#none of this is easy

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[ghxstgvrlx]

Don’t let people tell you who you are. Suggestions are fine, getting different perspectives is fine. But if you know your truth and someone very clearly wants to spin a narrative of you, regardless of whether you know this person well or not, don’t let them get under your skin. It’s harder said than done.

I’ve noticed when you’re at your lowest you become a target. Because people who don’t like you for whatever reason can hop on the opportunity to try and hurt you. When you’re at your lowest you may look for answers, look for advice, look for new perspectives on whatever problems you are facing. Not all advice is good advice. There will always be people with bad intentions towards you.

They may want to take advantage of your vulnerability, they may want to get revenge on you for whatever reason or they may just want to uplift themselves by pushing you further down.

Don’t let them.

It’s why cults and religions and the military specifically and historically pray on the poor, the broken or the lost. You’re probably 50x easier to manipulate than someone who is solid, grounded and refuse to be taken advantage of.

If you lost your thick skin along the way or never truly had one, it’s time to get it back or perfect that bullet proof vest to cover your soft flesh.

Also, the saying “keep your friends close but your enemies closer” is something to challenge depending on your situation. Especially if you’re vulnerable at the moment. I actually personally have always believed that you should keep your enemies as far away from you as possible. Don’t give them power over you by forcing yourself to obsess over why they want to paint you however they do. That’s not your business, that’s theirs. Unless it is directly harming you in a serious manner, then obviously take the necessary steps to get them off your back. The weight we carry on our backs is heavy enough! Best you can do for yourself is try to understand them and decide whether you want to forgive them and move on with your life or to leave them be to hopefully find a new target. But don’t let it be you if you can help it. I think there’s no shame in isolating yourself when you need to. No company is much, much better than bad company in my experience.

[notaplaceofhonour]

Not At Odds

Ceasefire Now + Bring Them Home Now

Jewish & Palestinian safety & freedom are not at odds with each other; they are interconnected. These things can must coexist.

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[kerink]

for me, a corrupted ford would be evil not in his cruelty but in his apathy. he wouldn't revel in the party or violence or torture like bill and the henchmaniacs would. he wouldn't be using the new powers bill drip feeds him in order to remake reality his own.

he would care more about learning, about exploring, using his powers to change things not because he wants to change things but because he wants to study what he can do. bill would give him access to all the libraries in the multiverse and he would read and read and read. he would explore the wastelands to study the anomalies, he would sketch the strange ways objects and animals and humans have been twisted.

he would avoid people as he travels around gravity falls not because he feels sorry for the survivors, not because their pleas and gurgling cries or grotesque appearances make him feel guilt or shame or empathy. but because he doesn't want to be bothered while he works. he's made more uncomfortable trying to have conversations than by the content of said conversation.

he would still just be ford. wide eyed and eager and adventurous and socially awkward.

ford gave bill the world because he believed it was better off in bill's hands than in humanity's. and he was right! ford spent his entire career (maybe even his entire life!) trying to get people to see and understand that aliens and monsters and magic were real. and with bill in charge, now they know. everyone's eyes have been opened to the truth he has always seen. bill able to give ford this, something he never got for himself.

ford would be evil in that he just wouldn't care. the madness sliding off him like water off a duck's back. he's going to support whatever bill thinks is best, it just so happens that what bill thinks is best also aligns with what ford has always wanted: a world where humanity lives side by side with the strange and mysterious and grotesque and monstrous. ford doesn't see the humans as suffering, or he sees it as an unfortunate but inconsequential side effect. like how they all saw his suffering.

[steelandmayhem]

The other day, I saw a non-fandom text post along the lines of:

“What we had was so special you’ll look for me in every new person” (sorry I haven’t been able to find it again)

And I haven’t stopped thinking about it since.

Because to me this perfectly describes Durgetash + romancing your companions.

I can’t help thinking about amnesiac Durge missing something, always searching, but can’t remember what.

They find echoes of it in Gale’s intelligence, his enthusiasm and knowledge when he speaks about magic. And yet, it doesn’t fit entirely.

They find it in Lae’zel’s easy superiority, her ruthlessness and determination. And yet, it’s not quite enough.

They find it in Astarion’s deception and easy charm, the way he manipulates a situation to his advantage, the way he doesn’t need magic to have people literally bare their necks to him.

They find it in Shadowheart’s snark, her secrecy, her dark goddess. They find it in Karlach’s rage (though she burns hot instead of cold which is odd..), in the smell of sulphur and hellfire that clings to her. They especially find it in her mechanical heart, that makes them want to reach out, bury their hands in it, just to see if it feels as familiar as it seems. If maybe owning her heart will fill the hole in their memories, their chest even.

And yet, surprisingly, they find it in Wyll’s pact, Wyll’s past, but also Wyll’s manners and they way he dances, his stories, that make them feel closer to a city they don’t much care about otherwise.

They find it in the deep possessiveness, maybe even hatred, when Raphael first comes to camp.

And yet none of it is enough, none of it fits quite right, and while maybe eventually they manage to look past that familiar feeling and find new things to admire about their chosen partner…deep in their heart they know.

In the end, they’ll always look for something none of them can give them.

Not until they first encounter that handsome young man with an easy smile, and all the jagged broken edges click together like horrible little puzzle pieces.

[erinwantstowrite]

was rereading the Peter "Grayson" scene for to fact check myself in my notes and man. i laugh every time i read it because i know some engineer or science nerd was like "what the HELL are you talking about" the entire time. i absolutely was guessing while writing it. i looked up "things you need to build a robot" and that was it

[tinyfantasminha]

I don't want to keep clogging my blog with vent posts but uh... I guess this is a more general concern/observation

But it's getting real hard to stay motivated in fandom spaces when there's little compensation, and annoying occurrences are more frequent than good ones.

