other about having to run an errand to Trader Joe's at an inconvenient hour, and were telling her, "it's okay, you can stay in the car and avoid the people if you want" and she was like "NO I MUST SEE IT, I'VE ONLY HEARD OF THEM" and nearly ascended to another plane when we showed her around the store.
The bff and I grew up in the same town in NW Washington (him for his first 18 years, me from 9 to 19) and he lived in Bellingham and Seattle for years before he went to NC for grad school (I went to the SF Bay Area for mine, a very different experience). Both of them are hardcore coffee aficionados, but he struggled with the different Coffee Ways of the South, so for the true PNW experience they want to tour various indie coffeeshops next.
Also, she adores Kaidan in Mass Effect and we were like, oh, is your passport up to date? We could take a trip sometime and show you your boyfriend's beloved English Bay. It's very beautiful :)
her: O_O
me: Actually, it's worth going to Vancouver BC for its own sake as well, it's truly spectacular. We used to go all the time as kids.
bff: And Victoria!
her: O_O
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Oh, wait, wait, ok, I can tell tumblr my news now.
I was accepted into the JET Program and will be moving to Japan for one year starting in late summer to teach English. : )
I don't know how many other applicants have ever had either of my specific application 'angles'. I think they were both pretty weird, but also very, very me, and I'm pleasantly surprised that they seemed to have worked, going off both by the acceptance and the very positive and warm reactions I got during the interview I had. These were:
Science/scicomm/museum background + implying mutual interest in and love of like insects and sea life could be an avenue of intercultural connection and exchange
India and Japan have always struck me as weirdly similar in ways nobody seems to discuss, especially in both being simultaneously hurtling into modernity and deeply traditional/conservative in many ways and places
So. Is this a silly idea considering most people in this program are fresh college grads, and people my age are expected to maybe be getting more settled rather than hopping continents? Is this a scary idea, considering I'll have to uproot all my shit and go exist in a foreign country whose language I really don't know beyond miniscule smatterings? I mean, hmm, yes on both counts, but I'm very excited. On count one, I'd only get older in the future and demonstrably *don't* already have a settled life and career here to disrupt (lol), and on count two...guys, I'm so so tired of letting fear and inertia make my life decisions.
Time to pack up and store most of my shit and end my lease and. Yeah. Also I haven't actually been to India in five years and will probably try to visit my relatives there in the coming months since idk if i'd had an opportunity for a prolonged visit in the future during the one year (at least) in jp. I'll also be probably selling, trading, or giving away a lot more of my hobby shit (that was sort of an ongoing project already but since I'll be unable to use most of it for a year plus it's another reason to do so), so uh, if you've ever wished I would sell any of my dolls now might be time to commit BJD Hobby Taboo and ask me lol. And, obviously, I'll be studying more Japanese, because mine is incredibly へたくそ at the moment. So much to do. But I'm really excited. And thank you to all of y'all that have been encouraging to me about anything related to this matter <3
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ive been wanting to rework this old OC idea i'd had of an apprentice for juneau and i finally got arount to at least dabbling in the concept :'V (for my headworld Tenebres which is like magic and monsters)
Agnes is a young mage in a prestigious magic school, top of her class, snooty, bit of a perfectionist etc. everyone knows she's destined for greatness. until she finds out she's a familiar during one of her big exams when she begins to sprout long white ears and turns into a rabbit in front of her professors and peers. she's humiliated and gets expelled because of her condition (familiars arent allowed to pursue advanced magic). in her determination to rise back up to the top and prove herself worthy, she tries seeking out anyone that would take a familiar under their wing to train; she finds this to be rather difficult.
somehow or another juneau and agnes stumble upon each other, juneau was once a professor at the school agnes was attending. juneau's reputation was tarnished because she'd experiment by casting curses on herself, one of those curses turns into a ravenous beast sometimes lol idiot which is not only unsafe for students, but her unconventional methods are kinda embarrassing and cringe and the school didnt want to be associated with her no more. she now lives in hiding with another professor, ethel (need to overhaul redesign her lol) who's also turned permanently into a monster due to an accident with brewing a cauldron. anywayyyyy juneau works as a plague doctor (considered to be "janitorial work" for magefolk), doing what she loves which is magic removal. juneau and ethel agree to take on agnes as a student (mostly because they both miss teaching).
