#ok long rant over

[carpathiians]

sketches

ref

[wren-of-the-woods]

I've been seeing a lot of posts lately talking about how no one comments/reblogs/replies/etc anymore, and, as someone who comments regularly on a lot of fanworks, it sometimes makes me wonder if my efforts are worth anything. Then I remember how much happiness I get from comments on my own work/posts and how much the community of fandom can matter, and I remember the power that can be found in spreading joy instead of disappointment.

So -- to everyone who comments on fanfiction: thank you. You make the writing process worthwhile and so very rewarding. You make people happy every day.

To all the people who reblog art and gifsets and meta and anything else with enthusiastic tags: thank you. You make people smile and promote interesting conversations and make being on Tumblr so much more fun.

To anyone who sends people asks about their works, whether it's unprompted or part of an ask game: thank you. You give people reasons to talk about things they love and feel like a part of a community.

To the people who makes reclists: thank you. You give us more to read while showing the author how much their work is loved and appreciated, benefitting so many people.

To everyone who organizes events and groups and blogs and dedicated to fandom: thank you. You build community and love and excitement so effectively and it's wonderful.

To all the authors and artists who respond to comments and build community: thank you. You make people smile with your work and then again with your response.

To everyone who contributes to fandom and community in all the other beautiful, varied ways that I can't even begin to list: thank you. You are why we're here.

And, finally, to every writer, visual artist, gifmaker, cosplayer, maker of edits, writer of meta, or creator of art in any other form: thank you. Your work is wonderful and you make fandom what it is, regardless of who sees your art or how much response you recieve.

Keep going, everyone. You are a part of something beautiful.

[summershouto]

baby 5 & sanji- the role of gender

I’m definitely not the first person to say this but Sanji’s women obsession is very similar to Baby 5’s need to please and I wanted to expand on it more bc the thoughts keep bouncing around in my brain 

Sanji and Baby 5 have the same core need to find love and it effects their actions- especially in matters with romance/the opposite sex. While both of their fixations are often treated as jokes, they still reflect underlaying issues tied to their backstories.

The way they act on this romantic drive is somewhat different, as they both assume the traditionally expected roles in accordance with their gender. They’re putting on a performance, behaving over-the-top in effort to please, while still varying in how they portray their love-sickness to remain a model man/woman. these differences set them apart, and I feel in Sanji’s case it can result in his behavior being brushed off as simply a weird quirk (unlike Baby 5, who’s actions remain lighthearted but are recognized as a trauma response).

They both have the same reaction to potential interest/attention, but remain strictly on the opposite ends of the spectrum of Man vs Woman in a conventional relationship. 

Baby 5 maintains a caretaking, flattering-focused obsession of the opposite sex rather than transforming into having pervy gags. She wants to be needed but she also enjoys (and sometimes imagines) being swooned over.

Looking at Sanji in the beginning, before the annoying nosebleed/creep gags became more prominent, he was also rather romance driven rather than motivated by lust. He, similar to Baby 5, saw many as potential suitors; a hopeless romantic at heart. While Baby 5 strikes at the first sign of interest from a man, Sanji equally treats every woman as someone he needs to look after . 

Baby 5 jumps into the role of a caring wife. She blushes like a schoolgirl and assumes that every man who is kind is showing interest in her. Meanwhile Sanji, filling the role of a traditional man in the relationship, seeks to provide. He wants to aid women in any way possible- whether thats with cooking or actual physical protection. His pervy gags could also be read as a way to fit this norm- as a man it’s more societally acceptable to be lust driven- (and in some cases, lust/sex is a way to “prove” ones manhood).  This is especially prominent after his time apart from the crew surrounded by people that challenged his notions of gender.

Overall their use of these traditional gender roles are safe; an easy way to get attention. People in real life often use romantic attention as means of fulfillment, and I read their actions as the same.

