#not sure if i specifically talked about this but now i am because this is Bothering me

[thecoolerliauditore]

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

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fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

[astrangetorpedo]

IN INTERVIEW

Julien Baker, the interview 6/8/2016

At just 20 years old, Julien Baker gave us last year a first album of intense and rare emotional force, the superb Sprained Ankle reviewed here . A moving record that left a deep and lasting mark on me. It was therefore impossible to miss the young American's arrival in Paris and not to take advantage of the opportunity to try to get to know this outstanding artist a little better. A meeting was thus organized thanks to the invaluable help of Sean, her manager, in a café in the 12th arrondissement, two hours before the young lady's very first Parisian concert, on May 24. A one-on-one meeting that revealed to me an adorable and voluble young woman, incredibly touching and sincere, and above all determined to seize life with all her might! A moment of exchange and sharing that I am not ready to forget.

Hello Julien!

Julien Baker : Hello!

First of all, thank you very much for granting us this interview. I am a big fan of your music and it makes me really happy to meet you!

Oh, thank you! It's a great pleasure for me too, you know! I still can't believe that people like my music enough to want to meet me to talk about it. So thank you, from the bottom of my heart, really!

Perfect! Let’s start at the beginning of your story. I read that you’ve been making music for a while now. Could you summarize the journey that led you to where you are today?

Yeah, sure! I started listening to music in middle school. It was rock, I was really into it with painted nails, black eye makeup, all that stuff! [laughs] Then I started playing in bands, punk bands mostly. Then I joined Forrister which is the band I still play in today. We were playing shows in cities around our area. Then I went to college and a friend of mine who worked in a studio there offered me to record with him for free. Since my band couldn't be there, I did it solo, without any specific plans. I put the album out on Bandcamp for $2 or $3 a copy.

That's when Sean [Julien's manager] contacted me and suggested we release the album in a more official and professional way. I told him that I was actually in a band, Forrister, and that no one would be interested in me as a solo artist. He insisted and even though I didn't believe it at all, I agreed to give it a try. I'll always remember the day he called me to tell me that NPR [National Public Radio] was going to play my single. I hung up crying and immediately called my mom all excited to tell her the news! But then, as things seemed to start to take off for me, I started to doubt myself. I felt guilty towards the rest of the band, thinking that they would resent me for doing this project without them. So I called the drummer and asked him what they thought and he said they were just proud and super happy and not mad at me in any way. So I kept going and here I am! I never thought I would come to Europe and do all this, it's crazy, really!

During the band's time, did you already have this desire to write your own songs?

I don't think I had any real unfulfilled desire to do this.

But you were writing?

Yes, I wrote my own songs. But not because the band was holding me back or preventing me from doing it within the collective. It's just that sometimes you write songs but they don't fit the moment. So I put those lyrics aside, like that, without any specific goal. I've always written and played in different bands. There was enough space for all that, things didn't have to be done exclusively in one framework or another.

Were your parents musicians?

Not really. Well my dad bought me a guitar and showed me how to play it. So I started playing by practicing at home on my own. I also took piano lessons but for a very short time. My teacher didn't really like me because I didn't work hard enough. I just played by ear without wanting to learn to read music and he didn't like that. So I taught myself. But my parents were big music fans. They played records all the time at home. When I was younger I wanted to go to a concert, my dad would come with me to make sure I was safe! He was the only adult in the middle of all these tattooed and pierced kids! [laughs] Oddly enough it never bothered me. When he made a surprise appearance at the Bowery Ballroom for my concert in New York, I was so proud! He and my mom have always been a great support!

This is really great!

Yes I know !

In addition to being an author and composer, you are also a student. Are you still going to university?

I just finished my semester. It's currently summer vacation. But I think I'm going to take a break in the fall. I completed the theoretical part of my literature course thanks to online courses. The last thing I need to fully validate my teaching diploma is the practical part, in school with students. I tried to do it last fall but it's complicated to carry out both projects at the same time: give lessons during the week then take a plane to California or New York on the weekend to play a concert, before returning to teach on Monday morning! So I'm going to take a break to devote all my time to music.

Do you want to teach one day?

I think I would really enjoy teaching. I love it. As a teenager I was a summer camp counselor, I love children. So yes it would be really cool to teach!

You studied literature. Did that influence your way of writing?

Yes, totally! I try to feed myself as much as I can from all these different ways of perceiving life and emotions that I find in books. It enriches me intellectually speaking. I have the feeling of learning new things about myself each time I discover a new author and this is then reflected in my writing I think, consciously or unconsciously.

Are you familiar with French literature?

Voltaire! I often joke with my professor friends that I would really like to have a big Voltaire and Cervantes tattoo! I already have a Gabriel Garcia Marquez tattoo [Julien then shows me his 2-part tattoo on the inside of his 2 wrists]…

Is he your favorite writer?

One of my favorites, I can't choose just one! And so when my students would complain that Voltaire is an old man who's not cool, I could show them my Voltaire tattoo and prove to them that it's really cool! [laughs] Reading Candide really changed my life. It was incredible! I think the translation of the title is The Optimist , which is quite ironic. Cervantes wrote Don Quixote and we have this word in English, "quixotic" which means optimistic but optimistic to the extreme, to the point where even if everything is going wrong in your life and you know it, you continue to believe in it despite everything. There is a really romantic and admirable dimension to that attitude I find. Same for Candide where there is this quote that I always come back to when I feel really bad and which says: "I wanted to kill myself a hundred times, but I still loved life" . I think I cried when I first read that sentence. Anyway, I could talk about literature for hours, don't drag me down that dangerous path! [laughs]

Haha, ok. So back to the music! Listening to your album I couldn't help but think of two other artists I really like: Sharon Van Etten and TORRES…

I love TORRES!

Me too! I even did my very first interview with her!

Wow! She's amazing!

Do you agree with this comparison even if the artists in question do not come from the same scene as you?

I totally agree with this comparison! As a teenager I only listened to punk and thought that anything that wasn't punk was worthless. Then I grew up as a musician and learned to appreciate all styles. When you really love music, you love an artist as long as their music is honest and good, no matter what the style. It doesn't matter if it's hip hop or country or whatever!

I totally agree!

And so I'm a big fan of TORRES! I loved her first album, the one before Sprinter . The song Honey is the very first one I heard from her.

The same !

And oh my god, what a song! I played with her in Chicago, I was added as the opening act at the very last minute, I felt so honored! On my way to the dressing room, I ran into her and as I was saying "Oh sorry, I don't want to bother you" she said "No, come on, this is a shared space, you have as much right to be here as I do" and she kindly invited me in. As for Sharon, it's funny because the first time I met her, she asked me to have lunch with her, can you imagine having lunch in New York with Sharon Van Etten! And she told me she was also going to invite her friend Mackenzie [Mackenzie Scott aka TORRES]. But our phones died and we couldn't get a hold of her. So in Chicago TORRES couldn't make the connection, I was just the little girl at the door!

Excellent! Are there any other musical influences that you would claim?

