#node creature

[eskapeep]

root node, but make it friend shaped :>

some additional thought:

they/it, if they address themselves they will use "we"; the body is still just a bunch of roots mimicking shape of a solarian

they do not have a name, if you ask them for it. they'll react to root & the usual "hey, you"

it doesn't have its own distinct voice. i imagine their voice works similarly to a spirit box - tone & type of voice can change between words & it's not something to control, they gathered hundreds of voices - but sometimes it's possible to hear familiar ones :)

+ Yi from sketch by himself, because

[eskapeep]

I'M SCREAMING, I LOVE IT SO MUCH, THANK YOUUUUUUU

I tried to draw @eskapeep's beautiful creation ... I'm so in love with this creature (I'm aroace but you know what I mean)

[insertcommonnoun]

Neil bangin' out the tunes since '06

[bones-and-whatnot]

It’s Headcanon Time!

If you’re like me, you’re just constantly asking yourself “What the fuck is up with the timelines of Donkey Kong Country and the mainline Mario series? What the fuck is up with that? What is it?”

I had an idea about it. So, I’m going to share it, here goes.

Are you guys ready for CONVOLUTION?

- After the events of Donkey Kong ‘94, the original DK (AKA, Cranky Kong) and his son return to their home, the extremely isolated DK Isles.

- Things on the DK Isles are great, they’re really bustling. Cranky and Junior are sharing things they learned in the city with the other animals, teaching them about clothes and buildings, everything is swell. (Meanwhile, on Crocodile Isle, the Kremlings are discovering the wreckage of abandoned human factories and warships. It’s fine, though, it’s not like they’re gonna internalize the ideals of industry and conquest and develop an obsession with becoming human or anything. That would be ridiculous.)

- One day, while out exploring the isles, Cranky finds a cave or temple or something that contains six watches. Alongside the watches is an inscription, something about “capturing a moment”.

- Even back then, Cranky hates the idea of change and thinks everything should stay just as it is, so he winds the watches up. To his surprise, however, nothing happens.

- Angered by this development, Cranky takes the watches to the top of a mountain and uses his simian strength to throw them off in various directions, far enough that they land in the sea and he never has to see them again.

- Unbeknownst to old C. Kong, the way the watches landed in the water has made them form a wide ring around the island and its neighbors. This ring then forms a time bubble, leaving the outside world frozen in time, but the DK Isles untouched.

- Fast forward 36 years, and the watches have finally unwound (each of the six watches takes six years to unwind), ending the spell. During this time, the Kongs, Kremlings and other animals have developed society and Cranky has grown old, with an adult grandson (36 years is enough time for Modern DK to be an adult because Kongs age slightly faster than humans).

- However, during these 36 years, none of the inhabitants were at all aware of the time magic that was at play, because none of them ever left the isles.

- After the bubble pops, the outside world continues on without having aged a day, the events of Donkey Kong Country occur, the watches lose their time-stopping magic and eventually wash up on the shore of the nearby Northern Kremisphere (leaving them to fall into the Bears’ possession), and the isles at some point regain contact with the rest of the world, with Cranky presumably seeing Mario and going “What the fuck.”

Thank you for your time.

[yahyabkheet-blog]

Updated today !

19/11/2024 Save my child, Mira, please

My beautiful baby Mira was suffering from a high temperature two weeks ago, so I took her to the doctor at Al Awda Hospital in Nuseirat Camp, which is the only hospital covering the central region. The doctor told me: There is nothing wrong with your child without examination or tests.

He literally told me your child is spoiled

When I got out of the hospital, I told my wife that our baby girl was spoiled, just like the doctor said

Every time my child, Mira, complains of pain, I tell her there is nothing you need, and when her temperature rises, I give her a fever reducer and she just sleeps.

This morning, my wife was surprised while she was changing clothes for Mira that there was a large tumor under her armpit

My wife started screaming and crying at me. I took Mira to the hospital immediately and we were referred to a pediatric surgeon. She was examined and a television imaging was done. It was found that my child suffers from three masses in the lymph nodes, one of which is very large.

The doctor told me that she needed a gland removal operation As soon as possible within a week due to the rapid growth of the tumor

My child, Mira, is one of the most active and energetic children today. She is sick and cannot play. She's tired. I don't like to see her in this state.

Since we received the news, my wife and I have been crying. We do not know how to react. What will happen to us next in this damned war?

There are no hospitals, no electricity, no treatment, and not even anesthesia for surgical operations

I don't know how to act

My child, Mira, needs an operation and quick treatment

Please help me, my hands are tied 🙏😭

‏@palhelp @shinydreamtacoprune-blog @mistress-- kanzaki @a-shade-of-blue @rainy-fog

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[paradoxbeta]

Who wants a bit of Minecraft spec bio?

In my headcanon for Minecraft the majority of mobs share a very recent common ancestor with a slime-mold adjacent organism called the "root node," meaning most mobs (villagers, illagers, skeletons, zombies, mooshrooms, others) are fungoid/plantoid-appearing creatures.

Villagers are among the most complex of them all, boasting an intricate method of expression through extendable facial "petals" (thin, mostly transparent membranes) that shift in color, pattern, and intensity to express a vast and dynamic field of emotions. The protrusions on their head resembling eyebrows and a nose light up in patterns to convey information. Conversation is occasionally emphasized by vocal cues (the iconic "hrms").

While impossible to translate standard villager conversation into something intelligible to humans without advanced technology, Steve is the most "fluent in villager," with a baseline understanding of what different colors mean on a villager's petals and even dyed paper cards to replicate the expressions himself. He also has established a rudimentary sign language with the nearby village.

Steve works with a certain villager he's nicknamed The Language Guy, or "TLG," to propose new signs or revise existing ones. TLG distributes language updates to the village when they happen. TLG is the most "fluent in human," so they are the village's Steve equivalent when it comes to diplomacy with humans. They are also working on writing a book with every established sign and its definition. Since villagers don't have a written language yet, it consists of easily interpreted pictograms.

Humans and villagers have rather shallow avenues of communication due to their complete lack of intuition about each other's natures. However, due to their frequent interactions, TLG and Steve are very close friends for creatures with a compatibility gap bigger than the Grand Canyon.

Alex would really like to learn about all of this, but she's not quite got the hang of it yet.

[jurph]

From Everything2.com, Dec 2002, user 256

Giant squids and sperm whales existing are just crazy to me. You mean to tell me there's colossal beasts several times my size that battle each other in the darkest abysses leaving whales with scars marking them and that the giant squids are so rare we barely see them alive? And there are even bigger collosal squids and they live in some of the most frigid parts of the world deep in the water? And these just live on the same earth that I make my pasta and drink my lemonade on?

[xdexesx]

As a 5th-Semester Animation Student, I am surprised at how little I actually yell about the animation of this Show.

You guys-

You guys have no idea the actual genius of 9 Story Entertainment and BrownBag Films (The Production and Animation Studio for the Wild Kratts Episodes)

First of all. This is not traditional 2D animation.

This is Cut-Out Animation, also known as 2D Rigged Animation or Puppet Animation. Other shows you might be familiar with that use this technique are Bluey, Hilda, Rick and Morty, or the Big Hero 6 TV Show. There are more but these came to my mind first.

Cut Out Animation can be very limiting, because you work with 2D sprites in a 3D environment almost. The Tech Artists, sometimes called Character Builders, are the ones that take the design of the characters and creatures and build a 2D skeleton of sorts, putting bones inside of the png drawing and allowing it to move. It might sound easy, but trust me when I say it is a tiring process and the node-view is horrifying, haha.

