#no idea where to start. its complicated

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[mango-dolphin]

(Part 1) maybe the two of them have something in common. i doubt it'd be easy to see, though

dialogue under the cut:

Ishmael: Great. Ok. Fine. As though we needed anything else to go wrong today. Caption: It's raining.

Quixote: Ah! Mine comrade! Allow me to shield thee from this most drenching of downpours! Hong Lu: How ingenious...! It won't drip too much on me, will it? Quixote: ..... Ishmael: Well, whatever. Rain won't affect our mission in any meaningful way. We should just continue onwards. Ishmael: Let's get—

(offscreen) Meursault: Peheh

(offscreen) Meursault: Ha ha ha.

Meursault: Hahahaha.

Hong Lu: ...Huh? Heheh.

Sinclair: Meursault... is everything alright?

Meursault: ...

Hong Lu: ... Ah~. Hong Lu: So that's what it is. I see now.

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[opens-up-4-nobody]

The way that the sun hits leaves and clouds. I feel like I could watch the colors change forever. If I could slow down for that long.

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.

[inhumanfuckingdogman]

Sometimes you only ship something because you want one of the guys to be gay. And thats okay [said while gripping the mirror and sweating]

[nonbinaryphantom]

valerie for the roleswap au is gonna be so so hard to figure out bc her dynamic with danny is already different by virtue of danny not being as good of a guy AND more of a loner so its like auhghhhhh i still want to make their dynamic fun and interesting

[citrusinicake]

how does one figure out what webcomics are hosted with

[vjonk]

a couple of progress photos of my gabriel cosplay:

[arolesbianism]

I may be failing my plan to not make any isat aus. So there's this guy her name is Euphrasie right. What if I took her and combined what could be 3 separate au concepts into one. And in the process forced myself to go back and reread a bunch of shit to make sure I know how to maximally fuck over this sad wet puppy of a woman

[monsterblogging]

"I know JK Rowing is a terrible person but her books are so good-"

You sure about that?

I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.

Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?

And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?

Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.

Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?

Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.

Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.

"But the characters are so good!"

Are you kidding me?

Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")

"But the rest of the worldbuilding!"

Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.

I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.

Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.

The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!

But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.

Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.

If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.

Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.

[hopeheartfilia]

alyosha is a blorbo blueprint

[gogogodzilla]

day 29, somnophilia

mike schmidt x reader warnings: nsfw 18+, unprotected sex, creampie, free use (kinda), semi-established relationship, neighbor!reader, part 2, part 3 kinktober ☠︎︎ main masterlist ☠︎︎ read on ao3

You and Mike came to a relatively simple agreement. You’d watch Abby while he worked nights and he’d repay you by fucking your brains out. He was hot and good in bed, plus Abby spent most of her time in her room. So, you didn’t mind your arrangement much. 

That was until Mike got so busy you hardly saw him enough to receive your payment.

“You know,” you said as you took a seat at your usual spot on his couch, “you still owe me from last week.” 

He sighed and leaned over you, placing a hand on each side of the back cushion, trapping you. 

He pressed a kiss to your lips, “I know. I’ll make it up to you. Promise.” 

You grinned, “I’ll leave the light on for you.” 

Mike surprised you that night when he came home late that night, and you had curled yourself up in his bed, fast asleep. You awoke with Mike pressing heated kisses along your neck and his hand between your thighs. He pressed his free hand against your mouth, muffling the desperate moans that fled past your lips. 

You’d stay tangled between his sheets until the early morning when you’d sneak back across the street to your own home. Ever since that night, you’d tell him that if you wanted him to wake you up like that. The light was on more often than not. 

When he started working nights, things became slightly more complicated. By the time he got back in the morning, it was time to wake Abby up for school and you had to get ready for the day. That was until you had the day off and an idea struck you. 

You were about to head out the door before you turned to Mike, “Leave the light on for me?” 

His eyebrows furrowed for a split second before the corners of his mouth quirked up. “Yeah, of course,” he nodded and you were out the door, grinning. 

You waited a few hours, performing menial tasks around your home before you decided it was time to put your plan into action. Abby was off to school and Mike was asleep soundly in his bed, headphones placed securely on his ears and nature sounds drifting out of them. You slowly crept further into Mike’s room and began to set up the camcorder at the foot of his bed, flinching at the slightest creak of the tripod. 

You knew Mike wouldn’t wake up, but it was more exciting if you made yourself believe there was a chance. You pressed record and giddiness filled you. You made a show of stripping for the camera. You slowly slid off your sweatpants and underwear in one swoop. 

You picked up the pair of jeans he had on the floor and held them up to the camera, doing your best game show girl impression. You picked up your underwear and tucked them in the front pocket, patting it in before setting them at the foot of his bed. Your shirt was the next to go. You faced the camera as you slowly tugged your shirt over your head, revealing your bare chest underneath. 

You trailed your fingers up your torso and circled your fingers around your nipples, causing them to harden under your touch. You leaned your head back to give him a full view of your chest as you pinched one of your nipples between your fingers, gasping slightly. 

You turned and sauntered to his side of the bed where he was sleeping soundly. You ran your fingers gently over his forehead, brushing his hair out of the way, and pressed a kiss to his forehead. 

He made your job easier by wearing a black t-shirt and briefs and by always sleeping on his back. You threw the blankets covering his form to the side and kneeled beside the bed. Your hands wandered over his thighs before palming him through his briefs. 

You crawled into bed next to him and your hands drifted past the waistband of his briefs. You stroked him, slowly, before freeing his cock from its confines. You pulled his briefs down and over his balls, just enough for you to access everything freely.

You threw a leg over his thigh and your hand wrapped around his cock once again. He had begun to harden in your grasp but you couldn’t quite get enough friction. You slid down his body and turned so the camera could get a clear view of what you were about to do. 

