#that story is so cinematic in my head

[fictionadventurer]

History Channel guys: So glad to have you onboard for our docudrama. Here's the script telling you everything you need to know to play Ulysses S. Grant.

Actor: This just says, "Stare off into the distance and take a long drag on a cigar."

History Channel guys: Yeah, we're pretty sure he ended 75% of his conversations that way, so this show is going to reflect that.

Actor: Okay, then. Throat cancer, here I come!

[honeyspeeches]

bunch of kl thumbnails out of context to try out new brushes

[thebramblewood]

Some things never change.

[currentlyonstandbi]

[quickhacked]

>> oc intro song

was tagged by @strafethesesinners and @florbelles, thank you so much!! tagging @aartyom, @arklay, @steelport, @faarkas, @morvaris, @swordcoasts, @reaperkiller, @eurodynamic, @montliyets, @cultistbase, @aelyosos, @shellibisshe, @blackreaches, @coffeebucko, @turbo-virgins, @adelaidedrubman, @henbased, @bluemojave, @necro-hamster, @coyote-skull, @sweet-mephistopheles, @radioactiveshitstorm, @radioactive-synth, @awful-roffle and anyone else who wants to do this :D <3 rules: pick one (or all) of your ocs from any fandom and post the song you think would play when they are introduced to the audience and why!

gr4ves - konrad oldmoney // walking on the moon - stela cole

vincent is introduced to the audience when he's moved back to night city after living in atlanta for a while, and he's just settled in. he's driving around town and the first song i mentioned is playing at the same time. it's a song from the game itself but it fits incredibly well so that's why i'm keeping it LOL

i mentioned a second song because i wanted to <3 that would be a song that plays when he's re-introduced to the audience in the interlude between the arasaka chapter and the broker chapter, when he's no longer actively dying and is settled in and feeling a lot better in general. the re-introduction would still be centered around night city since it's just a very important part of vincent as a character, so i can see him walking around the streets at night with this song playing and then showing up at the afterlife and getting the attention of everyone in there >:) he's one of the cool kids now

playground - bea miller

vitali's canon introduction is kinda boring actually in terms of how cinematic it is LMAO vincent is taken to his office by jackie and they just meet him there and that's pretty much all there's to it </3 so for the sake of this post i've cooked up an improved introduction scene >:)

vitali is "introduced" to the audience when jackie is taking vincent to see a fixer. they enter a very crowded club and have to push themselves a way to the far back, and while they're doing that the song i mentioned is playing. vitali is chilling in one of the booths, probably with mikhail and eddie as bodyguards by his sides, and he's dealing with a client before jackie and vincent join him there. the client is getting agitated over nothing and it ends up becoming physical, but surprisingly enough, despite having two bodyguards with him, vitali deals with the situation himself <3 all while the song is still playing <3 insanely sexy of him

drivers license - unsecret, unsecret string quartet

mikhail's canon introduction goes hand in hand with vitali's since he's also at the office when jackie takes vincent there! they don't really talk at first. or the second time they see each other. or the third. they just keep running into each other and they just kinda look at each other from a distance and especially because mikhail looks pretty intimidating. well. vincent is a bit scared of him at first LMAO but at the same time he's curious!! because mikhail seems close with vitali!! but also since i changed vitali's introduction a bit i'll do the same for mikhail bear with me here

mikhail is "introduced" to the audience when vincent and vitali meet in the club, though he speaks very little in that scene. from that moment on, kinda like in his canon introduction, vincent would run into him occasionally at the office. i'm imagining a compilation of tiny moments of vincent arriving at the office or hanging out there and seeing mikhail every now and then while the song i mentioned is playing in the background :) in this hypothetical introduction vincent would still be intimidated a bit by him at first, but his curiosity would soon take over as well and he would eventually approach mikhail to talk to him and stuff <3

[babygirl-riley]

Building a Home

Simon’s mom tells him if the life he would have, Simon will come to see she was right.

“This is a place where I don’t feel alone. This is a place where I feel at home.”

A/N: Listen will never stop thinking of stories with her art @ave661 😭✋🏼

Warnings: fluff, angst, childhood trauma, trauma, soft!simon, small mentions of smut, mentions of death, husband!simon, dad!simon, swearing

simon x reader guide

simon x reader family edition

“Simon,” Simon turned to look at his mom. Her gray hair coming out more as so her wrinkles. Simon came over to her home to visit before he had to leave for deployment. He hummed to let her know he heard her. She placed her tea down before turning fully to him. “You need to find ya a girl.”

Simon rolled his eyes, topic of conversation after Tommy had Joseph. “Mum,” He moaned setting his tea next to her on the shared table next to them. She loves sitting out on her porch in the middle of the day. It felt nice during the fall, where the weather would be that nice warm that would go to cold eventually. “We ‘ren’t talking ‘bout this.”

“We need to,” She chuckled. “Ya not gonna stay old for long.”

Simon shook his head. “Mum really I don’t need a woman.”

Her eyes widened. “Oh I didn’t realize that it wasn’t women,” Simon raised an eye brow to her. “I always thought it was only women.”

Simon choked on his tea. “No it’s not that mum,” He groaned rolling his eyes. “Probably would be easier.” He mumbled.

She chuckled. “It’s the same no matter if it was a man or woman,” They both chuckled before she sighed. “Really Simon, you need to find you a young lady. Would love to see both my sons married. That they would be taken care of.”

Simon sighed. “Right now isn’t the time.”

His mom looked at him and nodded. “It will come without you knowing it.”

Simon didn’t believe her when she said that. Especially when she died he didn’t believe her. No one could love Simon Riley, he was a cold hearted monster. Who’s hands weren’t as innocent as it was then. No one would want to touch him to become as dark as he was.

Simon barely got close to anyone, too afraid of losing someone. It always happened, nothing went right for Simon. Once he got close or happy it would be snapped away from him, like he didn’t deserve it. So why put himself in a situation where he could potentially get close?

At work Johnny would try to be friends with him but he would bat him off. Still Johny does of course taking it as a challenge but Simon is a stubborn one. Price even warned Soap about how he might be buried if he kept trying. New recruits would call him ‘SUTA’ which he figured out it was ‘stick up the ass.’

So he never believed his mother no woman would love a man that was considered a cold hearted man that couldn’t be thawed. Which he was fine with, he loved being alone. He got used to being alone.

Yet you came along for the ride. You were this woman that came up to him at a grocery store, asking for help to reach an item. You weren’t scared of him. Timid. You made eye contact, curiously watching him. Simon even didn’t say a word as he did the service for you. It didn’t even make him bat an eye at you until; you made a joke about how short you were saying there wasn’t counters to hop on.

Simon then joked with you about how you could have climbed the shelves like a monkey. You laughed, making his stomach turn and his heart beat faster. Both of you talked in the aisle until you said that both of you should finish the conversation with a drink. Simon agreed.

“Ya always say that.” He grumbled grabbing his tea once more.

His mom grabbed her tea as well taking a sip. “That’s what happened with Tommy.”

Simon sighed, before looking forward at the scenic view. “Tommy is a better man mum.”

“Says the one who got him out of his rut,” She mumbled eyeing him. “Says the one who cut their father out his life including his families,” Simon looked at her narrowing his eyes. “Don’t you dare say that ya are not Simon Riley.” Simon sighed looking away. “Ya too hard on yourself.”

Simon took a sip of his tea. “Well it is what it is.”

“Ya stubborn is what that is.” She commented chuckling. “Ya get it from me.”

Simon huffed amused. “Lucky me.”

It was silent for a moment. “I’m gonna say this last time Simon,” She spoke looking at him. “Ya gonna have a beautiful wife that can handle ya stubborn mind, with a beautiful baby that will get that stubborn head, and a beautiful house.”

Simon chuckled. “Will I get a stubborn mutt too?”

“Oh you would have to,” Both of them laughed as she smiled at him. “Ya come to me to thank me. To say I was right.”

Simon didn’t expect it. Just his team, your family, him, and you. The wedding dress close to your body, the smile plastered on your face. The tears slipping out of his eyes as you walked towards him.

You looked like you came from heaven itself. Your hair curled just the way you liked it, the make up simple and barely noticeable, and that fucking smile. Happy. You kept up with his stubborn ass for 5 years before he proposed.

5 years of being patient with him, he wasn’t the best boyfriend at the beginning. He didn’t know how to be. Physical touch was never a thing for a very long time. You thought at first he hated you but realized that the other things he did showed his care. He didn’t even kiss you until 9 months into the relationship. He didn’t say I love you, the actual sentence until 3 years in the relationship. You both didn’t have sex until 7 months into the relationship.

What did you do? Nothing. You understood, you didn’t ask to touch him or interact with it until he did. His pinky grabbing yours while walking inside a mall. That would eventually go to him wrapping his arm around your shoulders. You would only kiss his cheek or forehead until he would grab your cheeks and plant his lips on yours. You would say I love you to him first naturally but he would respond by I know. It wasn’t until you both were watching the stats on a hill before he turned to you saying I love you. You never pressured him to have sex, you would make out and once it got heated he would stop. Apologizing. You would shake your head and place a kiss on his cheek. Until he finally wanted to, you would make sure it was okay every step.

