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#or for like a different direction that's equally absurd
arkhavens · 2 years
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ok but i CANNOT fucking get over the fact that there was literally an active sith academy on thule before+during the clone wars.
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gilverrwrites · 3 months
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Meet Cute Uglies [Bruce]
AN: Shout out to @luckyarchaeologist whose comments inspired me to go a completely different direction to what I had envisioned.🩷 And everyone else who reblogged/comments/voted for a part 2! I hope it lives up 🩷
GN!Reader/Bruce Wayne, 1.6K Words [2/?]
Part One >[Here]<
CWs: Mild/nonexplicit threats of violence, teasing
His hands are soft, and warm, soothing the tension from your body as he uses them to cup your face and hold you steady as he pushes closer, pressing your body deeper into the wall with his broad chest. Up close you can see a smattering of his five o’clock stubble coming through, even under the dim slivers of moonlight breaking through the gloomy alley. You note a hint of coffee on his breath before his lips brush against-
Loud banging at your apartment door startles you awake. Tired eyes sluggishly take in the time on the nearest clock, you’re barely able to process the numbers before the knocks come again. It’s too early. It’s your day of for goodness’ sake and it sounds like someone is trying to break down your door with their fists. When you answer it’s an equally disgruntled delivery driver. They ask your name before bombarding you with a large box and snapping a proof of delivery photo. You ponder your unkempt morning appearance and pray the sender of this parcel doesn’t ever check that photo.
It was almost certainly not from you because you hadn’t ordered anything, especially not anything this big. You don’t recognise the logo, but it, the matte black tape, and the distinct florally smell permeating from the smooth white container tells you that whatever is inside is expensive. That or it’s a trap, designed to lure you in with its unsuspecting exterior, then BAM Ivy toxin or Joker gas. You’re not dumb, you’ve seen the PSAs.
30 minutes, one morning brew, one disposable mask, one sharp knife, 2 gloves, and a whole lot of nerve later you gently remove the contents from its packaging. It’s wrapped in a layer of security card and glittery tissue paper but it’s pretty evident what it is. It’s a very nice bouquet of flowers. A mix of carnations, hyacinths, and baby’s-breath, already sitting in a pretty crystal vase that probably cost more than your rent.  A gold envelope stands out amongst the colourful petals, and you fork it out to read despite being certain you already know who it's from. Nobody else in your life would spend this much money on flowers for you, even if it were a special occasion. The repercussions of telling your name to a stranger, even a famous stranger, who you’d known of all your life, but never known hadn’t occurred to you until you see it printed in foil against the high-quality textured card.
“As you understandably didn’t allow me the chance to apologise last night, please accept these as a token of my penitence. Regards, B.W.”
You’re not sure which irks you most, him cornering you in a dark alley in the first place, his seeking you out to apologise in an unsettlingly short amount of time, the absurd display of wealth, his pretentiously unironic use of the word ‘Penitence’, or the fact that you kinda liked it. The fact that you’d spend the night dreaming about slivers of moonlight and soft hands that didn’t exist. In actual fact, the remainder of the scene had been clumsy and anticlimactic.
“Who are you?” He demands. “And why are you following me?” You squint to read his expressions, barely able to make him out under the faint light of apartment windows high above your figures. There's a disconnect between the upper and lower halves of his face that adds to your already heightened nerves. His jaw and lips remain in an ever-present scowl, but steely blue eyes seem to soften as you tell him your name. “I'm not following you.” Your voice is stunted, weak due to the unrelenting pressure actual billionaire Bruce Wayne is applying to it. “I swear! It’s a coincidence.” He seems to believe you, or at least, he doesn’t consider you much of a threat because his grip loosens enough for you to find your footing again. Before he can change his mind, you scramble out of there, almost tripping on your accidentally discarded bag on the way. Whatever is up with him is not your problem. “I-“ “Save it.” Creep. You’re not interested in his apologies or excuses. You’re just an average person trying to make their way in the crime capital of the world, probably. It’s a miracle he didn’t put you in an early grave due to a heart attack. You could see the headlines now: ‘Playboy Billionaire Charged with Manslaughter: Officials unsure why he corned innocent Gothamite’ which is to presume a man with as much wealth as Bruce Wayne would ever be charged with a crime. Rich, ill-mannered, paranoid, handsome, creep. “Just stay away from me.”
As you stand motionless, relaying the events of the previous night in your head, it occurs to you that there's still something in the envelope, something slightly smaller and thicker than the apology card. You slip it out and flip it between your fingers, a gift card to the coffee shop you’d first seen him in, with a pre-paid value high enough to keep you and all your colleagues caffeinated for the rest of the year, if not longer.
The remainder of your day is spent relocating the two gifts between errands and relaxation time. The gift card is inserted and removed from the card section of your wallet so many times you’ve probably incidentally rubbed off its magnetic strip. Accepting it, and using it wasn’t bad, not really. He wasn’t buying you or your forgiveness it's just a show good intent, not to mention it was basically pocket change to a man with that much money.
But it did feel a little bit like being bought.
And the flowers reminded you of that conflict every time you looked at them, so they made their way onto every feasible surface and counter until you found a spot with enough light to keep them alive that wasn’t in plain sight 90% of the time. Maybe you could sell or donate the vase once the flowers are dead. It really did make the rest of your living space look shabby-er in comparison.  Or maybe you could paint it to match the rest of its new home, cover it in acrylic paint and use it to hold anything else. If you ever see Bruce again you could show him a photo, see if he really did give it in good faith to be used however you pleased, or if it makes him uncomfortable.
In fact, on your next day back at work you’re scrolling through Pinterest for design inspiration as you queue up for the first of many Wayne-funded drinks when you sense it. Him. The enticing scent of his cologne clueing you into his presence. You cast a look over your shoulder and there he is, smiling at you with perfect white teeth. He seems more casual today, his hair still perfectly styled but appearing free of any products, his suit traded in for just the slacks and button-up. Once again, you’re reminded of his player image, it’s not hard to tell why so many people swoon all over him.
“Oh, hello.” He greets, raising his hand as though to wave at you. His fingers don’t look nearly as soft as you’d imagined. They look sturdy and calloused, strange for a man who guzzles champagne and stands behind a podium, smiling for photographers more days than not. Paperwork does not account for skin that thick. “I was hoping to run into you here.”
“Really?” Internally you’re suspicious, but your voice comes out an octave higher than usual, your skin growing warm under his gaze. It’s stupid to think that he’s pursuing you, flirting with you. He’s probably just looking for closure on his apology, ensuring you don’t slander his image by selling the story to the papers. He really is buying you. Your silence. “Why?”
“I was hoping I could buy you a drink.” And without your confirmation he sides steps around you, joining you in your spot amongst everybody else waiting to be served.
“You’re already buying me coffee.” You flash him the gift card he’d paid for. “Or did you forget casually dropping this much cash?”
He laughs at that, like you’ve made a joke. He’s deflecting? Maybe. But he sounds so genuine, so hearty it’s contagious. Your laugh isn’t as cheery as his, but it slips past your lips regardless.
“No, no. I didn’t forget. I couldn’t forget anything about you. Especially not after seeing you in that delivery photo.” He finishes with a wink. That was flirting, definitely flirting. Or maybe an insult. Either way, you’re feeling just as nervous, if not more than you had been that night in the alley. This is just a different kind of nerves, it’s the butterflies in your belly instead of the pit in your stomach kind. “What’s one more between new friends, huh?”
“Friends?” You raise your brows. He does not have the decency to look sheepish under your dubious stare, he just looks back at you calm and collected, just like he is on the TV. A few days ago, you might have bought it, but you’ve seen him lose his cool in person. Something feels off.
“I’d like to be friends, or I’d at least like to apologise in person. If you’ll let me.” For a man so bent on making amends with you, there isn’t a hint of sorrow in his tone or posture.
It’s almost your turn at the counter, you have seconds to make your decision.
The barista gestures for the next customer, as you answer. “Okay fine, let’s be friends.”
“Excellent. You just made my day.” And then his hand cups the small of your back as the two of you step up to order. He does it so casually that you almost don’t notice, you’re not sure if you’re just susceptible to his moves, or if he’s practised them to perfection. Maybe you’re reading too much into it, maybe all pretty boy billionaires act like this, maybe it’s all strategy to keep his image clean, or maybe there’s something shady about Bruce Wayne and his weirdly hard, slick hands. Maybe he's hiding something, and whatever it is, you intend to figure it out.
