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#night nico
yonemurishiroku · 1 year
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Long-haired Nico but instead of hair it's the shadows flowing off him that gave the impression of streaming silky black. You cannot tell where his hair ends and the darkness begins.
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d-does-art · 7 months
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*Swaps your captains*
I re-drew this a little better.
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tylerposey · 3 months
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NICO COOPA & DAMIAN NIGHT Personal Day — ASG Max (2024)
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wu-does-art · 7 months
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coming out as a "Will snores obnoxiously loud" and "Nico breaths so quietly you can barely tell hes alive" truther
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pcktknife · 2 months
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buncha doodles of some of those pirate guys
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theygotlost · 1 year
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Every step I choose to take begins to set the world aflame!
And the soldiers march behind me,
I can hear them beat their spears!
And for the first time in all my life,
I know I'm more than what I fear!
Happy Glorious 25th of May!
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okay but imagine. Thalia Grace, after Jason's death, in a fit of desperation, comes racing to Nico di Angelo, wanting him to summon his ghost, because she just wants to talk to her brother one last time. Before it's too late. Before he reaches Elysium, since the closest she could get to talking to her brother after he goes to the hero's paradise is through dreams, and that wasn't enough for her. Seeing his fragmented soul through dreams is not nearly good enough. She wants the message to reach him. The real him. Not a loomy remnant. She wants to apologise, as she feels her soul being hollowed out with guilt.
She should've looked for Jason, even after their mother told her that he's dead.
She shouldn't have been so busy with the hunters that she would have to cut their brother-sister conversation short.
She should've realised how much her brother craved her attention.
She should've come to the chb meeting that she'd promised jason she'd come to, she shouldn't have made her brother wait like a lost puppy.
The look in jason's eyes when she told him she'd have to leave was etched on to her face. Permanently scarring her soul.
She should've been a better sister. She failed him. She failed to make him feel wanted. She hoped Jason didn't face his death thinking that she didn't need him. Because Gods of Olympus, that would break her.
And she poured all of these gut wrenching thoughts to Nico, who suprisingly listened. Yes. Nico did resent Thalia for being in the hunters of Artemis, the same group that got his sister killed. But listening to Thalia pour her heart out to him, really hit a little too close to home. The daughter of Zeus seemed to echo a young nico, trying aimlessly to summon his sister's ghost to talk to her. They both had the same hollow red eyes, burning with hot tears streaming down, the same crease in the eyebrows, the same flicker of rage over their siblings's murder. At that moment, Thalia Grace looked as unthreatening as the king of all god's daughter could possibly look like.
But Nico was glad, that Thalia, atleast cared about her little brother to this extent. Up until this point, Nico had these lingering doubts if Bianca had really cared about him like this, she had dropped everything to join the hunters after all. Hearing Thalia talk about jason had healed his inner child. Maybe big sisters do think about their younger brothers, no matter how busy they appear to be... So he complied to her wishes. She deserved closure from her brother's death. It would do Jason some good too.
He poured all of his concentration into summoning the son of Jupiter, as Thalia anxiously chewed on her nails, pacing around the murky woods in anticipation. Until a wispy figure with rimmed glasses and neatly cropped hair, appeared in front of them.
"Hello, sis."
Nico di Angelo and Thalia Grace were more or less the same, when it came to wanting to make amends with their deceased sibling.
Except Thalia was the older sister who wanted her younger brother back, And Nico was the younger brother who wanted his older sister back.
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mudzdale · 1 year
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REAL...
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sunflowergraves · 1 year
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logansargey · 3 months
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If I was Lewis Hamilton, I would've locked Nico Rosberg in my basement and never have let him go.
But he did, and it was the biggest fumble of the century.
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yonemurishiroku · 2 years
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Apollo hides the light of dawn in Nico's hair.
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muxas-world · 5 months
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brocedes +rosquez=destined to fail
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heartburiedingreece · 8 months
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Reject modernity
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Embrace tradition
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nightmaremonarch · 4 months
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frobin in enies lobby
(guys imrunning out of things to redraw pls send things . I have like. 2 left. Help)
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mediumgayitalian · 4 months
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“I’d pick you up at the airport.”
“What?”
“If we were normal. I would — have one of those signs, you know. When you came back from your adventures.”
“Oh.” Nico snorts. “I’m still fucking off all the time when we’re normal? And you’re not coming?”