You were patient with his “stubbornness,” at least that what he would think. Until one day you told him it wasn’t stubbornness it was his boundaries. Once those words left your mouth he knew he was in love with you. You loved him for him. It wasn’t perfect at times but you always came back and so did he. When he proposed to you, it was private.

You came home from work and being pent up you wanted Simon to do whatever to you. He fucked you senseless that night then drew a warm bath. You both were laying in the suds of the warm bath lights dimmed as he had you lean against his chest.

“Marry me.” He whispered kissing your neck softly.

At first you laughed cause you both had the conversation that he didn’t want to marry. “Okay Simon.”

Simon turned your head to him. “No dove marry me.”

It was another moment of silence as she sighed. “Even if your kid is stubborn they will be the kindest.” She added standing up. He watched her get up looking at her. “The thing I never thought that would happen because…” She paused looking away for a moment. “Because of your father, you became the kindest loving person Simon. You may deny it. But your child will always think and know that you are their hero.”

“I don’t know. Maybe one day.” He mumbled.

“You wait Simon your kid will be happy to see you come home from work again and again. That’s what ya did when I came home when you were a toddler,” He chuckled as he shook his head. “Ya did! You would yell mummy mummy look look! Show me some rock you found out in the back. Still have it.”

Simon laughed. “Ya have that thing?”

“Yep,” She chuckled rocking in the chair she was in. “On my vanity. But when that happens you will get just as excited. Yell with ‘em.”

Simon walked into the door as Riley stood by him. Price gave him the dog because of good infiltration missions, search and rescue, and bomb sniffing. Why he chose Simon to have the dog? Sole purpose because he knew that the wife wanted him and cause his name is Riley. Why wouldn’t they keep him?

When he opened the door, the squeal of delight burst into his ears. You laid on the floor with yours and his daughter. She bounced in her butt as she reached up with grab me motion. Simon’s heart did flips as a smile showed on his face. “There are my angels.” He said reaching down to hold his daughter close placing a kiss on her head. 

“Daddy daddy,” He heard pattering feet running down the hallway. The oldest running with a paper in hand. “Look look,” She shoved the paper up showing Simon, in his skull mask holding hands with you with a belly, her and the baby. “Dats all of us!”

“I see that,” He said chuckling. “We look pretty good.” The potato drawing stage has been his favorite art style. Has one in his office as we speak of Riley and him.

You got up, he noticed that you tummy was showing more the third one on the way. “You even showed my belly coming.” You joked looking up at Simon who went down for a kiss. Riley barked as his oldest went to give him a squeeze as he licked her face.

“How’s the hellins been?” He asked you kissing you again. The baby cooing as she played with his jacket.

“Hellins,” You smiled at him before placing your hand on your stomach. “This one’s especially can’t keep anything down.”

“Hm gonna have to give ‘er a long talk then.” Simon joked kissing your forehead.

The baby squealed again reaching for Riley. Your oldest laughing as she looked at both him and the baby. Riley’s tail was wagging as he patiently waited for Simon to show him the baby. You giggled as Simon sighed. “Can’t have a moment huh Ri? Have to see Allison after getting all the love from Millie?”

He barked as he got excited when Simon went to his knees. Riley walked up to his daughter licking her hand as she reached for him. Simon praised Riley as he was soft towards her, kissing his daughters head. Millie coming over to wrap her arms around his larger one. “Love ya daddy.”

“‘M not gonna be a husband nor a father mum.” He mumbled not looking at her.

“Why,” Simon shrugged and she scoffed as she looked at him. “You would never be like him,” Still didn’t say anything she frowned standing up cause him to look at her as she walked in front of him. “I do because ya father would never have kicked out someone that was hurting his family. Would never go visit his mum. Would never get his brother out of crowd he ran with. Would never play with his nephew. Would never serve his country,” She walked up to him to place a hand on his cheek. “And one day your wife will tell you and your kids will show ya how much of an amazing person you are,” Her eyes watered as she rubbed her thumb up and down. “And if you ever forget, it isn’t too late to remember.”

Simon never would have done this, never would go backwards. Too many memories too much pain. Yet when he mentioned that his mother’s birthday was coming close you mentioned to visit her. He would deny it and not say anything afterwards. Yet once the day become closer the thought became more inviting. More wanting to go.

After putting the girls to bed you both laid in the shared bed. He was more quiet that day as tomorrow was the day. You didn’t say anything about it kept going on like nothing was happening. You laid on Simon’s chest when he inhaled deeply. “Let’s have ya mum watch the kids,” He whispered. “Think I should visit my mum.”

You nodded as you melt closer to him. “You sure? I don’t have to come either.”

“I want ya there.”

Now he was here, standing in front of his family’s stones. Names engraved into them. Flowers in hand. Wind is the only sound hitting his ears besides the sound of his heart. You stood next to him looking down at the stone as well. Not saying a word. Being patient. Simon’s mind was racing rapid. “She was right ya know,” He mumbled quietly. You looked up at him giving a quizzed look. “Said that I would have the life I have. Yet I can’t tell her like she said I would.”

You looked back down at the stone before smiling, slowly grabbing his empty hand. “I think she knows Si.”

Simon inhaled deeply as tears filled his eyes. The mask hiding the trembled lip. You were right, she knew. She knew that the life she hoped that he would have came together piece by piece. Shaping the home that he gave for his loving wife and caring girls.

[rileyslibrary]

Hello! I just wanted to say that your fics have such a distinct feel that it makes it feel like a cinematic masterpiece so moving as each sentence is full of detail and care it’s INSANE

Could you do one where the 141 as a whole are able to go on leave for a few months but reader doesn’t really have a place to go? Like due to thier participation in the military their family has essentially cut contact with them and the military has been a placeholder for their home-life—how would Ghost react?

Once again I love your works and hope you have an amazing day ‼️

The Log Cabin: Pack Light

A/N: Hi, anon! Thank you for your kind words. Here’s the story; enjoy! :)

———————————————————————

You’re at the base’s garage, squatting on the roof of a battle-worn 1994 Land Rover Wolf, welding a rack that had been blown apart during your last mission. It’s quite admirable how these vehicles can withstand anything coming their way and still stand strong after so many years.

How long are you going to stay strong? The sparks dance around you as you manipulate the welding torch, wishing there was a similar way to mend your scars and those you’ve hurt in the past with your decisions.

But these things are far more complex than welding metal; you can’t mend fractured relationships with mere tools. It takes understanding and empathy—qualities that seem foreign to those once close to you.

Or maybe they’re right, and you’re unworthy of their forgiveness…

You close the oxygen and fuel torch valves, lift your welding mask, and wait for the molten metal to cool. You assess the seams and sigh; it needs more work. You put the welding mask back on, reignite the torch, and continue.

As the heat emanates from the torch, glowing around your gloved hands, it suddenly flickers and sputters before its flame eventually dies out. Baffled, you lift the torch in your hands and shake it. You turn towards the valve, only to see Ghost standing beside it, holding the handle. He’s dressed in civilian clothes, though he still wears his mask and carries a rucksack over his shoulder.

“I was calling out for you, but you couldn’t hear me over the...” he trails off, pointing at the torch.

“I’m sorry, Lieutenant,” you say through the mask, “this thing is a pain to fix.”

Ghost looks at the rack, then back at you. “Does it need to be fixed now?” He asks.

“It does.” You insist, not wanting to disclose the actual reason.

“Liar.”

Your eyebrows shoot up from behind the welding mask. “Excuse me?”

“You expect me to believe that while the rest of the team is on leave and doesn’t require that vehicle, you absolutely need to fix it.” He says.

You look at the torch and then back at him. “I must do it so it’s ready when you guys return.”

“When you guys return.” He repeats. “So, you’re not leaving.”

You forcefully turn to face him. “I am leaving.” You assert.

“Oh yeah?” He provokes you. “Where are you going?”

“None of your business, Lt.”

“See?” He says and lifts both hands, “You’re lying.”

You lower your head and throw the torch onto the roof. “What do you want me to say, huh?” You murmur, “What?”

“The truth,” he replies, “and take that bloody mask off while you’re at it.”

“Why should I take it off?” You sneer and point at his mask. “You wear yours all the time.”

“You can see my eyes, though, can’t you?” He explains and points to his face. He gestures with his head towards you. “Let me see yours,” he commands.

You roll your eyes and lift the mask. He removes his balaclava in return.

“What’s wrong, Y/N?” He asks. “What exactly are you trying to fix?”

‘My relationship with my family,’ you think to yourself and feel your face getting warmer than before when the wielding flames were burning around you.

He stands there with one thumb tucked under the rucksack’s strip. He’s waiting for an answer—a proper, truthful answer.

“This is my home.” You whisper, shrugging and lowering your head.

