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flowercrowngods · 10 months

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who did this to you. part 2

🤍🌷 read part 1 here pre-s4, steve whump, protective (but scared) eddie

This is not happening. None of this is happening, he’s… He’s dreaming. He’s high. High as a kite somewhere where reality doesn’t matter, where it can’t fucking reach him and he’s— He’s not panicking behind the wheel with Steve Fucking Harrington bleeding against the passenger side window.

It’s not happening.

Because if it were happening, Eddie would simply throw up. He’d leave his van on the side of the road and run the fuck away. Away from Harrington and his trouble, away from his rattling breath that’s so loud and unsteady, Eddie doesn’t even dare to turn on any sort of music, even though he’s itching for it, his hands clenching and unclenching around the wheel until his knuckles go white.

“Shit, shit, shit,” he mumbles under his breath, barely aware of his surroundings at all, his eyes flitting from Harrington to the red stain against the window, back to the road and then down to the white-knuckled grip and the speckles of dried blood that is decidedly not his.

Lost in his panic and disbelief, Eddie almost runs a red light.

It’s harsh, the way he hits the brakes, and the sound Harrington makes is pathetic enough that Eddie feels like maybe this might actually be happening.

“Sorry,” he breathes, his voice no better than Steve’s — and he’s not the one with a concussion, a broken rib, and that… fucking fear. Of something. Or someone.

Who’s hurting you, Steve?

Jus’ everyone, sometimes. God you don’t… You don’t even know.

He doesn’t even know. He doesn’t wanna know. All he wants is for Harrington to stop fucking bleeding, to keep his eyes wide open and—

“Ed,” the boy says, wheezes, and it sounds like he wanted to say his full name, but had to swallow first. Blood, Eddie thinks. Don’t let it be blood. “Think I’m… ‘M gonna throw up.”

“Please don’t throw up,” Eddie says before he can stop himself, hating how small his voice sounds, how urgent — like that’s the thing to be urgent about. God, he’s such an ass, but he… If Harrington throws up, Eddie will lose it. He knows he will.

He chances a glance over at Steve, who has somehow managed to get his right arm tangled with the handle at the door, keeping himself upright and safe from Eddie’s rather frantic driving style. His head is drooping, moving this way and that against the red-stained glass, and he blinks unseeingly as blood begins to trickle down from his nose and temple again.

He’s making himself small, and Eddie wants to pull him upright and tell him to stay like that, tell him to stop looking so terrible, so horrible, so…

So much like Eddie’s fucking problem.

He hates it. Hates everything about that vision. Boys like Harrington shouldn’t look like this, shouldn’t hold themselves like this, shouldn’t… Shouldn’t have no one but Eddie to take them somewhere safe.

It’s just not tight.

“Don’ wanna throw up,” Steve says at last, the pause too long for Eddie’s liking, and he sounds so solemn about it, yet so helpless, and Eddie kinda wants to scream. Wants Harrington to scream. Anything to stay awake and maybe not ruin his car. Anything to not fucking die in it.

“Tell me something,” he says then, because he knows he has to keep Harrington awake and speaking. Just for another ten, fifteen minutes, he tells himself. “Anything, yeah? Tell me anything. Gotta keep you awake there, you hear me? Sounds great, right, staying awake?”

He’s rambling and he knows it, desperation shining through his words and the god-awful way his voice breaks a little. This is not about him, he knows it isn’t, but still he wants to punch himself, wants to pinch himself and stay fucking calm.

But who could stay calm in a situation like this? The silence is filled with the horrible wheezing and rattling of Harrington’s breath barely audible over the engine, and Eddie has to look over several times to make sure he’s still there, still with him, still alive. His panic spikes each time.

He’s just about to reach over and shake him a little, snap in front of his face to get him back, when—

“I don’t know what.”

It’s quiet, that voice, breathy and tiny and almost invisible, and Eddie wants to scream again.

Tell me why you’re so scared. Tell me why your old buddy did this to you. Hagan would never touch you, so why did he now? Tell me what happened to Hargrove. Tell me why you sound so fucking small.

“Tell me about your…” He fumbles for a moment, taking a sharp left and pretending not to hear the choked-off whimper. Focusing on good things. On normal things. “Your favourite person.”

Eddie cringes at himself the moment the words leave his mouth. Your favourite person? Really, Munson? He scrambles to find something better, something cooler, or maybe something easier like asking his favourite fucking colour, but the overthinking really doesn’t mix well with the already panicked state of his mind. And Eddie just blanks.

Beside him, though, Harrington sits up a little straighter, smearing more blood against his window in the process that Eddie pretends not to feel nauseous about.

God, he never did like blood.

“You wan’ me to tell you ‘bout Rob?”

“Sure, yeah,” Eddie says, a little too loud, a little too shrill, actually running a red light this time because he doesn’t want to brake again and hurt the boy some more. There’s no one around anyway. This is Hawkins. Fucking dead-end of a town. It doesn’t need red lights, or boys who look like Harrington. “Rob. Tell me ‘bout him, what’s he like? Favourite colour, all that shit.”

“Her.”

Eddie blinks, looking over to find Harrington looking at him — or trying to, his eyes still drooping and empty. But it’s a good sign. People don’t die when they look at you, right?

“What?”

“Her,” Harrington says again. “An’ blue. Deep ‘n’ dark blue. She’ll say something corny when, when you ask her, jus’ to fuck with you. Sunset gold or rose, jus’ to mess with… But is blue.”

Eddie doesn’t really listen, doesn’t really process what Steve is saying, already thinking of the next question just to keep him talking. But then he continues on his own.

“Mornin’ blue dep— de… makes her sad, though. So only dark blue. Says it’s why we’re friends. You’re so blue, Stevie. Got half’a my clothes, still, she does. All the blues.”

That's... really fucking endearing, actually.

And he says it with a half-smile, too, bloody and pathetic as it is. Like it’s a secret that only the two of them are in on, only Steve and Robin. It’s kind of sweet.

Not for the first time today does Eddie find himself wondering, Who the hell are you, Steve Harrington?

He exhales through his nose, ignoring the way he’s started to shake with all that panic that’s been sitting inside him for a little too long now with no way to let it out.

“Not much longer,” he mumbles under his breath again, or maybe he just thinks very hard. Maybe he doesn’t know where he is at all. It’s like he blanks every few seconds, too busy thinking and trying not to.

Before he can tell Harrington to talk some more about that girlfriend of his, there’s a pained, confused little whine that forcefully tears Eddie’s eyes from the street for a moment only to meet hazel eyes widened in confusion.

“Wh— Where… Where’re we going?”

Oh no.

“Why’m I in y—“

“You’re safe,” Eddie interrupts him, speaking slowly because suddenly his tongue is too big for his mouth, and not entirely sure if he’s reassuring Harrington or himself. “You’re hurt, okay? It’s bad, but it wasn’t me. I’m taking you to… to someone. My uncle Wayne, he’s— He knows about that kinda stuff. You were telling me about Rob. Remember her, Blue? How about you tell me some more, hm?”

Eddie’s voice is unsteady with worry and fear and panic, and he’s doing a piss-poor job at hiding it. The thing is, he’s going to cry. He’s actually, absolutely, no-doubt-about-it going to scream and cry and punch a fucking hole into something when this day is over, when his van is no longer bloody, and when Steve Harrington won’t have reason to look at him any longer.

Oh, how he wants to skip forward. Past the nausea, past the fear, past everything that’s happening right now. Maybe past the insomnia that will come with a day like this, too.

Past all of it.

Or better yet, travel back in time and never get to that fucking boat house.

But he can’t. So he breathes.

At first, through the ringing in his ears and the racing of his own heart so loud and so forceful he’s shaking with it, he worries that Steve’s gone silent again, that he’s gonna ask again, ask what happened, ask where he is, ask all the questions that make Eddie feel like he’s been doused in ice water because they’re questions that only get asked in stupid movies where terrible things happen to people.

But then he hears him mumbling something. Numbers.

“What’cha mumbling there, Blue?”

“‘S her number,” Steve says, his voice slurring again, worse than before, and Eddie hits the gas a little harder. “‘S jus’ her number. Robbie’s number.”

And he mumbles again. Over and over and over, until Eddie couldn’t forget it if he wanted to, ingrained into the frayed edges of his mind now.

He lets him ramble, lets him repeat the number until the words slur together and he can’t separate a four from a nine anymore. Each time Harrington hesitates, each time he stumbles over the words or forgets a digit, Eddie wants to punch the wheel.

He doesn’t. He only grips it tighter and counts down the turns he takes, the streets he passes, the fucking trees that are familiar, before, finally, the trailer park comes into view.

The sob Eddie lets out when, with shaking, trembling hands he pulls up to his home to find his uncle having a smoke outside is deafening to his ears after the quiet weakness of Harrington’s voice.

It startles him, makes him stop his rambles and sit up straighter when Eddie finally kills the engine. For a moment, without the steady, rolling hum, the car is filled with the small, tiny whines Steve makes on each exhale. Like it hurts to even breathe.

“Wha’s wrong?” He asks, but Eddie can’t really hear him. Can’t turn to him, can’t— “Eddie?”

He’s out of the car before he can take hold of another thought, stumbling out of his open door on legs that feel numb and heavy. The urge to cry is back again, the burning in his eyes only getting worse when Wayne takes in the dried blood on his clothes and hands with careful, calculated worry.

“Ed?”

“I didn’t know what— where—- I’m… Wayne, I’m sorry.”

“Slow down, kid,” Wayne says, raising his hands as if to calm a spooked deer. Like Eddie is the one who needs his help. And he is. He really, really is, and he shouldn’t be, because this isn’t about him, but—

Wayne grabs him by the shoulders to keep him still, and only now does Eddie realise he’s shaking again, restlessly moving his weight from one leg to the other. His uncle steadies him, gently pressing down on his shoulders to ground him, and Eddie nearly sobs again.

“Ed. Are you in trouble?”

“No,” Eddie scrambles to say, becoming aware of what this looks like, hiding his hands behind his back on instinct, like that’ll make Harrington’s blood disappear. “‘S not my blood, I didn’t do anything, I swear! I swear. It’s, uh. I just found him. In the boathouse, I found him, and he was… God, he looked so bad, okay, but he didn’t want the hospital, and he was, like, so scared of something, and we don’t even talk, we don’t even look at each other, but I just… I didn’t know what to do, and you know something about concussions and people who were beat to shit and, again, I’m—“

“Eddie,” Wayne says, his voice so calm but so assertive that Eddie shuts up immediately, gladly handing over to controls to his uncle now. “Who’s the kid?”

He nods towards Eddie’s van, where Harrington looks to be halfway unbuckled, but his eyes are closed and his face smushed against the door again, like he just gave up.

“Shit,” Eddie says, adrenaline and panic slowly falling from him with Wayne’s hand on his shoulder. He sags into his uncle and rubs at his face. “It’s Steve. Uh, Steve Harrington, I mean.”

“Okay,” Wayne says, and he’s so calm. So calm. Eddie feels like he’s about to fall apart, and Wayne is the only one keeping him together, with that’d steady, warm hand on his shoulder. “And you promise me he didn’t give you trouble? Or anyone else who’ll come finish what they started?”

Eddie shakes his head profusely, getting a little dizzy with it. “I promise I’m not in trouble. He said Hagan did this to him, was alone when I found him. No trouble, Wayne, I swear, I’m not like that, you know I’m not.”

“Okay,” Wayne says again, and Eddie wants to weep. “I know you’re not like that, but some people are, y’know? You did good, son. You did good. Now help me get him out of that car.”

It takes his uncle tugging him towards the van for Eddie to kick back into motion, nearly falling over his feet turning back around. It’s only Wayne’s “Easy” murmured under his breath that keeps the ground from opening up and swallowing him whole.

He climbs in on the driver’s side while Wayne rounds the car and gets to Harrington’s side.

“Hey there, Blue,” Eddie says, his voice shaking and the nickname slipping again — but it’s easier to call him that than his real name, it’s easier to pretend it’s literally anyone else in here with him, bleeding against his door.

It’s easier to pretend it’s not Harrington’s breath rattling the way it does, easier to pretend those pained groans so high in their cadence they can only count as whines don’t come from Hawkins High’s Golden Boy who graduated a few months ago and was supposed to be done with bullshit like this.

“Come on, up you get,” he tells him, not daring to raise his voice too much.

He looks so frail. Like he’s already broken. Or like he’s trying not to. Like he’s holding on.

Eddie pretends not to think that the hand he places on Steve’s cheek to gently pry him from the window is not the only thing keeping that boy together right now.

Harrington groans, whines, wheezes, but opens his eyes to meet Eddie’s. Jesus, we’re they this blown before? Or this swollen?

“Hey,” Eddie says, just to say something. Just so he won’t have to hold the boy’s face in silence, just so he won’t have to focus on all the blood. Just so he won’t have to hear more questions that people aren’t supposed to ask.

Steve opens his mouth, his breath coming out a little sharper, like he wants to say Hi rather than Where am I? or When will it stop hurting? Like he wants to say How can I help you help me?

Somehow, Eddie manages a smile.

Wayne chooses that moment to open the door — just unclicking it, not pulling yet; giving Eddie enough time to support Harrington, make sure he doesn’t fall.

“Careful,” he whispers, though whether it’s for Wayne, for Steve, or for himself, he can’t quite tell. Maybe it’s a plea to the rest of the world, and to anyone else who will listen.

Steve is still staring at him. That’s probably not a good sign. He leans back a little, turning Steve’s head to make him follow him. Slowly, of course. Gently. Eddie can’t remember ever having touched something like it was going to break if only he looked at it wrong, but somehow he’s hyper-aware of it now.

Because Harrington is staring at him. Entirely too still, like he has no strength, no coordination to do anything but stare. And yet Eddie is the one who, now that the adrenaline has fallen from him, now that he can let someone else take over, now that Harrington doesn’t need him anymore, finds himself unable to look away.

Because Steve is just a boy. And so is Eddie, who can feel Steve’s breath against his wrist. And maybe, out of the two of them, Eddie is the fragile one. The one about to break.

“Blue, you with me?”

Steve nods. Doesn’t speak again. Doesn’t move. Eddie swallows, briefly looking back down at Wayne to see if he’s ready. His uncle nods, ready to catch Harrington should he go down, and Eddie turns back to the boy who’s smeared with his own blood.

“I’m gonna take off your seatbelt now, yeah?” he tells him, not entirely recognising his voice anymore. “That man out there, that is Wayne. My uncle. He’s safe. He’ll take care of you, okay?”

“Safe,” Steve breathes, and that shouldn’t be the one thing he focuses on. It shouldn’t sound so unsure. So insecure. So hopeful, so relieved, so— Fucking earnest.

Swallowing all these thoughts, all this desperation and all those questions, Eddie reaches over Steve, one hand still supporting his head and feeling the overheated skin of Harrington’s cheek against his palm, the hint of stubble and the crust of dried blood. As if in slow motion, not daring to make a wrong move and hurt him more than he already does, Eddie frees him the rest of the way, letting the seatbelt slide into its hold behind his shoulder.

“Careful,” he says again, just to say anything, but he is careful, and his hold on Steve is steady.

“‘M careful. Not gonna break, Eddie.”

“I know.” But maybe I will.

“Good. ‘Cause… Don’ wanna break.”

Eddie smiles, despite everything. “You’re not gonna break, Blue. Wayne’ll catch you.”

Harrington loses his focus then, his eyes glazing over, but the small smile on his lips widens. “Blue. ‘S nice.”

Yeah, Eddie thinks. He kinda is.

Somehow, miraculously, they get Harrington out of the van and into the trailer. He throws up halfway to the doorstep, and Eddie curses under his breath while Wayne talks quietly, asking him yes and no questions that Eddie can’t really hear through the ringing in his ears — a strange mix of fear and relief, a panic not quite over, but soothed by his uncle’s familiar voice; even if it’s not directed at him.

“Don’t worry about it, kid, the next rain’ll take care of that. Stop apologising.”

It throws him then, rather suddenly and violently, watching Wayne supporting Harrington, watching the blood smeared boy with the swelling, angry red bruises in his face. Somehow it’s different, seeing him in his home.

This was always a safe space. Always void of everything terrible.

And now there’s a broken boy on his doorstep who’s not Eddie.

He remembers the fear, the panic, the plea for no hospital, Eddie. Can’t go there.

Why not? You need a doctor—

Monsters. Only monsters there.

It paralyses him and he stays where he is, holding the door with an arm that’s heavy like lead, standing on legs that begin to go numb again. He watches, but not really, as Wayne sits Harrington down on the living room couch, between magazines and brochures and some of Eddie’s calculus notes from last night that he was searching for a sketch of a monster he was so certain he’d drawn in the margins a few weeks back.

Now there’s blood on his calculus notes. And Eddie is helplessly keeping the door open as though he’s going to run away any second now. Letting in more trouble to join Harrington on his couch.

He should… He should close the door. Help. Run. Disappear.

“Ed,” Wayne calls, snapping him out of his stupor. “The first aid kit, please. A bottle of water. A clean, wet cloth. A blanket, too.”

Wayne talks him through it, takes it one step at a time, has Eddie bring him one after the other like he knows how much he’s keeping his nephew together by keeping him on the brink of usefulness.

Soon, Wayne has everything he needs, taking care of Harrington and his wounds, keeping him awake and talking so much better than Eddie did, even making him smile here and there, hiding his wince when the motion pulls on his split lip or the huffed breath sends a jolt of pain through his rib that Eddie is absolutely certain must be broken with the way he holds himself — with the way he lets Wayne hold him up.

Wayne is doing his thing and Eddie is hiding, gripping the kitchen counter like a vice, staring both unseeingly and hyper-vigilantly as exhaustion washes over him, dragging him under and draining him of more than adrenaline. He slumps against the cupboard behind him, rubbing at his face like that’ll make it all go away.

It’s not right. It’s not. This is Eddie’s home, it’s supposed to be safe, it’s not…

He breaks away, ripping his hands from the counter and all but stumbling outside, heaving a deep breath and giving in to the urge to cry. Tears spring to his eyes and he wipes them away angrily, because it’s dumb, it’s so stupid, it’s absolutely fucking insane that he should be so worked up when Harrington talked about dying earlier.

These things don’t happen. They don’t!

“Stop fucking crying,” Eddie grumbles, sniffling and wiping away more tears as he closes his eyes against the afternoon sun. “Get a grip, Munson, Jesus Christ, there’s no reason to cry you big fuckin’ baby.”

Nobody’s there to contradict him. Nobody’s there to make it worse. So he lets his eyes sting for a while, lets his lips wobble, his jaw clenched shut, the balls of his hands pressing into his eyes, breathing deliberately.

In. Hold. Out. Hold.

He doesn’t even scream. Doesn’t punch the still bloody side of his van, doesn’t run into the woods and disappear into the void.

He simply breathes. Tries not to think about boys dying in mall fires, and even less so about boys beaten and abandoned in boat houses.

Doesn’t think about fucking Hawkins in Bumfuck-Indiana and the cursed way it has, driving its people mad.

Doesn’t think about, They said my brain is hurt, Eddie. Doesn’t think about the Monsters Harrington mentioned. Doesn’t think about Blue, doesn’t think about I’m tired, Eddie. Don’t wanna hurt anymore.

Doesn’t think about blue, blue, blue.

He’s shaking when he comes back inside. He’s shaking when Harrington meets his eyes, looking a little clearer now, the blood washed away and everything bandaged a lot better than Eddie managed. He’a bundled in Eddie’s blanket. It’s wrong. It’s so, so wrong.

Eddie can’t move, and neither does Steve.

“Steve,” Wayne says, waiting until those eyes tear themselves away from Eddie and back to him, though Eddie sees them fill with such trepidation, he almost asks what’s wrong. “I won’t hear a no on this, and I won’t let you go home. I’m taking you to the hospital. Especially if you tell me your head was hurt like this before, more times than one.”

“Three,” Blue breathes, a little dazed still. Not magically healed, not even from Wayne. Another thing that doesn’t feel right.

“Three times,” Wayne says, nodding, like he’s encouraging Steve to continue.

“But I don’t want a hospital.” Again with that tiny fucking voice. Like the Monsters are hiding under hospital beds.

“I know, son,” Wayne sighs, tugging the blanket a little tighter around Steve, and Eddie’s eyes begin to sting again when he notices the tone Wayne uses. When he realises. When he remembers.

”I want my mom.“

”I know, son. But she’s not coming. Your mama is gone, Ed, and this is your home now. Think we can make that work, hm? You and I?”

