"I was thinking more like shoving Nancy into the nearest dumpster."
"is there a Greek god of disappointment?"
"Are you stalking me??"
"oh no. you’re coming with me sunshine."
"I'm sorry." *Annabeth proceeds to shove Percy into the water
PLEASE the one liners are killing me
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one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible
like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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Currently in love with the relationship between the Grey Wardens and being doomed by the narrative, especially with how the HOF subverts that relationship so here's a 3am rant about it. Enjoy!
The wardens are ghosts. They are born by letting go of everything you had before and drinking poison to bind your fate to the darkspawn and promise that your life and perhaps more importantly, your death belongs to them. The whole joining is a terrifying experience, you're drinking the blood of monsters and seeing a corrupt god in your mind and waking up to see those who died around you and being told you'll meet the same fate soon enough you've just been given more time to get there because to sacrifice, to die is a warden's purpose. Even if you survive becoming a warden, your best case scenario is sacrificing yourself to end the blight but it's far more likely you'll die fighting darkspawn or even more likely lose your mind and have to go to the deep roads to be lost and have your death be your last act of defiance in the face of this overwhelming wave of evil waiting to rise again. The best thing that can happen to a warden is to die in a meaningful way because you gave away your life the moment you drank that blood. All you are now is a soldier waiting to die in war and hopefully take the enemy down with you. It is tragic and haunting and noble and so full of grief. Grief for the live you gave behind and for the one you'll never have. Every warden spends every day of their life hoping not for a future or any life for themselves but simply to make their death mean something which is an incredibly interesting mental state and I could go on about how that effects individuals and messes with their values so that corruption is rife but what started this whole thing is Fereldan.
A wonderful post by @sapphim (which I don't know how to cite but I wanna give credit so if there's a way please tell me) discussed how beneficial it was for the wardens that the fifth blight occured in Fereldan and how much they lost by it being solved so soon. To put it simply, they wanted to sacrifice Fereldan as a lost cause and use it as an example of why they wardens shouldn't be neglected. They wanted it to be known of how much of a sacrifice they make an how important their duty by letting the country of Fereldan be an example of what happens when no one is there to do it and that the narrative has doomed everyone, that the world's crimes will be paid for unless someone is willing to be selfless and bear the burden to give the world another chance. Andraste would have been a great warden I'm sure. In the eyes of the warden, Fereldan is tainted just like their blood, it is promised to the darkspawn just like they are, willingly or not it bears the duty that all wardens do and must make the sacrifice they do too. For the greater good. To stop the darkspawn. It's better you having a death that matters than a life that lasts. This is the psychology of the wardens and they are applying those same beliefs to all of Fereldan. Why must they be the only ones doomed by the narrative? There is no surviving this story and there is saving the world there is only killing the darkspawn before it kills you. Thedas is at war with the archdemons and until they're all dead, there is no peace, there is only preparing for the next battle. There is no building a life, no building a country, there is nothing to protect because it is all doomed.
The way duty and sacrifice and the promise of the Grey Wardens must alter their values and perspective on life is fascinating and there is so much to explore here but what's important for this post is that the foundation of their entire order is that they are already dead.
This then brings us to the HOF and cheating death. Duncan is like the grim reaper in Origins the way he comes and snatches your soul at the end of each origin which I honestly love and it ties in so well to the idea that wardens are ghosts given you die in every other version of the story without him but that's the story of all wardens. They all die a symbolic death at the joining so that's okay but then Ostogar happens. Flemeth happens. You should have died. Fereldan should have been lost. Remember, the duty of the wardens is dying not surviving but you did survive, snatched away by a god. Every other warden has died thinking their paying the price for an absent god yet this goddess not only favours you, she changed fate for you. Every other warden throughout history has paid the price but not you. Not Fereldan. You get to cheat the fate while it dooms everyone else. Can you imagine how that must have felt for the other wardens? How much they must hate the hero for stealing the martyr Fereldan was set to be and making all their losses naught but a tragedy when it could have been so much more? Not only did you escape your own death but you stole the value of theirs. You survived which goes against everything the wardens are made for.
Going even further than that, you have the dark ritual where you can actively choose to cheat death again. When every other warden has had to give their life, had to sacrifice and lose and grieve and poison their humanity as they did their bodies, you get to escape it all. Wardens have struggled for decades to have a foothold in Fereldan but you'll go so far as to choose their ruler for them without any consultation. You have been a warden less than a year, ended a battle that they prepared for over hundreds of years and sacrificed more hundreds of years fighting in the past and not only have you defied everything they defined themselves by, you have made them look like fools and decided their fate for them. You have stolen the meaning of the death of every warden, you have stolen their martyrs and the justifications for their actions and by keeping your own life and humanity, by resisting their poison you have made them all look like monsters.
The hero was doomed by the narrative as all wardens are but they rewrote fate, they stole their life back so many times and by surviving, they created a whole new narrative that ruined everything the wardens were built upon. The wardens were made to be ghosts, not heroes. They're meant to die and be remembered nobly so they can be redeemed for they had to do to get there but not you hero. You get to shame us all, don't you?
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I have this silly headcanon of Jean becoming accustomed to Jeremy's scent and at times relying on it to ground himself in the moments when things get too much and he feels overwhelmed by his traumas. Because the Nest had a smell, one that was sharp and metallic from all the blood spilled and knives drawn. But Jeremy smells soft like coconuts and vanilla. It's warm, and it's new, and it's distinct, and it's how Jean knows he can relax.
And one night he's alone in the dorm because Jeremy has gone out and Jean stayed in, practicing at distancing himself from his team captain. But, he wakes from a nightmare disoriented and shaken up. The only thing that seems to settle him is Jeremy's scent so present and familiar now as it fills the whole room. On instinct he stumbles over to Jeremy's vacant bed and throws himself onto it burying his nose deep into Jeremy's pillow. He can smell that trademark coconut shampoo and his heart starts to settle in his chest and his muscles relax. He knows where he is now and he feels safe. Before he knows it he's fallen asleep. Jeremy finally gets home not too long after, and that's how he finds Jean tangled in his sheets fast asleep with his hands fisted on Jeremy's pillow as if someone might try to steal it from under him.
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