I don't know if people would care for an actual deep-dive into the animation of the show, because believe me, I can talk a lot about it, as someone who is familiar with the animation technique, the technical/character building aspects of it, as well as someone who has actually access to the Software the Animation Studio is using to make these episodes (I kid you not when I say that I am in possession off all the tools to make my own Wild Kratts episode, minus the backgrounds because I hate doing those)

For those that care, THIS is what the animator sees before the episode gets finished, lol

Say hi to "Chad", he was part of the Shortfilm I made with some others in my third Semester at uni.

The purple plots are controllers with which you move the character around.

The green lines and dots are deformers which make the character able to bend and stretch.

Also, the thing in the right window is the beloved node view, or at least a small aspect of it. All these small squares have meaning and I won't even try to explain

While Cut Out Animation isn't my strong suit (Traditional 2D and 3D animation is) I would still be down to talk more about it if anyone cares to listen, lol. Even beyond the software capabilities, the show is actually very interesting to look at from a production standpoint and I would love to just talk more about the animation in general because let me tell you, it is much better than people give it credit for!

[eskapeep]

recover.

i've died a few too many times for the reference :')

[venussaidso]

Nodal Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 (part 1) 𝐨𝐟 𝐩𝐚𝐫𝐭 𝟓

Ardra, Swati, Shatabhisha embody Rahu qualities to the fullest. Breaking boundaries, whether they mean to or not, refining or rebuilding themselves by the way they absorb Maya (illusion), being thrown into foreign lands to create, explore and challenge existing paradigms. The ultimate mastery of Rahu nakshatras lies in recognizing that Maya is not the goal, but the process of refinement. This is shown in the natives' urge to learn, apply and cultivate something for themselves. This means that their initial stages have a lot of lack, and that's where that hunger to achieve and receive comes from. They'll take on challenges if it means there's an opportunity to fulfill themselves. In these following examples, the Rahuvian character is often given an opportunity to enter higher societies, usually through a job, a scholarship or from meeting the right person in the right time.

Swati Sun Julia Roberts, in Pretty Woman, plays a poor, sex worker who enters the high society through a billionaire and becomes 'refined'. Despite her glow up, her authenticity still contrasts with the pretentiousness of the high class social circle she finds herself in, challenging their perceptions of worth and class.

Much like Pretty Woman, in the film My Fair Lady, the Rahuvian meets a snobbish phonetics professor who wages that he can make her presentable in high society.

In the film Khoobsurat, Shatabhisha Moon Sonam Kapoor Ahuja plays a quirky physiotherapist who is ill-mannered and boundless. She is given a once-in-a-lifetime opportunity to work for a royal family. There, she meets a handsome young Rajput prince who is her complete opposite (given that he is portrayed by a Mula Moon native, Fawad Khan, who adheres to the customs of his background, bound by his roots).

Despite their different social classes, the royal family learns a lot from her authenticity.

This theme of outer duality in which the native crosses over to a whole new world different from where they originally came from centers a lot around the 'poor vs rich' dynamic in these modern examples — exploring classism, elitism and other societal divisions which make outsiders.

As I briefly gave examples in this post, Shatabhisha can be linked to Cinderella. Which means that trine nakshatras can also inherit this theme of person from poor background falls in love with person from wealthy background. As shown in that post, the union is often with a Mula native. It was expected to find these Rahu-Ketu connections, as the nodes are always one with each other. Their themes can overlap, which I'll be going more into further down this post.

The Mula CEO also comes from old money.

Rahu thrives on venturing the unknown and embracing the unconventional, often shown in the trope of one falling in love with someone alien.

This otherworldly love is seen in Pirates of the Caribbean: On Stranger Tides, where a Rahuvian sailor falls in love with the mermaid, Syrena. Mermaids are captured and exploited by humans — immediately we see this theme of division. And unlike the other humans, he treats Syrena with respect and equality.

Syrena is portrayed by Mula Moon Astrid Berges-Frisbey, while the sailor is portrayed by Ardra Sun Sam Claflin. In the end, Philip becomes a merman and lives with Syrena underwater. This transformation that the Rahuvian goes through in order to unite with a lover of another species is also seen in the film Lisa Frankenstein, starring Shatabhisha Moon Kathryn Newton — although it's more in a Romeo-&-Juliet style.

The Rahuvian character, Lisa, falls in love with Creature, who is a living corpse portrayed by Magha ASC Cole Sprouse. Lisa kills herself in a tanning bed to join the Creature in death. Their union shows her alive, but mummified.

This theme of one overcoming the obstacle between them and the person they desire is seen yet again in the film Casper (1995). A girl, played by Magha ASC Christina Ricci, meets a ghost named Casper, who falls in love with her. Casper is voiced by Malachi Pearson who has potential Swati Moon. Casper's one wish is to be human again so that he can win her heart.

His wish is fulfilled but he can only be human up until midnight. His human form is portrayed by Swati Moon Devon Sawa.

In the Korean drama, Are You Human?, Shatabhisha Sun Gong Seung-yeon plays a bodyguard who is given an opportunity to protect an advanced humanoid whom she falls in love with. Another abnormal, interspecies relationship.

The humanoid is the clone of an heir of a rich conglomerate. The heir is portrayed by Magha Moon native Seo Kang-joon – him being born into wealth contrasts with her being brought up from a poorer background; we see this theme again of a cross over between two opposite worlds as she gets romantically entangled with him.

A lot of these pairings show Rahu's need to break taboos and seek authenticity over conformity, as these unions tend to be abnormal in a discriminatory society. As illusory as Rahu is by nature, it highlights the illusions within society and the challenges that come with it.

Rahu seeks to challenge conventions, forcing individuals to confront their biases, embrace diversity, and explore love in its most expansive ways; while Ketu can be detached from society in general, already transcending or dissociating from it altogether.

Now extending the old money archetype into this, we can see Rahuvians embodying this shabby, nonconforming, rough-around-the-edges, transformative archetype who'll be on the opposite end. As Ketu symbolizes the past, ancestral roots, tradition, the old way of doing things; Rahu symbolizes the future, foreignness, pursuit, a new way of doing things.

Old money often means adhering to strict family rituals, customs, and expectations. There's an expectation for the wealthy to marry their own, maintaining a cultural practice that has existed for centuries, a theme of Ketu as it means to preserve the past. But Rahu comes in as a disruptor, changing rules that seemed absolute, causing more confusion and tension. Rahu often seeks unity, even with our all differences.

Rahu and Ketu are always 180 degrees apart in a chart. This gives an understanding to how they're always on opposite sides of the same coin. So their union in these media examples often come with resistance and chaos.

The story of Romeo and Juliet is about a star-crossed love stuck in this push-&-pull between tradition and breaking free from tradition.

Rahu is symbolized as the head of a dragon, while Ketu is the tail. Together they remain in this endless chase, their nature defined by longing and separation. Maria and Tony from A West Side Story mirrors this nodal dynamic, as it's based on the classic Romeo and Juliet. Just as the nodes themselves are forever trapped in opposition and in an eternal chase, these lovers remain trapped by their differences. Their love and lives are destined to be cut short, signifying the impossible union between the opposing nodes in these forbidden love stories.

The tragic ending of Maria and Tony’s story reflects the inevitable nature of the nodes. In both Romeo and Juliet and A West Side Story, we see the power of love transcending societal barriers, yet this love is doomed by the very forces it seeks to overcome.

Ashwini nakshatra literally has the strongest ties in Romeo & Juliet (list).