Do you know David Banzan?

Nope…

Ok. There's a band called Pedro The Lion and David Bazan is the lead singer. He influenced me quite a bit. And do you know Death Cab For Cutie?

Yes of course !

They were the first non-punk band I listened to. At the time I only listened to loud and fast music, but when I heard Transatlanticism for the first time it was a shock, everything changed. They really meant a lot to me.

Your texts are very strong and very personal. When you wrote them, did you think about the impact they could have on those around you first and then on the general public?

Well, at first, I didn't imagine that this solo album would lead me anywhere, I was convinced that my music would only be made with my band Forrister. So when I released the album on Bandcamp, I really thought that only my friends would listen to it. So I wrote all these songs like that, just for me, without really thinking about the scope of the lyrics. And I'm ultimately happy that I didn't think about it because if I had known what was waiting for me, I think I would have most certainly changed things, I would have probably been more reserved in my words. But if it's difficult for me to show my vulnerability, I realize that it's totally worth it when young people come up to me after concerts to tell me that my music has helped them in difficult times in their lives. It's of course a little embarrassing for me to share such intimate things but if these things make others feel good, then I think it's worth it in the end.

But isn't it a little scary to expose yourself so completely naked and transparent? It's so brave, I don't know if I could do it myself!

Well, you see, it's exactly the same for me, I'm not sure I would have been able to do it if I had known everything in advance! But now that it has happened, I feel that from now on I have the right, the license to be brave. Perhaps it was the plans of destiny or God, something like that.

And isn't it too difficult for you to sing songs every day that inevitably bring you back to painful moments?

I think there are two options. Option one: I can sing these songs every night, let them take me back in time and feel sorry for myself. Option two: there is the quote from this poet that I love who says that all the horrible things in life just need to be seen from a different and courageous perspective. Things that seem bad can indeed turn out to be good in the end. So I have chosen to let the dark and sad aspects of my songs become pretexts to be positive and happy. Because yes, all these things have happened to me but if that had not been the case, I probably would never have written these lyrics and I would not be here today in Paris talking to you, Laurence! In the grand scheme of things, everything has a meaning and works for our good in the end.

That's very beautiful what you say! [laughs] To talk about lighter things, this is your first time in Europe, isn't it?

Yes !

How do you feel?

I love it! I have such a good time. Well I don't sleep much... [laughs]

Is it the time difference or the excitement?

Well now it's the excitement! But a week ago it was also the jet lag [laughs]. Imagine, we traveled for over 30 hours straight to get here! I first took a plane to Richmond and then a train to Washington DC. We then took a flight to Iceland where we took another flight to Copenhagen. Once there we took a train but due to a problem on the tracks we had to take a bus that took us to another train! When we arrived at the hotel, we were totally exhausted! [laughs] It was 11 o'clock in the evening but at that time of year the sun hadn't set because we were so far north and my body didn't understand anything at all! But hey after a good night's sleep everything was better! And now if I don't sleep it's just because I don't want to miss anything, not a single minute you know! I thought I would never be able to afford to travel and once again it seems that Destiny's plans are extraordinarily kind to me. I feel so grateful and lucky!

And that's just the beginning!

I hope so! But you know, even if everything had to stop, well in any case it would have been much, much more than I could have imagined! I am so grateful for everything that is happening to me!

Are there any particular places you want to discover?

Sean has been here before and wants to show me places he liked. Today he took me to see the Sacré-Cœur which is beautiful. On my side, there are also places I would like to visit, especially in Barcelona, ​​because I am majoring in Spanish literature. I would like to go to the café where Picasso had his very first exhibition, long before he was famous. I would also like to see the Sagrada Familia, Gaudi's work, visit a museum, buy a Viva Cataluña t-shirt and eat paella. I am so excited to be able to do all these things!

That's great! But it's going to take you some time to do all of this!

We are staying there for the whole festival [Primavera Sound Festival]. So we should have some time. Of course we won't sleep much because in the evening I also want to attend the concerts!

You'll sleep when you get home!

Exactly! Since I am a big coffee drinker, one of my friends gave me a badge for my jacket that says "I will sleep when I am dead" ! [laughs] There are indeed so many things to experience in one life! [laughs]

And what are your plans for after the European tour?

We're actually going to be touring until the end of the year.

Will you come back to Europe?

We're going to Australia in November I think. I can't wait! We're also going to tour the States so as for Europe I don't really know... And then I hope to have some free time early next year. I'm always writing new songs that I play live. I must have 30 demos on my computer and I'd really like to record them. So it would be great if I could get into the studio early next year!

Last question: do you have one or more musical recommendations to share with us?

Lucy Dacus!

Oh I love it!

We played together in Washington DC. I had never heard her songs before Washington and I remember hearing the lyrics to Map On A Wall which say "I hope good comes from good and good comes from bad anyway" and I started crying all by myself watching her play. Her music is so beautiful, so powerful! And we have so much in common: questions of spirituality, sexuality and faith, questions about gender too and the place of girls in rock music. We are really like two halves of the same person. We have the same booker and were approached by the same label. And when I saw her again in Richmond I knew we operated exactly the same way. So our biggest fear is that we will one day become jaded and arrogant. We want to remain grateful, sincere and enthusiastic. There are so many people who do this for a long time and end up jaded. It's really great to find someone who feels exactly the same way you do, and that's the case with Lucy. We're platonic soulmates! She's a very, very dear friend.

You must tell her at all costs to come and shoot in Europe and in Paris because there are people waiting for her here!

Promise! I'll send her a message as soon as I have wifi!

Lucy Dacus! A perfect choice! Thank you very much Julien!

Thank you! It was great!

photos by jean-marc ferré 📸

interview by lolo from paris (who has great footage of that paris show on his youtube account) 📝

wayback link for the interview 🔗

[crazylittlejester]

jes i have drunken water while i am sick are you proud of me

anyways. how tall do you think each link is?

im very proud :) make sure you keep doing that and get plenty of rest :)

and i feel like my height headcanons kinda change from time to time but at least for today:

Time: LU specifically, 5’9. Biblically accurate OOT Link, 5’5. and Mask is 4’10. He was a lot more mad about his height in his youth but now he couldn’t care less. Though he does think it’s hilarious he’s taller than Wars and will subtly rub that in his face in a very little shit kinda way, but its so subtle the others never really pick up on it. Like he’ll see Warriors reaching for something on a shelf and grab it for him even though he literally isn’t that much taller, and he takes joy in seeing the burning rage in the captain’s eyes. But Wars can’t yell at him because hes “just being nice”

Wars: 5’6 but he will LIE to you and say 5’8. Absolutely has thick ass soles on those boots to make him taller. He also refuses to admit he’s shorter than Twilight, like REFUSES

Twilight: 5’7/5’8, but he’s too nice to call Wars out on his bullshit because he’s noticeably taller and if he’s just barely 5’8 theres no way in hell Wars is. He used to be a little sad he never grew taller but he has other worries about his appearance that bother him far more than his height

