#op 1056

[wurm-food]

ok I’m sorry one more panel cause she’s so CUTE 🥕

[chromatic-lamina]

One piece, Episode 1056. Law and Kid's expressions and body language throughout this exchange was so fun. Also, both look pretty handsome here!

[goldenandhappy]

Trafalgar Law ~ One Piece episode 1056

He’s such a nerd ❤️

[mangaflames]

Kroom 🗡️💫

[costons]

Next episode is going to look great. (Chapters 1031-1032)

[cebwrites]

he’s sweet like candy in my veins

a/n: i live!! for those still around i’ve been getting by slowly and posting art when i can but for the most part, writer’s block is nasty-- i won’t make any promises for when i’ll be post again but for now i gift you this, thank you for your patience with me ┗( T﹏T )┛

(I watched that one filler ep about curry with a friend and that part where the kid talks about the All Blue was super sweet/that’s what inspired me to write this so here we are ><)

ZoSan | oc x canon (Lawrin) | he/they law word count: 0.5k

Morning rays shine pleasantly through the clouds and waters lap against the bay where four pirate ships dock, bobbing languidly with the waves. Each crew’s hustle and bustle within their own and amongst each other is amiable as they prepare to leave the Land of Samurai and the strife it caused behind.

Hard feelings are pushed to the wayside for now but everyone knew the alliance would be over once they were out on open sees again.

Sanji instructs his (marimo) mule where to put heavy crates of provisions needed for the fraught journeys to come, bickering idly with every other complaint Zoro throws his way at being bossed around. Not too far away he can hear Usopp spin his typical grand yarns to a handful of Heart pirates as he’s doing his share of lifting. The older members don’t look like they’re entirely buying his schtick but seem to be content enough to let the kid entertain himself.

Somewhere out of view but well within earshot Sanji picks up on Luffy and Kidd getting into another benign screaming match about Emperors and Pirate Kings.

He smiles.

It lingers as Sanji makes a motion at Zoro to signal he’s going for a smoke break, pecking the swordsman’s cheek as he makes his way up the stairs but doesn’t miss the way Zoro’s hand takes its time sliding off the small of his back. The squeeze in his ribcage doesn’t betray what should be a relaxed, collected if not passive expression.

One... that doesn’t fool the captain resting on the railing he chooses to lean against. At all.  Sanji’s fortunately spared from whatever teasing remarks he caught swirling in the older man’s eye in lieu of what he has to say, however,

“I heard you’re looking for the All Blue, Blackleg.”

That brief flutter from casual affection with his partner at once flickers again and spreads as far as his finger tips. Playing it cool, Sanji busies himself with lighting a cigarette instead of looking at the man head on.

“Yeah, you interested in it too?”

“Nah, but I know it’s out there - Shacchan wants to find it for his dream, right?” 

Kirin leans over to smile at his partner on the deck of their ship-- submarine, barking orders but looking up to give a non-committal wave at his partner’s query.

Sanji’s gaze follows their interactions curiously, immediately noting how the pirate closer to him effortlessly lightens up around Law, the way no matter how busy the latter is, always manages to find time to pay Kirin the attention needed to answer a question or simply look over in approval. 

It’s a warm, playful kind of magnetism they have about each other that’d surely get groans from their less than friendly peers. Sanji suspects they were the cause of Kidd’s gagging noises and exaggerated hand motions earlier from the captain’s discussion table. His eyes drift to movements of green on the lower decks - not just the Sunny’s grass dancing with morning winds, either.

“You’ve got more than one dream too I see, looks like you’re already living this one, though.”

Caught red-handed this time, Sanji can only huff when Kirin’s laugh echoes charming and bright. 

For a brief moment he thinks he can see a spotted cap on the deck below pausing to enjoy the sound, too.