If you should enjoy the view along the way, well, who could blame you?
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gublersg1rl · 2 months
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cw: feminism rant, smut, sex, misogyny, porn etcetc
note: i’m not the best writer or very articulate… and i’m dyslexic LOL i hope this is understandable it’s kinda all over the place i fear
Once, I saw a woman on Instagram criticizing the porn industry, and I immediately knew there would be some man in the comments getting defensive. What I didn't expect to see was a man who wrote, "Women criticize porn as if they don't write about having sex with fictional men."
As someone who despises the porn industry but actively reads smut, id argue that women writing smut is a direct effect of the ways porn has impacted women's sexual expression.
Why do women choose to sexually express themselves through fictional characters and celebrities? If a teenage boy wants to have sex, he's just being a boy. If a teenage girl wanted to have sex, something had to have happened to her. That's concerning. Men can have a lot of sex. He's a man. Of course, he's going to want to have sex. Women can't have sex; women having sex is slutty. Nobody likes a whore. Blowjobs? That's normal. Eating a girl out? Don't be gross. Thats disgusting. Women can't sexually express themselves without being judged in society, but you know who won't judge them? People they understand they have no chance with, like celebrities and fictional characters. This is why a lot of queer men also partake in "fangirl" culture because queer sexual expression is also shunned in society, so there has to be some sort of outlet.
This brings me to my next topic, the difference between porn and smut. They're not different in the way porn was made for men by men and smut was made for women by women. If I went on pornhub, the first thing ill see is, "Big tits virgin teen girl gets choked out by massive 10-inch cock." Women aren't equal to men in porn. Porn makes women objects; in porn, women's sexuality does not exist. Women don't have sexual needs outside of what the man wants. Once, I heard someone say, "In a pornsick culture, women don't have sex; they perform it." Meanwhile, in smut, it's the opposite. Even if the writer is writing with sub and dom dynamics typically, there will always be an underlying sense of trust, with moments of obvious consent, whether that is verbal, a touch, or a glance.
This isn't to say women don't write about rough sex. They do. There are so many fics that involve extreme kink aspects, but more times than not, there will be that trust and consent.
But what if there's not? I've seen it. if you read smut, you've probably seen questionable tags, too. It's important to mention that just because mostly women write smut, there are straight men who do it, too. I've read smut, which was painfully obvious it was written by a man. That being said, women also write questionable... smut. Going back to my most recent statement, women are shown and taught that they are objects. So it's not completely absurd to say you will find smut written by women that objectifies them; when you condition someone to an idea, it's hard to unlearn that. It's hard to understand sexuality as a woman when society is telling you not to be slutty but to also submit and to perform for a man and his sexual needs because in a man's world, his sexual needs, by default, are your sexual needs.
Is smut damaging to women? Well, I'm not a psychologist. I'm just a nineteen year old girl who likes to read smut about Spencer Reid and is also a feminist. So, I do not know how qualified I am to answer this question, but what I will say is I think that as long as women are not writing smut and portraying themselves as sexual beings living for the sole purpose of men.... smut is a perfectly healthy way to express sexuality :) all in all porn is fucking scary, and so is men and sex and being intimate it’s all really scary but smut is an easy way to express your sexuality in a safe anonymous space.
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helvegen-s · 5 months
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Rage, rage | six
index
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Pairing: Azriel x Hybern!Princess!OC
Summary: Nimue was a gift for the King of Hybern. His shining jewel, the perfect heir. However, she is clear about who the villain of the story is. When she saves her father's enemies from a tragic end, she realizes that now it's the Cauldron who has a gift for her: a mate.
Warnings: fighting, mentions of ptsd, just some fluff, enemies becoming friends and becoming lovers
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Days and weeks passed, and Nimue found different ways to entertain herself and pass the time.
She had learned to appreciate Nesta's company, Feyre's older sister, with whom she spent long hours in silence, reading, sitting side by side in the library. She was a rough and direct person, but there was something that made them understand and fit together, like two sides of the same coin. Perhaps it was the fact that both had been inside the Cauldron that made Nimue understand her attitude, even though the others didn't.
She also spent long hours sitting with Rhysand. Sometimes Feyre, Morrigan, Amren, Cassian were present. Never Azriel.
They asked questions, and she answered the best she could: where the bulk of Hybern's forces were located, how many troops it had, who supported the King among Prythian's courts, what he was going to do with the Cauldron...
For many, she didn't have the answer, and she couldn't ignore that feeling of uselessness when she shrugged at their questions. She should have known all that. Her father didn't trust her in the slightest, not even to entrust her with the most absurd of information.
She had also started spending time with Amren, with whom she could spend hours and hours talking about the world, about magic, about how everything was related. They shared their own perspectives on the world, as Nimue found in the small female an equal: two ancient and powerful minds trapped in bodies that were too small for them.
However, the knowledge that Amren transmitted to her about Prythian's history was incredibly vast. Yes, Nimue had knowledge of the things the Cauldron had transmitted to her, but she still had so much to learn that she couldn't help but tremble with excitement.
On the other hand, Nimue also felt drawn to the fragile Elain. Like with Nesta, she felt a connection with the female, due to her relationship with the Cauldron. The Cauldron itself had said it, it had given her two sisters, and Nimue felt her chest swell just thinking about it.
According to Nesta, the Elain she saw now was a mere shadow of what she had always been in reality: a sweet and bright girl, warm like the spring sun, but extinguished by the traumatic experience of the Cauldron.
However, on rare occasions, when she and Nesta sat in silence reading in the company of the quiet and lost Elain, Nimue would look up from the book to find the middle sister smiling at her, a smile that the princess gladly returned.
On the other hand, she had begun to forge a sweet and slow friendship with Feyre: they sat together to have tea (Cassian had taught her, what a wonderful beverage), and the brunette told her story, from the harsh poverty and through Tamlin and the Spring Court, to Rhysand and the Inner Circle.
Nimue couldn't help but marvel at seeing Azriel through Feyre's eyes, as she told her what she had experienced with them.
She was gaining everyone's trust little by little, building it day by day with small demonstrations. However, Azriel kept slipping away.
Sometimes she felt a flash of something on the other end of the bond: joy, anger, disappointment, surprise. She supposed it was moments when Azriel let his guard down and his emotions escaped through the invisible thread that connected them.
When she crossed paths with him in the hallways, he simply looked away and walked past. When everyone in the house gathered for dinner and they coincided next to each other, Azriel didn't open his mouth all night or engaged in conversation with whoever was on his other side.
Nimue wanted to get closer to him. She wanted to know him, to see him with the eyes with which Feyre saw him: a loyal and good male to the core, willing to sacrifice everything for his people and with incredible insight. A trained warrior with a dark past that Feyre didn't tell her much about.
So she began to get up before the Sun shone in the sky. She dressed appropriately and cheerfully made her way to the training field that Cassian had shown her. There, every morning without fail, she found the two Illyrian males training: with swords, with spears, with daggers, with fists...
Every time Cassian saw her cross the training yard's gate, he couldn't help but burst into laughter. On the other hand, Azriel rolled his eyes and was already in a bad mood for everything he had left to do that morning.
But he couldn't help but think how funny the situation was, seeing Nimue arrive there morning after morning, sit and watch them train with a sweet smile on her face, sometimes with her gaze lost following some birds flying around her.
Azriel wanted to be angry. He wanted not to trust her, he wanted to see her as an enemy, he wanted to convince himself that she wasn't clean.
But it was so, so difficult for him.
It was so difficult for him to convince himself that she was a spy for her father. Especially when he caught her alone in the hallways of the house, asking out loud for any kind of sweet or cake and eating it as if it were the first in her life. Especially when he saw her reading silently in the library, next to Nesta and with a smile on her face for whatever she was reading.
Especially, when at dinners he caught her staring at him, with furrowed brows. Azriel pretended not to notice. But he always saw her on the other side of the table, oblivious to all the conversations around her, gripping the knife and fork and staring at him, with that expression of incomprehension that reminded him so much of a sulky child.
He wanted to maintain that facade and not give in. But it was so difficult for him to ignore that feeling, that pressure in his chest every time he saw her, every time he perceived her scent of sea salt and belladonna poison in the house's rooms.