Eddie had never felt so lost as he did then, clutching his blanket to his chest, burying his face in the wet fabric even as this man — his uncle — tugs it tighter around him. Like he is fine with Eddie wanting to hide as long as he doesn’t run away.

He had shrugged, then, even though we wanted to shake his head, tell him no, tell him he wanted his mama.

”I’m scared, uncle Wayne.”

And Wayne had smiled a little, and nodded. “Then we do it scared, Eddie.”

Actually, Eddie feels like he never stopped doing it scared.

And now there is Steve, who Eddie never believed knew what being scared felt like. It’s dumb, of course, because even Harrington is just a boy, but he was always untouchable to Eddie. They never talked. They never existed in the same space together, not in a good way and not in a bad way. Their worlds just never aligned, never collided, never coexisted.

And now…

“I’ll tell you what’s going to happen, okay? There’s a doctor, Doctor Clarke. Like— Yeah, like your science teacher, remember him? ‘S got a brother who’s just as much of a genius, and just as kind. He’ll take a look at you, yeah? Make sure your brain isn’t too hurt, clean your wounds, give you something for the pain. He won’t, uh. He won’t hurt you, kid. Whatever’s got you so scared, Dr Clarke will be nice to you. Especially when I’m there with ya, I’m an old pal of his. And I will be. Won’t let you outta my sight until you’re well enough to run away from me, you hear me, kid?”

Eddie’s hands are hurting, his fingertips raw from where he’s been biting his nails while Wayne talks Blue through what’s going to happen — and he wonders, with the way Steve’s eyes are glued to Wayne, if he ever had anyone talking him through shit like this.

“Okay,” Harrington breathes at last, still sounding way too small. “But. I’m…”

“Scared anyway?” Wayne offers. Steve nods. You’re so blue, Stevie. “Then we do it scared anyway.”

And they do. Wayne goes to get the car so Steve won’t have to walk too far, leaving Eddie alone with him for a brief moment.

He watches, from his place in the kitchen, how Steve’s face falls into a look of utter exhaustion and tiredness; the adrenaline washing from him just the same. Eddie wants to reach out. Wants to say something, break the spell of tension and silence and I know we don’t talk, but I’m glad you’re doing a little better. I’m glad you’ll go see a doctor. I’m glad you haven’t died, I guess. Do you really think you will? Are you really so scared of that?

But Eddie keeps biting his nails, and Steve keeps his eyes closed, blanket around his shoulders. And they don’t talk.

“Thank you.”

Eddie perks up, not entirely sure he didn’t imagine the words — but Harrington moved slightly, his eyes still closed but his face now turned towards Eddie.

“For, uh. This.”

“I didn’t do shit, Blue,” Eddie says. “That was all Wayne. All I did was freak out, I promise.”

Harrington shakes his head, though, slowly. “Mh-mm.”

Eddie’s mouth snaps shut, because there is no room for discussion here. They don’t talk. And he doesn’t want the bubble to burst with insecurity and sourness.

“Thank you,” he says again, and he sounds final about it. It makes Eddie wonder what he’s like, really like, when he doesn’t consist of pain and nausea and disorientation.

He has a feeling that, despite everything, despite Monsters under hospital beds and torture in boathouses and mall fires that kill teenagers, Blue Harrington might be someone good to talk to. Compassionate as shit, even when all he wants to do is pass out.

“You’re welcome,” Eddie rasps, pretending that his eyes don’t sting.

He wraps his arms around his chest like he’s hugging himself, or like he’s holding himself back. From reaching out, from asking, from telling, from talking.

Unwittingly, even with his eyes closed, Steve mirrors him, and Eddie wonders if he, too, it holding himself back, or just curling in on himself some more even though it must hurt, feeling so small.

Maybe that’s what fear of death does to a nineteen year-old. It’s so fucked up. Eddie wants to scream again.

Outside, he hears a car door fall shut just before Wayne reappears in the door, giving Eddie some kind of meaningful look that he wouldn’t mind deciphering on any other day, but today he fears he needs words.

“I don’t know how long this’ll take. Will you be okay, Ed?”

“Will I be— Yes! I’m not the one with the concussion, man, of course I’ll be—“

It’s a bluff, comes too fast, and Wayne sees right through it before Eddie even realises it, and he steps closer. A warm hand on his shoulder. His eyes stinging again.

“You did good, kid. Everything will be fine. But it might take a while. It’s fine if you need to go somewhere, just… Don’t drive. Call Jeff if you need someone, just. Don’t do anything stupid. And don’t get behind the wheel. Deal?”

Eddie swallows hard, hit by another desperate, aching wave of I wanna go back in time and skip this day. A wave of tired exhaustion and wondering, aimlessly, just who the fuck Steve Harrington really is.

“Deal,” he says, and Wayne pulls him into a hug.

Eddie follows them outside then, trailing behind them like a lost little puppy, helping Harrington into Wayne’s car. His movements are still slugged and a little disoriented, so Eddie decides to lean in again and fasten his seatbelt.

“Careful,” he mumbles, allowing the boy a moment’s warning, a moment to adjust before the weight settles on his chest.

Dejá-vù hits him and makes him pause, with Harrington staring at him again.

“I’m careful,” he says, the corners of his mouth tugging into a little smile.

More lucid than earlier, and Eddie thinks it that which takes his breath away for a moment.

“Not gonna break, Eddie.”

“I know,” he says, still not moving back, instead reaching up to tighten the blanket around his shoulders even though the seatbelt is already there to hold it in place. “You’re not gonna break, Blue.”

The smile on those lips is genuine now, gentle enough to not be ruined by the blood crusting them.

“Thanks. Again.” And then, when Eddie finally pulls away to close the door and tell Wayne to drive safely, “I really do like that name.”

It soothes the urge to scream.

Eddie closes the door as gently as he can — which isn’t much, because the car is old and not exactly smooth.

“I’ll see you later,” he tells Wayne. Promises. To stay out of trouble, to stick around, to not run away for a while again, to stay out of his car.

Wayne nods, a faint smile on his lips.

“Later, Ed.”

And then they’re gone, and Eddie is untethered again. Wonders, for a few seconds every now and then if it really happened, if this is real.

But it did. And it is.

And after sitting on the steps for a while, having a smoke and staring at where Wayne’s car disappeared ten, twenty, forty minutes ago, Eddie heads inside.

He has a phone call to make.

🤍🌷 tagging: @theshippirate22 @mentallyundone @ledleaf @imfinereallyy @itsall-taken @simply-shin @romanticdestruction @temptingfatetakingnames @stevesbipanic @steddie-island @estrellami-1 @jackiemonroe5512 @emofratboy @writing-kiki @steviesummer @devondespresso @swimmingbirdrunningrock @dodger-chan @tellatoast @inkjette @weirdandabsurd42 (a thousand percent sure i missed some but oh well such is the 3am disease)

addendum 22 jan 24: onwards to part 3

#steddie #steddie fic #steddie fanfic #steve x eddie #steve harrington #eddie munson #steve harrington whump #this is so long i am SORRY #i hope tagging y'all was okay (and equally i'm hoping i missed nobody but also it is 3am)#who did this to you #most of y'all will know most of the beginning already maybe i should have split it up but i wanted y'all to have Something New too #and then the Something New got out of hand and oh well :(#dio words

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chropyl · 6 months

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Stanley crucifixion ( again ) among other doodles

#the stanley parable #tsp #tw blood #how do u tag the first one #crucifixion #sorry yeah thats the second time i tagged that #stanarrator #if you recognize the last drawing. hey. dont say anything okay #also to that guy that wanted me to draw jealous narrator i got a comic draft just for you ( sorry for taking so long )

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ninyard · 4 months

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Heyy! You said someone should ask you about Kevin under this post about Kevin's struggles from the nest of which we don't know enough... So I'm asking you about Kevin! Please tell us your Kevin thoughts! You always make very good points and I like reading your thoughts!!

cody my friend I am so glad you asked but you might regret it. i hope you're prepared from an unorganised huge convoluted MESS of a ramble

i've been thinking for a few days about this one like... what would a kevin POV look like? what is he hiding? how does he cope? WHO IS HE?

the kevin we ""know"" is a "coward", an insufferable bitch, an asshole and a hardass. other people's opinions and view of him makes up the entirety of our impression of who he is. but that's not who he is. that's just who we're supposed to believe he is.

kevin, born and bred to have this... borderline psychopathic lack of empathy, who can look his teammates in the eye after being told seth is dead or andrew is being committed and say, "what about the game?"

but when the raven's are switching districts; his sense of danger and fear is paralysing. he's three steps ahead trying to figure out how to please riko, how to keep himself safe, willing to put himself back into the centre of his abuse just to stop riko from finding him and killing him. he has to get blackout drunk to deal with any amount of riko. he's frozen with fear by being in the same room as him.

kevin knows where jean's mind and body goes to when hes panicking, knowing his worst place is right back in the nest being drowned by riko. kevin telling neil "do you know what he'll do to you?" and "he'll break you" when neil asks for his ticket. kevin's text to him before he goes into the nest, and staring at neil like he'd seen a ghost when neil returns after the nest (when he looks like the butcher). his comforting "i know what he's like" or "i know how he sees you, i know it means he did not hold back,".

kevin nervous breakdown panic attack day vs kevin smile for the cameras one track exy mind day

im so intrigued by him. how does he cope? his mother is dead, probably killed by the mafia family he was raised by. he grew up into a cult, he was only a child watching neil's father cut a man into pieces in front of him. how many other's had he seen?

how many other injuries cover his body, in places where the cameras can't see? how many rapes and assaults was he forced to watch in the nest? how many beatings was he forced to participate in? what did he have to say to jean in french that he didn't want riko to hear?

he needs someone with him all the time because of the nest. he's a "health freak" because of the nest. his sleep schedule, his anger, his anxiety.

did he say "what about the season?" re: andrew after drake because he doesn't care, or did he think "i've seen this happen too many times. and they've always kept playing,"? did he think "andrew is the strongest person i know. andrew is stronger than me. he would never let this destroy him," knowing that it has?

nobody has protected him in his life apart from the cameras and andrew.

he's scared. he doesn't know what love is supposed to look like.

he's only been a human for a year.

his scars are healing for the first time in his life and they're not being replaced by new ones, but every day he's afraid that that's going to get ripped out from underneath him. his entire life already got flipped upside down when he left the nest. of course exy is the only thing he "cares" about.

because it's the only thing that's been certain in his life, and even for those few weeks or months where he thought he would never play again, he trained and trained, and learned how to use his non-dominant hand because he can't lose this. he can't lose exy like he's lost everything else.

kevin has never had anything stable in his life except for violence and exy. now he has people he's supposed to care about, and he has to change his priorities. he has to learn how live a life that isn't fueled by self-preservation for the first time ever.

jean was only in the nest for five years; and look at him. look at what the nest has done to his social skills, his view of himself, his self esteem. look at what it's done to him, how he expects violence and contrition, coach and always waiting and waiting and waiting for the punishment to come.

kevin might not have had the same level of physical abuse that jean had, but he was there far longer. the ravens existed before him; their mindset and their abuse and their violence and their poison.

he's been drinking the raven poison since his childhood. the only difference between him and jean other than those things above is that kevin had more pressure to hide it, because he was half of the face of the ravens, half of the face of Exy; media trained or PR trained or a master at being a fraud and faking the way he speaks when he's being recorded.

kevin knows how to hide his abuse because he has always had to, and he's had quite a lot of practice at it.

kevin has only been a human for a year. kevin has only been kevin for a year.

so who is he? does he even know?

or is he just Kevin Day, Raven Fox starting striker, number two, six foot two, left handed right handed left handed, heavy racquet, stick size five? is that all he will ever see himself as?

anyways. or something like that. maybe he is just an insufferable bitch for no reason at all. who knows!

#just thinking about him okay....#something something baby girl #oh god im so sorry once again that this got so long LMAO #kevin day #aftg #tfc

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crybaby-bkg · 1 year

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I know I've talked about bull and bear hybrid Bakugou, but has anyone ever talked about lion hybrid Bakugou???? I thought about this concept when I was still half asleep this morning but like,,,,

lion hybrid bakugou with his big ole head and even bigger mane of hair, all soft, colored like the sand you'd dig your toes into at the beach. he has a little scruff on his chin, but he never grows it out because he hates the upkeep of it.

he's always loud, growly yawns whenever you see him, his canines sharp and pointy when he opens his maw wide enough for you to peek in. he's so big and soft where it matters, lazes around all day everyday, and gets these big bursts of energy at the most random of moments. he's basically an overgrown cat basically

omg and he has this complex where he's just sooo high and mighty, like he's some king meant to be worshipped. but all you have to do is kiss his cheeks and rub a hand through his hair when he lays his big dumb head in your lap, and he's purring up a storm.

and and and lion hybrid bakugou whose tongue can feel so rough when he's feeling lazy about it, but somehow knows how to work it just right whenever he wants to lounge between your legs. gets so huffy and growly when you mumble that you can't cum anymore, just nudges your thighs a little wider with his shoulder as he nuzzles his nose against your mound. doesn't care to hear any of your complaining, because he's still eating and doesn't intend on finishing until he's ready.

omg and and lion hybrid bakugou whose favorite position is, of course, doggy style. but only because he gets to wrap your little dainty neck up in his powerful jaws and pin you there, likes how you whimper and shiver but go limp either way because you trust him with your life. he pins your arms beside your head and grunts so loud into your nape when he finally sinks his cock inside of you. he practically lays flat on top of you, just rutting his hips against your ass over and over until he knots you.

which is his favorite part because you two get to just lay there for what feel like hours, and you keep coming intermitally because he can't help but rut his hips a few more times, and hiss at the way his knot tugs at your clenching lips. sigh just lion hybrid bakugou who looks so mean and intimidating but he just loves you so much and can't get enough of you

#this got long sorry #but it had to be said!!!#I don't think ive ever seen someone do this before but if they have pls tell me #bc I wanna read more about it #I said the same for bear bkg and im so sad its not more popular to be written about a lot :(#anyway catch me in my hybrid lover era again LOL #first the whole bull farm and now this #and to think I got so tired of the idea bc so many people would come to me about it #sigh what a full circle moment lmfao #anyway I wrote this on my computer and I swear I wrote it faster here than I would have on the phone #typing on my phone gives me like motion sickness or something idk but I hate it #okay bye im gonna go write the fic that won in my last poll lol #—new treat in the streets! 🍫#bakugou treats! 🍬#tw: knots

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julesdap · 5 months

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rest energy

I love you, and that means you rule me, Anna, and I will make you pay for it, even just in this. / Allow your belief in me to override the doubt you have in yourself. / We are going to hurt each other. Remember? The leash, pulling both ways?

#yayyyy new mableanna art yippee #art #mabel podcast #mabelpod #mabelpodcast #sorry i just think the color red belongs to Them #i was looking for post refs okay. and i looked at abramovic's rest energy for a little too long. and got to thinkin #julesart #anyway hi mabelpod i miss you come home soon #mabel martin #anna limon #mabelanna

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wigglesdtuff · 1 year

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I would thrive if I healed, I can feel it in my heart And the peace of my mind is terrified of the light I'll never get there now

#nico robin #one piece #miss all sunday #daily wtt robin #day 74 #okay i like this so much more than yesterdays i'm sorry #i got the idea in the middle of drawing last nights LOL #just the idea of her putting on a mask to survive for so long and especially in alabasta makes my brain go brrrr #everybody but her is having fun UNTIL #elliot lee - fun

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piratekane · 1 year

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(rated m for mature)

Ava’s room is the last sacred space in their apartment. A room that belongs to Ava, and Ava only. The living room is shared space, of course. Their breakfast bar holds both of their tea mugs: Ava’s in the shape of a bulldog holding a bone, her own a dark gray and white plaid pattern. The bathroom has a small stand with both of their toothbrushes and two face cloths on small hooks, one on each side of the sink. The face of the kitchen refrigerator is littered with pictures and ticket stubs and small post-it-note drawings they’ve both accumulated over the last few months.

We exist, Beatrice, Ava likes to tell her. If we died and someone came to pack us up, they would know we both existed here.

It’s a morbid thought, but it rotates in her mind for days afterwards. They exist. They exist together, in this shared space. There’s two of everything - a testament to a life shared between two people who found comfort in each other. Who found a home. Their shoes are by the front door, their bills are on the counter, their sweaters tangle into knots on the couch where they dare cross the line Beatrice has drawn between them.

Ava’s room is a line. She doesn’t cross it. She lets their shared existence fill every corner of the apartment except for Ava’s bedroom. She’s never crossed the threshold. Even on the day Ava moved in, she dutifully passed her boxes from the living room, marveling at the idea that one person who existed in a single dorm room for a handful of months could accumulate so many things.

She’s not sure that Ava even noticed. If she did, she didn’t say anything about it. Because she’s kind and takes Beatrice’s actions into consideration with the sort of care no one else in her life has ever shown.

But that’s par for the course. Ava is unlike anyone else in her life.

It’s why Beatrice is so careful. She’s gotten used to having this unusual, perfect thing in her life. She’s gripping it tightly with two hands, firm enough to keep it in one place but soft enough that it doesn’t break. It took her years to learn that grip and only a month with Ava to master it in a whole new way.

She should know by now, after seven months, that being careful around Ava is never careful enough.

“Blue or green?” she hears Ava call from inside her room.

Beatrice sighs, resting her pencil tip against the page she’s taking notes on. “Ava.”

Ava’s head pops around the doorframe. She’s smiling in a way a younger Beatrice would have called dashing or roguish. It’s charming. Infuriatingly so. Ava knows it—has never forgotten it since the time Camila said it out loud one night when Ava convinced them to try roller skating at some wooden rink nearby. That smile is a weapon, a carefully drawn bow whose range Beatrice can never escape from.

“Blue or green?” she repeats.

“I’m afraid I need a bit of context, Ava.”

Beatrice resists the urge to rub tiredly at the space between her eyes. Finals week is upon them. She’s prepared - has been preparing all semester - but then her Early Christian Women’s professor gave her some last minute feedback to restructure her entire research paper. It’s left her molded to the stool at the breakfast bar for the last three days, the entire top of it covered in color-coded index cards and texts she’s expressly forbid Ava from going anywhere near.

Ava pinky promised that she would listen. Beatrice would have accepted a confident “okay,” but Ava had taken it a step further, tightening her grip on Beatrice’s pinky and pulling her whole hand up to her mouth as Ava kissed her own fist, eyes on Beatrice the whole time.

“There. Now it’s really a promise.”

Beatrice thinks maybe she didn’t have enough friends growing up. Or that she didn’t have enough friends like Ava growing up. Because she’d never heard of this particular kind of promise. Shannon had made a face when Beatrice asked her about it. No, I’m not making fun of you, Shannon assured her. I just mean… Bea. Come on.

Beatrice does not come on, but the next time Ava makes her promise she won’t throw all her sources out the window and develop a list of new ones, she quickly presses her lips to the outside of her own hand, eyes darting to Ava’s face. Just as a test. Just to see if she’s doing this right.

She must have. Ava beamed for hours.

“Blue paint or green paint?” Ava expands.

“For what?”

Ava extends her arm past the doorway into Beatrice’s view. A small bucket of paint, hardly larger than a box of baking soda, dangles from her fingers.

She holds back the long-suffering sigh building in her chest. “Ava.”

“I’m painting my room.”

“You’re-” Beatrice turns, notecard on Thecla abandoned. “You’re painting your room?”

Ava frowns at her like she’s the one who just announced that she’s completing a home makeover project. “I told you this.”

“You didn’t.”

“I did.” Ava’s arm drops to her side, and she leans a little further around the doorway.

Beatrice shakes her head. “You most certainly did not. Because I would have remembered that.”

“You can’t remember everything I say.”

I do. The thought nearly makes its way to Beatrice’s tongue, but she bites it back. She certainly can’t admit that, though she thinks Ava would, if she was in her position. Ava has always been more free in her words, in her certainty.

“I would have remembered this,” she repeats.

Ava shakes her head. “I definitely told you I was doing this. I asked if you wanted to go pick out-”

Her forehead wrinkles into a frown that Beatrice immediately wants to smooth away. She can feel Ava’s skin under her fingertips, warm and soft. She blinks.

“Huh. Maybe I mentioned it to Mary, now that I think about it.” Her face brightens without Beatrice’s help. “I guess I’m telling you now.”

“You can’t- You can’t paint your room.”

