#one-story

[s-aint-elmo]

pass it on!

(ID in alt text)

[vaindumbass]

love all the cute dungeon meshi pride art but chilchuck would not be caught dead wearing any sort of pride merch. you think that man is going to give out any personal information? for free?????

[smokiedokie]

I opened my copy of The Tale of the Body Thief & immediately had to close it again because of this silly little annotation

[aholefilledwithtwigs]

I once had a landlord offhandedly mention that his mother had set this house on fire before. He and his wife lived on the first floor, and i rented the third.

Apparently his mom didn’t like his wife. So she set their house on fire. The house i was living in.

He assured me that everything was fine now and that this was years ago, just kinda laughed, smiled, and said ‘You know how moms are’

Yes. I know how moms are. I know how fucked up moms are as well. I have known many fucked up moms and fellow children of fucked up moms.

Attempted murder through arson is not typical mom behavior, even for a fucked up abusive mom

Oh, and his mother lived next door 🙃

[foldingfittedsheets]

Mattresses, unbeknownst to many, are a lot like cars. Every year new ones roll out, they’re always tweaking and innovating and you’ll never find the same one you loved decades ago when buying a new one.

Where I sold mattresses had a three month return or exchange program for this reason. New beds take a while to break in, and they’re a big expense. Your body is used to the old one. So we made sure people were loving it. If a bed got returned we’d take it back, sanitize and clean it, then sell it again on clearance.

To sell these we always had to disclose what clearance meant to customers, and they had to sign that they knew what they were getting. (FYI, not every company is as… forthright about the used bed situation)

In clearance we had beds that were floor models, we had returns, and more rarely we had old models whose line had been discontinued. These clearance beds were always final sale, so a bed could only be sold twice.

Now, the manager at the store I was working at had realized a vital fact. Clearance beds in the warehouse didn’t sell, especially old models that salespeople weren’t familiar with. And even more especially in odd sizes, like twin extra longs. So he set up a split king on the showroom floor to exhibit clearance beds, pulling all those forgotten twin extra longs out onto the showroom.

Almost all of these were brand new discontinued models. Beds I’d never learned in training were exhumed to be displayed. The manufacturers had moved on to new lines and they’d been left behind. Why would he take such in interest in selling old stock, you might wonder? Because we made double commission on the sales margin of clearance beds, and if we’d had a bed long enough they dropped the cost in the system so it was a fucking cash cow to sell these. Even with huge discounts the commissions were wonderful so it was a win win.

When I got started I was jazzed about this program, I was so on board to sell weird old brand new beds and make a ton of money. I had a wonderful older couple come in, looking for a split king adjustable set. This was a white whale sale.

The current clearance models on the floor were a latex mattress that was brand new despite being of an age to start first grade, and a tempurpedic floor model. The couple laid down and it was like magic. They each loved the bed they’d laid down on. They wanted to buy the whole shebang.

I. Was. Thrilled. I told them about the clearance program and what that meant, and they weren’t bothered in the least. I wrote up the sale then dashed into the back, fizzing with excitement to tell my manager what I’d done.

“You sold the death bed?!” He asked in delight.

I pulled up short, my smile freezing in place. “What…?”

“Didn’t you check the notes?”

I hesitated for a long beat then slowly shook my head. You see, dear reader, all beds had a personal history. Every clearance bed had logs written up by the person who took the return, as well as warehouse crew after sanitizing. It helped us know what to expect when selling them. “Wasn’t it just a floor model? You said it was a floor model…”

He slowly shook his head. I checked the notes.

It turned out, it had been sold as a floor model. The first time. But the company had made an exception and taken it back as a return two months later. Why? Because it’s owner had passed away.

I stared at the computer in horror and my manager shrugged. “They signed the clearance form. Technically it was a floor model.”

“We know for a fact that a man died in that bed!”

“What they don’t know can’t haunt them,” he said philosophically.

The man came back a week later for more sheets, utterly delighted to tell me how well they were sleeping. I clamped my teeth down around the secret of the deathbed, choosing to let them love their new bed without the stigma. Only one person would be haunted by that deathbed, and it was me.

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[lackadaisycal-art]

I'm getting so sick of major female characters in historical media being incredibly feisty, outspoken and public defenders of women's rights with little to no realistic repercussions. Yes it feels like pandering, yes it's unrealistic and takes me out of the story, yes the dialogue almost always rings false - but beyond all that I think it does such a disservice to the women who lived during those periods. I'm not embarrassed of the women in history who didn't use every chance they had to Stick It To The Man. I'm not ashamed of women who were resigned to or enjoyed their lot in life. They weren't letting the side down by not having and representing modern gender ideals. It says a lot about how you view average ordinary women if the idea of one of your main characters behaving like one makes them seem lame and uninteresting to you.

