#oh you replied!

[0p1er0]

Hey!

*Doesn't get an answer*

*leaves*

[isjasz]

📸📸📸 (screenshot redraws :D)

[ash-and-starlight]

The world needs more Yue and Zuko friendship, I squeal just thinking abt the parallels. They deserve a life changing field trip together and if u have abt ideas I’m all ears 👀

Hiii anon this ask fermented in my inbox and in my brain for so long,, so take this??? Post canon yue lives/no war au arts?? Anyway aside from the Parallels and their political position & their duty before hoes grindset I think they could learn a lot from each other. With zuko learning the gift of patience & diplomacy from yue & Yue learning that allowing yourself to feel anger and speaking up can actually be Good.

anyway hypothetical life changing trip outcome: zuko takes an intro gender studies class and yue says fuck

(oh and also must not forget the crush on sokka)

[petr1kov]

here's the scene i've mentioned before where nemesis and melinoë talk about hypnos, for those who wanted to see it!

[kami-kun1003]

im just gonna come right out and say it:

pretty much everyone in this fandom portrays Silver as this perfect, flawless, polite, beautiful, princely, romantic gentleman who can do absolutely no wrong in his life ever. which is… not really accurate at all.

he’s odd. he struggles with showing emotions and doesn’t understand social cues very well. his dorm uniform vignette is literally about how people find him strange and unapproachable due to his lack of expressiveness. in his lab coat vignette, Jamil straight up calls him weird to his face and he fully agrees without hesitation.

and in one of his voice lines, he calls Yuu strange just for wanting to hang out with him. stop and think about that for a second. he considers himself boring and doesn’t expect anyone would want to spend time with him. maybe he used to try and make friends, but people kept avoiding him, saying that he wasn’t fun to be around.

he’s not the handsome guy that everybody in the school falls for, he’s the quiet kid who doesn’t say much or has any friends outside of his own personal circle. and i think that has a lot of potential for angst.

[parisoonic]

[nedseii]

If you ever draw Jaime and Cersei together let us know :)

Here you go buddy >:)

[a2zillustration]

The final day

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[abitofren]

did anyone else feel like they were having a religious experience watching dev patel strangle a cop w a chain while that somebody to love edm remix was playing? because holy shit

[morganafata]

Can't wait to see modern day Sun Jae, K-pop idol at the peak of his popularity and the world at his feet, revert back to his hot mess loser self once Sol comes back into his life, like some sort of insane comet of longing and awkwardness.

[apollos-boyfriend]

almost forgot to show you guys the insane messages my roommate sent me at not even 8 am. this is what i have to deal with on a daily basis.

[egophiliac]

they revealed the villains for ride kamens, and one of them is a woman who radiates the same energy as lady dimitrescu from resident evil 8 village and i am all for seeing a bunch of idiots of varying types fighting a woman with strong mommy energy

I'm already a little. 😳. over Truth? I had to drop everything and draw her immediately, because those SHAPES. her shapes!!!!

I don't know if I'm going to finish this I just HAD to draw her hair

[the-cat-and-the-birdie]

Hobie Brown Character AI is hypocritical.

I really be like 'ayo AI directly damages writers, voice actors and unions can you not use them, which in turn makes them better and more useful to the studios?' and people get MAD

People can say 'hey don't spend your money on Spiderpunk merch it directly contributes to corporations. That's not what he would've wanted'

And everybody cheers.

But if someone says 'hey please don't use Spiderpunk AI - it directly contributes to large movie studios using AI against the WGA. That's not what Hobie would've wanted'

And then SUDDENLY it's 'i just wanna write my little ai stories what's so wrong with that?'

You're directly going against the asks of a union that is actively striking.

That's not what Hobie would want.

Every time you roleplay with an AI or use a voice AI - You're helping develop the technology that puts people out of jobs

You want your Hobie AI stories to be realistic cause it's easier for you and more fun? GOOD.

THAT'S EXACTLY HOW THE STUDIOS FEEL TOO. They want their Hobie AI stories to be as realistic as possible too - because then they don't have to pay their writers.

The same AI that writes Hobie fics for you is the same technology that writes scripts for studios.

The more you feed an AI Hobie information - the easier it is for the AI to produce - say, an entire scene from a Hobie movie script. Without the consent or input of the people who created him in the first place.

When Studios use AI, they can make the characters do and say anything without the writers or voice actors input.

Imagine you're an voice actor - they want you to say a line that's really offense and you refuse.

They say "Okay, that's fine. Just skip the line."

You say okay. You finish the rest of the lines and go home.

You go see the movie. And you hear all your normal lines - then you hear yourself saying the extremely offensive line.

What happened? The studio used a Voice AI of you to fill in the offensive line you didn't wanna say. Don't want your voice used that way? Too bad. They own the AI. They can make you say anything now.

Your agent can't help you and neither can your PR. You just have to take it.

Is that something Hobie would want for people?

If you cap for HOBIE in specific -

And you still use to choice AI despite knowing it's getting weaponized against the working class -

That behavior is hypocritical. There I said it.

You can't wake up gushing about a black working class punk and then be like 'what do you mean working class solidarity with a union that doesn't involve me'

You can't be out here loving a character known for helping oppressed people break out of technology that is made to oppress and harm them - (Go-Home Machine, The red Anamoly cages)

AND THEN be the ones aiding in the creation of a technology make to oppress and harm people.

With Hobie in specific - it goes against the entire morals of the character.

ROLEPLAY AND VOICE CHARACTER AIs THREATENS WRITERS AND VOICE ACTORS. I am out of work right now because of a strike based solely on this discussion.

The WGA strike is still happening. The holidays are coming fast. We need our jobs back. The better AI studios have, the less likely that becomes.

The more realistic your Hobie roleplay becomes - the easier it is for a studio to take that same technology and write a script with.

Why would a studio PAY a voice actor when someone on Tiktok developed an entire Hobie Brown AI for them that can say anything? They wouldn't. They'd just use the AI for free instead. The same one you're using.

Please - out of respect for the writers who made him and put careful time into him and his representation and his story - PLEASE, So those people can keep their homes, and jobs, and food in their children's mouths -

DON'T USE CHARACTER AI

Hobie would want you to stand with the union 💙

signed - a Production Assistant.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[nattikay]

friendly reminder that Neteyam is a well-adjusted kid who has a good relationship with his parents, that he tries his darnedest to be a good warrior because he genuinely looks up to his dad and wants to be like him, and that the idea that Jake and Neytiri are "forcing" him to be perfect, that they "stole his childhood" or that he's "not allowed" to be a kid, etc. are all pure fanfiction with little to no evidence in canon thanks bye

[sysig]

So much experimenting to be done, where to even start (Patreon)