Ava nods like she understands. “I can’t paint it alone, no. I’ll need help. Oh! A paint party!”

“No, I mean-” Beatrice takes a deep breath. “We would lose our security deposit if you paint the walls. It’s in our rental agreement.”

That doesn’t seem to bother Ava. “We can just paint it back when we move out. Or if we never do, then no one will ever know.”

If we never do. The words are like a lightning bolt in her chest. If we never do implies that Ava has thought about living with her indefinitely. That Ava has considered the possibility of a future where they're still in each other’s lives, where they’re still living in this same apartment doing the same things together. Movie nights and take out and reading while Ava watches something on TV, and talking about the few hours they spent apart and deciding where to take weekend trips and what new household decoration Ava is going to talk her into.

Their life in shared spaces, for everyone who visits to see.

Forever roommates.

The thought is too overwhelming for her to breathe properly.

“So, will you help me pick a color?” Ava continues on as if Beatrice isn’t slowly burning from the inside out. “I’m thinking green. Blue seems more like your color. Hey! We can paint your room next.”

Beatrice shakes her head. “Ava, no.”

Ava either doesn’t hear her, or pays her no mind. “I got this cool mint color. It looks like mint chocolate chip ice cream!”

“Mint,” she repeats, voice strangled.

Ava beams. “It looks like our toothpaste.”

Dread washes over her, as cold as ice cream out of the freezer against her tongue. Their toothpaste is a frightfully minty green color that always catches Beatrice off guard no matter how many times a day she’s brushed her teeth, even after the ;five months since Ava started buying it. It’s a sickly green, almost. Certainly not something that should be on a wall, let alone four of them. Ava’s room would glow, practically radioactive.

“No,” she insists. “Not that color.”

“Come see it. Then you’ll understand.”

She moves without meaning to, without giving much thought to it. Ava calls like a siren, and she swims out to meet her. She gets as far as the couch before the water comes up to her chin and she stops again.

“I don’t think you should paint your room.”

Ava waves away her concern. “It’ll be fine. The whole room is just so… white. We need a little color in our lives, Bea. A little bit of… spice.”

“A little bit of spice.”

“You know. Excitement.” Ava is firmly in the doorway now, paint can hanging at her side. “We can’t live with white walls forever.”

Why not? she wants to ask. She grew up with white walls. Pristine ones. Washed down every week by their housekeeper. Sanitized. She pauses. Ava might have a point.

But their landlord would not approve of it. And Beatrice intends to stick by the rules. She opens her mouth to say so, but Ava cuts her off.

“Come here. Just have a look.” She pads forward on bare feet and curls her fingers around Beatrice’s wrist, tugging her forward gently enough that Beatrice could step back, break their connection if she needed to.

She doesn’t. Not yet.

But she gets closer and closer to Ava’s doorway, to the raised threshold that separates her from this last sacred space. Ava is stepping back over it, eyes on Beatrice, and then her toes are bumping against it and she stops. Their arms stretch between them for a moment before Ava catches up and steps forward so they hang loosely again.

Ava waits for her. Always waiting for her. It’s not fair, she thinks. It’s not fair that she’s always waiting for me.

“So, I have something to admit,” Ava says slowly, pulling her out of her head. She’s smiling sheepishly, her head ducked a little as she searches Beatrice’s face. “I might have already painted a few swatches on the wall.”

“Ava.”

“Just a few,” she rushes on. “Small ones. Like, the size of a book. A small one! I’m sorry, I just wanted to see what they looked like.” She strokes her thumb over Beatrice’s wrist. “The mint kind of looks horrible,” she admits.

Beatrice fights that never-ending sigh again. “Of course it does.”

“But the other green looks good! It’s kind of turquoise-y, actually.” Ava’s forehead wrinkles into a frown that lingers for just a second. “Greener than a normal turquoise, though. Almost like the sea. Like - okay, just look.”

Ava’s hand falls away, and she takes a step back into her room. She’s looking at the wall, eyes moving quickly over what Beatrice assumes is the paint swatches she’s done there.

She eases her weight onto the ball of her foot. The floorboard creaks under it. Ava is still looking at the wall, still studying her choices. Beatrice feels a ripple of fear race through her. It’s just a room. Their apartment is made up of rooms. But it’s Ava’s room. Opening this door, crossing this line - she’s not sure she can come back from that.

Ava meets her eyes again and tips her head in that effortlessly endearing way, a soft smile on her face that immediately ebbs the fear away. Ava crooks a finger in her direction, beckoning her forward. It’s like a piece of string loops its way around Beatrice’s wrist and it pulls.

“You’re going to like the turquoise,” Ava says just quietly enough for Beatrice to hear. Another siren’s call.

She’s a strong swimmer. She can survive this. Her toes brush the raised threshold, and then they’re curled over the other side of it as her shoulders breach the doorway. The air shifts. She feels a little lightheaded. The lights seem dimmed, lowered. She holds her breath and waits for God to strike her down, and when nothing happens, she silently exhales a thin stream of air.

She doesn’t go further than that. Her body doesn’t seem to want to move past the invisible line that goes from the ceiling down directly to the floor. Her eyes immediately go to the wall Ava was looking at.

She was correct. The mint looks horrible.

“I know,” Ava says, reading her mind. “It looked a lot better at the store. Maybe it’s the light?”

It takes Beatrice a minute to reply, almost as if the words were a trade for tipping forward into Ava’s room. “I don’t think different lighting is going to help this.”

Ava studies it for another moment before she nods decisively. “You’re right. But what about this green-turquoise?” She moves and touches her finger to the wall. It comes back with a sticky greenish color. She frowns at it. “Huh. Thought it’d dry.”

“I like it,” Beatrice allows. “But Ava-”

“I promise we’ll paint it back. I just…” Ava stops, running a hand through her hair. She leaves behind a smudge of turquoise on her forehead, disappearing into her hair. “It’ll be easy to paint back. Please, Bea?” She clasps her hand in front of her, holding them to her chest. “Pleeeease?”

They both realize she’s going to give in at the same moment. Beatrice didn’t think she had any tells, has always prided herself on being someone fully in control of their actions, emotions, and facial expressions. Lessons learned from her parents that she actually appreciated. Expressive got you in trouble, gave too much away. She spent years tightening up to prevent anyone from knowing too much.

Ava does not carry the same burden. And Ava, it appears, has learned to recognize when Beatrice is on the cusp of expressing too much, of giving in. Maybe she’s giving it away in the quick pull of the corner of her mouth. Maybe there’s something in her eyes, a flicker of acceptance. Maybe she clenches her hand into a fist, a small flex of her muscles. Maybe she shifts her weight. Maybe she blinks too many times.

Whatever it is, Ava sees it in her. And she grins, the light in the room becoming impossibly brighter.

“I want nothing to do with this,” is what she decides to say.

Ava claps her hands together. “You won’t regret this.”

“I’m sure I will.”

It doesn’t dim Ava’s smile. “When I’m done, you’ll see how much it brings this place to life. And then we talk about your room. And the living room! Oh, and wouldn’t the kitchen look so great if we painted it some kind of blue? I saw a swatch at the store that looked exactly like the water in the Blue Grotto. I want to go there one day. I always thought it would look-”

Beatrice steps back. Something that was fizzling inside of her fades, though she didn’t know it was there until she felt its absence. Ava is still going on – the bathroom would look good in pink. With black and white tiles on the floor – but Beatrice feels a sense of calm come over her, and she takes her first deep breath since she crossed the threshold.

Ava stops. “I’m getting ahead of myself,” she says sheepishly.

“It’s okay.” And it is. Beatrice doesn’t mind getting swept up in Ava’s elaborate plans. “But I’m going to go back to my homework.”

Ava flashes her a thumbs up. Her finger is still stained turquoise. “Okay. But you’re not studying for too long. We can’t have a repeat of this weekend.”

Beatrice feels her face flush. “I swore I went to bed.”

“You did. Standing in front of the refrigerator. I thought you were going to fall over.”

“I’m very disciplined.”

Ava grins. “Well, put a cap on studying tonight. When I’m done with the first coat, we’re going to get something to eat.”

She pretends to be annoyed by this, just because she likes the way Ava narrows her eyes playfully and shakes a finger at her. She’s not disappointed when Ava does exactly that before turning back to the stool she stole from the kitchen where she’s stacked two small paint cans, one open and one closed, and a paint roller.

Crossing the room back towards her homework is easier than going the distance from it to Ava’s room. She feels lighter with each step. She sits back down, her intention to focus on this paper she’s supposed to submit in two days (but feels nowhere near completion). Work, then break. As long as she works for the next hour, at least, then she can offer to buy Ava Indian food and ask her to watch a documentary about a filmmaker befriending an octopus. Cedrick, in her Study of Film elective, had suggested it to her. She doesn’t think it’ll be hard; Ava has said more than once that she thinks octopi are cute.

But as thoughts of Ava and octopi float in her head, some of the words Ava just mentioned start to register in Beatrice’ brain. Ava never mentioned the Blue Grotto before. They’re inching closer to the end of the school year and she doesn’t know Ava’s plans yet. Does she want to go backpacking across Europe? Alone? Will Beatrice have to haunt the corners of the apartment waiting for her to come back? Will Ava be different when she comes back? Will she forget about Beatrice?

Will she find a new forever-roommate in another city and leave Beatrice on her own?

Her homework is suddenly the furthest thing from her mind. She can’t focus on Eve or Thecla or their impact on the religious narrative. She can only think about the possibility of spending the summer alone - Mary and Shannon are going on a graduation trip across Spain, and Camila secured a summer internship with a tech startup company, and even Lilith found a program that allows her to travel for the few months before the start of the fall semester.

Beatrice’s big plan is to work at the campus library, splitting her time between shelving books, starting her graduation capstone project, and Ava. The practical side of her knows she should try to make that time an even three-way split, but the more she thinks about the coming months, the more adventures she keeps coming up with in her head. Things she wants to do and try with Ava, because she knows it’s on Ava’s list. They could visit the Prado Museum. Take a long weekend and travel to some seaside town where Ava could practice swimming in the waves. They could find new restaurants and new hiking trails. She’d even let Ava convince her to try roller skating. Again.

Beatrice hasn’t told her yet, but she has the whole summer mapped out. And Ava is embedded into every bullet point of that. It just hadn’t occurred to her that Ava might have her own plans. Ones that didn’t include Beatrice.

“Ow!”

Beatrice’s head snaps up. The sudden noise is followed by a heavy thud, thud and a rattle as something hits the floor. She’s up and moving before she has time to second guess herself, crossing the apartment in long strides until she’s reaching Ava’s room.

She crosses the threshold in a breath, suddenly plunged into the smell of paint and the sight of the bright lights Ava has rigged up in the center of the room. It nearly blinds her and she quickly looks at the ground.

Ava is lying on the thick, plush navy rug at the bottom of the bed, body curled in on itself as she clutches her foot. A small unopened can of paint is rolling slowly away from her towards the corner of the room. Ava groans loudly and turns her face into the rug as her whole body expands with a breath.

Beatrice drops to her knees, ignoring the dull ache that rockets up her thighs into her hips. She grabs Ava’s shoulders, turning her onto her back as her eyes scan Ava’s face for any blood or bruises. Her hands follow the same path, tucking Ava’s hair behind her ear and trailing her thumbs across the flat of Ava’s cheeks.

“What happened? Are you hurt?”

Ava’s eyes flutter closed, and Beatrice immediately becomes concerned about a concussion. Her fingers slide to the base of Ava’s head, and she applies a little pressure to tip it back. Ava’s still blinking up at her but as the light reflects against the honeyed color of her irises her pupils shrink. Beatrice heaves a relieved sigh. No concussion.

“Bea,” Ava groans again. She turns her face into Beatrice’s palm. “I think I broke it.”

Beatrice’s hands fall from Ava’s face and skim down her shoulders to her elbows, cupping them gently. “Let me see,” she says softly.

Ava shakes her head. “Just leave me behind.”

A rush of fondness ripples through her. She presses her fingertips into Ava’s bare arms, the sleeves of her This may be cheesy but I feel grate t-shirt brushing against the backs of Beatrice’s knuckles. “Ava,” she urges.

“No, it’s too horrible.” Ava’s grip tightens on her foot and she immediately winces.

Beatrice slides her hands down to Ava’s slowly. She curls her fingers into the spaces between Ava’s and her foot, pushing them back until she has enough room to free Ava’s foot from its self-imposed prison. There’s a bruise already forming at the base of her toes on the top of her foot, blooming across the first three toes. She ghosts her thumb across it and Ava flinches slightly.

Beatrice’s lips purse into a frown. “I’m sorry.”

“S’okay.” Ava rolls completely onto her back, staring up at Beatrice. She’s still blinking rapidly and Beatrice is worried about a delayed concussion now.

“I think you’ve bruised it.” She presses down, gentler this time. Ava draws in a breath but doesn’t flinch away. “I don’t think anything is broken.”

Her hand drifts higher, curling around Ava’s ankle bone. It’s delicate under her fingers, the point rounded. Her other hand, still resting on Ava’s foot, goes to her other shin. There’s nothing but an expanse of smooth and warm skin under her palm.

“Good,” Ava says faintly. Her eyes go to Beatrice’s hand, lingering.

Beatrice’s eyes follow. Oh. She quickly pulls her hands away, cheeks suddenly hot.

“I didn’t mean to-”

“You don’t have to-”

They both pause, staring at each other. The air feels electric, goosebumps running up Beatrice’s arms. Her chest feels tight with unspoken words. She looks away first.

Ava’s hand on her own pulls her eyes back around. She looks at Beatrice for a long moment before she smiles a little. There’s something on her face that Beatrice can’t read, but it settles the rising tide of fear in her chest and she feels it ebb away into nothingness.

It’s not unusual, the sense of calm that comes with a simple look from Ava. It’s a peace that feels second nature now. It’s odd how seven months with Ava has untied almost all the knots her life created. Seven months isn’t very long - a blip on the radar, really. She’s had the same study group for longer than that. But these seven months have felt so monumental that it seems to have lasted years.

But Ava is monumental, so really, it does make sense.

Still. Her hands got ahead of her head. She touched before she thought, and now she’s kneeling on Ava’s floor with her hands hovering between their bodies, and Ava’s eyes are even more honey-colored than usual. The lights reflecting off the white walls makes her feel like she’s under a spotlight on a stage where everyone can see her, here in Ava’s room.

In Ava’s room, across the threshold. Completely across it.

A line she hasn’t crossed, a step she hasn’t taken. The room rushes in on her suddenly. She’s hyper aware of the faint chemical smell of paint, the too-bright lights, the rough fibers of the rug against her bare ankles, the way Ava’s laundry seems to be crawling out of the basket in the corner.

“I’m-”

“Don’t apologize.”

“I didn’t mean-”

“Bea.”

“I’ll just-”

“Beatrice.”

Beatrice blinks. Ava’s hand has turned over in hers, her palm up. “Yes?”

“Help me up?”

Beatrice blinks again. “Oh. Yes.” She shifts back onto her heels and grabs Ava’s wrist, fingers spread to distribute her grasp so she doesn’t pull Ava’s wrist off her arm, and gently leads her forward. She wobbles as she rises, leaning into Beatrice for support, and Beatrice quickly winds an arm around her waist to steady her as she stands. They’re so close that Beatrice can feel the way Ava is breathing, the push of her ribs against Beatrice’s hand. She helps her to the bed carefully, cautious of the paint around them, and sits her down gently.

There’s more turquoise paint along her forehead, and dried paint on her fingers, and Beatrice wants to find a clean washcloth, wet it, and gently wash it away. She does the next best thing.

She picks up a rag next to the small container of water Ava must be using to clean the brushes and dips the corner into it, wetting it. She hands it to Ava and waits as she rubs furiously at her finger, washing the paint away.

“What happened?”

Ava sighs, eyes narrowing as she looks at the unopened paint can on the ground. It’s rolled across her room away from them. Luckily, the open can remains in place on the stool, the paintbrush hanging precariously on the edge of it.

“I went to reach for the paintbrush and knocked it off. Freaking thing landed on my foot. Obviously.”

Beatrice’s free hand goes to Ava’s foot. Her thumb sweeps across the bruise. Ava’s fingers flex against the back of Beatrice’s forearms. “You are lucky it didn’t break anything.”

Ava shudders. “Manuel, one of the guys on my floor when I lived in the dorms, he broke his foot the first month in. He had to wear a big walking boot for weeks. It was so ugly.”

“It would hardly go with your outfits,” Beatrice agrees.

“How would I even get my jeans on?” Ava frowns thoughtfully. “I’d have to walk around in my underwear all day.”

Beatrice nearly chokes on a cough, but she swallows it back down, uncomfortable in her throat. “I think… I think you could remove it to put your clothes on,” she says, her voice too light to be her own.

Ava’s face flushes unusually. “Oh, right. Of course.” She starts to smile wickedly. “Don’t want me walking around in my underwear, of course.”

Beatrice doesn’t quite hide her blush like she hid her cough. Because she has envisioned Ava walking around in her underwear before, just with one of Beatrice’s big sweaters dusting her thighs and coming down over her hands. She quickly blinks, turning the image to black in her mind. It was a passing thought, just once. She never had it again. It was unfair to Ava to even begin to form that picture in her mind. It flashes in her head like a bang now and she tightens her grip on Ava’s wrist, suddenly aware she’s still holding on.

She goes for a strangled joke. “It would prevent Lilith from coming over.”

It was the wrong thing to say. Ava latches onto it. Her eyes light up. “Consider it done.”

Beatrice immediately concerns herself with something else. Ava’s foot.

“Let me get you some ice,” she says. Her voice doesn’t waver this time. Shannon, if she knew about this, would be proud. She’d praise Beatrice’s restraint, call it admirable.

Shannon would also probably tell her that she should do something that would completely change the trajectory of her friendship with Ava. So maybe the Shannon in her mind should be a little quieter.

“I don’t think I need ice.”

Beatrice looks down at the bruise, darker now, and then gives Ava a pointed look. It has the desired effect. Ava’s cheeks pinken and she smiles sheepishly. Beatrice nods, assured in her success, and carefully extracts her hands from Ava’s foot, standing.

“I’ll be right back,” she promises. “Don’t forget the paint on your forehead”

Ava carefully taps her foot, higher than the bruise. “Not going anywhere.”

Beatrice could argue that Ava could go somewhere. It’s not broken. It’s uncomfortable, of course. She once flexed her foot at the wrong moment and kicked a pine board toes-first. The bruise remained for weeks and the slight limp from accommodating the pain had lasted a little longer than that.

But Ava wipes her forehead carelessly and falls back onto her bed, hands hanging over each side of the bed in a T-shape as her legs dangle off the end. Her shirt rides up her flat stomach revealing a sliver of skin Beatrice wants to run her fingernail over. Ava’s eyes are closed, head tipped back just enough for her chin to lift up, exposing the long unbroken line of her neck.

Beatrice looks away before another thought rushes unbidden into her mind. Her cheeks burn.

“I’ll be right back,” she repeats, unnecessarily. Ava hums on the bed.

She doesn’t linger, striding out of the room and across the apartment. She opens the freezer, welcoming the blast of cold air against her face. She takes a moment, almost forgetting why she’s standing there. But Ava calls her name from the bedroom, and Beatrice remembers quickly. The ice maker hasn’t worked in a few weeks - she makes a mental note to have Mary look at it before she calls her landlord - but Ava only found that as an excuse to buy increasingly ridiculous ice cube trays.

It takes her a minute to decide between ice cube shapes. Ava went a little crazy online, buying shark fin-shaped ones, brain-shaped ones, ones shaped like ice monsters and another set shaped like centipedes. Beatrice decides on ones shaped like rubber ducks, twisting the silicone tray so they pop out. She wraps them in a cloth quickly so her hands don’t get too cold.

Crossing the room feels like a walk she’s made a hundred times before. She knows in her mind that it’s only been twice but now that she’s opened the flood gate, her feet move her without thought. Past the books and notes she’s abandoned, the armchair, the couch. She pauses just before Ava’s bedroom, toes against the threshold.

She crosses it as easily as she exhales.

Ava is still laying on her back, an approximation of a cross as she rests with her eyes closed. Beatrice watches her chest rise and fall as she breathes in and out evenly. There’s a beauty in simplicity, she’s always thought so. Ava only strengthens that.

“Ice,” she says quietly, unsure of why she doesn’t want to say anything at all. She doesn’t want to break this moment, startle Ava and ruin the weightlessness of it.

