Simulacra, Simulation, and Girls' Generation
That take that "anime girls don’t correspond to anything" reminded me of one of my own pet theories, which is that the same is true about Kpop groups.
Groups like Girls' Generation are like the opposite of American singer-songwriters. The singer-songwriter's core value is authenticity. Their songs are taken to be autobiographical, and to be valuable because they are a true description of the emotions that the songwriter felt. The singer-writer must be a single person so we can be sure that nobody has tampered with the depiction before it reaches us. This is Baudrillard's "first order" image, we in the audience should believe that the song is "the reflection of a profound reality".
With the kpop groups, what we enjoy is that the song does not represent any underlying reality. Each music video is the impersonal product of songwriters, producers, choreographers, stylists, video directors, etc. Rather than a spontaneous expression, you can see the moves being developed in the behind-the-scenes dance practice videos. The online discourse emphasizes the role of the entertainment agency (e.g. SM Entertainment): the group members themselves do not have "agency" so we can be confident that their own emotions didn't make it into the love songs they sing.
Let’s look at the music video for Oh! (2010) to see how this plays out. It's like a game of dress-up, showing off two different cheerleader uniforms. Argumate once wrote that Girls' Generation perform "a detailed sequence of dance moves that are very 'sexy', i.e. strongly coded as suggesting sexiness without necessarily being sexy-without-quotes", and I think we can say something similar about cheerleader outfits. They are not there to convey a message or story (and as if to stress the arbitrariness, the last few seconds of the video show the girls dressed in a completely different "strong woman" style, to tease the upcoming next look). Rather, the "sexy cheerleader" is itself a stylized, free-floating signifier to be quoted. "The whole system becomes weightless … an uninterrupted circuit without reference or circumference." (Although I believe it is still possible to overcome the ironic stance.)
So far everything is straightforward, but now consider the lyrics:
Oppa please see me, please look at me
It's the first time I talk like this (ha!)
I did my hair and I did my makeup too
But why is it only you who doesn't know? […]
Don't think of me just like a little sister
You might regret that after a year
I claim that this also works in the opposite direction to the normal mode of storytelling. When creating a movie or play, the auteur-director starts with an idea or a story, and then casts actors to best represent his vision. Or, if that is not what it in fact took place, it is still the convention the viewer is supposed to apply to interpret the work. But with an idol music video, the starting point is the singer, who already has a fanbase. "Please see me, please look at me"—well, we already were. (This is not the only Girls' Generation song about looking at the idol, by the way, compare e.g. The Boys, which begins "I can tell you're looking at me / I know what you see".)
Given the opposite starting point, the representational function of the lyrics changes correspondingly. Rather than focusing on the new fictional person who emerges ex nihilo, the fan's attention is still on the singer, and the "little sister" character is yet another stock signifier for them to bring out and put on, much like the uniform. The function of the story is erasure: there was in fact a hairdresser and a makeup artist who styled Yuri, but instead we're invited to project a different fantasy over her. The effect is to further stress the unreality of all the symbols involved.
With this in mind, I think one Girls' Generation song has a really interesting concept for the lyrics. In Paparazzi (2012) the idol looks out across the crowds, spots a photographer who is trying to be discreet, and speaks directly to him: "shall I give you a better photo? let's be friendly, after all aren't we allies?"
It re-establishes the inauthenticity and unreality of the idol! As time goes by, pesky reality intrudes. People will follow the individual group members devotedly, and there are paparazzi images of them. Members will capitalize on their fame through individual brand endorsement deals. There is the perennial problem of girl group girls getting boyfriends, jarringly peeking out as an actual human being from behind the illusion. Or in the extreme case they can even use their new independent existence to leave the group.
In Paparazzi, those candid photos are re-imagined as performance. And furthermore, just like in Oh! we are invited to imagine a fictional character speaking directly to us. But in this case the character is superimposed not just over the image from the music video, but also over all the already existing photos. The actual person of the idol is crowded out by the fantasy…
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Seeking writing advice from one of the best. Please, share some of your tips, tricks and general wisdom (if you feel comfortable ofc). :))
you're so sweet! i'm no professional but i'll do my very best to offer something helpful!
the unfortunate reality is there's no one universal trick to writing. you just gatta Do It. and do it frequently! write badly. write out of sequence. write streams of consciousness with no mind for how the sentences read.
the most important thing you can do with your ideas is get them OUT of your head. you can't polish a gem before you've mined it.
don't delete the things you write! if you find a fic or a scene isn't flowing right or just doesn't fit where you've written it, put it aside. there's a good chance it'll come in handy later, or you'll be able to utilize it better at another time with a fresh perspective.
i have a whole doc called "odds and ends" where i hold onto moments or bits of dialogue that i've written but don't have a use for yet.
don't be afraid to seek validation! to paraphrase this tessa barron article, writing is performative. your story isn't finished until someone reads it. you'll never be done with it until it becomes real and complete to someone else. that's just part of the art! we write for ourselves, yes, but we also write to connect with each other.
read!!! in order to write well you must read. learn from authors who have more experience, more mastery over the art of storytelling and structuring their sentences. audiobooks count as reading, btw! it's so important as a creative to imbibe stories. i got back into reading published books around the time i started getting serious about writing again, and the impact it had on my style is SO obvious to me any time i go back and read my older pieces.
writing is fire and reading is fuel. feed your creativity!
PLAGERIZE. now ofc i don't mean this literally. but you absolutely SHOULD be freely taking inspiration from everything and everywhere. the reality is that there's only so many stories and concepts out there. what makes something original is the execution. don't ever be afraid to tell your version of a story you love. ESPECIALLY in fanfic! there's a reason fandoms are rife with stuff like beauty and the beast au's.
i hope that helps! 🖤
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Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force.
Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out.
[SEASON ONE HERE]
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Hey
Another thought
So uhh it occurred to me earlier today that I have this c!Ranboo animatic that I just never fully finished nor posted... It's just kind of, sitting in my drafts
Do I post it? Do I...try to redraw some of this as Logan and maybe see if these are just reusable somehow??
Like some sequences are kind of...well, extremely specific
I just... I guess I completely forgot this animatic was here so I'm kind of at a loss for what to do with it, haha
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