hiiii haha. hello. exceptionally awkward introduction bc idrk how to start something like this so let's just jump right in. im taking a break from this account for a bit. i know i said i wanted taob out before halloween and currently im fine sticking with that deadline, but if i decide i need longer away then i will take longer away. every time ive reassured people that id never abandon a fic and updates will always come eventually i never once considered that my writing and ability to feel safe and comfortable on this site would be actively taken from me, so im not even going to apologise. i dont want this either and more importantly i dont fucking deserve it. i dont know what it is in the past year, if ive hit a certain amount of followers or 'popularity' that's made it so the natural ratio of positive to negative interactions must in turn go up, but there's been a serious uptick in weird asks for me. the annoying part is that a very small amount of them are actually objectively mean and hateful, the rest are just weird and invasive from people who seemingly dont realise that's what they're being. ive reached a point where i dont care if the intentions are good. it's not my job as a 20 year old tumblr user of all things to defend the morality of someone who couldnt even bother to come off anon. unfortunately, after blocking only one or two anons, the weird asks have decreased substantially, which says all you need to know about the fascinating and exhilarating lives led by these people, but ive also gone on to turn anon asks off entirely. this is something i actively fought against doing and had to be pushed into by my mutuals (who have been the coolest people on planet earth during this entire thing). turning off anon was a big deal to me even if it sounds silly. i felt betrayed and like id been backed into a corner because it was so vehmently something i DIDNT WANT that to feel like i had to do it anyway for my own mental health??? that sucks. so even though ive 'fixed' the problem, im still kind of reeling and uncomfortable every time i come on tumblr. i hope it's just something i need time to ease because i'll truly be devastated if this becomes 'ruined' for me. tumblr exists as the only place in the world where i am honestly every facet of myself without shame or hesitation; losing that would be insanely harmful to me. and to the people who cant appeal to the actual human behind the post, let me put that in words you can understand: we wouldn't get any more writing 😦😦😦 riots and fires and sirens, i know. so yeah. to anyone who has sent me an anon ask and you're now wondering if you were part of the problem, im firmly of the belief that you'll know if you are. when i say 'weird asks' i dont mean 'you sent me a para about your personal life just to vent or ask for advice' or 'you sent me a really deep emotional compliment about the impact me and/or my writing has had on you' - i love asks like that, so much that i put off taking a break and turning off anon solely for the joy they bring me. im sorry that it might feel like you're being punished too bc of the actions of what in reality is a HANDFUL of weird people, but this is what i feel like i have to do to feel safe and not go insane every time i log in. love you guys, hopefully ill see you soon x
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Wow, so umm... This looks bad, not only is it inaccurate due to using the wrong ink demon design [unless this is confirmation BATIM Ink Demon has been outright retconned... Which would make me pissed enough to make a new post just about THAT] but from an art standpoint this is just... Confusing and poorly done.
I wouldn't care if this was fanart, of course you should support young, indie artists... But for a Graphic Novel making sure your cover doesn't look like something Butch Hartman shat out in an afternoon is kind of important. Remember they're going to be asking us to give money to them to read this. The artist likely won't see any of that money and neither do the authors most of the time, not to mention this art screams of the artist being underpaid and overworked.
Like they Had to get something on someone's desk and their boss said 'good enough'. A concept Joey Drew Studios is very familiar with considering the allegations of poor working environments that Kindly Beast. Not to mention Mike Mood admitting in a Reddit AMA that they did in fact rush projects like Showdown Bandit. [Which they sold at full price]
He also says they can in fact say no or yes to designs involving their IP. Either Mike or Meatly had to say yes to this cover, according to his own damn words.
And do you really think this company in particular would care enough about its fanbase to not sell them garbage? They have done exactly that on several occasions. It's not like they care particularly about art either, considering their previous use of AI Art. There was no apology or even posts addressing it... Instead, they just rushed out an archives update to their game to get people to stop talking about it... Even forgetting an entire character in it. Again
This company is [or at least SHOULD BE] on thin ice when it comes to being suspected of misleading their fans or rushing out crappy products to them.
