pyotr4v2

[medievaleftea]

My current project: Tablet woven, non historical pattern, lots of wool with 36 tablets.

Make it just because...

[staff]

Tumblr’s Core Product Strategy

Here at Tumblr, we’ve been working hard on reorganizing how we work in a bid to gain more users. A larger user base means a more sustainable company, and means we get to stick around and do this thing with you all a bit longer. What follows is the strategy we're using to accomplish the goal of user growth. The @labs group has published a bit already, but this is bigger. We’re publishing it publicly for the first time, in an effort to work more transparently with all of you in the Tumblr community. This strategy provides guidance amid limited resources, allowing our teams to focus on specific key areas to ensure Tumblr’s future.

The Diagnosis

In order for Tumblr to grow, we need to fix the core experience that makes Tumblr a useful place for users. The underlying problem is that Tumblr is not easy to use. Historically, we have expected users to curate their feeds and lean into curating their experience. But this expectation introduces friction to the user experience and only serves a small portion of our audience. 

Tumblr’s competitive advantage lies in its unique content and vibrant communities. As the forerunner of internet culture, Tumblr encompasses a wide range of interests, such as entertainment, art, gaming, fandom, fashion, and music. People come to Tumblr to immerse themselves in this culture, making it essential for us to ensure a seamless connection between people and content. 

To guarantee Tumblr’s continued success, we’ve got to prioritize fostering that seamless connection between people and content. This involves attracting and retaining new users and creators, nurturing their growth, and encouraging frequent engagement with the platform.

Our Guiding Principles

To enhance Tumblr’s usability, we must address these core guiding principles.

Expand the ways new users can discover and sign up for Tumblr.

Provide high-quality content with every app launch.

Facilitate easier user participation in conversations.

Retain and grow our creator base.

Create patterns that encourage users to keep returning to Tumblr.

Improve the platform’s performance, stability, and quality.

Below is a deep dive into each of these principles.

Principle 1: Expand the ways new users can discover and sign up for Tumblr.

Tumblr has a “top of the funnel” issue in converting non-users into engaged logged-in users. We also have not invested in industry standard SEO practices to ensure a robust top of the funnel. The referral traffic that we do get from external sources is dispersed across different pages with inconsistent user experiences, which results in a missed opportunity to convert these users into regular Tumblr users. For example, users from search engines often land on pages within the blog network and blog view—where there isn’t much of a reason to sign up. 

We need to experiment with logged-out tumblr.com to ensure we are capturing the highest potential conversion rate for visitors into sign-ups and log-ins. We might want to explore showing the potential future user the full breadth of content that Tumblr has to offer on our logged-out pages. We want people to be able to easily understand the potential behind Tumblr without having to navigate multiple tabs and pages to figure it out. Our current logged-out explore page does very little to help users understand “what is Tumblr.” which is a missed opportunity to get people excited about joining the site.

Actions & Next Steps

Improving Tumblr’s search engine optimization (SEO) practices to be in line with industry standards.

Experiment with logged out tumblr.com to achieve the highest conversion rate for sign-ups and log-ins, explore ways for visitors to “get” Tumblr and entice them to sign up.

Principle 2: Provide high-quality content with every app launch.

We need to ensure the highest quality user experience by presenting fresh and relevant content tailored to the user’s diverse interests during each session. If the user has a bad content experience, the fault lies with the product.

The default position should always be that the user does not know how to navigate the application. Additionally, we need to ensure that when people search for content related to their interests, it is easily accessible without any confusing limitations or unexpected roadblocks in their journey.

Being a 15-year-old brand is tough because the brand carries the baggage of a person’s preconceived impressions of Tumblr. On average, a user only sees 25 posts per session, so the first 25 posts have to convey the value of Tumblr: it is a vibrant community with lots of untapped potential. We never want to leave the user believing that Tumblr is a place that is stale and not relevant. 

Actions & Next Steps

Deliver great content each time the app is opened.

Make it easier for users to understand where the vibrant communities on Tumblr are. 

Improve our algorithmic ranking capabilities across all feeds. 

Principle 3: Facilitate easier user participation in conversations.

Part of Tumblr’s charm lies in its capacity to showcase the evolution of conversations and the clever remarks found within reblog chains and replies. Engaging in these discussions should be enjoyable and effortless.

Unfortunately, the current way that conversations work on Tumblr across replies and reblogs is confusing for new users. The limitations around engaging with individual reblogs, replies only applying to the original post, and the inability to easily follow threaded conversations make it difficult for users to join the conversation.

Actions & Next Steps

Address the confusion within replies and reblogs.

Improve the conversational posting features around replies and reblogs. 

Allow engagements on individual replies and reblogs.

Make it easier for users to follow the various conversation paths within a reblog thread. 

Remove clutter in the conversation by collapsing reblog threads. 

Explore the feasibility of removing duplicate reblogs within a user’s Following feed. 

Principle 4: Retain and grow our creator base.

Creators are essential to the Tumblr community. However, we haven’t always had a consistent and coordinated effort around retaining, nurturing, and growing our creator base.  

Being a new creator on Tumblr can be intimidating, with a high likelihood of leaving or disappointment upon sharing creations without receiving engagement or feedback. We need to ensure that we have the expected creator tools and foster the rewarding feedback loops that keep creators around and enable them to thrive.

The lack of feedback stems from the outdated decision to only show content from followed blogs on the main dashboard feed (“Following”), perpetuating a cycle where popular blogs continue to gain more visibility at the expense of helping new creators. To address this, we need to prioritize supporting and nurturing the growth of new creators on the platform.

It is also imperative that creators, like everyone on Tumblr, feel safe and in control of their experience. Whether it be an ask from the community or engagement on a post, being successful on Tumblr should never feel like a punishing experience.

Actions & Next Steps

Get creators’ new content in front of people who are interested in it. 

Improve the feedback loop for creators, incentivizing them to continue posting.

Build mechanisms to protect creators from being spammed by notifications when they go viral.

Expand ways to co-create content, such as by adding the capability to embed Tumblr links in posts.

Principle 5: Create patterns that encourage users to keep returning to Tumblr.

Push notifications and emails are essential tools to increase user engagement, improve user retention, and facilitate content discovery. Our strategy of reaching out to you, the user, should be well-coordinated across product, commercial, and marketing teams.

Our messaging strategy needs to be personalized and adapt to a user’s shifting interests. Our messages should keep users in the know on the latest activity in their community, as well as keeping Tumblr top of mind as the place to go for witty takes and remixes of the latest shows and real-life events.  

Most importantly, our messages should be thoughtful and should never come across as spammy.  

Actions & Next Steps

Conduct an audit of our messaging strategy.

Address the issue of notifications getting too noisy; throttle, collapse or mute notifications where necessary.  

Identify opportunities for personalization within our email messages. 

Test what the right daily push notification limit is. 

Send emails when a user has push notifications switched off.

Principle 6: Performance, stability and quality.

The stability and performance of our mobile apps have declined. There is a large backlog of production issues, with more bugs created than resolved over the last 300 days. If this continues, roughly one new unresolved production issue will be created every two days. Apps and backend systems that work well and don't crash are the foundation of a great Tumblr experience. Improving performance, stability, and quality will help us achieve sustainable operations for Tumblr.

Improve performance and stability: deliver crash-free, responsive, and fast-loading apps on Android, iOS, and web.

Improve quality: deliver the highest quality Tumblr experience to our users. 

Move faster: provide APIs and services to unblock core product initiatives and launch new features coming out of Labs.