Ava cracks one eye open, a half-smile on her face. “You’re back.”

Beatrice holds out the ice. Ava crooks a finger at her, beckoning her closer. She hesitates. Ava pushes up, resting on her elbows now.

“I think we’ve established that I don’t bite.” That smile turns wicked again. “Unless you ask nicely.”

Her fingers clench around the ice, and she feels the cold bite at her skin. But she stays still, not giving anything else away.

Ava sits up, foot dangling over the end of the bed. She rests her palms flat against the comforter before she pushes up and stands. She puts her weight down on her foot and her leg buckles almost instantly.

Beatrice doesn’t think, arms looping tightly around Ava’s waist and pulling up her. Her fingers slide into the dips of Ava’s back, the ice trapped between one of her palms and Ava’s skin. Her feet tangle with Ava’s. Their hips are nearly pressed together, almost no space between them. Ava exhales in a noisy rush, lips twisted in a grimace. Beatrice feels the hot air against her collarbone.

“Are you okay?”

Ava tilts her head back slightly. “Would you believe me if I said yes?”

Beatrice’s mouth flickers in a smile. “No.”

“Then we’ll just assume the answer.” Ava’s hands are wrapped tightly around her elbows and her fingers flex against the back of Beatrice’s arms. “Wow. Do you work out?”

“You know that I do.” She keeps her voice light.

Ava’s fingers dance further up her arms, under the hem of her sleeve. She squeezes again, gently. “Yeah, well knowing you do, seeing you do it, and feeling its effects are three very different things.”

Her fingers are maddening, burning hot against Beatrice’s skin. Ava rubs her thumb in a small circle over her bicep.

“Really, Bea. You could probably crush an egg with these things.”

She frowns. “Why would I want to crush an egg?”

“Well, it’d be a way to spice up breakfast.” She presses gently, dimpling the skin. “And a killer party trick.”

Beatrice fights a shiver despite the way her skin feels like it’s burning. “I don’t go to parties.”

But that’s a lie. She does when Ava invites her. She thinks of the party they went to, the spinning disco lights and the way Ava’s body pressed against hers in the hot swell of sweaty, drunken students. She thinks of Ava slumped over on their couch later, saying she’d wait for Beatrice.

That voice that sounds just like Shannon’s whispers that it means exactly what Beatrice hopes it means. She’s never been good at telling Shannon to stop, but this is easy enough to sweep under the mental rug so it remains unknown and unseen.

Truth unknown and unseen is still truth, Shannon has said before. I read that on Pintrest.

Beatrice shakes the memory from her mind and focuses on the facts in front of her: Ava. Ava, close enough to breathe in. Close enough that Beatrice could eliminate the mere inches between them and-

“I bet you’d go to more parties if you had a party trick,” Ava interrupts.

“I doubt it.” But Ava is grinning and Beatrice can’t help but smile back. “But I’m sure you could convince Mary to give it a try.”

“I mean, Mary has decent biceps, but I don’t think she could crack an egg.”

Beatrice shakes her head. “Why an egg? Why not, I don’t know. A walnut.”

“A walnut. These are good goals.” Ava squeezes Beatrice’s bicep once more to emphasize her words. “Let’s start with an egg and work our way to something more advanced.”

The flex of Ava’s fingers against her skin pulls her from her next thought. It’s not that she didn’t notice the lack of space between them, it’s just that it’s rushing in on her now. It’s dizzying, the way Ava is standing so close. Beatrice tries to breathe in, but her chest pushes out until it nearly brushes Ava’s and she’s sucking all the air back into her lungs just as quickly.

Ava notices, eyes dropping down past Beatrice’s chin and neck before they dart up again, crinkling at the corners. She takes a step back, dropping to the bed again, the ice in her hand. She pulls one leg up under her, chin resting on her knee as she puts the ice against her bruising foot.

Beatrice blinks, oddly cool air rushing in where Ava’s body had been despite the humid air of their apartment as the spring pushes towards the hot summer. “You’ll need to ice that for a bit.”

Ava nods, adjusting the ice for a moment before she looks up and says, “So, first time?”

Beatrice frowns. “Administering first aid?”

“First time being in here. Properly, I mean.” Ava looks around, throwing one arm wide. “What do you think?”

Beatrice takes stock of her situation. It’s technically her third time being in here, but Ava is right. She’s in here properly now. Not just over the threshold or charging through barriers because Ava’s been injured. She crossed the line intentionally this time. And she remains, the walls of Ava’s room coming at her from each side without boxing her in.

Ava’s laundry flows from the hamper. Her bed isn’t quite made, but isn’t quite a mess. There are books stacked on the desk in a way that tells Beatrice Ava hasn’t opened them in some time. Hobbes sits next to them. A series of pictures is on the wall opposite her desk, ones of her and Ava and the rest of their friends. Beatrice’s eyes catalog each inch, committing it to memory in a place where she knows she’s going to see it for a very long time.

“You’re missing the best part,” Ava says. Her voice is quiet, like she’s afraid to startle Beatrice. She waits until Beatrice looks before she points upward.

Beatrice’s eyes follow the imaginary thread from Ava’s fingertip to the ceiling. She nearly gasps.

White-green stars dot the ceiling, filling all the space. Spider web-thin lines connect some of them, forming constellations she recognizes from the pictures Ava has shown her and the ones Ava has pointed out on rare nights when she can convince Beatrice to go out to the quad and lay on the grass to watch the night pass by. Some of them she doesn’t and she focuses on those ones, studying their shapes and trying to decide what they look like.

“Apus.�� Ava’s finger moves, tracing the lines she’s drawn between the glow-in-the-dark stars. “We call it the Bird of Paradise. Derived from the Greek word apous, which means ‘footless’. There’s a story that birds of paradise were once believed to have been footless.”

“I don’t believe I know what a bird of paradise looks like,” she admits.

“My mom loved them. She’d never seen one in person, but she liked looking at pictures of them. They have these large plumes. They look so soft.” Ava sighs wistfully. “There was a nun, in the orphanage when I was first there, that called me a bird of paradise.” She pauses, eyes darting to Beatrice. “Because I was footless, you know? She reminded me of my mom. She didn’t stay long, but she was nice.”

Beatrice’s heart clenches as it always does when Ava talks about her past. But this is a softer ache, a longing to thank this woman who showed Ava a sliver of mercy.

“And that’s Grus, the crane,” Ava continues. “Originally, it was part of another constellation, Piscis Austrinus. But a Dutch astronomer defined it as its own separate constellation. Its brightest star is Al Na’ir. It’s Arabic for ‘bright one’ which feels a little on the nose.”

Beatrice studies its shape, noting the bigger star that Ava must have defined as Al Na’ir. “Why do you like this one?”

Ava thinks for a moment. “Did you know that cranes have the ability to fly over the Himalayas? They can. They can go as high as 8,000 meters. Imagine being that high up, feeling the wind in your hair.” She blinks, looking off towards the wall littered with paint swatches. “I spent so long tied to one place that the idea of being able to fly over a mountain, to graze the tip of it with a set of wings, sounded like a fairytale.”

Beatrice slides her hand over Ava’s, fingertips resting in the dips between her knuckles. “I think we could hike the Himalayas one day, if you wanted to.”

Ava looks down at their hands and blinks before her eyes meet Beatrice’s. “You think so?”

“I think you could do anything you want to do.”

Ava doesn’t blink this time, doesn’t even look away. “If I can do anything I want to do, I want to…” She pauses, tongue darting out to wet her bottom lip.

Beatrice waits, but the rest of Ava’s sentence doesn’t come. She clears her throat. “What do you-”

“Did you see that one?” Ava asks, interrupting her and pointing up at the ceiling.

Beatrice blinks, startled at the intensity of Ava’s voice. She searches Ava’s face but it’s unreadable, a mix of something Beatrice can’t quite put a name to. So she looks up helplessly, searching for what Ava is pointing at.

“That’s Drago.”

“The dragon,” Beatrice translates. “What’s his story?”

Ava shrugs. “He’s just fucking cool.”

A sharp laugh slips out from between her lips and Ava grins widely back at her.

“So, you like it, then.” Ava looks around her room and nods to herself. “It’s a pretty great room, isn’t it?”

“It’s very… Ava,” Beatrice allows. She’s smiling though, hoping that her words don’t sting.

“Isn’t that all I can hope for?” Ava sighs and turns her hand over so her palm presses against Beatrice’s. “But can I ask another question?”

When she breathes out, “anything”, she means it.

Ava hesitates still. “You never come in here,” she says slowly. “Why not?”

Something tightens in her chest. Words rise in her throat and she swallows them back down, a reflex more than anything else. Ava must notice something pass over her face or feel the way that Beatrice’s hand jumps in hers, because strong and warm fingers stroke up her wrist as they lock around the bone, keeping her anchored to the moment.

“You don’t have to answer that,” Ava rushes on. “I’m just… curious, I guess.” She smiles crookedly. “Does it smell in here?”

Yes. Like something deep and woodsy and so uniquely Ava.

Ava’s nose wrinkles. “Does it? Because if it does, I-”

“It doesn’t.” Beatrice’s voice is too loud. “It doesn’t,” she says, softer now.

Ava’s frown doesn’t smooth out. “Then… why?”

It’s not you, it’s me, her mind supplies. She doesn’t say that. She thinks about how to put it into words, how to unpack all the things she tidied away and put in a cedar chest, locking it tight. Nothing comes from it, just an empty explanation that won’t make sense if she says it out loud.

But Ava is her best friend. And if it doesn’t make sense, if the words don’t come out right, she’ll wait patiently for Beatrice to try again. She’ll sit here, one leg tucked up as ice melts through a washcloth and she’ll wait for Beatrice to find the right words.

I’d wait for you forever, Ava had said, lips loose with party punch. And Beatrice believed her.

Ava makes her brave. Brave enough not to make an offhand joke and turn the conversation back on the open can of paint and the paintbrush quickly drying out.

Instead, she clears her throat and straightens up, the first thing she does when an image of her parents enters her mind. And Ava doesn’t let go of her wrist, moving with her instead, ebbing and flowing with her seamlessly. Beatrice turns to face Ava, watching Ava mirror her, and she exhales out the tension building in her muscles.

“Bea, if you don’t want to-”

“I do.”

She does. Holding onto these things makes her feel heavy. And almost more than anything - but not more than wanting Ava - she wants to be lighter.

Ava shakes her head. “I’m serious.”

Beatrice grips Ava’s other hand, their arms tangled around each other. “I… I have to.”

“Okay,” Ava says softly. Her smile is the same. “Whatever you want to tell me, I want to hear.”

Ava isn’t always sledgehammer, she realizes. She thinks of her as a hammer, crashing into everything and leaving a wake of needed destruction in her wake. But Ava is also a set of picks, quietly and discreetly slipping into the lock around her. For all the stomping around she does, all the things she knocks over in her haste to get from one moment to the next, she’s also deft, hands built with finesse.

Beatrice tries to find the start. Was it Penelope Marshall? Was it the start of boarding school? Was it her parents finding her journal when she was thirteen? Was it all the time she spent with the diplomat’s daughter? Was it her fifth birthday when she cried because her parents bought her the dress with the pink frills instead of the bicycle she wanted?

“My parents…”

“I hate them.”

She doesn’t chide Ava for saying so. A deep, angry part of her hates her parents too. She smiles humorlessly. “They sent me to boarding school, as you know. When I was thirteen. Right at Christmas time. I remember it because it was my present that year. An ‘opportunity to further my education in an environment that would foster appropriate and lifelong lessons’,” she quotes. She can remember the brochure she’d been given unceremoniously, a smiling girl on the front. Even in print, Beatrice could see the hollow light in her eyes.

“Appropriate,” Ava scoffs. “Like anything they did was appropriate.”

Beatrice feels Ava’s pulse thunder under her fingers. “They said it would give me a framework for my life. Lucille Thomason had graduated from there a year before and she was going to Oxford, on her way to inheriting her mother’s social calendar. My mother always fawned over her at dinners. ‘Lucille is following the plans her mother set out for her. Lucille has accomplished so much at such a young age.’”

“Lucille sounds like a loser.”

“Lucille sounded exactly like the daughter my mother wanted.”

Ava frowns softly. “You know that you’re leagues above whoever Lucille is.”

“I didn’t think so,” she admits. “Lucille was someone to admire. Her achievements were something to strive for. She had something I so desperately wanted when I was younger: my mother’s approval. And so, when they presented the option-” She stops herself. “It wasn’t an option. But when they presented their plan, I reconciled myself with it by reminding myself that Lucille was leading a very successful life.”

“There’s more to life than success,” Ava says gently.

Beatrice smiles a little. “To you. To me. But to my parents, there is nothing more.” She takes a deep breath. “And if they were framing it as me taking an opportunity to lead a successful life, then they would forget about… the things they were discovering about me.”

Ava immediately tenses. The Beatrice she is now knows it for what it is: an attempt to contain her anger. The Beatrice she was months ago would have worried. Was Ava afraid of her? Was Ava disgusted by her? The thoughts had swirled that movie night. What if she did admit to a crush on Patricia Velasquez? Would this new person she wanted so badly to be around, without knowing why, suddenly change her mind once she found out the truth?

But Ava hadn’t. Ava won’t. Beatrice knows it with every fiber of her being. There are very few absolute truths in the world, but this is one of them.

“They read my journal, you know,” she continues. The words are coming out easily, this tiny fissure in her chest cracking open as Ava looks at her with wide and trusting eyes. “A new girl started school at the beginning of the term. Her name was Mina. Her father was in banking, I believe. She had the bluest eyes I had ever seen in my life.”

Ava scoffs lightly. “Blue eyes.”

She skims the pad of her thumb over Ava’s wrist. “One day, our hands brushed. It was something simple, innocent. She was passing me a paper, and we miscalculated the distance. I’m sure it meant nothing to her.”

“It meant something to you,” Ava guesses.

“I was thirteen. Everything meant something.” Beatrice sighs, feeling her chest rise and fall heavily. “And anything that meant something to me went into my journal. I just didn’t know that what went into my journal eventually landed in my parents’ hands.”

“So those bastards went through your private journal and read about some girl who touched your hand,” Ava hisses. “I swear, the minute I meet them, it’s fist to face. They don’t call me The Piraya for nothing, you know.”

“No one calls you that.”

“They might call me that, you don’t know. I have a whole superhero persona you don’t know about.” Ava puffs out her chest a little bit.

“The name Piraya implies you’re more of a villain than a superhero.”

“I’m a villain’s villain. How’s that?”

The trickle of despair of dragging this up again fades as Ava’s smile widens. She knows what Ava is doing. But she doesn’t stop her, grateful for the brevity and the way it makes her feel like she’s grounded in something, not floating listlessly and endlessly in her terrible memories.

“I mean it.” Ava’s voice drops, low and serious. “I’ll be their worst nightmare.”

“I’m afraid that role is already taken,” she says quietly. “Though, I don’t think they intended for it to be their daughter.” She sighs. She used to be her mother’s doll. But once she started moving her own parts, she found herself moving in the opposite direction.

“Bea,” Ava whispers. She tightens her grip on Beatrice’s wrist.

“I remember I wrote that touching her hand was as if the heavens opened up and I finally understood what song the angels were singing. We were in the middle of a poetry unit, and I fancied myself quite good at it.” She lets out a dry chuckle. “When I found them in the kitchen one night holding onto my journal I foolishly thought they had found out I was reading Emily Dickenson instead of studying for my science exam.”

Beatrice remembers coming down the stairs, flushed with the late November cold. Mina had invited her for dinner the next night, and she promised to show Beatrice the new video game she got. Beatrice didn’t care about those kinds of things, but no one else had gotten an invitation to Mina’s. Beatrice felt special.

But her parents’ faces had stopped her in her tracks. She didn’t notice her journal at first. It was made to look discreet, not to stand out. It had blended into her mother’s dark skirt, and it wasn’t until her mother raised it into the air that she saw it for what it was.

They asked her to explain herself. She wasn’t sure what they wanted her to explain, not at first. She stumbled through an apology about delaying her studying; she’d do it immediately and ask her teacher for an extra take home lesson. She scrambled through a rushed explanation about having new friends meant more opportunities for networking. With new friends, she could join a new club. It would do well on her list of extracurriculars.

It wasn’t until her mother spit out the name Mina that she had any idea of what she was supposed to be afraid of.

“What did they say?” Ava asks gently.

“They didn’t have to say much. There were questions about who Mina was. My mother had a particular talent of making something that wasn’t a swear sound like it. And she hissed Mina’s name like it was the dirtiest word she could say.”

Beatrice thinks of Mina now. Where was she? What was she doing? Beatrice never heard from her after she left. No letters, no calls. She came and went in her life so quickly, it was as if Beatrice made her up. The only sign that she had been there was the page missing from her journal, returned to her the night before she left for school.

“They demanded to know what she had done to me. What had I done to her? I was so confused. She had touched my hand. I certainly hadn’t…” Beatrice’s chest hitches at the thought. “It was a fleeting moment, but I learned that fleeting moments were the most damaging ones. That,” she says dryly. “And that locks do nothing to keep a determined person out.”

“Locks are meant to keep people out,” Ava all but hisses. She sighs, working her fingers up Beatrice’s arm to her elbow. They rest in the dip of her arm, right over the thin vein under Beatrice’s skin. “God, Bea. I’m so sorry. They were - are - horrible. No one should have had to go through that. Especially not you.”

Especially not you, Ava says. Like Beatrice is better than anyone else. Like she should exist under different rules.

“Of course you’re afraid,” Ava says quietly, speaking to herself. She raises her voice, talking to Beatrice now. “Of course you’re worried about even - Jesus, Bea. Touching a girl’s hand?” She looks down as if she’s suddenly noticing how she’s knotted herself around Beatrice’s arm. She laughs dryly. “What would they say if they saw us now?”

Ava means what if they saw me comforting you? Not what if they saw how I touch you like nothing else matters?

The answer would be the same: her mother would simply set fire to the room.

The chasm is widening now. She’s cracked the seam on these memories, and her mind is cycling through the events that followed: a new suitcase set, pink with her name on an address tag; a set of starched uniforms that felt like coarse wool against her skin; a final meal in her parents’ formal dining room, the chef-of-the-week uncaring of her dislike for persimmons; a single plane ticket pressed into her hand and a dismissive nod as a car pulled away from the airport, leaving her alone.

She tells Ava this in stilted words, as if narrating someone else’s life. But then it starts to sink in, the anger. And it spreads in her belly, burning into a rage. She feels the moment the numbness transitions to an inferno. She hears herself exhale the word alone and something snaps.

“They had no right,” she says. Even through her anger, the words surprise her.

Ava’s voice sounds hoarse, unused. “They didn’t.”

“I was a child. Their child.” Her hand clenches tightly into a fist, Ava’s hand moving with the flex of her forearm muscle. “A ‘problem’ arose and they just…” She stops. “They strung me along until I was no longer of use to them.”

“You are not a problem.” Ava's voice is low, burning hot in the rapidly closing space between them, in a tone she’s never heard before.

Beatrice almost startles, confused. She had nearly forgotten that Ava was here, so consumed in her story. But now she’s noticing her.

Her eyes flash. The tops of her cheeks pinken slightly. She’s angry. Beatrice has seen her on more than one occasion get angry on her behalf. The mere thought of her parents seems to send her into a flurry, but the anger in her eyes now is nearly staggering.

“You’re not,” she says again, insistent to the point of almost desperation. “Beatrice, you are not a problem.”

And Beatrice, blinking, already falling, dives deeper into love with her.

Ava feels her cheeks go hot with a liquid anger that roils in her blood. She’s been angry before - angry at Bea’s parents, even. But this feels like pure molten rage. All of the pieces are slotting together: a young girl who just wanted to make her parents proud; who saw someone - touched someone so innocently - and felt the world shift; who didn’t understand why a cliff rose up between her and the people who were supposed to love her more than anything; who trusted so completely and had it thrown back in her face as if she was the one who somehow failed.

Ava’s fingers tighten until her fingernails cut deep half-moon shapes into her palm. She pulls the words out from between her teeth like nails scratching the floor.

“You are not a problem.”

Bea blinks. The broiling heat in her stomach softens its edge, replaced by the confusion in Bea’s eyes as she blinks again.

“You’re not,” Ava insists. She tugs Bea’s hand, pulling her closer until they’re pressed together, an almost-sweaty slide of the skin of their knees bumping together. Bea blinks a second time, mouth parting slightly. “Beatrice, you are not a problem.”