“What about your family?” He asks, and you shake your head, tears start filling your eyes.

“Any friends?” He asks again, this time softer.

You give him another negative shake of the head, which causes the tears to run down your face. You quickly wipe your cheeks with your gloves.

He removes his rucksack from his shoulder, drops it to the ground and puts his hands on his waist.

“Have you tried talking to them?” He asks.

“I did,” you reply, “but they don’t want anything to do with me. I disgust them, and I’m not proud either...”

“Nobody’s proud.” He admits and puts one hand on the roof’s rack, “But somebody has to do what we do.”

You sniff and rub your nose. “See? That’s why I’m here, fixing that damn rack; somebody has to do it.” You explain. “I don’t have a choice.”

“Not necessarily.” He shrugs. “Not all of us will go see family or friends; Price is travelling to the Caribbean alone as we speak, and I’m off to Scotland.”

“With Soap?”

“Fuck no!” He yells, and a chuckle escapes his lips. “He has no idea I’m going there.”

Your lips curl up, and he returns your smile. He knocks on the vehicle’s roof twice and opens his mouth to say something, but he hesitates and stops. You decide to break the silence.

“Thank you for listening to me.” You whisper.

He bites his bottom lip and pats the roof once more.

“Wanna come with me?” He asks.

Your face warms up again but for a whole different reason.

“T-to Scotland?!” You ask, surprised.

Ghost scratches his cheek and nods. “Yeah,” he replies, “it’s a small cabin in the woods—it has a single bed, an outdoor toilet, and we’ll have to hunt for food. But it has a beautiful pond for swimming and plenty of hiking trails.”

“Wow, wow, wow, one bed?!” You shout, throwing your hands up, “That’s a bit too forward, don’t you think, Lt.?”

“Come on!” He smirks, “As if we haven’t experienced that before. We’ll make it work.”

You look at him, and he returns your gaze. You’re grateful for his offer, but doubt still lingers.

“Thank you, Lt.,” you reply, “but I need to finish that rack.”

“Bollocks!” He shouts and smiles. “How long will it take you?”

“That’s not what I mean-”

“How long?” He repeats.

“Simon..”

He drops the smile and looks you straight in the eyes.

“I’m serious,” he whispers.

“You’re just offering out of pity.” You speculate, and he throws his head up, letting out a sharp chuckle.

“Very bold of you to think I’d invite you out of mere pity.” He says. “I thought you also had plans; that’s why I didn’t offer before. I’m doing it because I found the opportunity.”

You look at him, contemplating his words, then shake your head.

“Thanks,” you say, “maybe next time.”

He picks up his rucksack and begins walking towards the garage’s exit.

“We’re leaving in an hour!” he shouts as he walks towards the door.

“Ghost! “

“Pack light!”

———————————————————————

Part 2 this way ->

[burst-of-iridescent]

seeing people say they knew all along the live action would be bad after seeing the news about them toning down sokka’s misogyny bc “the original creators never would’ve let this happen! that’s why they left!”… ohhh my god. oh my god. the original creators made the legend of korra. the original creators had story direction on most of the post-atla comics. the original creators were involved with the goddamn m. night shyamalan film for fuck’s sake & spoke positively about it (at least, right up until it bombed upon release and then… *crickets*.) they cannot be trusted on jack, and i for one am immensely glad they are staying far, far away from the project.

regardless of whether the live action succeeds or not, bryke were never going to singlehandedly make it a cinematic masterpiece so please get that out of your heads and start judging the live action on its own merit — not by the inclusion (or lack thereof) of two men who have proven over and over again that they know fuck all about what truly made their show great.

[sashayed]

have you heard that jordan peele said steven yeun's character is the one that has the most in common with him. have you thought about how most of his cinematic career has been built around discussions of race and the traumas that come from racism. have you thought about how any media handling real and personal topics is a sort of emotional self-disembowelment on the part of the creator. have you thought of the glory and horror of being Seen. have you screamed

Have I? HAVE i. Have I thought about how Peele has discussed being objectified and tokenized on set, especially early in his career? Have I thought about what it's like to suffer real-life trauma in a space created for make-believe? Buddy, I haven't thought about anything else for days!!

I think one thing that makes this movie so visceral to me is that it's an exploration by a great popular artist on the human cost of making popular art. The link between the auteur and the cult leader--both are people consumed & defined by stories, people who are compelled by a narrative and feel an urge to spread that narrative to an audience.

And I am really impressed by how hard Peele seems to work to reject the cult leader in himself as best he can -- to make art that enriches the lives of ALL THE PEOPLE WHO MAKE IT. Every interview is about how collaborative and present he is as a director. Obsessed with this Q&A for many reasons but this moment sticks with me:

KEKE PALMER: There would be moments where we’re going through different parts of this script, this story, from when we first rehearsed to when we were actually on set, or when we had an idea that happened that morning. I would be listening, my head would be down, I’d be listening to what Jordan’s saying, I’m like, man this is deep. And I look up and there’d be just this one little tear falling. Man, this brother’s deep. JORDAN PEELE: I’m not afraid to cry as a director. KP: And he’s chill! He’d be like, “That’s what happens” and tears are falling. I’m like, “Are you all right?” But he keeps going and he’s like “Yeah, yeah. So that’s the thing.” And then he just walks out.

To me, that reads as a person who is NOT JUST super smart and deep and creative etc but who is also aware every moment of how lucky he is to be doing what he's doing, and who is not ashamed of his own reaction to that gratitude. What's to be ashamed of? It's incredibly fun! He is having an amazing time! He's hanging out with people he likes and respects and coating actors with goop in the esophageal tube! What a job!

I wonder if, to be that thankful and that aware (and that collaborative), you have to have experienced the flip side; if you have to have been Jupe, at least for a little while. I wonder if the process of -- to some extent -- commodifying your own suffering (as capitalism practically demands that artists do in order to survive as artists) leads, almost inevitably, to a moment where you think, "I survived this horror and became a Star because I am the main character of reality: I am more special than other people, I have a special ability to communicate, I have a special destiny." That is a powerful story and a seductive one, but if you don't leave it behind, it will eat you and the people around you alive.

It seems to me like an extension of what Peele is exploring in Us--the notion that your contentment is entangled with someone else's suffering. Why you? Why not the person with all your qualities who for whatever reason never ended up where you are? Especially for creators with marginalized identities, right? "Am I occupying a space that should belong to someone else?" You can avoid that question by deciding that you have special individual qualities that make you the Chosen One, as Jupe does. Or you can accept that the question will always haunt you, that luck (LUCKY THE FINAL HORSE??) has no logic, and you try to spread your luck out and open your space up to as many other people as you can. Which you see Peele doing all the time! Gah!!

[sunkissed-zegras]

🌱 jack hughes calling you a really sweet pet name and luke and quinn cringing so hard when they hear it and then teasing jack relentlessly

𝐫𝐞𝐚𝐥 𝐥𝐢𝐟𝐞 𝐫𝐨𝐦-𝐜𝐨𝐦 | jh⁸⁶

♡ ─ word count | 436

♡ ─ warnings | nothing but teasing and fluff!

♡ ─ ev's notes | i hope y'all enjoyed!

"This is why we don't ever get ready with Y/N, she takes forever." Luke let out a impatient sigh as he spoke bitterly, glaring at you as he pretended you weren't next to him. You returned the glare as Quinn and Jack exchanged looks, amused expressions on their faces.

"Shut up, Luke. You don't understand, you don't have long hair like me." You shot back, crossing your arms defensively.

Luke rolled his eyes, his frustration evident. "Yeah, yeah, blame it on the hair," he muttered, but his irritation seemed to simmer down a notch. "It only takes me like 30 minutes to get ready, max."

"Oh yeah, we can fucking tell." You let out a chuckle, causing Jack and Quinn to let out a laugh.

Luke shot you a mock glare, but there was a hint of amusement in his eyes. "Alright, alright, I'll give you that one. But seriously, can we pick up the pace? I'm starving."

"Okay, whatever fine." You finally put on the finishing touches on your make-up, causing Luke to let out another annoyed sigh.

Luke muttered under his breath, "It's like she's getting ready for the Met Gala, jeez."

"Luke, we get it, you're impatient. Just give her some time." Jack shook his head at Luke, causing a smirk to appear on your face.

"I'm not impatient." Luke mumbled, causing all three of you to let out laughs.

You finally put down your make-up and walked up to the boys, a smile on your face. "I'm done! Look, wasn't so hard to wait, huh?"

"Yeah, let's go baby." Jack looked at you with a proud grin as he grabbed your purse and hand, heading for the door. Quinn and Luke gagged playfully as they followed, the teasing seamlessly continuing.

"Oh, please. You two are like a real-life rom-com," Quinn teased, nudging Luke with his elbow.

Luke rolled his eyes but couldn't hide the amusement in his expression. "Sure, if the rom-com involves waiting for an eternity for the main character to get ready."

