#oh wow what a ramble

[warpedpuppeteer]

I really love the idea of Buck being the one who's been secretly in love with Eddie the whole time. Because when it comes to Eddie, he doesn't really seem to give much thought to dating until someone pushes him to it?? But Buck always seems to be thinking about how to be a better person (choosing to go to therapy, being open about what he wants in a relationship and such). So in my head, between the two, Buck is the one more likely to figure it out first before Eddie. And he's just sweet enough to think Eddie might not want this so he supports Eddie dating others and even dates people himself (thinking that this thing with Eddie will never happen so why not). It's like, he's pining but not in a "i will stay miserable about it" way??? Does that make sense?? Buck's just the kind of person who is like 'you might not love me but i will steal the moon for you, i will fight the world for you, i will bring you all the stars in the universe'.

Eddie is the kind if person who needs to be told "hey have you ever thought about dating buck? how he checks all your boxes? how you're both raising a child together and have each other's backs and are comfortable with each other?" and it makes him go OH, i never thought about that. And then he starts seeing Buck in a whole different way you know. Like, here's the person Chris likes, who will protect Chris and takes care of him like his own, who knows his family, who will always come save Eddie no matter what, who's been there for Eddie's highs and absolute lows. Like, all the things Eddie worries about when finding a partner is something Buck already fulfills. So why not date Buck?? Why did he never think of this??

[mixmangosmangoverse]

The discussion around the fandomization of the I/P conflict is so fucking relevant because why did I just see someone in a discord for a reaction channel that reacts to musicals and cartoons suggest them to react to the Columbia ""protests"" with a heart emoji as if it's another episode of their favorite show and SIX other people agreed with that

[diazisms]

i'm still on "i come from catholics. latin catholics." because explaining the fact that he was raised in the church is explanation enough for the guilt and the complicated feelings towards religion. the fact that he associates being latino with catholicism or maybe catholicism with being latino is what really gets to me. eddie ties this religion — this religion he feels so guilty for abandoning, that still follows him around him everywhere — with his culture. being mexican, being latino, is integral to eddie. abuela's tamales and telenovelas and machismo he refuses to pass down to his son. and, in his eyes, catholicism is twisted in with that. the kind of knot you can't undo. that goes so much deeper than just a complicate relationship with religion. it's not just religion, it's culture, too. his culture. it's the people he grew up with, it's his childhood friends he met at his catholic elementary school, it's the church in el paso where he got married before shannon started showing. eddie thought he was free from catholic guilt because he stopped going to church a long time ago and he was fine with that, but he'll never stop being latino. and that, to him, is inherently religious. god, the implications of that. the fact that, to eddie, being queer wouldn't just disappoint a god he doesn't believe in anymore. it'd separate him from his culture. because he's okay with going to hell but who is he without abuela's crossing? without his st christopher pendant? disappointing god isn't the problem. not having a place to belong is what's terrifying.

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[galactic-rhea]

Do you guys ever think about how the generational cycles of abuse slowly crumble in The Simpsons? Do you ever think about it?

I love The Simpsons, and by no means it's supposed to be taken as a show that takes itself seriously, because it doesn't. But yet it handles heavy themes, it does handle strong subjects, particularly first seasons had certain, strong character's driven episodes meant to actually make you take it seriously. Even later seasons, albeit it becomes less and less of a thing (it becomes a bit heartless), has certain episodes like that. And is what makes The Simpsons a bit unique on the adult shows landmine.

Not to say it's completely original on this, because The Simpsons come from an era where sitcoms were everywhere, and sitcoms tend to be 70% comedy and then a few strong, heart-felt moments. This is because to keep you laughing, you need downs, otherwise, joke after joke after joke, you get a monotone story were there's no stakes nor pauses between a punchline and another. Comedy needs a tiny bit of seriousness, so you feel your feet on the ground, and then they will throw at you a joke, that, if is well written, is meant to surprise you, you don't see it coming. In the Simpsons, many of the classic jokes you remember best? You don't see them coming, not really, because the way they wrote the jokes in the simpsons is actually very clever, if I were to graph them, there would be several curves and points because they're jokes within jokes within jokes.

And then is a bit of dark humour, that is meant to reasonate with the audience somehow. So you laugh a bit at the fact that Homer's dad let him drink beer just so he would stop bothering him, but then the show makes you care, sometimes, about Homer being extremely hostile with his very old dad. But then you also laugh at the fact Homer's mom was a hippie, a rebel hippie, at that, that took him to Woodstock and is one of Homer's happiest memories of his childhood, and then you don't expect her literally dying.

