#this is so long i am SORRY

[flowercrowngods]

who did this to you. part 2

🤍🌷 read part 1 here pre-s4, steve whump, protective (but scared) eddie

This is not happening. None of this is happening, he’s… He’s dreaming. He’s high. High as a kite somewhere where reality doesn’t matter, where it can’t fucking reach him and he’s— He’s not panicking behind the wheel with Steve Fucking Harrington bleeding against the passenger side window. 

It’s not happening. 

Because if it were happening, Eddie would simply throw up. He’d leave his van on the side of the road and run the fuck away. Away from Harrington and his trouble, away from his rattling breath that’s so loud and unsteady, Eddie doesn’t even dare to turn on any sort of music, even though he’s itching for it, his hands clenching and unclenching around the wheel until his knuckles go white. 

“Shit, shit, shit,” he mumbles under his breath, barely aware of his surroundings at all, his eyes flitting from Harrington to the red stain against the window, back to the road and then down to the white-knuckled grip and the speckles of dried blood that is decidedly not his. 

Lost in his panic and disbelief, Eddie almost runs a red light. 

It’s harsh, the way he hits the brakes, and the sound Harrington makes is pathetic enough that Eddie feels like maybe this might actually be happening. 

“Sorry,” he breathes, his voice no better than Steve’s — and he’s not the one with a concussion, a broken rib, and that… fucking fear. Of something. Or someone. 

Who’s hurting you, Steve? 

Jus’ everyone, sometimes. God you don’t… You don’t even know.

He doesn’t even know. He doesn’t wanna know. All he wants is for Harrington to stop fucking bleeding, to keep his eyes wide open and— 

“Ed,” the boy says, wheezes, and it sounds like he wanted to say his full name, but had to swallow first. Blood, Eddie thinks. Don’t let it be blood. “Think I’m… ‘M gonna throw up.” 

“Please don’t throw up,” Eddie says before he can stop himself, hating how small his voice sounds, how urgent — like that’s the thing to be urgent about. God, he’s such an ass, but he… If Harrington throws up, Eddie will lose it. He knows he will. 

He chances a glance over at Steve, who has somehow managed to get his right arm tangled with the handle at the door, keeping himself upright and safe from Eddie’s rather frantic driving style. His head is drooping, moving this way and that against the red-stained glass, and he blinks unseeingly as blood begins to trickle down from his nose and temple again. 

He’s making himself small, and Eddie wants to pull him upright and tell him to stay like that, tell him to stop looking so terrible, so horrible, so… 

So much like Eddie’s fucking problem. 

He hates it. Hates everything about that vision. Boys like Harrington shouldn’t look like this, shouldn’t hold themselves like this, shouldn’t… Shouldn’t have no one but Eddie to take them somewhere safe. 

It’s just not tight. 

“Don’ wanna throw up,” Steve says at last, the pause too long for Eddie’s liking, and he sounds so solemn about it, yet so helpless, and Eddie kinda wants to scream. Wants Harrington to scream. Anything to stay awake and maybe not ruin his car. Anything to not fucking die in it. 

“Tell me something,” he says then, because he knows he has to keep Harrington awake and speaking. Just for another ten, fifteen minutes, he tells himself. “Anything, yeah? Tell me anything. Gotta keep you awake there, you hear me? Sounds great, right, staying awake?” 

He’s rambling and he knows it, desperation shining through his words and the god-awful way his voice breaks a little. This is not about him, he knows it isn’t, but still he wants to punch himself, wants to pinch himself and stay fucking calm. 

But who could stay calm in a situation like this? The silence is filled with the horrible wheezing and rattling of Harrington’s breath barely audible over the engine, and Eddie has to look over several times to make sure he’s still there, still with him, still alive. His panic spikes each time. 

He’s just about to reach over and shake him a little, snap in front of his face to get him back, when—

“I don’t know what.” 

It’s quiet, that voice, breathy and tiny and almost invisible, and Eddie wants to scream again. 

Tell me why you’re so scared. Tell me why your old buddy did this to you. Hagan would never touch you, so why did he now? Tell me what happened to Hargrove. Tell me why you sound so fucking small. 

“Tell me about your…” He fumbles for a moment, taking a sharp left and pretending not to hear the choked-off whimper. Focusing on good things. On normal things. “Your favourite person.” 

Eddie cringes at himself the moment the words leave his mouth. Your favourite person? Really, Munson? He scrambles to find something better, something cooler, or maybe something easier like asking his favourite fucking colour, but the overthinking really doesn’t mix well with the already panicked state of his mind. And Eddie just blanks. 

Beside him, though, Harrington sits up a little straighter, smearing more blood against his window in the process that Eddie pretends not to feel nauseous about. 

God, he never did like blood. 

“You wan’ me to tell you ‘bout Rob?” 

“Sure, yeah,” Eddie says, a little too loud, a little too shrill, actually running a red light this time because he doesn’t want to brake again and hurt the boy some more. There’s no one around anyway. This is Hawkins. Fucking dead-end of a town. It doesn’t need red lights, or boys who look like Harrington. “Rob. Tell me ‘bout him, what’s he like? Favourite colour, all that shit.” 

“Her.” 