Sky: 5’4, and he doesn’t deny it because frankly he doesn’t care. He killed Demise and now he’s on another quest, he doesn’t have time to be insecure about his height /j

Hyrule: 5’1 ish, and he’s just so oblivious to this fact. Like he knows people are taller than him but he doesn’t care and he also doesn’t know how tall he is off the top of his head

Legend: 5’0, and denies this. He’s the kid at school who always has platform and boots on. Unlike Warriors he doesn’t try to hide the fact he’s wearing big boots, but he does hide the face hes only 5’0

Wild: 5’2, and he couldn’t care less honestly, like yeah he’s short and has to look up to most people to talk to them but that doesn’t bother him he’s never not once been like “aw man… I’m short… /neg” its always been like “HEHE I CAN FIT IN THIS VERY SMALL CRACK”. He’s the kid who fit himself in the school lockers

Four: 4’4 because it’s funny to me. He’s not even mad about it, he actually thinks the others are disturbingly tall and its unnerving

Wind: Not QUITE 5’2 yet but he’s growin’ and FAST. He’ll reach 5’6 or 5’7 one day, and Wars will fall to the ground and sob

I am a FIRM believer that they are all short as hell. None of them are close to 6’0 and most of them are fine with this akskdkkddm

[beauty-and-passion]

Did you see Thomas Sanders' YouTube community post about his plans for videos, including Sanders Sides?

... well, it looks like something happened in the SaSi fandom. Jeez, I cannot leave for a couple months to celebrate the Gravity Falls renaissance, that Mr. Sanders decides to pull up some stunts while I wasn't looking :P

Maybe he hoped I wouldn't notice. That I was gone. Well, unfortunately for him, I am always around - and if I lose something, there are always nice people ready to give me a heads-up. So here I am again, ready to give my unrequested two cents about the latest updates.

A lot of things happened since dear anon wrote me this ask, so I will not talk about one single post (also because I have no idea what post the anon was referring to :P) but I will briefly talk about the latest info taken straight from the ts_criticism tag, which is always the most updated place regarding SaSi.

No, Mr. Sanders' updates do not count, considering they're non-existent.

_____________

Season 2 finale: to watch or not to watch?

There was a survey going on in the criticism tag regarding the season 2 finale and whether people would watch it on YouTube, another platform, or just ignore it.

Now we can tell ourselves all the stories we want, but at the end of the day, we know everyone will watch it - no matter if on Thomas' YouTube page or somewhere else.

And even though we already know it will never be worth the years of waiting, I am sure everyone will still give it a chance. The view count will be high.

But if that's true for part one, who knows what will happen for all other parts? What if part 1 is not worth the wait? Will people still be willing to give a try to the other parts? Will they be willing to wait who knows how long for them?

_____________

The hilariously bad Brei Grace situation

Is it so surprising, that Thomas lost another person working for him? It's basically a constant, considering people keep being laid off, disappearing or not getting paid enough. By now, you would think this man learned something from the past but hey, it looks like I overestimated his intelligence.

What I find incredibly funny about this situation is not that Brei herself had to tell the truth to the public because Thomas, as always, refuses to be honest about anything. It's about this specific part of his post regarding Roleslaying with Roman:

Oh my god, this is so bad it's hilarious.

So Thomas laid his last writer off, but apparently he wasn't clever enough to find a proper replacement before doing it and he openly admitted in a post, to his fans (including his investors) that he has no writer to replace Brei and will have to keep following/begging her to get more of the script, because there's no one else who can develop the story in her place.

Do I really have to explain why everything about this is so stupid? Do I? Okay, then:

Thomas was apparently very quick at firing Brei, but not quick enough in finding another writer before doing it. That's not how any competent person works: when I left my last job, my boss asked me to stay for a couple more days, just enough to get a replacement. But hey, I suppose "finding a replacement" and "not leaving a vacant position" were too complex, too difficult thoughts for Mr. Sanders.

Mr. Sanders showed his investors he's so disorganized and impulsive, he fired someone with no backup plan and, as a result, had to put the series on hold. One of the series people are paying him to produce. If I were still paying him, I would stop immediately after this: if you're this unprofessional, you don't deserve money.

After laying Brei off, Thomas still wants to reach her for details regarding the story. The same story he fired her from. If he was so desperate for more of her work, he should've found a way to keep her around, not laid her off, then waste more time trying to find a way to get more of her.

If I were Brei, I would ignore Thomas forever and refuse to write even one more word regarding Roleslaying. But I'm a cold, heartless person, so I don't count. Still hope Brei will have some self-respect and refuse to share her work for free just because he's begging.

Or, at least, I hope she will ask for pre-payments first.

Thomas thought it was a great idea to show how unprofessional and disorganized he is via Twitter post. And refused to say the whole truth too. And no one was in the room to tell him: "Hey, what if you get a replacement first, so at least you won't have to admit you are dropping a series because you have no writer left?".

That's so stupid it doesn't even make me mad. It simply goes all the way around and becomes pure genius.

It also (involuntarily?) reconfirms a thought I had long ago, when Joan left. When I watched the goodbye video, I expected Thomas and/or Joan to tell us: "Hey, Joan is leaving, but here is the person who will replace them!".

But nope, no introduction of a new writer, no update post. Literally nothing. Joan left and no one came in. Only vague mentions of other people and names, but mostly Thomas confirming he was the main SaSi writer.

Thomas. Who is not a writer - let alone a competent one.

That's so stupid it's hilarious.

So, since now Thomas got rid of his last writer, what will he do? Learn how to become one? Considering his lack of progress in general, I suppose not.

So what? Will he hire another one of his friends? Will he think he can do anything and write RwR himself? Or will he keep trying on SaSi, a series that is so difficult to handle and with so many stakes, that even a competent writer would have problems with?

The incompetence has just reached a new level and I can't wait to see how deeper we can go.

_____________

The spoilers for the next SaSi episode

Thanks to @t-slanders, who appeared out of nowhere and decided to feed us something more than the absolute nothing Thomas gave us for years, we know what the next SaSi episode will be about.

And look, it's a plot in which:

The main topic of discussion is Thomas and Nico's relationship

Roman is ready to push things further

Janus and Virgil are not

Virgil is hiding he's on Janus' side

Wow. Wow. That's what Thomas came up with, this is what he's working on for 4+ years and hasn't finished writing yet.

Now, I'm not saying he should've created another plot: that's the only possible plot he could've developed. The only one that made sense, considering how WTIT ended and what was hinted during the 5 year anniversary special.

Why am I so sure of that? Because those are the exact same plot points for the season 2 finale - part 1 I came up with: in my version, Thomas was questioning if he was ready to have a relationship with Nico, Roman wanted to push things further, Janus wanted Thomas to be more cautious, Virgil was siding with Janus but refused to admit it.

Sure, some elements are different of course, but the plot points are the same. The biggest difference is that it took me a few months to develop them into a plot, not 4+ years.