And returning, in a way, just because she wants Homer and his family to continue what she started, and the show makes you care, the show makes you feel for the characters. Because Abe is a war veteran, he was awful to Homer and to his wife, but you also know he cared, and you also feel bad because he lives in a retirement home and wants to live with Homer and his family, but Homer will literally start the engine and leave him there, and at his age, he doesn't deserve that, but what does he deserve? Should Homer forgive him for everything? No, not really, you don't have to forgive abusers, but then it gets messy and complex because abusers don't deserve to be abused.

Homer, however, does forgive Abe, sometimes (and because of the nature of the show, it gets retconned, or forgotten, or brushed away, and etc). But more interestingly, he forgives his mom. Homer's mom was a much nicer parent, she was kind and Homer's refuge for happiness, so it's easy to forgive her, despite the fact that leaving Homer with someone like Abe was certainly, not a good choice, and we know that many, MANY of Homer's problems, all come rooted from either trauma or behaviours he learned from his childhood. And he's rightfully angry about it, he acts a bit like a rebellious teenager, because Homer is fairly inmature and this is because a extremely troubled youth.

But he forgives her right when she's literally a corpse in a chair, and then the closure comes from finishing what she started years ago as a radical environmentalist advocate.

So Homer knows, extremely well from first hand, his parents' flaws, and he is, to some degree, aware of how these affected him, which is more than most of the audience he represents realizes. But he's still an awful parent. He is abusive, towards Bart, but he also cares and tries deeply. He does an incredible much better job as a parent and as a partner than his parents.

And that's still not enough. That's not enough because trying doesn't mean sucess. The nature of the show makes it a bit harder, because sometimes it can be uqite inconsistent. There's a whole episode focused on how Homer decided to give up a lot and to stay under the awful working conditions from Mr. Burns because of Maggie, and then there are episodes where he literally forgets he has a third child.

But that's still better, somehow, than his upbringing. The bar was low, quite low, but he doesn't know anything else, and yet tries to be something different. And that's, from a narrative sense, interesting.

The cycle is breaking, is not completely over, is not a good job, but it is an attempt, it is watering down the abuse, it is making it less awful. Is like trying to purify a river, you're starting to remove the trash bags, you blocked the wastes tubes, the water is still contaminated, there's no grass and the ground is infertile. But it's a start, you need to start somewhere.

And then, in the futures episodes with Bart (and Lisa, and Maggie, even) we learn that, he isn't doing that much better either. Bart is divorced, his ex hates him because he's inmature and his children aren't very fond of him. Lisa's marriage is a bit of a mess, and her relationship with her daughter echoes a bit the one she had with Marge and Homer: She can't understand her, there's a lack of cummunication.

But it's still incredible, much better, than what they knew while growing up. Bart tries to be more responsible, he isn't abusive, his problem is that he's inmature and therefore can't connect with his children. But he doesn't quite yell at them, or tries to choke them (at least in the future episodes I remember, there are several). And unsurprisingly, he resents Homer a lot, which is logical, given everything, but he's also baffled that his children love Homer, and as a grandparent, he actually does quite a good job.

And the cycle is almost completely broken. Perhaps you can't absolutely clean it all, at least not in so few years, but it's happening and the change and evolution is logical, despite it being a sitcom, it is quite well written and sadly realistic. Bart and Lisa and Maggie don't have perfect lives as adults, and they struggle and the narrative shows you that a lot of these struggles come from their toxic enviroment.

And they're still doing better, because Homer and Marge chose to do slightly better than their parents. And so the cycle is near to the end.

I could talk about Marge, but sadly, in terms of her upbringing, there isn't much, besides the fact that she grew in a conservative home. We know her mother told her to held back tears and always pretend to be happy and force a smile, which is how she carried out in her life in many facets. And then we see she tries, at first, to teach the same to Lisa, and then decides to break that rule, to break what she forced herself to do and let Lisa be sad and express her emotions fully.

We also know she was quite bullied by her older sisters, and she's the one to always try to stop fights between Lisa and Bart, and the first one to try to stop rivalry between them when Homer tried to make them fight the other for attention.

Marge is flawed in a sense that she internalized a lot of misoginy and conservative ideals and then, sometimes, she tries to spread it, unwillingly, because is what she knows. Despite this, we know she supports Lisa's interests in studying and artistic skills. We know her mother was cold, and a bit detached, but Marge tries to be as warm and supportative as possible.

The Simpsons reasonates, mostly, with a generation that came from similar home enviroments, and, to some degree, some people in the audience could realize of their own flawed origins or how they carried those flaws, because I think the creators and writers had this in mind, the change and the struggle with trauma, the "not being good, but being better than what I remember".

