#on another note about ofmd

[shiv--roy]

taika has been so fucking annoying for the past couple of years but goddamn if he didn't bring all of his acting skills to the table for this season of ofmd

[chibi-scone]

It’s been said before and the fact that I’m an Izzy simp aside like having a character who survives the most certain death shit ever (shooting himself in the head at point blank) and literally being nicknamed by another character “indestructible” and then become a symbol of protection for a whole group of people die from a fucking bullet to the side that was established in universe to have no vital organs in order to “atone for his sins” or however you wanna spin it and have him say he wants to go after (see point one) literally trying to kill himself in the show that is literally about growth and betterment of the self in a cruel world that wants you dead and where the main (and mostly queer) characters survive the most batshit insane injuries is like COSMICALLY stupid writing like I don’t even understand how you get there and the fact that it’s supposed to be a kind/ happy/meaningful ending is beyond me

[arsenicflame]

i am once again asking that you stop making Izzy being loved contingent on him fundamentally changing who he is

[xoxoemynn]

For OFMD Tumblr friends who want a S3 and are scared of Twitter

First, no judgment from me. I very much get it. I resisted Twitter for a long time, and even though I'm now a bit more comfortable on it, it's still not my Fandom Home. There are a TON of valid reasons not to be on Twitter, but if you REALLY want to keep OFMD visible right now and help its chances of returning for a third season, Twitter is the best place to do it. Like it or not, Twitter is still the best social media platform for raising awareness and for instant news updates.

Tumblr posts don't make headlines. Topics that have been trending on Twitter do. And if we want this show to come back, we need to make OFMD impossible to ignore.

By now you've probably seen just how close we came to a S3, and if you're like me, you are RAGING and donning your battle jacket. But I get it can be intimidating to get on Twitter for the first time, so I thought I'd address some common anxieties I see. I'll put below a cut because this got a bit long, but I promise it's a quick read.

I don't know what to say! Where do I even start? That's okay! You don't have to create your own tweets (although it's great if you do). Amplifying other people's posts is also important. Go ahead and like/retweet/reply to other people's posts. This may also help you get an idea of what you may like to say in your own tweets.

Hashtags...yes? Yes! Although don't use too many or you may get flagged as a bot. The biggest one that seems to be emerging is #SaveOFMD. Other popular ones are #RenewAsACrew, #RenewOurFlagMeansDeath, and of course, #OFMD and #OurFlagMeansDeath.

Should I just be tagging all the streaming services? Per @renewasacrew, no. It's counterproductive. You'll want to tag one streamer at a time and be specific. Below is an example of a tweet I made the other day -- use specific reasons why that that particular streamer may benefit from picking up OFMD.

I'm scared. People are mean. Yeah, people are mean. But I will say the vibes over at OFMD Twitter are currently the best I've ever seen them. People seem to have united for the greater good and are being overwhelmingly positive and just trying to do whatever we can to save the show. (That said, again, I already had a pretty curated feed, and was very liberal with blocking users/terms I didn't want to see, but I've been able to spend so much more time in the For You tab than I ever have without being jump scared by something.)

But I don't know anyone there! Wouldn't I just be shouting into the void? Not if you use the hashtags! Fans are being really good about following those and engaging with the tweets. Plus, [Stede voice], I'm your friend. I'm xoxoemynn over there as well, I'll follow you back and engage with any of your posts that I see. Plus, what's been REALLY lovely to see is that SO many lurkers have come out of lurkerdom to support the efforts, and they are being welcomed with open arms, so you will not be alone. Again, I am telling you, vibes? Best I've ever seen them.

I can't get sucked into another social media platform, I don't have the time. The beauty here is you don't need to spend a lot of time. I've been on Twitter more in the past week than I have in the entire year I've had an account, and I'm still only on for maybe an hour total the entire day? I open the app, I check a couple accounts, I engage with a handful of posts, and I close the app. It takes all of five minutes. It's an extremely small lift that can have a very big impact.

My bet is on Zaslav expecting us to be upset, and that there may be a day or two of outrage, but then we'd move on. I'm sure right now he's trying to convince everyone that this is a fluke, and that it'll blow over soon. Don't let him win. Keep OFMD in the news. Be loud (but polite) and make Max and other streamers take note of what a passionate, loyal fan base this show has. Make their stocks continue to drop. Make it clear this is NOT just a fluke, it is NOT business as usual. It's a BIG fuck up with lasting consequences.

Twitter, for all its sins, is the best place to do this.

Now let's get our damned show back.

[piratecaptainscaptainpirates]

Rewatching a few episodes of OFMD tonight, and I'm always struck by how these incredibly talented actors manage to deliver some of their lines in such interesting ways to tell us more about where their characters are.

The way Rhys Darby delivers "and what makes Ed happy?" in s1e9 is a perfect example. Another actor probably would've chosen to go with a more direct or even flirtatious approach with that line; it would've been so easy to make it sound cocky. But it's clearly just a genuine, earnest question. Stede is really struggling, he hasn't yet realized Ed loves him, but he genuinely just cares about helping Ed do what makes Ed happy.

"Do you wanna do something weird?" is just...brilliant. Again, that's a line that could've been really cocky, or just played for laughs, or otherwise unremarkable. But it's delivered with vulnerability. It's a sincere expression of longing, you can tell Ed's not sure how his idea is going to be received.

Both "you wear fine things well" deliveries are fucking perfect. They're sweet, earnest, tender - lovely without being overly flirtatious in a way that could've detracted from the genuine, natural romance of the moment.

And, in a twist, a moment that never fails to make me laugh is how Nat Faxon plays the Swede's line "on the day I was born, the rain looked just like blood" with a very flirtatious cadence. Perfect, 10/10, no notes.

[citrineghost]

I absolutely cannot get over - of all the things wrong with this season of OFMD - the abuse apologism.

Listen, hear me out, I understand that they're violent pirates. I understand they brutally murder and kill people and steal their shit and ruin lives. I get it.

The problem is, you cannot make a comedy about pirates and put a focus on the therapizing and emotional openness of the crew, making the fact that Stede showing up has them healing and talking and being emotionally more healthy as a major selling point of the show only to use that therapy-speak as a way of justifying abuse apologism.

They all hurt people, yes. The thing is, they're not supposed to hurt each other. They're supposed to be a family. The violence and abuse is supposed to be outside of the family network. They're supposed to be at home around each other, even if everyone there isn't great all the time and can sometimes be a bit toxic or unhealthy. Overall, in season 1, the message was, "We can get through this together." "Talk it through, as a crew."

Instead, season 2 dives directly into Ed committing atrocities against his own crew, giving most of them some combination of PTSD (which is clearly worse than any they've experienced before, because their personalities and ability to interact with people is completely altered), dissociation, hypervigilance, etc. Then, when they finally beat his ass and try to kill him because of the abuse, Stede fucking Bonnet shows up and is like, actually! I think you all should give him another chance!

The following episode(s) are so fucking hard to watch.

You've got people jumpy around him, terrified he's going to hurt them, all the while Stede encouraging them to just get over it and forgive him. He pushes for Ed to try to "turn poison into positivity." Basically encouraging the notion that if your abuser apologizes and then acts nice, everything should be fine and peachy.

The fact that this is bullshit is mentioned, I believe, only once, when someone noted that Edward didn't even use the words, "I'm sorry," during his apology.

This isn't just perpetuated by Stede, it's also perpetuated by Black Pete. He says to Lucius, "I feel like you're not even looking at me, you're looking through me." and then, when he sees that Lucius is drawing Ed's head on Pete's body (I guess meant to be some comedic take on traumatic fixation), he isn't sympathetic at all, he get's mad that he's not focused on him, and says something along the lines of, "You're so focused on the bad that happened to you but I haven't heard you mention once that you're alive."

This is such a heartwrenchingly common form of abuse minimization that it's nauseating to think about. This idea that, oh, you may be traumatized but actually you're not dead so who cares? Be grateful! Get over it!

And, unlike it being pointed out that Ed didn't say the words, "I'm sorry," this scene is never criticized by anyone in-show. Instead, Lucius appears very guilty and then draws a picture of Black Pete as an apology, telling him he's right.

