#netflix is mean

[needles-and-witches]

Has anyone found Lockwood & Co on Netflix's Halloween/"Enter If You Dare" collection? Because I haven't and that just seems to solidify the belief that they hate it and refuse to do any sort of "advertisement" for it. It's never on any collections, lists or whatever, not on the "Netflix exclusives", not on European series, not on anything spooky, nothing. They are continuing to set it up to fail even after they've already cancelled it, it's as if they didn't want any more people to find it. (Luckily enough it still is trending at the moment, so take that Netflix!) Like seriously, anything from "Julie and the Phantoms" to "Scream" is on that Halloween thing, but Lockwood & Co isn't?! That's just plain ridiculous, it's a frigging ghost show! (And arguably more scary/halloween-y than "Julie and the Phantoms".) To me that really highlights once more just how discriminatory Netflix is.

[acidgirl]

[finleycannotdraw]

I don’t have the capacity to be coherent right now but. this movie is so good

[agir1ukn0w]

excuse me was anyone gonna warn me about how goddamn ✨PRETTY✨ this young man is or…..

[people-who-steal-ships]

When someone mentions the queer pirate show (updated)

[alexwilltellyouthings]

Hi queer fans of queer stuff! How are we feeling with today's TV industry? How about really bloody angry?

Look, the recent cancelation of Dead Boy Detectives is obviously personal for its fandom, but it's also one more nail in the coffin and I think we have to start doing something about it together.

I went through this with Sense8. With Our Flag Means Death. With smaller but also amazing shows like The Bastard Son and the Devil Himself. Not to mention when it's not cancelled yet but it's boycotted with seasons cut in half or zero marketing. *I am tired*.

If you are too, I ask you to join the campaign. This is specifically about increasing views and attention, not because Netflix is necessarily going to change their minds (we know that's unlikely), but because we want to prove that we exist as a group.

So even if you don't feel like actually watching right now, we ask you to give it a stream if you have a Netflix account, with headphones connected or low volume. If you don't have a Netflix account, and honestly good for you, you can help by boosting us in social media.

I do recommend Dead Boy Detectives for real, it's REALLY good, but this is more about joining forces. They want numbers, so we give them numbers in the most petty way: after they cancelled so that other networks will get interested. At the very least, the crew and creators might get some royalties and they deserve it after busting their asses for years to give us this season.

TL;DR: stream dead boy detectives as a community to shove it in their faces

[emily84]

but why isn't tumblr eating up Kaos netflix?

it's got everything! canon old man yaoi, a lot of trans representation, including a trans man as one of the main characters who is complex, desirable, and gets the girl at the end (uh, sorta, but, no spoilers), a succession-level of drama with a fucked up family that needs to be toppled, greek mythology, amazons, the three Fates as trans entities, the Furies as biker lesbians, a WHOLE spectrum of various sexualities and genders as well as great poc representation, a whole spectrum of disabilities, whimsical creatures and frightening, power hungry women... what are ya waiting for?

[iamindifferenttolamp]

[inkskinned]

today i love the red metal crane in her long neck arching her body over the boston skyline, which means i am okay for a moment. when i am unwell, everything is a little ugly. i always tell myself look for the beauty but when it is bad, i will look at birds and sunsets and little ducklings and feel absolutely nothing.

when my brother got his puppy, i was in a deep depression. what kind of monster isn't affected by a puppy. i was gentle and kind to her - i just didn't have an emotional reaction. she's five now and i feel like i spend all of our interactions apologizing to her - i don't know why. i just didn't feel anything. how embarrassing. i feel like if i admit that, i'll seem cruel and jaded. it comes in waves. like, two months ago when i went out into the world - it was like that. life behind a pane of stormglass. a firework could go off over your head - nothing. like dead skin, no reaction. not to ice cream or rainbows or baby chickens. life foggy and uninteresting.

i love goslings again. i love their little webbed feet splayed over grass. i love good food and live music and long walks. i like puppies. i feel like some kind of my soul has been starved - i keep staring at everything with wide eyes, trying to burrow the sensation into my stomach. it's real. beauty is real. when it's bad again, remember this. i stop and smell the flowers, feeling cliche in the moment. i like the white-to-red ombre of my neighbor's roses. i like colorcoding and yoga and cold drinks. i try to pass my hands over every moment, feeling like i'm squeezing joy out of every instant. remember this. for the love of god, it's real - just remember this.

[gaeapplehairline]

The extreme amount of emotion in these two frames is painfully amazing. Like I cannot tell you what that emotion is, but like it's simultaneously OBVIOUS WHAT IT IS.