She needs Bea to believe her. She’s never needed anything more in her whole life. She could live without air. She could make it minutes without oxygen. But she can’t live with another second of Beatrice believing her parents’ poison.

She coaxes Bea another inch closer. “Do you hear me?”

Bea’s mouth parts further, something on the tip of her tongue. Ava squeezes Bea’s hand a little tighter. “Do you hear me?”

“I hear you,” Bea says faintly.

Ava isn’t satisfied. “You need to believe it. You’re not a problem. You’re-” She softens her grip, thumbs Bea’s wild pulse. “You’re-”

“Don’t say perfect,” Bea whispers, eyes slamming closed. “Please don’t say perfect.”

Ava hesitates. She was going to say perfect. She was going to say frustratingly perfect. But she can pivot. There are a million other things she can call Bea - courageous, intelligent, kind, beautiful. All things she’s told Bea before and all things she’d tell her a million times more.

“Human,” she lands on. Bea’s eyes open slowly. “You’re human, just like every single other person on this big rock orbiting in space. You live like everyone else. You laugh, you cry. You love, just like everyone else. And none of that- not who you are or who you love, or even the special little rules you have for tea that took me forever to learn - not a single part of you is a problem.”

The space between Bea’s eyes wrinkles in thought. Ava usually holds herself back, usually just wishes to press it flat gently. But the line between them is so thin now that she doesn’t think twice about it, reaching up and resting her thumb between her brows, pushing gently until the skin relaxes.

“Can I tell you a secret?” she asks in a whisper. Bea holds so many of her secrets, one more won’t hurt.

Bea nods slowly.

“When I first met you, I was so… intimidated.” Bea’s eyes widen slightly and Ava nods. “I was. You seemed so… cool. Composed. Not at all affected by someone who crashed into your table with the grace of a… what did you call it?”

“A newborn foal,” Bea says lightly.

Ava grins, her smile widening when some of it reflects in Bea’s face. “A newborn foal. That’s a giraffe, right?” She doesn’t wait to be corrected. “I thought, I need to know who this is and I need to know everything about her right now or I’m going to combust.”

Bea rolls her eyes, the motion of her eyes disrupting Ava’s thumb, still on her forehead. She doesn’t drop her hand, being bold and dragging the blunt ends of her fingernails against the smooth skin just above Bea’s eyebrow.

“You’re very dramatic.”

“Did I pretend to be anything else?” Ava shakes her head when Bea opens her mouth. “Don’t answer that. Just know.” She sobers, breathing in and exhaling the most truthful thing she thinks she’s ever said in her life. “The minute I met you, I knew you were something spectacular. I knew you were going to change my life.”

A weight hangs between them now. Bea looks shy under it, her head ducking slightly. Ava’s fingers slip, nearly burying into Bea’s hair. She drops her hand back into her lap but curls it over Bea’s, not quite wanting to let go yet.

“Can I tell you a secret now?” Bea asks, eyes still on the space between them.

Ava nods without being seen. “Anything.”

“I never really felt like that.”

“Like what?” Ava frowns. “Spectacular?”

“Human.” Bea looks up. “I spent so long feeling like… an other. That feeling like a human just didn’t… I couldn’t make sense of that. It took some time.”

Ava smiles gently. “But you got there.”

“After-” Bea stops herself, pulling her lips in as if she’s trying to keep something from erupting out. Ava watches the thin stream of air work its way through her nose, and catches the slight shine of Bea’s eyes, the way they seem to sparkle as unshed tears fill them.

“Hey,” she says softly. “No. No, don’t cry.” She drops Bea’s hands, cupping Bea’s face. Her thumbs brush along the flats of Bea’s cheeks. “I don’t know what to do when pretty girls cry,” she admits.

Bea laughs, choked and watery. “Neither do I. But it never stops me from telling you that Lilith doesn’t actually hate you no matter how much of her fancy vodka you drink.”

“One time,” Ava mutters, lips pulled back in a smile as she pretends to be annoyed.

It works. Bea’s smile seems a little stronger. “Ava,” she says quietly.

Ava strokes down a line of freckles absentmindedly. “Yeah?”

“Can I tell you another secret?”

“You can tell me you’re responsible for bringing down the Vatican, for all I care.”

Bea doesn’t laugh, worrying her bottom lip between her teeth instead. Ava wants to press down against the smooth skin but she stops herself before her thumb drifts that low. That perfect, soft-looking skin, a breath away. She focuses, pulling herself back into the moment.

Bea’s voice is nearly a whisper when she says, “Someone thought I was spectacular once.”

“Just once?”

Another silence. Ava tightens her jaw. Listen, don’t talk. She can do that. She can be still. It’s something Bea has taught her - just be still. Just wait. It will come to you when you stay in one place. So, she’s been waiting, patient against every urge within her to jump up and down and scream.

Sometimes, these feelings for Bea are so big in her chest that she feels like she’s going to explode into a hundred stars. She pictures herself shattering as the unspoken words build in her until they can’t go anywhere but out. But Bea is something to wait for. Bea is someone Ava doesn’t mind standing still for. She knows it’s there. She knows the feelings aren’t just her and that Bea needs to find her way forward. Ava just needs to be the flashlight in the distance, waiting for Bea to find her.

“At least, I thought she thought I was spectacular,” Bea continues, almost as if she didn’t hear Ava. “She said- well, she said something close enough to it.”

Ava can feel another piece of the puzzle slotting into place. Another brick that makes up Bea’s nearly-impenetrable walls. For every one Ava manages to crack and loosen, another suddenly rises in its place. But she feels like this time, it falls and nothing slots into place.

She doesn’t stop herself from touching a freckle this time, tapping out a song she heard years ago before her hands drop again. “Was she pretty?”

She’s clumsy on a good day. Boisterous on others. But Bea is doing that thing again, learning how to run without knowing how to walk. And Ava is practicing. She’s trying so hard. She stays so still that Bea could almost imagine her gone.

“People are pretty in different ways,” Bea finally says. It’s a very diplomatic answer, something so very Bea that Ava breaks her stillness to smile. “All the other girls wanted to be her. I remember someone saying that her hair was so shiny, she must brush it a hundred times on each side before bed.”

Ava can’t help herself. “Is that why your hair is always so perfect? Are you secretly combing it until your wrist hurts?”

“A brush through wouldn’t kill you, Ava.”

“Speak for yourself.”

Bea’s growing smile flickers out. “I suppose it didn’t matter if she was conventionally pretty. I…” Ava watches the way she shores herself up against an invisible storm. “I thought she was beautiful.”

“What was her name?” she asks quietly.

“Penelope Marshall.” Bea says it like a prayer.

“Penelope.” Ava suddenly creates an image in her mind. A girl with wide brown eyes, bronze skin, a perfect smile of perfect teeth, a button nose, long and shiny hair.

Bea swallows and Ava feels the click of her jaw under her palms. “She was in my year, her room just down the hall from me. We were partners in Latin.”

“I bet she copied all her answers off your test.”

“Maybe once or twice,” she admits. “She certainly did not always do her homework on time. But Sister Magdalene liked her and simply turned a blind eye every so often.”

Bea’s cheeks are warming. Ava can see it in the way they pinken.

“It’s silly, but… I remember the first time she smiled at me. I had conjugated the verb, sum, to be, in the pluperfect subjunctive. She had been trying for the better part of an hour, but the switch from esse to fui for the tenses was always confusing to her.” Bea smiles slightly. “When I gave her the answer, she smiled at me and it felt like…”

“Like the world kind of tilted off its axis?”

Bea looks surprised. “Yes. Exactly that.”

“I’m familiar with the feeling.”

Because she is. So, so, deeply familiar with the feeling. The first time she saw Bea, that first smile she got as she bumbled her way through cleaning up the few drops of tea that spilled, the world went sideways and it hasn’t completely righted itself since.

“It’s peculiar, that feeling. It sticks with you, doesn’t it?” Bea looks down. “I used to dream about it,” she admits.

“That’s normal, Bea,” she says gently.

Bea looks up again. “Is it? Because it didn’t feel normal. It felt… other. Strange. Like a rock in the pit of my stomach. Penelope would touch my arm over our Latin text, and I could see my parents poring over my journal, looking for any otherness that might exist between us.”

“She made you happy, though.”

“I thought I made her happy as well.”

Ava doesn’t need Bea to tell her the rest. She can imagine how it went: touches as they broke down a dead language, sitting with their shoulders brushing at meals, giggling as they studied in what Ava assumes must have been a massive and cold library. She can imagine the small strands of Bea’s hair slipping from her bun across her cheeks and Penelope pushing them back behind her ear with quick fingers.

Ava lets herself be selfish and do that same thing now. Bea’s face turns slightly into her hand. Not enough that she probably even notices.

“When did she kiss you?”

Bea looks surprised again and Ava’s hand falls away. “How did you-”

“A good guess,” she lies. Because she knows that having Bea there and not kissing her is God’s strongest battle. She has been a good soldier.

She’s not sure how much longer she can be good.

“A few months into the semester.” Bea’s voice goes taut. “She invited me to study for her biology test. On the recommendation of our teacher, she told me. I imagined it was a lie; she had the same grades as I did.” Her cheeks pinken. “We were reviewing the different biological features of various aquatic animals and she…”

“She kissed you over the cod?” Ava says, voice a little strangled.

Bea meets her eyes. “It was my first kiss. Everyone I knew had theirs already, but I thought that if this is what I was waiting for, it was worth it.”

“The best things are worth waiting for.”

“I’d read about whirlwind romances in novels. Girls in the dormitories talked about it. Boyfriends they had back home that they saw on holiday weekends. But it was nothing like kissing behind locked doors. It couldn’t be. No one else could be experiencing what I did. It was so uniquely ours. Do you know what I mean?”

She does. It means closed doors. It means secrets. Bea reads it on her face because she can see something close to shame bloom across Bea’s cheeks.

“It was just for us,” Bea confirms. “A secret not even my parents, kilometers away, would learn of.”

Ava has never been one for secrets. She doesn’t like the way they taste in her mouth. You’re keeping your own, a voice like Mary’s reminds her. But that secret isn’t really a secret, is it? Because Mary knows. And Shannon knows because Mary knows. And her favorite barista, Lucy, knows it. JC knows it. The belayer at the rock climbing place and the guy at the one party she dragged Bea to and Lilith and Camila - they all know.

Bea knows too. Ava feels the truth of that in every crevice of her heart. Bea knows. Bea isn’t going to do anything about it - she feels that truth too. But the list of people Ava is hiding this from is shorter than the list of people who know it.

“You loved her.”

Bea’s smile is sad, far away. “First kiss, first love. I was convinced we would graduate and run away together. She would lie in my bed propped up on one arm talking about Paris and Rome and the places we could travel as soon as we got away from school. I’d felt so futureless when I arrived, but now I could imagine a million possibilities.”

Ava thinks of making a joke. Something about Bea jet-setting across all of Europe with a pretty girl, exactly the kind of lifestyle she deserved. But she knows this story doesn’t have a happy ending.

“She told me she loved me. More than anyone she loved in her life. She said we were young, but it doesn’t matter. You just feel love louder, she would tell me. I…” Bea takes a deep breath. “Mina may have been the first girl to touch my hand, but Penelope…”

Bea goes quiet long enough that Ava nudges her hand gently. “She…”

Bea’s eyes clear a little. “She touched me in other places. In other ways.”

Ava guesses the next part of this story too. “You wanted to tell someone and she wanted you guys to stay a secret.”

Bea laughs, short and sharp. “I wish it had been that simple. I wish I had been enough to stay a secret. Instead… She must have learned my parents’ trick. When someone becomes unseemly, when it becomes ugly and unwelcome, you simply… strike it from the record. Forget it ever existed. Send it away to boarding school and hope for the best. Or-or pick a new Latin partner and create an ocean that feels uncrossable.”

“Bea,” Ava says quietly.

“I could have accepted it was all done. An ending. I’m sure I could have. But instead I was…” She shakes her head. “Have you ever had someone you thought you were in love with look at you and tell you that none of it mattered? That it was girls being girls and that whispered promises in the corners of classrooms were never more than just a game? A joke?”

“Bea.”

But Bea has a haunted look in her eyes, like she’s somewhere else than Ava’s bedroom with its overflowing laundry and rumpled comforter and the paint swatches on the wall. Ava imagines she’s back in a girls dormitory standing in front of a pretty girl who is cutting her down to bits.

“She told me that none of it was real. It was wrong. It was just something to do. She wasn’t like that,” Bea says, voice just as haunted. “She promised that she wouldn’t tell, because she didn’t want people to think there was anything wrong with her.” An empty laugh, sardonic and hollow in a way that Ava’s never heard, escapes Bea’s lips. “Don’t worry, she said, I wouldn’t want people to think there was something wrong with you, either. I suppose in some twisted way, she still cared.”

The thing about Ava is that she’s always capable of more than she thinks she is. They said she’d never walked; now she runs across campus after Mary. They said she’d never be smart enough to go to university; now she’s in the front row of all her classes, her scholarship enough to make sure she doesn’t need to worry about her degree. They said she’d never make friends; now she has six of them who make every single day something more than she ever hoped.

They said she’d never fall in love; now she has Bea.

And when she doesn’t think she can go a little further, push a little harder, she thinks of Sister Frances and the way she told Ava that she’d never be capable of anything.

But she’s capable of this: setting everyone on fire who ever hurt Bea.

Her anger unleashes like a wildfire, and it swells in her chest so brightly that for a moment she can’t breathe. She can’t see straight. She’s imagining Penelope again but all of the softness is gone and she’s a cutting monster knocking Bea to the ground. She tightens her hand into a fist so tightly that sharp pinpricks echo in her palm from her fingernails.

She doesn’t realize she’s nearly growling until Bea’s fingers are working hers apart, smoothing them flat.

“Ava, it’s alright.”

“It’s not.” Her voice sounds stretched thin. “She’s not.”

“She’s gone.”

“But she’s still here.” Ava shakes her head insistently. “She’s still stuck in here.” She presses a single finger over Bea’s heart. “She still has all this space to be cruel. And when I meet her - not if. I’m going to find her - I’m going to make her suffer. I’m going to-”

“You can’t go on a one-woman crusade because someone hurt my feelings.”

Ava stares. “Hurt your- Bea, she didn’t hurt your feelings. She broke them.”

Bea straightens up slightly. “I’m not broken.”

Ava softens instantly, like someone turning out a light. “No. No, you’re not Bea. Of course you aren’t. There’s nothing wrong with you.” She ducks her head, catches Bea’s eyes, and smiles a little. “You’re incredible. You are spectacular. I promise you that.”

Bea exhales. “I’m embarrassed to say someone had such a hold on me.”

“That’s not embarrassing. That’s human.” Ava raises a cautious hand to Bea’s cheek again. “That’s wonderfully, perfectly human.”

“She just…” Bea takes a deep breath. Ava’s hand slips to her jawline. “My whole world ended in a single minute. Everything I did after that felt… fraught. I couldn’t trust her, couldn’t trust anything anymore. I was constantly looking over my shoulder, wondering if she was going to change her mind and tell someone how different, how terrible I was. She made me… nervous.”

She made me… nervous, Ava thinks.

Ava feels the soft skin between her eyes wrinkle as she works the words over in her mind. Of course Penelope made Bea nervous. Of course she made Bea doubt everything - every friendship, every interaction. Of course she held so much power over the way Bea engaged in the world. Of course she-

Oh.

Bea, who doesn’t linger too long when she’s looking at Ava. Bea, whose cheeks go pink when Ava dusts a hand down her bare shoulder. Beatrice, who is always the gentleman, always the one to hold back when they seem to be teetering on this invisible line of why aren’t we.

Of course Bea is going to be scared of what their friendship could become. Because she had this happen. She put her whole heart into something only to be told how wrong it was when it was over, how wrong she was, and that none of it was real.

Ava has been wondering why Bea is so afraid of what they could be. She thought if she proved herself, if she stayed when she could have run, then Bea would understand. She thought Bea would look at her and see someone worthy enough of falling in love with. She thought, some nights when the stars on the ceiling just weren’t enough light, that there was something wrong with her. Something that Bea wasn’t telling her because she was too nice to let Ava down so cruelly.

But it’s not her. It’s not Bea. It’s all the ghosts of Bea’s past stacked up against an ‘Enter’ door that are stopping Bea from pulling it open. It’s all these things outside of Ava’s control that’s holding them back.

It all comes together so neatly in her mind. Bea is not going to make the first move. She never was. She’s been leading Ava to this place, but she can’t make the final step. She’s loading the gun but she can’t pull the trigger. She’s putting this in Ava’s hands and hoping that Ava doesn’t break it in two.

Ava’s clumsy on a good day. Boisterous on others. But she’s also been practicing so hard at being still and maybe that was the wrong thing to do. Maybe Bea needs her to move, to run ahead and give in first.

Ava takes a deep breath, feeling it expand in her chest. It’s loud, roaring in her ears. Bea looks at her curiously. Maybe she doesn’t know that Ava has put it all together. Maybe she’s just as confused as Ava was a second ago. But Bea is smart. No, she’s not just smart, she’s Ava-smart. And she can read Ava like one of the dog-eared books littering their breakfast bar.

“Bea.” Her voice is remarkably steady.

Remarkable, because her whole body feels like it’s moving, vibrating at a frequency unable to be heard by the human ear. She catches Bea’s wrist in her fingers, locking them tightly around the delicate bone.

Bea is still, eyes dropping down to where their skin meets. “Yes?”

“Beatrice.”

Her hand is the thing shaking now as it rises up between them and slowly presses to Bea’s cheek, fingernails curling around her jaw. She feels it move as Bea swallows, hears the slight click of it as the silence magnifies. Bea’s eyes widen and she nearly pulls away, Ava’s hand on her face the only thing stopping her.

“Ava, I…”

Ava imagined their first kiss. She’s dreamed of it almost from the moment she met Bea, already wondering what it would be like before she knew who Bea really was - before she knew how good it was going to be. But she read something somewhere about how knowing someone enhanced the experience of loving them. How something steeped in history made the love richer. And the history she has with Bea may be short, but it is rich. Bea knows all her secrets and now she knows all of Bea’s.

So, fucking kiss her, a voice like Mary’s demands.

And isn’t Mary always telling her she has to listen better?

She only closes her eyes just before their lips touch. She wants to see Bea’s face and is rewarded with the fluttering of delicate eyelashes, the slight parting of Bea’s lips, the quiet hitch of her breath and the way her throat bobs as she tries to hold it back. Her hand slips to the back of Bea’s neck, pulling just until her top lip brushes Bea’s bottom one.

Her eyes slip closed as Bea’s bottom lip slips between hers and they’re kissing. They’re kissing. Bea is warm and soft and still. She stays there, intent in the way her mouth clings to Bea’s. I’m here. I’m kissing you. I’m choosing you. And you’re spectacular.

Bea shudders, her whole body coming alive, and she surges forward as Ava starts to pull away. The air goes out of her lungs and she tips backwards a little and she panics, unwilling to break apart now that Bea is kissing her back. But Bea’s hand goes past her, holding her up as she exhales against Ava’s mouth.

They’re so close together, their knees knocking. Bea’s mouth presses hot against hers, closed mouths clinging to each other. She can’t believe it, can’t believe they’re finally kissing and Bea isn’t running - she’s closer as Ava’s shoulders fall back against the bed, Bea’s hand curled around her shoulder as she settles against Ava’s side. Her free hand has found the hem of Ava’s shirt and her knuckles are brushing against the sensitive skin above Ava’s navel, steady and warm.

It’s Bea who takes the hesitant step forward, her lips parting just enough that Ava’s slide, and then Ava can feel Bea breathing as she kisses a little harder, mouths open against each other. It’s Bea who takes a less hesitant step again, the tip of her tongue ghosting along Ava’s bottom lip.

Ava pulled down the last brick, but Bea was a roaring river behind the dam and she kisses like she’s been uncorked. Her fingernails dig into the soft flesh beneath Ava’s shoulder, her knuckles press into Ava’s stomach, and she kisses with reckless abandon.

“Bea,” Ava whispers between kisses. She’s never been one for religion but maybe she’s been worshipping the wrong gods. Maybe this is who she should have been praying to all along.

Bea hums pleasantly against her mouth. She’s bolder now, kisses a little more frenzied. Ava understands. She tightens her hand at the base of Bea’s neck, pulls her closer. Her other hand slides down the flat of Bea’s stomach and curls around her hip bone, thumb stroking over the soft fabric of her sweatpants.

