I’m sure you have all seen this clip of David Bowie talking about the Internet back in 1999 “I think we're actually on the cusp of something exhilarating and terrifying”.
One of the things that is always missing whenever that clip goes viral is the context from which he was speaking.
David Bowie was in the Metaverse before most people were even on the web. Here’s an overview
At the time of the recording ALL of the following was already happening and going on in his life:
BOWIE WORLD (1999)
Created by World’s Inc. in 1999, Bowie World was the first 3D virtual world created by a creative artist on Bowienet.
Bowie World allowed users to experience the immersive world of David Bowie, interact with fans from around the world, purchase merchandise and meet with David in avatar form.
The 3D environment was powered by worlds.com technology and featured integrated chat room etc.
See this paper from 1996 ACM interactions, Sept-Oct 1996 journal for more details.
"He would never announce it in advance, but he would get on to the chat board and talk to us. The handle he always called himself by was Sailor," says Mr Carrington.
In 2016 daily dot went to visit Bowie World and documented their experience. there were people in the world chatting! Still! 17 years later!
// If you’re so included you can read my experience of doing something similar. I toured Active Worlds (launched 1995) in the book Lost Zone. Hiking the Dawn of Metaverse //
Cyber Song (1999)
The same year 1999, Bowie recorded the worlds first ‘Cyber Song’.
Fans were invited to send in lyrics to help co-write a track, and 80,000 people responded. The song Bowie chose was by a 20-year-old American, about the idea of having a virtual life on the internet.
You can find the song on the album Hours...
"What's Really Happening?"
Grown inside a plastic box
Micro thoughts and safety locks
Hearts become outdated clocks
Tickin' in your mind
Fans were invited to watch the track being recorded live via a 360-degree interactive webcast!! back in 1999!
The chat logs from that session are still online and archived at bowiewonderworld.com
The chat reads like literally any twitch livestream you’d read today:
*** Now talking in #BowieNetChat
Eileen: hmph -
pFuRs: looking glass studios
Bonster1: I like the hair especially ;)
Eileen: (duh)
Mechnic: his hair! *sigh*
Eileen: I LOVE his hair..
Bonster1: it's getting really long
Bonster1: my husband is jealous
Eileen: first time in my LIFE I have actually LIKED the way he wears it
LdyofDarkness: if I could be anyone's hair in the world, it would be his
William: silly old man
Bowie also showed up
TotalBlamBlam: Is that Davis Bowie?
Bonster: (David Bowie) yes I smell great
A potion of that chat in addition to the recording session is taken up with discussion about the (then upcoming) adventure game: The Nomad Soul developed by Quantic Dream and published by Eidos Interactive.
The Nomad Soul (1999)
David Bowie is not only *in* the game and also wrote the soundtrack with Reeves Gabrels from The Cure!
I’ve never played the game but here’s a two line review:
In an alternate reality, all hell is breaking loose. And only one person can stop it - YOU.... sitting at your computer. That's not a witty commentary on video gaming, it's the plot of the game. And that's just the start of this bonkers bonanza.
Lastly, for completeness I should also mention BowieNet
BowieNet (1998)
From 1998 - 2006, BowieNet wasn’t just David Bowies website with its virtual world, chat rooms, live-streamed concerts etc
It was also the name of his ISP
Thats right, for 8 years Bowie ran an Internet Service Provider offering high speed and “uncensored” access to the Internet.
The ISP provided every user with 5MB of web space, encouraging them to create and share their own websites. Newcomers were told they’d need at least a 28k, but preferably 56k modem connection – this was demanding at a time when the commercial WWW infrastructure was still in its infancy.
Through his Ultrastar company he negotiated deals to give users access to music services like the Rolling Stone Network, which livestreamed concerts, and Music Boulevard, one of the first companies to offer paid-for downloadable music tracks.
For Bowie, this ISP wasn’t just a new means of marketing his material to the masses, it was the realisation of something he’d always understood about music: that the fan response completes the art.
Anyways, hope his ‘Alien Life Form’ have a little more context.
Bowie was in the Metaverse way before many of us were even on the web!
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Reminder for anyone scared about KOSA
KOSA has a good chance of not passing! The Senate is only the first part, and even if The Senate doesn’t pass the bill, it’ll go to the house, which has even more opposition! Still, don’t refuse to call, as your call may help oppose the bill! I cannot call, but please, pass on this message along with anything else you reblog regarding World/US events, it may save our fandoms!
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So, today I was on Reddit reading about KOSA, and I found this on r/AO3
Here's the Invest in Child Safety Act, it only has *five* cosponsors compared to KOSA's sixty-three.. wonder why..
I have a feeling most of the Democrats supporting this bill have fallen for the "We're protecting the children!!" farse. So, let's not just tell them the problem, but offer a solution!
It's not PERFECT, but it's a better privacy legislation than KOSA, and I suggest mentioning that that's what we want: Better privacy legislations.
Please post this on other sites, on Twitter, TikTok, other Reddit pages, etc. I only ask that you cover-up my username :]
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