[needles-and-witches]

I'm just gonna leave a song here that reminds me of Locknation and how we're NOT giving up fighting for the show. Notably the line "It's our world and we will fight, We won't let them win tonight", but really the whole thing. Portland Row is our home and we won't let them take our home!

So let's show Netflix we won't let them win and we WILL fight for our world of Lockwood & Co.

[fruity-phrog]

Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.

That is wrong. So wrong, my dude.

Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.

Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.

Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 

Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.

As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.

Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 

TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 

[revasserium]

Okay okay hear me out Rain: reader watching Sanji cook, just sitting, waiting, maybe reading a book but catching glances at him every so often and he knows they're looking at him and just smiles....sorry I love that man

accidentally in love

opla!sanji; 2,569 words; fluff, banter so much banter, flirting, flustered!sanji, whipped!sanji, no "y/n", confessions, "sweetheart", fem!reader, straw hat"!reader

summary: in which sanji is trying to cook dinner but you're very, very distracting. or, sanji finally meets his match.

a/n: i know i said i might not write for anyone other than zoro but i lied. i guess i'm a sanji bitch now too. fuck.

Sanji’s always liked to say that he can cook anywhere, anytime, given that he’s got something that resembles heat and a smattering of ingredients — like any great artist, he knows how to make do. But, he’d be lying if he said that he didn’t enjoy this — the quiet of a ship’s kitchen, the gentle sway of the ocean, the simmer and pop of fat on a pan, the soft bubbling of boiling water — and you.

You, perched on the counter with your legs hanging off the side, hair piled up and pinned with a chopstick, a book in your hands or on your lap, the early afternoon sun spilling in to caress your skin like so many loving fingers. Sometimes, he’ll glance over while chopping onions or mincing garlic to catch a glimpse of you, and he’d find himself stilling, his fingers slowing, his breath suspended in his chest, caught like an insect in amber: held weightless and perfect.

“You’re staring,” you say, flipping a page without looking up, a smile twitching at your lips.

“Yeah, I know. I’ve found that admiring beautiful things helps me in my creative process,” he says, his grin going lopsided as he lowers his eyes to the ingredients on the cutting board — tiny, plump cherry tomatoes ripe to bursting. He resumes slicing each in half with swift, decisive cuts and relishes in the sound of your laughter.

“Careful with that mouth of yours — someone might accidentally fall in love with you,” you flip another page.

Sanji slides the cut tomatoes into a bowl and wipes a hand on the towel slung over his shoulder.

“Accidentally? C’mon, you gotta gimme some more credit. But if anyone’s fallin’ in love, it’s gonna be with you.”

Another page. Sanji plucks a few zucchini from a large bag and starts to julienne them into thin strips.

“What are you making?” you ask, finally setting the book down in favor of peering at all the ingredients he’s got laid out. He quirks an eyebrow, glancing up.

“What, finished with that book already?”

“Nope — just found something more interesting to look at, that’s all.”

Sanji blushes.

Let it never be said that Vinsmoke Sanji can’t take as good as he gives but by all the gods and monsters and sea kings — you’re a damn good flirt. Almost as good as he is, he used to think. Now, as he covers up his rapidly darkening cheeks with a chuckle, turning away to grab a potato for skinning, he wonders if you might just be better.

“You never answered my question, y’know.”

He looks up again, his tongue feeling strangely swollen and uncoordinated in his mouth. You’re grinning at him, your legs still swinging, but in the few seconds he’d looked away, you’ve inched closer, your outer thigh now almost pressing against the edge of his cutting board.

The first time he’d found you perched up on his long work table with a book in your lap, he’d blinked, crossed his arms, and debated on asking what on earth you thought you were doing. Chefs generally do not take kindly to their prep spaces being treated like free real estate for sitting, but he’d never been able to say no to a beautiful woman, now has he? And least of all you.

“Thought you could use the company,” was your answer to his then-unasked question. He’d laughed, nodded, and gotten on with his breakfast prep. But that was months ago and since then, it’s become something of a habit; a ritual, almost.

“What question was that? I was —” he asks, clearing his throat, his fingers almost slipping on the freshly peeled potato, “distracted by your —”

“What are you making?”

“Oh —” Sanji returns his gaze to the cutting board, now acutely aware of the smell of your skin, creamy and warm. He swallows, trying to focus on slicing the potato.

“Just a cherry tomato and zucchini noodle pasta — not often that we get such fresh produce. But Luffy’d asked if I can make chips from scratch the other day so that’s what this bad boy’s for,” he says, holding up half the potato.