Eddie blinks, looking over to find Harrington looking at him — or trying to, his eyes still drooping and empty. But it’s a good sign. People don’t die when they look at you, right? 

“What?” 

“Her,” Harrington says again. “An’ blue. Deep ‘n’ dark blue. She’ll say something corny when, when you ask her, jus’ to fuck with you. Sunset gold or rose, jus’ to mess with… But is blue.”

Eddie doesn’t really listen, doesn’t really process what Steve is saying, already thinking of the next question just to keep him talking. But then he continues on his own. 

“Mornin’ blue dep— de… makes her sad, though. So only dark blue. Says it’s why we’re friends. You’re so blue, Stevie. Got half’a my clothes, still, she does. All the blues.” 

That's... really fucking endearing, actually. 

And he says it with a half-smile, too, bloody and pathetic as it is. Like it’s a secret that only the two of them are in on, only Steve and Robin. It’s kind of sweet. 

Not for the first time today does Eddie find himself wondering, Who the hell are you, Steve Harrington?

He exhales through his nose, ignoring the way he’s started to shake with all that panic that’s been sitting inside him for a little too long now with no way to let it out. 

“Not much longer,” he mumbles under his breath again, or maybe he just thinks very hard. Maybe he doesn’t know where he is at all. It’s like he blanks every few seconds, too busy thinking and trying not to.

Before he can tell Harrington to talk some more about that girlfriend of his, there’s a pained, confused little whine that forcefully tears Eddie’s eyes from the street for a moment only to meet hazel eyes widened in confusion. 

“Wh— Where… Where’re we going?” 

Oh no. 

“Why’m I in y—“ 

“You’re safe,” Eddie interrupts him, speaking slowly because suddenly his tongue is too big for his mouth, and not entirely sure if he’s reassuring Harrington or himself. “You’re hurt, okay? It’s bad, but it wasn’t me. I’m taking you to… to someone. My uncle Wayne, he’s— He knows about that kinda stuff. You were telling me about Rob. Remember her, Blue? How about you tell me some more, hm?” 

Eddie’s voice is unsteady with worry and fear and panic, and he’s doing a piss-poor job at hiding it. The thing is, he’s going to cry. He’s actually, absolutely, no-doubt-about-it going to scream and cry and punch a fucking hole into something when this day is over, when his van is no longer bloody, and when Steve Harrington won’t have reason to look at him any longer. 

Oh, how he wants to skip forward. Past the nausea, past the fear, past everything that’s happening right now. Maybe past the insomnia that will come with a day like this, too. 

Past all of it. 

Or better yet, travel back in time and never get to that fucking boat house. 

But he can’t. So he breathes. 

At first, through the ringing in his ears and the racing of his own heart so loud and so forceful he’s shaking with it, he worries that Steve’s gone silent again, that he’s gonna ask again, ask what happened, ask where he is, ask all the questions that make Eddie feel like he’s been doused in ice water because they’re questions that only get asked in stupid movies where terrible things happen to people. 

But then he hears him mumbling something. Numbers. 

“What’cha mumbling there, Blue?” 

“‘S her number,” Steve says, his voice slurring again, worse than before, and Eddie hits the gas a little harder. “‘S jus’ her number. Robbie’s number.” 

And he mumbles again. Over and over and over, until Eddie couldn’t forget it if he wanted to, ingrained into the frayed edges of his mind now. 

He lets him ramble, lets him repeat the number until the words slur together and he can’t separate a four from a nine anymore. Each time Harrington hesitates, each time he stumbles over the words or forgets a digit, Eddie wants to punch the wheel. 

He doesn’t. He only grips it tighter and counts down the turns he takes, the streets he passes, the fucking trees that are familiar, before, finally, the trailer park comes into view. 

The sob Eddie lets out when, with shaking, trembling hands he pulls up to his home to find his uncle having a smoke outside is deafening to his ears after the quiet weakness of Harrington’s voice. 

It startles him, makes him stop his rambles and sit up straighter when Eddie finally kills the engine. For a moment, without the steady, rolling hum, the car is filled with the small, tiny whines Steve makes on each exhale. Like it hurts to even breathe. 

“Wha’s wrong?” He asks, but Eddie can’t really hear him. Can’t turn to him, can’t— “Eddie?” 

He’s out of the car before he can take hold of another thought, stumbling out of his open door on legs that feel numb and heavy. The urge to cry is back again, the burning in his eyes only getting worse when Wayne takes in the dried blood on his clothes and hands with careful, calculated worry.

“Ed?” 

“I didn’t know what— where—- I’m… Wayne, I’m sorry.” 

“Slow down, kid,” Wayne says, raising his hands as if to calm a spooked deer. Like Eddie is the one who needs his help. And he is. He really, really is, and he shouldn’t be, because this isn’t about him, but—

Wayne grabs him by the shoulders to keep him still, and only now does Eddie realise he’s shaking again, restlessly moving his weight from one leg to the other. His uncle steadies him, gently pressing down on his shoulders to ground him, and Eddie nearly sobs again. 

“Ed. Are you in trouble?” 