You linked arms with Jack, ignoring Luke's comment. "Well, aren't you lucky to be part of this cinematic masterpiece?" you teased, earning an eye roll from Luke and a laugh from Jack.

As you all walked towards the door, Quinn playfully pretended to wipe away fake tears. "I'm just so moved by the love story of Y/N and her makeup routine."

Luke smirked, joining in on the joke. "Truly a story for the ages."

Outside, Jack held the door open with a flourish. "After you, princess."

"Ewww!" Luke groaned, making you roll your eyes in annoyance.

-> make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated! <-

thank you for reading all the way through, as always ♡

[writeroutoftime]

the greatest thing you'll ever learn

pairing: jamie tartt x reader (requested by: anon)

summary: based on the prompt: “The greatest thing you’ll ever learn is just to love and be loved in return.” -Moulin Rouge

words: 0.6k

a/n: ahhh, I'm in my I love jamie tartt era so this was wonderful to write! though I wasn't completely sure how to incorporate this quote in the story, I hope you enjoy!

oOoOo

The whole day Jamie had you stuck in his head. On the drive to the stadium, during practice, and even now as aimlessly wondered the halls of AFC Richmond. It's not like it was completely out of the norm, you were his best friend after all. In the past, his thoughts revolved around you when he needed to ask you something or when the two of you made plans to spend time together. Nowadays, however, you were all he could think about, just wanting to be near you.

“The greatest thing you’ll ever learn is just to love and be loved in return.” Jamie heard walking by the staff room, and the words stopped him in his tracks.

“Uh, whatcha say just then, Coach?” he asked, poking his head in the office, head tilted to the side.

Ted looked surprised to see Jamie, but smiled at him nonetheless. “Oh, hi, Jamie. I was just sharing a quote I like from cinematic masterpiece Moulin Rouge with our trusty Ewan McGregor and Nicole Kidman. The greatest thing you’ll ever learn is just to love and be loved in return.”  he explained happily, while the other coaches in the office nodded solemnly.

Jamie's eyes widened in realization, but he tried to play it cool and mask his expression. "'Suppose that's pretty profound or what not. 'Ya know, if it applied to you." he remarked.

Roy gave Jamie a knowing look before rolling his eyes. No one else spoke a word, so Jamie nodded his head and backed out of the office with a small wave, leaving the coaches to themselves.

"Oooo, do I feel me a good ol' fashion rom-com confession coming from Jamie real soon." Ted laughed, rubbing his hands together, happy the young footballer was finally gaining some sense when it came to you.

"Come what may." Beard quipped, rewarding with a thumbs up from Ted while Roy just grunted and turned back to his computer.

oOoOo

Later that evening, you and Jamie snuggled up on your couch as you watched whatever tv show you landed on - strictly platonic, of course. But the whole night, Jamie had been rather jumpy and seemed to be lost off in space. You finally nudged him and gave him a questioning look, opening the floor for discussion.

"Did you know that, uh, loving is the greatest gift."

"What?" you giggled, unsure as to what Jamie was trying to say.

He flushed at this mistake and tried again, getting closer to what he was trying to say. "No, uh learning to love and all that. It's great innit?"

This time, you bit back your smile and turned your whole body to face Jamie, gently playing with his hands. "What is it that you are trying to say, Jamie?"

Sighing, Jamie took a deep breath and finally spoke in his own words. "I'm trying to tell you that I like you, y/n. No, more than that. I love you." he confessed, sneaking a glance at you. "And I finally realized that being with you all this time as taught me what it's like to love someone. To put someone first and want to be with them all the time." he finished, fighting the urge to pull away from you and run from his feelings.

Before he could do that though, he felt your lips press against his own in a soft, sweet kiss. It was over before it really started, but Jamie had the dopiest grin on his face as he pulled back. You bit your lip playful and leaned into him even more. "I love you too, Jamie. I can't imagine being with anyone else." you promised, intertwining your fingers and sighing in content.

---

The pieces finally came together a few days later when you came with Jamie to practice holding hands, and Ted couldn't help himself but humming 'Come What May' from Moulin Rouge. You chuckled, finally realizing what Jamie meant, and pressing a sweet kiss to his cheek. Loving Jamie really was the greatest thing.

[strawberrystepmom]

i love you more than being seventeen

pairing: nanami kento x f!reader

word count: 2.7k

about: all that kento can think about at the end is you and you and you.

contents: MAJOR CHARACTER DEATH, JJK SHIBUYA ARC SPOILERS. mutual pining over the course of many years, angst, no happy ending i’m sorry :( but the story itself has a few cute moments

notes: this is a repost from my old blog. title is from evening sun by the strokes! i still love this fic so much and it’s one of my favorite things i’ve ever written BUT there have been edits made and the ending is a little different. same impact, just more concise. thanks for reading!!!!

divider is thanks to @/cafekitsune

When Nanami's consciousness begins to fade, darkness enveloping the edges of his vision, one of the things he can recall most clearly is you.

You're 15, it's your first day of high school. You're the only person in your class, just like him. He's graduating this year and has already mentally checked out, doing just enough to get through, but he can see how anxious you look. The sleeves of your uniform are a bit too long, he wonders if it's on purpose like his are and your backpack is clearly brand new and covered in pins you probably picked out just for your first day. 

A breeze picks up and blows the hem of your pleated skirt, exposing the skin just above your knee and he looks away immediately although you certainly can’t tell he’s even looking at you. Assessing you, the better term perhaps.

“Can you help me?”

A sweet and uncertain voice asks him. It belongs to you and he’s surprised that you asked him. It doesn’t take a very intelligent person to take one look at a 17-year-old Kento and see that he isn’t necessarily the approachable type. He isn’t unkind but his face is just as solemn as it will be when he grows up, mouth always set in a firm line. 

“Sorry, you’re probably busy,” you mumble and he shakes his head, hiking the strap of his bag back up over his shoulder. “It’s alright. First day?” You nod, your uncertainty obvious in every one of your movements as you grip the straps of your backpack tightly. 

“Someone was supposed to meet me here otherwise I wouldn’t be bothering you,” you explain as the two of you walk toward the sweeping entrance to the school itself. Your eyes widen as you take in the pillars and stairs, the greenery and flowers - it’s grand to say the least. Part of Nanami is amused watching you take it all in but he focuses on the task at hand. “It’s alright, like I said,” he starts and clears his throat. “Do you know who you’re supposed to be meeting?”

Your brow furrows, as if you’re thinking really hard, and you scrunch your nose.

“Gojo?”

Nanami rolls his eyes at the mere sound of the name. Of course he’s late and left you standing outside of the school, confused and alone. He knows that Gojo is technically his sensei now and he should respect him but he finds him just distasteful enough that it serves better to ignore him than to feed into his nonsense.

“Yeah, he does that,” Nanami shoots back cooly as he walks beside you up the steps. The zippers on your backpack jingle and he’s shot back into reality, ringing in his ears loud enough to quiet the sound of pumping blood. 

He swears you can hear you call his name through the chaos, the footsteps and the screeching, but he closes his eyes. Tightly. Tries to concentrate on the source of the sound before realizing it’s in his own head, the cinematic reel in his head playing on a strange loop of fragmented pieces of his life spent wishing for you.

You.

The two of you are thigh to thigh inside of a photo booth, music playing through the little speaker underneath the tiny screen where you can see your two faces. 

Kento isn’t sure how you roped him into this, an evening away from the school and in the city something you probably both needed, but it feels correct and inappropriate at the same time. The last few months have given him tiny glimpses into your life through the shared area of the student dorms. 

He knows that you leave your shoes wherever you carry them after you take them off with a disgruntled whine. He dutifully places them next to your door when he sees them, the soles touching and the toes of each shoe pointed toward the wall.

He knows that you stay up too late watching television when you should be studying, the fighting noises of shonen anime coming from beneath the door of your room or the common room while you giggle or gasp along. He always wraps you in a blanket his grandmother made him when you fall asleep on the couch, drool crusting over on the corner of your lips.

He would do these things for no one else and he believes that strange dedication he feels to your comfort has led him here, long legs jutting out in front of him a nearly too small photo booth. Your bare thigh is pressed against the side of his jeans and he finds it hard to breathe with the sweet smell of your floral shampoo filling the entire left side of this enclosed space.

Fight or flight begins to kick in as the situation overwhelms him but you place a comforting hand on his forearm and smile easily, reminding him that the countdown is about to begin and to smile. He doesn’t smile but the corner of his mouth quirks in a way that you find adorable enough to giggle at, your big smile filling the screen as the flash snaps the first of four photos.

“Another! Make a funny face this time,” you order and Kento nods, lifting the other side of his lips in what one could almost call a smile while you stick out your tongue and hold two of your fingers up in bunny ears behind his head.

You like him. Even Gojo has noticed it, calling you out during your last mission with him.

“So…Nanami?” He asked with a little sideways grin and you groaned in frustration and stomped away. Satoru knew it then. 