Conclusion

Our mission has always been to empower the world’s creators. We are wholly committed to ensuring Tumblr evolves in a way that supports our current users while improving areas that attract new creators, artists, and users. You deserve a digital home that works for you. You deserve the best tools and features to connect with your communities on a platform that prioritizes the easy discoverability of high-quality content. This is an invigorating time for Tumblr, and we couldn’t be more excited about our current strategy.

[talaricula]

Things I've seen tumblr memeing about James Somerton doing à la "How did no one see how bigoted he was!" as if those things haven't been a significant part of tumblr culture for over a decade :

Presenting untrue and bordering on conspiratorial versions of (queer or otherwise marginalised) history without any sources

Completely disregarding and disrespecting any expertise on socio-cultural topics/humanities and distrusting academics and historians (incl. acting as if no academics or historians could be queer or marginalised)

Downplaying the role misogyny played in the historical oppression of queer women and concluding that queer men must have been more oppressed than queer women

Bi women are, at best, not as queer as "real" queer ppl, and at worst, simply equivalent to straight women

Despite nominal trans inclusivity, transmasculine ppl are functionally women when convenient (combined with the above, bi transmascs are functionally straight women)

Despite nominal trans inclusivity (bis), shamelessly attacking, threatening and actively endangering any trans woman who questions them or smth they find important (often by unfairly presenting her as violent or as a threat)

Having absolutely fucking wild and reductive takes about ace ppl, the oppression they face and their place in the queer community

Stating that marriage equality is an assimilationist fight while completely ignoring its direct roots in the horrifying consequences of the AIDS crisis for partners of ppl who died of AIDS

Praising western media creators from the past for queer coding even under censure and in the same breath condemning current non western media creators for being homophobic bc their representation isn't explicit enough

Blaming China for all existing homophobic censoring in western media

Assuming all queer media would be better told by western creators and by western standards

Only out queer ppl get to tell queer stories

Heavily criticising almost all queer media created by women or ppl they see as such (see above points about trans ppl) or involving/starring a significant amount of women for any perceived or real amount of "problematicness", but fawning over and praising and negating criticism of queer media created by and starring mostly or even functionally exclusively men (even when it could be argued that, you know, not involving/seriously sidelining women is a pretty clear example of misogyny which should probably be considered "problematic")

And I'm probably forgetting stuff or there's stuff I have internalised myself and don't recognise as an issue

Like idk but I feel like the takeaway from Hbomberguy and Toddintheshadow's videos should maybe be "be aware of such patterns in your communities bc they definitely exist" and not "this guy is uniquely awful" and I feel like a lot of the discussion I've seen surrounding this has been severely failing at that. Most ppl who've spent any significant amount of time on tumblr prob either have internalised at least one of those thought patterns, have had to de-internalise them, or have had to be extremely vigilant to not internalise them (which is done by, you know, seeking out other sources, which also seemed like an important takeaway from the videos)

[room-surprise]

Real World Cultural and Linguistic Influences in Delicious in Dungeon (NON-FICTION)

It's here! It's finally here!

Well, chapters 1-7, the first 98 pages (52,837 words) of the essay are done! This covers what the essay is about, my methodology, translation issues, the Dungeon Meshi world in general, and the names and cultural references relevant to all of the Tall-man characters. More will be coming soon. SUMMARY: Dungeon Meshi is full of vivid and complex world-building. When you take all the information in the manga as a whole, there are clear and consistent patterns in what real world cultures the author was inspired by, and how she arranges them on the Dungeon Meshi world map.

In this essay, I will catalog and explain every real world cultural reference I was able to identify in the manga, including character and location names, historical and mythological references, clothing, and of course food!

WARNING: This essay is full of spoilers for the entire Dungeon Meshi manga, all the extra materials, and the anime. Disturbing and violent moments that happen in the series are described, discussed and analyzed. The essay also discusses real-life world history and mythology, which contains sensitive subjects like war, death, slavery, abortion, child killing, sexual assault, incest, and bestiality. These topics are mentioned in an academic context, and not described. Please proceed with caution if this concerns you.

READ IT ON ARCHIVE OF OUR OWN

[stitchposts]

OK, so while I sew a lot, I've always thought of embroidery as something I Just Can't Do Properly, because I was bad at it when I tried to learn it, while other crafts I've picked up easily.

And then I realised what had happened.

Mother often offloaded me on her three great aunts when I was a kid and they had the tools, knowledge and supplies for knitting and dressmaking, and soon figured out that teaching me to Make Things was a great way of keeping me quiet.

And they'd all done a lot of embroidery when they were young, beautiful tablecloths and things, BUT they'd stuck to more practical things as soon as they were out of what passed for school then, so they didn't have the stuff for doing embroidery, so when they tried to teach me it was with a crappy kids' kit with a plastic hoop that couldn't hold its own shape never mind the fabric and a blunt needle, so no wonder I sucked at it.

What would be your recommendation for someone getting started?

Hey there! Damn, that's pretty insightful for you to realize and it makes a lot of sense. I'm happy to help you get started!

My usual recommendation from absolute zero is to just buy a kit with everything you need from a reputable vendor. Since you have a crafting history I think you're good to not be overwhelmed by the stuff you need to buy. You'll need:

a pattern

a hoop (plastic are totally fine, just not the kids ones you used)

non stretchy fabric (I like kona quilting cotton for beginners, it's a name they can search for easier, is widely available, and good quality without being expensive)

embroidery floss (dmc, anchor, or cosmo are available worldwide depending on where you are and are high quality)

embroidery needles (larger eyes, sharp tip)

scissors

way to transfer your pattern to your fabric

Transferring a pattern is as simple as using a window as a tracing pad and copying the pattern from the paper printout to your fabric using a washaway or heat erase pen. You can also use chalk. There are fancier ways to transfer, let's keep it simple for now though.

I like patterns that casually integrate a large amount of stitches into a design. The ones that are like, carefully laid out sections of DO A BACKSTITCH 5 TIMES. DO A CHAINSTITCH 5 TIMES. DO 3 FRENCH KNOTS - those don't teach you anything in a way that matters. it's not enough repetition to make the stitches stick in your mind nor is it integrated learning to see how stitches look in situ in order to get a grasp of how to use them for your own art.

To learn to do stitches, I like the Royal School of Needlework stitch bank. Other stitch banks online don't give the historical citations for their stitches and often make shit up just to look more impressive or have options not on any other site. Yeah, of course other sites wouldn't have your made up stitch name.

DMC's free patterns are high quality, tell you what threads to buy, and are aimed at all skill levels. I'm linking the list of the ones I personally think are good for beginners to learn on under a cut here because this is getting long!

Blue Hill - wreath with blue flowers

Etoile Constellation - celestial star/moon/sun tableau. Ignore the call for etoile threads tbh and just use the number codes for the plain colors

Etoile Magic Star - tri-toned shooting star. Ignore the call for etoile threads tbh and just use the number codes for the plain colors

Strawberries - a scattered ditzy design with strawberries, leaves, and flowers

Lemons - a scattered ditzy design with lemons and sprigs of flowers and leaves

Oranges - a scattered ditzy design with whole oranges, orange slices, and sprigs of leaves

Raspberries and Roses - a scattered ditzy design with raspberries, roses, leaves, and flower bits

Toadstool - an amanita mushroom scene. This one's really fucking popular online, you see it a lot.

Jellyfish - uses a variety of stitches to give texture to the titular sealife

Octopus - uses a variety of stitches to give texture to the titular sealife

Seahorse - uses a variety of stitches to give texture to the titular sealife

Shrimp - uses a variety of stitches to give texture to the titular sealife

An Hee Jin, Toucan - cute lil toucan on a branch with leaves and flowers

Flying Snakes - snakes but theyre circus performers. lean into the whimsy. life is short.

Woodland Bear - forest scene with a bear. Lots of french knots for the trees, still a beginner pattern. Get that practice in.