Baby 5 and Sanji are both people pleasers. Baby 5 is named as such, noting she can’t deny anyone anything because she longs to be needed. Sanji’s lack of self-worth causes him to always put others first, even at the cost of his own wellbeing. They see themselves as existing to fulfill a needed role, bidding their time until the moment arises. 

Other people have noted how similar Baby 5 and Sanji are in this way, joking that it’s good Sanji and Baby 5 never met because they’d get married instantly. I think it would actually be very interesting if they had met. Two people pleasers in a relationship is a recipe for disaster, especially with people as passionate as Baby 5 and Sanji. Their way of dealing with conflict would be to.. not. Neither would ever want to say the other is at fault. Their approach towards romance is seeking a sense of fulfillment, which would create an interesting dynamic with their exaggerated swooning. 

Now there are some people who truly are greatly motivated to pursue relationships, but with Sanji and Baby 5’s backstories revolving around a lack of love,  it’s safe to assume that it’s a bit more of an inorganic reaction for them. Especially when looking at the situations their love gets them into, such as when Baby 5 fell head over heels for a man because he was kind to her once despite not showing any prior attraction. 

Sanji is on the opposite side of the spectrum, finding /every/ woman beautiful and himself unworthy. Where Baby 5 aims to prove her worth from any one person and seeks a reason for her receiving kindness, Sanji places himself below all the women he meets and grovels in attempt to please as they stand on their pedestals. 

Sanji was raised by Zeff- someone who had a strong influence in how Sanji perceives and treats women. Sanji’s hunger for love was enhanced by the teaching of strict gender roles and emphasis on chivalry. While Baby 5 longs to be the helpful wife, Sanji becomes the pursuer- acting like a white knight as he sought women’s attention. That’s not to say his attraction isn’t real, but his extreme reactions to women reflect his desperation to please. 

Sanji also has the added factor of the men vs women in his life prior to Zeff, with only his mother and sister showing him kindness. Women were safer; and Zeff furthered this belief through his teachings.  

They’re both self-sacrificial to a dangerous degree. To them, their lives are indispensable; meaning if someone needs to die for the greater good then that’s the role they feel they were made for. Their life IS other people.

This is also interesting to consider in the perspective of non-heterosexual relationships. Sanji has a complicated past with gender/sexuality, so his aggressive actions towards men reflect what he feels a “real man” should be. Feminine attention is good, acceptable to enjoy, but male attention is something to scorn.

For Baby 5, we don’t really see her react to the kindness of a woman. She grew up around predominantly men and men appear to be the ones who most often take advantage of her. It’s curious to consider if meeting another woman with good intentions would allow her to be more sincere. 

I guess in conclusion I often see Baby 5’s actions being recognized as a response to her past, but I don’t often see Sanji’s explained similarly. Personally I think Sanji’s behavior is greatly effected by his starve for love, and he throws himself into it just like Baby 5. However, the way theyre perceived is greatly effected by their gender and their according behavior to fit the norms. Regardlessly, he and Baby 5 both rely on other people to find their worth- and the quickest way to do that is to turn to romantic love. 

[deepfriedpaddymayne]

girls when they remember that wilfred owen was killed in action A WEEK before the armistice was signed

[cann1bal-cr0w]

I havent seen anyone else talk about how well the topic of grief is portrayed in spooky month. I myself have dealt with the grief of losing someone close to me and i can say with certainty that the types of grief shown are quite accurate to how many types of people may grieve the loss of their loved one, for example, Lila turns to hiding her husbands stuff in the attic and never touching it again, and she also goes out drinking often, which is something she may be using as an escape from her life so she can feel happy. On the other hand, John starts dedicating his time as a police officer to track down the cult that burned down his house and killed his daughter. I dont have that much to say about how Skid grieves but from my understanding he seems to avoid talking about his father and hangs out with Pump basically every day, maybe he got attatched to horror stuff as a way to help him cope im still working that out in my brain.