Especially at night when he got into bed, he found it hard to ignore the emotions that slipped through the bond: half asleep and with his guard down, Nimue let out such waves of loneliness and melancholy from her end of the bond that sometimes Azriel felt like he was going to cry himself.
So, one morning, amidst the thick morning fog and the singing of the newly awakened birds, he headed towards Nimue on the training field, under Cassian's surprised gaze.
"Why don't you show us how you fight in Hybern?" he said. Nimue stood up like a spring, her face tinged with excitement. Azriel had to take several deep breaths to assimilate the amount of joy that went straight to his chest. He cleared his throat, "Just to know what to expect in case of a battle."
"Of course."
Nimue walked up to Cassian, who volunteered to fight against the princess first.
"No magic, just hand-to-hand combat. I must also add that I don't usually fight against women, but it doesn't mean I'm going to–"
Cassian hadn't finished speaking when Nimue gave him a series of blows so fast that not even Azriel could register: first stomach, then knees, neck, and finally a finishing blow that left the Illyrian lying face down on the ground and groaning.
Azriel let out a laugh almost without thinking, and when he felt Nimue's gaze on him, he did everything to hide it.
"For the Mother," Cassian coughed, getting up as best he could from the ground. "Warn before."
"If I warned you, it would lose all the fun," she said, smiling. She turned to the Shadowsinger and pointed at him with her finger, "Now you, pretty face."
Azriel felt a chill run from his heels to his crown, and swallowed to prevent his thoughts from wandering further.
Around his shoulders and wings, his shadows fluttered as they laughed softly.
How funny she is.
Yes, very funny.
And pretty.
Yes, we want to touch her and smell her. She smells really good.
Azriel clicked his tongue and shook his head, heading towards the princess. He positioned himself at a safe distance to avoid a surprise attack like the one she had used with Cassian, and in a defensive stance, he couldn't help but give her a wicked smile.
"You'll see what this pretty face is capable of."
At a speed only a fully trained soldier could move, Nimue traced a parabola towards Azriel, approaching from his left side and crouching to avoid any counterattack. He prepared to receive the blow, contracting the muscles of his abdomen.
But the blow never came.
Nimue fell to her knees, fists raised just an inch from Azriel's body.
"I can't," she whispered. She dropped her arms to her sides and stood up, face to face with Azriel. "I'm physically unable to harm you. I can't."
Azriel frowned, internalizing every feature of the female: the arch of her eyebrows, the angle of her eyes, the light of the first rays of the sun reflected in her iris, that slight tremor on the left side of her lip that he had noticed occurred when she was tense...
He never had the pleasure to be this close to her, the only times such a thing happened he was so blinded by rage that he couldn't appreciate such a raw beauty.
He snapped out of his reverie and entered back into that mental state of combat.
Taking advantage of Nimue's distraction, he prepared to aim a direct punch at her jaw.
But just an inch away, his body stopped completely, as dictated by a greater force.
Stop.
His hand immediately unclenched, and under his own gaze, he saw how his body acted alone and by instinct: as if drawn by a magnet, his own hand rested on Nimue's cheek, who buried her face further in that sudden contact.
They held each other's gaze, unable to act upon that pure and raw instinct. Azriel's hand on Nimue's face, his thumb tempting fate on the corner of the princess's lip.
Even through the leather glove, he could feel the warmth emanating from Nimue, like that of a bonfire on a cold winter night.
The princess raised her right hand, gripping the Shadowsinger's forearm and ensuring he didn't stop touching her.
She didn't want him to ever stop.
No one had ever touched her like that, with pure warmth. She felt like she was burning wherever the male touched her.
She didn't want Azriel to ever stop touching her.
But Azriel snapped out of his reverie, again, and as fast as lightning, he moved away from the female, breaking all physical contact.
At his side, the hand that had felt the sweet touch of her skin kept clenching, as if asking for more.
Such soft skin.
Let's touch it again.
He had gone too far, letting himself be carried away by the raw instinct that bond imposed on him.
Yes, it had to be that.
He definitely didn't want to get lost again in the gray eyes of that female, clear as the light of the brightest star in the sky.
Definitely not.
Feeling the heat rise to his face, he hurried to leave the training field before his own shadows came up with the Mother knows what, leaving behind a confused Nimue.
What had just happened?
What had all that been about, why had it felt so natural, so good?
Cassian had watched the whole scene, apart, with his mouth shut and thinking about who he would run to tell first: Feyre or Morrigan.
Maybe both at the same time.
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Taglist:
@lilah-asteria @agentsofsheilds @leptitlu @just-here-reading @glitterypirateduck @saltedcoffeescotch @krowiathemythologynerd @donttellthecats @annblvd @annamariereads16 @crazylokonugget @smoooothoperator
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ispelexists · 7 months
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SHADOW MILK COOKIE AND 'THEATRUM MUNDI'
"The world's a stage, and the actors are playing their roles in it"
The idea of Theatrum Mundi dumbed down. It's a simple concept, that concludes that the life itself is a show, being directed by some supernatural force like for example god etc.
(If I'm wrong correct me, I'm not that much into literature and this kind of stuff)
This idea caused me to write down a few prompts for you pookies <3
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🎭
The thing is, is that you have so many options with this, like... AHHH
English isn't my first language, I apologize for any confusion I might've caused by these
Here's some ideas/prompts for you guys:
💙 1. 💙
🎭) AU where Shadow Milk's corruption begun not because of the overwhelming power he had, but because he, as the 'Virtue of Knowledge' knew everyone's script after looking at them, and being distraught by that fact, or the fact that almost every Common Folks life ended with a tragedy, a murder (by the hands of the beasts, but he doesn't know that) which terrifies him.
He, being the only one who knew about it, would try to figure out what this tragedy was, or to change the fate, not knowing the cause of it, was himself and those he considered him the closest.
🎭) In the end he got so focused on that task, he didn't see his own slow fall, and when he noticed it in his comrades, it was to late. The only thing he could do was to accept his end, and join the other Beasts in wrecking chaos, and ending the whole ACT.
🎭 (In this AU, he can only see the key moments in everyone's life, like for example marriage, death, and other important things, he can't see everyday life of anyone)
🎭 (Also the only one's he doesn't know his script, that's why he doesn't know he would fall to corruption, you can say that he also can't see other Beasts since they're equal in power, but I think it works either way)
💙 2. 💙
🎭) A concept where Shadow Milk Cookie, freshly after his corruption, goes around either in a physical form or hidden withing the shadows, observing random cookies life, and having a great time laughing at the absurdity of the fact he can basically knows what's gonna happen next.
🎭) For example seeing a cookie buy something at the store, and him being able to predict they would trip in a moment, which they do. After observing, he would start to act out, to see if his actions can change the events that would happen next (Example: Making person A fall on someone else's garden, and the other cookie getting angry at them, which would change not only Cookies A script, but also Cookie's B) (basically 'Butterfly Effect')
🎭) This prompt would allow to explore how he might've acted freshly after becoming fully corrupted. Reason being I think, he wouldn't jump straight into seeking chaos, but testing the waters to see how far he can go before anyone (witches) try to stop him
🎭) (As an Ex 'Virtue of Knowledge' in this AU he knows every detail of everyone's scrip/life)
💙 3. 💙
🎭) This one is a prompt for an 'x Reader', 'x Canon' or 'x OC'. Basically Shadow Milk Cookie after he got released from the tree (of right after he got corrupted) and meets Insert/Name and Gingerbrave gang.
🎭)Here it could go 2 different ways (or more, but I just don't feel like writing them all):
a) He knew of I/N because of being able to see through Pure Vanilla's staff and falling for them in that way, but after seeing that I/N either has no love interest planned in the whole thing, or has some else, he's getting angry
(if you're doing pre-corruption Shadow Milk, then he can get just sad, and attempting to change the fate by simply spending more time with I/N, but after it hasn't worked, he just watches from the sidelines, as their beloved live in their fairytale, and get their happy ending with someone else (ANGSTSSS YESS))
anyways, coming back to Corrupted Shadow Milk Cookie. He would attempt changing the fate in more drastic way, and getting really pissed that it won't change no matter what. Feel free to interpret it as you will.
b) Also after getting free from that tree, while he knew of I/N from Pure Vanilla, after meeting them, he learns that in their story HE is their love interest, and being like 'Omg, my star, where have you been all my life 😩' or something idk, be creative lmao.