[softness-and-shattering]

Where are all the guys sewists online?

Im having my semi-regular "I watch quite a few fun sewists but why is it always always women making dresses and skirts, where are the guys/butches making clothes I might actually want to wear??"

Theres a couple Ive found but they have like, one or two videos that are very technical and about drafting patterns, or its infrequently-posted exclusively-historical menswear (which is also fantastic; but Im not gonna be wearing that regularly or starting with it, I want inspiration for making my own clothes!)

Wheres the people making fun everyday or close-to everyday wear in chill style, being a bit chatty, saying hi to pets walking in the room, talking about their process?

Im mostly talking about youtube but I'll definitely consider other platforms.

For reference, some women sewists I watch regularly-ish include Bernadette Banner, Micarah Tewers, The Stitchery, Mariah Patty, Hazariel Costumes, Rachel...Maksy?

There is Lizard Leigh, who iirc is non-binary, I would just love if they uploaded more often 👀.

[ninibeingdelulu]

heyy could you do a pregnant female reader x geto please like hc or however u want thank youu

How he act when you’re pregnant ft. suguru geto

a/n: ty 4 the request anon!

Suguru may be the fearsome leader of an anti-non-sorcerer cult, but deep down there's still a part of his soul that belongs solely to you and the child growing within your womb.

He masks his true feelings with that signature cold, impassive facade around his loyal followers.

But whenever the two of you are alone, his icy exterior immediately melts away bit by bit.

Suguru can't resist the temptation to kneel before you, gently cradling the swell of your pregnant belly between his calloused palms.

His thumbs map out the rippling flutters and kicks from within as if decoding an ancient arcane language.

"Do you feel our heir shifting inside, my love ?"

His deep rumble always takes on an uncharacteristically hushed reverence during these tender moments. "So powerful...just like their mother."

He'll then dip his head to pepper soft, lingering kisses against your stomach - wordlessly conveying his boundless pride and adoration for the new life blossoming under his fervent worship.

When the pregnancy insomnia and restless nights inevitably strike, Suguru is the first to sense your stirring beside him from even the lightest change in breathing pattern.

Without a word, he'll enfold you into his strong embrace, palming soothing circles over your lower back and whispering indecipherable words laced with cursed energy directly against your skin to ease your discomfort.

"Allow me to bear this burden for you both, my darlings..."

He'll rasp the entreaty like a sacred mantra repeatedly until you've drifted back into a blissfully dreamless slumber cocooned in his protective heat.

Once you're finally due, Suguru wastes no time ruthlessly dispatching any who attempt deterring him from remaining glued by your side during labor and delivery.

He is a man possessed - fueled by sheer stubborn willpower and the ferocious desire to bear witness to this historic event.

The instant that robust newborn cry pierces the air, he shatters. Suguru openly weeps unrestrained tears of rapturous joy while clutching your sweat-dampened brow to his chest - the last of his emotional levees obliterated.

He remains equally awestruck cradling that tiny squirming bundle, studying every indescribably perfect detail with an intensity you've never witnessed before.

"Look what your incredible strength has brought forth, sweetheart..." Suguru's sandpaper baritone cracks with each hushed endearment while rocking the newborn firmly against his thrumming heart.

[reds-skull]

Fanfic Recommendations: Writers

I thought of making this kind of list for a while now, since in my notes I save writers when I like most/all their fics (instead of saving each work individually)

This list is going to be very long, I'm gonna try to add to each writer a little description of the type of work they usually write.

Should leave this as a disclaimer for all my fic rec posts, but always look at the tags and CW on each fic before reading!

As always, if a link doesn't work, you're welcome to reach out!

[This list will include both SFW and NSFW writers, since a lot of them do both]

thirteenbullets - Writer of Anytime You Need Me, basically the ultimate hurt/comfort series. [fun fact, part 6 was the first fic I read in this fandom, and I partially blame how good it was for how fast I got obsessed with cod lol]

mothbeast - Writer of Pattern Breaker, one of the more well known fics for ghostsoap (for a good reason!). Love their other fics as well [some are NSFW]

glaciers (Hayfever_Street) - Non AU fics, where they put ghost and soap and various situations for angst! [some NSFW]

Red_Clegane - non AU and AU fics, some of the best non-military AUs I've read. All of their fics share a similar taste, but they're all equally good, so if you like that style you'll enjoy most of them [some NSFW]

sauceboss_yahoo - AUs with supernatural elements, and non-military AUs. Some a/b/o if that's your style [which obviously means there's some NSFW]

yourvaliants - AO3 account of valiants on Tumblr, I'll expand more when I get to Tumblr users, but this is just their place to post NSFW comics since Tumblr doesn't allow that.

wayfaredsoldier - non-military AUs, AUs with supernatural elements, and in canon universe [some NSFW]

MildLimerence - If you want smut with good plot, this is the writer for you haha. They have several soulmate AUs and fantasy/supernatural AUs, as well as canon universe [mostly NSFW]

Arodana - supernatural AUs and non-military AUs, very enjoyable long works [some NSFW]

crown_twist - a mix of NSFW and hurt/comfort oneshots, if you're in the mood for something short and good this is the writer for you [some NSFW]

ElizaStyx - mostly oneshots for a variety of pairings, a mix of NSFW and fluff [some NSFW]

Sillililli - Canon and non-military AUs, with just a pinch of NSFW [little NSFW]

Louffox - Canon and non-military AUs, a lot of angst and hurt/comfort. A few longer works and a good amount of oneshots [some NSFW]

kcisbroken [previously artbykc0001] - Historical AUs, sometimes MCD, some non AU oneshots and NSFW [some NSFW]

Hochseeperle - non AUs, angst and hurt/comfort, with NSFW [some NSFW]

eggtimelads - Supernatural AUs, non AUs, oneshots that literally changed my brain chemistry (not clickbait) [some NSFW]

blackbird_flyaway - supernatural and non AUs, recently started a zombie AU (that I just discovered and go read it after finishing this lmao) [Some NSFW]

TheLastTheosaurus - hurt/comfort oneshots. Good ol' reliable [no NSFW]

Nuria123 - absolutely amazing non AU, non-military AUs, and fics so emotional they made me full on sob. A mix of oneshots and longer works [some NSFW]

AvaLoren - non-military, non AU, and a little bit of fantasy, and medieval AUs, mostly oneshots with some longer fics [some NSFW]

WhisperedWords12 - non-military, non AU, and a little bit of fun shifter AU, many oneshots that are mostly NSFW [a lot of NSFW]

Wheezing_Joe - non AU, oneshots with some onehsot series, hurt/comfort and angst galore. Very nice stuff [no NSFW]

coderaven - non-military AUs and non AUs, emotional hurt/comfort, a little supernatural AUs [some NSFW]

oh_ellie - non AUs, hurt/comfort, and a whole lot of smut [mostly NSFW]

headlocket - author of all that's said in the low light. I don't need to say anything else, if you didn't read it yet, you really REALLY should! [little NSFW]

Grangers_apprentice - [note: majority of works locked for users with no AO3 accounts] non-AU, supernatural AUs, some oneshots and some longer works with series. A bit of a/b/o if that's your style [some NSFW]

DarkMoonMaiden - non AU, hurt/comfort and smut. Mostly oneshot, some series [mostly NSFW]

merikai - non AU and non-military AUs, hurt/comfort and angst oneshots [no NSFW]

simcoehole - supernatural but military and non AUs, mostly smut [mostly NSFW]

Epifauna - non AU oneshots, a lot of fluff with some angst [little NSFW]

prettyunhinged - non AU oneshots (some as long as multi chapter works though), angst, fluff and smut [some NSFW]

oshikiri_toru - non-military and non AUs, with some supernatural elements. Very long oneshots with angst and smut. Very underrated writer imo! [some NSFW]

xEclipse - non AU, fluff and smut oneshots that can get very sweet [some NSFW]

unravelledorfrayed - non AU, misunderstanding hurt/comfort (the good kind) [no NSFW]

lkst - very unique AUs, as well as non AUs. A bit of smut and a lot of angst [little NSFW]

now, there are some blogs here that write a lot of little drabbles that are always a treat to read, so I'm also gonna add some of them.

cod-dump - mostly non AU, with the exception of the Teen!Ghost AU.

forestshadow-wolf - AU and non-AU, also has many downloaded fics for you to read (they're a lifesaver when AO3 is down)

valiants - as mentioned above, comic artist and occasional writer, honestly a huge inspiration for me, it terms of storytelling and art style.

ghcstao3 - also has an AO3, wanted to put them here because they post a lot of drabbles here that don't get posted on AO3.

captain-mj - also has an AO3, like ghcst posts a lot of fics here that don't get posted on AO3. Many are NSFW, as a heads-up.