He wasn't right. That's a fucked up thing to tell someone who was almost killed and then experienced extreme trauma following that. He made the entirety of Lucius' trauma an affront to him. Because Lucius was thinking about his trauma and not him.

Now the worst thing about all of this, to me, is that once this episode is past, it's treated as if everything is resolved. Oh haha funny, Ed walked around the ship with a cat bell on his neck for a few days so he couldn't sneak up on people! So cute and quirky!

It's fucking not! They should have thrown him onto a deserted beach and left him there. I'm not saying Ed should never be allowed to have anything good again in his life, I'm just saying it shouldn't be the crew he traumatized and abused. They don't deserve to have to live with him. They shouldn't be expected to forgive him.

Don't even talk to me about how they made a, and I quote, "Safe Space," and then Ed showed up to it. Like he had any fucking right to be there. When it was a Safe Space meant to be specifically an escape for the people he abused and traumatized. As if he, too, was a victim of him abusing them.

And on top of all of that, the fact that, as he's dying, Izzy is taking all the blame for Ed's actions as Blackbeard - another of Ed's abuse victims - and is treated as if that's the peak of his emotional development. It's not. That was where his development plummeted. He had seconds left to live and he used them to absolve his abuser of his guilt because he loves him and didn't want him to feel as bad when he died.

I was not a fan of Izzy in season 1. He was the biggest cunt on the ship, and he did encourage Ed to be a worse version of himself. But that doesn't mean his cuntiness justified him being mutilated and abused daily. We can only put so much of that on him. Ed had the power to say no. He had the power to be moderate, even. He had the power to be violent and terrible to people outside of their crew. He took Izzy's words and he ran with them - waaay further than he had any conscionable right to.

But this post isn't about season 2 Izzy. It's about abuse apologism, which I feel made up a significant portion of this season's content. And I'm just fucking furious about it.

I'm not saying shows can't have bad things in them. I'm not saying abuse apologism doesn't happen or that it doesn't have its place in media. I'm just saying, season 2 of this show wasn't a fucking comedy. The writers fucking tanked it. Everything that was good about season 1 was stripped of season 2 and everything was plunged into dark-humor tinted tragedy.

You can't base an entire show on the idea of comedically intelligent/modern therapizing language and then use that language to communicate that abusers deserve your pity and forgiveness - not to a queer audience that is probably 90% people who have been horribly abused.

[ofmdrecaps]

09/02-03/2024 Daily OFMD Recap

TLDR; David Jenkins; Rhys Darby; Taika Waititi; Samba Schutte; Con O'Neill; Kristian Nairn; Nathan Foad; Leslie Jones; Lindsey Cantrell; Connor Barrett; Dominic Burgess; Sept 2: OFMD Marmalade Day; Trends; Articles; TellTaleTV Final Round; WWDITS 10th Anniversary Blurays; FanSpotlight: FanWeeks: OFMD Sequel Week; Stede Whump Week; Never Left Podcast; Love Notes;

== David Jenkins ==

David's out at the US Open with Kinga!

Source: David Jenkins' Instagram Stories

== Rhys Darby ==

Rhys is EVERYWHERE this week, jeez. He really is causing a stir on every single platform, let me tell you. Below he's having a bit of a drink with some friends, out and about with Rosie!

Source: Facebook

Next up-- there's a new Indy Dramedy that just wrapped called "Song Of The Bigfoot" and Deadline has some new info on it!

Source: Rhys' Instagram Stories

Rhys is also looking to help raise some funds for the Kitten Rescue we all remember well from earlier this year! You can bid on this signed OFMD picture of the cast! To bid, visit here.

Source: Rhys' Twitter

Rhys also shared an older video of him discussing wanting to be Earths Ambassador!

View this post on Instagram

A post shared by 10,000 Dreams x Fraser Grut (@frasergrut)

Source: Rhys Darby's Instagram

Annnnnd more shots are becoming available from the 100th episode of the Cryptid Factor, Live in London!

Source: The Cryptid Factor Instagram

And finally, Last But CERTAINLY not least, there's a new The Cryptid Factor special episode for the $10 / Tier on Patreon!

Source: The Cryptid Factor Patreon

== Taika Waititi ==

Some more shots of Taika while he was out and about! Also a recipe for the Pispili that he and Andy Hearnden shared on instagram a while back!

Source: Instagram

View this post on Instagram

A post shared by Andy Cooks (@andyhearnden)

and lastly a quick little tiktok of the Forever Young Rita & Taika!

Source: Rita Ora's Tiktok

== Samba Schutte ==

Samba's out at Nickelodeon studios doing some voice over work!

Source: Samba's Instagram

== Kristian Nairn / WJW ==

Surprise #WeeJohnWednesday! 9pm BST (4pm EST, 1pm PST) tomorrow-- Sept 4!

Source: Kristian's Twitter

A huge thank you to @adoptourcrew for getting us the Kristian Nairn OFMD blurb from the latest Popverse Article (it is behind a sign up, but here's the article!)

Source: Adopt Our Crew Twitter

== Con O'Neill ==

Con taking a nap with Cooper now that he's back from Mexico <3 (and David Fane was a sweetheart and popped his head in as well).

Source: Con's Instagram

== Nathan Foad ==

Nathan back at the bedroom selfies again!

Source: Nathan's Instagram Stories

== Linds Cantrell ==

Linds Cantrell did an Ask Me Anything on Instagram today while she was waiting for a plane! She answered several questions, including something regarding OFMD BTS which may be completely out, but she'll be going to LA Comic Con in October! I'm planning on making a post with all her answers when I get a moment, but here's a few!

Source: Lindsey Cantrell's Instagram Stories

== Leslie Jones ==

Leslie is out here rocking a workout, and looking bad ass <3

View this post on Instagram

A post shared by Leslie Jones (@lesdogggg)

Source: Leslie Jones Instagram

== Dominic Burgess ==

Our dear Jeffrey Fettering, Dominic, blessed us today with some kitties as well as a shot.. of well him getting a shot!

Source: Dominic's Twitter

== September 2, Marmalade Day ==

Several of our crew members continued the September festivities with Marmalade Day on Sept 2!

Source: HSavernake's Twitter

Source: Astroglide Twitter

== Articles ==

Thank you @adoptourcrew for sharing another article talking about OFMD!

Source: Adopt Our Crew's Twitter

== More Trends ==

Heyyy guess who was trending on Sept 2 on TUMBLR! (I believe it was because of the Sept 1 Dickfuck/Lighthouse day, but could be have been more! let me know if you know something else happened! Thank you to the badass @poison-into-positivity for catching it <3

Source: @poison-into-positivity's Tumblr

== Tell Tale TV Voting Reminders ==

Reminder! Stede and Ed are in the final round of Ship of the Year! Please visit TellTale TV! Thank you @ofmd-ann for the reminder dear!

Source: Ofmd-Ann's Tumblr

== What We Do In The Shadows Bluray ==

Okay so WWDITS is not OFMD but it has Rhys and Taika so gonna send a boost out of this! Thank you to the absolutely spectacular @ jimjim531969 over on twitter for always bringing the latest cool news regarding the cast. You truly are a gem <3

Also per Jim:

Links to pre-order the WWDITS 10th anniversary blu-ray:

Australia & NZ (16 October, 2024)

USA & Canada (November 1st, 2024): Amazon or Barnes & Noble

UK (01/11/2024)

Source: @ jimjim531969 on Twitter

== Fan Spotlight ==

= Upcoming Fan Weeks =

* OFMD Sequel Week *

There's a new Fan-Week been announced for Nov 17 - 23, OFMD Sequel Week! Check them out on Twitter and give them a follow to keep up with the latest news!

Source: OFMDSequelWeek Twitter

* Stede Whump Week *

Stede Whump Week will be happening 28 Oct - 3rd Nov, and the bingo cards for that week are now available on Twitter!

Source: Stede Whump Week Twitter

= Never Left Podcast =

There's a new episode of Never Left out, and it's Part 2 of the discussion on Birds! Wanna check it out? Visit their linktr.ee!

Source: Never Left Podcast Instagram

== Love Notes ==

Hey lovelies. Hoping your week is progressing in an upward direction. I hopefully get to finally talk to my dad tomorrow after over a week of everything going on, so I'll be in and out of things again. I know everyone is dealing with their own level of craziness right now, and I want to remind you that you're doing great no matter what you're dealing with. It could be little, it could be huge, it could be life-changing, or could be making you regress further back than you'd like-- whatever it is, you are getting through the best way you can, and you never have to feel bad about that.