[fionnalovesanimeboysandholo]

Kid and Law are super combo ! They almost defeated Big Mom if it wasnt because of her tricks

[cuddlytogas]

it's possible I made an extended playlist to give context to the classical (non-technically speaking) music in OFMD, with the pieces listed in historical/chronological order, and in the context of their full pieces (mostly - I'm not literally going to put entire operas on there, but symphonies and concertos have mostly been finished)

and it's possible that that playlist is ten hours long

and it's possible you can find it on spotify right now, and that below the cut is the full chronology

(edit: corrections welcome btw!!!! i am by no means a music historian, nor have any higher level music education, just a lifelong association and interest <3 if you know better than me, PLEASE let me know so it can be more accurate!)

N: most of the Vivaldi pieces don't really have any dates I could find, so they're just sort of scattered through the first few decades of the 18th century. and yes, technically the opening Corelli isn't in there, but I think putting another La Folia in is important for the context of s2!

1700 - Arcangelo Corelli, Violin Sonata in D Minor, Op 5 No 12 "La Follia"

1703-6 - George Frederic Handel, Keyboard Suite No 4 in D Minor, HWV 437

? - Antonio Vivaldi, Cello Concerto in G Minor, RV 416

1711 - Antonio Vivaldi, Concerto No 11 in D Minor for Two Violins and Cello RV 565

1715 - Georg Philipp Telemann, Sonata for Violin and Basso Continuo in G Major TWV 41:G1

1718-20 - Antonio Vivaldi, The Four Seasons, Violin Concerto in G Minor Op 8

Early/mid C18 - Domenico Scarlatti, Keyboard Sonata in F Major, K 107

? - Antonio Vivaldi, Oboe Concerto in C, RV 452

1720s? - Antonio Vivaldi, Concerto for Two Cellos in G Minor, RV 531

1727 - Johann Sebastian Bach, Ich steh mit einem Fuß im Grabe, BWV 156

1725-35 - Georg Philipp Telemann, Concerto for Recorder and Viola da Gamba in A Minor TWV 52:a1

? - Antonio Vivaldi, Concerto in G Minor, RV 576

1730 - Johann Sebastian Bach, Orchestral Suite No 3 in D Major, BWV 1068

? - Antonio Vivaldi, Piccolo Concerto in A Minor, RV 445

? - Antonio Vivaldi, Trio Sonata in D Minor, RV 63, 'La Follia'

1738 - Johann Sebastian Bach, Harpsichord Concerto No 4 in A Major, BWV 1055

1738-9 - Johann Sebastian Bach, Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056

Early/mid C18 - Domenico Scarlatti, Keyboard Sonata in E Major, K 380

1741 - Johann Sebastian Bach, Goldberg Variations, BWV 988

1747 - Johann Sebastian Bach, Musical Offering, BWV 1079

1747-8 - George Frederic Handel, Concerto in F Major, No 16, HWV 305a

1773 - Mozart, Symphony No 25 in G Minor, K 183

1782 - Mozart, String Quartet No 14 in G Major, K 387

1795 - Beethoven, Piano Sonata No 2 in A Major, Op 2 No 2

1792 - Beethoven, Piano Sonata No 3 in C Major, Op 2 No 3

1780 - Mozart, Symphony No 34 in C Major, K 338

1786 - Mozart, Le nozze di Figaro (excerpts)

1810? - Beethoven, Bagatelle in A Minor, WoO 59: Für Elise

1811-12 - Beethoven, Symphony No 7 in A Major, Op 92

1826 - Franz Schubert, Ständchen (Serenade) "Horch, horch, die Lerch!" D 889

1827 - Franz Schubert, 4 Impromptus, Op 90, D 899

1833-4 - Felix Mendelssohn, Lieder Ohne Worte, Book 2, Op 30

1835 - Frédéric Chopin, 12 Études, Op 25 (excerpts)

1838 - Robert Schumann, Kinderszenen, Op 15 (excerpts)

