#original: video

[littleguysdaily]

[unpretty]

as a kid i thought i would graduate from kid problems like cleaning my room to adult problems like jobs and taxes. but instead i have a job and taxes and still have to clean my room. cleaning my room is a lifetime problem. i will never stop having to put my markers away before bedtime. this is a rude way for aging to work.

[edwardbonnets]

how to ask the demon you've been smitten over for 6000 years to dance: an angel's guide

bonus:

[antdays]

my dealer: got some straight gas 🔥😛 this strain is called "four hour video essay about plagiarism" 😳 you'll be zonked out of your gourd💯

me: yeah whatever. i don't feel shit.

5 minutes later: dude i swear i just saw brian deer say that exact sentence before

my buddy hbomberguy, pacing: james somerton is lying to us

[hell0mega]

people are drawing Steamboat Willie Mickey doing all this crazy shit and whatnot, but you could always do that. you can do that now, with current Mickey, just fine. it's fanart and it's legally protected. hell you could take Disney-drawn Mickey and put a caption about unions or whatever on it and it would still be protected under free speech and sometimes even parody law.

what is special about public domain is that you can SELL him. you could take a screenshot and sell it on a tshirt. you can use him to advertise your plumbing business. people have already uploaded and monetized the original film.

you could always have Mickey say what you want, but now you can profit off it.

[yeehawpim]

[swampjawn]

Time to talk an unnecessary amount about floors!

Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.

And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.

The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.

But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!

And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!

By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)

Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.

I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!

I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks

[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.

[videogamepolls]

This Wikipedia article has a more comprehensive list

[blueskittlesart]

i hope everyone in nintendo’s management department dies and goes to hell no matter what and i’m not kidding

[olympain]

In 2017, Peter Capaldi wrote a comforting letter to a 9-year-old Doctor Who fan who was dreading to see his favourite Time Lord leave the show. At the 10th anniversary Letters Live show, Jodie Whittaker read the letter.

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[bixels]

I watched Starship Troopers tonight.

[naomistares]

everyone decided to skip in the bathroom

(shakily and brittlely: im never doing backgrounds again)

[qursidae]

Girl I love you 🥺

[Carrd 🃏]

[yeehawpim]

a comic with some norse mythology

[liriostigre]

Brian Cox reads “If I Must Die” by beloved Palestinian poet, teacher and martyr Refaat Alareer.

Refaat was killed on December 7th by an Israeli airstrike. This was the last poem he published.