That's all for now, in the future if I make fic recs for longer works, you will probably see some from these writers.

[i-draws-dinosaurs]

i was rewatching the rite of spring segment from fantasia and i've got to wonder. Why Did We Draw Archaeopteryx Like That. i remember toys having that same, boomerang arm shaped pose too. it's like a monkey lizard more than a bird.

Ooh okay this is a fun one cause while it technically is an Archaeopteryx and is listed as such in the production draft, I don't think the design is based on Archaeopteryx at all!

To me, this "Archaeopteryx" almost exactly resembles something else, the fascinating historical phenomenon called Proavis.

Proavis, or Tetrapteryx as some four-winged interpretations were called, was a hypothetical prehistoric creature that was proposed in the early 20th century as a best guess at what the unknown ancestor of birds could have looked like. The illustration above was drawn in 1926 by Gerhard Heilmann, a Danish artist and amateur scientist who argued that birds evolved from non-dinosaurian archosaurs like Euparkeria. In his 1916 book Vor Nuvaerende Viden om Fuglenes Afstamning and the 1926 English translation The Origin of Birds, he presented Proavis as the imagined midpoint between a scaly ground-running archosaur and Archaeopteryx, which at the time held the title of The First Bird.

Other versions of the same hypothesis, like William Beebe's Tetrapteryx above, were published and discussed around the same time, but it was Heilmann's Proavis that gained immense popularity to the point that bird evolution was considered essentially "solved" for decades. It was also painted by Zdeněk Burian, one of the Old Greats of palaeoart, which kept the concept alive in dinosaur books for decades as well.

Of course further study has shown this hypothesis to be incorrect and that birds are instead members of Dinosauria (and honestly Heilmann either missed or ignored a lot of evidence for a dinosaurian origin of birds even in the 1910s), but the Proavis to me remains a beautiful and fascinating concept that represents scientists and artists striving to understand the prehistoric world and the passage of evolution, much like we still do today!

And of course, its popularity in the early 20th century put it at the perfect time for Fantasia's artists to take... let's say heavy inspiration from Heilmann's imaginary Proavis when depicting a creature that was intended to be Archaeopteryx the whole time! The pattern of feathers matches up almost exactly, although the larger leg wings might have been inspired by Beebe's Tetrapteryx as well:

So to get back to your original question that led to this whole deep dive, artists didn't actually Draw Archaeopteryx Like That except when they were mistakenly drawing something that wasn't Archaeopteryx at all! If you want to read more about the Proavis and Tetrapteryx I recommend this Tetrapod Zoology blog post by Darren Naish, he does into more depth about the history of the concept and some of the unusual evolutionary ideas that Heilmann used to arrive at this weird and cool imaginary creature!

[pterribledinosaurdrawings]

Yo, YOU'RE the badass housecoat person??? I've been following your lovely bird drawings forever and just saw a video of your housecoat-making the other day, I never would have guessed! Awesome stuff!

Oh, I've been following you from my main blog @vinceaddams for at least a year, hello!! Yes, the 6,957 piece patchwork dressing gown is mine! I've been doing historical sewing (and occasionally embroidery) for over a decade, and it occupies a much larger portion of my brain than dinosaurs ever will! And I like drawing various non-dinosaur things, and sometimes make repeating patterns for fabric.

I don't often draw birds though, mostly dinosaurs and vaguely lizard-like monsters, have you perhaps got me mixed up with someone who does bird comics?

Anyways yes, this is my work, which I post here:

And this is also my work, which I post on @vincentbriggs:

It's funny how often I get this sort of message!

[quiltingwitch]

An Exploration of Large Scale Foundation Paper Piece Quilt Designing

Aka

Cozy Swords So Big

I made this quilt for a sword enthusiast, I’m sure they would clock inaccurate sword proportions right away. It was important to me that the (non magical) swords be as proportionally accurate as possible. I based each blade to hilt ratio directly on historical or famous prop references (can you spot them?) and designed them to be life sized.

A very sweet boy’s tail for scale against an early pattern draft

The most challenging part of constructing this quilt was working on the RIDICULOUSLY long blades. Typically individual pieces of an FPP pattern are small and easily maneuvered. My largest blade pattern pieces were about 45 inches long, a design decision I would never inflict on anybody but myself.

The smallest blade- the only one I took photos of because the rest were way too overwhelming to document. The largest pieces were triple the length of this.

Designing the blades to be contained in a single piece of each pattern maximized precision in the parts of the designs that I really really wanted to be smooth and sleek.

The long blades were very hard to construct, it’s easy to end up with bubbled fabric on FPP pattern pieces so large. Glue stick and spray starch were critical here.

My only totally impossible sword was designed in a more traditional fpp kind of way, broken into many small pattern pieces. There was a lot more room for error in seam matching, so this block took me much longer to complete than any of the others. I redid quite a few seams to get as close as I could to perfect.

Overall I loved how these large scale FPP designs turned out. I think the result was worth the hassle of working with my comically large pattern pieces.

[thesiltverses]

Thank you so much for The Silt Verses, what an emotional, cathartic, technically brilliant creation. I've been recommending it to everyone in my life left right and centre.

I'm curious about your process for creating such believable and relatable characters — did the characters come before the plot, or vice versa? Do you make conscious decisions on how to make them feel more 'real' in terms of dialogue, what non-plot-relevant things are shown etc.? I'd love to hear any advice or tips on making characters that resonate so strongly.

Thank you again for your amazing work!

Hey and thank you so much for the very kind words!

I don't know if I can answer your questions around this adequately (plus 'good' characterisation is extremely subjective, right?) but let me try:

Character, premise, and plot for me are very much inseparable in terms of the planning process. We establish a narrative landscape. We establish a character with a clear initial outlook and goal regarding that landscape. En route to the goal, we find opportunities to challenge, explore and shift the character's outlook - so that by the time they reach their goal, the outcome of the plot is no longer certain. That's the basic formula for every single TSV character arc, really.

That formula does, I think, need to be accompanied by a genuine restlessness on the part of the writer. We should feel impatient when we find we're repeating ourselves; we should be worried when our audience can too comfortably predict how the protagonists would react to X or Y; we should be itching to be surprised again by the fiction at every turn and aiming to find something new in every scene with a character. We're not making a sitcom here - the aim should not be a comfortable or reassuring stasis. Character is change.