“No,” Eddie scrambles to say, becoming aware of what this looks like, hiding his hands behind his back on instinct, like that’ll make Harrington’s blood disappear. “‘S not my blood, I didn’t do anything, I swear! I swear. It’s, uh. I just found him. In the boathouse, I found him, and he was… God, he looked so bad, okay, but he didn’t want the hospital, and he was, like, so scared of something, and we don’t even talk, we don’t even look at each other, but I just… I didn’t know what to do, and you know something about concussions and people who were beat to shit and, again, I’m—“ 

“Eddie,” Wayne says, his voice so calm but so assertive that Eddie shuts up immediately, gladly handing over to controls to his uncle now. “Who’s the kid?” 

He nods towards Eddie’s van, where Harrington looks to be halfway unbuckled, but his eyes are closed and his face smushed against the door again, like he just gave up.  

“Shit,” Eddie says, adrenaline and panic slowly falling from him with Wayne’s hand on his shoulder. He sags into his uncle and rubs at his face. “It’s Steve. Uh, Steve Harrington, I mean.” 

“Okay,” Wayne says, and he’s so calm. So calm. Eddie feels like he’s about to fall apart, and Wayne is the only one keeping him together, with that’d steady, warm hand on his shoulder. “And you promise me he didn’t give you trouble? Or anyone else who’ll come finish what they started?” 

Eddie shakes his head profusely, getting a little dizzy with it. “I promise I’m not in trouble. He said Hagan did this to him, was alone when I found him. No trouble, Wayne, I swear, I’m not like that, you know I’m not.”

“Okay,” Wayne says again, and Eddie wants to weep. “I know you’re not like that, but some people are, y’know? You did good, son. You did good. Now help me get him out of that car.” 

It takes his uncle tugging him towards the van for Eddie to kick back into motion, nearly falling over his feet turning back around. It’s only Wayne’s “Easy” murmured under his breath that keeps the ground from opening up and swallowing him whole. 

He climbs in on the driver’s side while Wayne rounds the car and gets to Harrington’s side. 

“Hey there, Blue,” Eddie says, his voice shaking and the nickname slipping again — but it’s easier to call him that than his real name, it’s easier to pretend it’s literally anyone else in here with him, bleeding against his door. 

It’s easier to pretend it’s not Harrington’s breath rattling the way it does, easier to pretend those pained groans so high in their cadence they can only count as whines don’t come from Hawkins High’s Golden Boy who graduated a few months ago and was supposed to be done with bullshit like this. 

“Come on, up you get,” he tells him, not daring to raise his voice too much. 

He looks so frail. Like he’s already broken. Or like he’s trying not to. Like he’s holding on. 

Eddie pretends not to think that the hand he places on Steve’s cheek to gently pry him from the window is not the only thing keeping that boy together right now. 

Harrington groans, whines, wheezes, but opens his eyes to meet Eddie’s. Jesus, we’re they this blown before? Or this swollen?

“Hey,” Eddie says, just to say something. Just so he won’t have to hold the boy’s face in silence, just so he won’t have to focus on all the blood. Just so he won’t have to hear more questions that people aren’t supposed to ask. 

Steve opens his mouth, his breath coming out a little sharper, like he wants to say Hi rather than Where am I? or When will it stop hurting? Like he wants to say How can I help you help me? 

Somehow, Eddie manages a smile. 

Wayne chooses that moment to open the door — just unclicking it, not pulling yet; giving Eddie enough time to support Harrington, make sure he doesn’t fall.

“Careful,” he whispers, though whether it’s for Wayne, for Steve, or for himself, he can’t quite tell. Maybe it’s a plea to the rest of the world, and to anyone else who will listen. 

Steve is still staring at him. That’s probably not a good sign. He leans back a little, turning Steve’s head to make him follow him. Slowly, of course. Gently. Eddie can’t remember ever having touched something like it was going to break if only he looked at it wrong, but somehow he’s hyper-aware of it now. 

Because Harrington is staring at him. Entirely too still, like he has no strength, no coordination to do anything but stare. And yet Eddie is the one who, now that the adrenaline has fallen from him, now that he can let someone else take over, now that Harrington doesn’t need him anymore, finds himself unable to look away. 

Because Steve is just a boy. And so is Eddie, who can feel Steve’s breath against his wrist. And maybe, out of the two of them, Eddie is the fragile one. The one about to break. 

“Blue, you with me?”

Steve nods. Doesn’t speak again. Doesn’t move. Eddie swallows, briefly looking back down at Wayne to see if he’s ready. His uncle nods, ready to catch Harrington should he go down, and Eddie turns back to the boy who’s smeared with his own blood.

“I’m gonna take off your seatbelt now, yeah?” he tells him, not entirely recognising his voice anymore. “That man out there, that is Wayne. My uncle. He’s safe. He’ll take care of you, okay?” 

“Safe,” Steve breathes, and that shouldn’t be the one thing he focuses on. It shouldn’t sound so unsure. So insecure. So hopeful, so relieved, so— Fucking earnest. 

Swallowing all these thoughts, all this desperation and all those questions, Eddie reaches over Steve, one hand still supporting his head and feeling the overheated skin of Harrington’s cheek against his palm, the hint of stubble and the crust of dried blood. As if in slow motion, not daring to make a wrong move and hurt him more than he already does, Eddie frees him the rest of the way, letting the seatbelt slide into its hold behind his shoulder. 