Another pair of this nodal influence (Ketu-Ketu), with this exact theme, is Mavis and Johnny from the animation Hotel Transylvania. Mavis is voiced by Ashwini Moon Selena Gomez, and Johnny is voiced by Magha Sun Andy Samberg. Mavis is a vampire and Johnny is a human. Their worlds should never have had a crossover to begin with. But Johnny, being Magha, feels a sense of belonging with these monsters and Mavis instead of fearing them (a nod to the Mula archetype and Beauty-&-the-Beast trope, which, as I've stated before, can also manifest itself as Ketu-Ketu instead of Ketu-Jupiter... much like Belle and Rumpelstiltskin from Once Upon A Time, Belle being played by Mula Sun Emilie de Ravin and Rumpelstiltskin portrayed by Ashwini Sun Robert Carlyle — the show's own Beauty & the Beast).

Though light-hearted and comedic, their union was forbidden as monsters and humans should be kept apart to their own worlds due to past conflicts. Mavis' father, Dracula, goes to great lengths to separate the two, but then he realizes that their love is genuine and overcomes his prejudices.

The theme of letting go touches on Ketu's tendency to sever ties, signifying the lesson of how temporary things are, including love. The film Untamed Heart is a great example, perfectly encapsulating this theme between two Ketu natives.

And as Mars also rules Ashwini nakshatra, this can be a major focus.

Connecting Orpheus to Ashwini, so much of this nakshatra's themes are highlighted in this Greek myth. Ketu is associated with nature, animal caretaking, and taming wild beasts. This is seen in Orpheus's ability to charm animals, move trees and rocks, and even change the course of rivers, through his music. Music has been known as a form of comfort and healing, and Orpheus' music is so powerful that it hypnotizes wild beasts, even influencing Hades, the ruler of the underworld.

The mythological character loses the love of this life, Eurydice, and he is unable to accept her death. He becomes so desperate, filled with grief and fear, that he descends into the underworld to get Eurydice back. As Ashwini can be driven by selfishness, severance becomes a major lesson in their journey.

The musical film Black Orpheus (1959) is directed by Ashwini Sun, Magha ASC Marcel Camus, a black Brazilian retelling of the tale.

In Jason & the Argonauts (2000), Ashwini Moon Adrian Lester portrays Orpheus. In the animation Hell and Back, *Ashwini Moon Danny McBride voices Orpheus. In 1960s The Giants of Thessaly, Massimo Girotti portrays Orpheus and he has Moon in Magha (trine nakshatra to Ashwini). This obvious connection of Ashwini to Orpheus takes me back to the ruling deities, the Ashwini Kumaras. Ashwini can be related to partnership, soulmates, connected minds. Here, there's a theme of inseparability yet the nature of the nakshatra forces severance. Back to the tale — With just the charm of his music, Orpheus is able to convince Hades to bring Eurydice back to life, only under the condition that Orpheus never looks back at her when they leave the underworld. Overwhelmed with so much love, he's unable to help himself, as he fails and looks back at her as they neared the exit. This is how Orpheus loses Eurydice forever.

Similar to Orpheus, the Twelfth Doctor from Doctor Who spirals into madness and desperation after the death of his close companion, Clara Oswald. The Twelfth Doctor is played by Ashwini Sun native Peter Capaldi. His Aries relentlessness and selfishness has him breaking the laws of time to bring her back, just like Orpheus breaks the natural order of life to get Eurydice back.

Clara Oswald is interestingly nodal herself, being played by Ashwini native Jenna Coleman.

YouTube video link

His journey through grief and his refusal to let her go mirrors Orpheus's determination to challenge the natural order of life for love. In the end, Twelve's memories of Clara get wiped out when he is forced to sever ties with her. Clara remains dead and so does Eurydice. This makes these pairs star-crossed, as Ketu reminds us of the inevitability of loss and separation. With Mars there, it makes it an obvious theme with Ashwini nakshatra.

Orpheus tried to get Eurydice back after her death by seeking the realm of the dead as a mortal being. He finds the cave that led to Hades and slowly descended into the Underworld. He sang to Cerberus, a terrifying, three-headed monstrous watchdog, able to tame and charm the beast so that he enters. This theme of entering portals to other worlds and dimensions tends to be associated with Ketu, and I find it interesting that I am particularly seeing the magic within Ashwini nakshatra.

In the 2008 film Jumper, Ashwini Sun Hayden Christensen plays a young man who can teleport himself anywhere and everywhere due to a genetic anomaly. Regarding Doctor Who, the first female Doctor has indeed been played by an Ashwini native as well. And Ashwini Sun native Russell T Davies is the original showrunner & head writer of the 2005 revival of Doctor Who, starring Ashwini Sun David Tennant.

It is interesting that Ketu nakshatras also have this otherworldliness quality to them which is seen in having access to portals or dissociating into other realms. Although I have already explored this theme within the context of Anuradha nakshatra, there is still an undeniable nodal influence to it as I see these nakshatras frequently pop up in this genre of film.

Magha Sun Amy Adams' character in Enchanted falls into a well which is a portal to another world. In Alice in Wonderland (2010), Magha Moon and Swati Sun native Mia Wasikowska's character also falls into a portal to another world.

In the animation Caroline, Ashwini ASC and Shatabhisha Sun native Dakota Fanning voices a girl who finds a portal to another world. In 1953's Peter Pan, Ardra Sun Kathryn Beaumont voices Wendy who is taken to another magical world called Neverland by a boy named Peter Pan who's voiced by Shatabhisha Sun Bobby Driscoll. In 2003's Peter Pan live-action movie, Wendy is played by Ardra Moon Rachel Hurd-Wood, taken into this whole other reality of magic and wonder. In Hook (1991), adult Peter Pan is portrayed by Shatabhisha Moon and Swati ASC Robert Williams, the character a middle-aged lawyer from the modern world who returns to his magical origins. In the Korean drama Spice Up Our Love, Ashwini Moon Han Ji-hyun's character wakes up as the protagonist of the web novel she wrote. In the Korean drama W: Two Worlds Apart, Shatabhisha Sun Han Hyo-Joo gets sucked into a webtoon written by her father. There she falls in love with the protagonist who is played by Shatabhisha Moon Lee Jong-Suk, who gets gets sucked into her reality as well. In the Chinese drama Love Game in Eastern Fantasy, Mula Sun Esther Yu gets sucked into a video game novel as a supporting character. In The Wizard of Oz, Mula Moon and Ardra ASC Judy Garland plays a Kansas farm girl who is taken away in a tornado and ends up in the magical Land of Oz. In the series Emerald City, Ashwini Sun Adria Arjona is a Kansas nurse who is transported by a tornado to the Land of Oz. In the film Oz: The Great & Powerful, Ashwini Sun James Franco is a magician who is hurled away from Kansas into the wonderful land of Oz. In the 2013 animation Epic, Magha Moon Amanda Seyfried voices a young girl who finds herself transported into an alternate world and even falls in love with Ashwini Moon Josh Hutcherson's character (I highly recommend this film).

As Rahu is associated with illusions and exploring the foreign, we see this theme of escaping into simulations and dreamy worlds which one becomes absorbed in. This has been explored deeper within Swati nakshatra, which combines the arts and illusory tendencies of Rahu together.

The influence of the nodes often transcends the physical realm, embodying forces of spirituality, illusion and transformation together. But they both manifest differently in this theme. Rahu becomes absorbed in illusions (in form of the arts, simulations, imagination (ex. Peter Pan being the boy who is attached to Neverland because he never grows up — Neverland is an illusory place only found in the minds of children, this highlighting his attachment to illusions)); while Ketu tends to escape the material plane altogether, yearning transcendence and passing by realms to seek meaning and lessons.