There is a lot of scene-by-scene work I do around our characters to try and keep them from feeling artificial on my terms - but I think that's less a set of rules and more about being aware of your own historic patterns and broader structural cliches alike, and trying to navigate around them or at least freshen them up. Audiodrama can be a demanding medium with a limited palette for delivering information to the audience. As a result I think it's very common to fall into certain TV-inspired formulaic habits (for example, establishing basic character outlooks by having your protagonists bicker and debate in the moment about their immediate narrative goals, then delivering all the actually substantial character development and backstory in the form of melodramatic confessions and revelations from one protagonist to another protagonist during the downtime at the end of an episode, a la the 'CW's Supernatural technique'. We've done this stuff ourselves in the show, so I'm not looking down at it. But we've definitely also benefitted from the narration segments in TSV, which allow us to add extra dimensionality and depth to the characters outside of that banter-and-confession formula).

[tamamita]

If you don't mind I have a question about Islamic culture, I'm thinking about how Christians have statues of Christ and saints, other religions have statues of the Buddah and Hindu gods, it's a very common thing across many religions. Judaism doesn't really have that as far as I know but there aren't really prophets in the same way as xtianity. But Islam does have various prophets and significant historical figures, but I have never seen any statues made in their images. Is this a thing, not allowed or just not culturally uh, common I guess? Thank you :3

Islam has always pertained to a rather iconoclastic tradition and has shown fierce opposition to visual imagery in various forms, while some schools and branches of Islam are not as strict. Historically, alternative forms of art have been produced as a result. Indeed, Islamic art are traditionally non-representational in the form of Islamic calliography and Islamic geometric patterns, which is usually seen in mosque, shrines and various Islamic buildings.

The basis for the impermissibility of such visual imagery in the form of sculptures or carved objects representing a living being is rooted in Islam's strict monotheistic approach. The nascent Muslim community had to deal with the polytheist tribe of Quraish which worshiped idols in the form of sculptures. The Prophet Muhammed (sawas) showed disdain for such worshiping and exemplified their uselessness to the people by throwing them to the ground.

However, while sculpturing is pretty much a non-go, this impermissibility is not extended to art in the form of two-dimensional figures. While various schools of Islam differ in the opinion of drawing, not all of them are unanimous, this has allowed for Islamic art to take the shape of form in different ways. For example, Shi'a Islam allows visual respresentation through the use of a two-dimensional surface, such as a canvas, regardless of whether it is a living being or not. This is why you'll find that art of the prophets, imams and the holy ladies are pretty commonplace among Shi'a Muslims.

While sculpturing any object representing a living being is unanimously considered impermissible in all Islamic schools of law, art in the form two-dimensional paintings are not.

[angellurgy2]

Hiveship

hii! this is the 1st and 2nd chapter of my new story, as a little show of whats to come when i make it a full-length book.

cw for bug rape but like, its also just an introduction to deeper non/sexual ways the bugs will destroy this girl's soul. you'll see!

i'd appreciate if people checked this out/gassed it up because i've worked reallyyy hard on this for a bit ^-^

CHAPTER 1

A live wire sparks as loretta reaches a gloved claw inside the open electrical box, her digits blunted by her heavily plated and padded, alabaster white cosmonaut suit. she roots around the active electricity, scraping out chunks of the greenish-brown sludge growing in its crevices- the same mysterious viscous slime that’s been popping up in parts across her starship over and over the past few weeks. her theories ranged from an excremetal expulsion of an unidentified space object, to some disgraceful cosmonaut’s trash finding its way into her ship’s vents.

she clicks the button for the analyzing tool of her protective visor, closely examining the fluid. long thin wires splay across all sections of the large junction, leaving burning hot indents in the thick substances that feel like way too much of a fire risk. looking at the wires, spread out in patterned parallels like gigantic spider-webs, an anxious tinge of fear strikes her. don’t fall in, don’t get caught- robots don’t need any more prey. not that you’re prey. you aren’t.

she flicks her visor back off, worried her sweat might fog up the the visor, and continues swiping the rest of the gunk into a bin.

all clean, she fixes the fuses back into place before immediately making her way back over to the equipment corridor to hang up her suit. on the way she passes vibrant posters of mechanical cross-section diagrams, detailed anatomy drawings of every variety of species she could scavenge, and historical propaganda posters. it was a nice splash of existence inside a clinical minimalist coating. 

lounging in the cabin suite on her sofa, she flips her state-provided entertainment console to the galactic news. on-screen a suited, pristine looking woman takes the centre stage behind a stretched out desk. her voice is calm and analytical, with a hint of soft sympathy that can’t be hidden no matter how hard of a professional facade they must put on.

“News from the pandora planets have finally reached the internal core, revealing devastating effects of the latest assault campaign from the exoskeletal hives, multiple colonies’ messengers have reported complete razing of ground and sub-ground infrastructure, with several not appearing for the census at all. the URSS military and all commune bioships have retreated back to pantheon-V for rehabitation before a pandora counter-takeover can be attempted.”

Loretta shudders. the exoskeletals have been advancing deeper into URSS territory much faster than ever before, the fact that the state hasn’t been able to put a stop to it—and that the threat has only gotten more aggressive—makes sweat begin to pour down her head. if she was doing a term with the forces or part of a commune science crew she’d probably be worried for her life right now. thankfully, her ship was currently flying safely in one of the middle systems, relaxing in orbit of an abandoned desert world after recently coming back from a call of excursion to the outer worlds. she always enjoyed the quiet of minimal space travel and the utter lack of civilization when she gazed down upon a world, so this has been her favourite spot to reside for a long while. from the cabin module’s glass wall she can see such stark vistas of sandy mountain ranges, demarcating the most beautiful fields of gigantic outstretching spiny cactus.

with a loud buzz the tv automatically switches to the nightly Sallite news segment, where they broadcast the most important of state propaganda to every television set at 8pm local time. with an exasperated sigh she turns the volume all the way down to 1, takes off her grey tank, and throws herself into her cushioney bed. a switch on the wall next to the alloy headboard turns on the room’s surround sound to a soft pitter of forested rainfall, and she falls asleep in a matter of seconds.

______________________________________________________________________________________________________________________

Loretta awakes to the foreign sound of a sloppy wriggling near the floor by the end of her bed. jerking upright, she quickly slides into the suit boots she had laid at the side of her bed, strapping them tight, and moves to examine the intruder. 

a pulsating green slime slides itself across the floor, leaving a small trail of slightly transparent lime goo behind it. loretta kneels to look at it closer. she could swear it’s looking right back at her- though without any obvious eyes or features of its own. it excretes another loud squelching sound and fires off a copper-smelling mist around it, some of which sprays directly into loretta’s face causing her to wince and tear up at the dense cloud of smell. she reflexively slams her booted heel down into the creature, stomping through its gelatinous body.

she attempts to swiftly scrape the thing off her heel,, but the flattened slime spreads to encase her entire boot before she can even look down at it. when she does, she sees sticky lime green half-translucent goo coating the suit metal like adhesive, excreting a slight burning odour. loretta throws her leg around trying to eject the subject, but only manages to trip over herself, tumbling to the thick panelled floor with a resounding thud. 