I know it can feel like there's never an end to the chaos-- but remember that there are pockets of joy and love there in this life too, and however you need to cope with your daily struggles, don't feel bad in taking solace in that. Enjoy the little things, no matter how small. Rest up lovelies, breathe in, breathe out, drink some water, and keep going. Below is a very appropriate love note (for me personally but for so many others as well), courtesy of the amazing The Latest Kate. Not everything is clear right now, but it'll get there, just stay with us, and don't give up. Sending you so much love, crew <3

Source: The Latest Kate's Tumblr

[skepwith]

More Parts of the Revenge for OFMD Fans

Part of a series: Revenge Master Post.

This post is about stuff in the body of the ship, going more or less from top to bottom. I’m saving the sails and rigging for my next post. If you want to know more basic terms like fore and aft and bow and stern, look for “Parts of the Revenge” in my master post.

Obviously, using these terms is entirely optional, since David Jenkins et al. are free and easy with the ol' historical accuracy. This list is for pedants like me and people who like historical and specialized language. Enjoy!

Main Deck

The low “walls” on the sides of the open decks were called the bulwarks—they were to keep people from falling overboard. On the Revenge, the bulwarks are topped by a rail (railing).

A gap in the bulwark, together with a set of rungs on the hull, was called an entry port. It allowed people to climb aboard from a dinghy.

The top edge of the bulwark was the gunwale, pronounced gunnel. The expression “loaded to the gunwales” is still used to mean very full. The top edges of a dinghy are also called gunwales.

An opening in the deck is called a hatchway. I wrote about hatches a while ago, but what I didn’t realize was that the hatch is the part that covers the hatchway. The wooden grid that lets light and air through is called the grating.

In the bow, the curving rail that goes from the figurehead to the hull is called the head rail, which would’ve been really helpful to know for my toilet post. Oh well.

Stede’s journal could at a stretch be called a logbook (or log). This was a book in which an officer noted details of the ship’s daily progress and journey. Probably a bit less fanciful than Stede’s version.

Weaponry

The Revenge has guns (the word used for cannons) on her main deck and her gun deck. Before a gun was fired, the barrel was cleared with the sponge, then loaded with gunpowder and shot and wads of cloth, all of which was tamped down with the rammer. There were different types of shot, or ammunition; cannonballs were called round shot.

To fire a gun, a lit fuse (usually a slow match) was brought in contact with the vent at the top of the gun—called the touchhole—to ignite the gunpowder. (The wick added in OFMD isn’t accurate. Shocking, I know.) The slow match was usually held with a staff called a linstock, tucked into a notch on the end. You didn’t want to be right next to the cannon when it went off, because there was a non-zero chance it would misfire and explode in your face.

Despite what you see in movies, cannons didn’t produce a lot of fire and smoke; the cannonball did damage by going unstoppably through hulls, masts, and people—often many at a time—like a deadly Energizer bunny.

The gunpowder was kept in kegs in a small room called the powder magazine. (A magazine is an ammunition storage area.) This room was in the hull of the ship, below the water line, to minimize the chances of a stray spark sending the whole ship up in flames. The shot was kept in the shot-locker, a small room in the hold (though this word wasn’t recorded till 1805). As we know, Stede calls this the ball room.

Besides the regular cannons, the Revenge also has swivel guns, small cannons mounted on swivels. These were too small to damage another ship; they were there to fire at boarders and approaching boats. Or, you know, to set off fireworks.

To take an enemy ship, sailors might use a grapnel (or grappling hook). These were attached to a rope and thrown at enemy bulwarks or rigging so the ships could be pulled together for boarding.

The Gun Deck

Everything on a ship had to have a special name: stairs were always called ladders; the floor was called the deck; and a wall or partition inside the hull was called a bulkhead.

Some of you may know that a ship’s kitchen is called a galley. However, this usage wasn’t recorded until 1750; the earlier word was cook-room.

Likewise, the mess is where you eat on a ship, but this sense wasn’t recorded until the late 1800s. In OFMD’s time, mess meant “a group of people who eat together,” like officers of the same rank or sailors on the same watch.

You might know a berth as a shelf or box to sleep on, like Stede’s (and Ed’s) bed, but this usage wasn’t recorded until the 1790s. The earlier meaning, used from at least 1706, is “a room where a particular group (such as officers or midshipmen) eats and sleeps.” So you might call Jim’s room a berth—except that it changes hands, and its name has been firmly established as the Room.

A berth is also a place in a port or harbour where you can moor (park) a vessel, and thirdly, the safety margin around another vessel or object, which gives us the phrase “to give [it] a wide berth.”

Finally, the area where the animals (remember them?) were kept was a small triangular area in the bow called the manger. This seems to be where the Revenge’s en suite is, at least as far as I can figure, but if you want to include the animals for whatever reason, they’d probably live somewhere around there.

Storage

Some of the stuff on board was stored in casks, a.k.a. barrels. These could be any size, but a large cask was also called a butt. A scuttlebutt was a butt full of water attached to the deck for sailors to drink from. Unfortunately, the word wasn’t recorded before 1800, and the “gossip” meaning not till a century after that. But it’s a great word and you should use it anyway.

A keg was a small cask, usually less than ten gallons, used for things like gunpowder or rum.

A sea chest was a wooden box used to store an officer’s personal effects—or to confine a nosy hombrecito.

The Ship’s Bottom

(As it were.)

In several of my posts and diagrams I said the lower decks of the Revenge were the gun deck, the orlop, and the hold. But my friends, I made a grievous error: the Revenge has no orlop. I know!

In season 2, for the first time we get to see what’s below the gun deck. When Frenchie opens the secret passage in the kitchen, he reveals a set of stairs—sorry, a ladder—down to a grim, damp space. The kitchen is on the gun deck, so this is the deck immediately below it, and while on most ships that would’ve been the orlop, in this case it’s the hold.

The hold was the lowest compartment of the ship, used for storage and cargo. It also sometimes held the ballast—heavy stuff (e.g., pig iron, gravel, stones, lead) put there to improve the ship’s balance. The lowest part of the hold itself was called the bilge or bilges—the area where bilgewater collected and had to be pumped out.

Episode 3 shows the water on the floor—sorry, deck—making it pretty clear we’re in the bilges of the hold. On top of that, an Instagram post by crewmember Will Giles (shared on Tumblr by @ourflagmeansbts) mentioned repurposing the “bilge set.”

Which all proves that the Revenge’s hold is immediately below the gun deck, with no orlop in between.

The keel is the structural piece that runs lengthwise along the middle of the hull’s bottom. Keel-hauling was to drag someone along the outside of the keel, underwater, as a punishment—very nasty, often fatal.

Also underwater, at the stern, is the rudder, whose movement makes the ship turn. On a dinghy you steer by moving the tiller, a horizontal bar attached to the rudder post. On a ship like the Revenge, you turn the ship’s wheel, which is attached to the tiller via cables, and that moves the rudder.

That’s all for now! Coming next: sails and rigging, in port, and more sailing lingo.

Sources: Wikipedia, historicnavalfiction [dot] com, Oxford English Dictionary

[gentlebeardsbarngrill]

09/21-22/2024 Daily OFMD Recap

TLDR: David Jenkins: Cast Honks; Fan Honks; Rhys Darby; Ruibo Qian; Kristian Nairn; Vico Ortiz; Nathan Foad; Samba Schutte; Rachel House; Gypsy Taylor; Lindsey Cantrell; Articles; Fan Spotlight; amuseoffyre; Doll Normal; Love Notes; Daily Darby/Today's Taika

= David Jenkins =

Whelp, Chaos Dad is keeping us all on our toes still! Grats @edwarbteach for being perceived and getting answered by Dad!!

Source: David Jenkins Twitter

= Cast Honks =

Fan Honking hasn't stopped since David's last tweet-- but with the new one, we've got more cast interaction! Con is back with spreading Adopt Our Crew posts on Instagram!

Source: Con's Instagram Stories

Hugo, our darling OFMD Cheerleader is still at it. Netflix has been asking what you'd like to watch on Netflix in 2025-- What a lovely prompt for the honkening- if you haven't already, feel free to let them know!