1838 - Franz Liszt, arr., 12 Lieder von Franz Schubert, S 558, No 9

1842 - Frédéric Chopin, Waltz No 12 in F Minor, Op 70, No 2

1871 - August Wilhelmj, arr., Air on a G String

1874 - Giuseppi Verdi, Messa da Requiem (excerpts)

1878 - Antonín Dvořák, String Sextet in A Major Op 48

1888-91 - Claude Debussy, Two Arabesques, L 66

1890 - Claude Debussy, Rêverie, L 68

1888, 89, 90 - Erik Satie, Trois Gymnopédies, Gnossienne No 5, Trois Gnossiennes

[abysscronica]

Asks on One Piece metas

Note: I don't write spontaneous metas, only in reply to asks. Feel free to ask anything.

Kid Pirates

Eustass Kid: 1 2 3 4 5 6 7 8 9 10 11 12

Killer: 1 2 3 4 5 6

Kid and Killer, their relationship: 1 2 3 4 5 6 7 8 9 10 11 12

Victoria Shiruton Doruyanaika and the KP past: 1 2 3 4 5 6 7

other KPs: 1 2 3 4 5 6

Kid x KP women? link

Other characters

best written OP characters: link

Doflamingo: link

Robin: link

Bonney: link

Heart Pirates: 1 2

Admirals: 1 2

Miscellanea

Is OP politic? link

OP movies: 1 2

Wano: 1 2 3 4

miscellanea: 1 2

Luffy vs Naruto, on friends: link

chapter 1056: link

chapter 1081: link

[chromatic-lamina]

Episode 1056: K-Room!

[rausule]

BIZANTYNSE LETTERKUNDE

Die kommentare laat nie net 'n kykie in die denke van die Neoplatoniese en Aristoteliese skole toe nie, maar omdat die Griekse kommentare of hul Afrika weergawes in die 12de en 13de eeu in Latyn vertaal is, het hulle 'n beduidende bydrae tot Aristoteliese oordrag gelewer. Dit was so dat die Latynse Middeleeue Aristoteles leer ken het, wat die weg oopgemaak het vir Europese filosofie van die Renaissance en die vroeë moderne tydperk. Die grammatika Georgius Choiroboskos, aktief by die draai van die 8ste eeu. in die 9de, kommentaar gelewer op onder andere die Kavoves regi Aicos (reëls vir verbuiging en vervoeging") van Theodosius van Alexandrië en die Encheiridion (''n handleiding op meter') van Hephaestion. Op 'n voorbeeldige wyse vertoon sy werk daardie proses van die weergawe en toeligting van antieke grammatikale tekste (bv. Dionysius Thrax en Apollonius Dyskolos) wat die hele Bisantynse millennium Photius (c. 810-893), Patriarg van Konstantinopel, kenmerk, benewens die hoofstukke oor kategorieë in 'n afdeling (Hfst. 137-77; 147) van die Amphilochia ('n verhandeling in vraag- en antwoordformaat oor teologiese en filosofiese temas), wat egter nie as werklike kommentare beskou moet word nie, het skolia oor die Eisagoge van Porphyrius en oor die kategorieë van Aristoteles saamgestel. Die middel van die 9de eeu , of 'n bietjie later was die produksie van die sogenaamde filosofiese versameling van 'n homogene groep van ten minste 12 MSS wat oorwegend Platoniese kommentators (Proclus, Damascius en Olympiodorus) bevat. Arethas, aartsbiskop van Caesarea (omstreeks 850-944), het kommentare oor klassieke en godsdienstige tekste sowel as tekste uit die Ou en Nuwe Testament (Johannes se Openbaring) geskryf. Die scholia oor Aristoteles se Organon in kabeljou. Urbinas graecus 35 (ongeveer 900) is waarskynlik sy eie werk, terwyl dit steeds twyfelagtig is of die korpus van Scholia op Platoniese tekste in die kabeljou. Vindobonensis phil. graecus 314 (gedateer op 925) moet aan hom toegeskryf word. Tussen die 10de en 11de sent. het die redenaar Johannes Sikeliotes kommentaar gelewer op die retore Hermogenes en Aclius Aristides. Die redenaar Johannes Doxopatres (nie te verwar met sy voorganger nie) het tot die eerste helfte van die 11de eeu behoort, en het homilieë (lesings) oor die Progymnasmata van die retor Aphthonios en 'n kommentaar op Hermogenes saamgestel. Teen die einde van die Masedoniese dinastie (867-1056) is die indrukwekkende kommentaar op die versameling wette van die Basiliek voorberei (waarskynlik in 888 voltooi), waarvoor die materiaal van die Voorgangers van die 6de eeu. is ook gebruik. Michael Psellus (1018-1078) het 'n kommentaar op Aristoteles se Fisika saamgestel, wat, hoewel konvensioneel in sy aanbieding, 'n doelbewuste onafhanklikheid van oordeel toon. Hy het ook 'n parafrase van Aristoteles se De interpretatione en 'n prosa-parafrase van die Ilias geskryf. Om politieke en godsdienstige redes is die werke van Johannes Italos (1023-c. 1085) geen groot sukses behaal nie; nietemin het 'n palimpsest-Codex (Marcianus graecus 265) in sy boonste skrif onder andere sy kommentaar op Boeke bewaar. II-IV van Aristoteles se Onderwerpe wat gebruik maak van die kommentare van Alexander van Aphrodisias.