on her back she watches with wide terrified eyes as the slime continues to slowly expand up her limb. it should be stretching itself out fully by now, but it seems to have an infinite amount of mass to express over her. some kind of anomalous entity from deep space? but how would it have gotten this deep into the middle systems? a new wormhole would’ve been reported immediately, and the nearest systems are all too well-inhabited. the gears turn in her head, clearly rusted over, struggling to think of a potential scientific hypothesis. by the time she breaks out of her clouded monologue and thinks to stop analyzing, the slime has already subsumed her entire left leg, grasping spreading tiny green tendrils grappling for the next part, which is fully uncovered by the comforting protection of the URSS engineer corps. she struggles to force herself away by clawing into the floor, but the slime seems to have extra weight to pin her leg down. such a little creature, overpowering her so easily- it must be alien. she doesn’t stop struggling even if it pins her utterly. if she could just get to the corner and grab her piece she could-

her scrabbling eyes find themselves staring at the cabin’s ceiling vent. a thick bile-like grey sludge seeps down from the cracks, forcing her to hurry. loretta shoves her hand into the green slime against her better judgement, trying to peel it off like one of her mother’s gelatin molds. her hands try to slide underneath it but they find themselves struggling to push against an unmovable solid, far away from the gravyesque consistency it had before. then she feels her legs, or rather, feels the lack of feeling of her legs. when she tries to move them, she cant even muster a shake, lower half pinned to the floor, not even pins or needles remaining. it doesn’t stop her relentless pushing and attempts to pull herself out by her arms, but she might as well be an amputee at this point. like one of those UOA prisoners of war from back in the day, laser neutered to be nothing but working hands for the Authority’s machines.

unable to get away from the oncoming deluge, lorreta realizes it must be relent or die. and so she does, shutting her eyes tight and curling her lips inward together like the anti-parasitites’ studies have taught her. though this wasn’t the typical annalidesque parasite commonly found in the outer cosmos, or a parasite at all for all she knows, it’s the best her dizzy mind can handle. and as she feels the sludge’s drip touch down on her estrogenated skin, it succeeds in helping stop it from flowing inside her eyes. she can feel it coat the skin tight, like a face mask but smelling of wood and suffocating and lively probing at her pores, blocking her vision black with its opaque body.

the sludge now dispensed, loretta senses a chance and attempts to pry the mask off of her. blindly groping for a free spot by her neck and sliding her unkempt nails under it and into the disgusting goo. it feels like a cadaver from anatomy class under her fingers, diving into the fat and peeling away the outer layer. but this corpse has undergone rigor mortis, and loretta’s attempts to peel it off go only slightly better than with the green thing, lifting an inch before it slaps itself back on even tighter. her second attempt goes even worse, her arms starting to feel numb and anaesthetized. she lifts her arms to fight but she cant feel the texture of what she touches anymore, and then the viral limpness travels to the rest of her motor function, and they flop uselessly at her sides. no part of her body responding to her brains frenzied orders to move, the most she can do is flail inside.

she pictures Andromeda-ZE in her mind’s eye, emotionally travelling to the place she spent most her childhood. she’s running through the market, the most well-known place in the capital, excitedly waving at family friends and commune teachers like she’s a kid again, so happy, so free, so ignorant. red and yellow and orange colours shine bright on the market stalls, sand and wood structures stand beautifully tall around her, everything is even more beautiful than it was when she was young. the wind on her cheeks as she runs makes her glow with a safety she doesn’t feel in the atmospheric void in space. not far ahead she spots her unit hut, and ramps up her speed. in a minute of invigorating sprint, she makes it to the large aspen door, knocking 5 times. she hears several light footsteps trot up and bounces with excitement. the door slowly creeps open… 

and a hulking nurse bug towers over her. its mandibles chitter, the egg sack on its back wiggles, and its claws rub together in front of its chest. she looks into the creature’s eyes and sees a thousand mirrors staring back at her. she screams muffled into the slime gag, jolting away from the colour behind her eyelids, and back into the void in front of them. instead of trying to push inside like loretta assumed, the sludge begins to creep into the part of her eye socket above her lids, pushing with prying hair-like digits. her heart cramps, and she can feel her heavy perspiration being immediately absorbed by the material the second it drips.  she doesn’t want to close her eyes, doesn’t want to see the bugs that close again- the spindling inner legs, the slimey chitin, vision of swarms of exoskeletals charging her squad flash through her, all she wants to do is scream but all it does is wear out the last muscles she can work. but she can’t stop, she wails banshily, reverberating in her own skulll. and then she can’t manage to hold her eyes open any longer.

the jointed arthropod returns, fully subsuming her soul. 

“it’s okay, sweet darling Lore, we are here now” it speaks in her mothers voice. sweet and soothing.

CHAPTER 2

loretta wakes up in a stasis vat, her body floating in air like oil. green biofluid drenches her skin, manufactured nutrients flooding her organs, keeping her fed and stable. she smiles, thinking back to her first spacewalk, bounding into the open cosmos with footless steps. she kicks her foot up, sending herself into an airy backflip. her mouth opens on its own and takes in a load of the fluid. it tastes like the earth pineapples her mothers would trade for on her birthdays. she has to figure out what this is when she’s out of here. and by the looks of her motor functions, she’ll be out of this in no time. 

* * *

she awakes groggily inside of another vat. there’s no more fluid, but something similar sticks to every inch of her skin. the walls of steel have turned into a coffinesque cocoon, fleshy and aboreal brown and wriggling with her movements. yet as she attempts to push herself backwards, her hands still find themselves scraping cold metal. she sees how some light manages to seep through the cracks of the chitinous chamber, and prods at the squishy folds where the tiny glowing rays strike, poking through an inch or two of foreign flesh before her fingertips feel air. bio vat? or some sort of.. metamorphosis chamber? she can’t remember how she got here, or when she signed up for such a procedure. she needs to find someone before she gets stuck. she lifts her moist lips to one of the little holes and screams out a plea for help. she manages to fit another finger out, and begins trying to spread open the breach when she’s stopped by someone’s cold fingers pulling hers. one of the scientists, or guards? 

the person outside pulls on loretta’s hand hard and she feels her light body raise up to the roof of her confines. despite her reaching the walls, they keep going, tugging forcing painful friction between her bare limbs and the meaty hide. in a few short, supernatural pulls she is burst through the sac entirely, getting to see chunks of what appears to be sinew and slime splattering the surroundings as she flies through antigravital space and crashes hard into a familiar wall.

HISSSSSSSTHH

innumerous spindly brown limbs bringing fading memories of phasmid anatomy charts stretch out across the polished floor and walls now brutally scattered with keepsake and furniture debris, looking like abstract blobs in loretta’s slime coated vision. blobs which are constantly being absorbed upwards into the air by twitchy movements. loretta grasps at the wall behind her, pulling herself away from the enormous creature. 

slamming into the far wall, she attempts to reach for where her dresser should be, where her trusty sidearm should be awaiting its imminent retrieval. then she remembers the lack of gravity. 

it was a stupid idea to make a grav switch so accessible. she never even uses it, and humans are the only creature out in this abyss who are weak to its pull. stupid stupid stupid. she tries to look for it in the debris but can’t make it out through all the other white and grey blobs. 

in the room, a few brown splotches stand out, utterly foreign to the ship’s shade-based palette. she stares closer, and even more seem to appear. the black space where the open door leads to dark corriders begins spewing them  out en masse until at least two dozen of them scatter across the floors walls and ceiling of the cabin, staring right back into her with beady pinpricked eyes. 

a bug pounces, its thin limbs pinning loretta hard. the hair on its tarsi scrape across her bare arms jolting goosebumps up her entire body. its membranal underside presses up close, making her shake with unease as its squishy segmented body rubs against her and coats her with an inky discharge well familiar to her after multiple campaigns. 

click, click, click, click. clinking mandibles together, like a hungry and petulant child. antennae rub against her ears, just then noticing their dulling by a xenotic wax substance. yet the vile hissing of a group of specially angered freaks still deafens. 

searing pain transports into her flesh. she screams but a sludgey backup in her windpipe stops everything but the vibration. loretta looks down at the thick brown apical claw stuck inches deep in her side. a gaping void begins a slow seeping of crimson.  another of the blobs quickly dashes into her view, bursting into definition as it pops up at the wound’s side. the same black liquid that drapes over her skin begins to leak out of its open mouth-thing, mixing and diluting the blood until the cut is naught but a thick black wall subsuming a portion of her outer thigh. 