In the film Meet Joe Black, Mula Sun Brad Pitt plays an otherworldly being who takes over the body of a man to experience Earth and be guided in the teachings & meaning of life. His very existence quite literally transcends time and space, which I relate to Ketu, as he is a mystery himself.

He is innately detached from human concerns like time, societal expectations, and permanence. But he falls in love with a human named Susan, who is also nodal-ruled, and his nature makes their connection doomed from the start. Susan is played by Mula Sun, Mula Moon native Claire Forlani. This making for another star-crossed pair because he can never fully participate in human life.

Going into the body-swapping trope, this calls to Rahu's desire to navigate a foreign perspective while Ketu seeks to transcend its rigid reality.

In the film Hot Chick (2002), Swati ASC Rachel McAdams plays a teenage girl who wakes up in the body of a 30-year-old male criminal played by Swati Sun and Ashwini Moon native Rob Schneider. In 1989's film Dream a Little Dream, an accident puts the consciousness of an elderly dream researcher played by Magha Moon Jason Robards into the body of a bratty teenager who is played by Mula Sun and Shatabhisha Moon native Corey Haim. Many more examples often include a Saturn nakshatra native as well, which I found very interesting. Hopefully I'll be circling back to that one day!

Rahu is thriving on the chaos of this trope since an entirely new identity is being explored (and lessons are learned as the social difference in one's gender, class, and even age tends to be highlighted for the ignorant one (Rahu essentially refining the native through this experience)).

The interaction of the nodes drive each other to a deeper understanding of life's illusions as it signifies letting go and refining oneself. In this little exploration, I got to understand that Ashwini is a romantic nakshatra which deals with loss and forced detachment due to Ketu. While Rahu nakshatras tend to be more romantic and igniting conflict in their pursuit of a love that's not right according to societal standards. This solidifies the image of the eternal chase of the dragon representing desire and detachment.

[niqhtlord01]

Humans are weird: Nightmare ships  

( Please come see me on my new patreon and support me for early access to stories and personal story requests :D https://www.patreon.com/NiqhtLord Every bit helps)

“Most terrifying ship I ever seen?”

Mordray repeated the question as he took a thoughtful bite of his xala and pondered the question.

“I’d have to say a Hive Node ship.”

Lithinio scoffed. “When the seven hells have you ever seen a Node ship?”

“I watched a documentary on it just last rotation.” Mordray countered rather defensively. “And having watched it I have to say I’m glad I never saw one in person since they eat entire ships whole.”

Ninten sighed and rubbed the ridges of his face. “Let me change the question then to “What is the most terrifying ship you have ever seen IN PERSON.””

Mordary took another bite as he took in the updated question while Lithinio stepped in with their own answer.

“I once saw a Dru Hunter Class while part of a convoy escort mission.” He took a sip of his drink and ran his hands through the air as if tracing the vessel.

“From bow to stern it was covered in spikes and upon each spike was a corpse. It was like a ship of the dead come to collect its toll of the living.”

“I heard the stories about those.” Ninten nodded. “Doesn’t matter if you were a victim, an enemy, or just some bad luck bastard in the wrong place at the wrong time; they’d spike you just the same. Where’d you see it?”

“The Dinar Campaign,” Lithinio replied, “they couldn’t beat our warriors on the ground so they’d send out small raiding space parties to hammer the transports and supply ships before ever reaching their worlds.”

“Lost a lot of good lads that war.”

The trio of crewmen turned to see the speaker at the table opposite them had turned around. They wore the uniform of an engineer but had several markings of honorary navy marine, honorary gunner, and even one for honorary helmsman. This could be none other than the legendary Midar Nus, the most famous crewman on the ship.

“Apologies for intruding,” Midar said sheepishly, “I was overhearing your conversation and it drew up some memories.”

‘You are more than welcome to join us sir.” Ninten said as his two comrades nodded and made room at their table for Midar to join. He smiled and took the offer, changing tables and nestling himself down in the now free space.

“No need for that protocol with me lad,” Midar spoke with a wintery grin as he eyed Ninten, “especially since you technically outrank me.”

“Experience counts for more than bars, sir.” Ninten replied without thinking.

Midar was taken aback by the boldness and for a moment Ninten thought he had overstepped himself. Instead, Midar let out a deep booming laugh and patted him on the back as Lithinio and Mordray let out a sigh of relief.

“We could have used a dozen more of you during that scuffle with the Dru; would have saved a lot of my friends.”

Ninten took the compliment and tried to redirect the conversation before he said something to ruin his now good standing with a living legend.

“What about you then? What’s the scariest ship you’ve ever seen?”

The trio listened in half expecting him to say something heroic like “I’ve never seen a ship worth being afraid of” or “I once thought I saw one, but it was really my mate’s in-law”. Instead, the old sailor replied without even pausing to think.

“The ones who piloted them don’t have a name for it officially; only a name they had given to them by a creature of their dark past.”

“Whose they?” Mordray asked as Lithinio smacked him for interrupting the answer.

“Humans crewed the things, though it’s been a thankful many years since I last encountered one of those damnable vessels.”

He leaned in close and slowly cast a frightful gaze across the three of his listeners.

“They called them “Frankenstein” ships.”

None of the three said a thing, partly because none of the three had any idea what that word meant. Midar saw this and further explained.

“There’s a story amongst humans about a human named “Dr. Victor Frankenstein”, and they were so focused on circumventing death itself that they began performing horrific experiments on the living and the dead.”

“What’s that supposed to mean?” Ninten asked “How can you perform horrific experiments if the subject is dead?”

Midar shrugged. “Story goes the mad doctor took the chopped up pieces of several dead humans, sewed them together, and then brought the creature to life.” 

“Putting aside the continued depraved and discouraging nature of humanity,” Lithinio chimed in, “what does this have to do with their ship design?”

“Because,” Midar continued, “like their mad doctor humans have an infuriating habit carving up the parts from other ships and adding those parts to their own.”

He leaned back into his chair as he recounted his first experience. “The first time I found myself up against one of those ships was in the Delta Cluster. We just fought of a border incursion and were tasked with protecting the wreckage while we sifted for survivors.”

“We just finish a patrol when we got a strange energy signature return near the edge of the wreckage. So we went to investigate it and there we found a human ship the size of a frigate slowly drifting through the debris field using a variety of arms to grab bits and pieces of ships.”

“The captain ordered a scan of the ship and the returns were a confusing mishmash of technological parts.”

“A Thorian engine block, a Juriet power core, a Nexium stabilizer…” he said listing out a surprisingly long list of ship parts from different species.

“None of those parts are designed to work with other tech.” Mordray commented. He would know as he was part of the engineering crew and well trained in ship maintenance. “The Juriet power core alone would generate far too much power for a ship that size; dangerously so much that using it could trigger a system overload.”

Midar nodded at the crewman’s insight. “Indeed, were it not for the majority of that power also going towards a Feren Gel class shield system. We found that out when we tried to disable their engines and our volley bounced off the thing like oil on water.”

Lithinio let out a whistle in awe while Midar continued.

“After that the thing began to slowly turn to make a run out of system so we drove in hard ready to grab it with our tractor beams. We were just about to make it when a panel at the rear of the ship opened up and a turret protruded out of it.”

“One shot.” Midar remarked as he held up a single taloned finger. “It took one shot at us and shattered our shield, blew out our engines, and triggered a cascading system overload that left us dead in space as they plowed out of system and made a jump.”