🎭
The art without the text 😘
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koheletgirl · 10 months
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Would love to hear about how you became an anti Zionist!
before i get into this, i'd like to direct you to some of @jewishvitya's posts: [x] [x] [x]. i think their perspective is more relevant to the current situation than mine, and they address issues that i won't get into here because they had no personal relevance to me and you asked about me.
so my family is considered left-wing in israel. my parents voted for ha'avoda (israeli labor) in most elections i can remember, my mom even went "as far" as voting for meretz (as far as jewish parties go, they're the furthest to the left. still zionist though. didnt get enough votes to get into the knesset in the last elections). i grew up mourning rabin, hating bibi before i even knew who he was, believing that the settlements are the source of all israeli wrongdoings. in 2005 people would put ribbons on their cars – green if you support dismantling the settlements in gaza, orange if you're against it. we had a green ribbon. my family talks about the two states solution, about going back to the '67 borders. my grandmother jokingly calls herself a "leftist traitor", because that's how the right labels them.
i grew up with these values. i was taught to value human life, i was taught that all people were equal, i was taught that nationalism and imperialism were wrong. we weren't afraid of talking about the occupation. we weren't afraid of calling israeli fascism what it was. you might have heard about the democracy protests that have been happening in israel in the past year; my parents went every week.
i think this is why it took me so long to break out of my zionist worldview. people talk about zionism as if it's explicitly genocidal and built on racial supremacy, and i understand why (and agree with this to an extent), but you have to understand how absurd this idea sounds to people like my parents. they don't think zionism is the issue, they think the israeli right is. they acknowledge the evils of the settlers in the west bank, but they would never consider themselves settlers. it's very easy to see the wrongness of a person going to someone's house and violently kicking a family out of there because they believe it should belong to them (not a hypothetical, this is happening in the west bank as we speak); it's a lot harder to think that maybe everything you were taught to believe about your own right to be here was a lie from the beginning.
and that's the problem, that it is a lie. we are literally taught there was nothing here. swamps and malaria and sand and sand. the zionists built a civilization out of nothing. that's the story, that's the myth.
another aspect of this that's essential to acknowledge is the dehumanization of palestinians in israel, which is still prevalent in leftist circles, despite taking a different form. the israeli left Loves to make the distinction between palestinians and "israeli arabs" - a term that some people that i have met have used for themselves, and i am not the right person to speak on (i'm sure there's nuance here i'm unaware of). these people don't think of themselves as racists. they don't mind arabs in general, they only mind "the arabs who want to harm us". and it's so easy for them to pat themselves on the back because they have plenty of arab friends and they actively oppose the goverment's racism; but they all draw the line when it comes to palestinians. to them, once a person calls themselves a palestinian, it means they believe jews have no right to exist here. it means their existence is at odds with their own. they don't see palestinians as people, they see them as an agenda.
i was going to add a bit about how the israeli left's aversion to religion (which stems from the influence orthodox jews currently have on israeli law) plays into this, but this is getting really long.
anyway. for me, it wasn't a revelation as much as it was a willingness to open my eyes to the fact that everything i had been taught was a lie. it was always there, this doubt, this uneasiness. i knew that there were a lot of people over the world whose opinions i generally agreed with – except when it came to israel. it just took me a really long time to be able to doubt Everything.
because that required tearing down everything my worldview was based on, everything i had believed in, and it was scary. it's a very, very difficult thing to do. not knowing what to believe is horrifying. realizing you have believed in lies your whole life is horrifying.
but at some point i had to ask myself: how can i hate everything this country stands for, and not doubt what it's taught me? how can i know what i know about the idf, and still believe it's acting humanely? and the thing is, i still don't know what to believe a lot of the time. i still doubt everything, all the time. i'm critical of all of my beliefs, and i think it's good to be. but i listen, and i look, and i feel, and above all i try to be compassionate. and there's only one stance you can take here if you value human life above all else.
here are some israel-based organizations that influenced my political views and i recommend checking out (even though i have my disagreements with them): b'tselem, standing together, breaking the silence, mesarvot
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gummiworm-writes · 1 year
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dottore x gn reader
genre: fluff
warnings: none
a/n: evil insane villain who hates everyone but you is my favorite trope ever so here you go <3
word count: 636
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dottore has no need for love. love is a human weakness, something that would only weigh him down and cause him to fall. he abandoned the concept of love the second he abandoned his humanity. the fatui worship him as a god, so why should he feel as a human?
the whole concept was ridiculous.
and yet...there you were.
destroying everything he thought he knew about himself. all with a single smile.
that damned smile.
it would be his downfall for sure.
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you are dottore's primary assistant. the only person capable of dealing with all of his deranged ramblings and cruel studies. despite the distinct lack of humanity present in the lab, you always managed to remain calm...maybe even a little compassionate.
dottore treated you differently than everyone else. he treated you...well, not as an equal. nobody is an equal to him in his eyes, not even his own segments. but...you came close.
he claimed it was because he appreciated your competence and respected your work.
and you believed him.
because why would a harbinger as powerful as him actually care for a human as weak as you?
the very notion was absurd.
but...even then, you couldn't help but notice the way he looked at you. the way his voice seemed softer when directed at you, the way his hands gently brushed yours instead of harshly grabbing them...
no, no. you were just thinking into it too much. that's all.
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today you and dottore were studying a new automaton. something khaenri'ahn that you'd never seen before. dottore called it a "ruin tarragon." you, on the other hand, preferred to call it "ingrid."
you were carefully inspecting the mechanisms on its legs, humming a tune from your home nation. usually, dottore had a record playing. not today. ingrid took up too much space in the workshop.
dottore didn't seem to mind your humming. you often caught him glancing over at you if you stopped, as if he was disappointed that your song was gone.
it was endearing.
well, as endearing as dottore could be.
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hours fly by, and it's now time for a lunch break. dottore claims that he doesn't need to eat, but he still spends this break with you, occasionally stealing some of your snacks.
"what do you think the purpose of the tarragon was?" dottore asked suddenly. "it wasn't for war, i found no traces of weaponry. not for agriculture, as there was no room for equipment. and definitely not transportation...that would just be ridiculously unsafe, and the khaenri'ahns were smarter than that."
"hm..." you hummed, thinking. "maybe it was simply made for companionship?"
dottore gave you a confused look.
"the hell do you mean, 'companionship'?"
"well...it doesn't seem to serve any other purpose that I can think of. plus, it has rounded edges, and what appears to be places where there used to be fabric, almost as if it were meant to have a padded exterior."
"...but it looks so powerful and imposing. i doubt that it would make a very good companion."
"...break's over," dottore said, standing up. "we need to get back to work. on...ingrid.
"you'd be surprised," you said with a smile.
that damned smile.
"and what is that supposed to mean?" dottore asked, raising an eyebrow.
"not everything that's strong and scary makes a bad companion. like...you. you're tall, powerful, intimidating...but I also enjoy spending time with you."
there was a pause. a long, long pause.
"...break's over," dottore stood up. "we need to get back to the workshop...ingrid's waiting for us."
you smiled happily at the name.
that goddamned smile.
he was lucky that his mask covered up the blush spreading on his face.
it didn't cover his ears, though.
and that only made you smile wider.
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transhawks · 3 months
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lots of rambling underneath the cut, I suggest reading this if you find hawks and his role in the manga interesting/worth exploring. Otherwise you'll just be frustrated/annoyed so keep scrolling.
Probably putting this into a big meta on him, but something I've come to appreciate about Hawks in canon is that he introduces a surrealty and absurdity to My Hero and I don't think that was the original intention, it just ended up feeling natural. I can't think of many characters in the manga who equally provide the same level of absurdity (incongruity, a complete lack of rhyme and reason, satirical themes, dark irony).
Like this is a very serious thing here but I think this is what really pisses a lot of people off about hawks: that the manga asks the READER to really make moral judgments on him, and while it occassionally does slip in some on him, mostly it turns it around on us to look at the things he does, in context or out, and there's always a feeling of "he can't get away with that, right?" A continuous "so is Hawks just gonna keep being like that..." "why is he like that...why does no one react", and it's CLEARLY meant to frustrate unless you begin to see it as a pattern and therefore, funny. That our moral judgments on him are very useless and he'll just continue on existing out of them? The manga does condemn him at times, but never overtly, and will then steer in a different direction with him as if to tell the reader, "No, you will not get what you expect. You will not see the judgment calls you are asked to make as a reader answered or acknowledged because there's none of that here." I just think it's one of the fascinating things about him and I'm definitely going to look more into this more.