“Careful,” he says again, just to say anything, but he is careful, and his hold on Steve is steady. 

“‘M careful. Not gonna break, Eddie.” 

“I know.” But maybe I will. 

“Good. ‘Cause… Don’ wanna break.” 

Eddie smiles, despite everything. “You’re not gonna break, Blue. Wayne’ll catch you.” 

Harrington loses his focus then, his eyes glazing over, but the small smile on his lips widens. “Blue. ‘S nice.” 

Yeah, Eddie thinks. He kinda is. 

Somehow, miraculously, they get Harrington out of the van and into the trailer. He throws up halfway to the doorstep, and Eddie curses under his breath while Wayne talks quietly, asking him yes and no questions that Eddie can’t really hear through the ringing in his ears — a strange mix of fear and relief, a panic not quite over, but soothed by his uncle’s familiar voice; even if it’s not directed at him.

“Don’t worry about it, kid, the next rain’ll take care of that. Stop apologising.” 

It throws him then, rather suddenly and violently, watching Wayne supporting Harrington, watching the blood smeared boy with the swelling, angry red bruises in his face. Somehow it’s different, seeing him in his home. 

This was always a safe space. Always void of everything terrible. 

And now there’s a broken boy on his doorstep who’s not Eddie. 

He remembers the fear, the panic, the plea for no hospital, Eddie. Can’t go there.

Why not? You need a doctor—

Monsters. Only monsters there.

It paralyses him and he stays where he is, holding the door with an arm that’s heavy like lead, standing on legs that begin to go numb again. He watches, but not really, as Wayne sits Harrington down on the living room couch, between magazines and brochures and some of Eddie’s calculus notes from last night that he was searching for a sketch of a monster he was so certain he’d drawn in the margins a few weeks back. 

Now there’s blood on his calculus notes. And Eddie is helplessly keeping the door open as though he’s going to run away any second now. Letting in more trouble to join Harrington on his couch. 

He should… He should close the door. Help. Run. Disappear. 

“Ed,” Wayne calls, snapping him out of his stupor. “The first aid kit, please. A bottle of water. A clean, wet cloth. A blanket, too.” 

Wayne talks him through it, takes it one step at a time, has Eddie bring him one after the other like he knows how much he’s keeping his nephew together by keeping him on the brink of usefulness.

Soon, Wayne has everything he needs, taking care of Harrington and his wounds, keeping him awake and talking so much better than Eddie did, even making him smile here and there, hiding his wince when the motion pulls on his split lip or the huffed breath sends a jolt of pain through his rib that Eddie is absolutely certain must be broken with the way he holds himself — with the way he lets Wayne hold him up. 

Wayne is doing his thing and Eddie is hiding, gripping the kitchen counter like a vice, staring both unseeingly and hyper-vigilantly as exhaustion washes over him, dragging him under and draining him of more than adrenaline. He slumps against the cupboard behind him, rubbing at his face like that’ll make it all go away. 

It’s not right. It’s not. This is Eddie’s home, it’s supposed to be safe, it’s not… 

He breaks away, ripping his hands from the counter and all but stumbling outside, heaving a deep breath and giving in to the urge to cry. Tears spring to his eyes and he wipes them away angrily, because it’s dumb, it’s so stupid, it’s absolutely fucking insane that he should be so worked up when Harrington talked about dying earlier. 

These things don’t happen. They don’t! 

“Stop fucking crying,” Eddie grumbles, sniffling and wiping away more tears as he closes his eyes against the afternoon sun. “Get a grip, Munson, Jesus Christ, there’s no reason to cry you big fuckin’ baby.” 

Nobody’s there to contradict him. Nobody’s there to make it worse. So he lets his eyes sting for a while, lets his lips wobble, his jaw clenched shut, the balls of his hands pressing into his eyes, breathing deliberately. 

In. Hold. Out. Hold. 

He doesn’t even scream. Doesn’t punch the still bloody side of his van, doesn’t run into the woods and disappear into the void. 

He simply breathes. Tries not to think about boys dying in mall fires, and even less so about boys beaten and abandoned in boat houses.

Doesn’t think about fucking Hawkins in Bumfuck-Indiana and the cursed way it has, driving its people mad. 

Doesn’t think about, They said my brain is hurt, Eddie. Doesn’t think about the Monsters Harrington mentioned. Doesn’t think about Blue, doesn’t think about I’m tired, Eddie. Don’t wanna hurt anymore. 

Doesn’t think about blue, blue, blue. 

He’s shaking when he comes back inside. He’s shaking when Harrington meets his eyes, looking a little clearer now, the blood washed away and everything bandaged a lot better than Eddie managed. He’a bundled in Eddie’s blanket. It’s wrong. It’s so, so wrong. 

Eddie can’t move, and neither does Steve. 

“Steve,” Wayne says, waiting until those eyes tear themselves away from Eddie and back to him, though Eddie sees them fill with such trepidation, he almost asks what’s wrong. “I won’t hear a no on this, and I won’t let you go home. I’m taking you to the hospital. Especially if you tell me your head was hurt like this before, more times than one.” 