[lastoneout]

People don't like to admit it bcs cringe or w/e but Homestuck really did revolutionize the webcomic as a storytelling medium and I am endlessly frustrated that before webcomic artists could really stretch our legs fucking webtoonz swooped in, set a new, more restrictive standard, and then monetized and monopolized the ever living fuck out of the concept of The Webcomic until it drove away anyone who couldn't be a professional quality manga artist for free, and now the only webcomics that actually feel like spiritual successors to Homestuck are so obscure they're basically cult classics that you have to beg people to read.

Like it's just so wild to be in high school and see Homestuck be like "we're using like fifteen different artistic mediums to tell this story bcs we can" and be really fucking inspired by that, only to grow up and see basically every webcomic ever have to conform to One Single Standard or fucking perish.

[stargirl230]

you’re my hero!

bnha doomed yuri was not on my 2024 bingo card

(no reposts; reblogs appreciated)

[gallusrostromegalus]

Might I inquire as to what, precisely, a Mustain't is? (Aside from a string of letters I hesitate to Google in that order.)

In October 2014 I went on a road-trip to the Dryest Place In America.

I was having a rough year, very depressed from having dropped out of college for the third time. I decided a road trip was in order to re-set my brain and get a little distance. Being that it was October, and therefore all the campgrounds in the American Southwest were filled with people who have the good sense to camp in reasonable temperatures, I elected to take my parent's minivan so I could car-camp anywhere suitably isolated, and looked up some of the southwest's geographic extremes- the highest place I could drive to (Pikes Peak), the lowest place (Badwater Basin), and for fun, the Dryest Place in the continental US, which turned out to be the Pinacate Volcanic field just west of Organ Pipe Cactus National Monument. It gets rain maybe twice a century and has no standing water, despite being less than 100 miles from the gulf of California.

It's a startlingly beautiful and alien place. The ground is a deep chocolate brown to black volcanic sand, and in mid October, the rabbit brush is turning bright yellow as it shifts to autumn, the organ pipe cacti are a dark green and stand, partially concealed in the brush at exactly human height. The air is alive with birds and insects and bats at night. The stargazing is like looking into the eyes of God.

You get there by driving down a little dirt road called "El Camino Del Diablo", or "The Devil's Road".

I drove out about three hours from Glendale, AZ to get there, arriving at sunset, and felt a profound sense of peace. I stargazed, listening to the bats hunt and sing, and slept peacefully for the first time in months.

I stayed out there for three days, sketching and painting the landscape, taking strolls through this almost alien landscape, and enjoying the light and sound and total absence of human intrusion besides myself.

On the fourth night, it was a new moon, and I awoke in the middle of the night. Something was amiss, and it took me a while to realize it was because I could NOT hear the bats. I was sleeping inside the van with the rear windows rolled halfway down rather than trying to set up the tent, so I when I sat up, I looked out of the van's reflective windows to discover what at first appeared to be A Horse.

It was something between pale gray and bright white in the starlight, standing maybe a dozen feet from the van, sniffing curiously. It made sense- I was in the middle of mustang country and there was quite a bit of foliage in the area for it and it did look like a truly wild horse- lumpy where the bones were jutting out, dusty about the hooves and face.

I was instantly seized by the sort of paralytic fear Sleep paralysis is made of. I couldn't move. It wasn't quite looking at me because it couldn't quite see through the windshield into the shadowy into the shadowy interior, but I had the distinct impression that if I looked away, it would know, and get me.

I already had problems with horses. My beloved Aunt Helen's Prize mare tried to kill me on two separate occasions, and the year before I had to carry my sister-in-law backwards out of a slot canyon whilst reciting the Saint Crispin's Day Speech as loudly as possible to keep a mustang from trampling us to death.

This is approximately what it should have looked like:

Instead, it was... off. like trying to draw a horse from memory.

The waist tapered in.

The legs were slightly too long or the torso slightly too short, probably both.

The ears were Triangular.

The head wasn't quite right- Too narrow and the jaw wasn't heavy enough.

The tail was too long and arced unnaturally away from the body.

The neck arched.

The nostrils were too high and close

The mouth too long.

Whatever this is, a Mustang it Ain't.