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Asuka is a tragic figure, a figure of mystery, a wild card, all because the only thing she wants in life is peace and quiet for herself and to feel in control- yet her secret heritage that may be hidden from her for her own protection and the reality that life is unpredictable and will go on with or without you keep ruining that delusion, that vision of how the world is meant to work to her, and she suffers regardless of what she wants, what she does, and how little she understands anything
She was born into a family preaching peace and balance and order while being a creature of violence, and puts a dozen mental locks and excuses over this truth to justify giving into her impulse for fighting by pretending she's justice when she does it
She keeps trying to build a place of safety but she's using sand and life is a wave that destroys, yet she stubbornly persists rather than give up, not drowned to the point of self centered suicidal loathing like Jin- there's contrast, where Jin is cloaked in death Asuka stubbornly clings to life and humanity as a normal person in a terrifying world
She's not a fucking narrative clone for Jun's own purpose, Asuka's purpose must be determined by Asuka herself
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i keep thinking about how “is this what justice means to you, answer me neuvillette”, despite having been used in a case all those hundred of years ago, was probably a question that haunted - and still haunts - neuvilette during the entire time he has been chief of justice. i keep thinking about how they highlighted his struggles through time with both carole and wriothesley's trials. how guilty and powerless neuvillette must have felt for not being able to support and save those he recognised as vulnerable and victims before a system that corrupted their fates but that he wasn't able to change despite his position. the theme of being a casualty of a system no matter if you're the victim or the perpetrator in its eyes. the way neuvillette took, in both cases, things into his own hands. even if it was too late to fix the hurting carole and those who cared for her went through, even if it was too late to save her life; even if it was impossible to change wriothesley's past, his verdict and subsequent imprisonment; neuvillette went above and beyond, making use of his influence, to allow both melusines and wriothesley the opportunity of a better future - to melusines by making sure they weren't discriminated, to wriothesley by supporting his attempt at a second chance in life. i think part of the reason he's so intriguing is our awareness that this internal conflict he's bound to have is so complex. you have a chief of justice, or a judge, that is supposed to be imparcial and follow the law stictly confronted with situations of social injustice, unable to protect those who rely on him. you have someone who understands better than anyone what it means to be an outcast, being able to relate to those who are ostracised and have their pain weaponise against them. you have, in vautrin's case, a friend who cannot even showcase his own pain and is still expected to fullfil his juridical duties despite being personally related with those involved in the case. someone who people constantly turn to but whom he feels like he has no right to turn to himself. it's about the conflict between his feelings and his duty, between what's expected of him and what he can actually do. i think that's why the end of his story quest is so emotional and why it's so heartwarming to have him realise he isn't an outcast anymore, that he has a community there for him too. because a system is a system and he will probably never be able to save everyone, because yes he isn't human, but it doesn't mean he doesn't deserve to belong or that an active demonstration of love towards individuals and people he can relate to rather than the theoretical concept of humanity isn't meaningful. in fact, i'd it's a lot about that, about finding ways to be kind and how community gives meaning to life; how personal relationships and targeted kindness can shape society, or at least i think so
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my reading of lifesteal season 4 is so personal and involved at this point that even if i was going to post more character analysis i would not know where to start. it would require footnotes to documents that don't exist. listen to luddites and lambs by everything everything and you'll get half of it though
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Still having so many thoughts about all the parallels between Molly/Lucien's souls and Opal/Ted's--
The way Opal and Ted were split apart and then became one again as a natural part of growing up; raised with this other half of their soul always by their side, learning from each other and through each other. It's a family tradition, their way of life. Worshippers of the Luxon willingly letting their souls drift apart and reform, an inherited legacy that has shaped their whole understanding of the world and themselves.