Ninten grumbled as he pondered Midar’s words. “Must’ve been a Telkar railgun. It’d run the entire length of a frigate ship, but it’d pack enough of a punch to deal that kinda damage; but the recoil alone would’ve split a ship that size in half.”

“Which we later found out was counter acted by a Wu’l gravity displacement field. They jacked it to max just as the railgun would fire and the counter action would cancel out the recoil.”

“I’m still confused why these things are so scary to you?” Mordray asked with a hint of a mocking tone. “They sound like garbage barges held together with scraps.”

Midar took on an offended expression and straightened up. “They’re terrifying because you never know what you are going up against. Frigate size packing battleship class weaponry, a patrol craft that can launch mini black holes, a cruiser that interwove nanomachine and organic materials that could repair any damage; every and anything was on the table!”

The ships seemed beyond reason and logic but the enthusiasm with which he spoke there was some truth to each description.

Ninten took a sip from his drink and nodded in appreciation. “Only fitting for the species that defies existence to have ships that actively defy the laws of technology.”  

[spiribia]

In ancient times, a “bus” was a sort of terrestrial beast. the people of the time harnessed their regular territorial patrol routes by climbing down their maw. buses had a complex nerve system threading throughout their bodies. passengers found that pressing down on certain nodes of this system sent an electrical signal to the creatures brain, causing it to stop moving and open its jaws, allowing passengers to dismount.

[goawaypopup]

It's time for some Look Outside posting. Are you ready?

I'll be analyzing the mechanics of the Visitor's effects a bit. Sam meets most everyone in the apartment building, and often gets firsthand accounts from them too, so we have a pretty good set of samples to draw from. Yay!

Part 1: The Why

First up is my personal theory for why being observed by the Visitor affects humans the way it does.

Here's what we know about it: (Spoilers, kind of.)

Being perceived by the Visitor causes humans to transform into unique monsters, on varying timescales. Its perception inherently changes things when it observes them, but humans and other animals are especially affected. What it does to them is "communicating... in a way".

Humans that transform tend to have a "theme" related to what they were near or what they were thinking about when contact occurred.

The Visitor only perceives living things when it, itself, is perceived by them in some manner. This is why looking at a photo or drawing of it will also cause a person to change.

The Visitor's interstellar size means that it takes time for the rest of its body to be aware of what each part is seeing.

The Visitor, prior to meeting Sam, had no concept of itself as distinct from other beings, as it has never met another living entity before, and it's used to independent things that it communicates with just being other portions of itself.

Now here's my thoughts:

When the Visitor looks at someone, it's assuming this is an unfamiliar piece of itself, and it forms a connection with them in the same way it would a neighboring chunk of its own nervous system that isn't physically connected closely enough for signals to travel all the way between them quickly.

The bond forged by the Visitor starting to perceive through someone puts their whole body in a volatile, changeable state due to having a steady portion of its attention.

When it does this, it can barely make sense of the human thoughts and concepts coming from the new "neuron". When a new one is especially salient to it, it reinforces the concept, trying to think about what that is - often through (what it thinks is) the node of itself that's picking up that idea. The human.

Think of it as rotating a cow in your mind, except to do this, you turn someone else into a cow. And then rotate them.

And of course, the human body isn't an alien monster neuron, so when it gets beamed with one of the person's own thoughts reflected from the confused Visitor, in its volatile state, it starts to distort.

The people whose new forms reflect a clear concept are products of this. Consider the case of Rana, who resembles a spider. In her story, she's an arachnophobe, and was worried about a spider she lost track of back in her house.

She's not a realistic spider, though - she's black, and hairy, and prominently fanged, with way more than eight glowing red eyes haphazardly arranged all over her head. She's an arachnophobe's idea of a frightening spider.

The monsters who sort of just resemble monsters more than any idea in particular, like Lokjaw, Stretchface, or the wacky creatures seen on the roof, could be products of more abstract thoughts, but they could also be the few that received an alien thought from the Visitor rather than having one of their own fed back to them, resulting in an unpredictable change.

When a witness goes back inside, and the Visitor can't back up the signals it's getting from them with its own perception of the area, its attention eventually wanes, and they're set aside in favor of other nodes whose feedback makes more sense to it, concluding the peak period of mutation.

Next time: a little on "contagious" transformations.

[prettycottonmouthlamia]

Before I end up making that post I want to talk about briefly with the release of IS5 again, the concept of each IS havin a fundamental theme of unreality to them. I really like this, because it feels like in a pretty unsubtle way a solid way to ground the structure of a roguelike setting into what is normally a pretty grounded storyline.

IS1, Ceobe's Fungimist (please Hypergryph let it return), is a hallucination caused be Ceobe eating weird forest mushrooms. Nothing that happens in IS1 is real, explicitly. However, IS1 is fundamentally drawing from something, and in Ceobe's case, it seems to be drawing from her memories of traveling abroad Terra looking for the origins of her axe (and food, of course). What are things Ceobe's remembers happening to her, what are hallucinations filing in the gaps, and what are Ceobe catching glimpses of fundamental truths of the world (the Black Procession and the Feranmut skeleton that is Maybe? Lifebone for instance) is left extremely vague. Characters such as the Frozen Monstrosity do seem to genuinely exist, but there was no Frozen Monstrosity in Lungmen. Was Ceobe using something she herself experienced in place of Frostnova, or is Ceobe hallucinating the entire thing regardless? Who knows. Ceobe probably doesn't have the answers for you.

IS2 has explicit themes of madness and deception, and although I do not find him a particularly compelling character or plot device, a playwright who can literally warp reality with his plays. Much of the stage design recycles echoes the stage design from IS1, almost as if the Troupe is welcoming you, the player, onto their stage. You aren't here to discern the truth behind the Troupe, you're here to save one man, and while you are able to peel back the curtains somewhat, you never really do learn what the Troupe is. There are puppets who come to life and whose music damages your souls, there are actors driven so fully into their roles that they end up traveling to Sami to carry out their destined end, there's a Troupe Leader whose defining imagery is puppets and strings, and yet, you're no closer to finding out how this all happened than you are trying to explain why the Knights' Duel node exists.

IS3 asks the question "What if time is like evolution?" and presents its unreality in the form of a sprawling, massive bundle of alternative timelines to your own. It feels almost impossible to line up most of the events and memory mappings and endings on top of each other, and even the endings seemingly branch off into several versions of themselves. While, for example, the Irene encounter maps onto her own memory mapping story, we never see the timeline involving Lumen's memory mapping in the game at all. There is no Seaborn version of Gladiia in-game for you to fight. This is made seemingly all the more uncanny by the fact that there is actually a canon timeline going on, and the implication through the Bosky event that you are only seeing these alternative timelines because curiosity got the better of you. You came into contact with technology alien and yet familiar, and as a result, your good little timeline where you just save a girl who tries to commit identity death turns into you having to watch from the third person a version of the world where you and Mizuki are potentially the only intelligent life left on Terra for all eternity.

(No seriously, this ending is fucked up, what the fuck.)

IS4, on the other hand, gives us a reality that is unraveling, so fragile and malleable that you can cause things to manifest out of sheer force of will, something there are explicit warnings about not doing. It's a land where the living become the shambling, almost mechanical dead, and the mechanical being living creatures. It's a world where the abyss looks back at you, and finds you to be worth destroying. Gravity isn't right, time isn't right, language isn't right, snow falls black and the dead rise once again to beckon you home. There's nightmares in the shadows, and they're eating away at everything.