And since those are the plot points, I already know how they will develop too. And not because I'm a genius but, again, they can only go in one direction: Thomas will eventually agree with Janus, it will become obvious Virgil is siding with him, Roman will feel betrayed and his arc will start in the next parts. It's already all written here, it can only go this way. The time travel idea is an "embellishment", but the plot can only go one way.

However, that doesn't mean the season finale will be automatically bad. A lot of stories I can predict end up being great anyway. So no, I won't judge it for its predictability. I will judge it for the production time and the characters' personalities.

And speaking of personalities...

_____________

The tweet video

I watched it at 2x speed, because didn't want to waste too much time on it.

It was... okay. Just okay. The characters' personalities are just okay. Everything is just okay.

Sigh. I'm tired of everything being "just okay".

And no, I cannot shake the feeling that Thomas pulled out this video in 0.2 seconds, only because he had a sponsorship to do.

One last thing I want to tell now, so consider it a warning: if the next episode and/or eventual season finale part 1 are "just okay", I will consider it negatively. From a canonical episode, I expect more than to feel "meh" while watching it.

_____________

And now?

We do the same thing we do every night, my dears: we wait forever for Mr. Sanders to finally decide to update us, to work on SaSi, or to do some stupid shit worthy of a discussion.

Of course, that doesn't mean we should burn him at the stake or cancel SaSi: we are all adults here, so we will simply highlight the shit Thomas does, because if you do stupid shit, you deserve to be criticized. That's not a personal attack, that's just being objective. I hope, one day, he will learn that too.

And maybe, who knows? He will also learn from his mistakes, hire someone competent, pay them properly and not lay them off without finding a replacement first.

Or, maybe, he will just find the perfect excuse to drop SaSi/put the finale on hold forever, so he will be finally free from the burden he clearly feels. When that day comes, I wish him to find a series he will be truly passionate enough, to keep it on until the end.

And sure, of course I will be around when the supposed next episode will supposedly come out: one part of me hopes it will be good, while the other part loves shooting a fish in a barrel. So... well, at least I will be satisfied either way ;P

[wihellib]

I wanted to talk a bit about the Comiket Popularity Vote. The full list can be found here.

Levi was voted as #1 with almost 1500 votes above the 2nd place Beel. He wouldn’t have been my pick, but this result doesn’t really surprise me. His character archetype is very popular in Japan.

Satan being third is interesting simply because he is usually so dominant whenever the polls are conducted here on tumblr. But it just goes to show you that different fandom spaces can have very different opinions on characters.

I am surprised that Belphie is behind Michael, seeing as he is a King and I really thought all the Kings would have top ranks, but Michael managed to sneak himself in there. Well, he is very pretty. Good for him.

Then, Zagan was 8th and had the top spot of all the lower ranks. This came of nowhere for me. I am very neutral on Zagan. I can see his appeal but not so much that it’s above literally every other lower rank as well as L characters like Gabriel and Raphael. I am very curious about what makes him so attractive to the fans at Comiket.

The results seem to mostly follow the pattern of: more screen time = a higher spot. Not totally though, there are some outliers. Astaroth being so high up is odd, since we haven’t seen him in the main story and only minimally in events.

Belial and Stolas’ positions are also odd for the inverse reason. We’ve seen them quite a lot, Belial is even in the main story and has an H scene, but they are in the bottom 3. I am curious about the reason for their dislike.

Now, the fact that you could vote multiple times for the same guy skewed the results a bunch I’m sure. I would have liked to see the breakdown of single votes only and how that would have changed the placements.

I really hope they’ll do more more polls like this, but open it up to everyone who plays the game. Other gacha games have an announcement in game that they’re having a survey, and you can click a link that takes you to a website where you can give your opinions to specific questions. There’s no reason WHB can’t do this.

Everyone who is a fan of the game should get a voice in which lower rank demon will get an L card, not just a specific group of people.

The most fair (and comprehensive) way to do this would be a ranked choice poll. You choose your top three S and/or A+ rank demons, where 1st gets 3 points, 2nd gets 2 Points, and 3rd gets 1 point. Adding up all the points, whoever has the most will be people’s overall most wanted.

[littlemisstfc]

Transformers One: Is It Good Or Nah?

Hello, hola、���んにち���。So…it’s been 84 years since I’ve last written on this side of the Hundred Acre Woods. For that, I do deeply apologize for my absence aksksksjsjsj. Anyways…so the Transformers franchise, in terms of the movies, has a very shaky history.

We all know the Transformers movies; it’s pretty known by now that the movies are just a rollercoaster of quality. For every Bumblebee, there will always be a Revenge of The Fallen. When it comes to me specifically, I have a very complicated relationship with this aspect of the franchise for a better part of my life. The original G1 movie is okay. The first movie is alright, ROTF is Satan’s spawn, DOTM is good, AOE is a chaotic mess that I both hate and love, and the less said about TLK, the better. Then, a miracle happened in the form of Bumblebee (2018) and it sets the path of redemption for these movies. It continues with Rise of The Beasts and while it’s an 8/10 movie for me, it’s still a great movie that continues the momentum. Now, it brings us to today.

I wanna bring this up before talking about Transformers One because you will not believe me when I say that this movie is EVEN BETTER THAN LITERALLY EVERYTHING ELSE IN THE FILM SERIES. YES, IT OUTDID EVEN THE GREATEST TRANSFORMERS MOVIES BY A FREAKING LANDSLIDE. JUST…how did we even get a movie like this? The fact that it exists is truly the most mind boggling, yet pleasant surprise so far in the series to date. Words cannot describe the experience I have gone through at this moment. Just…what did we do to get something this incredible and this damn good. Amazing is an understatement; Transformers One is easily the best Transformers movie to date.

The way it gives us genuinely some of the best moments in Transformers history is an indicator of the majesty they wanted to make. Sure, no movie is truly perfect. However, for this one, the amount of things to discuss and think about is something that rivals even the most complex media such as Earthspark and Animated. So what am I doing here standing around for? Let's talk about a movie about two bros chilling in an Energon mine, five feet apart cause they’re not gay! :D

For this review…I’m going to give this movie’s pacing the respect it deserves (due to how crucial it is to the story) by highlighting the most important details I want to talk about in order. After we get the nitpicks and other good stuff out of the way, I’m so excited to unleash all the inner brainworks in my head at the moment. So let’s goooooo.

3, 2, 1, Pingu.

(Also, I will be going into spoilers, so Sparknotes version: it’s a rare 10/10. ✨)

The Good, The Bad, and The Badassitron

Let’s go get the nitpicks out of the way. I say nitpicks because they thankfully don’t drag down the movie for me. First things first: I wish that the main trio of Decepticons (Doritoscream, Soundwave, and Shockwave’s boobs) play a much bigger role here. I felt like how we got from Starscream in charge to now all of sudden loyal to Megatron after having the crap beaten out of him is where the movie could benefit from a few minutes more to the runtime. To me, their loyalty to Megatron by the end is something that needs to be earned. However, like I said, it didn’t bring the movie down for me because they’re not the focus here, The focus is on Megatron’s relationship with Optimus. We’ll get there when we get there. Bee’s fine for what he is, but I feel like he can be cut out of the movie and replaced with someone else. The story would be as it is, like he really doesn’t have much of a reason to be here. However, like I said, he’s fine for what he is. The only other nitpick I have is that it’s weird that the Quintessons have little to no direct involvement in the main conflict, since it’s their rule that led to this mess in the first place. However, since we’re getting two more movies, I’m curious to see how this is gonna play out in the future. Anyways, that’s all I have to say about the issues I have with the movie, so let’s get to the good stuff…EVERYTHING ELSE.