She thought kissing Bea would be amazing but she was wrong. It’s life-altering. She can see everything shifting to accommodate the way Bea’s lips press, hot and open-mouthed, against her own. She’s going to be completely altered after this, her life now in two separate parts: Before Kissing Bea and After Kissing Bea.

Bea’s hum burns into a low moan as Ava’s fingers dig more insistently into the dip of her hip. Ava is addicted now. She kisses harder, body starting to move as she rolls, a leg going over Bea’s until she’s bracketing Bea’s hips. She slides her mouth along Bea’s jaw to just below her ear, following the way Bea pants at the sensation of her teeth against smooth skin.

She needs to be closer. She needs nothing between them. She sits up, holding her weight as she works her fingers in her shirt and lifts it high and off her shoulders. She tosses it onto the corner, adding to the laundry pile, and sits above Bea in her bra with the flamingos on it, her chest heaving in anticipation.

Bea stares up at her, her face flushed and her lips bruised. Hesitant hands go to Ava’s waist, fingers flexing experimentally as they settle just above the hem of her shorts.

“Hi,” Ava whispers.

Bea nods, the line of her throat bobbing. Ava watches as her eyes track down her body, shoulders down to the sliver of skin just above her shorts. It takes her a minute to look back up and meet Ava’s eyes.

“Is this-?”

“Yes,” Bea interrupts. Her fingers feel purposeful now, like she’s burning her fingerprints into Ava’s skin. “I… I want this.”

A niggling thought works its way into Ava’s mind. Just a breath of hesitation. “You’re sure?”

Bea sits up, hands sliding to the small of her back. She blinks, eyes wide but focused. “Ava, I’ve wanted this for…”

“So long,” Ava finishes.

“So long.” Bea’s eyes flutter and she leans forward, mouth brushing over Ava’s collarbone. She feels her eyelashes against her throat. “Are you sure you want me?”

Me, she says unspoken. Me out of everyone else you could have.

Ava puts two strong fingers under Bea’s chin, lifts her face up until their eyes meet. I’ve never wanted anything more sounds too small. But it’s the only way she can think to say it. And when she does, Bea’s smile brightens the room.

Bea presses her lips to the pulse thudding in Ava’s neck, gentle teeth scraping against the skin. Ava breathes in sharply at the feeling of it, of Bea’s fingers working steadily up her back until they’re hesitantly touching the clasp of Ava’s bra. Ava is brave enough for both of them. She reaches back and loosens it, the fabric falling away from her chest. She tosses that away too.

Ava hisses softly when Bea’s fingers skate up her stomach to cup her breast. Her hand is burning, and Ava pushes into it so she can feel herself on fire. It only grows hotter when Bea kisses her collarbone again, teeth a little more insistent as she makes her way down to her own hand.

Ava pulls at the bottom of Bea’s shirt, freeing it from where she’s sitting on it, and pulls gracelessly until it’s over her head and somewhere by the door. She traces the lines of Bea’s navy bra until she finds the clasp and undoes it, flinging it away.

“I’m not going to make a joke about your boobs,” she whispers into Bea’s temple. Her tongue swirls over sensitive skin at Ava’s chest. “But just know that I really want to.”

Bea lifts her head. “I appreciate your restraint.”

“Saint Ava, they call me,” she babbles. “Patron Saint of-”

Her words are swallowed up in a gasp as Bea presses a hand down purposefully down on her waist. It sends a shiver through her and pulls a little bit of a moan from the hollow of her throat, Bea’s eyes widening slightly in surprise.

Ava tucks some of the loose strands framing Bea’s face back behind her ear, cheeks just a little red. “Before we… Before we do anything else, you need to know that I’m not going to be normal about this. Like, at all.”

Bea walks two fingers up her side, using ribs like steps. She moves them across her chest, brushing against her nipple. Ava shivers again. “I don’t know that I’m much interested in normal,” she admits.

Ava arches into her touch. “I’d hope not, considering how much you’re into me.”

She pauses, breath caught in her lungs as she waits for Bea’s reaction. Bea looks up with wide, imploring eyes. She searches for something on Ava’s face, and Ava hopes beyond hope that she finds it.

Not because she needs Bea’s hand to keep doing what it’s doing. Not because she wants to slip her fingers beneath Bea’s waistband. Not because she wants to hover over Bea and nose down the long stretch of what she’s sure is perfect skin from her chest to her belly button.

Because she wants all those things. But she also wants Bea to know she’s safe. That it’s okay to want her. That Ava is going to be someone she can trust, that Ava won’t treat her like something that’s going to break but will hold her gently regardless.

It feels big, to say that. But Bea is right there, a fingertip away, with her lips bruised and her hair starting to tangle around Ava’s fingers, and she thinks: I’m never going to come back from this. I’ll never be the same. What she feels is undeniable and real, the most real thing she has ever known and she would never, ever want to go back, even if she could.

“I am,” Bea finally says, voice a breathless whisper.

“A lot?” Ava asks, a sliver of neediness in her words.

Bea nods, unblinking. “A lot, yes.”

Ava makes a show of breathing a sigh of relief, a relieved smile on her face. “Well, that’s embarrassing for you.”

“Ava.”

Ava buries her reply in a kiss, fingers curling around Bea’s shoulders as she slowly inches her backward onto the bed until Ava is a shadow hovering above her. She wonders what the hollow of Bea’s throat tastes like, and she smiles into the kiss as she realizes she doesn’t need to ask. She breaks away from Bea’s mouth, kissing over the point of her chin and the underside of her jaw and down to the dip of her throat, teeth nipping at sensitive skin as Bea’s breath hitches. She can feel fingers flex at her waist and then tighten more purposefully.

Sensitive neck, she catalogs. She wants to make a list, grow it until she knows all of the places that cause Bea to make that breathless noise.

Bea’s fingers are insistent at her neck, drawing her back up until they’re kissing, harder than they have before. Bea kisses with lips and teeth, her tongue soothing away the nips, while one hand works its way to Ava’s waistband, curling into the thick denim fabric of her jeans.

She would have been satisfied with some heavy making out. Her skin is already burning where Bea’s bare chest is pressed against hers. She can live with this. But Bea doesn’t seem to be able to live with just this. Ava feels the back of her knuckles against her stomach as Bea pops the button of her jeans and works down the zipper. It’s so loud in the silence.

Ava kisses her way down Bea’s throat again then goes lower, tongue leading the way as she flicks the tip of it over a pebbled nipple. There it is again, that breathless noise. The fingers at her waistband freeze, tighten around the denim, and then release. Ava’s hand goes to Bea’s other breast, and she feels it press into her palm as Bea arches her back slightly.

Ava dares to go lower, kissing over the swell of Bea’s breast and down to her navel. She slides back on Bea’s legs, her fingertips light against Bea’s skin above her hip bones.

“Ava,” Bea breathes. She reaches down, hands reaching for Ava’s chin. Ava kisses the center of Bea’s palm as strong fingers curl around her jaw. “Ava.”

She doesn’t know what Bea’s trying to say, but she doesn’t need to. She can feel the heat radiating off Bea, the anticipation. She hooks two fingers in the waistband of Bea’s study-sweatpants, the ones she wears on all-nighters where she’s going to fall asleep sitting up, and starts to work them down a little as Bea’s hips lift off the bed.

She rests her forehead in the dip of Bea’s hip. She’s never believed in a God, but she does believe there’s a higher power out in the cosmos, and they’ve suddenly found her worthy of this gift: Bea stretched out across the sea of her comforter with her eyes closed and her chin tipped into the air as her chest rises and falls with increasingly harder breathes and her hips arching just slightly until Ava feels her against her forehead.

Because shit, this is holy.

A hand snakes its way into her hair, blunt fingernails scratching against her scalp. She can feel them trembling slightly. Ava wants to feel the whole of Bea tremble. She kisses down as she pulls Bea’s sweats down until they’re past the top of her thighs to her knees.

This feels like a moment they can’t come back from. And looking up at Bea, at the way those dark eyes stare into hers and the hand in her hair tightens slightly, she doesn’t want to come back from it. She wants to never, ever come back from this. She only wants what happens on past this moment.

She works Bea’s underwear down until they’re on the floor with her sweatpants in a tangled heap, and she noses her way lower until it’s nothing but heat and something slick against her tongue. Bea keens, hips lifting high off the bed, and Ava presses down hard against them with flat palms, keeping Bea down in one place.

The hand tightens in her hair, Bea’s knees tighten around her shoulders, trapping her in this crystalline moment. She rolls into it, tongue working more steadily as she feels Bea’s hips start to roll in response. She dips lower and soars higher, an unknown melody working into her mind and guiding her as Bea lets a sigh loosen from her throat.

Her hand climbs until she feels Bea’s breast against her palm, and she works her fingers over sensitive skin. Bea’s hand traps hers in place, palm burning. She can feel Bea’s legs start to tremble, and she licks a little more precisely, a little more purposefully.

She swirls, she drives forward and pulls away. She finds a rhythm until Bea’s whole body starts to tighten into an invisible line, pulled taut by an some unseen string. Ava doesn’t stop, even as Bea’s legs tighten around her. Even as that hand in her hair pulls a little harder. Even as Bea’s breathing swells into a hard pant and she lets out a strangled cry of Ava’s name.

She doesn’t stop until Bea’s body melts into loose muscles, until Bea’s hand goes slack in her hair. Everything is hot against her skin. Her tongue eases away, laving up and over Bea’s hip to her navel and charting a slow course to the center of her chest until she’s back at the hollow of Bea’s throat, teeth nipping as she feels Bea’s chest rise and fall rapidly against her own.

Bea draws another ragged breath, a hand up over her red face.

Ava pulls it away and kisses Bea hard, their mouths sliding together. Bea’s fingers curl around her throat, holding her in place when Ava tries to pull away. A tongue dips behind her teeth. Bea inhales sharply, stealing the air from Ava’s lungs.

Bea, still panting softly, hooks a leg under her and twists, rolling until Ava is on her back, and Bea is hovering over her, eyes dark and flashing.

The air punches its way out of Ava’s throat. If she’s cataloging the things that turn her on, this has just gone to the top of the list, right after the way Bea tastes and the feeling of her mouth sliding against hers.

“Bea.” Her voice is strangled and warped between them.

But Bea doesn’t answer her. She works her fingers purposefully down Ava’s front, sliding beneath her waistband without fanfare, without hesitation. Ava’s legs part with a half-breath, the other part of it stuck in her throat.

Then it’s nothing but an overwhelming sensation and the soft sound of Bea panting in her ear as Ava feels the world start to tighten around her. Bea’s breath is replaced by a white static, and there’s a fullness in her that she knows she’s going to be chasing for a while. Her hips lift and fall, a rhythm she knows without having to think about it. She rides it out, settles into it like she’s known it all her life and then-

And then-

Then she’s soaring, hips off the bed and her whole body shaking as she tries to focus on the rhythm again, the whole dance gone from her mind as it’s replaced by fireworks exploding, one after another. She can feel Bea’s hand on her, in her, and nothing else. She’s disconnected from reality except for where Bea is touching her. Floating weightlessly in an in-between where nothing but this feeling and Bea, hot against her side, exist.

She crashes back down, the world slamming back into her head as her legs clench, Bea’s hand between them. Strong fingers slide away and stroke across her thighs before they go up and curl around her side. Her breath comes hard, her pulse pounding in her head. She squeezes her eyes tightly, afraid to open them and see that the whole world has been turned upside down.

She wouldn’t care if it was, is the problem. She wouldn’t care if she suddenly found herself light years away where there was no oxygen in the solar system. As long as Bea is next to her, she doesn’t care.

She opens her eyes slowly and turns her head, finding Bea looking back at her with liquid pools for eyes.

“Hi,” she breathes, the word sticking in her throat.

Bea smiles softly. “Hi.”

“That was…” She inhales raggedly. “It’s never been like that.”

Because I’ve never been in love, she doesn’t say out loud.

Bea is biting on her bottom lip, eyes searching Ava’s face. “Me either,” she finally says.

Ava hums, content and boneless. “We are so doing that again. Soon,” she promises. “When I can feel my legs, it’s over for you.”

Bea laughs a little. “Okay, Ava.”

Ava lets her eyes close again and when she opens them, Bea is still looking at her. It doesn’t unsettle her. She lets Bea drink her in, and she lets her own eyes follow the lithe line of Bea’s body.

“Boobs,” Ava sighs. She curls one hand around Bea’s breast, no intention in the movement.

Bea wiggles around as if it tickles slightly, but she just settles more tightly against Ava’s side.

“I’m going to be insufferable,” she warns.

“So I can expect more jokes about my boobs.” Bea walks two fingers up her side and across her chest, pressing over where her heart is. “What else?”

Ava inhales shakily. “Anything else you want.”

“Anything?”

“Anything,” she promises. “Whenever you want. I’ll be a court jester for you, babe.”

Bea’s face pinkens at the name, but she holds Ava’s gaze for another moment before she rests her head between Ava’s shoulder and neck. “I do find you marginally funny,” she admits lightly.

Ava grins, the smile lazy. “See? You need to tell more people how funny I am. Mary doesn’t believe it.”

The blush doesn’t fall from Bea’s face. “Please don’t talk about Mary while we’re naked.”

“Why not? She’ll think it’s hilarious.” But Ava stretches her neck and kisses Bea’s temple. “But okay. Just this time.”

“I appreciate it,” Bea murmurs. It’s familiar, the exasperation, but it’s tinted with this whole new feeling. A new depth. “Ava?”

“Hmmm,” Ava hums, sleep pressing against her body.

“I can tell you later.” Fingers brush hair off her damp forehead. “Close your eyes for a little bit.”

“Just a little,” she agrees. “And then I’m making you stir fry.”

Warm lips press against the hollow of her throat, humming an okay against her skin. Bea settles against her side as a warm and welcome weight.

She doesn’t remember falling asleep, but she knows she goes quietly and calmly, and that Bea is still there, still pressed against her side, molded to her like she was never meant to be anywhere else.

She wakes up to the smell of paint. Her eyes take a minute to adjust to the light in the corner but she pushes up on her elbow, the comforter over her sliding down to her waist. She blinks as Bea comes into focus.

“You’re painting?”

Bea turns. She’s barefoot, in her underwear again, and one of Ava’s cropped t-shirts that has a white cat in red shadows and I’m not cute I’m purr evil written on it. It hangs a little higher on her and Ava can see the swell of her breasts through it.

She’s the most beautiful woman Ava has ever seen.

And she’s blushing. “I didn’t want to wake you.”

Ava sits up more fully, stretching her arms above her head. She watches, a slightly smirk on her face, as Bea’s eyes drop to her chest. But she doesn’t push. There’s time to tease Bea about staring at her boobs. All the time in the world, really.

“How long was I asleep?” She looks at the wall. Bea has nearly finished the whole thing.

“Not long.” Bea puts the paint can down on the stool, balancing the paintbrush on the edge of it. “But you looked…”

“Like a dead fish?” She’s aware of the way she sleeps, limbs thrown about and head rolling back. Years of being unable to move makes it so she never stops now, even sleeping.

“Peaceful,” Bea finishes. She’s hesitating, torn between wanting to do something and worrying about doing it.

So, Ava takes the lead, leaning in until she’s kissing Bea. She feels Bea sigh into it and knows it was the right move, that it’s what Bea wanted to do. She wants Bea to know she can do this whenever she wants. Bea kisses back almost instantly, sliding into an already-familiar rhythm.

She pulls away, a smile on her face. “Hi.”

Bea is a little breathless when she says hi back.

“I thought we weren’t painting.”

Bea looks back at the wall, most of it covered already. “You were right. About leaving our mark on this place. Someone needs to know we were here.”

“If we ever move out.”

Bea smiles. “If we ever move out.”

Ava pulls her legs up under her and Bea’s hand into her lap. “The only place I plan on moving is into your room. Or you can move in here, since we’re already decorating.”

“Oh?” Bea says. Her voice seems tight, like she’s holding something back.

A wiggle of doubt worms its way into her mind. “I mean, if you want to. No pressure. I’m more than happy to stay here and we can pretend like-”

“I don’t want to pretend,” Bea interrupts. She seems surprised by the firmness in her words and she sucks in her lips for a second before she shakes her head. “I wasn’t sure if you- I know you just kissed me but maybe that was you letting me down and-”

“Bea.” Ava waits until Bea’s mouth snaps closed. “I don’t want to pretend. I’ve been waiting months to kiss you, and unless you tell me otherwise, I plan on kissing you at least a hundred times a day.”

Some of the tension drains from Bea’s shoulders. “A hundred.”

“Give or take another hundred.” Ava grins. “One kiss for every time I’ve thought about kissing you the last seven months. Spread out, of course. Otherwise we’d probably be stuck in this apartment for days, just kissing.” She narrows her eyes playfully. “That might not be the worst thing to happen, though.”

“I’d miss finals,” Bea points out.

“Do you really need to pass them? Aren’t you teaching the classes at this point?”

Bea rolls her eyes, fond and exasperated. “Ava.”

“Bea.” She rolls her eyes back. “Fine. If you won’t lock yourself away to make out with me for days on end, what else are you willing to offer me?”

Bea is quiet for a long moment, her hand twisting in Ava’s as she thinks of something. Ava can see it pressing against her teeth, can practically feel the tension of whatever Bea wants to say radiating off her and lighting up the whole room. Ava waits it out patiently, knowing that whatever Bea has to say will be worth it.

She stays still. She waits. Bea has a way of bringing out all of the things in her that no one else has bothered to look for before. And after another minute, Bea looks up.

“Me.”

Ava’s heart clenches in her chest. “You.”

“I’m willing to offer me. Just… me. If you’re willing to accept.”

Ava turns Bea’s hand over in hers and presses two fingers to the thudding bundle of nerves at the base of her wrist. Bea looks down at where they meet and her eyes stay locked there for a moment while Ava watches her.

“If you think there’s anything just about you, then you don’t know the Beatrice I know,” Ava finally says. “Because I’ve never thought there was anything just about you. You always leave the light on for me. And you never make me do the dishes alone. And you don’t mind mushrooms on your pizza. You keep soda in the apartment and you always vacuum when I’m not home.”

A funny smile graces Bea’s face. “I think that makes me good for you.”

“The best,” she agrees. Her smile softens. “I’ve never thought there’s anything just about you. You’re incredibly kind, trustworthy. You’re humble - maybe too humble,” she jokes. “And considerate. And insanely intelligent. Hilarious. My best friend.” She pauses. “And I’m pretty sure you’re the love of my life.”

Bea inhales sharply.

“I know that’s, like, a lot. And I don’t need you to say it back, because I’m not trying to pressure you. But saying it all has lifted some kind of weight off my chest. Like, I didn’t know I was suffocating under not saying anything but I guess that I was,” she babbles. “But honestly, you don’t need to-”

“Ava,” Bea says patiently. She waits until Ava snaps her mouth shut and mimes zipping it closed. “My parents…”

“I’ll kill them,” Ava says cheerfully, looking guilty when Bea’s eyes cut to her. She closes her mouth again.

“My parents made me believe that love had to be earned. That if I wanted it, I had to work for it.” She takes a breath, astonishingly steady. “But you’ve never done that. You’ve never made me work for it. You’ve just… given it. It’s who you are.”

Ava’s smile wavers a little. “Because you don’t need to deserve love.”

“I didn’t know that before you.” Bea shakes her head. “I’ve had to unlearn a lot of things since meeting you. Like that. Like how to not be afraid. Like how to eat pizza. All these things that were so ingrained in who I was that I didn’t think I’d ever know anything different.” She reaches up and cups Ava’s cheek. “You changed all of that for me.”

She thinks Bea is saying I love you. She thinks Bea is saying You’re the love of my life, too.

And then Bea, spectacular Bea, looks into her eyes and says exactly that. “I love you. I’ve loved you since you spilled tea on my very important notes, and I’ve fallen in love with you every day since.”

Ava feels relief flood through her like a dam breaking. “That’s good. That’s really, really good. Because it would be embarrassing to be sitting here naked telling you how much I love you if you’re not going to say it back.”

Bea shakes her head but she’s smiling. “Ava.”

“Beatrice.” Ava curls a finger under Bea’s chin and beckons her forehead. She kisses her slowly and sweetly before she pulls back. “Kiss one of a hundred today.”

A blush spreads across Bea’s face. “You’re not really going to count, are you?”