Sorry shit I got dark there. IS5 is Nymph's happy little storytime where she explores future and alternative versions of Kazdel through the imagination of her and her compatriots. What if Theresis and Theresa worked together and Nasti completed her designs (and maybe committed a genocide????) and Kazdel was a flying utopia city? What if the Teekaz all walked in a different direction and became the Sankta, or all became the Anasa? You know, sometimes you lose your sense of reality and become dependent on the visions you see from the Revenants, sometimes you need a little bunny to pull you out, and sometimes those Revenants might have actually caused a new reality to exist but haha, don't worry about that.

What if, hahaha, just saying what if, there was a version of Amiya in a world where the Sarkaz barely exist, where she was given the crown by a dying Theresa with no guidance on how to use it ethically? Haha I mean, what if Kal'tsit wasn't around? What if, just theoretically, there was a version of Amiya for whom the most formative person in her life was the decaying mind of a man stuck as an AI program who kept his people alive for 10,000 years? What if, hehehehe you know, what if, there were special endings you got for each of the stories you told where you went onto fight her, showing up closing up those stories, those worlds, to eternally protect them until she can find the answer to all troubles? What if the Sarkaz prophecy from Chapter 7 kept coming up, over and over again, the prophecy of an Amiya who would melt millions of lives into memories over and over again? What if this was an Amiya so immediately dangerous that the Sankta version of Buldrokkas'tee doesn't hesitate in trying to kill her?

I mean that would be a really scary story if it was true. Really it's Nymph's special storytime with the revenants. Don't worry about it.

Anyways I love pretty much each of these takes (IS2 is definitely the weakest though) and it shows a lot of thought from the storywriters about how they wanted to integrate a roguelike mode into their game.

[localducks]

A monster fuckers guide to the brothers

♡I like creature design, and this is a perfect overlap in interest for me....so I wanted to see how "odd" I could make the brothers outside of what I consider a very basic cannon.

♡ This is supposed to be gender neutral, but the reader is assumed to be AFAB

Lucifer

Cum

lu..Lucifer's cum is black, deep black only broken up by the slight blue shimmer you can only really see if you look at it sideways. And it's clingy, branching off in webs when caught on fingers and sticking to the inside of your thigh like saliva. You will also be immediately made aware of how much of it there is, a trait all demons share but one the avatar of Pride specifically has a deep appreciation for. He could fill a 16oz cup in one go, and while he doesn't technically have a breeding kink(liar), the sight of his partner full and satisfied always leaves him with a deep desire for more.

Dick

One of the least monstrous of his brothers, what he lacks in form he makes up for in show. The tip is black, nearly as dark as his cum, and as it slowly gradients out of the color the blue undertones of his skin become much more apparent. He's the second largest, and so similarly to Beel, his dick excretes a thin slip to make the squeeze easier, which has a red shimmery tint to it. But it's actually neither of these things that take you the most off guard. You notice an odd change the first time he cums, either while deep inside you or as he slipping back in, a small voice in the back of your mind hurridly asking whether you can even be sure if what you think is happening is the truth. But by the thrid or fourth time Lucifer has cum, the matter becomes undeniable. His cock starts off at a moderate length and girth, clearly that of something not so human, but managable enough. The kicker is that for every time he cums, he grows, swelling larger as your body becomes more relaxed and pliable, able to take more and more of him every time he dips back within the glistening confines of your body. He doesn't even bring it up the first time you are intimate together, finding the look of pure shock deliciously adorable. What a predicament you've found yourself in, but it can't hurt to go for just a few more hours, could it?

Teeth

True and proper vampire teeth, honestly not much else to say. Lucifer finds them to be one of the least interesting aspects of himself in comparison to his brothers(not that he compares himself to his siblings, why would you ever assume such a thing, he's so very above that), but you would probably beg to differ when he jams them into your neck as he cums. Lucifer is tall, much much taller than most humans, and just like all of his brothers he's proportionate to that height, so for you, a human, his teeth are about an inch, or the length from the tip of your finger to the first knuckle. Both sets of canines on the top and bottom jaw, by the way.

Tongue

In comparison to the rest of the attributes talked about so far, his tongue might be the strangest in appearance. Long, very warm, and paler than a human's, it has a texture you could only describe as rigid, the series of buds along its surface being much wider than yours or mine, with little feeler nodes along ths sides of it towards the back. You won't notice it until it's tasting at the skin of your neck or hips, but they can also move when he feels like it, silently taking pleasure in the little jolts of surprise you offer unsolicited as reaction. While the color of the muscle itself isn't really noticeable, the saliva it leaves behind on your skin is transparent and dark, bordering on black.

Mammon

Cum

Mammon's cum....is iridescent gold, and has the same texture as a humans. He doesn't cum as much as many of his brothers, so instead he can go 5 to 6 times without getting tired, back to back. His sin affects him greatly during sex, seeking his and your release with seemingly infinite desperation, not caring about his own overstimulation and fatigue if it means he will get to please you entirely again, sometimes getting to a point you have to use your pact to pull him out of the self inflicted trance. He adores you so much, so much more than words or thoughts could ever allow him to say, so please, just lay back and let him have one more of your pretty orgasms, you don't understand how much he needs it.

Dick

His dick also mostly appears human, save for its length and the slight abnormality of the head having three raised ridges along the back of it. The only other thing that would really alert you to the fact he isn't human are his marking patterns, which run along the shaft like veins. They are in the same style as the ones decorating his torso when in his demon form(and they glow too).

Teeth

You can't tell me Mammon doesn't have gold teeth, I simply won't take criticism, I'm dying on this hill. Just his top canines though, which are moderately sized and sharp, jutting out of a smirk or sneer. The rest are just incisors and molars, though all of them take on a sharp edge while in his demon form. Mammon takes great pleasure in biting you, no matter the occasion or who's around, especially if it's one of his brothers. It feeds the desire to tell others you're his without being too intrusive on your time and boundaries, and he also just really likes the feeling of sinking his teeth into you. He is gentle about it, only ever biting as hard as you're comfortable with, but just know he can't quite help himself around you all of the time, and if a reason to make it abundantly clear you are his arisise, be warned he will be covering you as much as possible with the indents of his teeth.

Tongue

Mammon's tongue is long, like longest only second to Levi, reaching about 9" inches inside you with more strength behind it than any human could. Yet despite this not much else is out of the ordinary for a demon. The texture of it is only a little rougher than yours, and it has the exact same pink hue to it. The tip of it though is thin and tapered, perfect for precision, with a venom piercing running through it. A matching one sits much further up, vertical this time, which he clicks against his teeth when bored, or, a new favorite of his, right into your ear, taking great delight in watching you squirm at the sound.

Leviathan

Cum

Levi's cum is milky and paper white, almost appearing sheer under some lights but only if he's cum within the last few hours. And it's thick, like gelly almost thick. Like pulling thick, and one load is enough to fill a tea cup. Given the situation with his dick, that might seem a little less than expected, and then you realize it thickens after being ejected into you, developing into a soft warm goop that sticks to your walls and often requires a finger(or tongue) to leave the confines of your body. Otherwise it will be left inside, and considering how much Levi cums, it might end up places only his tail can reach, if you would let him(please please let him).

Dick

Levi was nervous to have sex with you for a list of reasons, a long, long list of reasons, and somewhere close to the top, was how different he knew his anatomy was in comparison to a human’s. And even though he knew you would probably like it, it didn’t quell the seething embarrassment he felt the first time you got both his pants and boxers off. But instead of the immediate rejection he feared, expected really, to squish onto your face and through your voice, you just sat there, looking at him with your mouth slightly agape and your eyes drooping, hearts nearly visible in them if he imagined hard enough. Cute, all other thoughts left his brain other than that. You were so, so cute. How in the three realms had he ended up with the most perfect human he could possibly ask for. And one so eager to please, at that.