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eri-pl · 2 months
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Religion and Silm philosophical preferences - poll results.
That poll where I asked whether you're religious and whether you prefer Manwe or Melkor. The results are not surprising, but not extremely strong. Also, exactly 100 people voted which saved me one step of the process (converting % to number of votes).
Thank you everybody for voting! I mean, thank you in general, for all the polls, but this one had a rather personal question, and still got many votes. So, thank you especially for this.
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1/3 of people in my reach identify as religious, 1/2 as non-religious. Also, a bit above 1/2 voters prefer Manwe, and a bit below 1/3 prefer Melkor. However, the correlation isn't as strong as one may expect.
(Also, the beginning was a "religious" sweep, I wonder if it's a matter of a particular hour or something else (more direct reach?) One day when I'm out of ideas for Silm posts, I may try to check it.)
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Religious people prefer Manwe or (both? none?). Other options have a mor even split between those two, and fewer undecided votes.
When we compare results if those two variables were independent with the actual results, we get:
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People who identify as religious don't prefer Melkor to Manwe. Which is not surprising. (They do, however, have a bit more of equal preference votes, as other groups. Which is still not much.) The other differences follow from this, I guess.
Edit: I think I finally figured out how to do a chi squared... and turns out that the result above is not statistically significant. Huh.
I wonder if the "equal" was more "both" or "none" or varied. I may do a 3x3 poll on "religious / like Manwe" and "religious / like Melkor". (No, those questions aren't absurd or as obvious as they seem.) Or I may not, I have a poll ongoing that may help solve this mystery.
Also, one day I will post a compilation of many polls that had a variant of "do you like Melkor?". They have surprisingly different results, I suppose a lot depends on wording of the poll.
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lordsovorn · 8 months
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Horror of Shapes
I am OBSESSED with borders and angles, with the language of shape and form.
There is nothing quite like the admiration I feel for the art of dissecting and then reassembling the core sensory components of different things.
I do not mean cosmetic coatings or costumes. I do not mean stiching together equally recognisable, pure parts, like a griffin or a furry. No, I mean the shapes and borders, the silhoette, the weight, the sound envelope, the motion, all talking directly with your reptile brain - and saying different things. Using the language of recognisable forms - but mixing them to say something new. And more often than not, something disturbing.
Our brains don't like things between categories. If they are absurd enough, that's funny, that's just a combination of normal things - but if the contradicting parts are interwoven properly, that's just... real. A wrong, stressful kind of real that doesn't contradict itself, but rather, contradicts our deeply ingrained sensory and emotional catergories.
So it's not at all surprising that this kind of shape mixing - successful or not - is especially common in horror media.
One shape speaks human, and the other doesn't. And it is moving in your direction.
...
For example.
...
And that's why we're all here - to talk about the Stalker from Amnesia: The Bunker a bit.
(Medium-heavy spoilers for Amnesia: The Bunker)
(I'm discussing in detail the design of THE monster of the game. You'll hardly get a good look at it normally, and I will also inevitably reference its nature a bit. Without any story or gameplay spoilers)
...
When you think of the Beast and its defining shapes, what comes to mind first?
Long, terrifying claws? Rows of needle-like teeth? A twisted, contorted visage, from which a snarl of unprecedented hate emanates?
I think of its neck. I'm in love with that fucked up neck as a subtle, yet powerful design choice. If you're surprised you've never really noticed it - google its model and marvel at the huge, thick, long neck of the Beast.
And think for a moment what it means in terms of silhoette.
...
The unnatural length of the neck is invisible from the front - the direction you're most likely to *really look* at the creature when you are cornered and have to shoot. When it stands up to howl before dashing, it keeps its inflexible neck behind the head as well - but the head appears disjointed and disproportionate, moving in a way it's not supposed to in a humanoid creature.
The Beast is quite front-heavy - with huge claws and massive head. This is only emphasized by the perspective trick at play - the head looks bigger because it is actually closer to you than you think, thanks to the neck.
From the front it looks humanoid, like a monstrous gorilla, standing on its knuckles. But when you look at it from the side, while it crawls along the half-lit corridors, you see just have elongated it is. The neck ruins the humanoid silhouette, breaks the shoulder line, lowers the head and emphasizes the arched back, creating an image of a predatory, confident beast.
But the two bayonets sticking out of its spine disrupt even this image. Of course, you're unlikely to even distinguish that those are bayonets in normal circumstances - it's just two strange spikes, breaking up the smooth line of the predator.
...
The back is different too - it is the least deformed part of the creature. Its legs are almost... normal, in the proportions at least, and it's from this angle that you clearly see the ragged remains of torn clothing on a disturbingly hunched back.
It kind of makes sense that from the least dangerous angle in the gameplay sense, the Beast looks the least threatening. Almost like a big, awkward, miserable human - more comfortable with this part of itself than with the huge claws in the front, but incapable of balancing itself any other way.
...
The claws deserve attention too, as they are the first thing you see as it reaches out from its burrow. They are grotesque in their absurd size, that suggests something huge is about to emerge from this tiny hole.
They are bigger than they have any reason to be - it is very clear how awkward moving with them is, as the Beast constantly switches between full-palm run, knuckle-walk and standing on its two legs.
It is the claws that disrupt the "beast vs human" duality - no beast needs such unwieldy claws that are good only for killing. No beast prowls constantly and leaves dismembered, not eaten corpses. No beast constantly vocalizes its anger and frustration in uncontained growls and hisses as it hunts.
...
Finally, this contradiction is also true for left vs right, as the right half of its face is torn and twisted into an almost crocodile-like form. This lateral assymetry, visible also in its uneven shoulders, sends a very clear message - sickness.
Nature is symmetrical - this monstrocity isn't. It is distinctly not natural - not even in terms of lore, but in terms of basic shape language.
Normally, the game does an exceptional job of hiding the Beast - even when it kills you. This contradiction of unwieldy mass, dangerous length and terrifying speed; of awkwardly human, confidently bestial and sadistically demonic never goes away - precisely because the Beasts' very proportions read differently from different angles.
...
Devs at Frictional seem to have been searching for this image for quite some time. The contradiction of human and unnaturally demonic is visible in the concept art of The Dark Descent, but, I dare say, not in the game itself, where enemies look like wax torture mannequins.
A Machine for Pigs tried to do it more explicitly, but failed to properly bind together the disparate shapes, and instead created ugly furries. SOMA did monster design wonderfully, utilizing the strengths of the engine and avoiding its weaknesses - but, of course, not in THAT way. While Rebirth put the horror of shapes back a bit, focusing on ramifications and pacing.
The Bunker seems to be the culmination of this search - a rather elegant solution, one that must have taken a lot of time to get just right. And in the end it is not just simple - it is persistently hidden.
It is the culmination for Frictional of the art of hiding the monster, while letting the shapes do their thing - speak terror into your mind in the most basic language possible.
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real-reulbbr-band · 6 months
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some Coricojerrie headcanons
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⪼﹕As far as goals, these two are very different, Mungojerrie has no set goal, he wants whatever gratifies him in the moment, stealing from the next house, emulating Tugger, etc. Coricopat doesn’t understand this, probably because he has so many goals he wants to work towards, most of them summing up to wanting to support the Jellicle community as a whole in a meaningful way. 
Despite their differences, Coricopat occasionally tries to gently nudge Mungojerrie towards considering more lasting accomplishments.He tells him that the short-lived happiness of his little escapades will fade, and that investing in something more substantial could bring greater fulfillment in the long run.
Mungojerrie does listen to this advice with a mixture of sarcasm and amusement; he finds amusement in Coricopat's sincerity, and teases Cori about being overly concerned about him, and tries to highlight the desire he has to live in the present. Even if Mungojerrie isn't ready to fully embrace the idea of long-term goals himself, he does, in the back of his mind, appreciate Coricopat's comments and acknowledge the genuine worry.
⪼﹕Coricopat does tend to sleep with his eyes open, which isn’t completely unusual for cats; no, he sleeps with them wide open on occasion. As if he were just staring off into the distance. 