[the-valiant-valkyrie]

okay well. one thing that i absolutely adore abt ieytd3 specifically is their dedication to The Bit. The Bit, in this instance, being the telekinesis.

i first heard of ieytd pretty much the year it came out- although i wavered in and out of the community until a few months before the sequel was announced. within that time, there was this trend in what few ieytd fics were published that they would reject the telekinesis mechanic entirely. they would pretend it didn't exist. they brushed it off as a mandatory game mechanic for a VR title, but obviously it doesn't actually matter in canon. it's unnecessary.

but seeing schell games literally go "nuh uh". and take what's a pretty significant step in a unique direction from their source material. and say "actually, not only is telekinesis canon, but we are going to make it's existence critical to the plot of our entire third installation" was so much fun. i respect them so much for that.

a lot of times i find the best sort of games are those that take their silliness seriously. they don't feel ashamed of doing their own thing- breaking the mold a little bit, if it means developing a deeper sense of identity. they took this mandatory mechanic- essentially the only obstacle between them and an untarnished james bond-esque experience- and said "we can roll with this". and just did.

i love a game that's not ashamed to be what it is.

[silverfoxstole]

This 1880s Emile Pingat dress from the Met Museum is a perfect example of how velvet can completely change colour depending on the lighting. Now, what does that remind me of? Oh, yes…

I do still wonder why they chose green given brown would fit better with the rest of the costume. Maybe they thought it was brown? Which begs the question: is it green velvet that looks brown, or brown velvet that looks green?

Hmm….

[transrevolutions]

as much as I can appreciate the interpretation of enjolras as being a naturally kinda quiet and calm guy, I tend to prefer the idea that he had to teach himself to be charming. he isn't necessarily cruel by nature, but he's intense. the force of his passion can scare even his closest allies as well as his enemies so he learns to file the edge of his knife sharper and smaller and sharper and smaller until he can hide it in a bouquet of flowers.

[godsfavoritescientist]

you ever think about how bill is who the pines could have been if they didn't have any kind of support from anyone in their lives

[doodlebloo]

I'm always gonna be pissed off about Sapnap and George being so blatantly uncaring of the time and work their fellow ccs put into their lore and stories that they literally broke into a house neither of their characters should know existed and made a big deal about killing a plot important NPC for "content" even though Ranboo and Tubbo had previously requested that Michael be left alone and one of the server's literal rules was to not do anything that would seriously upset anyone.

First of all, they both know damn well they could sit and stare at a wall onstream and get tens of thousands of viewers. Threatening to kill that piglin was not necessary for them to get content, it was just mean spirited, and the onslaught of people complaining about people getting nervous or upset was so exhausting. It felt like being punished for caring about the characters and story, and Sapnap and George just kept doing shit like this over and over (didn't they release Shroud?) The DSMP's story was cool and needed to be taken seriously when THEY we're a part of it, but if it was anyone else's story, it was lame and stupid and everyone was dumb for caring about a video game mob that much. God it still makes me so mad

[r0ckst4r-c0re]

for some reason, my brain has been bursting with this funny slice of life au where instead of jinshi always telling maomao that her obsession with poisons is weird, he instead slowly starts seeing the appeal. (he wouldnt go as far as to experiment on himself, he still finds that absolutely horrifying) After showing the appeal, maomao and jinshi start to form some kind of bond (?) over poisons. Basically before the romance the two have a casual friendship where they both solve mysteries (like usual in the story) and they have fun and be classic friends who make fun of goofy people in the mystery cases.

TL;DR: jinshi gets unjinshified and takes an interest in poisons. also maomao becomes friends with him

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[ferncloud]

hmm i wonder if tumblr user ferncloud likes ferncloud...

/.\ MAYBE...

[zombiedcattle-art]

babygrill. literally

[werebutch]

Omg it would be way easier if my bff just ignored me and changed the subject but instead I have to wait like a week for him to just say “that sucks wtf” to my rant 🤦

[cheeto-flavoured-pasta]

AFTER DAYS OF NOT WRITING ANYTHING I FINALLY WROTE 463 WORDS LETS FUCKING GOOOO