she looks forward again as a twinge of neck pain insults her for forgetting herself, and sees the first roach reaching its body upwards. a yonic hole in its abdomen begins to slowly invert, while a large black tendril reaches out of the now-extremity and fluidly twirls itself around loretta’s leg, dripping ichor all the way.

she’d never gotten this close to one of the breeders before, to the point she didn’t even recognize their exotype until now. as far as she knew, they stayed deep inside the tunneled grounds of the hive worlds, fucking like lagomorphs to appease their queens and ever-outbreed the URSS’s onslaughts. and yet, here they are.

the appendage flicks into loretta’s belly, proding at and pushing inside her navel cavity. it feels almost like she’s being licked by a pet dog, or it would if it wasn’t by a fucking bug. the creature tries to push forward past the inch-deep space and is swiftly yanked back in turn, reaching the end of its rope. loretta sighs. if they can’t even reach her then the worst they could probably do is-

the tentacle prods at a lower place before a concept can reach her nerves. a deserted, forgotten plateau, a space too human for her to accept. sliding over a smooth ravine, wet shocks drive up her legs. coiling atrocity digs into her malleable dirt like the hills in pandora. she screams like she imagines it must. though the terror speaks in soft, writhing texture, and not pain. pandora and i, sister bodies- desecrated in twain.

she turns her head to the room’s one window. beyond the hexagonal plasteel frame, one of the last things held up through the chaos, halcyon skies stretch out for infinity- vistas of beautiful achromatic calm broken only by dots of terrestrial colour. an anaerobic dead zone, where nothing except calm would subsume her. devour her. she yearns to feel that cold blanket take her now. she dreams of the window bursting open, space gaining pressure the glass wasn’t ready for, and ripping them all out with it. she dreams of mom bursting through the door gun in hand. she dreams of simply disappearing from all being. 

from above her head slithers another pair of mandible and trio of forceps, digging into her budding chest. a sparse pink miasma sprays across her vision, and she’s stumbled out of her wonder by a furious coughing fit rising in her trachea, and finally taking off some of the adhesive coating her throat alongside it. she tries to look back outside and the claws digging deeper just force her gaze right back. her eyes glaze over with water and, unable to wipe the sleeves away, it drowns her. it fills her mouth until her muscles strain, spread taught like an epithelial fingertrap. she cant help but cough more, painfully clenching on the foreign object sliding deeper inside using her windpipe as a transistor to her weak points.

beige meat squishes up against her face, phantom sensations of a man’s stomach thrusting. it should never have been able to get more evil than that. how did they put human’s cruelty into animals, was it taught? more inches of squishish meat force the thought from her shrouded head. her tears taste like ink. maybe they like it that way.

Lorettas’s hull stretches with fullness and terror. she cant see it, but she can feel it bulging her front extremitously. it feels like the two tendrils will soon meet in the middle. she shudders in fear and feels them swirl inside her as punishment. 

she feels a slight relent, and her thoughts finally losing their haze. the creatures in front of her thrust backwards through the air, and the twisting coiling tentacles whorl their way out like a pullcord. again she has to feel the thing climb her hole, leaving a painful space where there used to be nothing, unable to go back to nothing. it is ashamed and sobbing in it’s own. what a bipolar old lady you are, where is your rage?

his voice forces itself inside of her. look what you’ve done. ruined and irreparable. you must’ve loved it. you and your little bug fascination. maybe if you didn’t spend your time with abominations, you wouldn’t have become one. 

she screams back. it’s not too late, i don’t love them. he’ll never control me again, i’ve carved so much into the world, i won’t let myself be belittled. you’re smart, they’re miniscule- a surprise assault shows their utter lack of strength. i’ll kill them all if i have to. i’ll prove it, i will.

she tries to open her eyes again and sees, stained by pink clouds floating in her sclera, a huge mutated insectoid towering behind the others. a large dynastinaen horn displays ignorant ideas of its strength above its excitedly quivering mandibles. or perhaps the exoskeletals have no need for concepts of pride or egotism. perhaps hive mentality’s destroyal of the individual will always grant them an advantage. no thought of the victim- evil little creatures. no different than the evil of the Authority. no different than-

two blunt black mandibles thrust into her chest. the wind is crushed from her body before she can realize what’s happening. she is too dazed to look at the impact. her deflated cadaver is thrusted into the air, and carried,

her vision bobs up and down as swift twig limbs drag her forth without thought. station windows fly past her, blobs vaguely looking like her favourite posters lay scattered and sliced in pieces, slime staining them irreparable as it coats the floor. does their cruelty know no limits? was the destruction of her ship and her spirit not enough? the destruction of her people? will anything sway their pure evil? she wants to cry, but she’s already using all the tears her body can muster. 

black begins to gorge itself on the halls, the chunky whirring of automatic doors blares in her ears drowning out the chattering sounds of dozens of limbs. the hydraulics were a deeply familiar sound, one she had always cherished hearing. it felt like a reminder of the spacecraft’s life, always interacting to her existence, responding in kind noise whenever loretta’d root around fixing her insides. it was a comforting relationship, wonderful in its unconditionality.

now, her beautiful partner screamed red with anger. they destroyed her entrance too. the airlocks outer seal is burst open with what could fairly be assumed to be anti-ship cannons, if not for the claw marks and acid tainting it all. she looks through the inner seal, into the void where death surely awaits, her body has been so painfully torn and remade, that she can’t make herself put up a single limb to fight at the end. she imagines a blaster in her hand, and clenches its handle tight. then she opens her eyes, and her fingers havent moved an inch. 

then her face meets cold surface, jagged. then the green drapes grab onto her skin again. then her blood mixes with the green and turns the colour to the same rust she smelled in the air at the start. then she feels the perfectly held-at-average air of her beloved spaceship turn into cold freezing anguish of the outside. then she feels her body turn to nothing. then, she feels nothing at all.

[dieinct]

what does "found family means found incest" mean? of course I understand if you don't want to open that can of worms just curious

oh i don't care about opening a can of worms or anything because i am simply correct about this. i genuinely don't know how i could have been clearer - it literally means exactly what i said, that found family facilitates the same abuses natal family does - but i will take a stab at explaining in more depth.

"the [implicitly nuclear] family" is a social technology that we made up to protect property rights. therefore, it is a structural force which historically depends on the absolute subjugation of the child (and also the wife) to the authority of the patriarch/"man of the house". it creates powerful, naturalized, and therefore unquestioned and unquestionable tiers of authority and power, which is how you get abuse. putting non-familial dynamics or "found families" into the strict dynamics OF the nuclear family, you are also creating tiers of authority and subjugation - notably, ones which are rendered invisible by the presumed "natural" nature of familial authority.

think here of lolita, where hh's abuse is very much facilitated by his status as (step)father. the power of a father over his child is not questioned the way a total stranger's actions might be.

similarly, looking at the claudia-louis-lestat dynamic, that's a "found family" which originated with the "wife" begging his "husband" to allegorically rape their "daughter" in order to make her part of their family, and which in part collapses because that dynamic is both emotionally safe AND emotionally corrosive: louis and claudia are, actually, "siblings" - both turned/allegorically raped by lestat - but louis cannot admit to this or treat claudia as equal, because that would force him to confront his own violation by lestat AS a violation. additionally, it would force him to confront his complicity in her turning: committed by an equal, his actions would be unforgivable, whereas as a parent, he can continue to feel he had some right to act as he did - BECAUSE parents have unquestioned authority over the bodies and lives of their children.

tl;dr: creating a family dynamic also creates a hierarchical structure of authority, discipline, and punishment, which are all conditions rife for exploitation and abuse.

obligatory disclaimer bc this is tumblr: not every single family dynamic or found family dynamic is bad. but my point is that the structure of the family is one which allows bad actors - whether intentionally predatory or simply continuing patterns of behavior they were raised with - real, significant access to victims AND built-in excuses for their behavior!