“You sure one potato’s gonna be enough?” you shift your leg to cross one above the other, and Sanji has to swallow passed the thickness building up in the back of his throat at the sight of your soft, smooth thighs.

“Good point,” he says, laughing as he bends down to grab a few more.

You fall into a companionable silence, the quiet only punctuated by the tack-tack-tack of his knife on the cutting board and the occasionally shunk-thump of ingredients being swept into a metal prep bowl.

“You’re staring,” he says. And this time, it’s Sanji who grins, keeping his eyes fixed on the remainder of the herb mix he’s chopping up.

“Yeah, I know. I���m making a habit of admiring beautiful things. I’ve heard that it’s good for me.”

Heat bursts in Sanji’s chest as if he’d swallowed a shot of whiskey or gin or perhaps something even more potent. His head spins, but he steadies himself before letting out a soft, low whistle. He fights the urge to look up just to check if you’re as affected as he is.

“Keep talkin’ like that and falling in love with you’s not gonna be an accident.”

When he finally looks up to shoot you a flirty smile, he finds himself faltering as he meets your eyes.

“Who said I wanted it to be an accident?”

The knife in Sanji’s hand slips and he swears as it knicks the skin of his forefinger.

“Ah, shit —”

“Oops.” You have the decency to look sheepish as he shoots you a mildly reproachful look. But you shift your legs and tug open a drawer that had been tucked beneath where your knee had been, pulling out a small bandage.

“Come here,” you offer, reaching out as he stares at you for a second before moving forward to give you his hand. You gently wipe away the blood before pressing the bandage to the small cut, running a thumb over the edges to make sure it’s sealed.

The air hangs between you like dust motes trapped in sunlight, like first snow caught in the silvery breaths of awestruck children.

“There,” you say, the word no more than a whisper. Your hands linger over his, his skin burning where you’d touched him. Shivers skitter down the length of his spine as he gulps in a breath of air that tastes faintly of fairytale endings and happily-ever-afters.

“Thanks.”

He doesn't pull away. Neither do you.

Like this, he can count every single lash that frames your doe-wide eyes. Like this, he can feel the static thrum of electricity threatening to jump from his body to yours, and all at once, he understands why lightning always tries to reach for the closest thing to its storm-ridden skies.

Perhaps it, too, yearns for closeness — for that infinitesimal moment of connection.

He wants to reach for you.

Your lips hover a kiss’s-breadth away.

An alarm goes off.

“Oh fuck —”

He jerks away from you, the world clanging rudely back into focus as he reaches for the lid of a large pot, his heart hammering something fierce inside his ribcage. He nearly burns himself on the thick fog of steam rising from inside the pot to reveal six flat-face crabs, freshly caught that morning.

Behind him, he hears the distinct sounds of you slipping from the long work table.

“Leaving already?” he asks as he turns back around with a stab at his usual light-hearted cheek.

You lick your lips, grinning, “I feel like I’ve caused enough damage for one dinner service. If I keep hanging around, you might lose a finger next.”

“Small price to pay for the company of a beautiful woman,” but there’s a gravel and grit to his voice that wasn’t there before, and he looks away first when this time your eyes catch. He tries to busy himself with prepping the pan sauce for the crabs.

“I’ll let Nami know that the next time she wants to peek in on you cooking.”

“Hey —”

You pause at the sound of his voice just as you reach the door. You turn.

Sanji’s expression flickers between caution and anticipation as he opens his mouth, his eyes somehow sharper and darker than they usually are.

“We’re not done talking about this.”

You cock your head, “About what?”

But there’s a smile teasing at the corner of your lips and Sanji lets out a good-humored sigh.

“Alright, go. Or else I might lose more than a finger.”

Like a heart, he thinks as you close the door behind you with a soft click.

Dinner is an appetizer of cold zucchini pasta followed by a warm, tangy tomato veloute. Then come the crabs — freshly steamed over a bed of risotto and served with a lemon and rosemary pan sauce so delicious it has even Zoro sighing with satisfaction.

“Wow, special occasion?” Nami asks, looking up as Sanji comes around with a tray full of cocktails, complete with blood orange slices garnishing the lip of each glass.

“Ain’t every day a special one with this crew?” he asks, winking at Nami as she takes her drink.

Everyone laughs, but as he sets down your drink, you notice a tiny note tucked beneath the base of your glass.

You take a sip of your drink, glancing down at the note. It has three simple words written in Sanji’s unmistakable, slanted handwriting:

Kitchen — after dinner.

You tuck the note away in your pocket with a secret grin, taking another long sip of the cold, refreshing drink.