The shutter clicks and the flash explodes and you withdraw your fingers from behind Kento’s blonde head, feeling compelled to barely touch the top of it with your pointer finger. His hair is soft, brushed in front of his face, and you think you’ll remember the electric zap you feel like your heart forever as you gather your hands back in your lap.

Nanami assesses you carefully and shifts closer to you and you feel heat rise into your cheeks. The tips of your ears are warm and dangerously close to the side of his face and you look down just in time for the camera to click and to capture the top of your head and the side of his face. 

You laugh, shaking your head as the two of you compose yourselves long enough for the final photo and you gasp a little when Kento hovers his face just inches from yours. Your soft cheek nearly touches his cheekbone and you fist the fabric of your skirt to keep from freaking out as you grin. 

Giddiness rises inside of you, the proximity to the older boy sending your mind reeling with possibilities. You even notice both corners of Kento’s mouth have risen in a sort of smile as the final camera shutter sounds and the two of you file out of the booth and you reach to grasp the strip of photos, easily tearing it in half.

“Why did you do that?” 

Nanami asks, brow furrowed as he watches you look over the sets of photos contained in each of the pieces of the strip. You hold the one with the last two photos out toward him, the top photo showing him staring at the top of your head and the bottom his attempt at a smile. 

“Half for me and half for you,” you respond easily. 

He wishes all of this came that easily for him. These feelings, these moments, this tender sense of compassion he feels just for you. 

As the memory leaves, he’s reminded that the same strip of photos lives in the wallet in his left back pocket. Buried beneath business cards and bandages, a talisman to bring him back to you even when the two of you were separated after he graduated and left the school.

He hates thinking of those times, those years where he left you behind, but he’s too weak to will those memories away for better ones. The waves of his consciousness drift to another piece of his life, those lost years. His graduation. The ignored text messages.

“Happy birthday, Nanami-san! Miss you and hope to see you soon. Have a great day.”

He opened the message on his 22nd birthday and left it on read, just as he had with the message on his 21st, his 20th, his 19th. You’ve wondered several times if he changed his number and didn't let anyone know.

You’re 19, a year past your own graduation and you are working as a full time sorcerer. You aren’t particularly challenged in your role but you find it fulfilling in its own strange way. Pulling your phone out of your pocket, you sigh as you scroll through the messaging thread and an indescribable wistfulness falls over you.

You’d go back and do it all differently if you could. Beg him to stay, encourage him in the work of a sorcerer, but that would make you selfish. Keeping him here would have been for you and not for him and there’s nothing saying you had the power to convince him anyway. 

Locking your phone, you drop it on the table and walk to the fridge where your half of the photo strip sits on the fridge all of these years later. It’s tucked beneath a magnet that holds up a copy of the graduation invitation you sent Kento last year. You texted him, asking if he’d like to come and perhaps you should have taken the hint back then. 

He doesn’t want to be friends anymore.

The realization hits you at once and you open the fridge, plucking out leftovers, and shut it with an unenthusiastic slam. Padding back toward your living room, you pick up your phone and unlock the device. The screen still shows your text message thread with Nanami and against your better judgment, you type. Thumbs moving thunderously, you continue typing until you feel satisfied you have laid it out for him and your finger hovers over the message. Pressing down, you try to highlight the text to erase it but instead you slip and hit the send button.

“Fuck!” You shout loud enough you’re certain that your neighbor will file another noise complaint and you feel more horrified reading over your words the second time.

Kento’s phone pings from where it sits on his desk, another late night in front of the computer keeping him from doing anything enjoyable on his special day. He doesn’t bother to check the sender, knowing it’s probably something asinine from a client or a coworker, but his eyes widen as he sees the preview of the paragraph sent with your name attached.

“It’s okay if you hate us now but it would be nice to know that you’re alright,” his eyes scan each word carefully and he isn’t surprised by their bite but he feels guilty. Raw and bubbling deep in his gut, feelings he contained through college and far beyond surfacing in ways he didn’t expect. “I was your friend. I still want to be and hopefully someday you will let me.” 

Swallowing the lump in his throat, he looks over the honest appraisal of his character (“you’re a good person and that will always be true”), the tough love approach you tested halfway through (“I don’t want to do this job any more than you did and here I am”), and finally the thing you wanted to erase the most before you sent it.

“I’ll always love you even if you’ve never had it in you to do the same for me.”

He wonders for a moment if you mean that. Do you love him? Did you feel it back then the same way he did? The syrupy light feeling in your limbs, the heaviness in your head every time the two of you would study or eat or spend time together.

Setting his phone back down, he wonders for a moment how much sending that message cost you considering the length and if he should respond. Was this your goodbye? A way of finally freeing him from your mind? 

Before he has time to truly think about it, his desk phone rings despite the time of day and he answers it with a sigh.

You look down at your screen and once again see a delivered notification with no sign of any other life on the other side.

“Kento!”

He’s glad you’ve dropped the formalities even if the timing is bad, his fatigued body stumbling in your direction. The smell of burnt flesh fills the air and blurry vision still shows him your face, gasping as you run to meet him from halfway across the train station that feels cavernous.

The last time he heard you shout his name was when he arrived back at the gate of Tokyo Metropolitan Curse Technical College, an employee ID card clipped to his slacks and his cursed tool snug in the harness strapped across his broad back. It’s new and familiar all at the same time and he hates thinking of the smug look on Gojo’s face when he called him to ask to come back.

“I wonder why,” Satoru teased from the other end of the phone. 

Nanami only sighed from the other end, the two of them continuing their quick back and forth and scheduling a time where they could meet with the administration at the school. Their conversation is quick and polite but the final words out of his old friend's mouth are what remind him of the first domino that fell and led him back to these stone steps. “She’ll be glad to see you again.”

You’re standing across the courtyard and he’s surprised to see you for the first time in 6 years. You look the same as you did on that first day in a lot of ways. A pleated skirt, breeze lifting the hem just slightly away from your bare thighs. He doesn’t bother to look away this time, the peek of skin enough to send heat up his neck.

“Kento!” You shout again, hopping and running in his direction. He shakes his head as your heavy boots smack against the pavement and before he can blink, you’re in front of him with a grin. “Holy shit!” 

Ever humble, he nods in your direction and tips his chin toward the ground to hide a burgeoning smile. He looks the same but different, just like you. The sides of his hair are shorter than you’ve ever seen them, the longer top slicked away from his face. He’s handsome - he always has been and you try to ignore the little fluttering feeling inside of your chest and in your stomach. 

“Welcome back,” your final choice on what to say as you clap your palm against his shoulder and he smiles at the familiar feeling. He never thought he’d experience it again. 

“Hey,” he says and you look up at him. The sunlight frames your face in a way he wants to memorize forever, emblazoned in a metaphorical heart shaped locket in his mind. He wants to look at you every day. He hates that he let pride keep him from doing that. Exhaling, he says the words he has wanted to since you were 15 and he was 17.

“I love you.”

The sound of your heavy boots across cement and tile are what he chooses to focus on as you continue your mad dash in his direction, his lips mumbling those three words over and over. He knows you can’t save him and he has come to terms with that reality but he wants to see you standing in front of him one last time. To see a breeze blow the edge of that skirt up just enough he can picture where he’d put his hands on your thighs if he ever had the chance. 

Before you can make it the distance, so close to him you can read his lips, his words change. You think you know what he was saying before his stumbling continued but that patchwork curse steps in front of him and blocks him from your view. 

“You’ve got it from here.”

He points in the direction of Yuuji Itadori who is on the opposite side of you and you turn your head to look at the pink haired young man for a single moment, confused.

You gasp when you turn back toward Kento and he’s gone.

He’s gone.

[starpeace]

here for the mandalorian rant ☕️

um well the first episode of the brand new season of disney+’s flagship star wars show was entirely... filler. the dialogue was incredibly bad, not even written badly but as if no-one had written it at all. entirely flat and devoid of life, in a show with a faceless protagonist whose dialogue literally has to carry all the weight. din continues to have no opinions, no emotion and nothing to say

as for the plot, what even happened in this episode? we open with the mandalorian covert ritually giving a child their helmet, but this is not explored at all, it’s only there to be interrupted with a giant monster fight for absolutely no reason, as if this show has been written by six-year-old me livening up clicking my barbies together by grabbing my toy dinosaurs. din has conversations with the armourer and bo-katan purely to rehash the information we’ve already been given, partly because half of it was in a bad show the casual audience won’t have watched. neither of these characters is doing anything.