So there's that. Deeply, deeeply flawed people that were raised in awful enviroments, and ultimately fail at being "good" parents, but they tried to change, and they tried to be better, and trying does matter in the end , because it's a start. They didn't end the cycle, but they planted the seeds for it. And to me, that's extremely interesting, and more so because this is the fricking Simpsons, a comedy, but like the context and narrative it generates, reasonates deeply with me despite not being for any of the generations the Simpsons represent, I'm a queer person in their 20s that was raised and still lives with an awful, awful family, but that I know their upbrinding was just so so so so much worse. And I know they try, and is not enough, and I can't quite forgive that, but I can see they try. And I know the cycle ends with me, at the very least.

[lunabug2004]

Ya'll probably know this by now given how much I post about it but one of my favorite pastimes is watching people react to Stranger Things. I bring this up this time because I've noticed a pattern.

People root for Mileven in seasons 1 and 2 with no problem (with the exception of a couple of reactors who took forever to pick up on it in s1 or just didn't like the idea of rooting for such young kids to be kissing). Esp s2 because everyone wants them to reunite and then said reunion is absolutely adorable.

However, by about halfway through ep1 of s3, everyone just seems to be so bored of them. Like nobody I've watched has ever really expressed the want for them to get back together when they break up. I realize this is probably partially because of the annoying nature of their relationship and the way their whole breakup is played off like a big joke, but that's actually precisely what I'm getting at. Why would the writers choose to make it so easy to stop rooting for the "main couple" of the show??? Just so they could have a comeback arc or seven? If Mileven is endgame, this will probably be one of my biggest hangups, esp given the way Mike was the brunt of the "joke".

One of the main reasons I always go back to Byler endgame despite all of my doubt is because of how the writers treat Mileven's relationship. It's pretty toxic and so it's easy to stop rooting for them or just the repetitive-ness of their story as a couple makes them boring. They wouldn't make the "main couple" the most annoying couple in the show if they were actually going to be endgame.

[bizarrelittlemew]

i was hoping to make a post like this under happier circumstances, but here goes.

as some of you know, everything with the cancellation and renewal campaign has happened right on top of the worst part of my mom's cancer treatment (plus the show was cancelled on my actual birthday 💀). i won't go into details, but it's been tough. lots of ups and downs, mostly downs, luckily ending (for now) on as much of an up as circumstances allow. the whole thing has been weirdly tied to the cancellation for me, kind of amplifying every feeling. the grief got mixed up, and there was so much of it - mourning the loss of the kind of future i thought i'd have with my mother and the time we might not get, mourning the end of a show that means so much to me and is such a big part of my life. different types of grief, sure, and of different magnitudes, but in one big ugly swirl. i sort of had a breakdown right at the start of february, and it was because of news about my mom, but it morphed into my brain telling me everything i'd ever written was shit and wanting to delete it all. stuff like that, spilling over.

anyway. i was holding off on writing this post to see if the show got picked up by someone else. but i still want to say it. because what also spilled over was the support and community from this fandom, and being in this space (despite the rough times and high emotions) helped me through it, because of all of you here. whether we talk regularly, or you left a comforting reply or simply a like on one of my posts about having a hard time (i tried to keep them few), or wrote a nice comment on a fic, or said something funny or nice or insightful in the tags of a gifset, or was active here (or on twt) in any way, talking/sharing/creating stuff about the show - THANK YOU.

you all helped me through all the ups and downs, and i am so grateful. thank you for being here, listening, distracting, helping me feel some joy despite the horrors. i love you and i love this incredible show and all it has brought and will continue to bring and inspire, and although it should go without saying, i'm not going anywhere. just do me a favor and give yourself a big ol' hug from me, and know that you made a difference for some random guy on the internet (but in reality for many more, and for this fandom as a whole, just by being here and being you) 💕

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[akindplace]

sometimes you just gotta think the universe is chaotic and you can’t make sense of it, but you can’t waste all your energy trying to understand things no one else does. most people are figuring life out as they go, so there is no shame in trying your best while still being a little lost and confused by the way things seem to happen for no good reason

[doodleodds]

Happy Valentines, Akira. Happy Valentines, Asshole.

If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.

I don’t want your shitty gift. Oh- haha! You’re so sweet.

I hope I choke. They’re lovely, thank you.

Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.

[disposal-blueeee]

doodles

edgar vargas and squee by johnen vasquez

scriabin by zarla-s

[moinsbienquekaworu]

Queer bar down my street doing an introduction to shibari this month but it's for "women, lesbians, intersex, non-binary and trans people"

[natsmagi]

combining 2 old drawings to create a new better drawing. they r so cute

(old)

[sonic-adventure-3]

wait oh my fuckinggod. does maria not even get to push thefucking button on the escape pod. does she not get even that much agency. god

[arkiwii]

very sad still see the saria/silence divorce headcanon still going around

have you ever tried to consider that they never dated before lone trail because it would be unrealistic with the timeline and the events and also because it would be overshadowing the actual truth of why they couldn't get along