Oh my god, the music score? Easily among my favorite scores in Transformers media to date. The way it not only incorporates music from shows such as Transformers Prime so beautifully, but it gives the world so much life and majesty that is straight out of a Biblical epic. The ending song at the credits reminds me so much of On My Soul, just what an utter bop. Of course, I also need to mention the biggest highlight of this movie…the animation. Oh my god, this movie is utterly gorgeous. Not only are the settings so vibrant and brimming with life and personality, but I absolutely adore the facial expressions on the characters. I’m glad that it’s emotive enough to not fall into the Uncanny Valley, and the characters felt so real. I especially love Orion’s facial expressions, because of how well they convey his growing heartbreak and loss of innocence over the course of the story that we’ll discuss later here. Overall, the music and animation are good enough reasons why you need to see this movie on the big screen. Just…MMMMMMM. Delicious food.

The characters are also really likable and enduring. I wasn’t sure if I was gonna like Badassitron going in, but honestly, he’s a Bumblebee done well. He has plenty of funny moments and jokes, and I like how they don’t have him make quips during the more serious moments here and there. He is the comic relief done right. I’m pleasantly surprised by how they handle Elita’s character. At first, based on the promos, she seems to be the Ultra Serious Girlboss who girlbosses her way into the Elita One we all know and love. However, as it turns out, it’s revealed that she’s a neurotic, yet well meaning dork and I love that for her akskssk. I especially love how her relationship with Orion develops over time as they went to find the One Piece. She went from being irritated with his tendency to cause mischief at work and ignoring protocols to warming up to him because of his resilience and optimism (no pun intended) of their people being freed. Honestly, it’s so refreshing to see a flawed, yet likable Elita here and she’s perhaps one of my favorite iterations so far. Moving on, and oh man…where do we even begin with our good buddy Sentinel Prime. Not only is he one of the evil ass motherfuckers in the franchise so far, but he is a fantastic main villain. Just seeing this despicable bastard manipulate his way into power makes you love to hate him, he’s also pretty funny, and the way he poses a threat to our heroes provides enough interesting groundwork for the conflict between two of our main amigos. Also, shoutout to Jon Hamm. He did an excellent job at portraying Sentinel as this smug, arrogant little bitch. Just, amazing. And speaking of portrayals, the entire voice cast did an amazing job here. You can tell how much they clearly respect the characters they’re portraying while also breathing new life into them. This is what animation studios need to do; hire actors that suit the characters well DAMMIT. Other positives I have is the amount of neat cameos of our favorite blorbos in the background, the comedic timing is excellent thanks to the voice actors’ deliveries and banter with each other, and in spite of the darker tone the more it progresses, it also has a very cozy, fun feel to it due to one of the movie’s main central themes. And speaking of themes…this is where we will end the section here.

Now…I am saving the best for last. What I mean by that is that there are two characters that manage to be my favorite aspect of the movie overall. So…let’s go talk about them.

A Tale of Two Friends:

I’m struggling to use the right words to describe how I feel about Orion and Megatron. To me…they’re the true standouts in the movie for me. Their relationship is portrayed with so much care and gravity that they both felt like real people. Not only are they both likable and charming, but seeing their relationship break apart over the course of the movie is hauntingly beautiful and tragic. Trust me, it’s not the shipper speaking here. It’s so refreshing to see them together in the big screen for the first time since The Last Knight, but it’s also so interesting seeing them in a different light than what other Transformers media did. I’m starting in the order of the movie because the movie’s pacing is perfect. Every scene connects to each other perfectly and it makes room for the wild ride we’re in for.

First, let’s start with Orion.

We start the movie off with Orion breaking into the Iaconian Hall of Records and search for anything on the status of the One Piece. Then, he gets caught by some guards and a chase ensues. Right away, we get a good idea of his mischievous, yet curious personality and his determination to discover more about the surface world. He won’t take no for an answer and while it does lead to him getting in trouble often, it’s genuinely admirable to see him have the initiative to make the best of his situation in life. Then, right before he gets caught, Megatron comes in with a cart that serves as a distraction for Orion to slip away and they both head to work.

Right off the bat, we see that Megatron is the more relaxed, more cautious out of the two. He tries his best to stay out of trouble and to keep his good ol unhinged buddy alive due to his wacky shenanigans. At the same time, he also has the same kind of energy he shares with Orion in that they both keep their heads up in spite of their circumstances. Adding to the layers is Orion bringing him the Fallen sticker, which is how we get a good idea of how much they care for each other. True, they have their own frustrations with each other. Megatron is frustrated by Orion’s tendency to get in trouble, along with not recognizing his discomfort with some of the things he drags him into such as the Iacon 5000, and Orion is frustrated by Megatron keeping his head down to avoid trouble. However, they always have each other’s back and they are each other’s equals.

We also see that they’re both kindhearted people who will stand up for the little guy through risking their lives to save Jazz from the collapsing Energon mine, even though it resulted in Elita being demoted. From the start, their desire to make their world a better place is set in stone there. This is furthered strengthened by Orion standing up for Elita by flipping off Darkwing and both him and Megatron needing some milk afterwards. Also, quick side note: Orion’s sass and dynamics with the other characters is so damn refreshing. I love how he literally has no chill in speaking what’s on his mind, and I especially adore how he interacts with Elita. Pure malewife material aksksksz.

Back on track, he then drags Megatron into the Iacon 5000 so that they can prove themselves to be just as worthy as the upper class racers in the game. As they fly through the race track with mere jet packs, their fellow miners cheer for them and they were pretty close to finishing in first place had it not been for the combo of an injury Megatron got and the first place winner coming in. I’m not gonna reveal who won the race, but let me say that who won it is a pleasant surprise. Anyways, this earned the attention of Sentinel Prime and he went down to their recovery ward to personally congratulate them on their boldness in participating. He even offers them a nice ol place in his crib, which they might've accepted if Darkwing didn’t throw them down into Undertale due to his jealousy and anger. Throughout this scene, we see Orion and Megatron being validated by the Prime they’ve admired for so long for breaking out of the status quo and it lays the foundation for later on. Eventually, they met Bee, found the map to the One Piece, and ventured into the surface world while accidentally dragging Elita along for the ride. Pretty landscapes and peril later, they end up in the cave where the bodies of de Primes are at. They wake up Alpha Trion and he reveals the bitter truth:

Uh oh, it turns out Sentinel Prime is a LIAR and that he betrayed the Primes in order to be in charge of the Cybertronian population. Here…we see the innocent viewpoints of Orion and Megatron shattered permanently from here on out. While Orion reacts with anger as he should, Megatron is utterly furious with this horrific revelation. The Prime he has admired for so long, the Prime who just gave him an opportunity to move upwards just minutes ago…turns out to be a cowardly, spineless fraud that took away their autonomy to having basically a crucial organ in their bodies and to make choices for themselves. It isn’t helped by Sentinel giving up the Energon (that they risked their lives in mining for) to the very evil overlords that are responsible for their people being this way for so many generations.