Source: Hugo's Twitter

= Fan Honking =

The crew is really keeping at it with the honking this weekend! Some kind folks are sharing some fantastic data with everyone to help support!

Special thanks to the darling Katrina, aka kmostran over on Twitter for putting together this EXTREMELY detailed list of Cancellation/David events.

Source: Kmostran on Twitter

And as always our friend Ashley (Seven_Sugars over on twitter) has more fun data for us!

Source: Buttons (Ashley)

There's been so much fun fan-honking going on, memes, and art being created-- I just wanted to share one that caught my eye today:

Source: unpopularcult's Twitter / ramsay_b_OFMD's Twitter

== Cast & Crew Sightings ==

= Rhys Darby =

Outside of the clowning, we've had some Rhys sightings!

View this post on Instagram

A post shared by Rhys Darby (@rhysiedarby)

Rosie also put out the call for some help with getting Rhys and Rosie's son, Finn, and his band Great Big Cow some more subscribers to their Youtube channel! The goal was to hit 1,000 subscribers-- and great news, they did it! If you aren't already subscribed, and you're interested, I'm sure they wouldn't mind more! Great Big Cow Band Youtube

Source: Rosie's Twitter

= The Cryptid Factor =

There's another video of the Edinburgh Fringe Live shows on The Cryptid Factor Patreon! Night two this time!

Source: The Cryptid Factor's Patreon

= Ruibo Qian =

Our Pirate Queen Ruibo is digging her adorable shoes today <3

Source: Ruibo's Instagram

= Vico Ortiz =

Vico was interviewed by LatiNation! Check it out below!

View this post on Instagram

A post shared by LatiNation Queer (@latinationqueer)

Source: Vico's Instagram

= Nathan Foad =

Nathan and friends on the tube <3

Source: Nathan's Instagram Stories

= Samba Schutte =

Samba 🤣🤣🤣

Source: Samba's Instagram

= David Fane =

Apparently it's been 20 years since the release of Bro'Town! David, Oscar Knightley, and Madeleine Sami voiced characters in the animated series back in 2004!

"A modern day fairytale about five Auckland teenagers growing up in the big bad city, bro'Town chronicles the schoolboy misadventures of Vale, Valea, Sione, Mack and Jeff da Maori in a proudly suburban, non PC satire."

David shared some videos but I couldn't fit them all on tumblr-- so here's a link to the repo with more: https://ofmd-renewal-repo.knowledgeowl.com/help/david-fane-brotown-20-year-anniversary

Source: David Fane's Instagram Stories

= Gypsy Taylor =

The fabulous Gypsy Taylor has been immortalized by our badass crewmate @amuseoffyre with a gorgeous Gypsy Muppet!

Source: Gypsy Taylor's Instagram

= Lindsey Cantrell =

Lindsey is so excited to see the tiny boats from s2 are living on!

Source: Lindsey Cantrell Instagram Stories

Also some cool news from the ofmd.buys.boats of Instagram!

Source: ofmd.buys.boats on Instagram

= Rachel House =

Rachel was interviewed by Sirius XM Canada Talks and she talks about working with Taika on Boy!

View this post on Instagram

A post shared by @siriusxmcanadatalks

Source: Sirius XM Canada Talks

== Articles ==

Kristian was interviewed by Queerty and does some lovely shoutouts to Nathan! Please check the article out below, and thank you @adoptourcrew for sharing this!

Source: AdoptOurCrew Instagram

Some WB news-- Our friends over at NeverLeftPodcast shared the news! Thanks dears!

Source: Never Left Podcast Twitter

== Fan Spotlight ==

= A Muse of Fyre =

Okay so I'm SURE you've seen the OFMD muppets around, but I got permission from the EXTREMELY talented @amuseoffyre to share them in the Recaps! I've been meaning to for weeks and then life got in the way--but Gypsy sharing her muppet seemed like the perfect time to spotlight them! If you haven't checked the OFMD Muppets out before, please oh please do! I cannot tell you just how brilliantly made and gorgeously DETAILED these are. From the intricate beads, to the facial hair, their expressions, these beautiful creations bring the OFMD Cast to life in muppet form! Every time I see them pop up on another platform, I continue to be astonished at the gorgeous craftsmanship! If you have a few minutes, please visit some of @amuseoffyre socials! Instagram especially has so many wonderful muppet posts! Thank you @amuseoffyre for bringing our beloved crew to life! More to come in upcoming recaps as there's SO MANY to see! Tumblr / Twitter / Instagram

Source: Fyre's Instagram

= Doll Normal =

Next up on tonight's fan spotlight is Doll Normal! One of our fantastic crewmates has written Netflix a song imploring them to Adopt Our Crew! This is phenomenal! Please give it a listen :) Socials: Instagram / Linktr.ee / Twitter

View this post on Instagram

A post shared by Doll Normal (@doll.normal)

Source: Doll Normal's Instagram

== Love Notes ==

Wow Lovelies. What a weekend huh? Yall have been clowning/honking (however you wanna describe it) for days now and it's so incredibly uplifting to see! It feels like the beginning of the year again, all buzzing with life in the fandom!

I've seen lots of mixed emotions on the subject of renewal today, so tonight I just want to send you a couple reminders. If you aren't feeling up to Honking for any reason, whether that be that the ups and downs of the cancellation/renewal news, or you've got things going on in your life, or you just don't want to get your hopes up again-- please know, that is OKAY. If you are honking your head off, tweeting, tumbling, drawing, writing, creating, and putting your whole soul into the clowning after David's tweet on Friday -- That's OKAY too. If you're passively keeping an eye on things, waiting for news, or focused on other things-- that's also OKAY. Every single one of us experienced OFMD different from each other. Every single one of us experienced grief from the cancellation differently from one another. Every single one of us has or has not begun to heal differently. If someone is having fun honking-- that's great, keeping doing it babes! If you're feeling like you just can't bear the disappointment again if something goes wrong-- you do what you need to take care of yourself m'dears! Don't push yourself in a way that makes you feel worse. There's no wrong answer here in how to be involved in what's happening right now. Be kind to one another, and let yourself and others do their thing-- and all is well <3 No matter what happens, we're still here for you crew-- we still care. Don't feel bad for how you are coping and engaging with the fandom right now. Just be yourself. Goodnight lovelies, I hope the week ahead treats you with kindness and healing.

== Daily Darby / Today's Taika ==

I didn't wanna miss another day of gifs-- but I'm running out of image room, so we get these two iconic dude together tonight. Gif Courtesy of @dallonismysavior!

[writing-for-life]

Dream and How He Experiences Love

(Or: When the Unreal is at War with the Real, and Finally Understanding Unconditional Love Tightens the Noose Around Your Neck That Has Been There All Along)

And as always: Send me asks about everything Sandman-related!

Let me start this one with a few adjectives from the horse’s mouth (aka: Neil Gaiman said so 🤣) as to what Dream is actually like:

from: Vertigo Chase Card Set

So in short: This is probably the most accurate way to describe Dream in a nutshell, from the author himself, fully knowing that Murphy doesn’t lend himself well to be described in a nutshell.

And of course it’s absolutely fine if we want to head-canon him just being 5 out of those 50 (or none of them at all)—our stories are our own. At the end of the day, we went through a whole year of Tumblrfication (I might have made up that word), and getting back to the series will be tough. So is trying to align what the current prevalent perception of Dream is like in parts of the fandom, and what he is like in both comics and series (show and comics really aren’t that different where it matters, and I’ll die on that hill). I already worry about the fallout if I look at what happened with GO or OFMD, but that just as an aside.

Anyway, Dream in fandom spaces is often portrayed as either a pathetic wet cat who can’t get to grips with anything and constantly needs rescued in one way or another, or as a completely unfeeling arsehole incapable of relating to the human experience and being horrible all around. There are very few shades of grey in how some fans perceive him, when just the list of above adjectives shows us how complex he is as a character.