“Three,” Blue breathes, a little dazed still. Not magically healed, not even from Wayne. Another thing that doesn’t feel right. 

“Three times,” Wayne says, nodding, like he’s encouraging Steve to continue. 

“But I don’t want a hospital.” Again with that tiny fucking voice. Like the Monsters are hiding under hospital beds. 

“I know, son,” Wayne sighs, tugging the blanket a little tighter around Steve, and Eddie’s eyes begin to sting again when he notices the tone Wayne uses. When he realises. When he remembers. 

”I want my mom.“ 

”I know, son. But she’s not coming. Your mama is gone, Ed, and this is your home now. Think we can make that work, hm? You and I?” 

Eddie had never felt so lost as he did then, clutching his blanket to his chest, burying his face in the wet fabric even as this man — his uncle — tugs it tighter around him. Like he is fine with Eddie wanting to hide as long as he doesn’t run away. 

He had shrugged, then, even though we wanted to shake his head, tell him no, tell him he wanted his mama. 

”I’m scared, uncle Wayne.” 

And Wayne had smiled a little, and nodded. “Then we do it scared, Eddie.”

Actually, Eddie feels like he never stopped doing it scared. 

And now there is Steve, who Eddie never believed knew what being scared felt like. It’s dumb, of course, because even Harrington is just a boy, but he was always untouchable to Eddie. They never talked. They never existed in the same space together, not in a good way and not in a bad way. Their worlds just never aligned, never collided, never coexisted. 

And now… 

“I’ll tell you what’s going to happen, okay? There’s a doctor, Doctor Clarke. Like— Yeah, like your science teacher, remember him? ‘S got a brother who’s just as much of a genius, and just as kind. He’ll take a look at you, yeah? Make sure your brain isn’t too hurt, clean your wounds, give you something for the pain. He won’t, uh. He won’t hurt you, kid. Whatever’s got you so scared, Dr Clarke will be nice to you. Especially when I’m there with ya, I’m an old pal of his. And I will be. Won’t let you outta my sight until you’re well enough to run away from me, you hear me, kid?” 

Eddie’s hands are hurting, his fingertips raw from where he’s been biting his nails while Wayne talks Blue through what’s going to happen — and he wonders, with the way Steve’s eyes are glued to Wayne, if he ever had anyone talking him through shit like this. 

“Okay,” Harrington breathes at last, still sounding way too small. “But. I’m…” 

“Scared anyway?” Wayne offers. Steve nods. You’re so blue, Stevie. “Then we do it scared anyway.”

And they do. Wayne goes to get the car so Steve won’t have to walk too far, leaving Eddie alone with him for a brief moment. 

He watches, from his place in the kitchen, how Steve’s face falls into a look of utter exhaustion and tiredness; the adrenaline washing from him just the same. Eddie wants to reach out. Wants to say something, break the spell of tension and silence and I know we don’t talk, but I’m glad you’re doing a little better. I’m glad you’ll go see a doctor. I’m glad you haven’t died, I guess. Do you really think you will? Are you really so scared of that? 

But Eddie keeps biting his nails, and Steve keeps his eyes closed, blanket around his shoulders. And they don’t talk. 

“Thank you.” 

Eddie perks up, not entirely sure he didn’t imagine the words — but Harrington moved slightly, his eyes still closed but his face now turned towards Eddie. 

“For, uh. This.” 

“I didn’t do shit, Blue,” Eddie says. “That was all Wayne. All I did was freak out, I promise.” 

Harrington shakes his head, though, slowly. “Mh-mm.” 

Eddie’s mouth snaps shut, because there is no room for discussion here. They don’t talk. And he doesn’t want the bubble to burst with insecurity and sourness. 

“Thank you,” he says again, and he sounds final about it. It makes Eddie wonder what he’s like, really like, when he doesn’t consist of pain and nausea and disorientation. 

He has a feeling that, despite everything, despite Monsters under hospital beds and torture in boathouses and mall fires that kill teenagers, Blue Harrington might be someone good to talk to. Compassionate as shit, even when all he wants to do is pass out. 

“You’re welcome,” Eddie rasps, pretending that his eyes don’t sting.

He wraps his arms around his chest like he’s hugging himself, or like he’s holding himself back. From reaching out, from asking, from telling, from talking. 

Unwittingly, even with his eyes closed, Steve mirrors him, and Eddie wonders if he, too, it holding himself back, or just curling in on himself some more even though it must hurt, feeling so small. 

Maybe that’s what fear of death does to a nineteen year-old. It’s so fucked up. Eddie wants to scream again. 

Outside, he hears a car door fall shut just before Wayne reappears in the door, giving Eddie some kind of meaningful look that he wouldn’t mind deciphering on any other day, but today he fears he needs words. 

“I don’t know how long this’ll take. Will you be okay, Ed?” 

“Will I be— Yes! I’m not the one with the concussion, man, of course I’ll be—“ 

It’s a bluff, comes too fast, and Wayne sees right through it before Eddie even realises it, and he steps closer. A warm hand on his shoulder. His eyes stinging again. 

“You did good, kid. Everything will be fine. But it might take a while. It’s fine if you need to go somewhere, just… Don’t drive. Call Jeff if you need someone, just. Don’t do anything stupid. And don’t get behind the wheel. Deal?” 