What happens back in the cave is one of three excellent scenes that is borderline uncomfortable due to how realistic it is. We see Megatron essentially having a mental breakdown from finding out his life is a lie and Sentinel is a big stinker. When Orion tries to calm him down, he finally vents to him about his frustrations with Orion’s tendency to cause trouble over the years and calls him out for not thinking before acting on his impulses. It also helps that we see his patience starting to be worn thin earlier in the recovery ward and when Darkwing threw them both in the Undertale. Then, he finishes his breakdown with one simple, yet effective confession: he doesn’t want to just take Sentinel down…he wants to kill him. To say that hearing Megatron say this left me and the theater in shock is a massive understatement. It genuinely caught me off guard, but in a good way. We finally saw Megatron at his breaking point: his entire life, including being worked to death, has been for nothing. It’s a great scene because it’s an argument where you understand both perspectives here. You understand Orion’s bewilderment at Megatron’s unhinged behavior and wanting him to take a deep breath so he can clear his head while you also understand Megatron finally having enough of being a doormat for too long and Orion putting his own wants before others. Neither side is right and wrong, and I appreciate how Orion’s and Megatron’s emotions are valid here. From this point on, all hell breaks loose.

After they gain their T-cogs and the recording to cancel Sentinel on Twitter by Alpha Trion, the main amigos enjoy the euphoria of transforming for the first time. However…we see Megatron enjoying the euphoria of having the T-cog too much. After fighting off one of Sentinel’s soldiers, he forcibly takes the callout post and vows to make Sentinel pay for his crimes. When Orion tries to protest, Megatron coldly tells him to step aside or else there’ll be a problem between them. Orion’s expression here is why I love his facial expressions the most as mentioned earlier. You can see all the thoughts he’s having right now, especially the shock of seeing his best friend giving into his darker thoughts expressed back at the cave. Now, the coin is flipped. Orion is the sensible, level headed one of the two while Megatron is the impulsive, stubborn one that he always scolds Orion for being so in earlier scenes.

As they make their way back home, they ended up captured by some Decepticons and are being interrogated by Starscream and his band of mean girls. When Megatron walks away from the interrogation nonchalantly, Starscream tries to assert himself as the leader. However, it ended up breaking into a fight that quickly went HOLY FUCKING SHIT, HE NEEDS SOME MILK when Megatron overpowers him. We see a horrified Orion in the crowd and they can only look at each other. Their friendship will never be the same after that…especially now that Megatron finally got a taste of power that’s been denied to him all his life. I know that this is probably gonna be a point of contention for some people with how Megatron’s turn to the Dark Side is portrayed here, so let me provide this perspective:

How long did Megatron have these thoughts?

Given presumably how many times he had to bust Orion out of trouble, and having to keep quiet just to stay alive, you have to wonder how long he kept quiet about his frustrations and hidden rage at the circumstances of his life. From that angle, giving into his intrusive thoughts is inevitable. He just needed the push to act on them. Essentially…the poor guy needed therapy, and sadly, there are no therapists on Cybertron. 😔

Eventually, Megs and Badassitron got captured along with Starscream and several other Decepticons by Airachnid. It’s now up to Orion and Elita to team up with the remaining Decepticons left and YOU GOTTA HELP US. Here, we see Orion finally realize how badly he screwed up for not understanding how his actions affected the people he cares about over the years. It got through his head that he didn’t appreciate Megatron’s patience and willingness to protect him from the consequences. While he means well, he doesn’t realize how selfish he’s also being with the things he does in his overactive ways. Upon realizing this, he takes responsibility for the amigos being in this mess…a mess that happened because of him. That was his mistake. He is now left with no choice but to go forward and make things right by his friend and the people they love. Then…we get another one incredible scene and that is Elita’s pep talk to him.

While it starts off a bit comedic due to how this is clearly Elita’s first time with cheering someone up and Orion pointing it out, it then leads to her expressing how she always admire his optimism towards a better future for their kind and his refusal to back down in the face of struggle. It’s the embodiment of the movie’s most important message: having hope even when the odds are against you. That fact that we have such a strong theme in a turbulent era we’re in at the moment is why this scene works so well. Change starts with one person, and then becomes bigger and stronger when they continue to fight against injustice and inspire others to do the same. Thus, Elita’s pep talk gave Orion the drive to get back up and keep moving forward by teaming up with the Decepticons, go back to Iacon, and free their buddies. The theme is furthered strengthened by Orion rallying the other miners into helping him, as he now has the power to make things better for his people.

Quick side note, but Elita is an interesting foil to Megatron’s in terms of how they react to Orion’s unhinged sassy king energy. While she’s also annoyed by his tendency to get in trouble a lot, she has also admire his ability to remain optimistic even with their shitty conditions. Once he takes responsibility for his decisions, she softens up towards him and she remains his dearest friend by the end. In contrast, by the time he has apologized for his mistakes, it’s too late for Megatron. It’s clear that these two are what shaped Orion into Optimus, for better and for worst.

Meanwhile, Megatron gets tortured by Sentinel after repeatedly defying him. Then, he gets the Decepticon symbol carved painfully into his chest by the blue son of a bitch. That essentially became the straw that broke the camel’s back and it ultimately drove Megatron into a point of no return. After the other main amigos rescued the other amigos and a ROBOT FIGHT occurs, Megatron now has the opportunity to finally show Sentinel that his day of reckoning has come. Now, he must die. However, after putting the callout post on Twitter, Orion realizes what his bestie is about to do and tries to stop him. However, Megatron quickly overpowers him and prepares the final blow to Sentinel. Then…what happened next left me and the entire theater in stunned silence for a good few minutes up until one point. At first, I thought to myself:

“Ain’t no way he’s gonna do this. There’s no way they’re bold enough to have Megatron do this.”

But then…it happened. The shot from the fusion cannon meant for Sentinel ended up hitting Orion instead, sending him flying near the entrance to the planet’s core and hanging on for dear life. The moment he cries out to Megatron for help…I bursted into tears right there. His innocent perspective has been destroyed permanently, and he’s now a broken shell of his formerly spunky self. To add more salt to the wound, Megatron reaches for him…only for him to declare that he’s done saving him from trouble after one too many times. Then, he sent him falling into the core. Megatron has crossed the line, and with eyes now red with hate and pain, he finally killed Sentinel in front of a now devoted group of followers who will obey his every word. He has now become the person he has sworn to destroy…

As that’s going on, Orion’s broken, lifeless body is gently brought down inside of the core and it’s revealed that he is the one who is destined to receive the One Piece…aka, the Matrix of Leadership. Thus, he is now reborn as the Optimus Prime we all know and love. The use of a theme from the G1 movie is the cherry on top of an utterly haunting, yet powerful scene that needs to be seen on the big screen.