The way Lucien and Molly never had a choice; the violent violation of autonomy as their soul was torn apart and shredded to pieces, the agony of feeling so alone in the world, your very heart hallowed out and Empty. It's not a gradual, gentle transition of the spirit--it's losing your very sense of self, all these pieces of you burned away.
And it hurts them, both of them. The shard of a soul that would be Molly--young and foolish, so new to the world and yet already so scarred by it. A spirit that hasn't broken yet, in spite of how harsh and cruel the world is--in spite of all the pain he's inherited. Lucien as the ghastly specter haunting Molly's worst nightmares, the shadow always hanging over him.
Lucien's disdain for this "forgotten fragment"--how bitterly he resents Mollymauk for not having to bear the weight of all their most painful memories, his hands not yet stained with blood--the part of him that got to be free. Lucien refusing to call Molly by his name, to admit this other part of himself is real--that maybe Lucien's always known he hasn't felt whole, that someone carved out this piece of his heart long ago.
When the two meet, Molly can't help reaching out to Lucien. Can't help but try and save him. Molly growing to care for this other half of his soul, this other broken, shattered shard of a bleeding heart. Molly refusing to abandon him, staying by his side until Lucien is finally ready to reach back. Both of them learning to accept each other, understand each other. A kind of self love. A soul that mirrors your very own, makes you feel grounded and whole.
Thinking of Ted fighting so fiercely for Opal. Giving everything to defend her, even as Opal tries so desperately to keep her grounded and tethered. Thinking of Molly pleading for Lucien to stop, just walk away--save their friends and save himself. It's not too late, he doesn't have to do this. He doesn't have to be this.
Thinking of the Luxon and shattered souls that aren't bound by life or death, time or space. A part of yourself you never really lose, no matter who tries to tear them away--
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veeerrry slowly making my way through appmon (just finished ep 6)
i'm enjoying it so far (still) but i also just had a realization that like
part of my hesitancy about watching appmon is that a lot of stills for the fused apps were kind of offputting (3d in 2d animation can be super hit or miss)
like i've seen screenshots of a lot of the higher grade appmon and was like "hm, that's not pleasant to look at"
and now i'm watching it and like "oh, that was definitely designed with movement in mind" because holy shit yeah the stills do not do appmon justice
the use of 3d animation in appmon gives me a feeling that the creators really wanted to include that code overlay effect, but since that's incredibly time-consuming to do in a way that might look good on 2d animated characters, the use of 3d allows them to express that excessively digital vibe (and it looks really good in motion)
as for all the standard grade appmon, i think something similar still holds true in that just looking at their ref book images doesn't do them justice. perorimon is the whole reason i wanted to talk about this (debuted in ep 6) because hooooly shit the ref book image just does not get across how good this goober looks in movement.
in other words, appmon seem designed for animation first and foremost
also while i'm at it i want to say i think it's fun that every appmon really does just have like coax cables in their back for applinks. more digimon shit should like, have weird technological things like that going on.
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It's a day earlier, but whatever. YOLO.
Tagged by @merge-conflict.
Tagging @fereldanwench, @gamerkitten, @dataheights, and @milkywayes.
Once again from Secure Your Soul, same chapter but a little later.
EXCERPT FROM CHAPTER SEVEN: THE BEGINNING IS THE END IS THE BEGINNING
V made her way through the front doors of Konpeki Plaza, breezed through the security scanners, and walked up to the check-in desk. The receptionist recognized her on sight. “Director Locke,” she said. “Welcome back. Here for another meeting?”
“Not this time,” V answered, already placing her hand on the scanner to verify her SID chip. “I’ll be attending a conference tonight.”
“Ah, yes,” she responded. Her eyes lit up momentarily as she received the upload of V’s data. “Hideyoshi Oshima’s talk. He’s very good.” Her eyes faded back to their normal color and focused on V again. “Are you interested in braindance advancements, Director?”
“I am,” V responded, smiling warmly at the receptionist despite the irritation she felt at the question. She always strove to be courteous to the help. It was smart to get those types of people on your side. They were often perfectly placed to overhear a treasure trove of useful gossip.
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oh my god bro we got hit with the fucking uhhhh the lightning that turns us into furries
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