One thing that obviously comes up regularly are his relationships, be they romantic or platonic. So I just wanted to draw attention to the adjectives that relate strongly to the relational element in him (although they all apply in one way or another):

touchy, sentimental, cold, loving, [elusive], gentle, hurt, deep, intense, solitary, romantic, shy, intangible, lonely

Dream is the unreal. His way of loving relates very deeply to what stereotypical romantic love is: Romance and reality are a contradiction in terms—romanticism is dreaming because it is, at its very core, an idealised view. The intangible dream that comes back to bite us in the arse once reality sets in. And his flavour of love is the prototype of idealised and intangible (=romantic) and can never be anything else by his very nature.

And I’ve often thought that the way he experiences love is also a large part of why his existence is so difficult for him, and why he ultimately makes the choices he makes. Yes, he detests his function, but if he weren't so lonely (and weren't doomed to be so by his very purpose), he might find it easier to bear.

Let me look at, and draw parallels to, the 7 types of love as the Ancient Greeks perceived them [quick note about the image references: I would have loved to give more, but there is a limit. Also: Apologies I have no alt text for the comic panels at this point, I might add them at a later stage if I find the time]…

Eros

That’s both sexual and romantic love (to varying degrees), and it can be fleeting (like a dream) if not anchored in a less idealised view. So there’s your first cue—he totally experiences that kind of love.

The Ancient Greeks also thought it was a dangerous type of love, one that clouds our judgment and one that won’t last if not combined with some of the other types. And Dream himself knows this and probably relates (he detests his sibling Desire for “meddling”, after all). And yet, he is the intangible, the ungrounded, the unreal.

It’s all over every single one of his relationships we witness:

Killalla—“gifted” by Desire. We never get any cue as to what exactly they were up to, but it can be assumed desire, for whatever, played a large part in their relationship. Killalla makes no secret about it either (and is at the same time uncertain whether she truly loves him while being confused Dream might actually love her after what seems a very short time, at least in cosmic terms). Suffice it to say, he has a very idealised view of her and their relationship. Romantic idiocy at its best: He has literal stars in his eyes and is so grateful for Desire’s help he is basically kissing their boots in gratitude.

Alianora—again one of Desire’s gifts. And Dream tried, and I definitely think he was at least romantically (and physically) attracted to her (the art is very hard to interpret otherwise, neither is the context--she was gifted by Desire, after all). But this relationship is generally a tricky one because there is gratefulness and guilt n the mix, and that is sometimes a very unfortunate combination. He also couldn’t fully trust her because of his deep mistrust of D/desire. And lo and behold, of course the relationship soured when romantic and (potentially physical) attraction waned.

Nada—pursuing each other on and off, broadcasting sexy time all over the Dreaming because he's just so head over heels and literally bursting at the seams—need I say more? Yes, he does say to her that her body does not matter to him, which I 100% believe is true. He also says that he will love her as no mortal man can. But everything that transpires is still deeply informed by romantic attraction, because quite frankly: You don't feel love yet after you've barely met someone. It's again a deeply idealised view and that is something inherently romantic in tandem (in this case) with physical desire. Again, because D/desire was involved.

As to the particulars of Nada’s banishment to hell, and why Dream acted so out of character compared to his other failed relationships: You can find all of it here.

Calliope—read her speech at the Wake is all I’ll say. That is someone making romantic love so integral to their whole existence, I don’t even know where to start. He puts the world at her feet and makes sure she always comes first (quite literally) while they are still loved up…

Thessaly—he's the romantic idiot (affectionately) in the rain with his coat billowing in the wind, and referring to her “weighing him dispassionately and finding him wanting”. It was only a handful of months--you don't feel true, stable love at that point. Again, it has the idealised view of romance (and potentially sexual desire) written all over it. He would have given her the world, just like he would have given the world to Nada and Calliope. That is the trope of every freaking romance novel, and that is exactly how he perceives love.

Titania—who knows, she keeps her mouth shut.

Ludus

I think he has a hard time to be flirtatious and playful (at least, we don't really see it. We never really see him during the courting stage, and what went down with Thessaly was hardly "flirtatious". `Then again, bickering like they did in A Game of You is electrifying to some, so who knows. She also said at his wake he was cautious and nervous). And if he comes across as flirtatious (there is a charming on that list of adjectives after all), it’s just because he is so deliberate in everything he does that he might just push someone’s (right) buttons, so to speak. But that’s not the same as “no strings attached”-love, because I honestly believe he’s incapable of experiencing love that way. There is no “casual” with him. He always stays attached to the people/women he once loved, even if the relationship sours. He still loves each and every single one of them, he never stops. But he also doesn’t in a way that’s sustainable, and it’s an unsolvable conflict due to what/who he is.

Philia

Most closely translated as friendship and affection. Platonic love, if you will. It is also a love between equals. He has a hard time with it and only slowly learns what it means through his relationship with Hob. Needless to say: The Ancient Greeks valued platonic love as one of the highest forms of love. Hence, I’m personally reluctant to turn it into something else/slant it towards romance, because that’s exactly what this part of the story is about: His relationship to Hob is important and grows/lasts because it is not romantic in the comics.

Storge

Unconditional love for family, especially children. Based on complete acceptance and potentially sacrifice. Doesn’t need to be reciprocated. You feel it, no matter what, and you act accordingly. And for Dream and Orpheus, that didn’t work until it did. Or, let’s rather say: I don’t want to assume he didn’t feel it. But he pushed it down in his hurt and pride (as did his son in his grief). No further comment, because that one hurts.

Agape

Altruistic, universal, all-encompassing. And that’s so deeply at the core of his being, and so central to his whole conflict that I don’t even know where to start. From not wanting to kill the first vortex (or Rose, for that matter), to telling John Dee he’s hurting the dreamers, and that being his main concern while he himself was writhing on the floor in agony, to “humanity I love you”, to a million other things. He cares so deeply, there is such a deep concern for sentient beings in their entirety that it’s quite literally impossible to call it anything other than love. And it’s also what plays a large part in his demise.

Pragma

Oh, here we go. I honestly believe he likes the idea of committed and long-lasting. And he’s trying. So very hard. Calliope is the best example. Alianora was another one, because it’s not like they broke up swiftly (hard to tell how long they lasted, but since she had stayed in the Dreaming too long to go anywhere else, it wouldn’t surprise me if we’re actually talking a very, very long time. He called it “a goodly while”, and considering how old he is, I doubt that equals only months, or even just a few years, especially since he is fully aware how short his relationship to Thessaly was). And he wanted to stay true to his promise. But he is who/what he is: the unreal. And as the personification of that, love both feels real for him but will also forever stay intangible. It’s heartbreaking really. Again, it has written the contradiction between romantic love (the ideal) and pragmatic love (the thing that is grounded in reality) written all over it.

Philautia

And that’s the most heartbreaking one. He is incapable of self-love and full of self-loathing instead. The Ancient Greeks used to say that you can’t give what you don’t have. And it’s hard to feel compassion for the flaws we perceive in others if we don’t have that self-compassion for the exact same flaw in ourselves. And that one hurts in so many ways, from his not being able to forgive himself (which is mirrored in his relationship to Nada, who also couldn’t forgive herself—she didn’t need his forgiveness, she needed her own) to Orpheus being so much like him apart from one major difference: he’s mortal in spirit, and even immortality doesn’t change that. And Dream struggles with the part of his child that is so like him for a million reasons that would burst this meta at the seams, but again: it’s hard to love in others what we detest in ourselves, knowingly or unknowingly.

So in short: The particular flavours of love Dream feels (Eros, Agape, Philia growing slowly over time) and the ones he doesn’t (Ludus, Pragma, Philautia) are also at the very root of how the story goes.

And when he finally truly understands what Storge/unconditional love is--both in the way he reassesses his relationship to Nada but especially in how he finally submits to his love for Orpheus (with all that entails)--and when he allows it to become real, it’s what tightens the noose around his neck. But that noose has been around his neck loosely all along…

[theyoungeragrippina]

✨ 15 gentlebeard fic recs ✨

i have spent the last month trawling the pages of ao3 for you, dear reader, to find the best ofmd fics. all the works on this list:

are longer-form (generally 40k+)

have no steddyhands (simply not my thing)

are generally, all around brilliant (well-written, had me kicking my feet and giggling, laughing, or crying)

are complete!

part 2 and part 3

A Heart Unsated by roughwinds

48k, explicit

"Stede Bonnet has just moved into Orange Crescent. There’s a house on the corner, opposite Stede’s own, with a garden full of flowers and a gleaming motorbike on the driveway. He’s forgotten to buy sugar.