After he has risen and put an end to Megatron’s madness, he decides that the best option for them both is banishing Megatron and his followers from Iacon. The fact that he chose this option instead of simply killing his former best friend really speaks a lot about not only his character, but also how much their relationship has essentially been ruined by how different they are in terms of wanting change. Alas, Megatron goes off into the sunset with his followers and Optimus is left there…mourning the death of their once great bond. When it showed a memory of how they met afterwards, it made me sobbed uncontrollably. At this point, you’re left with one question:

Will they ever go back to where they were at before?

Thus, we end on a bittersweet ending…an ending of two former friends who were torn apart by the sins of the fathers and the aftermath of said sins. All there’s left to do is wait and hope that everything will be okay soon.

Overall…Orion and Megatron are what makes the movie for me. Their chemistry, their character development, and the phenomenal performances of Chris Hemsworth and Brian Tyree Henry are what makes them the most layered, most complex iterations of the characters respectively.

Conclusion: IT’S SO GOOD, YOU GUYS.

Words cannot describe how Transformers One is a phenomenal love letter to the franchise I hold very dear to my heart since I was a kid. Overall, this is a fantastic movie that you will love.

It has phenomenal characters, gorgeous animation, an amazing score, and a powerful story of how you have the power to change the world and make it better. For the very first time since Cyberverse, I award the very rare 10/10 to this film.

Please check it out. I applaud everyone involved in this project for making it a beautiful work of art for the fans. It is indeed more than meets the eye.

[mrs-stans]

Sebastian Stan Talks Career Interests And His ‘A Different Man’ Film

By Jeff Conway

Sure, you likely know him for his many Marvel film appearances as Bucky Barnes, but actor Sebastian Stan has often taken “the road less traveled” when it comes to his career, having built quite the unique repertoire of memorable performances in far less conventional films.

That observation has arguably never been more visible than with his involvement in the new A24 film, A Different Man. Written & directed by Aaron Schimberg and co-starring Adam Pearson and Renate Reinsve, it tells the story of Edward (Stan), an aspiring actor who undergoes a breakthrough medical procedure to transform his facial appearance, but soon regrets his decision when he becomes obsessed with reclaiming what he has lost.

I sat down with Stan, Pearson and Schimberg to uncover the origin and the creative thought process that went into this new project, which is now playing in select theaters in New York and Los Angeles - nationwide come October 4. For filmmaker Schimberg, this purposefully uncomfortable narrative and the overall project hits rather close to home.

Schimberg said, “I mean, for me, it’s sort of a personal story. I have cleft palate and it’s just sort of me thinking about how it’s affected me in my life and others’ perception of me and my perception about myself. My previous film [Chained for Life] also dealt with the subject in some ways, so that’s sort of what I am always thinking about when I am starting to write a film. I was also thinking about Adam because I had worked with him previously and he played a shy character in Chained for Life, my last film, and he’s not shy at all - and yet, people I think sort of thought that he was playing himself in my movie because they sort of assumed that he must be shy. So, I was inspired to write something that was closer to who he is - taken to a comical extreme, maybe, and I wanted him to show off his range, but I also just wanted to work with him again, so these were some of the starting points.”

Pearson, a British actor with neurofibromatosis, which is a rare genetic disorder that typically causes benign tumors of the nerves and growths in other parts of the body, went on to share what it was about A Different Man and his Oswald character that most intrigued him to want to make this his next film.

“Well, I enjoyed working with Aaron the first time, so when he said, ‘Would you consider working with me again?’ Straight away, I was like, Ding Ding! Round two - let’s rock and roll. Then the script - all the words have weight. There’s very little wasted motion in the script. The end result of the film is quite challenging and holds up a mirror to an audience. I’ve never been a fan of hand-holding or sugar-coating. I think audiences can be a lot smarter than we often give them credit for. A good film will change what you think for a couple of days, but a great film will change how you think for the rest of your life. We’re certainly trying, at least, to be in the great film business.”

With Stan not only acting in A Different Man but also an executive producer, I wondered how he has perhaps noticed his interests and priorities towards the stories that matter most to him as a professional and human being evolving as time goes on.

Stan said, “Well, you get a little older and the questions get a little scarier. A few years ago, I just decided to kind of just be a little bit more aggressive about finding specific work that was interesting and different and kind of challenging for me than what I was getting to do. Eventually, you find yourself in conversations that are in the development of certain things and that might lead to a producing kind of aspect. I think in this [A Different Man] situation, I was involved before A24 came on, which never really happens for me. Not only because of obviously how I felt about the story and so on, I felt really brought in by Aaron and [producer] Vanessa [McDonnell] into their journey with this film and like what they were wanting to do. So, I felt a much bigger attachment than I usually do as an actor in a way.”

When it came time to film A Different Man, Stan recalls the production not having much time, which he actually found to be helpful within his producer role “because when you’re involved in some capacity beyond acting, sometimes you can kind of go, Hey, let’s continue shooting or something. You can help add more to the making of it in some capacity and that was big for us, given our time - that we didn’t have a lot of time.”

In fact, during one particular scene in the film, Stan remembers while everybody else was wrapping up the production trucks for the night, he decided to head out on the streets of New York City with his A Different Man director of photography Wyatt Garfield and Schimberg to grab additional footage. “I just kind of took one of his other little cameras and then we started going up and down Columbus Avenue. It was Friday night and we just got all these shots. Maybe you don’t always get to do that, so that was helpful.”

As I began to conclude my conversation with these three gentlemen, I wondered what Pearson and Stan would say to their A Different Man characters, Oswald and Edward, after seeing their stories play out on-screen and understanding their wants out of life.

Pearson said, “I’d be like to Oswald, Maybe turn it down a little bit. Be nicer to [Stan’s character Edward] because he might not say it, but he loves you and he needs you right now.”

As for the message Stan would tell Edward, he said, “Listen to me! I’m here - I’m telling you. I don’t know how I feel about this. Just hear me out.”

He then added: “It’s very interesting because we all have these moments in life, big or small, where you make a decision or you even say something because you’re with other people or you’re supposed to say something the right way, but you know your reaction in the moment or the decision you’re making is not what your gut is like really telling you. Then, you feel kind of like you’ve abandoned yourself, but then you just quickly deny that - that can kind of like spiral down. We’ve all kind of not owned certain things in the moment and that’s sort of what happens. He kind of drowns out that voice.”