“I’m going to keep a tally, that’s how serious I am.” She kisses Bea again. “Number two.”

Bae rolls her eyes and when Ava kisses her a third time, she opens her mouth, tongue brushing Ava’s bottom lip. It leaves her breathless when Bea pulls back.

“If I knew getting you in my room would have ended up like this, I would have tried a lot harder,” she says, eyes still closed.

Bea’s lips press against her cheek, then under her eye. “I wasn’t ready for that,” Bea whispers against her skin.

Ava doesn’t open her eyes. “I know you weren’t.”

Bea’s forehead rests against hers. “I am now.”

“It’s okay if you’re not. I won’t stop loving you.”

Bea’s breath ghosts across her mouth. “I am. I’ve never been ready for anything more in my life.”

“Not even your finals? Because you’re really ready for those, even if you think you aren’t.” She feels Bea start to argue more than she sees it, eyes still closed. “I’ve never met anyone who studies as much as you study. Seriously, you’re a beast when it comes to notecards and colored highlighters and-”

She does stop this time as Bea’s lips press against her. She hums, sinking into it. “Oh,” she says when Bea ebbs away. She finally opens her eyes.

Bea is smiling, beautiful and wide. “More than my finals. If only because I’m still not convinced of Thecla’s real contribution to modern religions.”

“I don’t know who Thecla is, but she’s never been less relevant to my interests right now.” Ava twists a strand of Bea’s hair, resting on her cheek, around her finger. “She could be Jesus’ mother for all I care.”

“She’s not-”

“I know she’s not.” Ava grins. “But I like the way you look when I say something wrong.” She presses her finger to the space between Bea’s eyes. “Like you’re not sure if you want to lecture me or kiss me. For the record, I’m very much in favor of the second option.”

Bea’s lips pull up in a slight smile. “I’ll keep that in mind.”

Ava breathes in deeply, letting the air fill her lungs as she stretches her arms over her head, noting the way Bea’s eyes follow the lift of her chest. She smiles to herself. Maybe Bea is a boob-girl. She’ll have to weaponize that knowledge for later.

“I think I promised you stir fry.”

Bea opens her mouth to argue.

“And I’m hungry,” Ava says over her. “And can be trusted with a knife. So, I will be making you stir fry, because it’s the one thing I’m good at. And I want to impress you.”

Bea’s smile is fond, and Ava thinks back to the first time she saw it, how it was aimed at Camila and how she wished one day it would be a smile for her. And now here she is, Bea in her shirt and an I love you between them and a smile that is reserved just for her.

“So let me make you stir fry and you can come sit and study some more. In my shirt. Which, by the way, is very sexy.” She winks.

Bea rolls her eyes. “Mine was quite tangled up in the comforter, and this was just the most easily accessible.”

“You have a bedroom about a hundred feet away,” Ava feels the need to point out. Bea’s eyes narrow and Ava grins. “But for the record, I really like seeing you in it.”

Bea blushes a little but stands and opens Ava’s drawer, pulling out a pair of underwear - Ava’s favorite, yellow with pineapples on them - and then a big t-shirt she stole from Mary that has a pug with a pair of aviators on printed across the front. She hands them to Ava.

“No pants?” she asks as she pushes the comforter down and wriggles into her underwear. She pulls the t-shirt on, huffing her hair out of her face.

“No pants,” Bea says simply.

Oh. Okay. She grins and stands up, curling her hands around Bea’s waist and pulling her in. “This is going to be so good. I know it.”

Bea smiles, swaying slightly with her when Ava starts to go back and forth on her feet. “I know it too.” She presses her lips to Ava’s forehead and speaks against it. “Thank you, Ava,” she breathes.

Ava frowns. “For what?”

Bea pulls back and tucks a strand of Ava’s hair back behind her ear. “For waiting for me to be ready.”

“Of course I waited. I love you,” she says easily.

Bea’s smile widens. “I know.”

Ava beams back at her, feeling like everything has slotted into place so neatly. She never wants this moment to break, never wants it to go away. She wants to remain forever in this room with Bea in her arms and the rest of the world somewhere else doing whatever it is they’re doing. All that matters is this moment, these kisses between them, the possibility of what the next moment brings.

She can’t wait.

#THE WAIT IS OVERRRRRRR!!!!!!#sirens going off #warrior nun #forever roommates #guys this took so long i am so sorry but i hope it's worth it #rated m for mature audiences kids #there was so much to this that i didn't even know where to start but eventually we got there #everyone say thank you kay thank you kay #GUYS GUYS there is one more piece to this and it will be compleeeete #elmofire.gif #okay please like this i'm needy and hungover #i got tickets to noah kahan and i feel INVINCIBLE!

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a-chaotically-small-lunta · 7 months

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Okay hear me out. Imagine a story where a scientist is leading a tour of kids through his lab, showing off all the inventions that will hopefully one day help humanity! In this tour is his son, who is very excited to be with his dad at his job, while also technically going to school? Win Win!! His dad has been a bit overprotective of him, but he sort of enjoys the attention. Although he isn’t too keen on his classmates who bully (perhaps one of the bullies is his brother or something) him for it, still poking and teasing him during the tour.

After awhile the dad shows off a portal machine which can open a portal to a whole new world, or at least that’s what they think it leads to anyway. The lab hasn’t fully tested it and is making a robot to send in first. The kids all ask if they can see it and the science team agrees as long as no one goes over the rails towards the portal, cause it seems to have a suction. (You can see where this is going I bet) The science team flips on the machine and the portal lights up, and while everyone is distracted the bully decides to have some fun, whispering into the Scientist kid’s ear something like “Maybe you’ll see your mom over there” or “Perhaps I should just take out trash like you. You’re just wasting dad’s time anyway” before the kid can really process what happens he is pushed over the rail into the portal, disappearing. The machine shuts off with a clunk and the dad is pissed. He is shouting at the bully about how stupid that was and how they have no idea if it’s even life sustainable on the other side! A guard nearby says that the kid is in real serious trouble for so many reasons, only for the dad to chime in that the bully better hope his kid is alive cause if he isn’t, he’ll get a murder charge. The bully explains he didn’t mean to only for most of the class saying that the bully always does this and one student even repeats what he said before he pushed the kid in. They decide to end the tour early and send everyone home, while the bully is escorted out by the guards and won’t be going home soon.

The science team asks what they’re gonna do and the dad says they’re gonna make something. Perhaps a suit or vehicle so that he can go into the portal and find his son. The team nods and quickly gets to work, they know it’ll take more than a few weeks, but maybe if they are lucky the kid will be okay, and maybe they can get it done faster.

Meanwhile, the kid flies through the portal and lands on a soft ground. Panicking he sits up and looks around, only to notice he’s on a huge bed. The portal sent him to a world that was way bigger than his own. Fear strikes him as he realizes where there is a big bed, there’s a big person. He’s right when he looks over across the room and sees a huge person sitting at a desk mumbling to themself. He’s frozen in fear and can’t move, even when the person swings around from their chair and walks over to their bed only to pause and stare at him.

The giant just stared at him, confused as to why there is a tiny child in their bed. They swear they didn’t put them there and are about to say something when the kid just burst out crying and the giant panicked. They quickly kneel by their bed and try to hush the child and tell them that it’s okay. The child keeps sobbing and soft hiccups can be heard, but eventually the kid quiets down a bit. The giant carefully asks how the kid got there, and the boy answers between sobs. The giant listens and the boy eventually bursts into tears again, crying out that they want their dad. The giant gently scoops them up, and holds them close saying “hey, hey, it’s going to be alright. You said your dad was a scientist…sooo he must have seen you get pushed in. I bet he’s trying to get back to you, he just has to figure out how to.” The kid sniffles and asks if the giant really believes that and they nod. They then reassure the kid that they won’t hurt them and that they’ll watch and care for them, until their dad comes to save them. The boy nods and the giant pauses and asks if he likes movies. The boy says yes and that he likes action like movies. The giant then decides that maybe they could watch a movie, to help the boy calm down, they’ll even let the kid choose the movie. He gets a little excited over this and the two of them go and do exactly that. Through this we learn that the worlds are almost identical, but some things are changed like Superman is Aceman, and Ice Cream is Frost Gel. All still the same thing, just named differently, which both the giant and boy find amusing.

The boy stays with the giant for little over a week, getting used to the large surroundings and the movements of the giant. The giant provides a small house to the boy, made of a box and Legos, which the boy had fun playing with and designing that part of the little home. In the other world the dad and his team finally finished the suit. It was built to survive space, acid, lava, and other possibilities. It had a backpack built into the back that held food rations, weapons, tools, and other things for survival. There was also the case, which contained all the parts for a small return portal back home. Which had been tested multiple times….just not cross dimensionally. The suit also had a built in camera that would send live video feed back to the team while the dad, who wanted to be the one who went through, was over there looking for his son. He’d also do some science stuff, like take samples and explore a bit.

The day finally arrives and the dad walks through the portal. He finds himself behind a large plush wall, and he starts to walk around it when he hears booming voices. Meanwhile the giant is laying in bed scrolling through their phone. The kid is sleeping in their little house for a quick nap. Then out of the corner of their eye they see something move out from behind their pillow. The dad looks up and catches the giant’s eye glancing at him. He freezes, and then grabs a weapon from the bag. This causes the giant to freak out and quickly flop out of their bed and onto the floor. The dad runs over and, using the mic in his suit, shouts “WHERE IS HE?!?!?” The giant, confused as hell, asks that the “crazy living action figure dude” please put down the weapon, while also asking what he means. The dad just shouts “IF YOU DID ANYTHING TO HIM I SWEAR I’LL..” the threat falls from his lips as the giant rises above him and cautiously walks over to the little house. They open the top and reach in, carefully waking the boy up and whispering that they have a surprise. The dad, still in a fighting stance, watches as the giant approaches with something in their hands. He’s about to fight, when the giant opens their hands and reveals his son, causing him to freeze. The boy pauses, not recognizing him cause of the suit, but once the dad rips the helmet off, the kid jumps off the giants hand and rushes to embrace his dad.

Both the kid and the dad just tightly hold onto each other as the giant just smiles softly, watching them. They then comment how much of a strong and loving dad the kid has and how the dad has such a brave and smart son. They both look up at the giant, who gives them a sweet smile. The dad explains they can go back home and the son is excited to tell his dad everything he learned about the place. The giant asks if there is anything they can do to help, which the dad asks if there is a safe place to setup a portal device somewhere that isn’t, well, a bed. The giant nods, and offers their hand to the pair. The son quickly hops on and the dad, carefully steps on after a bit of encouragement from his son. The giant takes them to their desk and says they can set it up in the free space near the wall.

After some time the portal is up and running and the dad has some samples, including a hair from the giant, and the small pair is ready to go home. The giant remarks that they’ll probably be seeing more of the tiny people, but says that they are welcome to visit. The boy hugs the giants hand and thanks them for taking care of them. The dad also thanks them for watching over his son, and says that he’s glad that the giant was the one to find his son. They take their leave and the story comes out in their world about what happens. The bully is still charged for some things, mostly messing with official government science stuff, but everything seems fine in the end. Plus the boy made an amazing friend, and the dad found someone he can trust to watch his son.

Anyway, basically what if a portal led to a giant world similar to our own, but it was discovered because some kids decided to mess with a kid. Resulting in the kid getting lost in that world, having to wait to be found or find a way back themself?

#g/t #gt #gianttiny #giant/tiny #giant tiny #g/t idea #g/t ideas #g/t thoughts #g/t thought #g/t story idea #I think it would be interesting to find a whole new world filled with giants #although if I found a tiny crying child in my bed I’d probably freak out #I’d have to calm them down and try and figure out how they got here and whether or not they were always tiny #it would be 100% worse if they happened to be from the same universe and the portal just shrunk them and sent them somewhere random #especially if you see the missing posters and think ‘wait I have them…how am I gonna explain their size?!?!?’#but if they’re from another world it’s more ‘oh okay. just smaller universe..okay okay…let’s figure out dimension travel then…I guess!!!’#either way I’d comfort them and definitely help or try and help them get back home #I’d just make sure that they were okay and watch over them…go all mama bear mode I guess haha #also sorry this got long and is basically a short story written shorter…a shrunken story hehehe

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i-have-a-lot-of-ocs · 3 months

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Tempted to write a replaced au twst fic where Yuu (or alternatively, I'll use my Yuu, Riyuu, who is basically who I'm writing this for) used to be the cutest girl around, the cheery one who's always around everyone, the one you can't seem to dislike even if your crush falls for her because she earnestly says sorry (even though it's not her fault) and will always help you out if you need her back in her old school. But one day, a new girl comes around and her whole reputation got destroyed. She helps the new girl adjust, tells her all the rumours and introduces her to all the popular kids. But the girl ends up backstabbing her, telling the popular girls rumours about how she intentionally plays up the act to steal their crushes to her, and lies to the boys, telling them she's just playing with their hearts and that she's a horrible person.

Yuu ends up alone and excluded, being seen as "annoying" and only having a few close friends who doesn't really interact with her in public in fear of their reputation being ruined. She ends up miserable at school, and wishes to not go anymore. But one day comes a saving grace, she gets whisked by a mysterious black carriage into Twisted Wonderland, or more specifically, Night Raven College. She doesn't mind working if it meant she doesn't have to deal with her old school, there was still 1 and a half years left of school and she doesn't want to deal with all ghe group projects to be assigned that will inevitably end with everyone not wanting to team up with her. Plus, as annoying Grim is, he's like the animal friend all of the anime and storybook protagonists she knows has, and she doesn't mind him too much.

Some things did change after she and Grim got officially enrolled, but she had no problem adapting to the social expectations of the world, part time jobs with Sam -- and occasionally the canteen -- paid enough to get her tools for cooking basic but delicious food, and new friends without the weight of her past helped her get settled comfortably.

The existence of Overblots stunned her for a bit, but a peek into Riddle and Leona's memories helped her understand the concept, even if just a little. However, things began to change eerily simlarly to her old school when a new girl comes, also in a similar position to her, getting transported to a new, unfamilliar world, and seemingly hailing from a similar world to the Earth she knows. She warmly welcomes her, eager to finally befriend another girl, but it seems that the girl does not share the same enthusiasm.

The girl only barely responds to Yuu's attempts at forming a friendship, and always seems to talk her in a condescending way, and often dismisses her, and especially so whenever there are any boys around.

Yuu will not deny any statements claiming she's an attention seeker or that she plays up her sweet innocent girl act, but she knows to never, ever sacrifice a bystander for it. But if someone insists on war with her... well that's another, different story. She's learnt her lesson of being overly optimistic, and she will not make the same mistake twice. She will not let her make her life a living hell more than it already is with Crowley's irresponsibleness.

Aaand thus begins the story. Or well, however you wanna continue it. I'm honestly in favour of most Housewardens (Kalim, Vil, and Idia in particular. I'll put my reasoning in a few paragraphs down) Adeuce, Tweels, and Ortho for team Yuu. Why?

Well, first of all, Adeuce. This is mostly because the duo is like. with Yuu since Day 1, as much of a bitch as Ace is, I think those two are the most likely to trust and know Yuu well enough to not believe the lies R (< Replacer) tells. Especially Deuce, he doesn't want to betray a friend he knew for quite a while, that would not be very honor student-like of him!! And she helped him out in a lot of situations too! He doesn't want to hurt you after all the trouble you go through to help him, and also knowing how horrible your living conditions are. Ace would most likely give in to peer pressure if the student body is overwhelmingly in favour of R, but as of now, he maybe enjoys your company just a bit more than R. Just a bit, promise.

Tweels I feel like is self-explanatory. Those two are perceptive as fuck istg it scares me. Jade especially. I feel like the two would just toy with R for a bit despite her facade and lies before dropping her after she bothers them for attention and favours one too many times.

(Ortho ties in with Idia so I'll explain him in Idia's paragraph)

Kalim is actually very emotionally intelligent. He can come off annoying and stupid, but from all the scenes I see of him, he's actually really good at dealing with people. Have you seen how he deals with the Scarabia residents after Jamil's OB??? The way he phrases his sentences?? He didn't force or even plead with them to forgive Jamil, he simply asks them to wait before making permanent judgements, and I think he's gonna be uncomfy with how condescendingly R talks to Yuu, and even if he's used to people going after him for money, I feel like R mostly eyeing him for money and how she "secretly" sighs in annoyance everytime she goes out of the party for a "bathroom break" will only solidify his dislike/discomfort, even if he doesn't show it.

Vil is also kind of self-explanatory if you read into his character and not just the shell the official English localization makes for him. (I could rant for hours about how the official tl portrays his character istg. He's hardworking and he actually didn't attempt to poison Neige out of pure jealousy, he did it because he felt like all his efforts to be beautiful will never be able to surpass Neige, who, in his eyes, always seemed to be innocent and naturally beautiful. He feels like the villain in Neige's story. He feels like he is reduced to what he often plays as, a snobbish, overconfident villain obsessed with overthrowing the hero. And because of it, it became a twisted self-fulfilling prophecy, pushing him to, in a fit of despair, be that same villain everyone sees him as.) I really don't think he will take well to R's condescension to Yuu, who genuinely wants to befriend R. (I actually have a whole thing in my head where Yuu and Vil occasionally have sleepovers where they do skincare together after the whole VDC thing happened. I feel like this is also a "vent sesh" of sorts for the both of them, just to air out their grievances without much seriousness, and I think Yuu would admit to wanting a fellow girl in the school that she could befriend, since no matter what, being the only girl can be exhausting.) Ik Vil's not a girl but he is such a girls' girl istg.

Idia... this mostly ties into Ortho and The STYX Incident, but like,, I think we can all agree on this one,, Idia is smart and capital V Very pessimistic. Would you rather trust the girl you've known for a while, who saw your memories, who helped you in awkward social situations when she can and is besties with your brother or some random new girl who trash talks said girl behind her back? The former, right? Plus, even if Yuu did only hang out with him and his brother because she likes to secretly laugh at him behind his back, there's mo guarantee R wouldn't do the same, given his experience. And he would rather have someone who actively helps him and his brother out than someone who wouldn't.

I didn't put Malleus in because of how canon him actually treats Yuu. I feel like the fandom kind of put on rose-tinted glasses on with his character, and kind of ignored some things like, idk... him just leaving them to fend for themselves homeless during Octavinelle... maybe he thought Crowley would offer them a place to stay but like... I'm still bothered by how didn't atleast offer a spare room in Diasomnia. He's a housewarden goddamnit. He's not as distant or scary as the rumours say but like. still rubbed me the wrong way.

Anyways I don't think my attention span will let me write it to completion so if anyone likes this and wants to write it feel free. Pls tag me if you do tho. I would love to read it :3

#was listening to all eyes on me while writing this btw #You can also insert an Obey Me crossover with Replaced AU on that end that also ended horribly #“First' the worst; maybe third's the charm!”#I don't play Obey Me though so I can't rlly construct the narrative for that one #Also I don't hate Malleus nor Malleyuu I swear #I just think we're a bit biased with his actions sometimes...#Anyways if anyone wants to just ditch the school for RSA #Valid. You're 100% valid #I just got attached to Adeuce Kalim and Vil lol #I would just run to RSA if I ever get the chance tho #Fuck Crowley noone likes Crowley 🙂😇#twisted wonderland #twst #Do I tag twst x reader???#fuck it why not it's literally based on an entire angst au anyways #twst x reader #twisted wonderland x reader #replaced au #twst replaced au #twisted wonderland replaced au #okay enough tags I'm tired #I'm not gonna tag the specific characters mentioned #I'm too tired and I don't wanna :3 #Also R is used for Replacer for this entire thing sorry #I haven't played twst for a long; looooong while but I like some of the boys too much to let go [sigh]#Also just bc it's fun to think about #Waiting for Limbus or HSR to get updated so take some twst brainrot in the meantime #I love Villainess manhwas #Ofc I would love Replaced AUs

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baalzebufo · 1 month

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ive been rewatching gravity falls starting this week only this time around I have access to the commentary tracks i've never listened to before and

lemme tell ya, I don't need any sort of 'confirmation' from a source on the show when it comes to my headcanons. but hearing alex hirsch describe his idea for gideons origins as a talented kid who was born a 'freak' with his white hair and generally weird nature being kinda ostracised by his peers. and then finding a promise of power in the journal and it unlocking a little evil in him. feels very validating to be like ahhh. we were on the same wavelength...

im gonna put some doodles I did of Even Younger Gideon here because, i've been comin around on changing my previous backstory to lean into the 'town darling' thing more oops haha

everyone in town loves him! well, the adults, anyway. because hes cute and funny. and he doesnt understand WHY the other kids DONT like him. (the 'real' reason is just, they're kids. sometimes kids are rude to people who are different. bullying happens.) and if his identity is built around 'everyone loves me!' then what does it mean if they dont? he can't tell anyone. then the facade will crack. his parents will be disappointed if they find out, he thinks. so he internalizes it. until it reaches a boiling point.

like, I totally get it- when i was a kid id have elaborate fantasies at school about doing something So Cool And Badass that everyone would like me or be mad that they didnt like me before and the ppl who were mean to me would have to suck it. but those stayed fantasies. gideon was given the power to make those real, and turned into a monster about it

#i would apologize for talking about gideon a lot lately but its my blog im not sorry #with the return of the fixation im a gideon fan first and a human being second #anyway. i like drawing him with the long braid in his past. he adopted the pomp when he got into showbiz #which only 'formally' happened once he got the amulet and convinced people he was psychic #he DID like to perform before that tho. he'd sing little songs for his dads car place n stuff.#uhhhh do i put this in the tag. yeah okay #gideon gleeful #i figure if the gideon tag is still as sparse as it used to be back in the day y'all appreciate anything ive got to show haha #alloyart

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stop-breaking-my-heart-telltale · 7 months

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I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.