You held him in your hand and swiped your tongue across the head of his cock. You groaned at the taste of him and enveloped your lips fully around him. You swirled your tongue around the pink-hued tip and Mike’s breath caught slightly but he didn’t stir. 

You steadily bobbed your head, gradually taking more of him with every stroke. One hand stroked what you couldn’t reach while the other gently fondled his balls. You pressed your tongue against the underside of his shaft, and Mike’s cock twitched in your mouth. 

You pulled away and licked your lips when the ache between your thighs became too great. You carefully straddled his lap and ground against his cock, spreading your slick. A soft moan left you as the tip hit your clit just right. 

You brought your hand down to where your bodies met and aligned him with your entrance. The whine that escaped you as you lowered yourself onto him was loud and you slapped a hand over your mouth to muffle it. 

You missed his hands roaming your body as you rode him, but there was something so pleasurable about seeing the minute changes in his demeanor as you used him. You dipped down to press open-mouthed kisses against the column of his neck. You clenched at the thought of covering him with hickeys to find later. You leaned down and explored his chest with your lips and tongue. 

You smiled as small red marks covered his neck and chest. You were confident that they’d blossom into the purple marks you desired once he awoke. You began to rock your hips faster against him as one hand drifted down to circle your clit. You used your free hand to knead your breast, pinching and dragging your fingertip across the bud of your nipple. Your legs were beginning to burn and tremble but the familiar heat pooling in your belly spurred you on. 

You leaned forward, and the new angle had you reaching your peak in no time. You spasmed around him as you continued to jut your hips against him, riding out your high. A satisfied moan escaped you as you felt Mike twitch within you and he filled you with his cum. 

You panted softly as you slid off of him. You kissed his lips softly before fixing his briefs and covering him back up. You stopped the recording and quickly got dressed. You tucked the camcorder and tripod under your arm before leaving Mike’s home. In a few hours, you’d bring him the lunch you made him, tucking the VHS tape inside the paper bag. 

You’d hold the door for him, and walk him out to his car, smiling the entire time. 

“I hope you enjoy your lunch,” you’d mention. He’d grin, a knowing glint in his eyes. You’d leave the light on for him for when he came home.

[opens-up-4-nobody]

...

[chisatowo]

I need 2 stop making salmonid ocs I cannot design all these fuckers I need 2 design the many many characters from my actual stories and aus that need designed and yet all I wanna do is make more emo fish ppl help-

[sunniepoo]

Hii sweetie 🫶🏻 I was wondering if you could write something about stepbro!rafe teaching her stepsis about sex and stuff, telling her it's normal to do this thing and everything.. thanks in advance love!!

ugh yess!!thinking about this being a post-sex convo where you start feeling guilty about it and he has to manipulate reassure you

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you’ve always has an inkling that what you had been doing with your stepbrother was wrong and despite how good he made you feel, how far he made your eyes roll back - there was always a little voice in your head discouraging you; telling you that this wasn’t right

‘th-this is all natural-’ he would ramble, going on about how this is his role and purpose as the man of the house, making sure that you knew all of this and how ‘no one else would understand’

it was hard because as much as you trust rafe’s word, you couldn’t ignore the pit in your stomach, after every long night of him pounding into your cunt, nagging at you that this was disgusting - you were disgusting

and that’s how you found your usual bubbly demeanour gone as the older boys large amount of seed drips out of you, coating your thighs with pale white colour - the warm liquid reminding you of your shame or lack of. you didn’t even register the presence of rafe’s large figure slowly cleaning you up, how could he be so casual?

“what s’mthin wrong?” he queries, large palms coming up to massage your sore body, confused by the sudden change in atmosphere “hm? c’mon kid you gotta talk if you want me to help”

“d’you feel like we’re doing something wrong….something bad” the question blankets the room, clouding the room with a sense of uncertainty

“what” the older cameron deadpans, response coming out more icy than you expected “wh-what wh-where is this coming from…what are you even talking about” eyebrows furrowing with every word, showing his clear confusion and worry, mind lingering on the question ‘why are you having second thoughts?’

“just feels like this is wrong sometimes” hands reaching up to rub at your forehead, eyes planted at the side of the bed “why are you saying this,did someone say something…..hm?” he was stressed now, not at the idea of you two getting caught but more so the idea of you backing out of this situation he had carefully established

“no no no… no one’s said anything,no one knows, just feel like this whole things a bit wrong sometimes - like i should be ashamed for doing this…for doing you”

the room falls into a moment of silence, the blonde in front trying to process what you’ve just said, he can’t help but smirk a little, lips curling upward- you’re worried about being a dirty little girl, it was laughable to him because you don’t understand it like he does, you’re his dirty little girl

“look… this-“ he begins, one hand waving between the two of you signaling his words,as he sits beside you “i-it’s complicated, and people won’t understand cause they j-just can’t think like we do, but what we have- it’s normal”

“without me to teach you all of this kid, shiit, you’d be lost” words coming out with a breathy laugh “you’d be stuck with some loser who wouldn’t know what he’s doing, leaving you all wet and needy” you nearly flinched at the way his hand traced up your thigh fingers toying around with your sensitive clit, causing you to grab his wrists

he shrugs you off with ease, fingers continuing their teasing motion “y’wouldn’t like that, would you kid” you were so so sensitive, his hands causing you to whine and squirm “n-no rafey” your words come out with a moan “yeah you see that’s why i’m here, to teach you - fill my role as a good stepbrother to you..m’kay” and before you could respond, one fingers already made its way knuckles deep into you, torturing your already worn out cunt

“now why don’t we have another lesson?”

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