din visits greef karga, who is now discount lando “gone respectable” but instead of having personality he’s just really into gentrification and this is presented completely uncritically. din, a character most charming for being the beaten up mercenary underdog of the galaxy, suddenly hates pirates and disorder (well, hates would imply he shows emotion—dislikes pirates and disorder? is mildly perturbed by pirates and disorder?), and pals around with high magistrates who offer him a position as a cop/landed gentry (they actually use the words “landed gentry”). there’s a couple of meaningless unfunny comic relief scenes because this is all that grogu is here for now, complete with a reference to, of all things, the rise of skywalker. in what is apparently the main plot of the episode, which is, i repeat, the first episode of the brand new season, din takes up a fetch quest to get a random droid part for an absolutely laughable reason that does nothing but completely negate a character arc from season 1 and everything we have been shown since, just reminding you that not even death will be allowed to have emotion or narrative weight, or prevent disney from dragging back onto your screen anything that will sell. he doesn’t actually do this fetch quest, btw, he just gets given it, because apparently we have to do multiple episodes of this

did i get everything? was that the whole episode? oh wait there was the fight with the pirates in space. i forgot it because there was zero tension. those pirates also earlier wanted to... have a drink in a school with greef, i guess, in a completely baffling scene? i can’t imagine there was any point to this pirate bit except to put fight scenes into this filler episode and force the visual effects people to carry the entire lumbering weight of this show. one has to assume that otherwise the pirates would have had personalities or motivations. oh, also purrgils appeared in this episode, because this is the Star Wars Cinematic Universe, and you’d better watch all the interconnected shows so all your beloved characters can eventually come together to swap lifeless quips on screen, just like you always wanted.

a droid drops a statue’s head on top of a murder droid to stop it, purely so din can say, “now that’s using your head.” if you were wondering what i meant about the dialogue.

i don’t even need to get into the politics of the story they’re telling. i don’t need to humiliate it further by comparing it to andor. it’s just bad to watch on a basic technical fundamental level, and it’s not headed anywhere better, because they will be churning out this story for cash forever with no goal or meaning, under circumstances where i cannot seriously even imagine caring about star wars anymore. hope this helps!

[theloveliestembrace]

Let it happen. | CL

Charles Leclerc/Reader

f1 masterlist

crossposted to ao3

Summary: The five times you meet Charles Leclerc. (The four times it doesn’t work out, the one time it might,)

Warnings: Non-explicit (but definitely inappropriate) teacher-student relationship

Genre: Angst, Fluff, Reincarnation au

W/C: 2.7k

-

A/N: What’s good people, I’m back again. This fic was very cinematic in my head (it still is), so I hope the writing captures that. Enjoy~

-

The first time you meet Charles Leclerc, he’s a barista at the coffeehouse down the road from your interning job. It’s a brief stint in the industry as you wait for a university acceptance letter, so you don’t expect to stay for long. 

He’s sweet, beaming at you from over the counter nearly everyday, remembering your order before you’ve even asked for his name. 

“Charles,” he says, sweetly accented, “my name is Charles Leclerc.” 

That day, the flowing script of your name on the takeaway cup is accompanied with a ‘have dinner with me?’ and a smiley face. You picture him, eyebrows scrunched and eyes squinted in concentration, trying to write neatly on the curved surface, and smile. 

As it turns out, Charles Leclerc is also waiting for a university acceptance letter, to a prestigious place in the United Kingdom for the study of Liberal Arts. He laughs awkwardly as he confesses, “My English is not so good yet, so I am worried they won’t find me so elegant.” 

You bat it off as nonsense, pulling him in for a chaste kiss, whispering sincerely against his lips. “They’ll be foolish not to accept you, cheri.”

He’s a sweet relief from the bustle of your internship, where you’re surrounded by presumptuous old men and women who expect their coffee orders and bottles of perrier on their desk before eight. Your work in the fashion industry is not as glamorous a job as made out in the novels. The twelve centimeter heels you’re forced into daily pinch at your toes, and all your coworkers are size-zero hyenas, vying for a position. It takes all your energy to keep up. 

Just the sight of him, though, waving cheerily in the morning as you run in for coffee pickup, hands in his pockets as he waits for you to get off work, the soft kisses when he walks you home. It’s easy to get lost in this, lost in him , fingers slotted between yours and a glass of wine shared between interlocked fingers.  It’s a romance out of a metropolitan chick flick, something about finding love in the middle of modern day bustle, finding quiet in the loud city. 

Everything falls apart when you get your acceptance letter. You haven’t talked about the inexorability of the end, not really. Sometimes Charles will bring it up half-heartedly, and so will you, but the inertia to dealing with your very real future is too great, and you both end up kissing on Charles’ sofa instead of facing the truth. 

It culminates in one big fight, your fingernails pressed to draw blood, Charles bracing himself against the wall to prevent himself from losing his temper. 

And it goes like every other fight in the movies, things like i was always going to go anyway and why don’t you just fucking go then, if you have nothing to stay for , and don’t hold me back just because you don’t have the certainty of getting into your course, Charles spinning around and saying i already got in, i’m hesitating because of you and the pressure in your chest growing so large it’s all you can do to stop your tears from running. 

The movies lied to you. This is the part where Charles apologises and you hug and make up and you stay for each other. That’s the love story. 

Instead, you say, go then, if staying for me burdens you so . And he goes, your apartment door slamming behind him. 

You spend days wallowing in self-pity, avoiding the coffeehouse, running through the motions, thinking about the last ten months of your life, and make the decision when your hand reaches for a coffee cup that isn’t there. 

You’ll stay, for Charles, because you love him, even if it isn’t like the movies. Because it isn’t like the movies, and you’ll love him even when the post-credits have rolled. 

It is this that makes you run to the coffeehouse the next morning, forgoing an umbrella in your haste, soaking your blouse straight through. You yank the door open, waiting for the head of curls at the counter to look up so you can beg for a chance. Just one.

Instead, the older lady who owns the place, looks up and smiles sadly at you. “I’m sorry, kid. He flew off to the UK yesterday, he said you never called.” 

And again, this doesn’t happen in the movies. The main character doesn’t step back out into the rain alone, heels soaked against the pavement, nor do they spend the next week waiting for the love of their life to call. 

You hit reply on the acceptance email, and change your number to a local one when you land in America. 

Somewhere on another continent, a call doesn’t get connected.

-

On the sixteenth of October, the people of Monaco are blessed with an announcement. A prince is born, the news reports. 

Charles, they named him. Charles Leclerc. 

In another ward down the hallway, another woman gives birth to a girl. The royal family hasn’t realised it yet, but down the hallway, is their future pr manager. 

Your first day on the job is fraught with just about every roadblock you could face. 

At four in the morning, one of your neighbour’s ridiculous scented candles tips over and sets enough things on fire to trip the fire alarm. Management ushers every single person in the vicinity out of the apartment building, where you stand shivering in your bathrobe. 

A few hours later, your coffee machine breaks down before your espresso even finishes running. 

Then, five minutes after you leave the apartment to catch your Uber, your heel breaks, so you’re forced to change your shoes and foot the late arrival fee on your car. 

When you finally find the meeting room fifteen minutes after you were supposed to reach, you're very much on the verge of tears. 

You’re met with a frowning Charles Leclerc, whose expression instantly evaporates into fondness when he recognises who’s at the door. He stands to bring you into a hug, as if you’d been friends since you were children. (You had been, of course, but you didn’t forget that he was a literal prince. Hugs are not commonplace.)

It’s an odd feeling, standing in front of the boy you’d known from birth, tasked with covering up his scandals and manufacturing relationships to keep him in the public eye.

It’s even odder to fall in love with him all over again, especially while you’re both poring over staged Instagram posts of him and Monaco’s richest bachelorettes. But Charles is so— good, easy to fall in love with, like those princes from storybooks. He laughs at exactly the right moments, cracks jokes that have you gasping for breath, charms you so thoroughly it’s almost embarrassing. 

It falls into place like poetry, too many moments without supervision, secret smiles over the table, quiet mornings in the palace, hidden in his room. You pick up the closeness of your youth near flawlessly. Falling in love has never been this easy. 

(It’ll never be this easy again.)

The end comes knocking in the form of his mother. Marriage. You almost choke on the enormity of it, caught in the noose of your own stupidity. Because that is your job, isn’t it? The prince is almost thirty, you are almost thirty, and this has always been the final point, of your job, of his scripted relationships. 

You don’t even fight, which is kind of the worst part. A choice is presented to Charles, and he chooses.

It’s a special kind of cruelty, to stay. To sit with the photographers and videographers and event crew and wedding planner, poring over fabrics and angles, as if it’s your fucking honour to plan what’s set to be the greatest union in Monaco for the next decade. 

You were wrong. The worst part is standing at the fringes, in your blue dress, watching the love of your life slide a ring onto another finger and speak the vows that were meant for youyouyou . The worst part is knowing the photos will be beautiful, because you planned them yourself. 

The worst part is knowing there is no universe where he chooses you.  

-

Your new French Literature professor is… really fucking hot. You’re not just saying this because he’s a decade older than you, or because he’s at least three decades younger than the guy who used to teach the class. He’s just, objectively of course, a really attractive man. 

The way his accent rolls off his tongue when he says “Charles, my name is Charles Leclerc.” definitely doesn’t help. In your periphery, you see the girl seated next to you furiously typing on her phone, with caps and exclamation marks and sweating emojis. You can’t even blame her. 

And it’s almost criminally obvious, the way he looks at you, eyes darting to your open polo, the way he lingers on the syllables of your name when he calls on you to answer in class. 