Eddie swallows hard, hit by another desperate, aching wave of I wanna go back in time and skip this day. A wave of tired exhaustion and wondering, aimlessly, just who the fuck Steve Harrington really is. 

“Deal,” he says, and Wayne pulls him into a hug. 

Eddie follows them outside then, trailing behind them like a lost little puppy, helping Harrington into Wayne’s car. His movements are still slugged and a little disoriented, so Eddie decides to lean in again and fasten his seatbelt. 

“Careful,” he mumbles, allowing the boy a moment’s warning, a moment to adjust before the weight settles on his chest. 

Dejá-vù hits him and makes him pause, with Harrington staring at him again. 

“I’m careful,” he says, the corners of his mouth tugging into a little smile.

More lucid than earlier, and Eddie thinks it that which takes his breath away for a moment. 

“Not gonna break, Eddie.” 

“I know,” he says, still not moving back, instead reaching up to tighten the blanket around his shoulders even though the seatbelt is already there to hold it in place. “You’re not gonna break, Blue.” 

The smile on those lips is genuine now, gentle enough to not be ruined by the blood crusting them. 

“Thanks. Again.” And then, when Eddie finally pulls away to close the door and tell Wayne to drive safely, “I really do like that name.”

It soothes the urge to scream.

Eddie closes the door as gently as he can — which isn’t much, because the car is old and not exactly smooth. 

“I’ll see you later,” he tells Wayne. Promises. To stay out of trouble, to stick around, to not run away for a while again, to stay out of his car. 

Wayne nods, a faint smile on his lips. 

“Later, Ed.” 

And then they’re gone, and Eddie is untethered again. Wonders, for a few seconds every now and then if it really happened, if this is real. 

But it did. And it is. 

And after sitting on the steps for a while, having a smoke and staring at where Wayne’s car disappeared ten, twenty, forty minutes ago, Eddie heads inside. 

He has a phone call to make.

🤍🌷 tagging: @theshippirate22 @mentallyundone @ledleaf @imfinereallyy @itsall-taken @simply-shin @romanticdestruction @temptingfatetakingnames @stevesbipanic @steddie-island @estrellami-1 @jackiemonroe5512 @emofratboy @writing-kiki @steviesummer @devondespresso @swimmingbirdrunningrock @dodger-chan @tellatoast @inkjette @weirdandabsurd42 (a thousand percent sure i missed some but oh well such is the 3am disease)

addendum 22 jan 24: onwards to part 3

[snowddeong]

im sorry if that came out wrong im not fluent in english so things might come of wrong. but idk why you guys suddenly started being rude to me. i like your plots and concepts i just dont see yeji g!p and wanted to know if u ever would write ryjin g!p. there was never meant anything bad by it. i guess i got my answer and thats fine but there was no need to be suddenly rude

Again, I'm taking this in good faith so I will respond but hopefully this'll be the last of this discussion.

If you meant no harm then no hard feelings, thank you for the apology.

As for me and my fellow writer buddies "being rude" I don't think readers understand how frustrating it can be as a writer to see people send stuff that basically amounts to "fuck this thing that you like to write you should probably write this thing that I like". A lot of readers will never actually engage in our works beyond demanding for more and the intention might be flattery but it comes off as entitlement when you phrase it in a certain way. A lot of work goes into writing lmao it may seem like a simple thing but it's not. When you put a lot of work into something and see someone say they'd rather you write something else in what seems to be a super passive aggressive way ofc it'd be annoying. I think writers are allowed to be annoyed when we do so much only to be reduced to content machines and I don't regret being pissed nor will I hide my irritation if this kinda thing happens again.

You've said that wasn’t your intention and I'll believe you on that but you used the same sort of language that those people do and that's why me and my friends reacted the way we did. I don't think I have to apologise for feeling frustrated about your comments and sharing that frustration with my friends so I won't give you an ingenuine apology or say some dumb shit like "sorry you feel this way" but I will say we're cool. It's all water under the bridge for me and if you think I'm an asshole that's also fine I probably am lmao but I hope that at least you get why it pissed me and other writers tf off.

Idk if you'd like some advice but as a general psa you don't have to tell a writer you don’t like something they write a lot. There's a difference between criticisms and taste and considering this is a taste sorta deal there was no need to include that bit about not enjoying Yeji gp. Going "hey your writing is cool got any ryujin gp stories" would have sufficed. Heck there's ways to disagree with someone and not sound rude, I know I have a reader that doesn’t really vibe with Yeji gp but their ask never had any implication that I should be writing something different. It was a nice little interaction with someone who sees things different from me but still appreciates my work.

Sorry this is so long lmao I wanted to try to be as clear with my thoughts and give as much grace as possible because I'll be honest seeing someone call me and my friends rude for sharing frustration over something that we go through way too often has pissed me tf off. That wasn't your intention so you don’t deserve my ire but like I said I'm not going to hide my feelings about this sort of thing.