I watched it from the back seat as it sniffed around the front of the van, curious with about the side mirrors. It moved around the van, nibbling experimentally on the front door handle. It came up to the side windows, sniffing like a dog, and it's breath didn't fog up the glass.

Finally, it came up to the rear window, which was rolled halfway down to let the fall night air in. Not even half a pane of glass and two feet of air between us, and I could clearly see it's bright blue eyes.

Horses have Elongated pupils to give them a wide field of vision, and eyes that rotate sideways in their sockets so the pupil remains parallel to the ground. Rather creepy to watch, especially the ones with blue eyes.

A real horse that was curious about the interior of the van would have come up to the window more or less sideways, and looked at me with something like this:

Instead, the damn thing walked up and faced the back window head on, staring back at me with this:

I'm not sure how long we watched each other like that, eyes locked. My eyes burned. I couldn't blink. My mouth was dry. I couldn't swallow. My throat began to ache. I couldn't make a sound. My skin began to twitch, like I was severely dehydrated. I couldn't move. My lungs burned. I couldn't move. I couldn't move. I couldn't move. I couldn't move.

Something was touching the side of my hand on the seat next to me. It's my water bottle.

The realization must have broken the terrible paralysis in the lower parts of my brain first, because by the time I consciously realized I could move again, I was already flinging my water bottle out the window at it.

The top was open, and splashed out the window at the Mustain't.

I've never heard such a scream out of an animal. Something halfway between the sound of unquenchable rage vibrating in someone's chest and the way rabbits cry out to God when the dogs catch them.

It jumped back, pivoting away from the van, snarling at the water bottle. I don't think you're supposed to be able to see All of a horse's teeth at once, no matter how angry it is.

I watched it run into the night for some distance, it's pale body visible against the black sand and the dark gray shadow of the ancient volcanic cone it was headed for.

When the blood stopped pounding in my ears, I could hear the bats again.

I debated leaving right then, but I didn't want to get out of the van with that thing in the area, nor litter by leaving the water bottle out there. I also had the awful idea that if I left now, it might somehow be able to follow me home. I ended up staying up three hours to watch the sunrise, shaking and trying to figure out if I'd woken up from a vivid dream, if my meds had stopped working, or if that had really happened. I didn't dare move until I actually felt the temperature rise, before stepping out of the van to grab the bottle. I had my camera ready- I was still using a DSLR back then- to take pictures of the hoofprints, to show how close it had gotten to the van.

No hoofprints.

Beetle tracks in the soft sand around the van, and the clear foot-and-wing prints of a bird that had hopped around then taken off. But no hoofprints.

I went over the entire campsite with the tent broom, to make sure I removed every scrap of evidence I had ever been there, including my footprints, grabbed my water bottle, and drove the three hours back back to Glendale, then decided to do seven more hours of driving to Moab, Utah just to put more than 500 miles, the state line and at least nine things that could be considered "running water" between me and the Mustain't.

-

I still have that water bottle. It has a dent in the bottom from hitting something, but that could have happened at any time. Strange thing though. I can't drink that bottle dry. I'll have it on me, drink whatever I've put in there- water, juice, iced coffee- and eventually feel like I've drunk the whole think and that it's empty. But I open it up and it's still at least a quarter full. I drink that. I get thirsty. I open it up again. ...and there's always a mouthful left.

Not sure what the side effects of drinking from a bottle cursed by a Mustain't to always have some left are, but it lives in the Emergency Breakdown Kit in my car now, just in case I meet another one.

---

(I'm a disabled artist and make my living telling stories, please consider supporting me on Ko-Fi or Pre-order the Family Lore book on Patreon)

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[iwasbored777]

We're not appreciating the Weird Barbie enough. It's said in the movie that she helps everyone who need help while they always see her as someone who's not as good as them. She was friends with all dismissed Barbies and Kens, was there to offer support and safe shelter for everyone who needed it in Kendom, without her nothing in the movie would've been alright. When Stereotypical Barbie calls her "ugly and unwanted" she still helps her.

She was representing a woman in women's world who was pushed aside by other women because she didn't fit in but still had more wisdom and kindness than everyone who thought they're better than her.

[morningsaidthemoon]

streamer au ??????? video game au ???

[c-rowlesdraws]

Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence

[sp00kies]

I want ALL OF YOU to apologize to Minecraft Story Mode right now because these graphics from almost 10 YEARS ago?

Is about 100 times better than whatever the fuck this is

[chloesimaginationthings]

Do you guys fuck with the FNAF books?…