Coricopat's unique sleeping habit is a direct consequence of his psychic abilities, which grant him heightened awareness even during sleep. In this state, Coricopat experiences vivid visions, with the clarity and duration of these visions influenced by his proximity to his twin sister, Tantomile. When Coricopat and Tantomile are together, their visions are clearer and longer, often shared between them in synchrony. However, when apart, Coricopat's visions become shorter and less distinct. Despite this, he attempts to interpret these visions independently before discussing them with Tantomile. Surprisingly, depending on when they fall asleep, Tantomile and Coricopat frequently see the same visions at differing times.
Back to Mungojerrie, though; he’s observant; he needs to be in order to steal so well, so it didn’t take him too long to decipher whether Coricopat was staring off or "resting.” One particular sign that Coricopat was mellowing out was that his tail would swish around from left to right every minute or so; if he was resting, however, his tail wouldn’t move at all. When he’d catch him in the act, he’d normally wait by Coricopat to see if he would tell him what he saw.
Any other cat wouldn’t tell Mungojerrie anything; he was known to cause trouble, after all, but Coricopat didn’t mind. In fact, he found it helpful to discuss what he saw as it helped him interpret it better, and Mungojerrie did provide insights Coricopat may not have always thought of as an explanation, regardless of if they were wrong or right.
⪼﹕Coricopat is the more social of the psychic twins, so Mungojerrie always took the liberties of bothering him over Tantomile. He became quite fixated on the idea of outsmarting Coricopat in particular; he’d insist that Coricopat didn’t have any powers at all and would pose absurd questions to him in an effort to "prove" his argument. Even when Coricopat effortlessly answered these questions, Mungojerrie would dismiss it as luck or coincidence, promptly posing another question—often unrelated and equally absurd—just to keep the banter going. Like what he had for supper two moons ago, or how he’s going to feel about the weather tomorrow.  
Despite Mungojerrie's persistent teasing, Coricopat remained patient and good-natured, his understanding demeanor shining through. Unwilling to admit defeat, Coricopat would sometimes respond with vague answers when unsure of how to answer Mungo’s questions, enjoying the faux rivalry he shared with Mungojerrie. However, when he was confident in his knowledge, Coricopat made sure to assert his correctness, taking pleasure in proving Mungojerrie wrong. He enjoyed the humorous challenge of their relationship and didn't mind repeating himself to his foolish mate in order to get his point across.
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yakuzabrainrotlive · 2 months
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Name your favorite characters and why in absurd detail (if you want, or just name them)
Well, you asked for DETAILS, so have a sort of chatacter analysis/hot mess of ramblings for #1. This has a good amount of personal headcanons that I've built up and it's not 100% based on canonical facts. Also I HAVE only played 0, Kiwami 1 and Kiwami 2 (Majima saga is in progress) so I don't have all the facts. I AM NOT GOOD AT CHARACTER ANALYSIS, be warned. Also ENGLISH IS NOT MY FIRST LANGUAGE.
1) Majima Goro! I find his truly kind nature masked by his 'Mad Dog' persona very fascinating and sad at the same time. The way he incorporated elements of Nishitani and Sagawa into that persona is interesting and telling of how much of an impact those two had in him deciding his path.
I'm entranced by his use kansai-ben (my beloved) and his playful tone of voice contrasted with the, at times, more serious voice that sends me right back to 1988. The way he switches from an almost mockingly polite speech style to his Kansai dialect in his introduction scene in 0 instantly made me curious about his true nature and backstory.
I think his way of showing off his tattoos by not wearing a shirt so civilians don't get involved with him (that's how I interpret it) is tragic and it's obvious his past has left him with deep scars and a fear of the people he cares about being hurt. He'd rather be alone than build bonds and then potentially lose more people.
The way he still loves Makoto deeply in Kiwami 2 after all these years, and how he sings about truly not wanting her to forget him, but regardless "not minding" it if she forgets him as long as she's happy, hurts me in a whole new way. The way he sings/screams those "I DON'T MIND"s as though he's desperately trying to make himself believe what he's saying, rather than directing those phrases at Makoto in his mind, breaks my heart.
His pretty much absent fear of death sends chills down my spine and makes me wanna cry because he was already saying he's been ready to die for a long time in a flashback from BEFORE he events of Yakuza 0. I dread possibly finding out more about his past.
He's witty and charming and his confidence draws me in. He dresses how he does and meets Kiryu as Goromi and pole dances for him as well with no problems, and all in all just doesn't care what people think of him. I know it's probably because of something tragic like him having given up on life so "might as well go out with a bang", but I want to believe he feels at least somewhat liberated when he does all that.
I'm obsessed with how he wants to witness Kiryu's journey down the path he could never follow himself. And he seems to genuinely want to support Kiryu's decision to follow his own principles. Their first conversation in Kiwami tickled my brain because in that moment he seems to "lock it in" that he'll place his trust in Kiryu's unwavering will to make his own path and wants to witness it. He wants to see if it would have been possible for himself as well, had the circumstances been different. Is it truly possible to stick to such "soft" values in the cruel world of the Yakuza?
When he saw Kiryu coming back after his decade in prison, he whipped him right back into shape because he wanted to keep witnessing Kiryu's journey and also keep Kiryu's principles alive by keeping Kiryu himself alive. Because he himself wouldn't be able to live by those values, he's in way too deep, he has a reputation to uphold. So when his brother returns to kill him (if he will try to kill him, Majima himself seems to think so), it'll be an achievement worth letting Saejima back in the family. Killing a legend and all that.
Majima seems to feel like he can let Kiryu in a tad more than others. Even if it's just fighting against or beside him and openly enjoying those interactions. Probably because he knows Kiryu can handle himself in a fight and he's near indestructible physically and mentally. Kiryu is, in a way, his equal when it comes to dealing with it when shit hits the fan. He's definitely at least fond of Kiryu imo, with him giving in very easily when Kiryu asks him to help the Tojo clan survive in Kiwami 2. And also with how uncomfortable he got when Kiryu bowed his head when he was asking Majima for help.
Majima also highly values the promises he makes; he fought those invading Sengoku thugs until he was battered and bleeding and barely able to stand because he promised Kiryu he'd be there to help. Weird move from a man who seems hell-bent on pretending not to care about anyone or anything besides his own interests, hmmm? He gave his word and he KEPT it. Because he doesn't make empty promises.
I love watching him when he's "on a break" during the Majima Everywhere storyline. It truly solidified the fact that the 'Mad Dog' is a mask for me. He's all hyper and "crazy" when others are around and he really lays it on thick, but on break? He's contemplative. He looks almost sad at times. He lets the mask drop for a second. The fact that he lets Kiryu see that instead of immediately masking back up is a whole other can of worms. Point is, the Majima from before is still there, underneath it all.
The way he thinks back on his time in Sotenbori is interesting. There's definitely trauma and anger in there, but the way he wonders about how his team is doing nowadays almost wistfully makes me happy. He had SOME light to hold on to in those dark times. He truly did care for his team and was fond of them. Also... him saying it wasn't in his nature to make a living using women like that made my respect for him soar. He truly respected everyone in his team, including the hostesses.
Also, just... ugh. The Doll Girl substory. The DAMN DOLL GIRL SUB STORY. I- THAT- 😭😭😭😭 O UG H
TL;DR: Majima because he's everything to me and he makes me experience thought spirals beyond anything I've went through before. He's tragic, he's fun, he's silly, he's hot, he's confident, he's strong, he's interesting he's kind and he's just... Majima.
2) Kiryu because he's sweet and wonderful and makes me weep and I wish he'd take better care of himself and I wanna hug him and give him soup and bring all his loved ones back to life. Please let this man catch a break.
3) Nishitani because he makes me feral and I want him carnally
4) Dojima Yayoi because... I mean... DAMN. She's fierce and extremely loyal, she handled herself extremely well in an environment that was probably rife with people who questioned her ability to lead. I'd bet my left boob she faced a lot of misogyny (direct and/or indirect) during her time as a chairwoman. But she kept going, head held high, with conviction and pride. Simply incredible.
5) Haruka is a sweet angel and I wanna protect her and I hope she will be happy forever. She stayed strong and still has faith in people even after seeing all the horrors of Kiwami 1. She's so resilient and brilliant.
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norsesuggestions · 9 months
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On the topic of 19th century polar expedition were everyone are greatly unprepared for what they were actually doing
Well the original reason i started to look up different polar expeditions was because i stumbled over the swedish engeeiner Andrée attempt to reach the north pole in:
A hydrogen balloon!