It’s subtle enough to not warrant any accusations of misconduct, but not subtle enough to avoid the envious stares of the girls (and boys) in your class. You’re unbothered, of course, given that he hasn’t actually made a move, but also the fact that he wears his wedding ring all the time.

And if you start wearing tighter shirts and shorter skirts to class, just to see his breath hitch when you uncross your legs just so, well that’s nobody’s business but your own. 

It’s almost cliche, the way your little game unfolds. You make sure to book the latest possible consultation slots with him, in a cute ensemble and flawless makeup, toting a copy of Les Miserables as if you’re actually struggling with the material. 

It’s fun, to rile him up, watch his tongue slide against his lower lip as he looks at you from across the desk. You don’t typically make a habit of seducing professors, especially the married ones, but you figure it’ll probably make a great story for your grandkids, or something. He holds out much longer than you thought, so much so that the illusion of needing aid in your best subject starts to grate on you. Still, the sight of his forearms when he rolls up his sleeves, or the line of his throat when he sips water during lectures keeps you hooked. 

When he finally bends you over his desk, you’re almost disappointed that the game has ended. The imprint of his wedding ring stays on your waist for days. Your friend tuts nervously when you return back late, murmurs something about morals and regretting your decisions and something else you tune out. 

Un brin de folie egaye la vie, right? Some madness will brighten your life. You continue ignoring her.

It’s only after months of your routine that you can form the all-important question, perched on his lap in his (locked) office, “Why cheat on your wife?” And the room is instantly suffused with silence. You expect him to tell you to get out or something of the sort, but instead he hums thoughtfully, shifting you further onto his thighs. 

He’s silent for a few seconds, running fingers through your hair, “Why do we do anything?” You snort at the obvious deflection, raising an eyebrow, waiting for him to continue. 

“On n’aime que ce qu’on possède pas tout entier. Proust says we love only what we do not have entirely.” You giggle a little at that, “you love me because you cannot have me?” He sighs against your cheek, “something like that, yes.”

In the end, it ends much cleaner than affairs like this tend to. You graduate top of the class, watch Charles and his beautiful wife at the ceremony, and laugh a little meanly at how oblivious her smile is. How he watches you, still, as you give the valedictorian speech, the smirk on his face as you thank your professors with false fervour. 

And then, one last time for the road, in the handicap bathroom where the bustle of the hall isn’t quite muted, breaths mingling hot in the stale air. A kiss, almost chaste, and you leave. 

Your grandkids howl with laughter at the story, nearly seventy years down the road. You smile, think about green eyes and rolled up sleeves. Another life, maybe. 

-

You’re still not used to the wag lifestyle. It’s one thing to be recognised in Monaco, another to be Il Predestinato’s girlfriend. It’s almost obscene, the red that greets you down every hallway, the way you bite your tongue and watch the team fuck him over every weekend. The way the crowds chant his name; Charles, they scream, Charles Leclerc. 

It’s not like you haven’t earned a place in the paddock. You’ve done the work, the pr activities, the carefully curated soft launches, the jet lag, the helmet kisses and the careful, careful styling. You’ll always be silent and pretty, always smiling and skinny and happy for him, existing to prove something. 

The point is, it isn’t that you don’t love Charles anymore. It isn’t that he’s neglectful and distant (he is), or that you’re unhappy with the constant scrutiny and ever changing time zones (you are). You can swallow these things, breathe deep and let it settle. 

Mangia questa minestra o saltar questa finestra; eat the soup or jump out of the window. Accept things for what they are, don’t hurt over things that cannot be changed. 

And it really does feel like nothing will ever change, watching the man you love turn into a beating husk, consumed with his want. A championship, a victory, draped in enough red to drown you both, a hundred years of history. Nothing will change, you will always be the girlfriend, the girl in-the-pictures. You can feel the shadow of Charles’ name as heavily as he feels Ferrari’s. That will never change.    

The championship is a hollow victory, when it comes. You and Charles have devolved across the year into a state of a perpetual tense silence, intercut only with the curl of his fingers around your waist when the cameras come flashing, and drawn out, passive aggressive conversations.

You begin to fly out less and less, blame it on the job you pretend to hate for Charles’ sake. Slowly, you learn to be on your own, find your way around loneliness, spaces within yourself previously occupied with your boyfriend. You toss about the idea of him cheating on you while you miss his races, and find the thought less impossible and less painful each time. 

By the time you see him again in Abu Dhabi, the Monacan flag wrapped around his shoulders, fingers pointed to the sky, you only feel affection for the man you would’ve given everything up for a year ago. The knowledge squeezes painfully in your chest. 

You reach for him in the cooldown room, wince at how unfamiliar his hands are to you now, look him in the eyes, “It’s been over for a long time, hasn’t it, cheri?” Tears rise unbidden within you when he nods, eyes wet. You clasp his hands tighter, relish the feeling of his fingers against yours one more time, “I want you to remember the best parts of us,” you sniffle lightly, attempt a smile, “not the end. I want you to remember that I am always proud of you.”

The room is quiet. He leans against your shoulder, for a moment you are both twenty-one again, guileless. The enormity of what you are losing has settled in your bones. 

The soup is unassuming on the table. You choose the free fall from the window. 

-

The new doctor is cute, in a puppyish sort of way. Charles watches the way you interact with all your new coworkers, smiling and shaking hands, the way you laugh at a joke Max just made. 

You come up in front of him, and falter, tilting your head like a startled animal. “Have we met?” The deja vu hits him so hard his head spins, shaking his head at your question anyway. 

He kisses your outstretched hand, soft under his lips, revels briefly in your furious blushing. His mother likes to tell him; doctors only date other doctors. He intends to test the theory.

“My name is Charles,” he says, “Charles Leclerc.”

[astralexpressarchives]

The Renheng Iceberg Explained

Alright so there's this renheng iceberg on twitter that I was recently informed about. I'm wayyy too deep into the lore so I skipped to the bottom and everything there was stuff I was already more than familiar with.

So I figured why not put all this information to some use and make a post explaining the more obscure items on the iceberg and leaving out the self-explanatory ones, doing my best to reference as well as possible.

Blade gazing at Imbibitor Lunae statue

This was a hidden interaction where you could find Blade standing near the statue of Imbibitor Lunae at the scalegorge after revealing Dan Heng's vidyadhara form. He says he is 'mourning for folly' and asks you if Dan Heng is happy. You can watch a video about this here.

Good friends who are bad for each other

This is Kafka's description of what she knows about Blade and Dan Heng's history in her companion quest. This answer is a "truth" in her game of truth and lies.

"Apparently, they used to be good friends... Well, good friends who were bad for each other. Bladie forgot nearly everything, so he doesn't remember well. Together, they did something bad — something terrible. It led to horrific consequences. That's the information I managed to piece together. Bladie refused to tell me the details."

Dan Heng gets nightmares about blade

We see this in-game in the cinematic leading up to the Xianzhou questline. This is also suggested in the Only Silence Remains lightcone description.

Matching Jade Ornaments

Referring to this idea.

There is also a vidyadhara egg that says:

"You edge closer to the pearlescent shell and have a dream in which you are a Pearlkeeper who rides the waves, and travels across the ancient sea with your true love. The time you have spent with your lover is full of happiness, but the time of hatching rebirth is determined by destiny. You secretly put a jade pendant in your mouth so your lover can recognize each other in the next life."

And considering that DH:IL 4 story has him refusing to speak during the entirety of his interrogation, death sentence, and final verdict, it definitely leaves room for imagination.

Bracer Lore

This one encompasses a few of the other ones on the iceberg, too. Really, it's worth reading the entirety of the Passerby of Wandering Clouds relic set lore. Keep in mind all relic sets are in chronological order of head/gloves/body/feet. The bracer also mentions this part about 'That owner also once shared company and drinks with the unnamed, the two of them simply gazing at the moon with no words exchanged.' This has an interesting meaning in CN that tells us this drinking was an engagement ceremony. People thought this must be a typo but, despite many tickets from people, their only response has been that they're unable to comment further. They still haven't changed it as of patch 1.4.

Dan Heng polishes and gaze longingly at Cloud Piercer

A recent addition in patch 1.4 where Pom-pom now says:

"Passenger Dan Heng often carefully maintains and polishes his spear. Although the Express is very safe, it seems that he is not willing to drop his guard. Hmm, Pom-Pom can tell that when he polishes his spear, there isn't just alertness in his eyes, but a glint of longing, too. Don't underestimate me, Pom-Pom had dealt with all kinds of different passengers!"

I'm sure by now everyone knows that cloudpiercer was made by Yingxing (Blade).

You can see screenshots of this interaction in this post.

Mirror Inverted Colours

Apparently, a big part of CN character design focuses around the concept of inverted colour palette designs for ships. Because Blade and Dan Heng share inverted colours, this is considered a good sign for the ship as it indicates they were most likely designed together.