Edward Teach has his morning disturbed by his new neighbour. Enamoured at first sight, he invites Stede round for a chat, and then another, and then another.

This is the story of them."

man i normally avoid fics with lots of alma and louis in them because its just not for me, but literally every second of the family bonding in this was so wholesome i was forced to change my entire mind.

all you left me was a pearl by @sightofsea

88k, mature

"1717. The Golden Age of Piracy. Stede Bonnet sets about wooing the love of his life through any means necessary.

Things do not go as planned."

every day i wish for a precise memory erasing potion to be invented so i can read this again for the first time. i would devour like 2000k more words of this if it was offered to me. brilliant.

forgive & forget by @fool-for-luv

44k, mature

"It hits him then, like a wave breaking on sand, loud as thunder when it crashes, then trickling away into little rivulets flowing back home, murmuring one word over and over and over. Ed.

The problem is, Stede doesn’t recall ever having met anyone named Ed."

so sweet and wonderful, and i wish there was more.

#gentlebeard is trending! by regional_catastrophe

41k, teen

"In which Stede accidentally convinces the pirating world that Gentlebeard (or Blackbonnet or Stedward; there's a poll) is canon, reunites his crew, and gets his boyfriend back."

hilarious & silly & great, but also the most compelling notes of any fic i've ever read. a proper learning experience.

if music be the food of love (then darling, you're a feast) by @fool-for-luv

107k, unrated

"“Hey, so, those two, right, they get together in the end?” Ed asks.

“I would protest spoiling it, but I think it's rather obvious, isn't it?” Stede says. His nose wrinkles as he smiles. “The tension is certainly there from the beginning. It just takes them a while to get there.”

“Good. Would have been a shit story otherwise.""

i love sassy stede and i love ed who is a grump and i love that they share one single braincell at any given time.

If You Were Mine to Keep by @mysterybees

162k, explicit

"Caught between the gallows and the end of an English sword, Ed accepts the Act of Grace: marry into the aristocracy, leave the English ships alone, and live to sail another day. But who in their right mind would ever agree to marry the mad devil pirate Blackbeard?"

Worth every second of tiredness I felt after pulling an all nighter to finish reading.

It's Only Right by hexuponye

53k, explicit

"A modern AU based on Imagine Me & You, in which Edward is a florist who does the flowers for Stede's wedding."

mary gets to be a little silly sometimes too as a treat.

pliocene by unfortunatelyobsessed

75k, mature

""man, it's just ocean for miles.” Ed motions out to the waves, where there is no sign of any sort of ship, their small dinghy pulled far up on the sand. “I told you when the clouds look like seagulls you take fuckin' cover. Goddamn ocean mutinied me.”"

william golding wishes he did something this brilliant and significant when he wrote Lord of the Flies. the best deserted island story.

quite a career shift by @stedesparasol

157k, explicit

"Stede's been posting book reviews on Youtube for two months now. It's taken him that long to finally get a comment, and the person it comes from is rather unexpected."

rip stede you would've LOVED booktube. furious i can never really watch his content.

Semaphore by komodobits

124k, explicit

"Talking things through as a crew is easier said than done, and honest communication has never really been Stede’s strong suit. When it comes to Ed, he is willing to try."

so good that i was properly and truly laughing and gasping and 'oh no-ing' out loud while i read it.

Such Joie de Vivre by @louciferish

94k, explicit

"Professional thief Edward Teach is tired of hole in the wall apartments, shitty pub food, and skipping town every few months to keep the cops off their tail. He’s well past the age he meant to flee the country and retire, and all he needs is One Last Job to set him up for life. When he hears that some rich bastard outside of town has just the sort of treasure he’d trade his good knee for, Ed sets out in disguise to get the lay of the land."

i (so so foolishly) avoided reading this for a while because i simply didn't think i was one for nanny aus. i was so, terribly wrong. don't make the same mistakes i did. showstopping. incredible stuff.

The Chains of Flowers are Fragile Things by @grandmastattoo

62k, explicit

"Stede can't see the shop he's inherited from his late father as anything other than a burden, another insult added to a life that's going nowhere fast. Then he meets the charismatic man who owns the tattoo studio next door, and Stede finds himself forced to consider the idea of home."

maybe i love tattoo shop owner ed fics, sue me. i love this stede and i love his embarrassing mistake tattoo.

The Love Experiment by karawrites

65k, mature

a married at first sight (aus) au. i didn't know i needed it until i read it.

Water/line by @the-gentleman-mermaid

60k, teen

"During a raid on a smuggler ship, Ed finds a merman named Stede locked in the hold."

So good that I would actually pay the author real person money to do a similar story but where Ed is the mermaid.

Where the Daylight Begins by @xoxoemynn

116k words, explicit

"Modern day AU slow burn featuring a pining Ed, a clueless Stede, found family, roughly a million animals, and a very magical house."

This one sort of gave me House on the Cerulean Sea vibes; it was so much fun and genuinely necessitates a proper use of the word whimsical.

[londonspirit]

Our Flag Means Death’s season-two finale has it all. There’s a declaration of true love between our favorite criminals, Stede Bonnet (Rhys Darby) and Ed, a.k.a. Blackbeard (Taika Waititi). There’s also a heartbreaking death (RIP, Con O’Neill’s Izzy Hands), a pirate wedding that ends with the words “You are now officially mateys,” and some big-time fight scenes. “Mermen” packs a tight punch in only 30 minutes. The episode is both thrilling and satisfying, so even if Max makes the grave mistake of not renewing the series, fans will feel closure in a way that they didn’t with season one’s sendoff. And Our Flag Means Death creator David Jenkins already has some fun ideas brewing for a third season (and beyond!). The A.V. Club spoke to Jenkins about his plans to evolve Ed and Stede’s relationship, potential spin-offs, and how everyone on the show is handling its passionate fanbase.

The A.V. Club: First of all, how dare you kill Izzy Hands? Was that always the plan when you mapped out season two? 

David Jenkins: [Laughs] Yes. I felt that Izzy had reached a point where he broke through a lot of his major patterns. It was fun to give him a season where he got to do everything and where Con O’Neill got to do everything. Well, I won’t say everything, because Con can do light years beyond what I think he can do, and I do think he can do anything. We wanted to show the depth of that character. Izzy is one of my favorites. He’s like middle management who is in a sort of love triangle [in season one]. He got his wish at the end of the first season by breaking up his boss and his boss’ lover. He got punished as a result, and he had to come out on the other side, which felt like a good journey.

AVC: Despite everything that happens in season two, including Izzy’s death, the finale ends on a happy note with Ed and Stede living together. Why was it important for you to show that?

DJ: Season one ends on such a tough note for them. As you said, after what they’ve been through, they should get a moment of happiness. I won’t say however fleeting. They are going to have challenges ahead. They’re both not the most mature yet. I think that’s the fun of it, to leave them in a place where it’s a good kind of stasis. They’ve sent the kids off in the car, so to speak, and now they’re going to have to really grow if they’re going to start an inn. It won’t be easy, but I like that they’re going to try.

AVC: “Mermen” has all the elements necessary for a season finale. Did you partly add all that as a way to provide closure in case this is the end for OFMD?

JD: What’s important to understand is that you never even know if you’re going to get a second season. Maybe if you get picked up for two right away, and even then, but especially right now, who knows? I think with season one’s end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn’t want us to make more, I just didn’t want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished.

AVC: I actually love that about Our Flag Means Death. It reminds me of Schitt’s Creek in a way because the love story just exists and is perfect; there’s no questioning it as right or wrong.

JD: That’s such a nice compliment because I also think Schitt’s Creekdoes that really well.

AVC: You’ve previously said you want Our Flag to have only three seasons. Is that still true or do you feel like the show has scope to continue beyond that?

JD: I feel like Stede and Blackbeard’s story is a three-season story, but the world of the show could go beyond that. It’s a really rich world with so many stories to tell and really good performers to tell it. I do want to see how Ed and Stede become a mature couple in the next season. They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one.

AVC: So if OFMD continues in some other form, are there characters you’d like to focus more on or other historical references you’d like to include?