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When the technology was new! And he knew very little about actually using the balloon. But he knew even less about the north pole.
They went in summer because:
1.
"The north pole got great weather in the summer for a balloon. Always sunny and and calm above the still ocean and smooth ice sheet"
(In reality summer means non stop fog and shifting winds. The ice sheet is melting and then freezing when the temp hovers around zero degress. This means it melts, moved and crashes into itself non stop.
The ice at the north pole is not you know. Anchored in land. Except at the edges were it sometimes reaches land. But in the summer it does not always reach land. So, no calm ice sheet, it is stormy broken landscape of arctic ocean with gigantic ice sheets crashing into eachother, breaking eachother, building up fun ice walls etc while the wind and oceans moves them around)
But! Andrée was gonna go with two lads across the north pole in a balloon.
2. Start in Svalbard and then just go were the wind takes them. Then he would land in "alaska, russia or canada" and just "walk to the nearest town and then take the train back to sweden idk"
(seriously his plan for post north pole flight was. Well i will be somewere in the arctic, i guess i will find humans and then go home?
At least, to his credit he knew and admitted that humans lived nearby the north pole, and he would be able to. Talk to them about how to get home. On the other hand, he was swedish so.... sweden has 30% of its surface within the polar circle. He started his travel from Norways Svalbard. So honestly, living in total ignorance of the people in northen sweden and norway would be absurd. And that it logically should be lots of people in equally northen places who knew in which direction the nearest train station/harbour were.
But! Some southern 19th century swedes would not have realised this so??? The bar is so low it have sunken to the south pole, but!)
But problem here is of course not that he gets that there are people to talk to when you have crossed the north pole. It is, that he do not grasp he might need to walk 1 week to reach these people. And what would our three stockholm dwelling southern swedes wear for their north pole expedition?
3. Normal southern swedish winter clothes! For you know around -10 to about -0 C. And living in a city were one can walk inside at any time.
Anyway their balloon crashed two days into the expedition on the that summer arctic ocean ice. And they needed to walk back to Svalbard archipelago.
It took 3 MONTHS. Because somehow Andrée had lived in denial that he might you know. Just crash into the arctic ocean. So all that. "I will just go the city and buy some coffee" planning did so not work out.
It took 3 months because Andrée and his two other expedition lads had no planning to actually needing to trek across the previously mentioned moving ocean ice. Also, the ice was as i mentioned MOVING.
Something they did realise. They did have all the academic skills in have to measure there movement across earth via stars, but not the.. pracitcal skills to solve how to get were they wanted to go.
Tbh i impressed that these 3 stockholm lads, all academic types, made it 3 months. What i mean is that, i would except most current day stockholmers to die much earlier tbh.
They also hunted polar bears like it is no big deal??? I mean they had guns so it was not difficult as such. But once again, tbh would expected my fellow stockholmers to be eaten earlier.
In general they appear to be good at hunting, which tbh finds interesting in contrast to other failed polar expedition were they run out of food. Perhaps swedens population having a hunting tradition were it was a important part for both getting food and the get money for ones household helped?
What i mean is that hunting was not just a upper class hobby as in some european countries at the time. It was just a normal way people got food.
Anyway, ones again the bar is low it sunk to the south pole haha. The 3 lads of Andrée expedition knew how to hunt and prepare wild animals. As the majority of people living within and near the polar circle
ANYWAY
In the end they did reached the Svalbard archipelago again. Finally not on moving ice anymore! But it was a remote island few ever visited... Shortly afterwards they all three die.
Exact cause of death is unknown, but personally i am surprised these 3 stockholmers even lived 3 months on sea ice?? 3 unprepared stockholmers? Like i am just like, obvoiusly they would not survive, there are so many things that can kill when you are just 3 indoor lads out in the arctic so....
We know all these details btw because in the 1930s the found the expedition and all there papers. And photos! Lots still able to be looked so
Anyway this was a rambling info dump of what i learned about the Andrée expedition these lasts days
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eisforeidolon · 1 year
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OMG, the script said Dean "can't" reciprocate, not that he "doesn't"! This means he must have wanted to and a vast queer-suppression conspiracy at the CW totally exists!!! [X]
Just... The extent to which being a heller seems to make you absolutely blind to how other conclusions besides the one you desperately want to be true aren't magically wished out of existence just by waffling in circles chasing your own tail on and on and on...
She's trying to make the difference in Castiel's speech that leaves ambiguity - I love you versus I'm in love with you - happen in the opposite direction with that script note. Except it doesn't work, because there is no such fundamental difference in usage meaning of can't and doesn't built in there. She desperately wants can't to mean there HAS TO be some kind of external pressure there. Except whereas nobody would intentionally say "I'm in love with you like a brother"? You can switch out can't and doesn't and they work equally well to mean functionally the same thing. Let's take the potential reasons mentioned:
Dean can't reciprocate because he has no such feelings for Castiel. Dean doesn't reciprocate because he has no such feelings for Castiel.
In the canon itself, Dean made it clear his feelings about Castiel were friendly/familial/brotherly over and over again. Jensen has made it clear over and over again how he sees, and how he was choosing to portray, Dean and Castiel's relationship - if we're going to count actor's statements as word of god, it's fucking absurd to pretend anyone else's count more than the actor actually making the choices in depicting what his emotions are. Even after the goodbye scene, Jensen's statements haven't changed - except to add speculation that angels may not even understand love in the same way humans do. Putting aside whether Dean was even sure enough of what he meant, given the ambiguity? Dean simply not feeling the same fits with everything we know (and they deny) about canon Dean. Whether that's the same in terms of romantic love, or the same in terms of the level of effusive word vomit Castiel was spewing out.
Dean can't reciprocate because he's too shocked in the moment. Dean doesn't reciprocate because he's too shocked in the moment.
Except in the canon itself, we see how Dean reacts after he's had time to process. While the Winchesters still worried about Chuck destroying the world, sure, Dean does seem excited at the implication Castiel might have been resurrected again - when they still need any allies on their side they can get. But when the apocalyptic shit is all over? When Sam brings up missing Castiel, Dean basically shrugs it off and says they should live their lives. When Dean gets to heaven and Bobby mentions Castiel helping Jack, Dean just goes and drives in his car. He doesn't ask if Castiel is in heaven, ask how to find him, seem to care, nothing. If we count TW, there's still no Castiel and no mention of Castiel in Dean's vicinity. Sam is Dean's reason (still). Bobby and Jack are there. Castiel? [insert bad negative space meta here] If he really felt twue lurve for the angel and just needed time to process as they have been insisting since, like, season four? It should be pretty clear at this point the amount of time to process that non-existent feeling into canon reality is fucking infinity.
Dean can't reciprocate because Bobo's hand got slapped. Dean doesn't reciprocate because Bobo's hand got slapped.
Except outside of canon, in the real world, not their conspiracy theorist fantasies? We were directly told that reciprocation was never even pitched. Nobody got their hand slapped down, because Berens and Misha knew nobody would give a fuck if they threw away what was left of Castiel's character in their shitty last minute queerbait, but dragging Dean down with him was a different story. In the hellers' heads, because they desperately want it to be so, D/C is some truism of the universe that is poised to spring into being if only the haters would stop holding it back!!! Out of a whole room of writers and executive producers - including a few who variously said they had not, were not, and would not be writing any kind of canon lurve story between those two characters? One bitter hack who knew what he could (and couldn't) get away with and therefore didn't even try to legit make it canon is not some conspiracy. Bobo the clown isn't some universal truth teller of ThE ReAL stOrY of SpN fighting for great justice just because he gave them the closest thing to validation they were gonna get (as ambiguous, one-sided, and utterly cringe as it was). No matter how many times they lie about it, before the takeover the CW was one of the - if not the most - friendly network(s) towards LGBT+ content. Nobody even seriously considering making your single specific OOC ship canon is not oppression or censorship FFS.
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dynared · 7 months
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Hello! I'm sorry if you're tired of this topic, but I can't help but be glad that I'm seeing more and more people criticizing IDW comics!
Once I also wrote a post about criticism of these comics, and my main problem was that there is absolutely no lore in these comics, and if there is anything, it is very little.
I just can't believe that for so long the authors haven't brought anything to the transformers lore. During this really huge amount of time and an impressive list of issues, I expected just a ton of worked-out world and everything else. And as a result, the depth of the lore was approximately equal to the depth of the drying puddle.