[worth-this-and-more]

Do think sel is jealous of valec

im hella late in answering anon this is in my drafts for like days and i forgot this one was asked I'm so sorryyy and i also don't have my tablet rn so i cant ss the specific parts but nvm imma just quote them

oh absolutely haha he's hella hella jealous and I've got proofs

so the main one where sel alsolutely is jealous

Sel shakes his head. “Don’t listen to him, Briana. He’s trying to convince you he has use here. He’s made up some reason to give you information, hoping it’ll turn into a debt you owe him.” Valec’s had enough. “You getting close to the edge again, kingsmage? Jumping to the worst-case scenario first. Assuming I want to tie Bree to me beyond the bounds of this conversation. Keep her for myself?” “Don’t you?” “Well,” Valec considers, smiling with not a small amount of fang. “Yes.” A minute tilt of Sel’s chin. “Watch yourself.” Valec’s smirk blooms wide. “The difference between you and me, Kane, is that I am a transparent sort, who’s happy to say out loud all that I desire.” Brown eyes flicker to red and back. “You want the same, you just can’t come out and say it. Not really.” Sel’s answer is a stunned silence. William flushes pink, and Alice looks downright disgusted.

i would also love to point out that sel was silent but William blushed. now i am so so so sure that their talk in the car on their way to volition?? bro i wanna know what they talked about because William sure as hell knows what sel and bree have going on, he definitely does. he's gonna be the kenji here i swear.

also, the balcony scene yall asdfghjkl like who's gonna say he's not jealous he is two steps away from killing valec whenever he says shit like that lmaooo

"Merlin's thoughts were harder and sharper than my own. Vicious in their clarity." Sel grimaces. "I wonder if it is because, unlike me, he was a half-human, half-demon... just like-" "Just like Valec." The tension in Sel's jaw tells me that my guess is right. Nick looks between us. "Who's Valec?" Sel's expression sours. "A rogue cambion and demon power broker with Rootcrafter ties." Nick's brow furrows. "Is he after Bree?" "Depends on how you define 'after'," Sel drawls. "Valec isn't trying to kill me," I clarify for Nick. "So that's refreshing." Sel snorts. "Valec flirts with you enough that it might kill me." Nick's eyes widen. "A demon power broker flirts with you?" He turns to Sel. "Who does this guy think he is?" "I can handle Valec," I say, rolling my eyes. "He is half demon, and apparently the balance makes him at peace with his demon side."

also the fact that nick said nothing about selwyn's feelings about someone flirting with bree. idk if this is poly confirmation or the fact that nick's plan includes him going somewhere and leaving bree and sel together but yall this is hilarious

[all-pacas]

i think you're deeply in denial about being a chase/cam shipper or you gotta change your definition of shipping or something. because whatever you're doing here absolutely 100% looks like shipping them. to the untrained eye

in reality i have this very multi long paragraph disclaimer that's too convoluted to even explain but here ya go:

they are my two favorite characters

i like seeing them interact because of this fact

i find their deeply complimentary set of flaws fascinating. i love seeing cameron in a Relationship because she's such a fucking unreliable narrator about herself. i like seeing chase in a relationship because the very concept of "putting someone besides yourself first" is so antithetical to him and the opposite of what he has learned his whole life. i want to put them in a room together. i want cameron to talk at glowing length about her soulmate dead husband and how she watched him die and i want chase to talk about watching his mother die and how much he hates and resents her. i don't know where that conversation would go but i Want It. it's like how i want chase and 13 to talk about murder and redemption together. it is a platonic smashing together of fake people, not about making them kiss

i think they were badly written in the sense that like. there's no writing. they're just together. now they're not. now chase has feelings. do we see them? no. now cameron has feelings. do we see them? no. now they date for three years. as someone who likes writing and narrative this drives me insane because it's so lazy.

i think i could do it better, not in a "because i want to write uwu fixit fanfic where they kiss" way but in a "this sort of writing drives me insane" way. like. huddy was badly written too but it very much existed. cameron and chase are just "oh btw chase fell for her at some point for some reason during fwb." why???? we can handwave but there is NOTHING IN CANON. cameron likes him too! why??? WHO KNOWS

however i also find it annoying when people go "solution: they never dated, we pretend it never happened" because that's ALSO lazy and retcons several years of canon including cameron's exit from the show. including the actual character development chase gets, which i actually do like. i think i'm a rare person who almost prefers late series chase. i like short haired chase. and i don't like the idea of erasing all that canon development just because "uwu i don't like it" (or, more petty, because "uwu i think cameron should have kissed x -- usually house -- so i hate this canon relationship that like it or not did exist")

this ties in to my actual fairly complicated feelings about cameron and how a lot of fandom tends to Girlboss her up in obvious and admirable contrast to her years of reddit-ish character bashing. where i admire the Spirit but deeply dislike this Girlboss characterization.

basically i am a deeply contrary person by nature

so whenever i see this ship i go IT COULD HAVE BEEN BETTER, and OUT OF SPITE I WILL DEFEND IT, which is a whole perpetual motion machine of feelings

i honestly could not care less about them kissing. except for the specific episodes where they allude to having a sex life and foreman all but flees the room. i actually care quite a lot about that, i think it's super funny. so in that context (in front of foreman, to troll him) i want them to make out.

i've gone and read old ffn stories from when the show was airing that featured them as a couple. like from true fans and believers of the ship. i disagree with almost all of it and think usually cameron and usually chase are ooc in these stories. but in different ways. this also triggers my spite

so sure. yes. i ship it. probably,

[egophiliac]

this is basically what happened, right?

(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)

[plaid-maniac]

Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”

[klanced]

Keith walking into the holding cell greeting all the regulars by name while Lance is sobbing lamenting that his life is over and his future is ruined (they were like. Trespassing or some shit he’s going to be fine)

lance: (actively dry heaving in the corner, on the verge of a panic attack as he imagines having a permanent record)(actually what does a permanent record even look like?)(omg is he going to have to go to COURT? like in JUDGE JUDY?)

keith: remy, this is lance. lance, this is remy, she’s my favorite alcoholic :)

[uncanny-tranny]

When talking about abuse, please be critical of the idea that abusers abuse because of fate, Scary Mental Disorders, their victims being bad/uncooperative, or because they "can't help it."

What may sound like an explanation for abuse to you honestly just sounds like justification and qualifications for abuse.

[miodiodavinci]

(single loud AA) (the forest goes silent immediately after) (birdsong returns moments later)

[cerealmonster15]

No but for real I’m listening to dndads latest episode [s2ep33] a second time and

Stewie does say “my dad goes there” when he’s talking about the bar to the group. And Peter is in that bar when they get there. And when they find scam he’s shifted into lois. So like. I think scam just like. Birthed Actual Stewie Griffin From Family Guy and Stewie wants to kill him. Bc he’s Lois.

I know very little about family guy but I feel like that’s a thing in the show too……..

……..

It is, I checked the wiki

we’re all guessing who Stewie secretly is and why he’d wanna kill scam but it’s just bc none of us have actually seen family guy so we didn’t know that’s just a plot from the show 😭😭😭

Hermie your real actual brother is real actual stewie griffin from family guy……

[menshusband]

What does a man have to do not to live in constant dread