[strawberry-jan]

Back in late 2022, I started working on a long story about Ishin: a tale of two dummies whose weird one-night stand blossoms into a surprisingly caring relationship even as a (mostly) canon-compliant series of tragedies plays out around them. It’s a now-complete series in approximately 125,000 words and three parts, and you can read the whole thing right now on AO3: The Glorious and Bloody Deeds of Okita Soji, Volume 1: Okita Soji Versus the Scoundrel Saito Hajime; The Secret History of Saito Hajime, Volume 2: The Shiraume Incident; and, finally, Brief Notes on the Domestic Life of one Saito Hajime.

Taken as a whole, it's a story about identity and history and the stories that people tell each other and themselves about those things. And it's a story about one guy getting way too into weird Edo-era egg dishes, and another guy finding himself embroiled in an extended detective sequence, and a third guy composing a series of corny haiku that (almost) nobody wants to read. And, of course, it's also a story about people who are shamelessly and sometimes explicitly in love (so you probably shouldn't read it at work).

This whole big, sprawling thing has been a labour of love on my part: it turns out that I adore writing historical fiction and finding excuses to read books and journal articles in order to write it better. In addition to making not one but four little illustrations to celebrate the fic's completion (and please look at them up-close; I hand-inked all those kimono patterns), I've drawn up a list of some of the sources that I consulted for my writing, and you can find those under the cut.

This is not an absolutely exhaustive list of sources; I don’t think it’s super useful to catalogue the extremely nitty-gritty stuff, like that time that I felt compelled to find out what the state of strawberry cultivation was in 1860s Japan, or when I needed to picture exactly what it looked like when Haruka was repairing Ryoma’s kimono. That being said, I’ve added a couple of things that are really particular to my stories but that I thought were cool enough to share.

Foster, Michael Dylan. The Book of Yokai: Mysterious Creatures of Japanese Folklore. U of California P, 2015. (This one was a really fun read – it combines a short history of yokai in folklore with a little catalogue of yokai.)

Jansen, Marius B. Sakamoto Ryoma and the Meiji Restoration. Stanford UP, 1971. (Super useful as an introduction to the Bakumatsu era and for biographical details about Ryoma and the figures around him.)

“Japanese Wiki Corpus.” https://www.japanesewiki.com/. (This is a machine-translated collection of articles on the Japanese side of Wikipedia related to Kyoto. As with a lot of things on Wikipedia, the citations on these articles tend to be poor or nonexistent, but it’s a useful starting point for information on figures and events that don’t have an English wiki equivalent. Definitely more useful if you can then head over to the original wiki articles and parse them out yourself.)

“Kabuki21” and “The Noh.” https://www.kabuki21.com/section.php, https://www.the-noh.com/en/plays/index.html. (I’m lumping these two together because I tended to consult them in tandem. Without getting too much into my personal details I am – among other things – a non-practicing theatre scholar, so whenever I wanted to have characters in my old-timey fics refer to something cultural, my first stop was old plays. These sites have, respectively, summaries of kabuki plays and full texts of Noh plays available for you to browse. If you’ve read my other fics you will probably have seen that I referred to the kabuki play “Fuwa” in 亀が如く.)

Katsu, Kokichi. Musui’s Story: The Autobiography of a Tokugawa Samurai. Translated by Teruko Craig. U of Arizona P, 1988. (A book that needs to be taken with a grain of salt because it’s an autobiography written by a guy who sounds like a real blowhard, but it’s still a really fascinating look into the daily life of a low-ranking samurai.)

Leupp, Gary P. and Tao, De-min. The Tokugawa World. Routledge, 2022. (Of particular interest is Kimura Sachihiko’s essay, “The Shinsengumi: Shadows and light in the last days of the Tokugawa shogunate” [1104-1124], which gave me a bunch of incidental details about the Roshigumi that I incorporated into the sections of this series that were told from Inoue and Hijikata’s perspectives.)

“Old Photos of Japan.” https://www.oldphotosjapan.com/. (Pretty self-explanatory. Very useful as a resource for picturing scenes!)

“Shinsengumi Archives.” https://shinsengumi-archives.tumblr.com/. (A long-running tumblr dedicated to cataloguing resources about the Shinsengumi. There’s an absolute wealth of information collected here, and best of all, the creator cites their sources and even provides links to the original texts. Although it’s focused on the Shinsengumi, it’s impossible to overstate how useful this site is for prospective Bakumatsu-era fic writers in general. The collection of Hijikata’s poems with links to others’ translations and commentary is here: https://shinsengumi-archives.tumblr.com/post/683071924948058112/hijikata-toshizos-haiku-poems. The creator of the blog also links to a translation of Nagakura’s and Shimada’s diaries, and while the document is machine-translated, it’s still a great source of historical details: https://shinsengumi-archives.tumblr.com/post/678083336614428672/where-can-you-read-the-memoirs.)

Smits, Gregory. “Warding off Calamity in Japan: A Comparison of the 1855 Catfish Prints and the 1862 Measles Prints.” EASTM 30 (2009): 9-31. (Okay, this one is highly specific to my fic – it comes up in Part 2 when Okita tells his story about Kashima and again a couple of chapters later when his pile of remedies includes a crudely-drawn picture meant to ward off indigestion – but I love little details like this so I did want to make a point of sharing it here.)

“Tamago Hyakuchin” and “Tofu Hyakuchin.” http://codh.rois.ac.jp/edo-cooking/tamago-hyakuchin/recipe/, https://toyama-tofu.jp/tofuhyakutin.html. (These are collections of Edo-era egg- and tofu-based recipes. They’re two of the sources cited in Cookpad’s collection of modernized Edo-era recipes: https://cookpad.com/recipe/list/14604664.)

Vaporis, Constantine N. “Linking the Realm: The Gokaido Highway Network in Early Modern Japan (1603-1868).” Highways, Byways and Road Systems in the Pre-Modern World. Ed. Susan E. Alcock, John Bodel, and Richard J. A. Talbert. Wiley-Blackwell, 2012. 90-105. (Some of the works cited in this article also sound interesting, but I didn’t have a chance to dig any deeper as I just wanted to know a bit about the Tokugawa-era roads. Also interesting in this vein is Jilly Traganou’s book The Tokaido Road: Travelling and Representation in Edo and Meiji Japan [2004].)

Wert, Michael. Meiji Restoration Losers. Harvard UP, 2013. (Not directly useful as a source for writing about Ishin – it’s about later events and it mostly tracks the posthumous construction of one specific Tokugawa magistrate’s history – but it was an engaging read and I found it interesting as an exploration of how people continue to look back on the Bakumatsu era and the Meiji Restoration, which is something that the game is, of course, also doing.)

Yamakawa, Kikue. Women of the Mito Domain: Recollections of Samurai Family Life. Translated by Kate Wildman Nakai. U of Tokyo P, 1992. (Another one of those bits of essential reading on everyday life for low-ranking samurai, this time with a focus on women’s lives and households more generally. I didn’t use a lot of from this book in my fic, but it has everything from translations of songs to records of families’ financial transactions, and it’s fascinating to read about all the turmoil in Mito playing out in the background of these families’ lives.)

“Yokai.com.” https://yokai.com/. (The creators of this site make a point of not going into detail about their sources, and they’re very careful to state that they don’t intend for the project to be “the final authority” on yokai, but I enjoyed browsing the site to get some ideas for Okita’s stories – and once you know the name of a particular yokai that you’re interested in, it’s easy enough to go look up other sources on them.)