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[buggachat]

im gonna be honest i think the "adrien being a sentimonster was randomly thrown in season 4 with no planning on the writers' part" theory is really funny. like the writers of this show are just so bad at their job and so stupid that they tripped and fell in season 1 episode mr pigeon and accidentally spilled "a strange relationship to feathers" all over adrien by accident. they stubbed their toe on the coffee table and accidentally set up a mystery surrounding emilie's relationship to a feathery miraculous in season 1 volpina before we even knew what its powers were. then they spilled coffee all over their favorite shirts and at the same time spilled more white feathers around adrien in season 2 episode gorizilla. while writing the same episode someone had a really nasty sneeze and got boogers all over the script that said "use the imagery of two twin rings intertwined as the opener for the film of adrien's dead mother". they forgot to look both ways before crossing the street while writing the season 2 finale and were struck by a truck labeled "the peacock miraculous gives life" and then by a second truck with the license plate "it does so using white feathers identical to the white feathers that surround adrien in his ads" at the same time. they plummeted down an open manhole and hit the ground with a loud whack that sounded like "sentimonsters like bugette are just as real as any human..... and isn't bugette so...... perfect?" in season 3. on their way to the hospital they slipped on ice that had frozen in such a way to perfectly resemble the sentence "the word 'perfect' is consistently used throughout the series and by the creator ominously to denote how characters like adrien and kagami are 'different from everyone else', ever since season 1 episode simon says". during season 3 someone on the team got food poisoning and when they threw up felix came out instead and started another whacky series of comedic errors. the answer to the mystery of "how and why did emilie die? what life did adrien's loving mother create that she was willing to die for?" was originally gonna be "idk maybe she just exploded or somehting" probably, but then there was a really painful rock in one of the writers' shoes while walking to work that put them in a mood so bad that they forgot their original plan and instead made some bullshit up that somehow ended up being something that made sense with what we knew and put all the puzzle pieces together and actually made the show even more interesting and impactful on a rewatch because it put a lot of shots that at the time seemed random into a new and logical perspective as clear foreshadowing. it's actually impressive how stupid these silly clown writers are that they put strangely specific things so consistently throughout the entire series that resembled foreshadowing while never actually having intended it a single time! like........... really.......... really impressive............... i think..............

[sturgeonposting]

Gingerbread sturgeon

HES BEAUTIFUL AND HE MIMICS THE LIFE CYCLE AND GROWTH OF THE GENUS HUSO!!!!!!!!!!!!!

[egophiliac]

so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!

god I hope this reads properly

[keirahknightley]

Costume appreciation series: Barbie (2023) dir Greta Gerwig

Costume Design by Jacqueline Durran

[chubbychiquita]

[shmaroace]

don't get me wrong, i love all the positivity around being aro, like "be proud of being aro!! love who you are!!", but we never talk about how hard it is to reach that spot. so here's to the aros who are still trying to understand themselves, who aren't proud of who they are yet, who are still coming to terms with their new identity.

[paponela]

how long do you think he took to figure it out

[lxnarphase]

Screaming, crying, violently shaking the bars on my enclosure for thigh grinding. Please.

i had to let this marinate for a little, this is actually so good i love the idea of just plopping yourself on their lap, straddling their thigh when you want their attention when they're doing something. and you gave me free reign on who to write so i am in heaven with these thoughts. i thought about adding 'who would pretend to not notice' and 'who would make you do it until you squirt' but i think i already got carried away with this little thirst ❤︎

WHO ENCOURAGES IT: g. suguru, n. kento, h. kinji, f. toji

the second you sit on him, his attention snaps to you, inquisitively raising an eyebrow. but once you tell him to focus on what he was doing, he bites his lip as he feels you grinding yourself on his thigh.

suguru's abandoned his show, leaning back on the couch and putting his hands on your waist, guiding you back and forth against his leg. "oh, pretty babyyyy, go on, grind on me. does it feel good?" he's a little upset you aren't facing him, but whenever you turn your head over your shoulder, he coos at you so sweetly. he even brings his hand down to your front, playing with your puffy clit through your soaked underwear. "look at you, your gonna get my leg all wet...tsk, you're gonna lick it up for me after, right?" kento turns a pretty shade of pink, chucking as he shakes his head. he texted you only 2 minutes ago, responding to you pouting and asking when he'd be done with work, he didn't think you'd show up this soon. "have i been neglecting you, honey? mm, i'm sorry, love. you can keep going," he encourages, his hand on your lower back as he looks up at you from his leather desk chair. oh, he could never get tired of his view. if he could, he'd have you sit on his thigh every time he worked in his office, but...he knew that wouldn't work out, he'd never be able to get work done with you sitting all pretty on him like this. "i'll take a break from work, okay? mhm, just for you. now keep going, honey, i want you to feel good." kinji stops everything immediately. "well, hi to you too, cupcake," he whistles, his hands instantly starting to rub up and down your sides. "needy cunt wanted some attention? aww, she needs her kinjiiii, ain't that right, doll?" his hand trails down and smacks your ass before grabbing a handful. his eyes are lidded but filled with excitement. oh, he looooved when you took control of your pleasure and used him to feel good. knowing that you needed him so badly that just grinding on his thigh could make you cum made his ego shoot through the roof. "c'mon, wanna have you soak my thigh before i touch you, baby, lemme see how messy you can get." toji is pleasantly surprised when you come to him with that pretty little pout, cooing his name in just his black sweater. his thin pajama pants can't be that good to grind on, the fabric isn't nearly rough enough, but he can feel how hot and wet you're getting, how sticky your panties are getting. seeing how you're getting frustrated, toji just lifts you up and plops you on his dick. "hey, pretty mama, you strugglin'? mhm, yeah, i knowww. my pants aren't enough for that pussy t' cum, are they?" he helps you move your hips back and forth, lazily smirking up at you. "yeah, that feel better? grindin' on my cock instead? y'so pretty, mama, so so pretty."