JD: Yeah, a lot, because it’s such a rich ensemble. How do you not want to see more of Joel Fry, Samson Kayo, Ewen Bremner, Nathan Foad, or Vico Ortiz? Any one of them could carry their own show. It’s fun to think about that and the storylines we can do with them, mixing and matching all our characters. Vico is incredible, for example, and I especially love watching them in an action sequence. This is a weird comparison, but there’s a Harrison Ford and Sigourney Weaver vibe they put out. I’m such a fan of what they do.

AVC: You also really like parallels and coming full circle as a storyteller.

JD: Yeah, I do.I knew I wanted to start season two in the Republic of Pirates and end by coming back there. Stede goes on an amazing journey between the episodes. He’s thrown out of there initially, but then he comes back as a hero. I like the symmetry of that. And then the Republic of Pirates gets destroyed; it dies. It’s not just Izzy; it’s the place too. It was important to have a home, this stronghold for everyone, be destroyed. But the characters are not crushed. They’re going to try to move on.

AVC: One of season two’s new characters is Zheng Yi Sao, played by Ruibo Qian, who quickly becomes an integral part of the crew. What was the casting process like for her?

JD: Ruibo is an amazing find. One of our incredible casting directors, Cindy Tolan, she had Ruibo in mind immediately for that part by the time it got to her. And we had looked and looked before talking to Cindy. Ruibo has her own fascinating story because apparently, she had a couple of strong premonitions that she’s going to play Zheng Yi Sao. She had a modern take on the part without it being strained. She’s incredible. She’s a trained theater actor with a lot of chops. She has to go toe-to-toe with Taika and Rhys. She did it with such grace.

AVC: Season two takes Blackbeard on an interesting turn of denouncing being a pirate. But in the finale, it’s almost like he’s reborn as one, especially with that gorgeous shot of him coming out of the water. What was the thought process behind this arc?

JD: Thank you. Blackbeard is a guy in recovery when he comes back to the ship when he’s wearing the jumpsuit. He’s trying to hang on and find some kind of footing. Who is he if he’s not a pirate? Meanwhile, Stede is on his way up and wants to experience the rockstar life of a pirate, while Ed as Blackbeard is over it. It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What’s wonderful about a mature romance, and what I’d want to see more of in season three, is Ed and Stede making these tough decisions.

AVC: Stede and Ed’s relationship has led to a passionate, vocal fandom, which you didn’t have as you were writing season one. While working on season two, how did you avoid doing fan service and focus on meaningful storytelling?

JD: I never anticipated the strong reaction to season one. It’s incredible it happened. Everybody is buoyed by it in the cast, crew, and the writers’ room. To be perceived on that level with such enthusiasm makes us want to make more of it. A lot of the things the fans love are not different from things the writers love. We are fans of the show. We’re writing fanfic, but it’s called fic when we write it. The big thing for us is to make sure we’re writing beats for the characters that feel true and have moments where all of us go, “Ooooh, we have to do this.” If the beats stay true, it won’t feel like we’re simply pandering.

AVC: How do you break down those beats for Ed and Stede’s relationship as they go from wanting to take it slow to sleeping with each other this season? And where do they go next?

JD: It’s challenging with them because most rom-coms end with couples getting together. They don’t then stay with them and say, “We’re together now, but it’s turbulent; how is that going to work out?” We thought, “Okay, let’s look at our relationships in the room. What have we encountered? Who’s been dumped? Who has had to forgive somebody?” These questions were fun for the second season. I think for the third, it would [be], “Okay, who’s had a relationship for over 10 years? What things do you have to work on?” It’s fun to watch two people like Ed and Stede go through this experience.

[bougiebutchbitch]

I'm not in the ofmd fandom but I am intrigued by the drama. spill the tea?

OH GOD OKAY

Where do I begin lksdlgkfds

Okay so

There’s this nasty little gremlin-man in ofmd called Izzy Hands. He’s a sour, mean, skrunkly, disabled little cunt who is a firm believer in Respect and Discipline (in a very queer subby way).

This is to say: he is. Explicitly. Queer. He does drag on the show, and has a whole coming-out scene. He is a kinky masochist. He confesses his love for another man, and basically ruins his own life & everyone else's, because he is sooooo pathetically jealous about this man (his captain!) falling for some milquetoast loser white rich guy, when Izzy, a badass leather-wearing working-class sword-swinging swashbuckler, is right there making puppy-eyes at him.

He's wrong! He's horrid! He's a bastard, pickled in piss and vinegar! He's five-foot-nothing of spite and gay self-loathing! He's very fun to watch, and very, very queer.

People still insist that he’s straight. And racist. Despite there being 0 textural evidence to support this, and the creators of the show repeatedly saying that this is absolutely not what they wrote.

Why do people hate him so much? Simple! Because he ‘got in the way’ of the main ship.

Yup. It’s basically ‘bash the girl who gets in the way of our m/m otp’ only the girl is a grizzled 50-something year old pirate.

The main ship, btw, is between Ed Teach, an awesome complex flawed hopeful beautiful character of colour; and Stede Bonnet, another awesome complex flawed character. Who is a white guy. And who happens to be a rich plantation owner from the 1700s. Based on A LITERAL SLAVE OWNER. Who is explicitly shown to be a Problematic White Guy with fucked-up racist views.

Like. He’s not a perfect guy. The show makes this very, very clear - to the point where Stede pushes Ed into sex super-fast immediately after Ed says he wants to go slow, and this makes Ed run away and freak out.

But somehow, Certain Fans still insist that Izzy is to blame because :checks notes: he makes one cheeky, friendly joke about them finally getting together that is clearly given & received in good spirits.

Yeah.

There's a lot of this cognitive dissonance going on. And it's very, very wilful.

Basically: a certain subset of people who ship Ed and Stede refuse to exercise the slightest bit of critical thought of Stede’s views and actions (which are a representation of the white landed gentry!) but insist on maliciously twisting literally everything Izzy says or does to cast him as The Ultimate Villain. Whereas anyone watching the show can tell that he starts off as an antagonist-with-a-deeply-hidden-heart-of-gold, whose entire arc is about growth and redemption.

I think 99% of this is projection. Stede and Ed are not perfect by any means, but these people are so dead-set on shipping a Cute Fluffy Romance (when that. Really isn’t what the show gave us) that they have to create a villain out of Izzy and blame all of Stede and Ed’s fucked-up choices and actions on him, in the most contrived ways. Which has the added bonus of them deciding that Izzy, a white guy, is somehow responsible for literally ALL of Ed’s genuinely awful, abusive, and interesting choices in S2, where he went on his villain arc. Even though Izzy was the main victim of this villain arc. Rather than, y’know, giving Ed the agency to make his own damn decisions and acknowledging that he is a flawed and fascinating character who Hurts People but still deserves a happy ending, like literally every other main character on ofmd. Nope. Gotta infantalise that man of colour and pretend he has no control over his own life and his morality is goverened by the white men around him!

Then, they get to portray Stede as his white saviourTM who swoops in and saves Ed from ‘his own darkness’ with the power of love. 😊 because that’s not Problematique in the slightest 😊

It’s… fucked up, to put it plainly. But honestly, as much as there is a problem with their dogged insistence that Izzy is the root of all iniquity on the show, and that Ed and Stede are pure perfect angels who never did any wrong... what was worse was the relentless harassment enacted by that side of the fandom against anyone who dared show a liking for Izzy’s character. Like, it’s not the worst fandom out there by any means, but it really did make the fandom feel hostile to anyone who didn’t ship the main ship.

SO - yeah. That's the tea! OFMD was a fun show with lots of cool flawed characters. But the fandom was a cesspit, fuelled mostly by a Certain Group Of Fans' desperation to make their ship Perfect and Morally Pure - which resulted in them throwing an interesting, well-rounded, morally grey queer disabled character under the bus, and harrassing anyone who enjoyed him.