Mainly there's been less engagement/people showing interest in creators and their art (such as sending asks, making comments and reblogging with tags) and MORE parasocial interactions. This goes for both artists and writers.

Over this year I've noticed a vast disinterest within my public in general. Asks about ocs, my art, or just nice simple comments of ''I love your art'' has been getting more and more scarce. My follower number is bigger than 2-3 years ago sure and I get more likes on my posts but they are feeling more like just numbers and statistics than actual people who supposedly like my stuff.

And while people being parasocial with creators has always been a thing, I feel like it's gotten way worse... in general? People sending personal pictures out of the blue in hopes of being validated, unwanted psychological advice or assumptions about the creator without any established connection first ( <- these happened to me in the same week.) ventdump, just insensitive/lacking of common sense comments in general, unreasonable demands (mostly with writers)... I wondered at first if it was just me, but a handful of mutuals/acquaintances who are artists and writers seems to be going through it as well.

It's annoying. It's tough. It's getting exhausting. Creators pour so much of themselves into their work—countless hours, effort, and passion, all to share something meaningful or entertaining with others (and for FREE) The LEAST anyone can do is show respect, even if opinions differ. When a writer posts a fanfic, don't just say ''omg post next chapter!'', when an artist posts a drawing of their favorite character, don't just say ''omg draw (character) next!'' as if they're faceless content machines that are expected to churn out more '''content''' for you without acknowledgment, encouragement, or appreciation.

''I want to support creators but I don't know what to say and I feel intimidated by their talent so I just lurk silently :((('' I swear to you, no creator (at least not the majority) is making up an intimidating persona to discourage you from interacting with them. They WANT your comments. A single ''I love your art/writing/videos'' or even something as silly as ''I want to eat your art'' is enough to keep a creator sighing dreamily for WEEKS. It doesn't have to be deep! It's heartfelt and that's what it matters!! (Just remember to keep it relevant and thoughtful... It takes just a bit of common sense NOT to comment things like ''this looks like (another character)'' or ''this but with (another unrelated ship/character/show)''. No one wants to hear comparisons or unrelated ideas when they’ve poured their soul into something.)

In fact, the ''I like your art but I think you're intimidating'' feels more hurtful than flattering. It makes me feel like I'm doing something wrong, acting wrong. 💀

If you love that fanfic that changed your brain psyche forever and want to gush about it, go tell the writer. If you loved so much a piece of art that you saved it a million times in your phone and can't stop thinking about it, go tell the artist. Push away the ''they probably won't care about my comment/it won't make a difference'' thoughts. DO IT NOW. You won't know when they might go inactive forever or deactivate. You can't know if that is the last piece they will ever post. Make sure you show appreciation to creators NOW, while they are still here. While they're still not being replaced by AI.

[lycandrophile]

how i sleep at night knowing my chest is naturally bone-flat, i don't have any disgusting lumps of fat on my chest AT ALL and all the p00ners get scars on their chests to imitate me, only to end up failing miserably and looking like a grotesque parody of my reality:

😴

😪

🌚

💤

putting the obvious anti-transmasculinity aside because i think it speaks for itself, i’d just like to point out the fatphobia (and general wrongness) of acting like “bone-flat” is the ideal and no real men have fat on their chests. like, i hate to break this to you but my very cis dad has a bigger chest than me now, as does pretty much every other cis man in my family, because it’s completely normal for cis men to have fat on their chests and the existence of that fat is not disgusting. “bone-flat” shouldn’t be the ideal for like…pretty much any part of the body because having some degree of muscle and fat tissue to pad out your skeleton is literally just part of having a body. if you really think having any fat whatsoever on a given part of your body is disgusting, i genuinely fear for your well-being because that’s…not good.

also, y’all really have to chill with the emojis if you want anyone to even remotely consider taking you say seriously. i refuse to believe you don’t see how silly it makes you look. you must know we’re all just laughing at you.

[bylrndgm]

MIKE WHEELER IN EVERY EPISODE [15/42] 2.07 The Lost Sister

[nyxthedragon225]

I CANT GET A SCREENSHOT RN but you know that part in the Nigerian Job where they're all running out of the warehouse and parker points out where the exit is and nate stays behind to keep the door opening and eliot helps hardison up when he slips and hardison makes sure there was no chance of anyone knowing they were there and in that moment even though they're all still enemies (pr at the very least they're not friends) and they're angry at each other they work together seamlessly without even speaking?

Yeah I'm thinking about that scene a lot.

[average-hua-cheng-fan]

another reason i think that xie lian felt an instant connection on the ox cart is because he and hua cheng both grew up in xianle.

there are maybe 4 people still alive that grew up in that culture. based on my own experience, you can pick up on things like accent, cadence, references, and humor that suggest a person is from the same place as you without consciously noticing it. that sense of comfort and similarity probably played into their instant chemistry.

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[dykedvonte]

Daisuke to me represents the type of person who you have to bottle up your pain around because they are ill equipped to handle it. He would realistically not know what to do realizing that among the people he idolizes one is this horrendous monster, especially since he is so optimistic to a hazardous level to himself.

This makes his relationship with Anya so upsetting because as much as he could confide in her she could never confide in him. That very conscious fact/choice on her part is a constant reminder of her suffering along with the hopeless inability to do anything herself about it that ruins her mental state more.

[twentyfivemiceinatrenchcoat]

mickey has informed me writing long fics on the phone is lunatic behavior is this correct dash

[forzaferra-nvm]

I tried drawing Lestappen for the first time(I have an exam tomorrow)