So with all that context in mind, I'm gonna talk about why this cover sucks ass.
The light sources are all over the place? Why does it look like someone put maces or knight armor on his shoulders but it's just flesh?? It looks both gross and weird [not in a good way either]
To explain more I'm going on a rant below but sadly this seems to have been confirmed to not just be a rough pass but the final cover and man... I am not excited about this graphic novel just at all. This felt like it really drained any possibility of it turning out good for me and I already had expectations low.
Okay first point, the light sources?? And there is no consistency here with the shadows or lighting, it looks like there's a hundred light sources all at once but none of them are even consistent!
the arrows here represent all the different light sources I can make out and yet the the shadow clearly implies there's only one. I understand wanting to use highlights to give the character a more clear shape but then just give him one or two lights behind him or in front of him? No matter how u follow the light sources, the highlights make no sense and the shadows make even less sense.
Why are the shoulders like that? Like on the legs it's a little understandable, at least those are clearly very heavily affected by perspective, for me I think they are so exaggerated it makes it look like one of the legs is either huge or one is small but that's maybe subjective.
However, the shoulders are unjustifiable, what happened there, what did they do??
I could pick on so much more honestly, how the color choices of piss yellow with no other colors being used, and the harsh pitch black being used for every part of his body is weird. How it looks straight out of Butch Hartman's recent crappy art. But to put bluntly bad start! Also what the HELL is going on with this background??
Seems once again the Bendy team is fine with sending out stuff thinking it's "Good Enough" for Bendy fans and honestly the people trying to tell me to "Be Grateful" for this are just proving that no matter how many times you betray your audience some of em will defend you!
Which is sad tbh. If anything we should be putting MORE pressure on the Bendy team to do better. Cause we deserve better than this, honestly we do. There are amazing artists in the bendy community who could do so much better for a cover. They've employed their fan artists before... Wouldn't it be great to do that for such a lore important book? The book that gives us the identity of one of the main characters in BATIM? The character you spend the entirety of Chapter 4 fighting to save? Not to mention will give several major characters their human designs?
But I guess this is... Good enough...
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could you elaborate on vergil and medieval wizard legends from your tags to the christian vergil reception post? :o
i am probably not the best person to do so since i'm not at all familiar with the actual medieval legends and texts, but my understanding is that these legends of vergil being a wizard or a magician probably grew out of the idea that he predicted the birth of jesus in eclogue 4-- once there was the established idea that vergil had prophetic powers and also was not entirely pagan and thus a safe(r) figure for later christians to play with, a whole set of other legends grew up around him, apparently entirely divorced from the actual written works of his that survived.
as a magical figure, he gets particularly associated with the city of naples, which i think is where a lot of these traditions originated. they seem to be set in a sort of historically-nonspecific fairy-tale roman empire that maps on to the contemporary medieval italian landscape. for example, castel dell'ovo is called that because of a legend that vergil buried a magical egg in the foundations of the castle. there are also stories about his love life, his interactions with the emperor, and his magical revenge on those who wrong him-- actually a pretty standard set of folktale elements and motifs, with nothing that particularly points to vergil as a writer or any of his texts.
but christian readings of eclogue 4 opened the door to this idea of vergil as a proto-christian prophet, so by the medieval period he transforms into this folk hero magician with little resemblance to what we know of the historical vergil or his work, a folk hero who probably circulates mostly among people who had no familiarity with ancient literature. and then that folk hero who developed out of the author vergil in turn influences the way people read his work.
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Alright uninformed rant time. It kind of bugs me that, when studying the Middle Ages, specifically in western Europe, it doesn’t seem to be a pre-requisite that you have to take some kind of “Basics of Mediaeval Catholic Doctrine in Everyday Practise” class.