I don't understand why many fans praise these comics for the politics and the worked-out world, when this is absolutely not the case. Politics is mainly based on some personal conflicts and intrigues, we practically do not immerse ourselves in the structure and work of the political apparatus, ideas, influence on social structures and lifestyle, the response of different segments of the population to this. No, I understand it's difficult and the age audience is not suitable, but maybe you can't make the central theme of comics something that you can't describe and don't understand how it works?
The authors do not know how to describe a truly alien race and, despite their hatred of human characters, have made Cybertronians so similar to humans that it is absurd.
For example, why is functionalism bad? I understand why this would be bad for humans, but why for another species whose lifestyle should be completely different? In fact, this is the most logical way of life for an alien race, because what is the alternative? Is there an alternative? Can Cybertron switch to equipping itself with conventional technology? What will the Cybertronians who are released from work do, what other jobs and activities are there? The authors do not go into this much and we do not see clear ideas of what a Cybertron society should be without functionalism. Well, or I didn't have enough of what the authors gave me.
But well, we have functionalism. Why is it that the elite of society under this regime are mostly the owners of "useless" altmods? Why not those who transform into scientific or very powerful military equipment? In general, under such conditions, the power on the planet would have been seized by the military part of society long ago.
It's not worth talking about the fact that the usual daily life of Cybertronians is described in almost no way. Along with the culture, we have received very little information about it.
Oh, maybe we know something about the transformers themselves then, right? Not really. Basically you can only find headcanon materials. And what about IDW? Maybe they offered us their glossary, terms, schemes? No, there's nothing. Moreover, already at that time, fans on the forums came up with everything and drew the structure of transformers, and the IDW authors were too lazy to even steal any ideas, except for a few.
But if the authors can't work with these topics, do they describe relationships and love well? Again, no, literally all relationships are either built from scratch, or do not develop, or are full of manipulation, deception and emotional swings (yes, everyone's favorite "the only good" pair of Chromedome X Rewind), or end in nothing, as if nothing ever happened. And it doesn't depend on whether it was a gay relationship or a completely straight one, all the relationships there are very poorly written. If this, like Arcee, is a representation, then it looks more like a direct insult.
And, by the way, if love is for everyone, then where is the love between a transformer and a human? Oh yes, authors hate humans. Love is not for everyone!
And in general, it's good, the authors want to add love and romance, but it needs to be justified! Love relationships are not a necessary phenomenon for species, a lot of stars have to come together for this kind of social interaction to be like that. How did the Cybertronians come to this when they don't have any prerequisites for it? How did they get the Conjux Endura ritual (or did you want to say "bonding"? ;) ).Why does such a strict government, as we were told, disapprove, but not prohibit such types of relations, if in all other respects it is totalitarian and cruel?
How do Cybertronian diseases work? Why did Ratchet die of this disease, but not the characters older than him? This point is generally very similar to a cheap way to soften the reader.
I can go on like this endlessly, but I'll stop here. Roberts is not just a fanfiction writer, he is a very mediocre  fanfiction writer who may have a couple of interesting ideas, but lacks the talent to show them. And then, ordinary average writers understand what they are doing and why, and do not get paid for it. It's even more insulting for the authors of fanfiction, who, even for the sake of their strange plots and ideas, try and spin like they're on a frying pan, go out of their skin, coming up with a justification for everything inside the fanfiction. Roberts can't do that.
In the end, I respect the Kiss Players more because the author knew perfectly well what he was doing and wanted to anger the audience, and the audience reacted appropriately. The authors of the IDW comics thought they were doing something smart and great, but they weren't. But the audience presents it as something great.
P.S. I apologize for the mistakes, I use a translator.
There is no need to apologize, you managed to point out the issues with IDW Transformers and why no one really bothered to read them outside of that specific hardcore audience, and not even a general hardcore audience, but an audience that agreed with one specific interpretation of the material, and everyone who had other interpretations could go suck a lemon.
I’ve said it before, this is a prime example of “Writing a comic about a comic” where the use of lore and specific characterizations is so specific to the franchise that any story that is told is Greek to anyone outside of the bubble, which accounts for IDW’s horrible sales. Skybound’s story so far has been criticized by some hardcore fans as a G1 redux, but even if it is, it’s still a well told story with universal themes, consistent, easy to understand characterizations, and characters that are likable for the heroes and hatable for the villains. It has a clear tone, something both IDW and IDW2 failed at utterly. Roberts, meanwhile was a terrible writer, but he was good at engaging the audience the same way fanfic writers do, focusing on the relationships that get the most dialogue, and leaving openings for others to fill in, via discussion or their own fic. But that’s useless when it comes to engaging a general audience. Most of the audience didn’t want to do the work of filling in the holes themselves, they wanted to have the story do that, or at least provide enough context to paint a picture.
As for Kiss Players, while I don’t know if he wanted to purposefully offend the audience or just create shock value, it was a side story comic. It didn’t shape shows afterwards causing them to tank, and doesn’t have people looking at the last show aired and yawning out of sheer boredom.
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https://www.tumblr.com/reflections-in-a-critical-eye/752192695524589568/so-hybe-treats-fan-songs-also-differently?source=share
May i know what you think of this difference in treatment? I have seen solos talk about it but you know they can go to extreme with their biasness but i have never seen jkkrs talk much about the difference. They only say the comapny hates jm and nothing more than that is addressed. They never say jm is competition or any kinda assume but just comapny hates it so idk what ppl that love both jm and jk thinks of this difference in treatment.
Also did you notice that they put jk's solo logo on that song. I mean why put the logo for a song that's supposed to be for armys and festa.... isn't it his solo logo or it's different..
I think I've talked about differences in treatment of both of them in terms of label management. Perhaps last year, around the Seven release. I would have linked the posts, but I apologize once again for this website not being helpful at all.
Jimin and Jungkook have proven that they are the only two members of BTS with an actual succesful solo career in terms of popularity. I'm mentioning this criteria because it's the one brought to the front in every single debate/insult/you name it. So from that perspective, they are both doing well. The difference is that Jungkook's solo path was a BH project in collaboration with Hybe America, whilst Jimin's was not and took a more traditional k-pop direction. Which does make him a competition because his achievements have had close to zero label support. Does it sound absurd? Yes. But if Bang Si Hyuk wasn't happy with NJ and obviously prefered Le Sserafim, even though the success of both groups made him a richer man, then I believe anything is possible. It may be more subtle in the case with BH and the BTS members, maybe there's nuances there on a personal level, I don't know. I'd expand more on it if other text messages would be leaked. Until then, shall I say that it remains a bit vague.
It's clear that Jungkook's solo career in 2023 has been crafted folowing a very specific model, hence all the promotions and label involvement have been in accordance to that model. I would also want to mention that a concept such as fairness or equal treatment is non existent in such an industry. Perhaps the fandom at large was led to believe that based on the BTS idea of togetherness and unity and whatever meaning they have went for. Solo careers are obviously a very different thing in which a lot of factors are at play. From individual preferences, to financial aspects, to what is worth investing in based on possible returns, to perhaps more malicious reasons. Jimin appears to have gotten the short end of the stick with his first solo album, but nevertheless, has had quite a lot of impact. That's a remarkable achievement, especially when compared to a debut fully backed by the label. I don't know what the treatment of Jimin's second album will be like or even after he returns, but I do know that as a fan, it can be frustrating and as much as I still have some hope left, there hasn't been any indication yet that the situation will change. (Sometimes I wish I had been a casual fan, with no access to details or more insight, so I could just enjoy his music and that's it).
As to your last point, I did notice the logo. Regardless of its use or not, the song is for his fans and army, both words used in the announcement (the same as when Jimin released Closer to You, so I find theories on this subject a waste of time).
That logo is part of his brand, which is now under a trademark. If I recall, there was an application for this right before he enlisted. It is a direction he chose for his solo career and I personally don't have an issue with it. He is a BTS member and a solo artist and those two sides can be interchanged and/or used at the same time. To me, it looks like Jungkook chose to create his own brand in connection to his music career. At the same time, Jimin has done something similar. His dad is making sure of that with the ZMillenial brand, but in a slightly different direction. So far, I believe they are the only members of BTS who have done it and perhaps it's nothing but a smart business decision.
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