[bizarrelittlemew]

Hi. I’ve been following you for a while and I really appreciate all the OFMD gifs you make and how you add really good image descriptions. I’m pretty bad at social cues and I wanted to know if you have tips for how to thank gif makers? Do you have advice for how to word the thank you without accidentally sounding weird or rude? Is it OK for someone to thank a gif maker in their ask box if the asker doesn’t follow the gif maker? Any sort of advice like that would be appreciated, or sample scripts that are socially acceptable to send. I know gif makers work really hard and I want to say thanks without accidentally breaking unspoken social rules I don’t know about and I felt safest asking you. I hope that’s OK. Thank you very much.

hi anon 💗 first of all this is such a lovely message and sentiment, thank you 🥹 i'd say you're pretty well on your way already!

i think every gif maker i know would LOVE getting a thank you message! as you say it is hard work, and having that acknowledged will always be appreciated 💗 (no matter if you follow them or not)

here is my specific advice on how to thank gif makers:

reblog! we share the gifs we make because we want to share our love for the show/movie/actor/etc. with other people, and by reblogging, you help us do that. adding something nice in the tags, whether it's something like "this is gorgeous!" or "thank you for giffing this moment, op!", compliments on the coloring (like "love the coloring"/"wow you did such a good job brightening this dark scene!"/"these look so crisp/sharp!"), or commentary on what the gifs show (like "he looks so sad, i wanna give him a hug"/"this scene is so funny/heartbreaking/sweet"/"i never noticed this detail before"), or simply emojis (any combinations of 💖, 🫠, 🥹, 🥺, 😭, 😍 or whatever the gif makes you feel), any kind of reaction like that will be very much appreciated - for me, it's the highlight of making and sharing gifs!

as for sending an ask, i think any kind of thank you message would make gif makers extremely happy 🥹 here are some sample sentences - any variation and combination of these would be lovely to receive, i think (some ideas/options in [brackets]): "i love seeing your gifs on my dash" "thank you for [creating/posting/sharing] your gifs, they [bring so much joy/always make me happy to see]" "i love your coloring, it's so [warm/vibrant/gorgeous/bright and sharp/colorful]" "thank you for giffing [character/person/show], i really appreciate seeing gifs of [that/them]" "thank you for adding [alt text/image descriptions] to your gifs, it helps a lot!" "i really admire how [fast/talented/creative] you are at giffing" ok these are just a few ideas but i hope it's helpful! 💗

this is not a direct way of thanking gif makers (as it should be a given), but i wanna add it because it's important to me: give credit if you share our gifs in other ways than reblogging the original post. please please please do not repost/crosspost gifs without credit. if a gif maker doesn't want their gifs reposted/crossposted at all, please respect it. most, like me, will be fine with it if you credit properly. here are some ways to do that: if you want to use a gif in your own post on tumblr, you can use the Add GIF function, which automatically adds credit (and we get a lil notification), or tag the creator and/or link the original gifset in the post (e.g. "gif by @bizarrelittlemew"). if you want to post a gif to another platform, e.g. twitter, these are some examples on how to give credit: "gif by @/bizarrelittlemew on tumblr", "📸: @/bizarrelittlemew", "gif by @[twitter handle]", "gif source: [link]" and variations of these, written either in the post itself or in a reply right below. not only in the ALT text (as that is for, well, ALT text) and not by making a general note on your profile that "gifs are not my own"/"the gifs i post are from tumblr" or similar (as this won't be evident from the post itself and doesn't credit the gif maker). ok that got a bit long but hopefully it makes sense!

also, if a gifset inspires you to write meta or make your own post about what the gifset depicts, we'd also be very happy if you linked it (like "this gifset reminded me of... / made me think about...") OR simply add it in a reblog of the gifset! the exception (for me, others may feel differently) is if the meta/comment "disagrees" with the gifset, like if the gifset shows "[character] being considerate" and the comment is something like "actually, i don't think this is [character] being considerate, i think they're manipulative". then making a separate post would be more welcome (i'd personally still appreciate a link to the gifset if you were inspired by it).

something that would be rude (since you ask how to avoid that) would be somehow criticizing the gifset in the comments/tags/replies, like disagreeing with the composition (e.g. "i don't think gif number X fits with this theme"), or being negative about the editing/giving unsolicited advice (e.g. "wish these gifs were brighter/sharper" or "hey op you should make your gifs slower/faster"), or talking about how you dislike the show/movie/characters (because the gif maker will see your tags/comments and they probably made the gifs out of love for the thing). as long as you avoid that, you should be fine! 💖

once again thank you for this lovely ask and for wanting to show your appreciation for gif makers 💗

[avelera]

Nothing will convince me that Ed was telling the truth in OFMD 1.10 that it was “regulation” to shave the beard. Absolutely nothing.

I mean, first of all, the reason the British spared him and Stede was because of the star power “Blackbeard” brought to the British navy. Why would they tell him to shave it off? It was what made him instantly recognizable. Without it, he’s just another sailor.

And now we’re getting into S2 and the first “self portrait” we get of Ed in any form is him painting himself as the bride on the wedding cake toppers??

A lot of fandom called it, I think. Ed has a complex relationship with gender. I don’t feel I have the authority to more than underline that it exists, I don’t feel up to attaching specific labels just yet, but clearly the beard was more than just a beard, if ya know what I mean. It was part of his worksona, a fuckery, a performance, a shackle, an anchor dragging him down. He might not go fully clean shaven after this (though I do think the short beard we see at least by 2.03 is at least in some small part a depression beard) it might not be quite so clean-cut (ha!) as him simply never wanting facial hair. But the long beard was something he clearly feels happier and freer without (Taika too, lol, he hated the fake beard).

Anyway. Nah, Ed shaved the beard off because he wanted to and he finally had the excuse.

And as a final note, one reason I so vastly prefer this interpretation, is how much agency it gives Ed in his own “transition” for the lack of a better word (until we see more to confirm it, that is). The “oh yeah it was against regulation” then becomes an easy, flippant little lie he tells at a convenient moment when it seems entirely plausible. But note how cheerful he is about it. This is the same Ed who freaked out when a noble touched his beard ribbons, no fucking way he’d be that casual about some colonizer changing his hair without his permission.

Nah. Nah, Ed did it himself. It was 100% his choice.

[pehmokoira]

I think we could all use a morale booster after 2 weeks in the gravy basket, so I decided to write a few reasons why I believe Our Flag Means Death can still be saved!

Please note that I know literally nothing about how the industry actually works, I'm just clowning and these are opinions based on articles I've read etc. 🤡

Arrested Development was saved by Netflix after Fox cancelled it because of low ratings and viewership. Now, we can't know the numbers for OFMD for certain, but the ratings and reviews have been preeetty good, and season 2 even has a higher Tomatometer score than season 1. (96% vs. 93%) So in that sense, the chances are good. Everything was pointing towards renewal until January 9th!

Which gets me to my next point. If the cancellation really was one person's decision (DZ better watch his fucking step), then that means the show was as good as renewed and it HAD the numbers and the viewership and everything it needed to continue.

Each cancellation case is unique. It's kind of pointless to compare OFMD with any other cancelled show, because the chances of any show getting picked up after cancellation depend on so many things. Production costs, show quality, the potential of the show, viewership, probably also connections/relationships in the industry, etc. But it all boils down to money in the end.

Max is covering up the real reason for the cancellation by lying, which means they've completely fucked up by cancelling this show. Max is the one that looks bad right now, not OFMD. This is bad PR for Max.

David Jenkins has not told us to stop with our renewal efforts, which means there's hope. He knows more than we do. In Jenkins I trust. I won't give up until he tells us it's over.

It's only been 2 weeks and 1 day. It would've been something of a miracle if the show had been picked up in that short a time. Lucifer was saved by Netflix a month after the cancellation.

And lastly, the pros for OFMD:

The show hasn't been on a widely available international streaming service so far. Big potential for new audiences on a different platform.

The marketing for the show has been abysmal, but it's become a flagship series for Max despite that.

The fanbase is loud and passionate, and we've shouted about wanting to buy merch on X. We won't shut up about the show and that's a beautiful and important thing.

Max's lies about the cancellation are so transparent almost anyone can see through them. The people in the industry have probably noticed Max's pattern of cancelling shows about marginalized groups.

The representation in the show is something you don't find in any other show, and while that could be its downfall, it's also the greatest strength of the show. Bigger streaming services aren't as scared of queers as Max is.

The story that the show tells is quite unique.

These are just a few things that came to mind right now. Feel free to reblog and list more reasons if you can think of any!

Edit: I wrote another post about this too! That one's about ✨the numbers✨!