Obviously you can’t cover everything- we don’t necessarily need to understand the ins and outs of obscure theological arguments (just as your average mediaeval churchgoer probably didn’t need to), or the inner workings of the Great Schism(s), nor how apparently simple theological disputes could be influenced by political and social factors, and of course the Official Line From The Vatican has changed over the centuries (which is why I’ve seen even modern Catholics getting mixed up about something that happened eight centuries ago). And naturally there are going to be misconceptions no matter how much you try to clarify things for people, and regional/class/temporal variations on how people’s actual everyday beliefs were influenced by the church’s rules.
But it would help if historians studying the Middle Ages, especially western Christendom, were all given a broadly similar training in a) what the official doctrine was at various points on certain important issues and b) how this might translate to what the average layman believed. Because it feels like you’re supposed to pick that up as you go along and even where there are books on the subject they’re not always entirely reliable either (for example, people citing books about how things worked specifically in England to apply to the whole of Europe) and you can’t ask a book a question if you’re confused about any particular point.
I mean I don’t expect to be spoonfed but somehow I don’t think that I’m supposed to accumulate a half-assed religious education from, say, a 15th century nobleman who was probably more interested in translating chivalric romances and rebelling against the Crown than religion; an angry 16th century Protestant; a 12th century nun from some forgotten valley in the Alps; some footnotes spread out over half a dozen modern political histories of Scotland; and an episode of ‘In Our Time’ from 2009.
But equally if you’re not a specialist in church history or theology, I’m not sure that it’s necessary to probe the murky depths of every minor theological point ever, and once you’ve started where does it end?
Anyway this entirely uninformed rant brought to you by my encounter with a sixteenth century bishop who was supposedly writing a completely orthodox book to re-evangelise his flock and tempt them away from Protestantism, but who described the baptismal rite in a way that sounds decidedly sketchy, if not heretical. And rather than being able to engage with the text properly and get what I needed from it, I was instead left sitting there like:
And frankly I didn’t have the time to go down the rabbit hole that would inevitably open up if I tried to find out
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I love crawling out of the depths, opening up tumblr, and seeing your art. I love it.
it is quite interesting how social media can fall to the wayside, and people on the internet can just disappear forever if they really wanted to! I admit I struggle to keep up with "public accounts", they are uniquely stressful and I solute your hibernating tenacity. always lovely to see you resurface regardless, thank you very much for the lovely compliment...
I will say in case any of my dear followers were wondering where i've gone for the past month and a half, for weeks i've been pondering how to even broach the enormity of the topic that is: I made the mistake of thinking about my most favorite character for more than 2 minutes in one sitting. I intentionally go out of my way to avoid this and have many strategies to evade this occurring because every time I do enter a sort of hermetically sealed mental chamber where it's just me and him and his life and I begin to ignore all points of previously established social contact and also my health indefinitely. It's difficult to convey the emotional experience of this or its psychic magnitude. and it's hard to say "guys i really love this character!" because that's just words. you can't see it. the 10 years of obsessively thinking about some guy so intensely on&off cyclically until you've made 20 different worlds he's living in... how does one convey the depth of these without artistically depicting them as you see them to be...? i am trying to figure it out. currently planning a longform comic for my favorite and several smaller comics for others, but logically an individual can understand this takes a while... he and I have had multiple rendezvous over the past decade and I wish I had more "historical" art to show but for many of these years I have been a bit too physically disabled to draw, the past several weeks have been spent attempting to recreate his ideal form as he exists in my head. he is starting to come around!
I typed up three separate disquisitions last month to try and explain my feelings on him and none of them felt like the proper vessel to communicate this concept. which is likely for the best. the obvious answer is "just draw him". fine with this being the case, difficult when I have so many drawing ideas I'm now sitting on 100+ works in progress and they just keep accumulating since my brain generates these like an old laptop you leave in the corner of your room to mine bitcoin. in a way I'm content with this being a very "personal" experience thus far, shared with me and those in my inner social circle (really cannot emphasize to my readers enough how fandom can poison your constitution without self-checked moderation). however... I yearn to meet others who are as passionately involved with him as I am, because I think we could coalesce our ideas, and passion, into something beautiful...
^dio brando
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