“It is woven within your very soul to fuck off as you please,” says Will sagely. “You get antsy. You know, like a house cat.”
He laughs when Nico shoves him. Less when he loses his balance and rolls into a tree, but he crawls back, anyway, kicking Nico’s ankle as he lies back next to him, folding his hands over his ribs. Nico watches him for a moment, tracing the round edges of his knuckles, until Will’s smile begins to twitch with him knowing, and he looks hastily back to the sky. It’s embarrassing, Will’s snorting huff of amusement, but more than that it’s electrifying, zapping a trail down Nico’s spine and making him shiver.
He can feel the heat Will is always throwing off, blazing every centimetre from his shoulder to his heels, a hair’s breadth away, a millimetre of distance.
“What else would it look like?” He clears his throat. “Our, um. Our normal?”
Will hums. “New York, probably. Big-ass penthouse with your trust fund.”
“I’m a trust fund baby?!”
“Hey, Nico, how much does dish soap cost?”
Nico opens his mouth, and closes it again. Will’s snickers get louder. Is it considered bad etiquette to banish one’s significant annoyance to the Underworld? Only permanently, probably. If he only keeps him there for a couple weeks it should be find. A couple weeks would be appropriately humbling.
“And what do you contribute?” Nico asks, instead of answering. (Not because he doesn’t know. Obviously. Because he is dignified, that’s why.) “Your dimples and boyish charm?”
“Yes, obviously.”
Well.
“…Okay, fair.”
Will snickers triumphantly.
“You still a doctor?”
“Mhm.” Will shifts, mouth curled in amusement. “Paediatric in Mount Sinai. We live close, by the way. You said it’s cause it’s close to Central Park but really you like to hide my lunch in the mornings to have an excuse to come see me.”
“Sounds like you forget your shit a lot, actually.”
“That, too.”
He looks over and smiles at Nico and for a moment he is convinced, wholly genuinely and truly, that the sun that’s been hiding behind the clouds all day has finally peeked out, because he can actually feel his whole body warm, in that slow-rising, penetrating way; he can actually smell the surge of sunshine in the air, feel the red glow in the backs of his eyelids, taste the brightness of the light. Every one of his neurons sinks into his system, sighing, cells reacting to thousands of years of memory of the gentle warm of the Earth’s closest star.
But the sun is not shining, and there is only Will, and his too-big teeth brush against the bottom of his lip, and his dimples show, and his eyes crinkle, and he is more radiant in even his old stained camp shirt and fraying jean shorts than his father has ever been and could ever hope to be. A thousand planets could thrive under a hundred blazing stars and none could come close to him. He knows it, how those ancients felt, the drunken surety as they stood and challenged the gods, swore up and down that their beloveds outshone Venus, Diana, Juno; Will does, Will does, and Nico understands intimately the hubris in a way he scoffed at as a child, because the words bubble and boil and threaten bursting inside of him now. What claim have the Olympians? Over sunlight? Over beauty? Over Will?
“We’re happy?” he says instead, choking hoarsely over the veneer words, over the blocked desperation, truth. “In our normal, we’re happy?”
“Always,” Will whispers. He twists onto his knees, crawling the two inches over to press close, close, closely, hand gentle on Nico’s stomach when he tries to sit up, and presses his lips to Nico’s cheek, dry, twitching with his smile, shaking with his laughter. Nothing is funny, and he isn’t joking, but Nico can feel the giddiness bubbling up and out of him the way sadness flows out in tears; when Will is giddy he giggles, constantly, hiding it barely in his hands, and now he presses it into Nico’s skin, because he knows how Nico aches to hear it, how he watches him like he’s burning it into the ridges of his brain. “I am always happy with you, Niccolò.”
“I love you,” Nico says, fiercely, and it will never be enough, not in English, not in Italian, not in Greek, but he will try. “Te amo. Capiscimi? I love you, Will, I —”
“I know.” The tiny little vibrations of his laughter are — intoxicating; Nico is drunk, ascending. “I know, di Angelo. Sap. I love you, I know.”
He dissolved into giggles into the crook of Nico’s neck, and Nico is lying, still, facing the clouds, and he is warmed, and he is warmed, and he is warmed.
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aroaceleovaldez · 3 months
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I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.
It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).
We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.
I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.
And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.
Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.
It's exhausting. Rick write more than one relationship dynamic you can do it I promise
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