#twdg #twdg clouis #twdg clementine #twdg louis #clouis #long post #happy valentine's day y'all i got you a totally normal louis/clouis analysis #i initially got you flowers but then i ate them sorry #real talk though I started out normal and slowly descended into unhinged waters while writing this... I don't know how it happened #years later and clouis still pierces my soul i am half agony half hope tell me not that i am too late-#I'm fine okay it's only louis asking clementine to carve herself into his soul it's fine #i can already hear 'it's not that deep bro' like i dunno try getting out of the shallow end and learn to swim you coward #2024 is the year cj goes full gremlin. no self-control. writes whatever bullshit her very normal mind comes up with.#apologies in advance for my bullshit skskskss

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rebo-chan · 2 months

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Hello, everyone. To today's episode of Tumblr user Rebo-chan loses her mind and assigns each and every Vongola guardian a flower that I have painstakingly searched high and low for (I wish I was being dramatic, I got too invested in this as I worked on it). Is this done in a state of mania? Perhaps, but I am diseased by COVID-19 as we speak and this is what I will do with the time I am meant to be resting with. Nonetheless we must get started. Content under the cut, because I can NEVER make a short post. It's against my core beliefs clearly.

Sawada Tsunayoshi:

The European Orange Lily (Lilium bulbiferum)

My reasoning for this starts with the fact that the "lily" itself has a lot of different meanings, but the important aspect of the lily is that its considered the spring flower and represents often meanings of renewal and rebirth. The very messaging for our sweet boy, a life restarted after he meets his mentor. An orange lily specifically has meanings dipped into warmth, joy, passion (In regards to his devotion to those he loves), 'welcoming' to new opportunities in your life (lol), and most importantly - confidence and pride. Something that he grows to be over the course of his renewal, pride in his friends. Confidence in his strength to protect them. KHR is a story about a nobody becoming somebody strong enough to protect them, even and especially when they falter themselves. It should also be noted that in Hanakotoba (Japanese flower language), orange lilies represent 'revenge and hatred'. Which I think is a factor of Tsuna we can't ignore, as sweet as he is, TYL Tsuna's actions become darker the more you think about them. Tsuna can and has killed when a villain has overstepped too far, and never forget that he just wanted to know "who" Yamamoto's attacker was. For no reason, just to look at him, maybe shake his hand lol. Fr though, that boy's made of fire, both to keep his loved ones warm and to burn their enemies. I think the orange lily fits him nicely.

Also yes, I'll do my best to color-code these flowers~

Gokudera Hayato:

A Red Fressia

So, its quite hard actually to find any sort of 'red' flowers that aren't about some sort of romantic-esque devotion. Just being a red flower inherently puts you in that category of 'passion, love, marriage' meanings when it comes to flowers. It's a real struggle, but luckily he's our only red character amongst the Vongola kids. Okay, so the Freesia is represented by the concept of friendship and ultimate trust. I think it was easier for me to find a flower that represents devotion or duty and tack it on to Gokudera, but I think that's just looking at him on the surface. The story behind the freesia is that the botanist who found them in South Africa decided to name it after his friend as a symbol of their friendship. Very lovely :)<3 For all of Gokudera's dutiful affection for Tsuna, a lot of it is based on the fact that Tsuna was his first friend and the person who he trusted first. His eventual character growth and bonding with the other guardians came as he allowed himself to trust them, when he realized that his 'duty' that he believed to be absolute was above his bonds. Rather, it's his bonds that strengthen his resolve to be the perfect right hand man. Due to the intense representation of friendship and trust, freesias are given to a loved one to represent commitment to them, not unlike Gokudera's commitment to Tsuna and therefore the Vongola family unit. It should also be noted that in Hanakotoba, freesias also have a negative meaning which is childishness and immaturity which I do feel is something that Gokudera has to work through in order to become the best version of himself and has done quite well at by the end of the series. He's our little friendship blossom :)<3 Yamamoto Takeshi: Himalayan Blue Poppy

Let me start this by complaining that 'blue' flowers are so fucking rare, it took me forever to find something matched and was also color-coded with Yamamoto, that didn't dip into too indigo, because of the rarity of a nicely blue flower. To start, blue as a color has all those lovely Yamamoto vibes of being calming, easy on the mind, tranquility, all that beautiful stuff we know Yamamoto to be. (It's almost like Amano color-coded her characters guys..) Poppies themselves got a bit of cultural significance in the West, being the flowers given to WW1 soldiers after they'd passed as a way of remembrance. They're also known for growing in desolate war-torn areas, just a patch of poppies as well as having many soldiers buried with a poppy with them in honor. With that the poppy itself has themes of death, honor, lessons, tradition and remembrance. With Yamamoto’s connection to the Poppy flower, Yamamoto himself is..pretty death-coded. HEAR ME OUT. HEAR !! ME OUT!!!! Varia arc, Squalo ‘dies’ against Yamamoto. Future arc, Tsuyoshi is killed for Yamamoto being involved with the Vongola, Shimon with Yamamoto himself getting nearly killed and then that big moment where he offers to kill Daemon in retaliation for what was done to Kaoru. While not canon as well, the primo fillers are about Yamamoto dealing with the fact he DIDNT kill daisy and how he felt he had to be less easy-natured and actually go for the kills from now on. And of course, his attempt during daily life when he could not do what he loved anymore. He’s VERY death-coded y’all. But the poppy itself isn’t just some omen of death, but the lessons one can gather from those who have passed. Yamamoto’s own battle style is about taking the lessons of those before him who carried Shigure Soen Ryu and then growing upon that to carve a new and improved future for himself and those he cares about. He adapts to their lessons, what Squalo and Tsuyoshi have to teach him. On the fly, continuing the Shigure legacy and creating more moves to eventually pass on to the one that succeeds him. In general, he carries any lessons he has up until the end of the series and tries to never make the same mistake again. Whether that’s his lessons against the Mists he’s battled, his loss against Squalo for not having a proper sword style, and though he doesn’t get a chance against Gamma again, he’s always understood the importance of teamwork. That being said, he’s not just a poppy. He’s a Himalayan Blue Poppy. You see the himalayan blue poppy has a different meaning outside that of the ones that the other poppies do. With its rarity, it also represents success, potential, pursuit of dreams, and possibility. Yamamoto is the Vongola family’s prodigy, a natural born hitman, the star baseball player on his team. Stuck at a crossroads between his dream and being able to be in a position to protect the ones he loves. An impossibly difficult choice to make, yet Yamamoto handles it with ease. He just won’t choose! He’ll do both! Which fights very nicely with the Hanakatoba meaning of the poppy. “Fun-loving” “A reminder to remember happiness.” Along with general blue color meanings of tranquility, that is Yamamoto to his core, I believe. When things get their worst, he is there to remind everyone that it is never as bad as it feels. To wash away the blood spilled, that is the role of the Vongola Rain Guardian. His crossroad isn’t an issue to him, because that’s not what he fights for! He fights to make things easier for everyone, so they may remember happiness. That sort of thing doesn’t exactly need him to make a choice on his path. Now, does it? If he’s forced to choose, he will just carve out new possibilities for himself and the ones that he loves with the lessons he’s learnt.

Lambo Bovino: Green Envy Zinnia

Contrary to the title, the green envy zinnia has nothing to do with envy. Quite the opposite, actually. The zinnia itself represents endurance (HEAR. ME. OUT LOL), lasting affection, joy, and various other things. So, the zinnia is super fucking tough, again hear me OUTTTT. They bloom all the way from springtime to autumn, something pretty unheard of from flowers which gave them their meaning. A green envy Zinnia specifically represents growth or a journey. Wishes of a healthy and successful growth. And I believe that is the hope for Lambo, as he progresses through the series. He is quite literally a child, both himself and TYL. But that’s just the thing for him, to the one that chose the guardians (Iemitsu, it’s very implied that it was Iemitsu), Lambo is an INVESTMENT. And a correct one if twenty years old Lambo was anything to go by. Not only that, the zinnia represents a joyous endurance. This doesn’t have to be painful for him, and it’s not as he’s allowed to both be a kid in Tsuna’s care while also holding on tight when told to stay out of the fight. (“You have to take the younger me wherever you go, he wants to go with you.”). And as a bit of an angsty little hehe on my part, the zinnia also represents missing those who have passed, that you remember someone and love them even now that they’re not with you. (“Seeing you all again, I thought the day would never happen. It’s making me emotional.”) Honestly, judging by how Lambo fights when he gets the opportunity to properly do it, he just isn’t weak. Destroying Kikyo’s box animal, fighting against Ooyama, and of course against Levi too. In Hanakotoba, the Zinnia represents loyalty. He is their youngest blossom, enjoying being around the one he considers a brother with hidden potentials to grow into someone with the ability to be Vongola’s shield. If the ones he loves ever make it to see that sight, of course.

Ryohei Sasagawa: Yarrow (Achillea millefolium)

Okay, so the yarrow is first of all a funky flower. If you’ve never seen OTHER colors of the yarrow flower, I implore you to google it. Especially the red ones? Why are you so pretty? Lucky enough for this flower (and me I’m starting to lose my mind here, this was a much bigger task than I thought it would be) the different colors don’t change the meaning of the flower here which is neat. It also unfortunately has no hanakotoba meaning either. So, anyway. The yarrow. It represents a warrior’s bravery, protection, and healing. The healing comes from the fact that its a commonly used herb for bruises, cuts, and sprains. There’s also huge folklore around it which affects its scientific name, as Achilles used yarrow to take care of the men he was in charge of. This flower was also used as a ward against evil, where people would hang this outside of their homes in order to protect them from evil getting inside. A superstition developed around this leading to Yarrow to be named the devil’s nettle to refer to the belief that the devil would come around and shake the yarrow that people hung up due to wanting to curse them. This flower also represents strong everlasting love, to the point where a little tradition propped up where people would shove this flower up their nostrils whenever they had a nosebleed so if they dreamt about their crush it meant that they liked them back lol. Yall there was so much rich lore on this flower, it’s super neat. More than I could fit in here. Anyway, I’m sure yall see the connection with Ryohei acting as the group older brother, being the motivating factor for them. He was the first to go up during Varia arc and set the tone for the rest of the battles, that the Vongola would win. Last to show up during future, representing that all of them had finally been reunited. A draw against Aoba, again the very first battle, almost symbolizing HOW shimon would end. He’s the strength in their arms, acting as the last person to leave in future arc until they were ready to go. Taught them and helped lead them to make decisions during that arc. It’s almost his duty to protect the younger ones, even getting up on Hibari’s case in the fillers for not helping out his younger classmen. We can’t even dismiss the way he would prefer to shield Kyoko from everything that they go through, and getting aggressive with Tsuna when Tsuna broke something he thought both of them saw eye to eye on. Not much rattles him, honestly if you pay attention to his scenes, only getting the most nervous and agitated TRULY when he fears he won’t be able to protect someone (Asking Tsuna how Kyoko reacted to the news, Tozaru getting on his case about Lambo coming to the battle) Otherwise, he’s his happy loud confident self ready to tackle on anything for the sake of the family. Destroying the misfortune that attacks the family with their own body, the yarrow represents that duty well. For every bruise the younger one gets, Ryohei has the ability to heal it. For every fear, Ryohei tackles it first. Acting as a ward and protector for his family. Hibari Kyoya

Clematis (Etoile Violette)

Clematis is a climbing flower, to start with. One of those flowers that grow along walls and vines. It’s a very adaptable flower, able to work with various environments and thrive amongst them. They’re known as the traveler’s joy, meant to wish travelers good luck and act as protection to those who pass by them. While also having a more negative reputation, having “killed” other plants by outcompeting them considered having done the devil’s work. (The plant is actually considered invasive aha oops) The clematis though, itself represents mental fortitude, cleverness, and the ability to find hope in perilous situations. Hibari himself, I mean just that back and forth reputation is just him, no? Acting as Namimori’s protector, keeping a watchful eye on the town while also being utterly terrifying for Namimori students and almost overwhelming to those competing with him. (Dino will only find escape from Hibari in death, Mukuro is the same) But, he is also undoubtedly Vongola’s wall. Similar to Ryohei, not once throughout the series really and truly faltering. The clematis itself with its representation in mental fortitude can be given to someone when they need mental strength. I think the best way to represent this is directing you to that moment in Shimon arc when Tsuna, while not physical beaten, had been mentally tormented by everything that had happened and Hibari came to his battle to Adel. A simple, but strong “Little animal, your face right now is dull. Watch my fight.” It’s in that fight Tsuna gets his mental strength back, being given a hint to answer the question he’s been stressing and faltering over. Then there’s future arc, having been the only one TYL Tsuna trusted with the plan. Kokuyo Arc, Gokudera seeing an already defeated Hibari and taking him to the battle. Varia arc, the gang realizing that if Hibari is fighting next then they may have already won it and refusing to succumb to the poison in the sky battle. Rainbow arc, Tsuna considering them in that list of people he “just expects to help him.” He has the ability to be their hope, to be another factor of their strength. Where Ryohei is holding them up on the physical aspect, Hibari is absolutely their mental strength. (Isn’t it charming that the two eldest are the pillars of their group? I think it is). Also, in Hanakotoba, the clematis represents moral beauty and order. And that’s just the kinda man who could run something like the discipline committee, isn’t? The special thing, finally is that the etoile violette represents a sense of freedom from troubles. A free man, unchained himself and choosing to help those younger than him. Sometimes for the thrill of a battle, sometimes to actually help them with the reputation of a devil. Unpredictable, but still trusted. It’s the sky that allows the clouds to roam freely, but even someday that sky will be beaten to death.

Chrome Dokuro

Lupine (Blue Bonnet)

The Lupine flower is before anything else, a second chance at life. A recovery from one’s trauma and the admiration that comes from that. Its gratitude and kindness put into one. There’s a legend around the lupine flower about a land full of drought where Native Americans had believed would be saved by selflessness and yet no one had come forward to do anything, until a young girl came forward and offered the last of her possessions. The rain came to fall at her sacrifice, and hundreds of lupines had blossomed from the ground saving the tribe from drought and hunger as the seeds of the Lupine could be harvested to be eaten. The Lupine represents that the world will always give back if you are willing to help. Chrome, from her introduction, is told to be a girl who has nothing. With two parents who want nothing to do with her and no friends by her side. She runs forward to save a kitten and is gravely injured. With neither of her parents willing to help her, Chrome wonders if she is going to die here but is offered a deal by Mukuro. It’s here that Chrome is offered her second chance and she spends the whole series trying to return the favor to Mukuro. All while healing from her own trauma, the type of trauma that “no one could care about her”, as she is offered food and bonds from Tsuna, Kyoko, Haru, I-pin, Bianchi, Hibari, and so many others. It's in her second chance that she gets to experience what life truly had to offer her, as thank you for her continued selflessness. It’s that gratitude that she represents and the never-ending desire to give when she doesn’t accept Mukuro’s assistance anymore with her organs because she can no longer give him anything now that he’s out of Vindice Prison. She resolves that she will become someone who can protect the people she and Mukuro like. Her confidence isn’t perfect and she falters quite a bit, not believing that her powers are as great as those around her. But, that’s okay, because her goodness has brought her to people who have got her back until she can figure herself out. She has Mammon to correct her when her illusions are seen through that they are well made, but she’s just dealing with professionals and that’s why they’re seen through. There’s Tsuna who relies on her blindly, never doubting her strength to protect them as he asks her to act as defense during Shimon arc and protect Enma from his attack. Alongside with Fran, she is trusted to protect Yamamoto and Gokudera in the final battle against Vindice and taken with Tsuna against Jaegar. She has a lot of space to continue growing, but Lupin also represents voracity and happiness in Hanakotoba. She has her second chance to learn all about that, or as Mukuro put it to her, “An ending is merely the beginning of another cycle.”

Rokudo Mukuro

Aconitum (Wolfsbane)

Wolfsbane is also referred to as Monkshood. This is another one with pretty rich lore with its connection to werewolves. It’s referred to as “queens of the poisons” and has a pretty negative message to it on the outside. First of all, this thing’s poison? TOUGH AS HELL. Delirium, frothing at the mouth, vision impairment, and of course the classic coma<3 It’s got an uncanny resemblance to what rabies actually looks like. Fun, right? Okay, fr though onto its meaning. Wolfsbane is an omen that danger is nearby, not unlike the unnerving feeling Tsuna gets whenever he senses Mukuro nearby. Said to have come from Hell itself, the saliva that has dripped down from Cerberus himself. Not unlike our sweet boy. But, being an omen does not always represent something bad. Is he bringing the danger to you, or is he warning you of the true danger that lies past him? It’s a little bit of both. Aconitum represents concealed wisdom and caution in decision-making. But it also DOES represent protection, a proper and true warning of the dangers of the wild. That beauty does not always mean safe. For his twisted sense of vengeance and believing that taking over the world is the only way to destroy it for the sake of what was done to him, he isn’t necessarily wrong for being enraged about what happened to him. Yet, despite his hate, he doesn’t drag those who he cares about further down into it than he has to. He sends Ken and Chikusa away when they are going to get caught, he never uses Chrome for anything besides as a vessel to help her, and he says during Rainbow arc that if he forced Fran to continue past his limits he’d be no better than those nasty adults of his past. Aconitum balances sweetly between light and darkness, similar to Mukuro. He won’t admit it, but he cares for those amongst the Vongola. He infiltrates the Millefiore and sends the Vongola information after Tsuna’s death, he helps Chrome form a barrier around Enma so he could be safe from Tsuna’s X-Burner. And, of course he teams up with Vongola’s team during the rainbow arc. These are undoubtedly kind actions, but when Tsuna gets angry at Mukuro during Rainbow claiming that he didn’t believe that Mukuro was the type to abandon his allies, Mukuro says that that was just his idea of him. Even though it was Chrome ultimately rejecting him, he instead pretended that he really was some big bad heartless person. Definitely, Mukuro is no angel, but also he’s no demon either. He’s.. just a human at the end. The aconitum’s dance with both light and dark, a flower that tries to warn, can be read both good and bad depending on how you look at it. His rejection of his ‘official’ position as part of the Mafia, yet acting as the Vongola Mist Guardian when their goals align. He’s as confusing as the duty he embodies, but he succeeds nonetheless in ensuring the family is untouchable in his deceptions. After all, the best way to fool your enemies is to fool your allies first.

#LET ME JUST SAY #When i first got this idea #I wanted to do all the vongola kid honorable mentions #Kyoko haru and the like #But I quickly realized that would have been insane #so for now heres the Vongola guardians!#It should be noted I can't represent these complex characters 100% accurately with just one flower #I'd need to make bouquets for them to do that #But I did my best!#So here's some character analysis #using flower language!#Or... is this my facade?#Using character analysis to infodump to you guys about flowers...it was a perfect excuse #I hope you guys enjoyed and I am so fucking sorry for long it is again god #I hope you guys enjoy this #lemme know your thoughts #if you agree or disagree #eakngjeh okay as for the real tags #katekyo hitman reborn #khr #sawada tsunayoshi #vongola #gokudera hayato #yamamoto takeshi #lambo bovino #chrome dokuro #hibari kyoya #rokudo mukuro #Ryohei sasagawa

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