Danmei Coded

Danmei is the CN genre for mlm. It has a lot of stereotypical tropes that are very common in this genre and apply to renheng also. My personal opinion is that renheng is very similar to something written by Meatbun in particular - this is a danmei author who wrote erha, yuwu, and casefile compendium. The associated tropes are:

Lovers to enemies back to lovers angst timeline often including misunderstandings involving tragic betrayal

Black/red character x white/blue/green character

Under the moonlight

Amnesia and/or reincarnation themes

Protag did something that made everybody turn on them + complicated political drama plot

Redemption in death/isolation/retreating from the world at the end

Waiting frankly ridiculous amounts of time to be with the lover again

One character pursuing the other character literally

One character considered dead or demonic in some capacity, the other is ethereal and godly

Mortal x immortal

Afterlife/spirit realm shenanigans usually involving fractured souls as a result of torment

Contrasting personalities + others don't think they should get along/are bad for each other (usually the deviant personality is considered to be corrupting the noble/revered personality in some way which often involves a rebellion)

Mirrored Ultimates

Their ultimate animation sequences are very similar with close eyes with weapon - open eyes - attack.

And both of their ultimates take place in different versions of the same location:

Vidyadharas can't identify items belonging to their past yet Dan Heng got the bracer, jade pendant(?), and cloud piercer

There is an NPC named Lingling in the alchemy commission who is responsible for assisting in vidyadhara hatching rebirth. She collects the personal belongings of vidyadhara who claim that they want to keep the items for their next life. She says that:

From what I've seen, most Vidyadhara lack emotions fresh after their rebirth, and are unable to understand the sentiments of their previous selves. Not a single one has ever been able to identify which one of these items used to belong to them.

This is a big indicator that DH = DF and that their romance will be continuing in this life, too. We know from Passerby of Wandering Clouds relic set that Dan Heng is still in possession of the bracer because of the line: "His fingertips could still faintly feel the temperature from the other."

The stars always accompany the moon

This is a reference to their names in CN where the Xing in Yingxing means moon and the Yue in Yinyue jun (Imbibitor Lunae) means Moon. Their ship name Xingyue means Star and Moon, which is often why you will see them referred to with the Star/Moon emojis as well as the sword/leaf emoji.

Blade came to see Dan Heng blushing when Xiyan asked him to act the character in his story

This is referring to this video on weibo where Dan Heng is talking to Xiyan. You can see the characters in the crowd then Dan Heng starts blushing. The next time you see the crowd, Blade has arrived third from the right.

"Eternal Regrets of a High Elder" and "Dreams from a Past Life"

These are arias from the Cloudcry Songbook written by a Vidyadhara named Lingjie who reincarnated into Chunfen. Lingjie was an opera singer and apparently a big fan of Dan Feng and his romantic life.

My friend wrote the poem analysis of both of these arias. I would strongly recommend reading her translations.

TW: These translations do include mentions of a new leaked poem. Some of the content is NSFW.

Dan Heng named himself "Dan Heng" due to the "Dan" character carved by Yingxing/Blade

We know that Vidyadhara do not usually name themselves based on their past lives as they have no attachment to them. The other iteration of Dan Heng was named Yubie for example. Dan Heng's name in CN is  丹恒. The Dan 丹 means red/pellet/powder/cinnabar. You can see Dan is inscribed on his spear that Yingxing made for him, thus the logical conclusion is that Dan Heng saw the inscription and chose it as his name.

The Star of the East (Jupiter, Wood Star)'s god is Ying Xing, and their guardian beast is Azure Dragon/Canglong/Qinglong

This one is the only one I didn't understand when I first saw it, so I had to request the help of my CN knowing friends to figure it out.

Yingxing's name is 应星 (where the 星 means star).

The CN god of Jupiter Taisui Xingjun 太岁星君 is known as Yin Jiao 殷交

Jupiter is the planet associated with the Chinese wood element, known as the wood star

Azure Dragon is known as Canglong or Qinglong in CN. This is the guardian of Jupiter (the wood star).

Blade's fansong equates Yingxing with 听星 (judging star) which is an alias for Taisui Xingjun

You can read my friend's explanation of the relevant line in the fansong below.

Dan Feng's crime was inspired by Chang'E, the moon goddess for stealing an elixir of immortality and Yingxing was inspired by Hou Yi, a mortal and husband of Chang'E (he was given immortality but didn't, this parallels and contrasts Yingxing's immortality)

So there's actually a bit more to this. I'm going to just use my friend's explanation here:

According to Shang dynasty’s Guicang, It is said that there is a moon maiden who escaped to the moon after stealing an immortality pill. This story was eventually given more details: The moon maiden became known as Heng’e 姮娥, who was the wife of Hou Yi - the hero who shot down the 9 suns. Hou Yi was given an immortality pill/herb as a reward, but Heng’e stole it and flew to the moon. In some versions, upon finding out, Hou Yi tried to shot down her to prevent her from floating to the moon, but he hesitated and ended up choosing not to in the end because he still loved her. In the moon, Heng’e stayed in a palace called 廣寒宮 (the Vast Palace of Coldness) and cursed to be separated from her husband, alone with only the moon rabbits and the immortal osmanthus tree forever. Later on, her name was changed to Chang’e 嫦娥 because Emperor Wen of Han’s name was 劉恆 Liu Heng, and so the 姮 Heng part of her name became a taboo. The interesting here is that 姮 (Heng’e), 恆 (Liu Heng), 恒 (Dan Heng) are all alternative ways to write the same character, 姮, which originally means moon, Heng’e. In addition, we also have a lot of official artworks depicting Dan Heng with the moon and osmanthus flowers:

Yeah so I think that just about covers everything. I left out the ones that were self-explanatory but if anyone is still confused about any of them I can try to elaborate further in the replies.

[for-a-longlongtime]

About shooting Triple Frontier, singing Moana songs on set, and The Hat

(disclaimer: this post includes some pap shots at the end, sorry. I'm conflicted about sharing them, even though these are really old at this point, but just given you a heads up in case you want to skip it - I've cropped them to show the hat on Oscar)

I've been meaning to make a post about this sooner, because a while ago I came across the Happy Sad Confused podcast (2019) where Oscar talks about shooting Triple Frontier - and it had some interesting things in it that weren't in the group promo for the movie. E.g. he talks about how he has videos of Pedro and Garrett singing Moana songs while holding assault rifles, "that's quite a bit of a mindfuck" (that tracks, I remember Bella talking about singing Moana songs with Pedro on the TLOU set).

About making the characters their own and bringing the story to the screen:

"There was not a ton of dialogue or backstory that you get to see about these guys. So there was an element of how do you show these people, how do you not make them anonymous? That didn't necessarily just jump out of the page. So a lot of that is trusting JC, and particularly trusting him in the edit. That's where he just, he really shines a lot - you can feel and trust that you can try a bunch of stuff. Things might not go great when you're shooting your production - the other was definitely a lot of like wrestling with ideas and things -, but in the edit, he sticks with it and he stays at it, and he is relentless."

At one point Oscar is asked about the Standard Heating Oil hat in the movie. For those of you who do not know the background story there; several years before Triple Frontier, Oscar worked with JC Chandor on a movie titled A Most Violent Year. He played Abel Morales, a Colombian born businessman who lives in Westchester, NY and owns the Standard Heating Oil company.

And we all know the hat Frankie (Morales...) wears in Triple Frontier:

Josh Horowitz from the Happy Sad Confused podcast is a real movie nerd, so he asked Oscar about it mentioning the JC Chandor Cinematic Universe. Here's what Oscar said:

"I know. That was, I gotta say, that was me, because I was like 'Can I, can I wear the Standard Hat?', and then he [JC] started thinking like 'Yeah, maybe', but then he was like 'It's too much, but Pedro can wear it'. And I was like okay, alright!"

Which brings me to my last point...

We know about those beach pics that were snapped of Oscar, Garrett, Charlie -- and then another set of them with Pedro and Tom Ben -- when they were in Hawaii to shoot Triple Frontier, right? As Oscar mentions in the interview, it seems like someone from the team [I'm assuming he means crew] ended up tipping off the paps for those photo ops.

I just randomly came across a much bigger set of those photos than I've seen before, and my heart suddenly stopped. Because...

...Oscar is wearing Frankie's hat?

Oscar is wearing FRANKIE'S STANDARD HEATING OIL HAT.

I mean.

I know it is/was Oscar's hat first, and I think it was @legendary-pink-dot who mentioned that a bunch of people on the crew had them, but as far as I can see, this was the only moment he was captured wearing it - so I love it. I'm having a moment.

If you haven't heard Oscar on Happy Sad Confused before, check out the podcast here.

tagging some folks for heads up: @sin-djarin @legendary-pink-dot @magpiepills @perotovar @romanarose @penvisions @prolix-yuy @writefightandflightclub @ezrasbirdie @astroboots @pimosworld @alltheglitterandtheroar @nerdieforpedro @wardenparker

ok my brain is asleep at this point, so consider this a tag for everybody