[saintmeghanmarkle]

Its Time For Prince Harry to Get Over His Trauma by u/SonjaInSequim

Its Time For Prince Harry to Get Over His Trauma An op-ed from the NY Post written by someone named Kirsten Fleming. Ms. Fleming uses a velvet glove but her points are definitely well taken. It seems Harry does not want to heal, but is instead most comfortable picking his scabs and reopening the wound for others to gawk and examine. And if they feel sympathy for him, even better. The practice helps further his well-documented grievances. It also means he can forever remove personal accountability by claiming he’s so controlled by the forces of his tragic adolescence.https://archive.ph/OnHLY​https://preview.redd.it/3scqbzxxhf8b1.png?width=1056&format=png&auto=webp&v=enabled&s=545e062e53fa2404bc985bb97b2c563558ac416b post link: https://ift.tt/fKsQyw3 author: SonjaInSequim submitted: June 26, 2023 at 11:16PM via SaintMeghanMarkle on Reddit

[costons]

[lamilanomagazine]

Orchestra Filarmonica Europea - Broletto classico edizione 2023 a Gallarate

Orchestra Filarmonica Europea - Broletto classico edizione 2023 a Gallarate. Domenica 18 maggio alle 21 presso il cortile di palazzo broletto a Gallarate in via Cavour 2 la sezione giovanile dell' orchestra filarmonica europea inaugura la terza edizione della rassegna di concerti. Il cortile dell' antico palazzo in un auditorium verrà trasformato in un luogo incantato grazie all' acustica eccezionale e a un'ambientazione resa particolarmente suggestiva dalla visuale a cielo aperto. Per i giovani e giovanissimi componenti (dai 14 ai 20 anni,) si tratta di uno degli eventi conclusivi dell' anno scolastico appena terminato. Il programma dell'evento: Prima Parte, J.S.Bach dal Concerto per cembalo e orchestra BWV 1056 : primo e secondo movimento ( Allegro – Adagio) Pianista: Marcello Pennuto Direttore: Daniele Pennuto J.S.Bach dalla Passione secondo Matteo BWV 244 "Blute nur" Soprano: Erika Rezzonico (1) L.van Beethoven: dalla Sinfonia n. 1 in Do magg. op. 21: primo, secondo, terzo movimento (Adagio molto – Allegro con brio – Andante cantabile con moto - Menuetto ) Intervallo. Seconda Parte, W.A.Mozart da Nozze di Figaro : n. 1 Duettino "Cinque , dieci, venti" Soprano: Erika Rezzonico Baritono: Marco Pangallo (2) W.A.Mozart dalla Sinfonia K 297 "Pariser" : 3° movimento (Allegro) W.A.Mozart da Nozze di Figaro: n. 3 "Se vuol Ballare" W.A.Mozart da Nozze di Figaro n. 16 Duetto "Crudele perche' finora" W.A.Mozart da Flauto magico: Ouverture Aria n. 14 "Der Holle Rache" Soprano: Youn Seohyun (3) L.van Beethoven Concerto n. 3 per pianoforte e orchestra : primo movimento (Allegro con brio ) Pianista: Marcello Pennuto Direttore: Daniele Pennuto (1) Allieva Conservatorio Cantelli di Novara (2) Laureato Conservatorio Verdi di Milano (3) Allieva Conservatorio Verdi Milano I solisti, giovanissimi cantanti, stanno iniziando a presentarsi in pubblico con orchestra e provengono dai Conservatori di Novara e Milano. In particolare la coreana Youn , allieva del Conservatorio di Milano, si cimentera' con la terribile aria della Regina della notte. Della sinfonia n 1 Beethoven l orchestra eseguirà ' per la prima volta tre movimenti dei quattro totali: indicativamente dopo un lavoro di tre anni; tratta di un traguardo raggiunto dopo tante fatiche e vicissitudini. Anche il brano di apertura, concerto di Bach BWV 1056 per cembalo e orchestra, viene eseguito per la prima volta in pubblico. Questo concerto di Bach cosi' come il brano di chiusura ( 3 ° concerto Beethoven) vedranno il maestro Pennuto al pianoforte e il figlio Daniele alla direzione. Il concerto e' patrocinato dall'Assessorato alle attivita' formative ed è ad ingresso libero.  ... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[asivcs]

Random Impulses

Honestly friendship tropes are too much for me. The sexual tension that never manifests, the platonic caring, THE BAITING

Exhausted 1056-year-old x OP student who’s dead

Yeah.

Deal with it.

I wrote about them in my book, but I feel the random urge to elaborate on their earlier relationship. Like pls don’t do this to me. Alois, Theodore—I’m talking to you. Stop it.

[basedkikuenjoyer]

If the Mink doctors can pull a miracle drug out of their ass thin air for the sake of giving Zoro his strength back, they certainly could reattach an arm, and Law gave Monet her harpy limbs. The Minks arrived to help soon after Zoro and Robin, two who saw Law's arm be reattached a few arcs prior, saw Kiku's fall from the roof. It's easy enough to explain later that someone recovered the arm, why make note of that specifically? Could have had Zoro get mad over any number of other bad things happening. I'm not sure how long the OP twt has been posting these kinds of corrections though I know Kiku was initially drawn with both arms in 1004, and Neko had both in 1053. Time will tell for Kiku in 1056.

Oh definitely. The mechanics of like...a good plot excuse for reattaching an arm are all there. You also have the potential for Marco to factor in as well, given the timing of the last spot we saw him at the party I figure he’s a key person to look at being involved. Not to mention the ability for us to just be talking about a more realistic-looking prosthetic. 

And yeah, these types of things happen. I wonder if the new volume tweaked Neko in 1053? But then again that one is ambiguous enough I could see it being the wrapped stub. Since he’s just missing a hand. Not sure I’m seeing the 1004 one, even looking at the scans that wouldn’t be updated. She rolls over between the two appearances and the one I think you’re referring to has the floral pattern on it if you look close. Like, part of her clothes but look like its coming out from under the armor instead of out of the arm. I don’t really know when we started having the official twitter start these. You’re right though; time will tell. It’s either intentional or a stupidly well timed error to the point if I were an author, I’d make up something to use it.