And to be far, you had good reason to stare. Levi has two dicks(such widely known fan canon the developers might as well just come out and say it) that fall somewhere between human cock and tentacle territory given the firmness of the first and the flexibility of the second. Both start thick and then slowly taper out until they’re about the same thickness as his tongue, with ribbing all the way down to where they peak out of his body. There isn’t a head to the shape, ending instead of a blunt point. There are no scales to be seen, but the coloration is similar, starting off black at the base and then gradually turning blue. They can each move on their own, often meaning he doesn’t have to thrust as much, but he can’t control them, so don’t blame him when the stimulation gets to be too much for both of you, clamping around them will just cause them to wiggle harder. He’s sensitive too, all of him including the vent his dicks peak from, which you can stick your fingers into if you want him cumming within seconds. When he’s not “hard”, his cocks stay sheathed within the vent, able to close almost entirely.

Teeth

SHARK TEETH SHARK TEETH SHARK TEEEETH. Levi has the second biggest chompers out of his brothers, each chunky and pointed, ready and poised to bite. Not that he would, and if he happened to get too caught up in the moment and sink those teeth into your shoulder or more likely your thigh, please expect more than an hour or so of apololigetic after care centered around that bite.

Tongue

Long, thin in comparison to his brothers, and significantly forked, Levi's tongue keeps with his overall theme pretty well. It's very flexible, and both of the forks can move on their own in a similar way his dicks can, but he has much more control over it. The actual texture of his tongue might be the oddest thing about it, as it's practically smooth to the touch, only a couple bumps and ridges making themselves clear if you run your tongue or fingers over it. His saliva doesn't really help you find anything more about it either, as it's thicker than a humans and clingier, the strands that connect you two when making out far less likely to break from just moving back. The coloration is like a humans, but the further back into his mouth the darker blue his skin gets.

Satan

Cum

Satan's cum, similar to Lucifers, is sticky, black, and potent, a single load enough to fill a jar. It clings to the slick and sweat your body makes, only really able to be cleaned off with a good soak. He cums longer than normal too, every demon does, but he specifically takes 1-2 minutes to empty himself completely.

Dick

Pretty. Ooooohhhhhh he's pretty. He actually has the most normal looking cock out of all of his brothers, long and thick and pale all the way down until you get to his tip which blushes red under attention. And that's it, at a first look. No ridges or odd shapes. You might even consider him average by demon standards. So when he sits you down a couple days after the first time you are intimate together and he starts talking about how he has a knot, it throws a wrench in the preconceived notions you had had. But he is a demon, this shouldn't be such a surprise, you think. You sit there a little stunned as he explains every precaution he's thought of and how to best make you most comfortable with the strangeness of difference(you shut that train of thought down immediately), but it's not until he starts explain the internal functions his dick has that really brings you back to reality. There are two feeler like structures that can extend from his urethra, designed to add another layer of pleasure for both him and his partner, but they can also gently pry open the cervix in order to add more real-estate for his cum.

Teeth

Satan doesn't like his teeth. In his opinion they get in the way too much, too sharp and inconvenient towards the words he uses on a daily basis and hard to be delicate with. But under this opinion, deep in a far corner of his mind, he does think they would look nice sunk into the skin of your thigh. Or your wrist, or your neck. His teeth consist of front insicors, just like a humans, and then immediately become razor-sharp canines that vary in size but are all the same shape, curved in towards the inside of his mouth.

Tongue

His tongue on the other hand, he likes. If only because it's fun to mess with when he's bored. Shorter by demon standards, meaning it's about 6 or 7 inches, with a tip that can fold in on itself and bristles running all the way down each side, which he can twitch or vibrate at will. The texture isn't sharp or rough, but grippy, more similar to the feeling of a tentacle rather than a cats tongue. The pigmentation of the muscle is a light pink, and he has a tongue peircing towards the very back of his mouth, not really noticeable until he's burying it as far into you as it will go.

Asmodeus

Cum

The first thing you might notice about Asmo's cum is that it smells nice. Everything is nice about it, actually. It's warm but not hot, glides and smears smoothly, it has a dusty pink hue and is pearlescent when seen under light, and it smells...like roses. Surprise!, the avatar of Lust's cum was basically designed to be as pleasing as possible. And then, you start to feel hot. Your skin gets so sensitive that a single soft breath against it makes you squirm, reeling back as a new stream forms between your legs. At this point, you might as well name it, cause it's not drying up anytime soon.

As you might have guessed, Asmo's cum(and saliva) contains a very strong aphrodisiac, known to be the strongest in the realm. He also cums about the same amount as a human in his "normal" form, but that quantity triples when in his demon form.

Dick

Most people would describe Asmo’s skin as either silky, buttery, or at its worst glossy, and while he spends a lot of time making sure his complexion is perfect, less people know how much of that texture is actually natural. Being the avatar of lust means he has a much larger range of things he can make his flesh contort into than most demons, resulting in the smooth feeling of his skin and the almost infinite give it has, all things that extend down to his dick. He has a preferred length and girth, the latter being moderate by demon standards but the former being long, easily poking and prodding far deeper than even some of his brothers, but it’s the additions he’s made that makes blood rise to his face the first time you see him. Amidst the soft shade of his skin sits ring after ring of muscle, taking on the form of ridges most of the time, that start at the head and descend all the way down to the base, thin and waved but when swollen become much more than you might be able to deal with the first time you’re intimate. And to top it all off, they’re pink, and not just blush pink, they’re as pink as his nails. As stated above, his cum does act like an aphrodisiac, but so does his pre, turning your body into a warm, soft toy for him to use for hours on end. All you have to do is lay there and let him see your face while he feeds, don’t worry about anything else. Not that you’ll be able to anyway.

Teeth

Asmo has fangs, which are short, sharp, and venomous, layered two rows deep on both the top and bottom jaw. From the first set of canines flows a more concentrated version of the aphrodisiac found in his saliva and cum, and the second set administers a paralysis venom that gives the body that numb comfortable feeling, making you less susceptible to any stimulation other than pleasure. The rest of his teeth look like a human's, though they are much sharper than they appear.

Tongue

Strange. Similar to the rest of his body Asmo can manipulate his tongue to be just about anything he wants it to be, but when neutral about how it appears, one might consider it strange. Contrived of two main appendages that can split seamlessly into more, the texture is somewhere between flower petal and suade fabric, with a shocking clearness that reminds you of jello. The color of it is pink, but the longer he's gone without a meal the darker the pink gets, until it's almost black at the tip. They are thinner in thickness than most of his brothers, but just as flexible, easily allowing him to funnel his spit into your mouth or either hole, skin prickling with excitement as he watches it's effects spread through your body. The feeling is warm, not hot, and arousal flows in steady waves, making you have to rely on him more than you might think. But don't for a second think he minds, all he wants is for the two of you to know pleasure so deeply it makes even you bones feel the drag of his tongue, the touch of his fingers, and the desire of being filled.

Beelzebub

Cum

Beel's cum has a constancy somewhere between human cum and slick, thick, and has about the same color as both of them combined too. The main thing with him is that he cums, a lot. Like enough to fill a bucket, or two. His dick also excretes a thin slip that allows him a smoother entrance.