The final course is a heaping pile of home-made potato chips with garlic and cheese dip, and Luffy wastes no time in shoveling half the batch into his mouth, crunching loudly over a series of vague, animalistic hums and grunts that all seem to denote happiness.

You finish your drink and slip away under the guise of going for another.

When you get to the kitchen, it's to find Sanji already cleaning up.

“Need a hand?” you ask, setting your empty glass on the counter before lightly hoisting yourself up onto it.

Sanji shakes his head, turning off the water and wiping down his hands. He pours you another drink from a large pitcher before setting it down and pursing his lips.

“This afternoon —”

“I meant what I said —” you say, cutting him off as you look away, eyes fixed on your knees as you swing your feet away from the table’s edge, “if that’s what you’re asking.”

“Oh, yeah,” Sanji clears his throat, reaching into his pocket to grab a cigarette and a lighter, if only to keep his hands busy. The thing in his chest that he’d been so convinced was his heart for most of his life now feels very much like a ticking time bomb. Or perhaps a hand grenade, with the pin held precariously between your teeth.

One word from you and —

“So? What about you?” you ask.

Sanji sucks in a long breath of smoke, holding it in his lungs before letting it out. The familiar sting grounds him as he looks at you and wonders if you know all the things he’d do for you. All the things he’s already done.

“Me?” he asks.

“Yeah — did you mean it?” And for the first time since he’s known you, you sound uncertain, “All… all those things you said? All the things you’ve been saying?”

He takes a few steps forward, finally allowing himself to breach the delicate circle of your personal space, his free hand coming to rest on the counter next to your thigh, his palm pressing flat to keep himself from going too far, too fast.

“Three guesses,” he says, letting his eyes flicker down to your lips and linger there, “You guess right… and there might be a prize involved, hm?”

A small, knowing grin spreads across your lips even as you quirk an eyebrow.

“Three guesses to a yes or no question? C’mon, if I didn’t know better, I’d say you’re losing your touch.”

Sanji leans in and you can almost taste the smoke on your tongue.

“But you do know better, don’t you, sweetheart?”

You suck in a breath, reaching up to tug the cigarette from his lips.

“Yes.”

You catch a flash of his smile a second before his lips find yours. He tastes of salt and tobacco and lemon-rosemary sauce.

“That’s one,” he says as the pair of you break apart. The cigarette lies forgotten on the counter.

Somehow, his hands have found their way to the bend of your waist, settling there as naturally as the tide might settle against its favorite stretch of forgotten beach.

You smile as you reach up to tug him closer, “Yes.”

Another kiss.

Sanji notes with a satisfied grin that your cheeks are just as flushed as his feels when he pulls away this time. He nods, trailing long fingers up your side, one hand reaching up to cup your cheek, the other pressing at the small of your back.

“That’s two.”

You nudge his nose with yours and he feels his hand-grenade heart leap into his throat.

“And…” you hum, letting your head lilt to one side as you ghost your lips over his, “Hm, lemme think about this one…”

Sanji rolls his eyes, tugging you forward by the back of your neck, crushing your mouth to his. It’s more insistent this time — the kiss, the breath, his fingers, your hands — more desperate and fumbling, fueled by the ever-growing heat bubbling at the base of his spine.

“Yes —” you hiss, panting as the pair of you pull apart, your pupils blown wide and dark in the dim kitchen light.

“And that’s all three,” he says, his smile going wide with warmth, “See? You’ve got it. Knew you’d get there.”

“Did you ever doubt?”

Sanji shrugs, taking half a step back to admire the sight of you, with kiss-swollen lips and heat-flushed skin. Perfect might not be strong enough a word.

“There was a moment here or there,” he says, to which you respond with a light shove to his shoulder as you hop off the table.

“Oh, I meant to ask you — what’s for dessert?”

Sanji laughs, “What? Did my garlic-cheddar chips not satisfy?”

“Really? Chips for dessert? And here I was hoping for something sweet.”

You make to leave the kitchen but Sanji reaches forward, pulling you back all too easily, spinning you around and pinning you against the door. His eyes are soft with mirth but as he leans down, you can’t help but shiver at the promise of something more lingering beneath the smoke of his breath.

“Well then, sweetheart, I think I’ve got my dessert picked out already now, don’t I?”

recs r technically closed, but... if you have an opla!sanji one... send it here.

[lesbicosmos]

i feel like the tiny sofa in the office is the dead boy detectives equivalent of the side character who appears in one episode then is never seen again but shows up in every single fanfic

[anxious-bisexual-0]

THIS IS WHAT WAS GOING ON IN HIS HEAD DURING THIS SCENE:

[purplewilmon]

Charlie Spring and Tao Xu | Heartstopper S2.05