WHO CUMS IN THEIR PANTS: g. satoru, k. choso

it's hard not to get turned on from seeing you hovering over him, eyes lidded and filled with need, using their thigh to get yourself off. you just look so fucking gorgeous they can't help but move you off their thigh to their lap.

satoru lets you grind on his thigh for a little bit, kissing all over your neck as he fucking giggles into your skin. when he gets that pretty whine of his name after mouthing your pressure point, he pulls you onto his lap, grinding up into you. "baby, baby, baby, you're so cute, s'fuckin' cute! f-fuck, shit, 'm gonna cum, h-haah, you'd gonna make me cum in my fuckin' jeans, c'mon." he lets out the filthiest moan, laughing deliriously as he cums in his jeans. he barely gives himself a second to breathe before he moves you onto your back on the couch, sliding your panties to the side and pulling out his cock that's still hard and covered in his cum. "tsk-tsk-tsk, little dumplinggg, you made me waste it, 's a baddd girl...now i gotta fuck you 'til it leaks out, m'kay? my cock feels so much better than my thigh, angel, let 'toru into this lil' cunt." choso looks up at you with wide eyes, and you barely get to grind on his thigh before he whines, slowly pulling you towards his lap where his hard dick is pressing against his shorts. "b-babe," he whimpers, finally feeling you grinding against him directly. "y-you, i-i, mmn, i can feel your pussy, y-you're grindin' right on the tip, keep going, p-please?" he's activitly fucking up into you, uncaring that his gym shorts are getting soaked with his precum, eyes rolling back in his head as he keens your name. "pleasepleaseplease, 'm gonna cum, lemme cum, i wanna cum against you like this, please!"

all rights reserved © lxnarphase | do not repost, copy, translate, or alter my work

[terristre]

Okay if requests are open can I kindly request malleus and grim silliness?

Also hi hello I love your art sm :3 it's so silly and cute :33

best ive got is some cocomelon shit

[drawerbread]

first flower of my house

(aka harrow can’t catch a break in my drawings)

alt version:

[katabay]

PERCEVAL THE UNHAPPY, THE MISERABLE, THE UNFORTUNATE, THE FISHER KING!

Perceval, de Troyes (trans. Burton Raffel)

ALRIGHT alright. so previously I did an illustration that explained the premise of all this, that it's inspired by the narrative choices that Bresson made in his film Lancelot du Lac etc

to dive in more into it (because this is something like derivative fiction. I'm putting concepts into a blender and seeing what comes out of it): the setting is haunted by the previously existing narratives that started cannibalizing each other until it regurgitates itself into the more well known narrative beats, and something else about the invasive rot of christianity and empire mythmaking into settings. it's an intertextual haunting, if you will! and this scene takes place during the grail quest narrative, but the temptation of Perceval plays out differently.

in both Chretien (and Wolfram's) Perceval narratives, what 'wakes' Perceval up (in more ways than one. desire and self actualization in one go!) is seeing knights, something his mother tried hard to keep him from. so instead of the temptation of lust & etc in the Morte narrative taking the form of a lady, it takes the form of a knight. the temptation to renounce one's faith to serve something else remains.

so Perceval still stabs himself, but instead of continuing on the grail quest in the shadow of Galahad, he becomes the narrative's Fisher King because his earlier state of being as a the grail quest hero is creeping back into his marrow. it was waiting for an opening, and stabbing yourself in the thigh is one hell of a parallel!!!

that wound isn't going to heal buddy, and the state of the setting will now be reflected on your body. sure hope that Arthur hasn't like. corrupted the justice of the land or anything. that sure would suck for your overall health.

all the red in this sequence is because in de Troyes' Perceval, Perceval takes the armor of the Red Knight and becomes known as the Knight in Red.

and now for the citations, which I will try to order in a way that makes sense!

Seeing Knights For The First Time

Perceval, de Troyes (trans. Burton Raffel)

The Temptation of Perceval

Le Morte Darthur, Mallory (modernized by Baines)

The Fisher King, and Perceval The Unfortunate

Perceval, de Troyes (trans. Burton Raffel)

On Perceval and Gender, etc.

Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey

On Wounds

Wounded Masculinity: Injury and Gender in Sir Thomas Malory's Le Morte Darthur, Kenneth Hodges

The Red Knight

Perceval, de Troyes (trans. Burton Raffel)

On Arthur and the Corruption of Justice

The Failure of Justice, the Failure of Arthur, L.K. Bedwell

[jamnsketch]

just like the pet you couldn’t keep

[overtake]

"With age on his side, he could yet go onto break all the records to be the most successful of all time."

Quotes from: x, x, x, x, x, x, x, x, x