Dick

Beel is giant physically in general, so it wouldn't be that much of a surprise(in theory) to know his dick is also big. But the other ways in which you can immediately tell he's not human might come as more of a shock. The underside is covered in rows of ridges, all pointing in the direction of the tip, which is also much more angular than a human's, nearly coming to a flat tip. The top side is almost softly segmented, sort of like an accordion, so the length of him becomes longer as he pulls out and then contracts back when pushing in. And in addition, to all of this, the ridge that sits right under the head of his cock, can vibrate. It only really happens when he's super worked up or about to cum when he's in his "human" form, but it starts almost the second he's inside you when in his full demon form. He tries to be careful about overstimulating you, but he can't do much when your fourth orgasm in a row has stripped him of the ability to use words.

Teeth

Big chompers. His canines are the largest out of all of them two sets in the front of mouth and two sets in the back, with the bottom ones being larger than the top ones. But the rest fall somewhere in sharpness between molars and canines, all of them about as wide as the width of your finger in order to allow for maximum crunch potential. Beel likes to bite, but he's hyper aware of how strong he is and thereby has taken immense time in figuring out how hard he can bite without breaking skin and what it takes to taste the warm syrup flowing beneath it. He also really like seeing his bites after the fact, often causing a pretty blush to adorn his face in response while he thinks about how many more are hiding beneath your clothes.

Tongue

Beel's tongue is only a little bit longer than average length for demons, but the thickness and wideth of it is almost uncalled for. At this point it's unlikely this will surprise you very much, you've seen him eat an entire carton of ice cream without a spoon because he was so impatient or something of the like at some point, but that still doesn't really prepare you for the amount it fills your mouth the first time you make out. You very easily could be made to choke on it, and you can feel all of the texture of it despite the copious flow of spit in between your mouths. Beel's tongue is kinda similar to Satan's in its feel, designed to peel meat off of bones and burrow under skin, yet surprisinglyit feels more like silk getting dragged across your flesh more than anything. All of it is a pale dusty rose color, with only the tip dipping into red territory.

Belphegor

Cum

Belphie's cum, is both lavender tinted and lavender scented. And while he doesn't cum as much as his twin, he cums for about as long as Satan. His dick is really sensitive, so it doesn't take much to set him off, you just have to be careful when you're giving him head. Beel is the same way, but if he came down your throat you might choke to death.

Dick

He's not the thickest out of all of his brothers, but he sure is one of the longest. His dick stays the same color as his skin the entire time, only when under a lot of denial does it turn just the slightest bit red, but the skin is soft, and he's very very sensitive, only needing a few soft words and a warm hand to get him begging for you sometimes. The single most notable thing about him though are the soft spikes protruding from the sides of his cock, starting off largest by the tip and decending in size a half inch apart all the way down to his base, where they almost become invisible. Most of the time, they seem like little more then nodes, brushing along your silky walls as you clamp around him and feeling where they push against you, causing both of you to moan with delight. But other times, on those not so rare occasions where someone earlier that day forgot you were his and his brothers first and foremost, you are treated to the full extent of Belphies strength. The spikes can harden, not to the point of pain, but if he doesn't want you going anywhere, you'd be hard pressed to leave. All of them possess this ability, and the smaller ones are even able to lengthen, almost giving him the girth some of his older brothers have. He gets so smug when he does it without warning you too, teasing about the obscene faces you're making while barely being able to hold onto himself, the warmth of you and how pretty you look adding to the clouded hazy already draped over his mind. He especially likes doing it after he's just cum, forcing you to stay connected to him in one of the most intimate ways possible.

Teeth

Belphie's teeth are actually pretty similar to Beel's, just with two even sized canines instead of the four his twin has. His teeth almost get smoother the further back into his mouth they go, but his bite strength is about the same as Beel's too, so mind your fingers if you choose to feed him. He's one of the biters, greatly enjoying greeting you with a nip to your neck or nibbling on your fingers while you two watch a movie together.

Tongue

Belphies tongue is thick, velvet soft, and tri pronged, each tip breaking off from the main chunk of muscle about a ¾ of an inch up. It's weird, cause you wouldn't assume it has that shape when he talks, or even quite when it's in your mouth, but once he's dragging it over your nipples or along the lips of your cunt it's a little less deniable. Belphie loves licking you, whether it's because he wants your attention or he just wants something to do with his mouth, he frequently will find any excuse necessary to have the feel and taste of your skin under his tongue, often with the added bonus of you pulling him away so he can put it to better use.

[sarshles-cheescake-li]

My favourite analysis on Lu Guang's answer to the animal riddle is that he said detective, partly because he sees himself as guilty, by @curapicas (2025). (thanks muninnhuginn for finding the link!) However, I posit another answer: everyone.

You can set a forest aflame with a match, sure, but that doesn't cause devastation on the scale of lifeless charcoal. Where I live, our forest are born to be burned. Pockets of wildfire open up cracks in the canopy, letting sun shine on young trees; nutrients are released back into soil; the jack pine tree needs fire to reproduce (Natural Resources Canada, 2024). Wildfires have become an issue for us recently for one major reason: mismanagement.

Forest fires are bound to happen. Delay it endlessly, leave thousand of acres of standing, old wood, and that's when a forest fire becomes truly ravenous. Was it any one creature's fault? The fault of the elephant for dutifully putting out small sparks whenever they were seen? The fox for watching the forest grow thick and overcrowded without speaking up? The rabbits for planting the grasses that they adore as food? No one could have seen it coming, yet, everyone could. It wasn't anyone's fault. It was everyone's fault. It was a tragedy. It was an inevitability. Lu Guang would know: he's been fighting that inevitable fire for years.

A forest fire, and a death node. Never any one singular person to blame, one single factor that caused the fire: always a collision of dozens of entangled threads. Cheng Xiaoshi's death was never caused by one singular person, and the fire was never set by any one creature. The animals of the forest, in their attempts to make the forest a better home for themselves, set the stage for it to burn. The people who love and are loved by Cheng Xiaoshi, in their actions to protect him, attract the attention of executioners. 引火上身。*

Fundamentally, it's the same as Cheng Xiaoshi's answer -- that sometimes lightning strikes your life, and that's that. Only, Cheng Xiaoshi says 'it wasn't anyone's fault, no one did anything to start it'. Lu Guang, and maybe Vein, too, say 'they were all at fault, no one did anything to prevent it'. Lu Guang answers everyone, because he has come to see disasters as not the result of a singular person's actions, but rather a product of everyone's decisions. Even though Vein may not be a time traveler well-versed in the crowdfunded nature of tragedies, he still may well be cynical enough to write off the idea of innocent victims.

Lastly, consider that Lu Guang doesn't plot Vein's death because it would prevent him from killing Cheng Xiaoshi. He does it because it creates a new node; a new fire. Controlled burning**.

*Meaning "to attract fire onto one's own body." An idiom for when you cause your own problems, especially by attracting the attention or ire of others.

**An actual forest management technique where you set small, controlled fires, which clear out the dead wood and fulfill the same purposes as a big fire without it getting out of hand. Many Indigenous peoples have been doing it since forever. (BC Wildfire Service, 2022)

BC Wildfire Service. (2022, May 5). How cultural burning enhances landscapes and lives. Government of British Columbia. https://blog.gov.bc.ca/bcwildfire/how-cultural-burning-enhances-landscapes-and-lives/

Curapicas. (2025, February 5). Why I think Lu Guang's answer to the riddle was the detective:. Tumblr. https://www.tumblr.com/curapicas/774647863305256960/why-i-think-lu-guangs-answer-to-the-riddle-was

Natural Resources Canada. (2024, August 1). Why forests need fires, insects and diseases. Government of Canada. https://natural-resources.canada.ca/our-natural-resources/forests/insects-disturbances/why-forests-need-fires-insects-and-diseases/13081